Comics Books

I am not a knowledgable comic person but the art work and the information for me was just outstanding.

Ross and Dini did a fantastic job in delivering powerful and heartfelt stories surrounding these great characters. Its A+ work from some of comicdoms most fantastic creators. A must own.

Alex Ross is an incredible artist and this is the type of book that really showcases his art. If you are a dc comics fan and a fan of incredible art work get this book.

This collects the large format stories put together by Paul Dini and master artist Alex Ross- Ross' photo-realistic artwork is absolutely incredible. The stories feature Superman, Batman, Wonder Woman, Captain Marvel and the Justice League- however, these are no ordinary superhero stories. Rather than fighting villains with death rays or armies of killer robots, the stories focus on the superheroes' frailties and failures, making them feel more accessible and 'human'. Superman takes on world hunger, Batman attacks the root cause of crime- poverty, Wonder Woman fights for women's rights, Captain Marvel reconciles the child and adult sides of himself, and the Justice League fight an alien virus- which the world thinks they might have created.

This is fantastic value- much cheaper than buying the stories individually. Plus you get to see some of Ross' original sketches and photo-references. Highly recommended.

From beginning to end, this book is gorgeous. This hardcover slipcased edition is a tactile wonder. Everything from the cover to every single page has a pleasant, glossy sheen not found even in other DC Absolutes. Now in previous absolute editions, I have lamented the inclusion of both a slipcase AND a dust jacket, (hello, redundant!) I am pleased that this book features both, because it's just more canvas to feature the Ross's to-die-for art.
Now if you're expecting to see a lot of the Justice League together, you'll be disappointed because 2/3 of this book is Superman, Batman, Wonder Woman and Captain Marvel in their own stories. However, the 80 page LIBERTY AND JUSTICE story that concludes the book is the cream of the crop. If you need a bigger JLA fix, then look to Ross's series JUSCICE.

In short, this should be on the shelf of any DC comics fan, and considering that the BATMAN and WONDER WOMAN paperbacks are selling for more than this collected edition, it's a friggin' steal at 32.99.

Ken Hultgren's animal drawing book is by far the best I've ever seen. The drawings are not only beautiful and full of life but rich in anatomical information as well. Studying and copying these drawings, combined with a few trips to the zoo and a horse ranch, enhanced my awareness of animal anatomy and movement enormously.
I used this book as my primary resource for modeling, rigging, animating a horse in Maya. It's a great asset for animators, modelers, sculptors -- artists of any sort-- or anyone who loves animals and good drawings.

Excellent art reference for the developing artist who wants to understand animal anatomy and motion.

The book has lots of great drawing. I wish it had more explanations. But I still love it.

if you are studying animal drawing, this is one of the best books ever. this concentrates on the motion and line of action, as well as the construction!

This book is somewhere right between a "How to Draw Animals" book and a detailed anatomy book. It gives you the basics of the muscles for each animal in beautiful, dynamic sketches that take you from drawing static (but proportional) animals to leaping, rolling, fighting animals. If you're really serious, you'll still need a more detailed anatomy book, but for movement (especially of horses and deer and their running patterns) this one is awesome. Just a warning though, the section on dogs is awesome but smaller than the horses, the section on cats is extensive but focuses mostly on big cats, and the section on wolves/foxes/wild dogs is pretty brief - much more of the book is spent on the larger herbivores and some less commonly studied animals like kangaroos, camels, rabbits, and a big section on bears.

This manga is unsophisticated in its artwork, storytelling, and politics. Yet that very lack of sophistication seems to me to be what gives it power that probably could only otherwise be generated by poetry, or perhaps opera.

You might as well go ahead and buy the four volumes in this series now, to save time & postage. Then you can wait, like I am waiting, in the hope that Project Gen manages to publish the next six volumes in the series.

Note: there is at least one prior English edition of Barefoot Gen, and the volume contents are not the same as in the latest edition. So if, for example, you buy volume 3 of the earlier edition (1979), you will find that it overlaps the latter part of volume 2 of the current edition (issued in 2004.) The volume titles seem to be the same in each edition, so things can get confusing if you don't stick with the same edition. If you buy used, pay attention to which edition you are getting.

According to Wikipedia, these are the published & projected volumes in the current English translation series of Barefoot Gen:

* Barefoot Gen #1: A Cartoon Story Of Hiroshima (ISBN 0-86719-602-5)
* Barefoot Gen #2: The Day After (ISBN 0-86719-619-X)
* Barefoot Gen #3: Life After The Bomb (ISBN 0-86719-594-0)
* Barefoot Gen #4: Out Of The Ashes (ISBN 0-86719-595-9)
* Barefoot Gen #5: The Never-Ending War (17 April 2008, ISBN-10: 0867195967)
* Barefoot Gen #6: Writing the Truth (17 April 2008, ISBN-10: 0867195975)
* Barefoot Gen #7: (Not published in English)
* Barefoot Gen #8: (Not published in English)
* Barefoot Gen #9: (Not published in English)
* Barefoot Gen #10: (Not published in English)

Barefoot Gen - I grew up with this famous comic series by Nakazawa. It's about a boy called 'Gen' and his life in Hiroshima during the WWII and soon after the atomic bomb. Volumes 1 & 2 are probably the most important ones. After I read them in English, I just had to lend them to everyone I knew. If you read this story, you'll realise how silly to hear some popular opiniton 'Dropping two atomic bombs in Japan was necessary to end the war'. The author Nakazawa says that each and every event illustrated here is a true story. You'll see, for example, that two young brothers fight against each other for a little grain of rice. Gen trying to encourage a girl who used to be dreaming about one day becoming a professional dancer, but now her face was badly burnt by the bomb, although she still didn't know it - he refuses to let her see the mirror.

The bombs were dropped onto civilians in the two cities, and, in Hiroshima alone, 100,000 people, including children, elderly people and western prisoners of war, were killed instantly, and the pain they suffered from it was tremendous. The way some of Gen's family members, including a new born baby sister, were slowly dying is simply too sad to look at. But the reality is that it actually took place and was caused by human hands.

I sincerely hope that many people will find the opportunity to read this book at least once in their life-time, and I strongly believe that this book will enlighten the whole world with the message: 'What really happens when a nuclear bomb is dropped onto humanity', which hasn't really been talked about in history books for some reason. But I think it's time to face reality.

The manga form of presentation makes reading about the prelude to this event easy and fast. The book seemed to be reasonably accurate with historical documentation and the visual format allowed the author to include detail that might otherwise have become difficult to work into the story. The clothing, clogs, air raid hoods, etc. that are be depicted add depth of information to a quick read.

Keiji Nakazawa, Barefoot Gen (New Society Publishing, 1983)

Keiji Nakazawa's four-volume graphic epic Barefoot Gen has become legendary in the field of graphic literature, and also, in no small way, out of it. While many Japanese artists working in every medium have examined the dropping of the atomic bombs on Hiroshima and Nagasaki and their aftereffects, Nakazawa, who lived in Hiroshima at the time the bombs were dropped, has an understandably closer perspective than most others who have tried it. For sheer power, Barefoot Gen's only rival in the subgenre is the similarly legendary Grave of the Fireflies.

This eponymous first volume takes us through the life of Gen, an elementary school student, and his family in the months before the dropping of the bomb on Hiroshima. Gen's father, while not a pacifist, is notorious in town for his speaking out against the war, which gets him and his family branded traitors. Because of this, they don't have an easy life. The family members try to find various ways to survive in the face of shunning at best, and aggression at worst, from the rest of the townspeople.

Do you need to be told that this is a book that's going to hit you in the face like a sledgehammer with its message? The artistry, or lack of same, in the delivery is the place where Grave of the Fireflies is clearly superior to Barefoot Gen, but while Nakazawa is not above letting his message get in the way of his story on occasion, it never happens for too long a period of time. Nakazawa's characters are well-drawn, and the story spends more time focused on its characters than on its message. There is a lot to be liked here, and a good deal to be mulled over, as well. Well worth your time. ****

In our present time this portal to the topic of Hiroshima and Nagasaki and our nature as the only nation to build and to use nuclear weapons, and against strictly civilian population centers may inform our moral consideration of the present failure of our total war alone against civilians to establish a peaceful and stable and democratic society.

This present volume serves as an excellent introduction to the topic. Centering on Hiroshima, as may supplement this strong introductory reading with the recent study by Prof. Takaki, or the new Racing the Enemy, which explores the lack of military reason for dropping the Bomb against an already defeated Japanese Empire. We may also read on this specific event of crisis the moving Letters from the End of the World, or HIroshima Diary, written as was Gen by eyewitnesses and civilian victims of this our nuclear holocaust. Hershey is also important to read of course, and the reissue of Hiroshima Mon Amour, but I keep returning to this child's eye view in Barefoot Gen.

We are fortunate in this reprinting for the informed and astute introduction by Art Spiegelman, the creator of the Maus series which does a similar though more symbolic treatment of the Nazi Holocaust. Art strongly recomends this first person account of a small boy on the morning of the Bomb, and its immediate effects upon himself and upon his family. Please read this book and remember. Our Popes continue to visit the Peace Park at Ground Zero in Hiroshima, to pray for peace and nonviolence and for the development of peoples.

I am a big matt groening fan so I bought this. One out of every 10 was funny and the others...

This book is really funny,and yet so realistic (apart from the talking bunnies). You can definitly see some simalarities between the charactors in the Simpsons and the characters in the book. I plan on buying all 5 books

I must say, Big Book of Hell is 10 times better than Huge Book of Hell. Funnier, less preachy, bigger, and just plain better. It's honest, and extremely observant of the little stupid things we do every day. Matt's detailed descriptions of school and work are so true, I wish I would have written them. Bongo's anti-school agenda is so funny and true. The strips with the eyes and Bongo strapped in a chair are among my favorites. Another thing Big Book has that Huge Book doesn't, is that it is TOUCHING! Witness the 8 Steps of Handling a Divorce (or something to that nature). I almost cried when I read it. In some ways, its more personal than Huge Book, other times, more universal. Which is why Greoning's work (and the Simpsons) are so brilliant: touching, personal yet universal, bitter yet hilarious, observant without being fake. Big Book also has TREMENDOUS re-read value. I highly suggest anyone looking for a laugh or some delicious insight to purchase Big Book of Hell.

It's one thing to say that life is hell and sit back and sulk. It's another thing to turn it into hysterical, scathing humor. Matt Groening's "... is Hell" series is by far the darkest and funniest exploration into our modern life. If Mark Twain were a cartoonist, this is what he would have produced. Compare these cartoons to those animated yellow people (Bart, Homer, et al.), and The Simpsons are no longer a dysfunctional family.

I've been a huge fan of the Simpsons since they first aired, and recently I decided to check out Matt Groening's other works. I bought this book used and it was worth every penny. The comics here are unlike any other. I particularly enjoy them because they are totally irreverent, yet honest about the state of American society today. Many of the 'School is Hell' series appear in this collection. They are my favorites--they get me through long nights of studying. It makes me wish there was a 'Life in Hell' TV series to go along with the Simpsons.

With each new Bone book I get, I never get disappointed. Each book is more and more engrossing. While the black and white issues are the originals, the colors add more to the overall story than I would have guessed. The art is great, the epic story is amazing and the colors just help bring everything together even more.

I gotta say that once you get into the Bone series, it's hard to stop reading it, and I really enjoyed this volume, which is mostly about the antics and schemes of Phoney Bone as he tries to swindle people out of their money, hurting others along the way as things backfire terribly. Definitely great stuff!

The Bone series really hits its stride in this volume. Continuing the excellence from previous volumes, the story deepens and builds into a truly great fantasy tale, on par with classics of the prose fantasy world. I'd give this volume more than 5 stars if I could. Highly recommended.

Side note: - While I understand the all ages appeal of the Bone series; I find it odd that these books get shelved (and buried from a wider range of readers) in the young adult sections of the major chain stores. It would be better to shelve them with Graphic Novels or SciFi/Fantasy.

Jeff Smith's BONE: THE DRAGONSLAYER provides another fine graphic novel in Book 4 of the Bone series. Here the forces of evil are growing - and the roots may be within the Bone family itself. Full-color graphic novel pages entice kids to read the Bone adventures, and even newcomers will find it easy to jump in.

Action, suspense, mystery, with a winning plot and great characters, this beautifully mastered chapter in the bone series is top notch! I can't wait for the next book in the (assumed nine-part) series to come out!

This one is political incorrect, violent, bizarre and disgusting. It's great! Just to laugh. Garth Ennis is almost back in his old shape (the one he has in Preacher, I mean). If you liked Preacher and Punisher Max, you will like this one as well.

This series is way too cool! I love the concept of the "super heros" being the bad guys with ego's a mile wide. I am sure that if any human could gain super powers, they would eventually become corrupt like the "super heros" in this series. Luckily The Boys are there to keep them in check. I highly recommend this series to anyone that is sick and tired of the do good heroes in comics. This is the best!

I had no idea what I was getting into when I first read this series. At that time I was not very familiar with Garth Ennis and a friend recommended it to me. All I knew was that it was a world where superheroes were corrupt and a U.S. government backed mercenary group hired to knock them down a peg. The only warning that I was given that the content was pretty mature.

When I read the first issue, I was blown away and hooked instantly. The individual characters are simply astonishing, which is quite an accomplishment seeing how many of them there are. Sure, the content is very mature, but I think that it can't be any other way. Some of these characters are the scum of the Earth and there wouldn't be any other way to accurately portray this to the reader.

I highly suggest buying the first volume to see if you like it. If the "adult content" doesn't bother you, then I believe that this could be a very enjoyable series for you.

This is what adult comic books should be about. This breaks up all of the old stereotypes and gives you the regular yokels perspective.

Modern stories demythologizing long-underwear sooper-heros have been around for a while... "Marvelman," "The Watchmen," DC's Vertigo imprint, and more recently "Powers" and Marvel's "Ultimates" timeline. But few books have approached the topic with such sheer venom as Garth Ennis's "The Boys," in which a mysterious, steroidal hardcase named Billy Butcher assembles an anti-supergroup whose aim is to take the stuffing out of the supergroups that have run rampant over the world. Butcher gets government backing, and puts his Scooby gang together, then sets his sights on some relative small fry: a teen supergroup filled with sex-crazed ultra-brat packers called the Kix. Ennis has a parallel plotline involving an, a-list elite superhero group called The Seven, who are this world's version of the Justice League or the Avengers -- and they are equally crass and unlikeable, and by the end of this first book, we're ready to see them get taken down a few pegs. Looks like Butcher and his headstompers are just the folks to do it. The characters are generally pretty thinly portrayed (which I often find true in Ennis's work) but the plot and the mood are compelling. It's a fun, though rather dark-toned, grisly book, with themes that may seem familiar to folks who have read Ennis, Alan Moore, et. al., over the years. I'm looking forward to Book Two. (ReadThatAgain)

I bought this for my kids. My daughter loves reading and couldn't put Clan Apis down. After reading she told very excited it was a lot of fun, and most importantly, that she learned a lot about bees while reading. The book takes the form of a comic strip, but the drawings are amazing, and it is packed with information about bees, many of which I never knew about before.

I was looking for some engaging books for my 8-year old who is into science and has never found most books for his age group very interesting. I got this for him - but I could hardly give it to him because I kept wanting to read it. I just love the drawings and the hilarious comments from the bugs and flowers.

And my son loves it too. He reads it at night and in the car ride to school to his carpool buddies. A very fun and entertaining "comic book."

It's hard to find a book that is as funny, interesting, educational and deeply humane as this graphic novel. The story is charming but not saccharine. Main characters-- all of them honeybees-- die, some quite heroically and others simply grow old. And while the bees are to a great extent anthropomorphic they remain bees and their world is filled with alien and fascinating information.

All in all this was a wonderful book.

Other reviewers have already mentioned that this book: (1) tells an emotionally deep and action-packed and delightful story (suitable for adults and children), (2) includes a great amount of scientific information, and (3) includes outstanding drawings. The only thing I can add is that the book is the most amazing and perfect combination of story and science education I have yet managed to find in a book. The story's emotional depth and impact is comparable to that found in the best children's stories that I remember, e.g., Charlotte's Web. (In other words, the story can make an adult cry, in a good sense.) And the science subject's coverage (just right) and focus and presentation are as good as the best found in any knowledge-wrapped-in-fiction book that I've read, e.g., Russell Stannard's super Black Holes and Uncle Albert.

Clan Apis is incredible. Every other knowledge-wrapped-in-fiction book I've read seems in comparison to have a far, far more pedestrian story. For example, the following books with good or at least decent science/knowledge instruction cannot meet Clan Apis's super-high standard for a first-class story: George Gamow's science-awesome "Mr. Thompkins in Paperback" (not the Stannard-updated abomination "New World of Mr. Thompkins" (bad)); Stannard's science-awesome "Uncle Albert" books; the "Magic Treehouse" books; the "Magic School Bus" books; Stephen Hawking's (and daughter's) uneven but exciting "George's Secret Key to the Universe" book; and Hosler's own "Sandwalk Adventures" book (which I didn't like much, I forget why not). Fellow reviewers or comment writers, please share with us any other good knowledge-wrapped-in-fiction books (or movies/shows) that you know about. Thanks!

Let me just start by saying the author, Jay Hosler, is one of the best human beings you could ever have the fortune to meet. I am one of his students at Juniata College, and I can tell you everything this man does is quality and excellent. Dr. Hosler's first book, Clan Apis, is my personal favorite because I think it best illustrates him as a person.

Dr. Hosler loves inverts, and mostly, bees. So, it is obvious that this graphic novel is a labor of love for him. Every page and every character is scripted and illustrated in the utmost care and love. His gift for narrating an amazing tale and combining that with clever education is not just obvious in this book, but in the classroom. Everything he has ever taught me has stayed with me to some capacity because of his ability to clearly communicate ideas.

Not only is Clan Apis a wonderful story about bee biology, but it is even a tasteful way to introduce young readers into many adult topics such as leaving home, independence, and death. Dr. Hosler executes every bit of this story with style, humor, and decorum. He has created a story that not only entertains but educates on many levels, an achievment most major movie studios have not accomplished in animation in years (You listening Disney? Pick up this for a screenplay!).

If this hasn't convinced you to buy this amazing, quirky book, then do it for the fact he has two really cute kids and has to put up with a room full of annoying biology geeks like me everyday.

Many thanks to IDW for embarking on this publishing milestone. Even the earliest, crudest TRACY strips are entertaining and enlightening. Chester Gould's abilities as a storyteller and artist take shape over the course of years. His economy of action, character and suspense grows over decades. It's fascinating to watch the character and the strip develop in these early panels, especially if you know what's coming. At the rate they are publishing these volumes, it is expected to take five-six years to commit the entire work to book form. There have been other attempts over the years, both in hardcover volumes and comic book variations, to reprint TRACY, but it looks like IDW has come up with a satisfactory format, great design, and a commitment to getting it done once and for all. Please support them.

An excellent start to a much overdue collection! Yes, this first volume was pretty much covered in Tommyguns, but its arrangement and hardcover setup make it worthwhile. I look forward to future volumes!

I've been a huge fan of the Dick Tracy comic strip since I picked up my first comic book reprint of the strip sometime in the latter '40s in the middle of the "Boris Arson" narrative arc from the mid-'30s. It was great stuff, and even at my young age I knew it was the real deal and drew upon some actual events for plot points; "Arson" used an iodine-dyed dummy pistol carved from a raw potato to break out of jail! (Ah there!, John Dillinger!)

I was hooked, and became a dedicated collector with issue #29 (toward the end of the "Flattop" arc) and had every single issue from that point forward 'til #137! (Somewhere, inexplicably, they all disappeared! They survived the disapproval of my father, but not, apparently, my first wife!)

Over the past 30 years I've acquired virtually every "Tracy" reprint I could get my eager mitts on, and they've been for the most part excellent. But due to the selectivity of the reprints (none of which touched on the "Boris Arson" arc), there's been no continuity of the Chester Gould oeuvre until this series debuted, and I was all over it!

I've purchased the first two volumes, devoured both, and, O joy!, "Boris Arson" has appeared toward the end of the second one. The publication date of Volume III is a month away, and I'm like a kid awaiting Christmas morning!

I imagine the reason this "Complete Dick Tracy" project wasn't previously attempted had to do with some sort of "rights" issue, but I'm delighted that it's underway... and I know that unless they accelerate the present two-a-year schedule, I probably won't live to see the "Moon Maid" years, but that's okay!

These early strips show how polished Gould had become since his rather crude beginnings, and how much he developed his technical and creative "chops" over the decades. The format is fine... anything larger to accommodate a fuller sized Sunday strip would probably have put the volumes well above the "widely accessible" price point... so it's but a minor inconvenience for me to wear my reading glasses.

Kudos to IDW Publishing.

Around the early 1930s, as Prohibition was coming to an ignominious end, gangster films began to really take hold. James Cagney, Edward G. Robinson and Humphrey Bogart led the way on screen, while Dashiell Hammett and Raymond Chandler wrote the books, and on the comics page, it was Chester Gould, with his strip, Dick Tracy. Volume One of The Complete Chester Gould's Dick Tracy follows the detective from the very beginning in late 1931 to the middle of 1933.



As the comic begins, Dick Tracy isn't even a cop. When the father of his fiancee Tess Trueheart is killed by robbers, Tracy joins the police force and becomes a top detective without even needing to take an exam. He first solves the murder of Tess's father and then proceeds to be a one-man-gang against murderers, kidnappers, thieves and con men. His first real foe is the gang leader Big Boy, and most of the early battles are against Big Boy or members of his organization.



For those familiar with Dick Tracy's more bizarre foes such as Pruneface and Flattop, there may be a little bit of disappointment with the more mundane villains in this volume. Besides the bad guys and Tess, the main characters are Pat, a rather hapless fellow detective and Junior, a street urchin who Tracy takes under his wing. But it's Tracy who is the lead character, constantly meeting out justice with fist and gun. Like many such characters, Tracy himself is not that interesting, but is made more so by others around him.



Well-drawn and decently written, even these early Dick Tracy strips should appeal to fans of older comics. It may not be the best of these old-time comics (I reserve that compliment for other strips like Krazy Kat, Gasoline Alley or Popeye), but it is a fun read.

While I appreciate the effort to reprint the complete original Dick Tracy comic strips, certainly one of the most uniquely rendered creations in comics, I have reservations about the chosen format. The reproduction size of the Sunday strips is smaller than ideal, making for some challenging reading. To properly accomodate the Sunday strips, surely a larger format would have been better.

However, it's still fascinating to watch the evolution of Gould's trademark graphic style emerge from what started as a very ordinary-looking strip. Since it's probably not going to be done again on this scale, I suppose the best thing to do is accept the Sunday strip reproduction for what it is and board the train -- the best is yet to come.

This collection from Fantagraphics Comics is sooo beautiful! Besides having the whole Peanuts production, the box sets are collector items themselves with brilliant forwards and an overall excellent graphic packaging.
In one of the volume a note from the Editor explains how in the original of certain strip was damaged or lost and they had to reconstruct somehow. One strip out of 700 of that volume alone and it deserved an explanatory note! This just to give you an idea of how much carefulness and passion is behind this Peanuts collection.
A must!

Come on! It's the Peanuts! Quit reading the reviews and start reading this set. Besides, if you have to read the reviews, you haven't read the Peanuts.

My wife is getting every one of these when they come out, and she couldn't be much happier.

This handsome box contains The Complete Peanuts 1963-1964 and The Complete Peanuts 1965-1966. That's four complete years of one of the greatest comic strips of all time. What more do you need to know?

The Complete Peanuts is definitely complete! It's a real collectors' item!

Each book contains 2 complete years of Peanuts - the funniest comic strip of all time (IMHO). So this two-book set contains four complete years of Peanuts - all the strips that were published between 1963-1966.

Note that both books included in the boxed set are exactly the same ones that are sold separately. The books also contain full book jackets (i.e. if desired can be shelved separately). As of this review date it is cheaper to buy the two-book set than to buy them separately at Amazon and we get an added attractive slipcase with the two-book set.

Unfortunately the Sunday strips are in black and white - a minor gripe. However other such comic strip collections (including Calvin and Hobbs) have the Sunday ones in color.

Recommended.

(Note: I have essentially copied my review of the other peanuts sets for this one)

I think deconstruction is important but have difficulty understanding it. This book is the only lucid explanation I've seen of it's basic principles.

If you are beginning to read derrida, this book will be very helpful. Now if they only made one for Judith Butler! (Skip the Foucault, his theories are not that complex.)

Derrida is my favorite philosopher. I don't think that his 'Deconstruction' is holistic necessarily but the gist of it explains the inherent problems of doing philosophy better then anything else I've read.

Unlike the greats of Science who simplify complex ideas (i.e..Stephen Hawking, Richard Feynman), the guru's of philosophy take fairly straight-forward ideas and shroud them with such mysterious sounding proprietary language that their work becomes nearly impossible to decipher. Derrida is no exception. This is a shame because his underlying message is brilliant...and really not not all that abstract.

So until philosophers realize that less words does not directly translate to less intelligence, we should be very glad to have commentators like Jim Powell around.

"Derrida For Beginners" concentrates on developing the key concept of "differance" and defining the necessary Derridian terminology used to communicate its meaning. The book clearly defines, "binary opposites", "texts", "logocentricism" etc.. and has plenty of diagram's to help you get the idea. While I can't say the artwork did much for me, the cartoon setting does force the message to be carried accross succinctly...no babling. The first book I read after failing miserably to tackle "Of Grammatology" was "Derrida" by Christopher Norris. While his was an excellent introduction..I will say that after I read "Derrida for Beginners" I went back and read most of Norris' book again and got a lot more out of it. Try this: read "Derrida for Beginners" as many times as needed until you have all the words in bold print at your fingertips..then, read Norris' book "Derrida". With this few hours of investment, do some online searches and read some of the commentaries and criticism of Derrida. You will be surprised at how badly he is misunderstood by so many who have studied him a lot more then you, and should feel good about your knowledge in comparisom. Of course you then need to get humble again so start reading "Of Grammatology". :)

This book is concerned with making accessible the often inaccessible Derrida. Derrida's philosophy will help you develop a healthy sensibility and cynicism for 'knowledge' and 'representation.'
Do not be fooled by the 'for beginners' title; it is not simply an introduction, it is a hands-on intepretation of several his 'major' works. The book has any value for anyone interested in learning about the world in which we live.

This book is concerned with making accessible the often inaccessible Derrida. Derrida's philosophy will help you develop a healthy sensibility and cynicism for 'knowledge' and 'representation.'
Do not be fooled by the 'for beginners' title; it is not simply an introduction, it is a hands-on intepretation of several his 'major' works. The book has any value for anyone interested in learning about the world in which we live.