Comics Books

...I cried. Like a baby. And just...

CLAMP, you are too mean.

That last line without the "kun" in it just felt... slightly upsetting, but all in all, the translations were pretty decent.

"That line" made me cringe a tad, but I suppose there's worser ways to translate it.

If you're a Tokyo Babylon fan, or X fan, or Subaru and Sei-chan fan, read it.

And yes, you will most likely cry.

Four words: Cried like a baby. Through pretty much the entire volume, to stop briefly during the cute fluff girl-talk moment between Yuziriha and Arashi, then to start anew during Seishiro-san's side story.

Anyone who has ever belived that there was anything other than blank emotions or hate between Subaru-kun and Seishiro-san will shed at least one tear in this volume. Anyone who read Tokyo Babylon will be bawling. Without the honorifics, I admit, i did shift a little in my seat and definitely lessens the impact of "that line", (but my convoluted mind changed it into the intimate lack of honorifics, instead of Viz being dumbasses) but it still makes me cry.

We once again see Hokuto, Kakyo of course, angsting over her. man i love this girl, she rocks, of course. she makes a speech, in her dying moments to Seishiro-san (Kakyo's dream, of the past) about love and how there's hope, and how she could never hate him and puts her trust in him, and oh man, it made me cry.

DoE Kamui's talk with Kakyo is worth seeing too. The use of the word "special" causes confliction with me. In this context, it should be something much stronger than "special", but it strikes a memory of a TB scene where Hokuto-chan tells Seishiro-san that he is "special" to Subaru-kun, and there, the word is supposed to be "special", so confict on word choice there.

This volume is dedicated to my two all-time favorite CLAMP characters, Subaru-kun and Sei-chan, and their story, which began in Tokyo Babylon, continued in various volumes, which always made my heart clench, and finally ended here, in a very tearful moment, and lots of sakura petals (what else?) during the fight. (their story "continues" in a way in later volumes, you'll have to read 17 and 18 to know what i mean)

Even though their aren't any really happy moments (though the goofy smile never leaves Sorata's face...), and evil!Hinoto makes my skin crawl, and the majority of the book made me cry (Subaru-kun sitting in a dark room clenching the blood-spattered jacket around him, and kissing the marks on the back of his hands...*cries all over again*), this is definitely my favorite volume of the 18. Anyone who has made it this far, whether reading it w/o buying it, or buying all the volumes, one by one, has to own this volume. Any Tokyo Babylon fan should own this volume. period.

Being a huge X and Tokyo Babylon fan, I find that this book is simply gold. No X fan can deny that this is one of the most memorable books from this series. They can't deny that it is heart-wrenching and very moving.

Luckily, I do not see a need to attack Viz for their translation. Others may see things differently depending on how Americanized or directly translated they like their manga to be. X is my favorite series, so I will not deny that I tend to be harsh on Viz. That having been said, here's what I thought:

Content-wise, this book couldn't be better. While it does center on just two characters, it is very worthwhile and doesn't drag on in the least. The overall mood is out to get you shocked and crying (and darned if it doesn't succeed), so don't expect tons of fluffy stuff here.

Translation-wise, this is, as I said in the title, passable. Not horrible, but probably won't meet the standards held by hardcore fans. Allow me to say this: the dialogue is much less ambiguous. The sound effects kind of seem to be mocking the artwork, but maybe that's just a recent revelation of mine. Finally, one page is left unflipped and if you're observant/know the pages of this book like the back of your hand, you'll notice and probably cringe.

There are some good points, though. As I said, I'm biased against Viz, so I'm being tough. After reading this book twice, I only found one minor grammatical error and as far as I know, the dialogue is mostly translated correctly. Of course, the artwork is just brilliant as always (and, may I argue, better than usual?).

To be honest, I rather like Viz's translation of "that line" (for those who don't know what I'm talking about, you will and how it's translated probably won't matter). Overall, I'm satisfied.

Final word: Go out and get this volume. It's a must-have.

I found this manga to be one of the best I have ever read. I am 12 years old and just cant stay away from it. The fighting scenes are great. I really love the english translation and I love being able to get into the character. It is great to be able to get into the main character and in this book I found that you really could get into the character. I think that all anime lovers will love this manga. When you are watching the series and you dont read the manga dont watch episode 0 you'll ruin it all for you. You want to know the plot before you watch episode 0. So even if you havent read it and you just want to watch and ruin the plot go right ahead. But if youre one for reading and not ruining the plot then get the manga and read. Im sure youll enjoy yourself even if you dont like reading. It isnt hard to enjoy this book and even if you dont like anime I beleive you will love this series. THE END

Apparently, the image for this sucker isn't working. However, this IS the link that came up when I went to my order and selected good ol' volume 16 of X.

How to review it....

Let's simply say I sobbed like a baby all the way through. Viz finally did a decent translation job, keeping all the heart, feeling and utter and complete angst that makes this the greatest of all volumes of X nearly as fabulous as it was in its original printing across the pages of Asuka comics.

From the trauma that graces the pages (no, not a single freaking happy moment in this one... save Sorata's goofiness at the end. He's a great spirit-lifter, even though after Hinoto's cameo you just shudder seeing his grin. GAH!) to the beautiful detail splayed across every page, this one's always been impossible for me to put down.

SEE what I mean that the fight in the anime should've been MUCH longer, seeing how many pages it takes up in this volume? Their fight went on forever across the comic's pages! Yeesh.

And such a horrible, yet fitting end... *cries herself silly*

To enjoy - Kamui smiling (WOW!), Sorata flopping his hair like mad, Nokuro looking very very bish, Girl-talk between Arashi and Yuzu that's so sweet it nearly made my teeth rot with its sugary goodness in a fine way, Kamui at Subaru's feet gripping his hand like the uke onna CLAMP's all but turned him in to, wind-caught trench coats EVERYWHERE, Seishiro's best-ever defense against ofuda, HOKUTO-CHAN! in her final moments, Kamui jumping off the roof of a Geo Metro (I'm a Metro owner, so I laughed myself silly seeing that. Thanks for the giggle, CLAMP!)...

Seishiro's side story with all of its incest and wrongnes with its pretty flowers and snow...

And the unforgettable conclusion on the drama that started with the very first pages of Tokyo Babylon.

Sayonara, Sei-chan.

And as for Subaru... no worries. We'll be seeing him again. *runs off before she blows spoilers everywhere*

The thing I really like about graphic novels is that you can usually read them in less than an hour. There are notable exceptions, of course, such as Alan Moore's The Watchmen. But most of the time, they read fast. I finally gave The Arrival a viewing, and it's quite an intriguing read.

The problem with describing it is that it's wordless. Much of the content is up to the viewer. You can make a guess as to what is happening or what is represented. Then, in about a year, you could look at it again and have a new take.

From what I can tell, this is the story of an immigrant that comes to a new land. We don't know why, only that he decides to pack up his bags and travel to a new home. He leaves a spouse and a daughter behind with great sadness. You can tell this parting brings them all pain. You can tell because of the drawings Shaun Tan made. Each one is packed with emotional punch.

I can only assume the immigrant is coming to America, although you wouldn't know it at first glance. To give us a sense of what it must be like for an immigrant, Tan creates a world in which nothing makes sense. There are strange symbols, pets, and foods. As the people on the boat arrive at the dock, they don't see the Statue of Liberty. Instead, they see a statue of two men shaking hands. On their shoulders are two animals, and one man holds a fruit. This is Tan's stroke of genius. He allows us to feel what immigrants must feel when they enter a strange country. No words are readable; no speech can be understood. Every vision is unfamiliar and sometimes scary. The man must use crude drawings he makes to communicate his needs for shelter or food.

We follow this man around as he tries to make sense of his new home. The reader will have many questions. For instance, why are there dragon scales following the man as he leaves his home? Why does he see the creature that follows him around as an alien baby? Is this because to immigrants, dogs and cats would not be common pets? What are the spaceships flying around supposed to represent? Buses? Planes?

I suppose that Tan could be going for a non-literal translation. In other words, maybe every item viewed on the pages isn't supposed to represent a counterpart that would be identifiable in America. Maybe the spaceships just represent transportation, and the alien creature just represents another life form, rather than a literal dog or cat.

The drawings are certainly beautiful, and readers will enjoy following the man's story. This is recommended for all ages.

The number one rule for writers everywhere is "Show, don't tell," and Shaun Tan's lovely, fragile, evocative wordless picture book is the ultimate expression of that rule. In an era when even in the enlightened United States of America, immigrants tend to be mistrusted, this book serves as a powerful reminder that the immigrant experience is fundamental to our heritage. But it is far more universal than that--it captures the dreads and hopes of ANYONE seeking to make a new life for themselves ANYWHERE. The ways in which, not only through the main character, but through visual flashbacks from his new friends, we are shown symbolically the kinds of oppression that drive people from their homelands, are particularly striking, as are the tender ordinary moments such as the man's cherished memories of his wife and child, who have yet to join him.

This is a picture book for older children and adults--and why shouldn't they have something this strange and wonderful? Why should small children be the only recipients of an art form whose full potential may arguably be realized for the first time in an extraordinary work like The Arrival?

I bought this book, not only because it was well reviewed, but because I own and love Tan's book, The Red Tree. But this book takes Tan's artistry to a whole new level. I was moved in so many ways, I can't even begin to name them. I'm usually inclined to offer some kind of congratulations to the author or illustrator of a particularly fine work, but in this case, all I can say to Shaun Tan is "Thank you."

This is NOT a little kid picture book as subject matter and the pictures won't make sense to you unless you're a bit worldly and know something about the HOT topic of immigration and immigrants. I would say, at least, a teenager or older. As you move through the pages, you become the immigrant trying to decipher the world of the exotic -- nothing looks like or sounds like or behaves like the familiar back home. How do you navigate this world when navigation is a MUST as conditions back home are unliveable and others are depending on you. Try it; you'll gain a new respect for what the newcomer is up against. Try it with your children or grandchildren. It was certainly a lesson in empathy for me.

This is a brilliant masterwork of ....what exactly?

Well, it's a graphic novel with the overwhelming force of franz Masereel's pioneering work 'The City'

But it's also evocative of great literature, like Kafka's introductory chapters of 'Amerika' and 'The Castle', or his short story, The Animal in the Synagogue, and the dazzling architectural fantasy of Italo Calvino's Invisible Cities.

But it's also a dark fairy tale of uncertainty and catastrophe, survival and wonder, one that brings the ghastly sweep of the twentieth century into mythical focus. Yes, it's that good.

But it's also an amazing book for children on the verge of arriving into the strange world of adulthood.

But it's also a revelatory book for adults to come to terms with what they have wrought, look through the eyes of a visitor, like an innocent child, and arrive to a new conclusion about where they "fit".

But it's also a philosophic parable on the Lacanian sinthome, broken letters or words struggling to come into existence for the child/visitor/adult.

But it's also a silent film on paper, with a Buster Keaton hatted protagonist arriving into a new world.

But it's also a beautiful album of artwork, each page can stand independently as an image, or ensemble of images. So the narrative runs through each page, but the page does not depend on the next page to have meaning, beauty, and integrity.

But, because of these important aesthetic accomplishments, it's also more than the sum of its parts.

We have here a standard of art few have realized, a deeply empathetic and compassionate allegory of human being anyone on the planet can read and close their eyes when they close the book and know something beautiful has arrived.

This book has
- no words
- amazing pictures
- emotional depth
- magical settings
- terrible monsters
-

This is a book everyone can relate to - we've all felt like outsiders at some point in our lives. At 128 pages, it takes only 30 minutes to 'read' before you'll want to go over it again more slowly in detail.

It is the tale of a man leaving his family for a distant foreign land and facing all the strange things there, unable to speak the language, understand the food, the animals, the people, the rules.

Every time I've shown this book to friends, I've eventually had to prize it out of their hands as they pour over the detailed drawings, tears welling up at the beautiful story.

You'll never get tired of it.

I was surprised to find it was in comic strip format, but I enjoyed the lite reading.

Without harping too much on what has already been said about the political observations that Satrapi makes or her commentary on the limits faced by everyone (and most especially) women in Iran, the truly inspirational achievement of this work is how honest she can be about herself in the story. That with everything whirling around her, the fact that she can be honest about both the good and the bad of the relationships she'd been in, the despair both at home and abroad, the flickers of hope that she clung to during the darkest times and how (true to the reality of a hopeful young woman) the very worst thing that can happen is ultimately to let down yourself and to let down your loved ones is stark and amazing. The scene where she loses the trust and the good standing with her grand mother is heart-breaking and yet could happen to any teenage girl anywhere in the world. That it's depicted in basic drawings doesn't detract from the power of the moment in the least.

And not that graphic novels these days have any trouble being seen as legitimate art, but Persepolis certainly puts a nail in the coffin of the arguments made by detractors.

Trust this book for it's emotion, for it's personal honesty, for it's attempts to always find something good even under the most extreme circumstances. It is not a history book. It is a personal history book. And it is one that deserves applause.

In the chapter "The Shabbat", set before she leaves for Austria in 1984, Marjane describes how Iraqi Scud missiles start raining down on Tehran, killing her Jewish childhood friend and neighbor, Neda. However, according to Jane's Intelligence Review and other sources, no missiles reached Tehran before Iraq's Al-Husayn missile programme in February 1988. Why would she lie about this?

This book can join Art Spiegelman's "Maus" and Joe Sacco's "Safe Area Gorazde" as yet another graphical masterpiece. Very enjoyable book, couldn't put it down.

Even though I don't know much about graphic novels, I thought Persepolis was incredible. Also, I learned a lot about Iranian history from it. Also, even though I'm not Iranian, there are many parts of the book that are easy to relate to, for instance going to school thousands of miles from home. A great read!

I am a student studying animation, and I purchased this book for my character design class. I really love this book, it is quite usefull, and my two roommates reference it as well! One is an illustrator, and one is a video game designer. Useful to anyone and everyone...

This a great book for the beginning character artist. I often have a hard time drawing cartoon characters but this book always helps me out. Covers everything from personality to color, from exaggerated to semi-realistic. Highly recommend!

Nice book , a lot of ideas , examples. Very good choice for beginners. My students loved it.

This is a great book to take your drawings to the next step. I've been frustrated that my characters lacked that certain special 'something' to make them pop from regular ol' dry drawings to likable, engaging characters. This book illustrates simple examples of a line here, a curve there, to push it up a notch. I really enjoyed the suggestions, and this book has been very helpful. myspace/kris10cartoons

A great useful book! The best way to learn and draw your own appealing characters!

Ok, I have 4 Pearls Before Swine books: "Da Brudderhood of Zeeba Zeeba Eata", "The Ratvolution Will Not Be Televised", "This Little Piggy Stayed Home", and "Sgt. Piggy's Lonely Hearts Club Comic". I have to say "Da Brudderhood of Zeeba Zeeba Eata" is the funniest one. It has all the strips from 2006. I consider it a must buy for any Pearls fan.

Love the strip-love the book. Pearls appeals to my slightly acidic sense of humor.

The book was a wonderful collection. and I had many laughs from it. I have ordered other Pearls before Swine books as a result.

If you are a fan of Stephan Pastis' twisted humor, you will love this book! If you never heard of him and are slightly "bent", you'll soon be a fan.
I purchased two previous books and gave them away as gifts (after reading them first, of course) and the party turned into a "listen to this one" and "where did you get these?" event.
I love the crocodiles and their phonetic accent and their struggles with the wary zebra who is too smart for them....because EVERYONE is too smart for them.
The other characters are great too, but this one is the best of the three I've read. Do yourself a favor and order this book. Laughter is the best medicine and Stephan Pastis makes a great doctor!

Dis booka lotte fun!! Me geets it fer Chrissmass. Me laugh so hard Zeeba hear me an runna way. Darn book too funnee. Now me sad but steel laffeng.
Bob Da Croc

I have been a faithful FoxTrot reader for years. Roger, Andy and their kids Peter, Paige and Jason are always good for a reality check with a large dose of laughter. I've got two girls and let me tell you, I see a lot of my kids in Paige with, I believe, even a healthy dose of Jason thrown in. And they have Peter's bottomless stomach. Of course, they're faithful FoxTrot readers too. I used to read the strip to them, explain what was going on, but now they get it just fine and we three all laugh together. Then my girls try and explain the strip to their dad, who pretends he doesn't get it.

The FoxTrot folks are a great family, one we sort of got used to checking up on every day, so we took the news that Mr. Amend was going to cease daily distribution of his wonderfully funny people and turn his strip to Sunday only, with a bit of sadness. Still, we have these terrific FoxTrot books to keep us going with our FoxTrot fix. Mr. Amend is to be commended for his great gift to our culture and his great gift to so many lives. I truly believe a laugh a day, helps keep the blues away and the FoxTrot gang are always good for a laugh. Heck there are a lot of laughs in the FoxTrot books. I know, I have them all and I am, along with my girls and my hubby dear, eagerly awaiting the next one.

Oh yes, I forgot to mention, we don't have an iguana, but my girls do have a pet gecko and, you guessed it, his name is Quincy.

I've been a Foxtrot reader for a long time and personally I think there is something suspiciously wrong with people who don't find Bill Amend's characters funny as all get out. If you want a good laugh, check out Bill in your local newspaper, or better yet, get one of the Foxtrot books. They are all great, really, they are.

Like many of Mr. Amend's fans I'm a bit disappointed he's switching his strip to Sunday-only, but fortunately I can still read him daily in the Foxtrot books. Get them one and all and you can keep right on a laughing.

Needless to say, this FoxTrot comic book is very funny. Needless to say, if you are a fan of comic strips of any kind, I would quickly usher a large amount of FoxTrot books your way.

The outrageous series in this book include:
-Sportschatter vs. Duke Nukem
-Titanic Craze
-Valentine's Day
-Power shut-out
-gotee magic
-finals week (always a FoxTrot staple)
-BittyBaby Craze
-X-Men the movie
-Jasondows98
-Football training
-mutant zucchini
-Tomb Raider 2
-Babysitting (for Mrs. O'Dell)
-Airguana
-First day of school clothes
-The 97-panel comic
-How to promote your comic
-Wind essay
-POST-Halloween craze

Now, you SHOULD just be imagining in your head right now the funny twist that Bill Amend puts on these. If not, well, you should!!!

Great job Bill Amend, you rock!!!!

If you don't think that getting 369 good laughs for 10 bucks is a good deal, don't buy this.

Great book! One of the best, actually. As I said in my other Fox Trot review, I just can't get enough! I dread the day Bill Amend decides to retire. May that day never, ever come!

This book is must for your collection!

I have always enjoyed the Foxtrot series, and this collection is a wonderful addition. The strips are very timely, so the pure bite might have faded a bit -- for example, references to Tomb Raider and Titanic seem a little outdated now -- but they still have the power to make me laugh out loud. Seeing Andy surrounded by Kleenex and sobbing because "My Heart Will Go On" is on the radio still makes me crack up!

Another winner from Bill Amend. Enjoy!

It starts off slowly, but then there is gradual progression in suspense and tension. That said it leaves you wanting MORE so very badly.

Robert Kirman's writing is good and mature in tone for this contemporary reader.

So for taking a chance on a book I never read one issue of, it lived up to it's hype, and I think has a lot of momentum moving into the next volume which will make me buy volume 2 if not 3 as well.

...i was always skeptical of this comic from an "alternative" publisher...until my wife gave me Invincible the Ultimate Collection vol. 1+2...
....these stories bring back memories of when comics were fun (and not so serious and dark as they tend to be these days)....Kirkmans tales easily fit in the comics tapestry along with classics like Amazing Spiderman , The Justice League, Superman...ect...
....

If you are a fan of Invicible the series. Or you like anything that Image comics puts out, by this! The best series i have read in a while, and the best super hero series i have read in years!

I didn't read comics as a kid, but I have always been fasinated with superheroes. After consulting several recommendations lists and reading lots of reviews, I chose Invincible as my first comic. I wasn't disappointed. It has everything I expected from a comic - a larger than life hero, lots of action, excellent artwork, and easy to read. It also had things I hadn't expected - the hero has more than one dimension and story is mature enough to hold an adult's attention. I read a wide variety of genres from classics to biographies, from fiction to science fiction, and this was just as enjoyable to read. I'm looking forward to getting volumes 2 and 3!

I picked this up without reason, I'd long since outgrown Comic Books and was really only drawn to the image on the cover and thought it might be interesting for the little boys I work with. I, personally, did not have any interest in it myself. But then the boys didn't care, it wasn't Batman or Superman and so it wasn't interesting.
It sat around for some time just looking like a big giant book until I had to take a long trip and needed something with more than just words to pass the time.
I was hooked.
As soon as I got home, I went right to the store and started buying back issues and trades to catch up.
This is one of the best modern superhero stories out there, it's a wonderful collection of great writing (kirkman's other series The Walking Dead is also great)and amazing graphics. The story lines are compelling, and I always want more at the end of an issue. In fact, I am always digging through old issues and climbing the walls waiting for new issues.
If You're looking for a new hero, Invincible's the guy. The series is terrific, it's just what I was looking for, serious reading for a serious reader with pictures.
It's worth the investment.

I read the strip in the paper and occasionally he's hilarious, like the strip last month when Larry the gator's wife says she's leaving him, that was a classic. More often it's really nothing much and that's pretty much how this book is. I find myself pushing myself to keep reading rather than hungering for more. He just isn't as consistently witty as Dilbert or Get Bucky or Marmaduke. Just kidding Marmaduke sucks like a whirlpool, it's the same gag every frickin day, I wish they get it out of the paper already. I love off the wall humor, and he's got talent, so I'm glad he's around because it's one of the better strips today, but he too often just tries to pass off crassness as humor, which it seems is popular by the likes of many comediennes today, however I prefer more talented wit in my humor like his strip from last month I already mentioned.
I bought this book because it's a compilation and a good way to learn more about the artist and his art, so no regrets.

I love Pearls Before Swine, and this is a great compilation. I enjoyed it so much, I plan to send it to my son so that he can enjoy it as well.

Got this book for my daughter this Christmas because she loved the first one I bought, St. Piggy's Lonely Hearts Club. She loves reading the comics on the Sunday paper, and that's how she first asked for her first Pearls Before Swine book, because she was curious if the strips on the Sunday paper were all there was to it. Like the other book we have, the strips offer nuggets of humor with hints of worldly wisdom, cynicism, satire, hyperbole, analogy, smart-alecky and "That's life" kind of stuff that becomes part of our life experience as we go on living in this world. This book's characters somewhat epitomize how we should not take life too seriously so we don't go bonkers trying to live too hard!

I purchased this as a Christmas stocking stuffer for my beloved. I know that she is fond of this cartoonist's work. Now, when we have occasion to spend a quiet evening together watching TV, she amuses herself during bouts of advertising by perusing the cartoons in this book. She laughs out loud for several minutes at a stretch, until whatever show we were actually viewing returns to the screen, at which point she reluctantly puts the book back down until the next bout of advertising. I know from her laughter that she is enjoying the book, and I enjoy hearing her laugh, so its a win win. Plus she feels compelled to share some of her favorites with me, on the spot. They are really funny, and when she finishes going through the book, I will probably use it as she has been. If this catches on, I'm sure that television advertisers will put a hit out on this cartoonist.

This book is just the thing to pass the day and to bring some humor to
your day and to teach how to see the funny side of life as well.

The Preacher series is a very well written, unusual graphic novel. I have liked every one of them.

Hilarious background on a major antagonist, detailing the utter and total insanity of their organisation. This is one of the weirdest, most screwed up villains you can imagine. He loses body part after body part, function after function, and has indignity upon indignity heaped upon him and still continues upon his crazed quest and towards his nutjob goals.

The Preacher series is a "must have" for any collector of stories who likes a little extreme in their fantasy. Some of the greatest lines and characters are put forth by the incredible team of Ennis and Dillon. If one suspends disbelief on one's own feelings about God and the devil, one can enjoy lightheartedly this tale of servitude...or something.

John Wayne. God. War in Monument Valley. The Preacher--Jesse Custer. Cannibalism. Irish vampire. Starr. Betrayal. Sex. Cigarettes. Chicks with guns.

This volume is about as good as it gets.

The 6th installement in the 9 volume Preacher series, definitely the most action packed Preacher of them all. Garth Ennis(Punisher, Hellblazer, Hitman) and Steve Dillon(Punisher, Supreme Power:Nighthawk) did a great job, tanks, guns, blood, and violence, what more would you want.

The book starts with an origin story about Starr, telling us about how he got involved with the Grail, and how he took interest in Jesse Custer. Then Starr takes control of the U.S. Army and attepts to capture Jesse Custer and kill the Saint of Killers with the army. Fortunately the Saint of Killers was there doing what he does best, blow things up. Nothing can take that guy down, not machine guns, tanks, not even missiles. Meanwhile, when Jesse falls out of a plane and is presumed dead, Tulip falls into depression and takes refuge in Cassidy. Jesse, somehow survived the fall with only the loss of an eye. He was rescued by an astronaut wannabe called Johnny Wee Wombat. One of the best Preacher stories wirtten by Garth Ennis, showcasing his dark humor(which was superb here in War in the Sun), his bizzare characters and plots, and his ability to write a compelling story.

The art by Steve Dillon was great as usual depicting, in great detail, the faces, expressions, and the graphic violence. After the work Dillon have done in Preacher and the Marvel comic Punisher, also written by Ennis, he has become my favorite artist, his best quality being his abilty to draw faces, and exppressions, it is said that he has never drawn a face twice. The story arc about Starr's origin was not by Dillon, and nothing personal by I just don't really like it, expecially for Preacher.

The most action packed Preacher, one of the best of the series to me. Ennis and Dillon have brought us yet another masterpeice, a must-read if you liked any of the other Preacher books. If you are new to the series, I suggest you read the first volume, Gone to Texas, and see if you like it(I can't imagine why not), if you do, then keep reading until you reach this volume, it's worth it. DO NOT purchase this book or any Preacher book if you can be offended by eccesive violence, gore, extremely bizzare plots, sexual themes, or profanity.

There would be millions of young boys out there that would love to invite Calvin over when those oh so annoying parents inflicted one of those evil girl babysitters on them. There are quite a few other storylines involved in this book, but that strip is definitely worth of the title billing in the publication.

Bill Watterson is a genious. There's no other way to put it. Calvin and Hobbes is one of the Great Comic Strips of our times and this collected edition is an incredible read. Highest possible recommendation.

This book is a collection of short comic stories about a 6-year old boy named Calvin and his "invisible" friend Hobbes. Hobbes is Calvin's stuffed-animal toy tiger that is real to Calvin and only Calvin can hear Hobbes talk. Rosalyn is Calvin's babysitter and he almost "hates" her.

Calvin spends time with his babysitter because he is simply too much for his parents to handle and they need an occasional break like going out to dinner together. So they hire Rosalyn, a teenager, to sit Calvin. Rosalyn is paid well, so she agrees to babysit the little "twerp" but she regularly is asking for a pay rise.

The conflicts between Calvin and his sitter Rosalyn are the source for the many great comic interactions. For example, when Calvin learns that Rosalyn wants to study for an important school exam, he tells Hobbes - "Tonight Hobbes! The Revenge of the Babysats! Thus begin the hilarious antics that everyone from ages 8 and up will love to read about.

It is my feeling that Bill Watterson had enough integrity and ethics to prevent the syndicate from cranking out endless meaninglessly repetitive compilations. Of course, he did quit partly because he was becoming disgusted with many of the commercial aspects of his work. With most comics, even good ones, the collections get stale after a few. Watterson's collections dont. There are a dozen or so C&H compilations/collections, but you wont be dissapointed with owning the whole shebang, especially since Watterson frequently did a lot of extra work to ensure that each collection had something new to offer. Even without this extra stuff, Watterson's body of work is extensive enought to warrant owning all these collections. He was steadily cranking out great material for a decade or so, and if you are like me you will be reading some C&H weekly for as long as you are on this earth, so tons of books is not a bad thing. Basically, I wholeheartedly reccomend all the books. If you like one you will like them all. They only get better as you get to know the characters. Watterson never goes for the cheap laugh by having any of the comic's principals act out of character. As you progress through the years with C&H, and I do reccomend reading them in order, you will see how art progresses and grows when the artist is committed to excellent work. So, go get the first one, titled simply Calvin & Hobbes, and then start down the enjoyable road to making Calvin and his tiger a pleasant little chunk of your life. (Yes, i have repeated this review for every C&H book I own, wich is all of them, so get used to seeing all this anytime you look one of them up)

No matter how many times I read them, I can never get tired of Calvin and Hobbes. They're funny, creative, and are always getting into some sort of hijinx that could just about get them grounded for life. "The Revenge of the Baby-Sat" offers such adventures as that in a funny and entertaining way.

Calvin is always getting into trouble. Him and his stuffed tiger, Hobbes, are always faced with obstacles; from Calvin's parents to his teacher. One of the main obstacles he faces in this book is a deranged baby-sitter (or at least, that's how he sees her). But hey, no problem! Calvin and Hobbes have a plan to get back at the baby-sitter once and for all!

Other adventures in the book can be found, such as:

*Calvin tries to play hooky*
*Calvin's picture session with his father*
*The Beanie Epic*
*Calvin forgets his "bug project"*
*Calvin's house gets broken into*
*"The Pushing of the Car Down the Drive" incident*
*Calvin cleans his room*
and many more!

"The Revenge of the Baby-Sat" is127 pages of Calvin and Hobbes hilarity. Bill Watterson never ceases to amaze me with his witty creativity and well-executed humor. This is something that can be enjoyed by kids, as well as adults. This is an outstanding collection of Calvin and Hobbes comic strips that should be checked out by anybody who's a fan of the comic strip (or anybody who loves to laugh). A five-star collection that continues to entertain me without missing a single beat.