Comics Books

These stories are unbelievable!! Kevin Smith has come through once again with these stories which are just as funny as the movies. There are jokes in here that will have you laughing out loud, and there are some moments in here that will fill you with the Christmas Spirit. There is even a scene that was actually emotional. Dante and Randal are the main focus in these stories, since it is about "Clerks". Other characters from the View Askewniverse are also in these stories, even the return of Caitlin Bree!! There is even a scene with everyone's favorite guy who just wants to see the sailboat, you know who I'm talking about. If you loved the movie, you will love these stories too. They are just as witty and funny, with a little true drama thrown in, as the movie you have come to love. As a fan, you owe it to yourself to pick this up, it is worth every penny!!

i've been a fan of kevin smith and his movies for about 6 years and i just got the book this year (2006). i'm not really a fan of comics but i have wanted to get ahold of the comics by him and see what they were all about. these comics are great. the lost scene is hillarious. i'd say that ALL of the comics by smith are a MUST for any fan. hillarious stuff.

This is a SWEET book, i am a die hard Kevin Smith fan[God Bless All u other Kevin Smith Fans!] and this book is awesome. I really love how it is like the movie. This is a must have for all u Kevin Smith Fans............Oh yea....SNOOTCH TO THE NOOTCH!!!

For all of those people out there just like me, you cannot get enough Kev Smith material. This collection of comics spins off of the movie, Clerks. Randall does not dissappoint with crude behavior and his warped yet sensible logic. Find out what happened to Caitlin. How do you awaken a comotose female who had sex with a dead guy? Dante knows. Jay and Silent Bob naturally appear and even host the "Lost Episode" from the funeral in Clerks. Saying Kev Smith has milked this concept to death shows how little a VA fan someone is. Jay points out how the tubby one is cashing out, tongue in cheek of course. This book is not for the money it generates, it is for us die hard VA fans out there who cannot sit idley by and wait for the next flick.

This is so funny you may laugh yourself unconscious. You may want to check with your doctor first. Composed of several episodes from the Clerks comic book series, Kevin Smith authors some of the most laugh outloud comic adventures I've ever read. Reprising the characters from the Clerks movie and guest appearances from Smith favorites Jay & Silent Bob, Clerks: The Comic Books is a highly recommended good time.

I've been a Foxtrot reader for a long time and personally I think there is something suspiciously wrong with people who don't find Bill Amend's characters funny as all get out. If you want a good laugh, check out Bill in your local newspaper, or better yet, get one of the Foxtrot books. They are all great, really, they are.

Like many of Mr. Amend's fans I'm a bit disappointed he's switching his strip to Sunday-only, but fortunately I can still read him daily in the Foxtrot books. Get them one and all and you can keep right on a laughing.

I have been a faithful FoxTrot reader for years. Roger, Andy and their kids Peter, Paige and Jason are always good for a reality check with a large dose of laughter. I've got two girls and let me tell you, I see a lot of my kids in Paige with, I believe, even a healthy dose of Jason thrown in. And they have Peter's bottomless stomach. Of course, they're faithful FoxTrot readers too. I used to read the strip to them, explain what was going on, but now they get it just fine and we three all laugh together. Then my girls try and explain the strip to their dad, who pretends he doesn't get it.

The FoxTrot folks are a great family, one we sort of got used to checking up on every day, so we took the news that Mr. Amend was going to cease daily distribution of his wonderfully funny people and turn his strip to Sunday only, with a bit of sadness. Still, we have these terrific FoxTrot books to keep us going with our FoxTrot fix. Mr. Amend is to be commended for his great gift to our culture and his great gift to so many lives. I truly believe a laugh a day, helps keep the blues away and the FoxTrot gang are always good for a laugh. Heck there are a lot of laughs in the FoxTrot books. I know, I have them all and I am, along with my girls and my hubby dear, eagerly awaiting the next one.

Oh yes, I forgot to mention, we don't have an iguana, but my girls do have a pet gecko and, you guessed it, his name is Quincy.

This is one great Foxtrot book. The arc about the desert trip is hilarious and it is well worth the invetiment on the future laughs when rereading this.

This book is just great! I love the FoxTrot comic strip and wish my paper would carry it. Every single strip is great. I say FoxTrot is almost eeire for myself, 'cause I just see SO MUCH of myself in Jason---Star Wars nut, Star Trek fan, and lover of dinosaurs and the Lockheed F-117A Stealth Fighter. I think the Fox family's trip to Skeeter Falls is my favorite series of strips in this book. I highly recommend it!

Bill Amend is back! The Fox family has a ton more fun and you will too! You'll laugh till your head falls off!

I've read all of SiP, from the first novel to the latest, which I think is number 11, Heart in Hand. The entire series is amazingly complex, with so much depth to it-- and every graphic novel adds to that depth, often putting another layer on events you thought you understood the first time around. I recommend re-reading SiP once you're through, so you can catch all those things you didn't think were important when you first saw them!

Moore is amazing in that every character he creates is truly multi-dimensional; even the bad guys have background. No clear-cut lines in this one.

SiP was the first comic I've ever read-- and still the best. I truly recommend it highly.

Just a good story, with realistic characters, a interesting plot and great artwork. Katchoo, Francine, David, Freddie and even the neighbors have a part to play in this story line. This small collection is but the first volume in (what I hope is) a neverending story of love, hope and, sometimes, pain. If you love comics or DON'T love comics this is a book to buy!

I don't differ that much from many other teens my age, but in some ways I do. One of those ways is what and how much I read. While many of my friends struggle with eighty-page children's chapter-books, there's almost nothing I enjoy more then sticking my nose in the latest 400+ page novel. I don't usually read comics, but when I stumbled upon Strangers in Paradise, I was intrigued by the brief synopsis on the flap and decided to give it a try.

SiP turned out to be one of the greatest reading experiences I've ever had. The plot, and characters, are complex but not imcomprehensible, and the art is fabulous. It's not for people like some of my rather illiterate friends, but I recommend the entire collection of Strangers In Paradise to anyone- comic book reader or no, age doesn't matter- who enjoys a good read.

For those who aren't afraid to try something different, this is it. Funny, well drawn, and interestingly written. Just about the best non-superhero series outside of "Bone".

I love this series-I am an avid reader but never got into graphic novels-too superhero-ey, too violent, too dark...I picked up a Strangers In Paradise book at a friend's and I am now the proud owner of the entire collection. Track down your local comic book store and spend $ on one issue-Katchoo, David and Francine may become your close personal friends! If you dig the issue, get this collection to start you off into Strangerhood. Enjoy!

I got this for my fiance--she had a few of the original issues and wanted the whole set. It's a lot of fun if you don't mind the almost idiotic amount of scenes stolen directly from movies and other comics. Nothing original (except maybe in it's frenetic rush to cram every James Bond and Indiana Jones and Captain America story ever all together at once) but it certainly is entertaining. Note: Not recommended for guys with jealous girlfriends (lots of gratuitous eye candy in this thing).

I can remember distinctly when Danger Girl came out, one of the premier series of Image's "Cliffhanger!" imprint (along with Ramos' "Crimson" and Madureira's "Battle Chasers"). Danger Girl didn't last long - only seven issues came out before the series proper was cancelled, but what a ride it was. Danger Girl, created by writer Andy Hartnell and artist J. Scott Campbell (of Gen 13 fame) follows the exploits of a group of female spies and adventurers on the trail of some superpowerful artifacts; the only problem is, a superpowerful criminal/political organization, The Hammer, is after them as well. Super high-octane spy fun ensues as a result.

What's surprising about this comic is, with a hokey premise like the one above, just how rip-roaring good it really is. At first blush a product of the mid-1990s "Bad Girls" craze (the main characters are attractive female spies in revealing costumes...hence the title), Hartnell and Campbell combine an obvious love of a good old-fashioned action yarn with pieces of 70s and 80s nostalgia - references to and influences from many pop culture institutions abound, including Star Wars, He-Man, James Bond, G.I. Joe, and many more. There are also ingenious homages to Raiders of the Lost Ark: a car-chase scene near the beginning of the volume (including a very familiar covered cargo truck...) and the climactic scene at the end are pitch-perfect tributes to that seminal action film that will leave readers smiling. Campbell's artwork is another reason to give this comic a chance: walking the fine line between cartoony and stylized, his characters are expressive and relatable, his backgrounds detailed, and his grasp of anatomy highly intuitive. Very much recommended.

But the attitude, dialog, and art in this series truly wins me over in a way that no other graphic novel has. I'll admit to not at all being a comic book junkie, but I do have a collection of close to fifty. I've never read a comic that sucked me in as fast as this one does. The vibrant coloring, extremely cliche and lame one-liners, and incredibly gorgeous women make this a very fun, very enjoyable read for any kid over 13.

I'd definitely rate the content of this book a PG-13 though, because there are a LOT of shots which show off 98% of the girl's bodies. Truth be told, those shots weren't really necessary for me because I enjoyed it for the action and humor, but I suppose there had to be a draw for the average, acne-ridden, comic book reading teenager that they wouldn't get from other comic books. And Abbey and the girls definitely do not disappoint in this area.

As a fan of a like-minded TV show called She Spies, I love this comic and would recommend it to anyone I know to be a fan of light fun reading. The action and humor is none-stop in this book. The only thing I didn't really like was the sub-plot involving "mysterious" male character "Zero". He really WAS a "zero" in my book as I couldn't bring myself to give a crap about him.

Anyway, if you ask me, this series is begging to be turned into a summer blockbuster film and I've actually begun writing a script for it. Probably doesn't mean squat since I'm not at all affiliated with hollywood, but the fact remains that I'd really like to see this series get the big-screen treatment.

To me, this graphic novel perfectly embodies what comics are meant to do. It pulls the viewer into a whole other world for the span of about an hour.

What's included:

Introduction by "Evil Dead" Star Bruce Campbell
Introduction by Danger Girl Creator/Artist J. Scott Campbell
Danger Girl Preview
Danger Girl 1-7
Cover Gallery containing all regular and variant covers
5 Page Danger Girl Sketchbook

Danger Girl is a wonderful world of action and adventure told through beautiful artwork and a story that is just plain fun. It follows adventurer Abby Chase as she is recruited into the female secret agent team known as Team Danger Girl in their attempts to stop an evil terrorist threat to the world from a neo-fascist organization called The Hammer Empire. This trade collects the first and really only good Danger Girl story as most of the one-shots that followed where done by different artists and were not up to par.

Like all the Image books of the 90's, most people paid attention to Danger Girl because of J. Scott Campbell's artwork as he was already famous from the comic Gen 13. But unlike previous Image comics that relied on art, Danger Girl and the other Cliffhanger Comics, Battle Chasers and Crimson, actually had a story that was bearable to read.

Danger Girl is heavily influenced by Campbell's love for the movies, and fortunately his love for downright entertaining movies such as Indiana Jones and Back to the Future. While the story resembles Charlie's Angels, True Lies, or a James Bond film more, it holds the feel of all those entertaining and fun adventure and spy movies by not taking itself too seriously.

A particularly enjoyable element to the comic is the "Previously in the pages of Danger Girl" page that begins each issue of Danger Girl. In just one page, the creators recap the last issue, throw in some funny captions, and always use a "cliffhanger" by warning of our heroes' "apparent DOOM!" These recaps have the campy feel of old TV shows like Bullwinkle and the Adam West Batman when they would preview the next episode.

What adds to the story-telling is Campbell's artistic style that is influenced by animation which gives the characters movement and expression rather than just magazine poses. Campbell also uses many widescreen panels along with well-timed close ups to show that he really had the cinematography of the story in mind when creating Danger Girl to make it feel like an action movie.

The weakest part of Danger Girl: The Ultimate Collection is the 5 page sketchbook in the back. It is interesting to see some inner-workings of Campbell's art, but it is not nearly enough for fans of his work. These sketches and many others can be found in "J. Scott Campbell's Danger Girl Sketchbook."

All in all, Danger Girl is a fun comic that strays away from the superhero theme and actually puts a little comedy into a "comic" book. The art is great and the story is entertaining. Take Danger Girl for what it is and don't take it too serious because it doesn't take itself that serious.

The tone of Danger Girl falls somewhere between a wry pastiche and loving celebration of all things 'spy' - at once ultra-cool, and uber-camp, spectacular and cliche, tantalisingly sexy and good clean fun. The stylised, gorgeously colorful pages positively ooze action, and the cinamatic layout draws you the delightfully exciting and improbable world of Abbey Chase, renowned explorer and rogue. Like any Bond film worth it's salt, the plot kicks off with a (literally) explosive opening sequence in which Abbey, with Indiana Jones' determination (and Lara Croft's bosom) chases down a lost artifact and is introduced to covert crime-busting team, the Danger Girls - fronted by the mysterious 'Deuce' (a witty and adroit caricature of Sean Connery).

It seems as if every page that follows is riddled with references to other spy and action thrillers, from shiny gadgets to pithy one-liners (usually delivered mid-battle, or following a sticky demise) and constantly treads the line between gentle ribbing and heartfelt admiration - it seems pretty clear that this is the world that J. Scott Campbell would inhabit if he could (probably with his own island fortress and buxom bodyguards). Its hard not to grin at the pure exhilarating pace, peppered with set pieces that would honor any summer blockbuster, and I frequently chuckled with delight at the plot-refreshers between each chapter (in my head they were narrated by James Earl Jones, and prefixed with 'Previously, on DAAAANGER GIRL!).

Having been indoctrinated into the team, we chase Abbey and her Danger Girl chums as they battle across Europe in defiance of the evil Hammer Empire - a neo-fascist regime with dreams of world-domination (seriously, are there any neo-fascists out there content to just read the paper and watch Jeopardy?). Cue car chases, romantic interludes, gun, knife and fist fights and of course plenty of heaving chests crammed into leather catsuits. Every frame is furiously detailed and, as I mentioned earlier there is sufficient skin on display to induce the loosening of collars - though in a James Bond-ish, PG13 kinda way. Aside from the pneumatic qualities of its Heroines, the artwork is simply superb, and its gratifying that every page is treated with the same glamor and sharpness.

In keeping with its big-budget movie cousins, the plot really isn't that unique, and the twists and turns didn't leaving me shaking my head. Still, it all fits perfectly as a 90 minute popcorn-munching ride, and this edition features some bonus artwork (cover art, conceptual sketches etc), plus a forward by Bruce 'Evil Dead' Campbell which sets the tone nicely.

If this was a film it would be produced by the Wachowski brothers, Directed by John Woo and star Jenna Jameson and Angelina Jolie. As a graphic novel, I heartily recommend it to comic-fans, newcomers alike, and anyone else who could use a bit of Danger in their lives.

"Out" is the second volume of the Bendis/Maleev run on Daredevil and its great. This story follows up on the conclusion of the previous volume of the book, when Silke outs Daredevil's secret identity.

This story arc shows how messed up Matt Murdock's life, there is very little in costume action here, only a fight with Mr. Hyde, most of the volume just focuses on how Murdock's life is falling apart. The characterization is great for both Matt and Foggy and the developments the character goes through in this book sets up interresting ramifications for future Daredevil stories.

Bendis' writing is as crisp as ever here, as he sets up his Daredevil run as something, which is not ur normal superhero book. Bendis' talking heads style plays a large part on the developments in this book, and Bendis also shows he gets Matt Murdock's character and why he does what he does. The story feels very realistic due mainly to the fully fleshed out characters. Bendis' dialogue is also crisp, one line that strikes me is the internal monologue by Murdock "I know before I wake up...I know my life is over" absolutely brilliant

Maleev's art is great, he stepped his game up a bit with this volume, making the art here even better than it was in "Underboss". His layouts are great and his gritty and noir pencils give a grounded feel to this story and fit it perfecty.

When you end the main part of "Out" you'll most definately be left wanting more of the Bendis/Maleev ongoing story. So the three issues that follow may be somewhat of a disapointment.

The trial of the century three-part arc, despite being well written, it falls short of the brilliance that the 5 parter before this story was. The main plot consists of Matt Murdock defending a fellow super-hero in court, if your interessted in lawyering, you may get a kick outta this story, but me, not so much.

A lot of the failure in the back up is due to the sub-par artwork, after being treated to Maleev brilliance in the previous 5 parts, Gutierrez' and Dodson's artwork, is ok in their own right, but they dont really match the feel of Daredevil taht much, I still have to say it is nice tho, just no where near as good as the interiors Maleev produced earlier in the trade.

Despite a somewhat disapointing back story, "Daredevil: Out" is most definately worth reading for the main story, the back story, despite not as good, still manages to be entertaining in its own mertis. This book is worth every cent you put into it, but if you haven't read "Underboss" yet, I'd most definately recommend you to read that before coming to read this book, since the plotlines in that book are what moves this one forwards.

As the title implies, Matt Murdock is about to experience one of the worst days of his super hero career. In one of the crowning moments of Brian Michael Bendis' run on Daredevil, Daredevil's secret identity is outed by the press as the FBI and criminals alike gather around to make their move. Out is where Bendis really hits his stride on the title and takes Daredevil to heights that haven't been seen since Frank Miller's last runs on the title. His Hell's Kitchen is a gritty, dangerous, dark spot on an otherwise shiny Marvel-ized New York City, and his depiction of Matt Murdock/Daredevil is the most human the character has been in years. Later on, we see Murdock embroiled in a trial as he defends a low rent super hero who was at the wrong place at the wrong time; which plants seeds for further, bigger developments in Bendis' celebrated run on the title. Alex Maleev's artwork is spectacular as well, which has come to be expected if you've read Daredevil at any great length over the past few years. All in all, mainstream super hero comics rarely get any better than this.

Just a quick glance at the myriad of Daredevil trade paperbacks out there will give some indication of how many permutations this character has gone through. Unfortunately few truly understand the intricacies of the character who can turn into a third-rate ninja in one writer's hands and a cut-rate Spider-man in another's.

Luckily Brian Michael Bendis "gets" Daredevil - much as Miller and Smith have before him. As others have said in their reviews before this one, this is certainly not a conventional superhero tale as it focuses more on Matt Murdock and less on his costumed alter-ego. What appearances there are from the spandex set are limited but very effective. And you have to give credit to ANY writer who can make Mr. Hyde interesting, if only for a few panels.

Two disapointments: 1) The conniving Mr. Silke, who basically sets Murdock up for much of the misery he experiences in these issues, essentially becomes a castrated character barely even appearing in these pages. Perhaps Bendis has something up his sleeve for Silke. I hope so, as this story really wastes his potential.
2) The final third or so of the book is taken up with a White Tiger storyline that is moderately good, but certaily nothing like the Bendis/Maleev stories that precede it.

Bottom Line: The Hollywood screenwriters could learn a LOT from Bendis and Maleev. This is a worthwhile read!

For the record, I've never read anything by Bendis that was as good as Alias, which was fantastic, all the way through. I read "Wake Up" first, and I was very impressed, although I wasn't sure that I was getting a clear idea of Bendis' Daredevil, or of Daredevil himself, for that matter, as I have never read a Daredevil book. I picked up Underboss, then, and I enjoyed it enough to want to pick up the next volume.

This trade contains two stories: "Out" and "Trial of the Century." "Out" is fantastic. The idea is daring as hell, and it's handled perfectly. The characters are all completely believable and compelling--particularly, Matt Murdock, Foggy and Ben Urich; the dialogue is fantastic, the story is engaging and Alex Maleev's artwork is perfect. It has the same gritty feel of Michael Gaydos' artwork, and it looks great; figures and facial expressions are all natural, too.

Then there's "Trial of the Century," which was fairly poor. The main problem with it is the artwork, which is ridiculously poor for all of Manuel Gutierrez's issues (parts one and two). It is distorted and ugly; the way that Murdock's hair sticks up alone shows that Gutierrez doesn't have a basic understanding of how gravity works--or how hair works. Murdock looks very much like an alien in some panels.

The third issue, illustrated by Terry Dodson, is much better. It's nowhere near Alex Maleev's artwork, or David Mack's, but it's nice and stylized, and it does have something going for it.

That said, the writing on this one was okay. It wasn't as good as "Out," I think, although I'm sure that the artwork had something to do with how little I enjoyed it, but it wasn't wonderful, either. One thing that I really enjoyed in Alias was the way that Bendis could makes ridiculous characters like Speedball, or Mattie Franklin (Spider-woman III) believable, or even idealized super-heroes like Captain America or Ant-Man (Scott Lang) feel like real, relatable characters.

That doesn't go over with the White Tiger, who seems like a stereotypical hero, most of the way through. The opposing lawyer and the judge both seem like charicatures; there's nothing really impressive here. Still, it's Bendis, and, really, the artwork is probably what hurts the story the most.

Still, four stars because "Out" is so good.

Be warned: This collection may cover Daredevil #32-40, but Daredevil hardly appears at all. There's only a brief appearance by a super-villian, and that's by the fourth-string Mr. Hyde. There are cameos galore, but of the appearances by Spider-Man, Luke Cage, Iron Fist, Elektra, Jessica Jones and the White Tiger, only Spider-man does any real "super-heroing". The story doesn't advance or conclude with a big battle royale and a resolve where our hero saves the day and the world is put right, but with...well, find that out for yourself.

This is the best Daredevil storyline since Born Again.

Read Underboss before this to get the full story. In breif: Daredevil's secret identity has been outed by a tabloid newspaper (whose source is also an unconventional surprise). The repercussions are real and, no, there won't be a resolve with both Matt Murdock and someone else disguised as Daredevil appearring in the same place at the same time.

Bendis' strength as a writer of dialogue and creating memorable, vital characters is at its' peak here. Matt Murdock creates his own problems and ruins good opportunities because of his own flaws, not some super-baddie vowing revenge. Maleev's artwork is dark, gritty, moody and somber: an ideal match for Daredevil (and the colors by Matt Hollingworth and even the lettering by Richard Starkings are also well-suited and noteworthy).

Bendis and Maleev as a creative team for daredevil is so effective and evocative because they were both clearly influenced by Frank Miller. However, they are are not just aping Miller, they're embellishing. Their vision for Daredevil will forever change the character and in time may be remembered as just as important as Millers'.

The only drawback is the artwork in the last White Tiger story. It's okay, and it's a good story but without Maleev, it's just not the same, and it would have been really interesting to see what Maleev would have done with the story-line.

Pick this up. It's not just the best mainstream comic today, it may be the best thing in the entire field.

After you finish practicing Bruce Lewis' tips and techniques, you cannot help but emerge with your own particular style. Instructions are clear, informative and inspiring.

Its actualy the most helpfull book I have purchased so far when it comes to drawing in that style. It stresses the importance of practicing your own style and mastering it before moving on to anime esk figures. infact heres some advice, master basic anatomy before you decide to try manga, you have to be experienced regadless. The "How to Draw Manga" series is flawed in that it expects the customer to already know how to draw...

This book is great, step by step guide to drawing your own manga. not copying someone else's style.

Not so much emphasize on drawing, rather a book that takes you from the start ( what is manga ) to the end ( stitching it together and distribute it). It is a real thought-out book and I really enjoy reading it.

Zon

Though not exactly what one might call a "Draw by the numbers" book, "Draw Manga" offers a very interesting perspective on the concept of drawing in your own personal "manga" style. The author points out from the very beginning that there really isn't one unified "manga" style of cartooning, and delves into the history of Japanese caricature, explaining its very roots and drawing connections to the modern art form.

The book doesn't exactly tell you how to draw, it actually puts more emphasis on learning to draw from life, in order to build the reader's ability to visualize a subject. From here, the book describes the human anatomy, and its many different details. At this point, the reader is expected to practice drawing on their own, and learn at their own pace. Another major topic explained in this book is that of actual production, that is, how to piece together and sell one's work in book form.

"Draw Manga" isn't exactly an all-encompassing "how to draw" book, and to actually learn drawing, sketching, and coloring techniques that may be used to develop one's own style, it may be helpful to consider several different books or tutorials spanning different authors and art styles. That aside, "Draw Manga" is certainly a good place to start learning the ropes, especially since it helps remove a few common myths about drawing that may obstruct one's learning process, giving an aspiring artist a very fresh start.

Wendy Pini has certainly outdone herself! Her artwork has always been versatile, changing to fit the mood of the story. In this graphic novel, she used vivid watercolors to tell the tale. It's amazing! The stories are also superb, in the honored tradition of Elfquest. My favorite story is the one about Tyleet and her adopted human cub, Little Patch. Wendy Pini is definetly my favorite artist! :)

This compelling book contaning 5 of Wendy and Richard Pini's Hidden Years comic books. Which in my opinion are well thought, written, and drawn. These stories can make you cry, and they can help you understand the mysterious world of Elfquest, which few know but love. This must be at the top of every Elfquest lover's list, for it is a very very good book.

A collection of short stories, _Hidden Years_ fills in some missing spots in the storyline, mostly from the time period before the 'Shards'and Kings of the Broken Wheel timeline. It was really nice to see that a story could indeed be covered in the equivalent of one issue of a comic book. My favorites are the story depicted on the cover and the origin story for Skywise. No spoilers here, just go out and get it.

Wendy is arguably the best comic book artist of our time, and this little gem has got to be her greatest work ever. This is the very first book by the Pinis that I bought. (Which may I recommend that you don't get this first. You will be very confused, even though the stories are great in themselves.) This one book started the Elf-mania in my family. Now, I buy all of them, even the off-the-wall side stories that are more humorous than anything (see "New Blood" and "Worldpool"). It's really great artwork and rich color are the best. And Strongbow is a heartthrob.;)

In a slightly smaller format than the original paperback volumes, the Elfquest tales that occurred between the great espiodes of the elfin adventures on The World of Two Moons are all presented in full, glaring colors that really blinds your eyes which are more accustomed to the gentler tones of the colorized comic-book collections. Here you meet Strongbow and his wolffriend, Kyavek and her winged boyfriend, Ember and her coming-of-age discoveries, Tyleet and her foster kid, and Skywise and his ill-fated parents. Personally, I feel that the gentle little Tyleet had inherited her mother's child-hunger, so she had a chance to fulfill her aching maternal instincts with an abandoned infant from a nearby human camp. Pretty sappy, in my opinion. But all the Elfquest fans get to unlock even more mysteries about their most favorite elfin characters as well as color-saturated new stories to boot!

I thought this was one of the best books in the EQ series, and coming from me thats saying quite a bit, oh and Winnowill is a subject worth thinking about.

ElfQuest is a wounderful series for anyone whom reads it. It is full of some of the personal expierences from Wendy and Richard Pini's own life, it contains moral lessons, it has incredible insight, a dynamic story and georgeous artwork, do not pass this book up! IT ROCKS!!!

If you are new to the world of elfquest this is the third book in the elfquest line.Before it comes the books Fire and Flight(book #1)and the Forbbiden Grove(book #2). In this book, you meet the Gliders, a group of elves that claims to be the High Ones. You also meet the dark and evil Winnowill, a healer but one which uses her powers for hurting rather then healing.Lastly you learn the secret of the Wolfriders... I won't give away the story but I do reccomend you buy this book for its art,story and feeling...

This is the third book out of four collections of the original quest which are, in my opinion, works of genius!! The first book is Fire and Flight, the second - The Forbidden Grove, and the last (In my opinion, as the stuff that follows doesn't really seem like Elfquest to me) is the Quest's End. I have been reading those same four books over and over again for 15 years and I feel that they have enriched my life.

Of course, being an ElfQuest fan, I love pretty much everything ElfQuest, including this book, and so will you if you like ElfQuest in general.

However, this is the paperback/black and white edition-don't buy it! Warp and Marvel comics are coming out with hardback, color editions of I believe all of the ElfQuest storyline, just slightly re-organized from the last hardcover/color edition of their graphic novels that they released- heads up, don't go paying fifty bucks online for someone's used old copy! Unless you're really impatient don't go buying this! The next one to be redone in color and hardback should be #3! They've done 1 and 2!

Although it will be more expensive that way, if you're going to bother getting into something that is primarily a visual medium, why not in color as it was meant to be seen? Nothing "artistic" about this kind of B&W, it just loses.

VERY GOOD!! the best yet.

VERY GOOD!! the best yet.

I say this is more (much more) bloody than others of four ordinary ElfQuest, but it is writed well. There is a story much morer than ever in "Fire & Flight". Kahvi's the new character in this( you see her in picture) , and she is the chief on elkriders, who call themselves Go-Backs. Go-Backs live in shadow of mountains were is a HOME OF HIGH ONES. And with wolfriders they found it. once more i will say: Wolfriders never die. Yes, I know one-eye just did in a "Captives of Blue mountain", but, if you read this, you se how many of Go-Backs die. And that is normal. But NONE of wolfriders. They have armors as much as Go-backs.

But to end this, I tell you: Wendy and Richard teach us in every book , and they tell about life.

Believe me, you just won't believe this! This is the most skillfully drawn and written part of the whole "Elfquest" series next to the part about the adventures in the Blue Mountain. In fact, you won't see anything like this ever again in any Elfquest tales, nor even the future ones yet to come, I suspect. The great epic of war against the bloodthirsty Trolls of the Great White North begins right after the imprisonment of elves in the Blue Mountain by the witchlike Winnowill - a real teeth-rattling clash of so many different characters, old or new with their individual personalities and differences. In additional, a whole galaxy of the fantastic environment on the far-off World of Two Moons really opens up for the very first time to your mortal human eyes - from the monstrous labyrinth of the Troll lair to the shimmering walls of the long-lost Palace of the High Ones - with a whole bagful of earth-shaking surprises to boot! If you already have this rare book or are lucky enough to get your hands on a copy, I sincerely promise you that you just won't be able to put it down, nor read it just once!

For the first time since the original Elfquest story was released as a 20-issue series (from 1978 to 1984), it has been published in the original black-and-white format; the new Reader's Collection printing of Book 4 includes issues 16 to 20 (the last five), dealing with the elves' campaign to wrest control of their ancestral home, the Palace of the High Ones, from a hostile, heavily armed tribe of trolls.

By now much ink has been devoted to the originality and emotional conviction of the Pinis' tale, and of course Wendy's artistic skills need no further explanation. However, it is good to see, once again, the sheer quality - and expressiveness - of the artist's pencil-work as originally presented; some of this was obscured by the mediocre coloring of the editions published since the late Eighties (quite unlike the elegant coloring-work of the earlier Donning versions of the first four volumes, still worth having after all these years).

It has been said many times before, but it should be said, again, that the Pinis demonstrate their storytelling prowess by breaking the conventions of fantasy fiction; most importantly, the fulfillment of the quest is seen to be costly, even in the loss both of lives and innocence; and the battle, though necessary for the elves to reach their goal, is not their be-all and end-all - the truly life-changing events lie further ahead. The climax of this story possesses a nuance and thoughtfulness worthy of "real" fiction, and this, even more than the superlative artwork, gives the tale its substance and emotional power.

A final note on the presentation: some printing errors have unfortunately crept into this Reader's Collection book (as they also have in volumes 5 and 12a (the first printing only) of the series) - many pages are out of their proper order, so if you are new to EQ, try to find and earlier edition of Book 4 to enable yourself to follow the plot correctly. That caution aside, it is good to have the original EQ storyline again - now priced to gain a new audience.

this book is great.Very happy to included this one in my collection.Already have a tattoo planed of bride of frankenstein.

I'm in agreement with another reviewer that mentioned the book could have been better written. That being said, it is well worth the price for all the fantastic paintings and drawings. A must for every fan of horror and sci-fi art.

Even without text, this book would've earned 4 stars, just for the impressiveness of Gogos' work. Within this book are large, crystal-clear repros of his most famous monster cover paintings, as well as samples of his illustration work.
The only setback for this book is its lack of depth in the text. It seems that whoever was sent to interview Basil didn't ask too many questions, didn't want to really know too much about him except for his general acheivements, and didn't ask him for a demonstration of how he works. Among all of the great pics, some candid ones of the artist would've been nice, most notably a pic of his studio.
Still, the images are so rich in color and character. Worth it!

First of all...Like so many reviewers before me have said; almost every boy that grew up in the '50s & '60s anxiously collected our 35 cents every month so we could go to the local candy store & buy the latest issue of Famous Monsters of Filmland. This magazine became our bible & 4E Ackerman became our surrogate father. More than 45 years have passed; but I can still remember those magnificent covers as though it were yesterday. Basil Gogos painted the cover of the Gorgo issue which had a blue background & also the Vincent Price issue which had a white background,etc. This Book displays all of Basil Gogos outstanding cover art which graced the cover of FM for so many years. Don't take my word for it...ask Stephen King, Rick Baker, George Lucas, Stephen Spielberg, John Landis, Rob Zombie & a host of others..This book is an absolute delight for the senses & like fine art is meant to be treasured,

If you were fortunate to have been born between 1950 and 1970 or so, you're lucky to be a part of a wonderful fraternity. Like me, you are a "monster kid". Monster Kids are the generation that grew up with Shock Theater and campy horror movie hosts, old Aurora model kits, classic Universal horror films on 8MM, and...a fantastic magazine called Famous Monsters of Filmland. Famous Monsters was edited by legendary collector and Sci-Fi sage Forrest Ackerman and one of the great attractions throughout the years were the magnificent magazine covers painted by Basil Gogos. From Vanguard Productions comes "The Famous Monster Movie Art of Basil Gogos." Basil Gogos has rightfully been called, "The World's Most Famous Monster Artist." His bold, expresionistic use of color is what caught the eye of little ghouls like myself and my friends. Edited by Kerry Gammill and J. David Spurlock and with an introduction by Rob Zombie, the book provides a dazzling display of Gogos' art not only from Famous Monsters, but from many other magazines, books, and films.

In fact, his first professional sale was not a monster, but rather a cover for a western paperback (reprinted in the book) in 1959. Gogos did numerous covers in many different genres including westerns, war, jungle adventures, spicy adventures, and more. Dozens of examples of his work from this period are included. His first cover for Famous Monsters of Filmland appeared on the cover of issue #9 from November, 1960, depicting Vincent Price from "The House of Usher". For the first time, kids who were used to only knowing them from black & white films now saw their monster heroes in bold color thanks to Gogos. In all, Gogos did 48 covers of Famous Monsters and they are among the most popular issues for collectors. Everyone has their favorite Gogos Famous Monster cover...for me it was his rendition of Boris Karloff as the Mummy from issue # 58. The fine detail of the withered, dead-eyed mummy still mesmerizes me. Issue #56 featuring Gogos painting of Karloff as the Frankenstein's monster for the Karloff tribute issue is another favorite. Basil provides valuable insight to his legions of fans by discussing the various paints, styles, and techniques that he's employed over the years.

Gogos would eventually move into doing fine art as well as non-monster commercial illustration including work for many years at a New York advertising agency. But much like the victims of those classic monster films, Gogos found he could not, for long, escape his beloved creatures. The 1990's brought a renewed interest in Gogos' monster art and soon he was back doing new paintings for trading card companies, CD cover art for The Misfits and Rob Zombie, and a whole new generation of monster magazines such as Monsterscene, making him more popular than ever. Gogos even did the concept art for a series of U.S. Postage stamps in 1997 that featured the classic monsters. The book features comments and tributes from such luminaries as Sara Karloff, Ken Kelly, Forrest Ackerman, Roger Corman, and Rick Baker. In all there are over 150 color and 50 black & white illustrations in the 160 page book. For monster kids like myself, who are all "grown up" now, Basil Gogos will always have a special place in our hearts. His Famous Monsters of Filmland covers take us back to a simpler time of true chills and thrills and I can think of no other book that would please a monster fan more than "The Famous Monster Movie Art of Basil Gogos." Like many of the books from Vanguard Productions, it is available in several different editions: There is a softcover, a hardcover, and a deluxe hardcover that is signed by Basil Gogos and includes a 16 page bonus folio and comes in a slipcase. The Deluxe, signed, slipcased edition was an instant sell-out and is already selling for big bucks on the collector's market. My highest recommendation!

Reviewed by Tim Janson