Comics Books

The Epiplectic Bicycle ia a unique piece of literature and illustration. Such simple images, almost childish although not infantile or naive. Gorey's complex mind takes us though an amazing impossible world with infinite possibilities.

What is there to say about Edward Gorey's works but that he was a Dr. Frankenstein of reality. This book is Gorey to perfection, odd in all the right places.

My Dad bought me this wonderful little book when I was young, & I have always loved the truly off-center humor of it. In response to the query about the meaning of epiplectic, I found a quick online search produced the same type of results as reviewer RHS got--mostly references to epileptic & apoplectic. Oddly, I have a clear memory of looking it up decades ago (one of my father's favorite admonitions was "look it up!") and finding a definition that related it to apoplectic, and described it as referring to something that suddenly and somewhat violently falls to pieces. In fact I have often cited 'epiplectic' as an apt description when watching the Blues Brothers' faithful retired police car burst into bits once they make Daley Plaza, LOL--so this definition, though unconfirmable at the moment, has been clearly emblazoned in my memory for these many years (right or not)! Now if I could just find that dictionary of my Dad's to confirm...

THE EPIPLECTIC BICYCLE is one of the Gorey's usual stories told through ink drawings accompanied by pithy captions. This tale concerns Embley and Yewbert, two children who are distracted from their pastime of hitting each other with croquet mallets by a sentient bicycle that appears out of nowhere. Thereupon they hop on and go through various adventures, ending in a shocking revelation that seems right out of the "Voyage of Bran". The story is one of great whimsy and a love of nonsense, and amusingly contradicts itself at several points.

While THE EPIPLECTIC BICYCLE is quite funny, I don't rate it among Gorey's most substantial works due to the sparseness of the drawings and the fact that it lacks the macabre tone common to Gorey's greatest work. If you've never read an Edward Gorey book before, start with THE OTHER STATUE or THE BLUE ASPIC, grim stories whose drawings are of astounding quality.

I decided to try and find out more on this word and found a definition on http://www.willamette.edu/~blong/Words/EpiI.html

It is as follows:

"Epiplexis/Epiplectic

..the word behind epiplexis is epiplessein, meaning "to rebuke" or "punish" or "chastise." Epiplexis is then a Greek word meaning "criticism" or "rebuke." It was taken over into English, however, in a rhetorical context and first defined in 1678 as a "figure in Rhetorick which by an elegant kind of upbrading, endeavours to convince."

An epiplexis then would be a gentle chiding, or possibly a statement that seeks to shame the hearers into performing better next time or to spring into action right now. "His epiplectic address to the crowd backfired on him." Or, "epiplexis is one of the strongest motivators known to us." Or, to use words that we might be more familiar with, "Don't get apoplectic over his epiplectic fit." Also you need to distinguish epiplectic from epileptic. The latter literally means to "take over" or "take upon," and refers to a disease of the nervous system characterized by serious paroxysms. The condition just "takes upon" a person and often leads to falling on the ground and passing out. It was known in English of a few centuries ago as the "falling sickness."

Ultimately, it seems to me that epiplexis is really a form of asteism--a gentle way of trying to persuade others to see things your way and act accordingly."

Ayane Yamano's work is always top noth quality. Interesting stories, beautiful drawings. The only reason why I gave this book 4 stars instead of 5 is that only a half of this manga is devoted to the Finder series. The rest are bonus stories that have nothing in common with the main story. They are very good themselves but I would have prefered less bonus, more main material :(

This book is a MUST have for any true yaoi fan. Beautifully erotic, dramatic, and action-packed. Ayano Yamane churns out believable, sexy characters and a plot that will have you begging for more. I loved it!!! Totally worth the buy!

The whole series of Finders books are hot, beautifully drawn, and have good story. The sex scenes are really quality. The creator knows how to give you just enough build-up, romantic tension, and character development before diving into quality sexing that gives your tummy flip-flops because of the tense character intrigue!

The art is meticulous, perfect! Thats why so many artists imitate her. I don't think there's a better manga artist out there in my opinion.

I completely love this series, but it's not for anyone who does not enjoy the prospect of explicit sexual scenes of men with other men. Everyone else can enjoy to the fullest! Truly lovely. Your eyes are drawn back and forth over the dark, stoic Asami and the shiny new penny Akihito. The play between them is palatable.

Akihito is a tabloid photographer, and Asami is a mob boss. Akihito is caught taking compromising pictures of a politician, and Asami and his goons corner him on a rooftop. They begin to interrogate the photographer, and none too nicely. Luckily Akihito daringly escapes before they could discover his source. Akihito even taunts the Yakuza as he clings to the side of the building he jumped from to elude them. Despite a warning from his source, a cop (and apparently father figure) named Yamazaki, Akihito goes on yet another assignment. Possibly one that Yamazaki has set Akihito up on. This gets him snagged by Asami and his men. It's a trap. Akihito had no idea, until Asami stares directly at his camera just as he takes a shot. (A lovely knowing smile on Asami's face in that shot!) What follows is the kidnaping and seriously hot debauching of poor Akihito. Lucky for Akhito, Asami seems to have done this once or twice. (Scoff!) He dances expertly on the line between cruelty and kindness. He teases Akihito with several things, the best among them was taunting him with his own camera by taking some choice shots of his very naked and vulnerable body. There are times when Asami's even quite tender, but he is always in complete control. He makes sure that Akihito enjoys himself very well in the end. Can you say "screaming orgasm"? I knew you could.

The morning after finds Akihito reflecting on the previous night. Attempting to retrieve the equipment left behind during his kidnapping, he stumbles upon a deal between another mob boss and his friend Yamazaki. Akihito waits until the Yakuza leave, then tells Yamazaki that he's ok with him dealing with the mob, that he trusts him and his judgement as a policemen. Stunned at being found out, Yamazaki draws his gun and aims for Akihito shakily. Asami steps out of the shadows. He's been there the whole time. He pushes Akihito out of the line of fire to the floor, stepping into that line himself to kill Yamazaki. The cops are called, and the scene is left with Akihito sitting on the dock crying and feeling used. Asami comes back and consoles Akihito. Angry that Asami has used him too, Akihito tells Asami that he will find out his weakness and use it to his advantage. Asami grinning cooly and smoking a cigarette says he looks forward to being in Akihito's viewvinder, and looking forward to having Akihito watching him.

There is more. It gets even better, (Wait 'till you see Fei Long!) but if this hasn't hooked you nothing that follows will. The artwork is full of excellent detail, and the expressions are beautiful and believable. Asami is sexy and sleek in his tailored and neat business suits, his eyes are part of a well controlled mask. They show just a little emotion, but the satisfaction is completely evident when he's with Akihito. I'd even say he can't quite help himself. Akihito's beauty is his youth and his innocence. His expressions are wild and uncontrolled. He wears the uniform of the young: jeans, t-shirts, hooded sweatshirts, layers that do little to hide his lithe masculine frame. There is no doubt by the end of the manga that Akihito is craving Asami's calculated cruelty every bit as much as Asami craves Akihito's crumbling resistance.

This is my first real yaoi. It's really good but very short for my taste. When it arrived I have thought: good, it's really thick, so I have a lot to read. But of 200 pages, less than 100 are about Akihito and Asami, the two main characters, and the other are all short stories by the same author (some really interesting, like Love Lesson).

Akihito is a young photoreporter; he captures the attention of Asami, a business man who probably is engaged in a drug traffic and with the mafia. Asami kidnaps Akihito and during a night of passion and non consensual sex, marks Akihito as his property. When he frees the boy the next day, Akihito knows he could never forget this domineering man. Everytime he meets him, he can't deny the passion he feels.

And Akihito lets the guy fly away everytime, knowing that he will return back to him. But he will do also everything to protect him from his enemies that could use Akihito as a pawn to draw him in a trap.

Akihito is really young. Maybe not in age, but in experience. But he has a strong wit and Asami is fascinating by his free spirit. And he is really possessive: Akihito could be free, but not free to fly in the arms of another man.

In this graphic novel Akihito is not ready to admit his desires for another man, above all a man with a not so clear past. If I had not yet ordered the next two books in this series I would be a lot disappointed in not knowing if ours two characters will continue their game of love.

There is no one better at spoofing the foolishness of how business is done than Scott Adams in his Dilbert strip. All quality spoofs are based on fundamental truths and Dilbert is no exception. That is of course why the Dilbert web site is one of the sites most frequently blocked by business managers.
While the truth often hurts, in the right hands it can be hilarious and Adams' hands are the right ones when it comes to business. Reading this book may not make your job better, but it certainly will make it more tolerable.

For some reason, I didn't find this book quite as funny as some of Adams' later stuff, but it still gave me some good laughs!

The funniest humor always has a root in reality. . . that's why Dilbert is so hilarious! Though sometimes outlandish, I can sometimes see similarities between the Dilbert characters and people I work with!

Calling Scott Adams a cynic is a true application of the word, but will not justify his work alone. He does it in a matter that is not undermining or condescending. His drawings are mediocre at best, but his ideas are superb. Here is an artist who chooses concept over form. Good, funny, amusing stuff.

Fugitive From The Cubicle Police is a 224-page collection of Scott Adams' hilarious Dilbert cartoons. Dated from 1993 and 1994, these cartoons are from quite early in the Dilbert story. Most of the normal crew is here: Dilbert, Alice (her hair isn't pyramid-shaped yet), Wally, Dogbert, and so forth, but no Catbert. The cartoons themselves appear as they did in your favorite newspaper, with the big Sunday ones printed in bright color!

This book is great, a must-have addition to the library of any Scott Adams fan. And, the finger-puppets make it that much better. This is perhaps the best Dilbert book of them all - buy it!

Monkey: Evolution favors monkeys. Eventually humans will be kept in cages as pets...
Dilbert: Impossible! We humans will never allow ourselves to be treated like that! Now, get out of my cubicle!

Dilbert, the mainstay of office-life critical witticisms, is the concept of Scott Adams, who quit his job to write the column, using it primarily to exorcise the demons that haunted him (and, indeed, seem to haunt all in small-to-large corporate America) during his tenure as a mid-level office worker.

In his introduction, he says: 'I was doing some thinking today. But I didn't enjoy it very much, so I decided to write this introduction instead....'

Who can argue with this? This, perhaps in a brief statement, summarises much of the underlying philosophy of the corporate culture Adams presents in his Dilbert column. It certainly epitomises the prevailing attitude of the boss and management structure. And of course, being in charge of his own column, Adams has graduated (or, perhaps sunk) to the level of management.

This book consists of a generous sampling of Sunday columns (complete with colour -- OOOH! AAAH!) -- colour of course being a Dilbert-ian device to disguise the lack of information. Yet, the information here is timely and timeless (insofar as anything about corporate culture can be timeless).

Dogbert's entry into and rising through the hierarchy is a good case in point, where LOUD equals results. After securing a corner office with a window by being LOUD, a task force ripe for empire-building within the company, the budgetary control of his boss, he is invited, at the end of his first week on the job, to meet with the president of the company.

President: You've made quite a name for yourself in the week you've worked here.
Dogbert: It was easy to grab power, once I realised that other executives were just imbeciles with good hair.
President: I hope you don't think that of me.
Dogbert: No, that looks like a toupee from here...

Onward and upward...

Finally Dogbert becomes president, exercises stock options after a disastrous but stock-market-friendly series of initiative plans (of course, they only have to be plans for the stock market to react), and retires to devote himself to philanthropy, which is 'mostly about watching people beg, and having buildings named after me.'

We are introduced to Dilbert's co-workers, who are variously competent and stuck in their jobs, rejoicing the occasional tiny victories, or, more frequently, plotting grand schemes to gain the minor advantage (a few more inches of cubicle space, for instance). We are introduced to incompetent co-workers who get promotions and jobs in other firms with real offices and perks. We discover what kinds of women will date (and dump) Dilbert. Of course, that might have become a bit of a different problem had Dilbert's boss not been corrected in time...

Boss: My boss says we need some eunuchs programmers.
Dilbert: I think he means Unix, not eunuchs. And I already know Unix.
Boss: If the company nurse drops by, tell her I said "Never mind."

Dilbert does sometimes win after all.

I'd never heard of Tennapel, and at first glance, this graphic novel looked a little too cartoony and goofy for my sensibilities. But it had cowboys and robots, so I was willing to give it some leeway. And while it is pretty slapstick and silly, I did end up having a fun time with the quickly paced genre blending story. Yeah, the humor's kind of broad, and the pacing is sometimes too rushed and hectic, but it's hard to go wrong when you combine a card-cheating reluctant hero in old California with elements like evil cowboy robots, a hooker with a heart of gold, an Miwok shaman, Sasquatch, an evil Transformer-like train robot, and the Loch Ness Monster. Somehow, these disparate elements work well together in Tennapel's able hands and fluid artwork. Good (mostly clean) fun.

What an outrageously joyous story. I had the pleasure of meeting the author for the first time at this year's Comic Con in San Diego. Very nice guy, and very humble. Iron West is actually my first exposure to TenNapel's work (besides Earthworm Jim). A friend lent his copy to me. I enjoyed it so much that I had to buy most of his work he had on display at Comic Con.

I highly recommend this book. I am not really into comics, but this is a great great starter to get you into it; if not into comics, then into TenNapel's wonderful creativity and imagination.

Doug TenNapel is an artist of many strengths. Most apparent to the casual observer is his incredible ability as an illustrator; he fashions some truly beautiful images and depicts motion with singular fluidity. His visuals alone would be enough to make his work worth checking out.

But there is much more to this guy than his drawings. He also happens to be one of the best storytellers around, one whose characters and situations are exceptionally compelling. None of the people or events in his stories ever feel like filler or formula. They all contribute beautifully to the work as a whole, be that contribution a thoughtful reflection on faith and morality or be it a good old-fashioned fart joke.

"Iron West," while it does carry a well-stated moral about responsibility and integrity, focuses more heavily on silliness than TenNapel's last few books. Whereas there is a good amount of philosophizing and allegory to be found in his "Creature Tech" (one of my very favorite graphic novels), TenNapel presents "Iron West" as more of a straight ahead romp. But it never, ever feels shallow or empty; it just feels incredibly fun. TenNapel pulls disparate elements--cowboys, robots, and numerous surprises which I would not want to ruin--into a coherent whole. Everything gels, and it does so in unpredictable and constantly delightful ways.

This is one of the most truly entertaining graphic novels I have ever read. I highly recommend it, as well as Doug TenNapel's other excellent books. "Creature Tech" is my personal favorite and an excellent place to start, but "Iron West" is tough to beat if you're in the market for a wild, bizarre, and truly satisfying ride.

Iron West has a sense of action and cool that I just don't see in the vast library of whiny emotional alternative comics that turn up every year. Still, I must admit the thought of a western sci-fi tale didn't really catch my attention at first, but knowing that the art would be great, that was enough to get me sold. Don't get me wrong, the art itself is reason enough to buy Iron West, as I have filpped through the pages just admiring it, but Iron West also has a fun story to back TenNapel's incredible style.

If you haven't figured out by now, the story of Iron West starts out with the protaganist, Preston Struck, being chased down by a group of bounty hunters, when he discovers a race of lethal robot cowboys and has to make the decision to save his town from being overrun. In the process of all this he faces a sasquatch, a shaman who is part of a colony of robot "Injuns" (Indians), and a giant train transformer with a western flare. Like his art, It's weird, and thats what makes it so interesting and worth your time. The whole story is non-stop action just like it should be. Surprisingly this is also the funniest of TeNapels's books and made me laugh quite a few times, something other GN's of this type don't even try at.

Iron West looks great, reads great, and is great. There really is no reason you shouldn't pick it up. Sure, it could have been longer but whats here is so good its more than forgivable. highly recommended.

Iron West is another in a line of great, entertaining graphic novels from Doug TenNapel. All of the classic TenNapel trademarks are there - it is somewhat quirky, kinetic action, humor, a few thought provoking moments, and a well crafted story.

Iron West is a "genre blender" mixing the obvious western themes with a bit of sci-fi, and then adds a touch of fantasy just to take an already frantic action sequence to a new level. But it is handled with such skill that you don't even notice the blending of genres by this point. You are too wrapped up in the story being played out in front of you to register the fact that yet another genre element has been put into the mix.

TenNapel's art in Iron West is his best so far. As other reviews have mentioned, his characters have a look that leans toward "cartoony" but retains the detail of texture and features and even personality that make them real to the reader. His backgrounds (and sometimes lack thereof) always seem to work perfectly to the advantage of the story. He doesn't over-render a lot of detail when it isn't needed, and knows the power of a more abstract background that often plays with the foreground and negative space. But then there are the full page establishing shots, full of texture and detail enough to put you right into the setting with the characters.

Story wise - it is purely and simply fun. I'm sure there could be some deeper meanings read into it about technology and it's de-personalizing effect on humanity, but these are never heavy handed or feel forced. The plot is a roller coaster ride that reminded me of an Indiana Jones movie - just when you think there is a moment to catch your breath, here comes something else. Iron West has an action/adventure movie feel to it that transcends its own blending of genre elements. In other words - it is fun and entertaining. Purely and simply.

The only drawback I have found is that it seems too short. But a lot of that has to do with the fact that there are very few slow moments and a lot of action, chase scenes, battles with robots, and then of course there is the Sasquatch doing what appears to me to be some sort of kung-fu/WWE Wrestling combination while killing clockwork cowboys. And I didn't even mention the Loch Ness Monster...

Fans of TenNapel's previous work will not be disappointed. Those unfamiliar with the wonderful world of Doug will get a great idea of the blend that is TenNapel's unique style. This mad scientist mixture of a graphic novel succeeds where so many other genre-blending attempts have failed; it manages to make you forget there are genres being combined. Western, science fiction, action adventure, monster movie - whatever. By the time the "final battle" is taking place, you won't even notice. You'll be too busy enjoying the story.

Cute book. Very funny and insightful. Helped me figure out that my neighbor was gay. I shared it with him. We both had a good laugh.

The best thing you can do with this book is to give this as a gift to a friend who is dating a gay man, and who thinks that she isn't.

The best thing about this book is that it walks through the steps of a gay man/straight woman relationship, and talks about it from the woman's point of view. It has a section: "What the woman is telling herself," that is very informative.

I don't think there are any gay men who match up 100% to the checklist that this book ends up being, but like I said, I think that this book is more a tool for coping than for anything else.

Technical stuff: This book is written in a comic book format--mostly pictures. I finished this book in about 10 minutes. It's pretty small, too. Only 80 pages.

Overall, an excellent buy, especially since they are selling so cheap used on amazon now.

I bought this for a female friend who doesn't know I'm gay after we debated whether someone else was or not. (She assumes that all effiminate men are gay and that all gay men are effiminate, - I had to laugh to myself as she said this and I butched myself up even more than normal!)

The book has some annoying stereo-types, like all gay men are great dancers (I'm not), but since it's clearly tongue-in-cheek and a quick read, it's great for a few good chuckles to any one, gay, straight, male or female.

This book is a witty, entertaining, enlightening look at a quandary faced by so many young women who are plagued with wonderful guy friends that just don't seem to date ANYone. One of my best friends referred this to me who is a closeted gay man. This book not only made me laugh, but I didn't feel as dumb as I used to. Sometimes, gay men seem to be the answer to all of your problems; but then again, there is one thing that a gay man just CAN'T do for a woman...so we have to love them for what they can do for us...

I received this book as a gift from my best friend, who happens to be a gay man. This book tells you all the signs (which are just general, but mostly true) to look for in a guy, and has some of the cutest illustrations. I would recommend this book to any woman out there who thinks she might have picked up a gay best friend instead of a boyfriend.

I had all of the items shown in the book as a kid so paging through it was a big trip down memory lane. It reminded me of a lot of fun times.

This book does not cover everything Mego, but its a wonderful collection of photos and important information. I recommend the book for any Mego collector.

Simply put this is a fantastic book. It is a walk down memory lane for Mego fans who had the pleasure to grow up with these wonderful action figures in the 1970s. The photographs are splendid and bring to life Mego's WGSH line. The author's attention to detail cannot be matched by any other book out there that purports to touch upon this fine line of Mego action figures. If you are debating between Mego books to buy, please don't pass this book up. It is a decision you will regret a year or so from now when you are trying to track down this book from online auction sites, etc. For anyone looking for a wonderful trip into the past, jump on and enjoy the ride!!!

No complaints here! Excatly as a MEGO book should be done with lots of color pics!

Very nice history of the Mego Company. Mego was one of the premier toy manufacturers in the Seventies. If you had any of these toys as a child this book will bring back memories. The book is also very detailed in which figures were released when and with what accesories which should satisfy any collectors. Be advised this book covers ONLY Greatest Super Heroes, just as the title suggest. For some reason I had expected the Star Trek and Planet of the Apes line would be included. My fault. Never the less, this book more than made up for it. Great for the avid collector or the person who wants to relive his or her childhood.

This is definitely one of my favorite Peanuts collections. I pretty much grew up reading this book. Over the years, it had been read so much that it had fallen apart. I was so happy to see this book in the stores again. If you're a Peanuts fan like I am, this book is a must have for your collection.

This is a great book for any Peanuts fan to add to their Peanuts memorabilia collection. I have been a huge fan of Snoopy and the rest of the Peanuts gangs since I was a child, but somehow Charles Schulz's Snoopy comics have a universal, timeless essence that appeals to people of all ages. Even in my 20's I still enjoying collecting Peanuts memorabilia, and I would recommend adding this book to top of your collection.

Until a few years ago, Peanuts Classics collections were very hard to find except in your local library. But Peanuts Treasury is much better than most of those-better than most of the `60s collections, anyway. Not to say that the Classics books aren't good, but several of the books repeat strips, print the pages backwards, or even repeat stories (or parts of stories). But this collection doesn't do that. Not only that, but this book has about three times as many more pages AND there are more strips per page (five instead of two). A few of the stories aren't finished in this book either, but nevertheless it's a great collection.

This is a highly worthwhile "Peanuts" collection, as it's an unusually [inexpensive] but vast collection of late 50s-early/mid-60s strips that you don't often find in new books, with a lot of wonderful strips in it, and an effort to group them into their original storylines (where applicable) - Sally is born, and Charlie Brown rejoices ("I'm a father!" - and Linus tells Lucy, "You didn't act like that when I was born,") . . . Lucy buries Linus' blanket to prompt him to kick the habit, and Linus is plagued with withdrawal symptoms ("That's the first time I ever dreamed of Hyannis Port!") . . . Linus freaks out when Lucy assigns him to sing "Jingle Bells" at the PTA Christmas pageant - then the new year's pageant ("I will not run around the stage holding a banner reading '1964'!") . . . and, perhaps best, the first time Sally joins Linus in the pumpkin patch - and it's much, much funnier than the TV version ("YOU OWE ME RESTITUTION!!") . . . among many, many others. But anyway, this may be nostalgic for you, too, and even if not, it's still a wonderful book. It's definitely worth it!

Apparently there has been a mix-up: The two "editions" of this book DON'T correspond to each other. I've bought the paperback one, and it does not contain some of the strips mentioned in the review section.

As much as I respect the old Fleicher Studios for producing some wonderful Popeye cartoons that became an integral part of establishing him as a worldwide phenomenon I think they did him no favor in moving him into an urban environment. Popeye is at his very best, as a sailor, adventuring on the open seas. Nobody wrote or drew Popeye like Elzie Segar. Unfortunately, Mr. Segar passed away at the very young age of 43 having created Popeye a mere 9 years earlier. So what we have here is over a year and a half of Popeye's absolute best run ever.

This is not the Popeye most people are used to. This is the Popeye that existed prior to being significantly toned down at the behest of William Randolph Hearst in response to the characters growing popularity. This Popeye is a violent, foul mouthed sailor with a serious gambling addiction. Few able bodied males outside of the diminutive Castor Oyl manage to gets through the book without receiving one of Popeye's famous haymakers and I have to give credit to Elzie Segar for his skill in drawing the most thunderous, teeth rattling punches in the history of comics. In the opening introduction there is a group drawing by Segar of a menagerie of characters from Thimble Theater including a most mild-mannered looking fellow named Johnny Doodle. I thought surely Mr. Doodle would be safe from Popeye's fists but sure as the sun rises in the east, before the book was through Johnny Doodle was left horizontal.

In one particularly funny sequence Popeye punches out a man for no apparent reason. When asked why, Popeye answers, "I don't need a reason... I socks `em where I sees `em, I leaves `em where I socks `em". Queried further Popeye responds, "I jus wanted to see which way he'd fall" and finally adds, "I likes to smack tall swabs on account of they fold up so nice" Later it turned out the man he socked was a crook but when it gets right down to it the humor of Popeye revolves around his burning desire to punch everyone he meets and Castor Oyl's vain attempt to control it. Popeye is a man who kills a horse with a single crushing blow. In volume one Popeye is arrested multiple times on assault charges and proudly proclaims, "I hits cops too - I hit's `em jus' like they was somebody else" In a sense the original Popeye seems almost like a parody of his future self.

I absolutely loved this book. A few reviewers complained about size of the images saying they caused eyestrain but I didn't have any problems at all. My biggest complaint is with the gigantic dimensions of the book. I would have preferred something similar to what was produced for the Dick Tracy or Peanuts collections. I also have to confess that the covers are absolutely bewildering. I'm not sure what the publisher was going for but I don't think it worked. I guess I also have to take issue with the introduction which really didn't do anything for me. In the end it's the brilliance of Elzie Segar's drawings and writing that makes this volume. I've already purchased volume 2 and intend to continue buying them as they are released.

Popeye shows up as a natural man. A flawed, older man who has lived a hard life. He is profligate and has low impulse control. He shoots craps whenever he has excess cash. He lies when convenient; but, deep down he is a decent guy who will give the shirt off his back to anyone that neds it. No wonder he was popular. Read these comics and reaqlize that people haven't changed all that much.

Simply one of the finest books I've purchased in recent memory. I own many of the earlier Fantagraphics-published Popeye books ("The Complete E.C. Segar Popeye" series) and this book is a far better product and value. I particularly applaud the removal of the sydicate-added titles and by-lines above the daily strips that were included in the above-mentioned books. Their omission makes for a smooth read. Much praise, also, for the far superior production and design on the book. And the fact that I can get all the material in six volumes including all the color Sundays as opposed to what was previously published in well over a dozen volumes almost twenty years ago? Sweet news, indeed.

I won't go into the brilliance and relevance of the book's content, others better qualified have and will do so here and elsewhere. This book and its forthcoming volumes are essential. I'm so pleased they finally did the material real justice.

It's designed well and it looks great on my shelf. It is very interesting and a joy to read. If you are a fan of the old-time comic strip, this is a treat. If you are not, you will be when you finish.

Be sure to eat not only spinach but lots of carrots before tackling this one.

Even so, you'll likely need a magnifying glass to read these strips. Who's bright idea was it to cram six strips onto a 10.5 x 14-inch page? It made for some serious squinting when I checked this out at my local comic book store.

And at 10.5 x 14-plus inches, this book hardly makes for cozy reading material.

Bad book design and layout have made what could have been more accessible material a real chore. I like the dimensions of Tony Millionaires' Maakies books: one strip per page, and look ma! no squinting!

I find that the manga of this series is a lot more entertaining and a lot more interesting than the infamous anime. The first volume is actually cool because Utena hasn't come to the academy yet; she and a friend of hers figure out clues she's been sent over the years to find that her 'prince' is at the academy. You find out that she has an aunt she's been living with up to then and that she's not a complete orphan. Then of course she goes to the academy and is thrust into this very strange and seperate world of duelings and winning the Rose Bride as a prize as a step towards "revolutionizing the world." The drawing can be a little wierd, people's faces for exampe are very long and even the women can look a little "mannish." Utena and Anthy as prince and rose bride have a very cute relationship together and along with Chu-chu Anthy's best friend and pet monkey it's all very adorable. As I said though, I like this manga mostly because I can actually make some sense out of it and the mysterious plot lines, unlike the anime which had me banging my head on the wall.

Going on fromwhere the 2nd book leaves us off on:
IS TOUGA UTENA'S PRINCE?!!!
I'll give you guys just one little spoiler...he's not.
n this volume it basically talks about the Rose Bride and Utena's determination to go through any kind of challenge to see her prince. Deception and Manipulation. The question in this book is who's telling the truth. Most importantly, is Utena so desperate to find her prince that she'll belive just about anybody? We also find out more about Anthy and her brother. Including more in depth detail about World's End. Why the Dios has the power to revolutionize the world. And the most impotant part... Iwillnotspoilthestory Iwillnotspoilthestory..... OK I won't give you a spoiler but it deals about Anthy and her heart "belonging to no one."
AND WHO COULD FORGET THE COMIC RELIEF OF CHU CHU IN THE END?! ( Chu ) All in all this manga is just awsome.The artwork has gotten better and I rccommend it to all shojo or just any manga fan. GO AND BUY IT NOW!

This is a series like no other. Deeply symbolic, nearly every person, object, and incident means something else on a higher level in addition to the face value. The characters are not just human--they *represent* humanity, both good and bad. They highlight our weaknesses and emphasize our strengths. In this world, power means everything and concepts such as friendship, devotion, and love mean almost nothing. In the pursuit of power and prestige, families and friends are sacrificed for desires. And the life and happiness of one girl are bound to the power to change the world.

This is a controversial series dealing with life, death, change, love, betrayal, belief, truth, and more material concepts such as sex, attraction, and adventure. It messes with your reality, rights it, then scrambles it up again.

For those prudes and parents out there, be forewarned--this does contain incest (love between brother and sister), rape (can you call it that?--Anthy doesn't fight when it happens to her), and lesbianism. That's not to say that it is a bad series--just be warned that their are some controversial themes recurring in the story.

Read this manga or watch the TV show or watch the movie--you will never look at anime or manga the same way again!

I have seen the series in its entirety, and the movie, and I have seen the Japanese manga. Finally READING the manga is a treat.

Having seen the series and movie (I'm praying that they translate the movie manga!), I was prepared for the extremely controversial themes that make this a milestone in the history of anime and manga. There is incest, which is where a brother and sister are a little bit closer than need be; rape (I call it that since Anthy just accepts it as a part of her duties as the Rose Bride ;she's not unwilling, and she's not willing--she's just there)and lesbianism (those of you who have seen the movie know what I am talking about). Death is abstract here; I can't tell you anything more without spoiling some major details of the story. Reality is twisted, as evidenced by the Castle of Eternity, which floats upside down in the air above the dueling arena. Love and friendship come up very rarely, and usually only when dealing with Utena. Power is the ultimate prize--indeed, a girl's life has been sacrificed for the pursuit of power.

The characters play upon each other's emotions, hopes, dreams, insecurities, and fears. Utena fights to protect Anthy, but wavers when Touga implies that he may mean more to her than she thinks. Miki's insecurities and fear drive him to challenge Utena, while Juri's jealousy and hatred are what cause her to raise her sword. Saionji is obsessed, and in his slight insanity, loses reason.

You need to read this series, if only to see what everyone is talking about.

The 3rd volume of the RGU series has turned out to be the best thusfar... For those of you who were disappointed by the 2nd volume, be prepared for the trip of your life with this one. It. Is. Fantastic. You'll read it more than once, I can guarantee it.

The plot flushes away its fluffy-sweet, gaggingly-predictable overtones to reveal an underlying storyline that gets more dark, horrific, and complex with each passing page (while still keeping an innocent PG rating! Now that's talent!) You learn more about all of the character relationships (and I'm happy to say that Juri is less of a joykill in this one) including the practically unmentioned one between Anthy and her older brother, Akio (who you can't help but love.) Our favorite little Dios boy in the sky also makes a guest appearance, which always calls for extra brownie points, though most readers will get mixed signals about Touga and what his motives really are (I'm trying to avoid spoilers. Can you tell?) The whole story becomes an enigma!

Prepare to be drowned in symbolism and rich imagery--and watch out for that killer cliffhanger at the end. It'll leave you BEGGING for the release of the 4th volume! The artist, Ms. Saito's drawing technique has also changed vastly AND apparently...the images have improved so much that you'll feel HONORED to own a piece of her work! You'll definitely start to appreciate how truly talented and professional she is. Even if you've already seen the series and know the ending (which is going to be interestingly warped by the 5th volume anyway) you'll still get a kick out of this book and the memorable circumstance between Wakaba and Utena as it was meant to be. And, of course, there's a funny little bit about Chuchu at the end and character profiles (of Miki, Juri, and the members of Be-papas) scattered throughout the book.

It's a great buy. No regrets at all. Just mix the right amount of fantasy, romance, slapstick comedy, mystery, and plain old talent, and you'll get the miracle that is RGU 3: To Sprout. :D It's so cool. Really, it is.

This book is a wonderfully drawn and written manga(comic) by Naoko Takeuchi. Sailor Moon really shows how much she has matured over the time. It shows you death really is a part of a fight. Love and action is all thourghout this book making you sometimes very sad. If you like the Japanese anime (cartoon) version you'll love this book. I recommend you buy the books in order though.

I thought this was a good book. The writer is a faboulus story writer. I liked the first and second one more than this one though.

This particular story (they don't seem like comics to me) is very emotinal, and (yes!) it has Sailor Saturn in it! Although a little confusing, this story is very exciting, touching, sad, and, as always, there shines a ray of hope for Sailor Moon to save the world! Read it!

the main stories a bit short and theres a "minimoon" bouns tale and the books seem to be geting smaller but maybe thays just me

This is the book where they fight Mistress 9. I have also seen the anime version of it, and I liked the part where Sailor Saturn appears better in the manga. It was longer, in the anime she was just there for about a minute. However, I liked the part where they were fighting Mistress 9 better in the anime because it's not as confusing. The manga is different than the anime because in the anime Mistress 9 looks like Hotaru with longer hair but in the manga it destroys the body so the Sailor Soldiers are fighting a monster instead of Hotaru. All of the Sailor Soldiers are in this - Usagi/Sailor Moon, Minako/Sailor Venus, Ami/Sailor Mercury, Rei/Sailor Mars, Makoto/Sailor Jupiter, Haruka/Sailor Uranus, Michiru/Sailor Neptune, Setsuna/Sailor Pluto, Mamoru/Tuxedo Mask, Chibi-Usa/Sailor Chibi Moon, and Hotaru/Sailor Saturn. (But the English names are used for the Inner Senshi and Chibi-Usa and Mamoru.)
Everything I just wrote probably doesn't make sense if you haven't read the book or watched the anime, so now I'll explain it. Usagi is Sailor Moon, the Princess of the Moon, and the leader of the Sailor Senshi. Minako, Ami, Rei, and Makoto are the Inner Senshi, and they are also from the moon. Mamoru is Tuxedo Mask, Usagi's boyfriend in her past life on the moon. Chibi-Usa is Usagi and Mamoru's daughter from the future. Setsuna, Haruka, Michiru, and Hotaru are the Outer Senshi. Setsuna/Sailor Pluto was originally supposed to guard the door to the future and Haruka/Uranus and Michiru/Neptune had similar jobs. Hotaru/Saturn is supposed to end the world when she awakens in this book. All of this will make sense if you read the entire series in order. Also there are three talking cats, Luna, Artemis, and Diana. Luna lives with Usagi and Artemis lives with Minako. Diana is Chibi-Usa's kitten from the future and the daughter of Luna and Artemis.
Anyway, in the third part of the Sailor Moon series, their enemies are the Death Busters, Eudial, Mimete, Tellu, Viluy, Sipren, and Professor Tomoe. Hotaru is Proffesor Tomoe's daughter. Their family was caught in a fire when Hotaru was younger and her mother died. Professor Tomoe turned her body into a machine and put an egg in her body so she would become Mistress 9. Now the Sailor Senshi have defeated Eudial, Mimete, Tellu, Viluy, Sipren, and Kaori Knight, Proffesor Tomoe's helper. But then, in the last book, Hotaru took Chibi-Usa's soul (Heart Crystal in the anime) and used it to become Mistress 9. Now in the start of this book she also killed Minako, Ami, Rei, and Makoto (but somehow they came back to life - I don't remember how.) Hotaru is trying to get rid of Mistress 9 and save Chibi-Usa and stop Mistress 9 from destroying her body. Eventually Hotaru escapes with Chibi-Usa's soul and brings her back to life. Meanwhile, Mistress 9 ripped apart Hotaru's body and the Sailor Senshi are fighting with him.
In the end there are facts about all the Sailor Senshi, even Hotaru. There is one more book after this, #11, then SuperS 1-4 and StarS 1-3. There are also five seasons of the anime - Sailor Moon, Sailor Moon R, Sailor Moon S, Sailor Moon SuperS, and Sailor Moon Stars. But the American version is bad - they made it for children, took out episodes, and gave Ami, Luna, Makoto, and Usagi annoying voices. However, you can buy DVD sets in Japanese with English subtitles to see the real Sailor Moon. This is also the only way to see Stars. I haven't seen it yet (actually all I've seen is Season 1, and I haven't watched all of it yet, but I have seen the American version - about half of season one, a few episodes of season two, most of season three, and part of season four. Season One in Japanese is a lot better than in English.) I'm not sure if Stars has the English subtitles or not since I haven't seen it, but I think it does.
Also there are guides to 5 of the characters, fashion dolls, 8 novels, and 18 manga books like this one.