Comics Books

deserves the big screen treatment. Far more interesting than the X-Men, this is the story about a group of people who become superheroes through no fault of their own (its the result of machinations from somebody, but you'll have to read the series to find out), and how they deal with being "different". Negative Man, Robotman and Elastigirl are three of the most tragic figures ever to grace the comic page and their stories are far more pathetic than anything in X-Men(not that I don't like X-Men). Read the series. You won't be disappointed.

These stories are some of the best silver age superheroics you will ever read. Though much as been made of the parallels between the Doom Patrol and the X-Men (the two debuted almost simultaneously, and with many things in common), the original Doom Patrol was on another level creatively. The early X-Men stories were romps, but the Doom Patrol had texture.

In fact, it could be strongly argued that when Chris Claremont reformulated the "All-New, All-Different" X-Men in the late seventies, that he drew obvious inspiration from how DC done it in the sixties with the Doom Patrol! Certainly, the New X-Men read much more like a revitalization of the Doom Patrol than of the original X-Men.

Make up your own mind.

Doom Patrol, as represented in the first volume of their Archives Edition, was an interesting attempt in the 1960s at DC to expand the notion of what makes a super-hero, along with Deadman, Challengers of the Unknown, Eclipso, and Metamorpho (most of these heroes created by Bob Haney, the author behind the Doom Patrol). Their resemblance to the X-Men is obvious although DC was never able to create an environment where the oddball heroes fit in as well with Superman, Batman, et al, whereas the X-Men never seemed out of place in the Marvel universe. But Doom Patrol's biggest weakness was its lack of stand-out villains. The X-Men had Magneto and his Brotherhood of Evil Mutants while the Doom Patrol struggled along with General Immortus and the Brotherhood of Evil. The Doom Patrol stories are still quite charming, though, and show great promise for what could have been. It was an adventurous experiment at DC to create a team of outcast heroes that is worth checking out.

They were four damaged people: Rita Farr, a beautiful actress who, while shooting on location, was exposed to a gas that gave her the power to vary her height; Larry Trainor, a daring test-pilot who flew through a belt of radiation, and come through with the ability to release an embodiment of negative energy, but only for a minute at a time; Cliff Steele, a race-car driver, until the crash that destroyed everything but his brain, which was transferred into a robot body, and; Niles Caulder, the brilliant genius who brought these people together as a force for good. They are Elasti-Girl, Negative Man, Robotman, and the Chief: the Doom Patrol.

Contrary to popular belief, DC Comics figured out pretty quickly that rival Marvel Comics formula of character-development was something that they needed to infuse into their own line. The problem was that they were very hesitant to do this with their big gun characters: Superman, Batman, and Wonder Woman, iconic characters that never had any of the problems Spider-man did. However, DC had no problem creating new characters in the Marvel style: fantastic characters with a down-to-earth core.

Perhaps the best example of this approach is the Doom Patrol. This was a team of strong individuals who found themselves possessed of powers that they didn't want. Indeed, for these characters, there was very little hope of ever being normal again. So, they did the next best thing: they fought people who were in worse shape than them, hell-bent on spreading evil.

Arnold Drake's writing made the most of the bizarre premise. The villains were sinister, vile, and above all, quirky. Of course, while General Immortus, the centuries-old genius, was perhaps the team's most persistent enemy, by far their best loved was the Brotherhood of Evil. Led by the Brain, a disembodied brain, and Monsieur Mallah, a surgically enhanced gorilla, the team was the Doom Patrol's counter-part; misfits that sought revenge on the world.

Amazingly, Drake's scripts never stretch credibility to the breaking-point. He stayed within the rules he set for himself, and never forgot that his heroes were suffering, and not always in silence. They pined for normality, they wished for acceptance, they bickered amongst themselves. At the same time, he never let the action get bogged down in the team's personal traumas. Moreover, Drake tailored the stories to spotlight the unique abilities of his characters, while examining the strengths and weaknesses of their individual personalities.

Bruno Premiani's name is not one of those artists who immediately named when discussing comic book greats. He probably should be. As his artwork proves here, Premiani had a strong sense of realism. He made the most of his talented line work, grounding his art with a realistic sensibility that further underscored the bizarre tone of the series. One only need to look at the gorilla Mallah, and the extraordinary detail he paid to the character's design. Truly, Premiani was a craftsman, and deserves much more recognition.

It's not hard to see why, although never a first-string book, "The Doom Patrol" is still remembered fondly today. It was a unique mix of absurd super-heroics and sharp character-drama. While DC recently made some questionable continuity decisions about these characters, they've wisely pulled away from them. So enjoy these wonderfully weird stories.

A group of disgruntled social outcasts with super powers comes under the guidance of a wheel-chair bound genius and is frequently called on to save a general populace they increasingly grow to despise.

You got it...the X-Men, right? Nope. The Doom Patrol.

The comparisons are immediate and striking (The Chief/Professor X, The Brotherhood of Evil/The Brotherhood of Evil Mutants), and given that Doom Patrol actually predated the X-Men by several months, one has to wonder if Stan the Man and the merry men at Marvel didn't pass out a few copies of Doom Patrol at editorial meetings.

But to the stories themselves: the characters are great. The heroes find that their powers have literally ruined their ability to lead normal lives. They are resentful. They find code names stupid and embarrassing and call each other by their first names. Even in attempting to forge relationships with each other, they frequently fail due to shattered self-confidence over their own perceptions of themselves as nothing more than freaks. Remember kids, this wasn't written in the 80's or 90's. This was written in 1963!

Arnold Drake's scripts are hokey by today's standards, with what can be called B-movie dialogue and plots. However, once you accept them on that level (don't look for the gritty realism of the 80's or 90's), they are great fun. Bruno Premiani's artwork is simply excellent, at places it reminds me of Brian Bolland. I agree that it is simply unfathomable that Premiani is not held in more esteem.

While X-Men became a mass market phenomenon, Doom Patrol has had what can be charitably called a star-crossed publishing history. No incarnation of it has ever lasted, although Grant Morrison gave it a great run in the early 90's which I recommend to anyone. Somehow, though, this is sadly appropriate for Arnold Drake's original vision of the quintessential unhappy super heroes. They just never got popular enough to sell out.

The next time you see Hugh Jackman or Patrick Stewart onscreen, or walk past the endless rows of X-Men compilations in a comic book store, do yourself a favor and find the DC section and introduce yourself to these characters. Take the Doom Patrol challenge: go for the original.

Gift material 110% I love it. I have taken drawing courses in school and online and through the mail, and my mother taught me to draw, and I learned from DRAWING ON THE RIGHT SIDE OF THE BRAIN, and THIS DRAW..HEROS is fantastic both from a teaching methods standpoint, and from an artist's needs standpoint. It can teach you to refresh some of your old drawings with movement and power, and MOVEMENT! WHhhham! ZOOoooMmmmm!!

I am giving this to deaf friends as I am always trying to show them I appreciate their special abilities.

Purchased this as a Christmas gift for my nephew. My 14 year old would like it after reviewing. Shows how to draw characters; first by shapes - and then adds in details, including hands and feet.

This is a great product. It is small and self contained, comes with drawing tools stored in a zipper pouch so it is perfect for travel. The easy to follow, step by step instructions create the sensation of instant success. Great for all ages - even adults can have a bit of fun with it!

This book is really great. My son picked it out as something he wanted because Spiderman was on the cover. I would never have thought to buy it. The content is great. It takes you step by step in drawing. It all starts with the stick figure with ball joints. This may seem dumb, but it is essential. I have been poor at drawing a body or figure, but after using the starting point of the stick figure and then adding more to it, I could not believe how well it turned out. I still only at the beginning too. Lots more to learn from it! This is a great way to teach my son how to draw at an early age. The superhero tie in is perfect, but the content is top notch.

I can't walk past this book in a store with out picking it up (heck, I couldn't see a link for it with out clicking it).
This is single handedly, the most influential book I have ever picked up.

I first got it when I was 6, and it laid the ground work for the rest of my entire life. I'm an art student, I'm going to be an illustrator, I want to be in comics. This book is why and how.

Everything in here is solid and where EVERY ONE should start if they want to do this thing right. Give this to your kids, give this to those friends of yours who want to do art, but never had any teaching or talent, give it to that rival who needs a refresher on the simplest of simple. Buy it for yourself, as a clear reminder of what you should be doing, and of the foundations that everything you do is based on.

This isn't Burn Hogarth, but it is still a must for ANYONE getting into drawing. I can not recommend this enough. This book will always hold a special place in my heart and on my shelf.

I have been collecting the graphic novel series for about 8 years last month I moved and lost the whole collection if anyone knows how I can get this collection again please let me know thank you Jamie

This work of fantasy rivals some of the best of the century, with superb artwork by Wendy Pini, and a brilliantly planned storyline by Wendy and Richard Pini. Follow the adventures of a tribe of woodland elves who are forced to abandon their forest dwelling in the face of fire. Tricked by their fickle friends the trolls, they find themselves lost in the desert, where they find...But thats for you to find out when you read this work of art. Full of emotions that anyone can relate to, and characters who clash, and come together to form grand friendships and rivalries that will keep you reading through the whole series of Eight full color, and unfortunately, out of print Elfquest Stories.

I loved the hardcover edition. With the full color illustrations. Of course the whole story line. Is amazing! Love it!

Where does one begin to review a masterpiece like this? Even more thought provoking, where does one end? This book's praises cannot be sang too often. The artwork and color are astonishing. They will leave your jaw hanging open, and your mind thirsting for more. Is emotions are so clear, you can feel Cutter's heartache, Leetah's mixed emotions, and Rayek's hate and mistrust of the new strangers. Read this book, and I promise you will not be disappointed, but don't take my word for it. Go on, see for yourself.

Where do you begin with a book like this? Even more thought provoking, where do you end? Not enough can be said about this book. The artwork is astonishing and the colors will leave your jaw hanging open and your mind thirsting for more. You feel the heartache of Cutter, the mixed emotions of Leetah, and Rayek's hate and distrust of the new strangers. Buy this book, and I promise, you will not be disappointed, but don't take my word for it. Go on, see for yourself.

FoxTrot is by far the best comic strip ever! My favorite character is Jason. In this book, he creates a TV special called "The Mrs. Grinch who was too Cheap for Christmas". My advice is too just buy the treasouries; or else you'll get repeats. This book is one of the best!!!!!!!!!!!!!!!!

I have been a faithful FoxTrot reader for years. Roger, Andy and their kids Peter, Paige and Jason are always good for a reality check with a large dose of laughter. I've got two girls and let me tell you, I see a lot of my kids in Paige with, I believe, even a healthy dose of Jason thrown in. And they have Peter's bottomless stomach. Of course, they're faithful FoxTrot readers too. I used to read the strip to them, explain what was going on, but now they get it just fine and we three all laugh together. Then my girls try and explain the strip to their dad, who pretends he doesn't get it.

The FoxTrot folks are a great family, one we sort of got used to checking up on every day, so we took the news that Mr. Amend was going to cease daily distribution of his wonderfully funny people and turn his strip to Sunday only, with a bit of sadness. Still, we have these terrific FoxTrot books to keep us going with our FoxTrot fix. Mr. Amend is to be commended for his great gift to our culture and his great gift to so many lives. I truly believe a laugh a day, helps keep the blues away and the FoxTrot gang are always good for a laugh. Heck there are a lot of laughs in the FoxTrot books. I know, I have them all and I am, along with my girls and my hubby dear, eagerly awaiting the next one.

Oh yes, I forgot to mention, we don't have an iguana, but my girls do have a pet gecko and, you guessed it, his name is Quincy.

I've been a Foxtrot reader for a long time and personally I think there is something suspiciously wrong with people who don't find Bill Amend's characters funny as all get out. If you want a good laugh, check out Bill in your local newspaper, or better yet, get one of the Foxtrot books. They are all great, really, they are.

Like many of Mr. Amend's fans I'm a bit disappointed he's switching his strip to Sunday-only, but fortunately I can still read him daily in the Foxtrot books. Get them one and all and you can keep right on a laughing.

It's a funny book and all but there is just one thing - not just about this foxtrot series but all of them - it's that fox family always stay the same, no one ever grows up. Paige is always starting her first year in high school, peter is always staying a junior and taking a physics and trig class and jason is being jason as usual. Although maybe I'm wrong, maybe if they did grow up the show wouldnt be funny anymore...I dont know but it's still funny though. BUY THIS BOOK!!! IT'S FUNNY reaaaaaaly funny.

First Bill Watterson retired and there was no more new Calvin and Hobbes. Then Charles Scultz retired and unexpectedly passed away, so many newspapers stopped running Peantus. At first it would seem there isn't anything all that funny left in the funny papers. Ah, but one grand gem remains: Fox Trot. Appearing about half a decade before the funnies started to become unfunny, Fox Trot remains as about the only witty and upbeat comic that can be seen in papers. ASSEMBLED WITH CARE is a collection of two-year's worth of Fox Trot comics. I'm not for sure of the exact dates, but the strips ran around 1999-2000. The stories make grand observations on life, but are also constantly ribbing pop culture and (then) current events. Two of my favorite story lines are the one where Jason and Marcus imagine themselves acting in the just announced production of THE LORD OF THE RINGS (the director looks like a hybrid between Steven Spielberg and Peter Jackson) and the series that ran the week that Y2K could have happened (the comic strip finds itself back in 1900). A great collection of one of the best comic strips still being written.

If you love mangas and love a story that gives you every emotion a story can give you, then this is the book for you. The main part of the story is comedy but it does have a lot of other emotions to it and there are a lot of plot eliments that will keep you wanting to read. I don't want to give anything away so I wont, you'll just have to read it. ^_^

I own this series in Japanese, and it is a wonderful read! It has all the important elements of a good shoujo manga: it is romantic, twisted, with a shoujo (in the traditional meaning of the word) involved in finding a new family and love triangles galore. It is just a very fun read, no matter the language!

As an American whose undergrad studies revolved around European subjects, I am still quite ignorant of Japanese customs/cultures/naming conventions and so on. This book confuses me in a few different ways: 1, as another reviewer pointed out, several of the characters look nearly identical, and I had to go back and reread several portions to figure out who was whom. 2, the variations on naming are awkward to me. Tohru is variously referred to as Tohru, Tohru-san, Tohru-chan, Tohru-kun, Honda-san, sometimes even Kyoko-san, which is her mother's name. This isn't so bad, because Tohru is always Tohru no matter what is on the end of it, but for example Hatori is sometimes Ha'ri and sometimes Haa-san and this happens with all the characters who have more than 2 syllables in their names.

There are some weird cultural things drawn in here that I don't understand: a sketch of Tohru's mom in middle school, and she's wearing what looks like a surgical mask? (She was not a doctor.) One of Tohru's friends is referred to as a Yankee, but I can only assume this has a different meaning in Japan. Her name is Arisa Uotani-san (sometimes Uo-chan, which really threw me!) and that is definitely not an American name. So, here I am confused again.

Please forgive my ramblings but once I get started, it's hard to stop! I'll be continuing with Fruits Basket.

I think that the storyline is so nice and is definitely worth reading. I prefer reading it in Nihongo though. All in all the story is very enjoyable and it has a good balance of darkness and drama against lightheartedness and comedy. Ga suki furuuts basuketto!

Tohru Honda's adventures really get going in the second volume of "Fruits Basket," where the upbeat teen moves into the Sohma household. Natsuki Takaya's storytelling is stronger and steadier in these chapters, since she's introduced the main characters and can now get going on the plot.

Tohru is moving into her newly furnished room, and her pals (wave-reading goth Saki and toughgrrl Hana) decide to stay over to make sure that the guys will take care of their cheerful friend. And when New Year's rolls around, Kyo and Yuki find themselves wondering what to do -- go to the main house with the other family, or stay with Tohru?

And at the school, the students are planning a cultural festival, and Tohru encounters two other Sohmas -- the chilly doctor Hatori, and the effusive half-German Momiji, who is instantly pals with Tohru. But Tohru learns of a different side to the zodiac members' lives, when she hears about Hatori's tragic past.

The first volume of "Fruits Basket" was all about introducing the characters and getting them into the same house. And in the second volume, Takaya gets to flesh out the cast with new characters and new storylines, and hints about the more sinister aspects of the Sohma family's curse, and the family head Akito.

The storylines in general are darker here, especially the harrowing flashbacks of Hatori's love affair with his ex-fiancee, and the bitterly chilly way that it fell apart. But Takaya also sprinkles it with happier moments, such as the naughty novels, the preparations for the cultural festival ("She brought an IRON PIPE to school!"), and poor Yuki having to wear a dress, much to the delight of his crazed fangirls.

There are also some new dimensions shown in Tohru here. Sure, she's always cheerful and pleasant, but Takaya hints that she is actually quite lonely now, despite the presence of her friends. But the zodiac members also get some development -- including Tohru's whole talk with Kyo about the "umeboshi" on people's backs.

The second volume of "Fruits Basket" is even better than the first, and introduces the mix of tragedy and comedy that Takaya is so good at. And it will only get better.

This product showed up speedily and in very good condition. I am very happy with it.

I own this series in Japanese, and it is a wonderful read! It has all the important elements of a good shoujo manga: it is romantic, twisted, with a shoujo (in the traditional meaning of the word) involved in finding a new family and love triangles galore. It is just a very fun read, no matter the language!

reading this book makes me want more to read

for people who love fruits basket, this will probably be one of your favorites in the series. full of drama and revealation, i think it is one of the best. i like how there is drama, but not too much of it; it's just in the right spots. kyo realizes his feelings about toruh, and yuki does too, i believe. momiji has really grown up! and u finally realize things about akito. a great read for furuba fans, but i say if u haven't tried this series bfore, research a little on it before deciding to read it!!!!:) i know i can't wait for volume 14!!!!

Fruits Basket volume 11 is probably among the darkest volumes in the series. When you read this one, I can assure you that you will easily be moved to tears - and also part of what makes it dark is our finding out about the zodiacs' futures, particularly Kyo's.

It's obvious that this family holds lots of betrayal and backstabbing, and this volume makes that a big part of its aura. Parts of the book are rather surprising and catch you off-guard while you're reading it. I remember sitting on my bed while reading it, turning to the next page and going "WTF KYO KNEW KYOKO" because basically, this is the volume where we find out about that.

Akito finally confronts Tohru with her real attitude towards outsiders, and gives her a small wound in her anger (poor Tohru!). However, Momiji fans will love this volume, as we see his courageous and protective side towards loved ones.

And LAST but not least, the "love triangle" Between Tohru, Yuki and Kyo is certainly getting more complex. You'll know that in the previous volume, Yuki confessed to himself his love for Tohru. In this volume, the same happens with Kyo. I know who she ends up with in the end at this point (and also by reading spoilers! Haha), but I won't tell you for the sake of my poor head before getting hit by an iron skillet. VERY worthy of five stars, although my favorite volumes are still 1, 4, 6, and 13.

Jim Tooney, is certifiable. This was excellent. The characters are all so memorable and completely well rounded. Thx.

I bought this book for my Dad as a birthday present because he loved this comic. I read it before I gave it to him, but I had to stop several times because I was paralyzed with laughter! This is definitely the funniest book I have ever read. After I read it, I immediately went out and bought the first book Ate That, What's Next. I was quite dissappointed in it. Then, I reread it about a month later and was in tears again! The simple reason: it's a great book, but this one is absolutely the best and I was expecting too much. Ate That was hysterical too, though just not as funny as Poodle: The Other White Meat. You should probably read Ate That first. Both books are great, and I can't wait to read the new third one, The Illustrated Guide to Shark Ettiquette!

My wife's favorite current comic strip, Sherman's Lagoon, has another anthology collection out, and this is it. We get to see Sherman visit Venice, disguise himself as a human to rescue a friend, and deal with a military drill. No sidesplitters but definitely entertaining.

This book by J.P. Tommey is very witty and very funny. I reccomend this book to people who like to laugh.

This second collection offers us another look at the adventures of the funniest sea-dwellers known to man. There are several hilarious storylines here, including invasion from Navy Seals, Hawthorne's adventures off-island, Fillmore's trip, once again, to Ascension Island, the gang raising a baby sea turtle they call Clayton, the return of sun-loving polar bear Thornton, Sherman and Ernest's trip to Atlantis and, of course, Sherman's attempts to impress his girlfriend Megan. This is a great work of art and writing that anyone can enjoy, not just fans. It is always funny, often hilarious, and I am proud to own it. I'm sure you would be too. Thanks for another great book, Mr. Toomey!

I just picked up the hardcover edition yesterday at the bargain section of my local bookstore. Once I started reading it I couldn't put it down. It's in chronological order of R. Crumb's work broken into chapters. Each chapter starts with a write up by him telling about what was going on in his life at that time, and how some of the drawings came to be. I find him to be a fascinating artist. He bares his soul in his work, not really caring how he appears or what people think.

I have the hardcover edition. I collect Robert Crumb's works and this is a favorite of everyone looking at my collection. It you are an art student this along with his Gotta Have'Em Portraits of Women by R.Crumb is good resource material. I'd give The R. Crumb Coffee Table Art Book in (hardcover) ten stars if I could. I have not had the opportunity to look at the soft cover version but I would bet it is well done.

Just about every huge page (this book is big!) is filled with inspired color drawings from the legendary underground artist. Crumb gets very personal in this book, it's incredibly honest and, at times, deep. He takes the reader on a nostalgic journey through his childhood, life, and career. It's about growing up, finding the artist within, and adjusting to the insanity of the world. Or, you can simply read it for the edgy, often sexual comics. Either way, this is a big heavy book that is hard to pick up, but harder to put down.

This book is the ultimate Crumb. You won't be disappointed if you love his work.

A generation ago, American poets such as Sylvia Plath, Robert Lowell, John Berryman, and Anne Sexton gave birth to a genre that's come to be known as "confessional poetry." Their verse revealed intimate facts about their lives that simply weren't spoken of in polite company: fears, phobias, sexual hang-ups, pettiness, depression, suicidal tendencies. Some of their work wound up being rather pathetic, more confessional than poetic. But when it was good, it invited readers to face their own demons.

Robert Crumb, whom the art critic Robert Hughes has called the "Breughel of the 20th century," is a confessional artist whose chosen genre is comics. For 50-odd years (with the emphasis on "odd"!), R. Crumb has explored his many identities and personae in thousands of sketches, drawings, and paintings. The R. Crumb Coffee Table Art Book is actually an autobiography put together from a handful of the work Crumb has produced over the years. It's interspersed with essays by Crumb on his childhood, school days, the hippie scene in San Francisco, his marriages, his "personal obsession with big women," his spiritual yearnings, and his love of old music. Taken together, it's a fascinating portrait of a man who's dared to explore some of his deepest and darkest places, and to do so (at least sometimes) publicly.

Crumb believes that the pivotal moment in his personal and artistic life was the period in the mid-60s to the early 70s when he dropped acid on a regular basis. Although he sometimes worries that he might've fried his brain, he also thinks that the LSD trips liberated his psyche and helped him break through to new and deeper levels of creativity. The LSD was, he tells us, his "road to Damascus."

Perhaps. It's true that Crumb's work has changed over the years--it's become more brutally honest, more introspective, darker and at the same time funnier. Perhaps the LSD had something to do with it (although, personally, I quite dislike some of the work that comes from that period, finding it rather flat and silly). But I suspect that the single greatest influence on Crumb was his childhood and his family, especially his brother Charlie, who seems to have been just as much a genius as Robert. Crumb the man really is the child of Crumb the boy. The LSD may've helped Crumb get in touch with the raw energy generated from those days.

Crumb has become notorious for the sexuality of some of his comics, and has taken his share of political correct knocks. But The R. Crumb Coffee Table Art Book makes clear that the bottom line of much of his art is his existential need to explore and expose the shallowness and absurdity of much of modern life. Above all, as he tells us (p. 247), he wants to tell the truth, not only about himself but about us as well. Whether it's in the pages of "Zap" or "Weirdo" comics, or in panels featuring Shuman the Human or Mr. Natural, Crumb continuously questions racial, sexual, cultural, and artistic conventions, pushing the envelope as far as it can go and frequently causing readers discomfort. There's also a longing on Crumb's part for deep meaning in a universe that appears crazy. This most often reveals itself as nostalgia for bygone days (his love of "old" music, for example), but also more explicitly as a yearning for a god that he can no longer fully believe in and frequently mocks.

Reading R. Crumb is an intense experience. Like all good art, his stuff can make one laugh with joy or send shivers down the spine. The R. Crumb Coffee Table Art Book is a good place to start if you're just discovering Crumb, and an equally good collection to help long-time admirers get some idea of the big picture of Crumb's work and to better appreciate its depth. It's also a good catalyst for getting in touch with one's own multiple identities.

When someone tries to blow up Jack Knight, and in the process gets some of his family, he will slowly come to the realisation that he has some growing up to do.

He kicks against this for some time, but his father, a couple of local cops, Opal City herself, and the need to do something about The Shade and The Mist start to move him in the right direction.

Starman, written by James Robinson,with art by Tony Harris, Peter Snejbjerg and others, details the exploits of Jack Knight, the son of the aging 1940's Starman, as he struggles with the family business, his personal business and Knight's Past, his, um, business business. It's got science, mystery, romance, cowboys, pirates, and some of the most pure heroism that was presented in the grim and shallow world of 1990's comics. This is one of those great series, Sandman-style, which is loved by comic and non-comic readers alike. This is where I first saw the pencils of Ex Machina artist Tony Harris. I had such a man crush on this creative team, when I met them at a convention in 1996 I giggled Japanese schoolgirl style and averted my eyes. I palpitate at the thought! James Robinson complimented me on my shirt, which I had cleaned especially for the occasion. This is the comic that made me love DC comics, made me embrace my inner collector, and kept me returning to the comic store.

I have to admit I like the new Starman alot. But I donthtink everyone would.

Great stories, great art, coloring...I have all the 7-8 volumes in the tpb format. The character is written very well. The Sandman stories are especially good, as well as JSA related and even the filler stories with Starman's brother, and Opal City's historical characters. Bank robbers, pirates, aliens, poets, fantasy, sci fi, tattoos, etc...what more could one want?! Also the substitute/guest artists are as good as the regular artist.

However I am a little dissappointed that DC never mentions any ratings for their books similar to Marvel. The new Starman Series by James Robinson is NOT FOR KIDS. Although not overly gratuitous visually, there are bedroom scenes, with semi-nudity(no full frontal), drug use(only one issue), as well as homosexual characters(which is not overly emphasized or distracting to the comic. only noticed this rare&few times. no sex, just words of "love forever")but it may offend some people, and confuse or harm children's moral upbringing. As an adult, they dont get in the way of the main characters virtuous and heroic qualities but they may cause some people who are offended by that kind of thing to miss the overall well-crafted story plots. For others it may cause them to imitate those scenes. I dont like them in a comic book. Personally the parts of the story that show those scenes really dont add that to the plots very much. But I dont believe the writer was trying to shock anyone, just make society more comfortable with this type of relatonship. I would have rather those ideas/characters remained out of the books, or "faded to black" (as one homosexual scene was). I still give the books the highest marks for overall artisitic presentation.

Starman has since departed from the superheroe scene(i think?) but this run of stories has many many great moments in the modern super hero context. Just be careful if you are scensitive to the "adult" situations. They show this Starman superhero and related friends, associates, as very human persons, equiped with fallen human nature, and have to go through their own personal, yet in some cases, universal, spiritual and vocational superhero trials and tribulations. These trials are moral & emotional, that many people can relate to on a down-to-earth level. I tend to think of these stories as kind of modern greek mythological hero/fable stuff anyway. But just because greek stories have all the sex and stuff doesnt mean I like to read, or see, in contemporary novels. I pretty much find it insteresting how Robison included the adult situations, but ignore it overall. However, there is more to emotional maturity then sexual relationships, or positions. At least Robinson provides enough character depth & developement to overshadow these unnecessary plot developments. That is where his writing talent really impresses in dealing not with physical strength, but virtuous strength, in terms of acquiring courage, and in some cases, emotional & spiritual growth. Interpersonal relationships between family and friends also play a strong part in the stories as well.

But if you are senstitive to the adult themes maybe the original Starman Archives is your style. There are moments where Harris's & Robinson's modern Starman stories really are the best I have ever read. All though there is alot of art deco, art nouveau, and film noir symbolism throughout their work that allows their style to be respectful of the past. Some of Harris's visual treats could make terrific posters. The inker is especially sensitive to his style. The modern Starman handles the adult themes well in many instances, but they couldve been done even better. If you look at film noir, alot happened that you didnt need to see to help create drama. I am afraid Robinson couldve been more graphic, but he also couldve been less so. For instance issues about adultery(not shown in this particular issue) had wonderful, morally and spiritually uplifting conclusions, with effects that run throughout the Starman series, but he didnot have to show the adulterous act to make us know it happened. For me the resolution was marvelously handled, that it overshadowed what was "shown", however many people might have missed the great ending because of being "shown" too much. "One does not have to see the sin, to learn from it." However, I must restate, Robinson didnt necessarily cross the line of decency, but got right up close to it...even dance over it...to close for me, but still accomplished a great piece of story telling.

No offense meant by my comments, just some thoughtfulness that I think DC should include in its packaging, or on its website. Right now one would think Starman is just like any other comic for kids, when SOME issues, NOT ALL, are more like R rated, G, or even PG.

I hope DC puts out the remaing issues. I believe about 20 more need to be released in tpb.

Yankstar

James Robinson shows his brilliance in crafting vivdly fleshed out characters in his highly entertaining revision of the superhero genre in the 'Starman,' series. This first volume opens up in typical anti-hero fashion with a mortal character reluctantly thrust into the role of superhero and his subsequent struggle to assume such a larger then life identity. While the story and plotting in vol. 1 is decent and perfectly serviceable, the strength of this series is ultimately found in the wonderful character development that takes shape through dozens of chapters. Jack Knight, the hero of this tale, comes across as an everyman with a fascination for kitsch collectibles and pop culture while constantly struggling to find comfort from his transformation to super-being. Good heady stuff without taking itself too seriously.

Almost everyone in comics got the wrong message from "Watchmen" and "The Dark Knight Returns." Rather than learning that superhero comics could be about more than adolescent fantasies they simply embraced the violence of those books and created comics that catered to a darker set of adolescent fantasies than the old Superman or Spiderman comics did. Comics didn't grow up; they just went from being geeks to juvenile delinquents.
I say almost everyone because there are a few notable exceptions where people have written superhero comics for grown ups, or to use Neil Gaiman's words comics that are "about something" (about something other than muscles, spandex, and maiming and killing "evil doers" that is). Kurt Busiek of course, and strangely enough Alan Moore himself are the examples everyone knows about. Unfortunately, James Robinson's work often falls between the cracks, and that is a shame, because "Starman" is a comic that is truly about something.

Aptly enough a good bit of what the comic is about is growing up. Early in the series Knight mocks things like family, duty, and honor, but Jack coming to embrace those things as well as responsibility is the heart of the whole series. Spiderman and Superman are great metaphors for adolescence, "Starman" is a story about coming out of a prolonged adolescence. Jack Knight isn't an obsessed Rorschach or Batman driven by internal demons in a near psychotic quest for vengeance. Rather, he's a self-centered hipster who gets in the superhero racket out of duty, family oligations, and loyalty to his beloved home town.
But really I make it sound all stodgy and positively 19th century Prussian, and it isn't. As well as being about something the series is a lot of fun. Robinson clearly loves all those old guys in tights and all the baggage that goes with them, but in his hands it really isn't baggage. You get explosions, evil plots, crime waves, superhero team ups, and everything you expect in comics, but you get meaning too. On top of that Robinson has a knack for creating characters and enough attention to detail to bring them to life. The O'Dares could have degenerated to Irish-cop stereotypes, the Shade a mere metropolitan killer, or Knight a hipster with superpowers, but none of them did. They all seem like living breathing people, and that's not something you can say for characters on a good many acclaimed television shows.
"Starman" was one of the best comics of the 90's and the best place to start is at the beginning.

Stephen Colbert is so good at being seriously funny. This comic book is a hoot.

This comic based on Steven Colbert's Tek Jansen story (unfortunately still unpublished) is pretty hilarious. Though it's set in the sci-fi future the impression that I get is that it's a take (though a strange one) on modern politics, living and, of course, lovin'.

It's a good, cheap read and more than likely a collector's item... Because who doesn't believe that Colbert could take over the world with his wit alone?

I was totally jaded with all the "Dark Graphic novels and Comics - until I picked up Stephen Colbert's Tek Jansen.. A more capable Hero there never was nor will there be. Illustrations are top notch, and storyline fantastic! Tek! Tek! Tek!I don't care what Shatner sez. I WANT MY TEK ADDICTION!!!!!

I have never read anything more funny and enjoyable than this Tekaliciously Tek Jansen comic!!! A must-read for anyone!! I highly recommend it. :-)

When I heard that the Tek Jansen comics were coming out, I was at first nervous. Would the comics be just as good as the show, or would they fall short of Stephen Colbert's hilarious brand of comedy and disappoint me?

Luckily, Tek Jansen issue number one managed to be a completly hilarious comic, and I loved it instantly! The humor is not entirely like Colbert's, but similiar all the same. Colbert did have some imput in the script and art for the comic, but it's clear that the comic's writers and artists took their own style and combined it with Colbert's to create a fantastic, entertaining read.

I counted down the days for this comic to come out, and though it came out months later than expected, I finally bought it and devoured it, and I'll be doing the same thing with the next one. The next issue can only get better, as the comic book writers and artists collaborate even more with each other and with Colbert to create such an amazing piece of work that's entertaing for fans of The Colbert Report, fans of comic books, teenagers, adults, and everyone in between!