Comics Books

Do you like adventure books? If you do here's a book. Bone is a great book. Phoney Bone and his cousin Smiley Bone have a Rat creature cub. They go up to the Mountains and try to let it go. But they run into two other Rat creaatures. Will they make it away? Read to find out. Recommended for all cartoon lovers.

We have been patiently awaiting the release of what appears to be another printing of this book. My 8 year old really doesn't like to read...except for the Bone Series. I haven't read them yet but my 12 year old likes them also. I'm just happy to find something he will willingly read. Thank you Jeff Smith!

I have the other four Bone books and they are all in color and have Bone volume_ in the title. Is this book in the same series and in color or do I just have newer or older versions of these graphic novels. I love these books and i just want to know the answer to this question so I don't make a bad buy off Amazon.

Thanks...

"Rock Jaw: Master Of The Eastern Border" is the fifth volume in the nine volume Bone series, which makes it the halfway point. Once again Jeff Smith has done an excellent job of blending humor, mystery and fantasy to create a great tale of adventure

This volume is one great chase sequence, following Fone and Smiley in their adventure where they try to return Bartleby (The Rat Cub) to his people. Along the way they meet the two outcast Rat Creatures, Rock Jaw, an unusual group of orphans, the possum kids, and Kingdok and his Rat Creature followers. Smith is ingenious in mixing in dialogue that advances the overall adventure, with the action of the chase. We learn more about Thorn, the history of the area, and other aspects of the story, even though Thorn, Rose, Lucius, and Phoney don't appear at all.

bone rocks its funny romantique and there's a new adventures adventure in evty onE

Jeff Berry is my hero! He has save the history of the post war tiki/tropical drink way of life. This book introduces the "Rum Pack", the folks behind the drinks we love, back when a drinks with a tropical twist ruled the bar. Jeff shares his treasure chest of research and passes on some of the finest drink recipes ever made. Some of these gems (stories and drinks) were almost lost forever! The drinks are on me if I ever meet Jeff Berry in person.

Jeff "Beachbum" Berry has heavily researched and gone to great lengths to find the true recipes that were guarded with total secrecy to prevent competition from copying the concept. When tiki bars started popping up, only a few people held the real drink recipes that translated to job security. Written in code, the books have finally been cracked by Jeff, and are being shared with the public for the first time ever. He did this by finding the original bartenders (not many of them are still with us, and most, including the inventors such as Don the Beachcomber, took them to the grave). So, you think you've tasted a Zombie? Sorry to say, that it was probably a poorly watered down version of the original. That original recipe and many others are revealed here, with the stories behind the men that made them at the peak of the Tiki Bar craze.
Not much was known about the book's central study: Don The Beachcomber, the originator of the Polynesian bar, restaurant concept. (New recommended book: "Scrounging the Islands with the Legendary Don the Beachcomber: Host to Diplomat, Beachcomber, Prince and Pirate" (Paperback) by Arnold Bitner) Here you get an in depth look into his life, his competitors who tried to steal his ideas (with success in some cases), and the rise and fall of the Polynesian craze.
You'll understand exactly how the tiki craze took off, and be able to concoct some of the greatest drinks of its era, with the help of this book. Awesome full color photos, graphics and illustrations. It's a must have reference!

If you like tropical cocktail (and I do) then there is no way you should be without this guide. You should also own it's companion "Intoxica." With these two books, you pretty much have tiki and tropical drinks covered. These are the original (and sometimes with modifications) recipes. They can't be beat. I gave it only four stars for the simple reason that the layout of these books leaves (for me) a lot to be desired. It'd not that they're hard to read or anything, they just look like some guy in a print shop threw them together with a box of old clip art that they found. Just ill considered layout. A noted tiki/lowbrow artist laid them out and Mr. Berry should have gone with a professional in this line of work. It's not that particular artist's cup of tea and it shows. That sort of thing is my profession so I may be a little over critical. Alas. Buy them.

Well, a lot. Enough that I learned how to make my own "grog mix," cinnamon syrup and, yes, my own pimento liqueur after reading it. It's indispensible as both a bar guide and a history lesson.

I could not get this book in a book store, but found it on Amazon after reading about it in the New York Times Food and Wine section. It was a great gift and appropriate to our tropical setting. We'll enjoy it for a long time.

The author's cousin, Bob, was my childhood best friend. I guess I was reading to find a hint of him when I found myself overwhelmed by the perfect character development of the people of our town. I was so moved that I actually had to put the book down for a few weeks because I was dreaming so much about home. Absolutely can't wait for David's next book.

David Drayer has impressed me! For a first novel, this one is a winner. It's a cross between a more innocent, rural Holden Caulfield (the main character, Seth, reminds me of him a bit) in Catcher and Anderson's Winesberg, OH, one of my all time favorites. It's refreshing to see a new writer who does so many things right! The first 5 chapters or so that revolve around Seth are terrific. If anything, I wanted to see more about Seth, although some of the side characters are memorably drawn as well (the shaving chapter was very well done!). The teenage cruelty is done very realistically and touchingly. As usual, the most sensitive one is the one called "jack off" for his whole life but we can tell he's the best catch of them all.

The final few chapters take a bit of momentum out of the book -- Seth's early life was much more interesting. But that's only a minor criticism of a terrific first effort.

This is not the kind of book I usually go for, but I was curious because David Drayer is my English teacher. I really loved it. I think everyone can find something to relate to and someone to identify with in this story. It covers 7 years of a small town, it's inhabitants and their not-so-closeted skeletons. I couldn't put it down and would have finished it the same day if I could. I highly recommend it.

I was very fortuate to have had Mr. Drayer as a teacher for an English class I took in college one semester. Apart from the book for a moment, he is a very down-to-earth and funny person! I'd never heard of him as a writer before I had him in class, and I have to say that's the only reason I picked up the book in the first place, and I'm glad that I did- I loved it!

This book reminds me of the small town I live in, and the people who circle around in it. The honesty of the writing, and the characters (their emotions,their reactions, their thoughts especially) really hit me. Some authors do a poor job of developing their characters and their emotions, but I really felt like I knew the characters- probably because a lot of the storylines in the book have happened to me, and many people close to me. Who hasn't had a huge crush on a REALLY good-looking teacher??? I know I have!! If you live in a small town, you know how it feels when you are itching to get out of it.

I laughed while reading this book not because I thought it was funny, but because I thought it was honest, and truthful! Most people think like these characters, but never express these thoughts out loud. Because in reality, what do we really want? (what do the characters want, maybe?) We want to have lots and lots of sex, passion, love, change, happiness....etc.

All in all, great book, I can't wait to read what he writes next!

Odd, isn't it, that the miserable and wasted coal fields should enjoy such a grip on at least our literary imaginations? From D. H. Lawrence to
Richard Llewellyn to The Deer Hunter to Homer Hickam, writers have celebrated escaping from mining country, but they've mostly (Lawrence being
the exception who proves the rule) looked back with some fondness. David Drayer's first novel is told in much the fashion of Sherwood Anderson's
Winesburg, Ohio, as a set of interconnected but not necessarily continuous stories. Here they are unified in that they trace the progress of Seth
Hardy, thirteen when we meet him, a man when he leaves town at the end of the book. The town is Cherry Run, Pennsylvania. The strip cuts of the
title are the remnants of the region's mining history.

Seth is a likable enough protagonist, undergoing the familiar torments of an awkward boy, with an unfortunate nickname, amongst high school
bullies. His particular nemesis is the loathsome Claude Coarsen. In a scene that provides a visceral thrill to anyone who's ever been bullied and that
offers a kind of insight into how kids might end up shooting up their schools, Seth draws a bead on Coarsen when they are both out hunting deer.
But in this case, Seth doesn't shoot. Equally compelling is a scene between Seth and the pretty young teacher who is one of his biggest supporters.
She ponders what would be so wrong about reaching out to this unhappy young man, yet has the good sense to control herself. And in many ways it
is Seth's father, Earl, who resides at the core of the book, a decent though reserved man who is capable of being just as strict with his son's high
school principal as he is with the boy and who proves a soft touch for a couple who are down on their luck.

This is an impressive debut, perhaps most impressive for Mr. Drayer's allegiance to his own material. He apparently resisted editors' attempts to strip
out secondary characters and he wisely avoided what must be a powerful temptation for any writer today, eschewing the annoyingly popular memoir
form and sticking with a novel. Mr. Drayer has said that he wants to return to these characters because he's interested to see what will happen to
them. You'll be curious too.

GRADE : B+

Nothing like the original stuff which came out before I was old enough to read. A 'must have' for anyone serious about the classic comics.

The reprints are gorgeous and in a wonderful hardcover that shouldn't fall apart too quickly. The text prefacing the book is boring and unneccessary, mostly, this book just costs waaayyyy too much. I would've preferred to get it in comic book format for about 10 dollars, but they no longer reprint this stuff. The stories aren't very good, but it's interesting to read in it's amateurishness and see how things originally were intended.

This is actually some great stuff. I think the early Superman stories are good examples of exciting storytelling with interesting social commentary.

For example, the first Superman story contains a none-too subtle anticaptial punishment message, as our man saves a lady from an execution and a man form a lynching (remember, this is 1938). The second shows Supe stopping a war that is concocted by munitions manufactureres (an early anti-WW2 message).

Along with that, reading these early adventures gives you the feeling that you're a little kid in pre-television 1938-39, sitting with awe and wonder with these exciting tales either being read to you by a skilled adult storyteller, or by yourself with a flashlight at night. Once you get in that mood of an inner child, you can really get into this stuff and it's lots of fun.

However, I would agree that the cost is a bit much for a new edition. Buy a good used copy. Gather the kids (over age 10, that is) around, turn the lights down low, read it with vigor, and have a ball!

The book was recived with in a week of sale and was shipped very well.

I was going to point out that the chief value of reading the first four issues of "Superman" collected in Volume 1 of the "Superman Archives" was nostalgia, but then I realized that the term really applies to the past that you remember, and I was not reading "Superman" comic books back in 1939. Actually, reading any of the Superman titles was something I only did when we went to visit my cousins because their sun porch had a treasure trove of comic books. The comic books I remember buying on a semi-regular basis were war comics, specifically "Sgt. Fury and His Howling Commandos" and "Sgt. Rock" ("Our Army at War" back then). Since my father was in the military this was hardly surprising. When the "Batman" television series came out I was caught up in that and bought a subscription to the "Batman" comic book for a year, by first superhero comic book, very much aware that it was quite different from the show. But it was not until we were stationed in Japan that I got into Marvel Comics in a big way ("Amazing Spider-Man" #62 was my first purchase), and while I was busy Making Mine Marvel I developed a corresponding disdain for Superman and the entire DC line that lasted for a while. After all, I remember a Superman story where he swallows his costume to protect his identity, assuring the readers everything would come out okay in the end. Anyhow, it was not until DC rebooted the Man of Steel, giving him over to John Byrne for a significant makeover, that I started reading Superman comics on a regular basis. So actually reading the first four issues of was a revelation.

Keep in mind that Superman first appeared in the first issue of "Action" comics in 1938, so even though we get an origin story in "Superman" #1 these are not the very first Superman stories. I have a reprinted version of "Superman" #1 that is part of the "Superman Masterpiece Edition," along with an 8-inch state of the 1938 Superman and an illustrated book chronicling the Man of Steel's Golden Age, so I had read that premier issue before. The origin is actually just the first two pages of the first story in which the main plot has Superman saving an innocent woman from the electric chair (and getting Clark Kent a job at the "Daily Star"). This leads to the second story where Superman teaches a munitions maker about the horrors of war. Then we find an invitation to become a charter member of "Supermen of America" and a "Scientific Explanation of Superman's Amazing Strength" (Krypton's inhabitants evolved to physical perfection). The other two stories in the issue are reprinted from earlier issues of "Action," with Superman teaching a lesson to the heartless own of a coal mine and then taking the place of Tommy Burke, the greatest football player of all time. Following an introduction to Jerry Siegel and Joe Shuster, Superman's creators, there is two-page prose story regarding the Man of Steel (amazing that kids would want to read a prose story in a comic book).

In "Superman" #2 the Man of Tomorrow saves Larry Trent the ex-heavyweight champ from committing suicide and getting him a chance to re-win his title in the first story and "Champions Universal Peace!" in the second by ending the Boravian Civil War (at one point a soldier thinks he must be shooting blanks at Superman and shoots himself in a foot to prove, well disprove, his hypothesis). Then we have "Superman and the Skyscrapers," where Clark Kent investigates five deaths in as many days at the erection of the Atlas Building, followed by another prose story (but this time accompanied by two drawings). "Superman" #3 offers stories in which Superman and Clark help a runaway orphan, Clark battles Lois to get a big story (and Lois kisses Superman for what appears to be the first time), Superman has to deal with advertisers using his name as well as a spate of crimes, and Superman captures a smuggling ring. Clark has a lot more to do in these stories (and he is now working at the "Daily Planet"), which are a bit shorter as Siegel and Shuster's work is compliment by a couple of prose stories that have nothing to do with Superman and a one-page strip about a dog named "Shorty." In "Superman" #4 our hero takes on the evil Professor Martinson, fights a torpedo-like projectile and a pterodactyl courtesy of the mad scientist known as Luthor (no first name, but he has hair), stops a saboteur, and saves a truck drivers union from racketeers.

As I was reading these stories I was rather surprised that Siegel and Shuster were coming up with four Superman stories for each of these 72-page issues, but when you get to the back of this volume the Afterword by Jim Steranko explains that some of these stories are reprinted from "Action" and a couple were converted from stories drawn for newspaper syndication. Steranko, who also does the Foreword where he puts the creation of Superman in historical perspective, candidly observes that these two young pioneers typically stumble and fall in these early efforts, "yet, in retrospect, their failures are often as interesting as their successes." That is really what is captivating about these early stories, because neither the quality of the stories nor of the artwork is all that compelling. Here we discover that Superman is clearly a creature of the Great Depression whose commitment to justice is tempered by socialist inclinations as he protects the workers against the rich. It is also interesting to see that Superman dislikes Lois Lane as much as she disdains Clark Kent. Most obvious is that Superman does not have his full superpowers at this point where he can "hurdle skyscrapers, leap an eighth of a mile, raise tremendous weighs, run faster than a streamline train, and nothing less than a bursting shell could penetrate his skin!" Still, you can find the bare bones of the Superman mythos here and come to a better understanding how the first comic book superhero ended up becoming the greatest one of them all.

I bought this book to write a research paper for my PhD course. My personal impression is that young readers prefer to see more visual material even when 'reading'. This is a great source to inform and educate them on the events that happen in the story. Also the preword and the epilogue are very useful.

This fine graphic novel is a stellar example of what comics can do better than any other artform. Prose by itself wouldn't convey the combined power of text & illustration Talbot uses to such stunning effect. Beginning with the Beatrix Potter-style cover art, he offers layers of emotional & artistic meaning, utilizing flashbacks, fantasy, and harsh realism to tell the story of a damaged but ultimately victorious young woman -- and he's able to tell it from both the inside & from a more omniscient viewpoint. His detailed & expressive faces provide nuances that would do many accomplished actors proud.

What makes this work is that it's not just A Very Special Episode sort of story. Helen is an individual, not a case study, for all the extensive background material. Her story is not simply about healing & recovery, but about the importance of art, as well as the struggle towards wholeness that every human being must undergo. And the lush, colorful art only adds to the richness of this work, which rewards many rereadings. Highly recommended!

I really love this book. The artwork is beautiful and the writing is very moving. I must admit I was originally turned off when I saw this because of the cover. I don't think the cover art does justice to the rest of the book.

This is the only graphic novel I've come across that deals with the issue of child abuse/molestation. It's a difficult subject to tackle, but Mr. Talbot deals with it masterfully, creating a visually stunning gn that never loses sight of the seriousness of the issue.

I've seen several people criticizing the cover art of this book, and I think this needs clarifiction.

If you read Beatrix Potter books as a child, as I did, you would have recognized immediately that the cover is a direct homage to the classic white covers of the little books. The plain white background, centered watercolor illustration, and even the title font is a faithful echo of every tale she ever published. Go check out one and see if you don't revise your opinion. I was, in fact, drawn to the book immediately BECAUSE I recognized it as a Beatrix Potter concept.

Oh, and the story is a very good one, and timely. :)

Like Spiegelman's Maus and Satrapi's Persepolis books, this graphic novel shows how powerful this genre can be in dealing with brutality, in this case with childhood sexual abuse as well as with animal experimentation, social isolation, homelessness, and a horrifying family life. As society and family prey on Helen, the protagonist, she thinks, she reads, she develops her own thoughts and insists on going her own way--and on getting others, including readers, to think differently about their own preconceptions and assumptions as she sheds her abusers.

Take the example of rats--far from being reviled at best and something to be experimented on at worst, Helen shows other characters and us, the readers, that they're intelligent, amazing creatures that should be respected and even worshipped, as in Hindu religion. What's especially great about this novel is the way that it mixes an unflinching look at horror and brutality (Helen being abused by her father and rejected by her mother; fantasies of suicide; scenes of sexual predation as she hitchhikes; and much more) with a clear appreciation for the power of art and thinking (as well as the positive example of another assertive individual, Beatrix Potter) to help someone come into her own and leave her abusers behind.

Tokyo Mew Mew TOTALLY rocks!!!!!!! Trust me I've read the WHOLE series and they all ROCK!!!!!!! Even Tokyo Mew Mew A La Mode ROCKS!!!!!!!!!

This book was pretty good, with the story advancing along well.

Basically, Ichigo has to find a way to hide her secret from Masaya, but he keeps showing up in places that she needs to transform! The girls all go on a cruise where more aliens show up and send out 'kirema animas' but they stop them. Ichigo turns into a cat when Masaya is around, and he takes her home. But the cliffhanger endings make me sad!! :(

The artwork was cute, just like before! If you have read the series so far, I recommend continuing. However, a warning to newcomers. The storyline is very confusing for people who haven't read the first 2 books, so I recommend reading them first.

~*chikorita1999*~

This is about five girls. They are: Ichigo Momomiya (part cat), Mint Aizawa (part bird), Lettuce Midoriwawa (part porpoise), Pudding Fong (part monkey), and Zakuro Fujiwara (part wolf).
I noticed a big mistake on the page that introduces all the characters. Pudding and Zakuro's pictures are mixed up. It says Zakuro Fujiwara under Pudding's picture and Pudding Fong under Zakuro's picture. So it also says Pudding's name is Zakuro and she is "a cool and beautiful model." That is, obviously, not right. Pudding is not a model and she isn't really that pretty. In this book Lettuce gets a mermaid-like tail with the Mew Aqua when she jumps in the ocean to save a baby.

I loved this book! It was another cliffhanger though:( Ichigo turns into a little cat and gets taken home by Masaya! She runs out of his house while he sleeps and some fat alley cat tries to kiss her but she gets saved by another cat, Alto, but then he kisses her! But he did it to turn her human again. A lot more happens in this story but to find out what or how Alto knows Ichigo's secret you have to read this book!!!!

Best volume yet! I have only read up to three though! It is so cute when ichigo turnss into a cat. At the end something shocking happens (not gonna tell!) and there is some rivalry over the love of ichigo. two more aliens get introduced. A little confusing at the beginning though. What do you think is cuter, masaya and ichigo or ryou and ichigo? (...)

Ever wonder how the top-ranked reviewers force their way to the top?

They vote for their own reviews over and over.

So brilliant. So clever. But not "well-done"!

Talk about the triumph of noise over signal, chaos over order, and quantity over quality!

I was at the University of Maryland when Frank Cho's comic strip was running in The Diamondback. It was the only thing worth reading in the paper. This is a very, very funny comic strip. The characters, who are animals are hilarious. Dean, the pig, is a great send up on Frats and male chauvinism. You also get a lima bean, a gerbil, and the main character, Frank, is a duck. The best character, of course, is the very human Brandy.

If you've ever seen Liberty Meadows and enjoyed it in your newspaper, The Angry Years is even better.

With "Liberty Meadows" making a permament transition from comic strip to comic book at the end of 2001, folks who want to aquaint themselves with the new version could do worse than to pick up this collection of the strip that spawned it. "University Squared," Cho's first strip, is "Liberty Meadows" in a raw, unrefined and uncensored state -- a state the comic book may take a few steps towards once freed from the rigours of newspaper censors.

Even in its young form, though, Cho's strip shows again and again why he is held in such high regard. His characters are funny, his situations are original and he doesn't blanch from tackling weighty topics or rauncy issues whenever he wants. Get this, get "Liberty Meadows: The Big Book of Love" and then start getting the comic book.

If you were a college student, a frat brother, a trouble maker, a drinker or just had odd looking animals walking around talking to you....then this book is probably about you! Experiance college with an alcoholic pig, a short tempered circus bear, and a lima bean ( don't ask). And let's not forget the duck and Brandi, for without them....well, the book would still rock! This book is a must to all those who love comics. Every strip should be put on billboards. Uncle Frank is the man.....( from one of the Monkey Boys )

I've been a fan of Liberty Meadows, the comic book that collects Frank Cho's syndicated comic strip of the same name, for years now, so when University Squared became available again, I pounced on it. It's kind of a weird companion piece to Liberty Meadows; not quite a prequel (these stories were from Cho's College newspaper), and although the characters have the same names in both books, there are weird differences: one character is a duck in this book, and a man in Liberty Meadows; another a lima Bean (!) here, a frog in Liberty Meadows. (It's really weird...)

There isn't a story, per se. The book follows the characters (Animals, attending school with Humans....)as they drink and carouse their way through campus life. The cartoons are much raunchier than the later Liberty Meadows strips; without the anal retentive syndicate to hamstring him, Cho can go all out with the gags. (Even the raunchiest of the strips never gets beyond a PG-13 level, though. So it is safe for older kids.) Cho manages to deliver some really good belly-laughs, and slips in a touching ending as well. Comic strip fans who find the daily funnies too whitebread are well advised to enroll in this University.

GOOD JOB, MONKEY BOY!!!!

Andy Runton, Owly: The Way Home and The Bittersweet Summer (Top Shelf, 2004)

The first book in Runton's widely (and justly) praised Owly series, this wonderful little book contains two stories: "The Way Home," in which Owly meets Wormy, who gets lost in a storm and wants Owly to help him find his way home, and "The Bittersweet Summer," where Owly and Wormy become friends with some hummingbirds. Owly is, for the most part, wordless; everything is conveyed with expressions and thought bubbles. It's clever and funny and heartwarming, a definite change of pace from most of the graphic novels that have been appearing for the past few years. Definitely recommended for when you need a pick-me-up. ****

I ordered the book for my daughter, although it was a little easy. Better for younger readers, but still a cute book.

Andy Runton has really hit on something here. He's managed to allow readers to remember what it was like to be a kid - the hurt, the hope, and the perseverance that comes from not having a clue as to what can't be done. That's something that both Adults and Kids should be exposed to liberal doses of.

A friend gave me this book...and now I want to buy it for just about everyone I know!

It's a beautiful book with great art and lovely, touching stories.

This would make a great gift for people of all ages - and you will love it, too.

I wanted to give my 3 1/2 year old daughter a present for Valentine's Day that shared something I love with her. And, as I love comic books, I was lucky enough to come across Owly.

She loves it! And I love it! And her mom loves it!

It is the perfect 1st comic to give to a kid. Moreover, as there are no words, once you go through the joy of working through the story with her once, she is able to "read" it by herself or to her little friends! What more can you ask for?

You could ask for a wonderful story - Owly has it. Or beautiful art - check. Or great basic lessons of friendship and the beauty of nature - Done and done.

So I highly recommend this book to you and your little ones. It introduces them to a style and method of storytelling in the perfect way.

I first fell in love with Gary Larson comics, then he stopped. I then fell SO in love with Calvin and Hobbes and they went away (I was devastated). About 3 or 4 years ago a local business paid to have Mutts comic printed in the local paper here just for the month of December (thought it was a great, inventive advertising gimmick) and I fell in love at first sight....with Mutts comics.
I'm very picky about the comics I like, they have to have a certain special something and Mutts comics have filled my comic void. Thank you Patrick McDonnell.

Patrick McDonnell manages to capture the essence of dogs and cats in a wonderfully endearing and often hysterically funny way. The best cartoonist to come along since Charles Schulz and Peanuts, I look forward to enjoying his art and humor for many years to come. If you are a cat or dog lover, oh heck, if you are a human being you will just love his SCHTUFF!!

I love Mutts. It's one of those rare comic strips that can one day be cutsy, and the next day be profound. Of all the comic strips to appear in the last few years, Mutts is easily my favorite. We're no longer getting new Peanuts strips, but at least (may Schultz rest in peace), but at least we still have Mutts for a long time to come.

As the pet parent of 3 cats and someone who can't resist any dog that crosses my path, I thought my heart was a little softer than most when it came to the Mutts. I was wrong! Almost every one who picks up the copy of Yesh! that I have on my coffee table is charmed! The very endearing Mooch and Earl have put smiles on quite a few faces.

I love Mutts. It's one of those rare comic strips that can one day be cutsy, and the next day be profound. Of all the comic strips to appear in the last few years, Mutts is easily my favorite. We're no longer getting new Peanuts strips, but at least (may Schultz rest in peace), but at least we still have Mutts for a long time to come.

Second volume of an instant classics.
Azzarello forcefully tells intervowen stories of hope, revenge, destiny and choices of life and death. These stories are richly illustrated by one of my favorite graphic artists, Risso. This duo give life to a "noir" graphic novel and I'm sure someone will twist these stories in to real "film noir". I'm hooked, completely.

Better than the first volume, as a little more becomes clear. We start to have an inkling of what Agent Graves is up to, who he is working for, where he comes from, what he wants to get done, and why and how he can come up with the immunity guns and untraceable ammunition, to start with.

The ultimate mindf**k. I strongly suggest you read this series. Start with Vol 1 and proceed in sequence. As a matter of fact, I won't waste any more of your time...order and read it now!

I was totally blown away by 100 Bullets: First Shot, Last Call. Most people think of comic books as mostly about superheroes and villains. Sure there's the rare serious titles that deal with more than just costumed heroes and out of this world situations, but outside of Miller's Sin City, there's not been another comic book to truly take a shot at creating a noir title that does the word honor. Brian Azzarello and Eduardo Risso's 100 Bullets series brings the world of Dashiell Hammett, James Cain, Mickey Spillane and Raymond Chandler to the world of comic books, or should I say in this regard: the graphic novel.

With the first volume, Azzarello quickly introduces the reader to his world of revenge, femme fatales and smoke-filled backrooms. He clearly establishes that the world of 100 Bullets is closer to the real world than Miller's Sin City. Where Miller goes the minimalist and overly simplistic route (in both artwork and storytelling) with his Sin City series, Azzarello bases his story in a world that looks so similar to the real world, but with a slight undercurrent of hyperrealism. With this second volume, Azzarello continues the basic theme of carte blanche revenge offered by the old and grizzly Agent Graves to what seem like a random group of people. It is later in the volume that we slowly get a new insight to who Agent Graves is and the secrets behind him and his actions. This revelation actually goes through a three-issue arc that ends the second half of the volume. The one story that really stood out was a stand-alone featuring Lilly Roach in "Heartbreak Sunnyside Up." It stood out not for Lilly taking Graves' offer of the briefcase and the gun, but in Azzarello's heartbreaking and brutal telling of a mother's love for her daughter and losing it in a way both shocking and terrible.

100 Bullets, Split Second Chance marks the second volume in the ongoing series. It takes issues 6 through 14 and adds more mythology to the world Azzarello and Risso have built with the first volume. It's a thicker volume than First Shot, Last Call, but reads just as fast. I highly recommend that people who have read the first volume pick this one up. The previous one may have been Last Call, but this volume just served up a smooth, dangerous second round that would feel at home in anything Spillane, Cain, Chandler and Hammett call home.

Brian Azzarello, 100 Bullets: Split Second Chance (Vertigo, 2000)

Wow. I liked First Shot, Last Call, the first 100 Bullets book. This one, though, is on a whole other plane of existence. The episodic nature of the first book goes right out the window, with Azzarello showing us exactly how he's going to tie all this together, with a sample encounter in that vein towards the end that leads me to think I've got the frame for the third book figured out in my head (I put it on hold immediately upon finishing this one, so I'll know soon if I'm right). This is a book that demands being picked up and read in one bite-- we begin to see how the relationships between the characters will shake out, who the big players are, how the pawns are going to move, all that sort of thing.

As with the last book, the artwork is dark, claustrophobic, even when it's daylight outside. Azzarello's use of dialect, relentless in the first book, is a bit less ubiquitous here, which helps matters immensely. And the pace, which was just a tad on the slow side in the first book, has kicked itself into very high gear. I'm glad there are eight books out in the series so far; if things keep up this way, I'll have read them all by the end of the month and be clamoring for number nine. ****