C Books

This book really enhances, enlarges and clarifies one's understanding of Lady Muraski's world and though not necessary reading really enriches one's reading of The Tale of Genji.

Mr Morris is my hero! He manages to make an extremely complex subject a joy to read and study...Gosh, i wish other subjects could be this engaging. In the world of the shining prince everything has a protocol and a reason to been, Mr Morris manages to explain many important details that may, at first, be just tiny observations and passing glances in the story. This study book provides readers with tools to better understanding the kilometric "Tale of Genji"

This book is just what I needed after reading The Tale of Genji. Besides providing extremely detailed historical information on the time period, it is just a good read in general, being extremely well written. Ivan Morris also draws dozens of interesting parallels between Heian Japan and other societies throughout world history. I would definitely recommend this book.

Although forty years have passed since the first publication of Ivan Morris' "The World of the Shining Prince," no other book has appeared that can challenge either its elegance or its utility in introducing a Western audience to the glories of Heian-period Japan. Although written to provide cultural context for readers of the 11th-century "Tale of Genji" novel, Morris' study has serendipitously come to serve as well the growing legions of Westerners fascinated by Japanese religion, fashion and textiles, art, military sports, and fantasy folklore.

"The World of the Shining Prince" begins by looking at the broad political and societal nature of the Heian period (794-1185). It then works toward an increasingly specific examination of the "Tale of Genji" itself and the novel's author, Murasaki Shikibu. Along the way, individual chapters are devoted to those aspects of Heian culture that feature prominently in the book, namely religion, superstitions, the court elites, the cult of beauty, and the role of women. Appendices, meanwhile, provide welcome genealogical tables and a glossary.

What do most people think about when someone mentions Japan? Samurai, ninjas, tea ceremony, karate, and kabuki? Can you imagine a Japan without these things? Actually this book describe just such a Japan. In the Heian period (950-1050AD), Japan was dominated by life at the imperial court. The ideal man was a gentle, poetry-writing aristocrat and the women were some of first novel writers in the world. It contrasts greatly from the macho military culture that Japan is known for.

Morris gives a run-down of the world of Heian Japan. As he gives this cultural information, he also offers passages fro "The Tale of Genji," a literary masterpiece written by a woman (Murasaki Shikibu) in this period.

This book is great for people who are reading "The Tale of Genji." It gives you a lot of background and cultural information that will help you understand it. Also it's great for those who want to learn about a totally different Japan. It's a definite must read.

Jean-Marie Potiez is, of course, from France. I knew him through ABBA fan clubs some years ago. He gives a good account of the ABBA phenomenon. Agnetha was born in Jonkoping, Sweden on April 5, 1950. Her father staged amateur reviews in the town, and Agnetha began singing in them at an early age. When she was 15, she left school to take a job as a telephone operator with a car firm. She was singing with a group called Bernt Enghardts. She left them when her composition, "Jag Var Sa Kar (I Was So In Love)" became a hit on the Swedish charts. Agnetha moved to Stockholm and recorded her first album.

Agnetha composed music. She did nine solo albums between 1968 and 1988. She recorded in Swedish, German, English, French and Spanish. Her label in the early days was Cupol. She went on to form Agnetha Faltskog Productions with Staffan Linde as her manager.

Benny Andersson is the only one of the four born in Stockholm, Benny came from a family of accordion players. It was natural for him to teach himself piano. From 1964 to 1969, his Hep Stars were Sweden's biggest group. They had a rougher image than Bjorn's Hootenanny Singers. When their career ended in bankruptcy, Benny came away with the idea that there would have to be greater economy in the future. It gave him incentive to become co-owner of Polar Music with Bjorn and Stig Anderson.

Bjorn Ulvaeus came from Gothenburg, Sweden's western port and second largest city, where he was born in 1945.

Bjorn was still in school when he formed the West Bay Singers, a folk group. Stig Anderson suggested the name, Hootenanny Singers. Stig was great at naming groups.

Bjorn is known for his business sense and studied corporate law for a term at the University of Stockholm. He meant to be a civil engineer. He was drafted into the Swedish military for the mandatory 10 months, a handy experience if you are going to write songs like Fernando.

Frida Lyngstad was raised by her grandmother in Eskilstuna. Her mother had died at age 21, and it was felt that little Frida would fare better in Sweden since her father had been part of the occupying army.

Frida started singing professionally when she was 13. She sang with a big band, and that is how she met her first husband, Ragnar Fredriksson. He played trombone. Frida had two children by him: a son, Hans, and a daughter, Lotta.

If you are an ABBA fan, then you will love this book. The book takes you into the lives for 4 very special musicans.

Abba remain hugely popular in Britain and many other countries more than twenty years after they disbanded. This book is not an in-depth study of the different personalities and their difficulties, but it gives plenty of information about the members of Abba and their manager, including their lives before and after Abba. And (at least in my hardcover edition) there are pictures - plenty of them.

Regarding the four members of Abba, three of them (Benny, Bjorn and Agnetha) were born and raised in Sweden, all apparently having fairly normal childhoods, only their musical talent setting them apart from others. All three became hugely successful in the Swedish pop charts, Agnetha as a solo singer, Benny and Bjorn as members of separate groups.

The odd one out was Anni-Frid, better known as Frida. She was born in Norway as the illegitimate child of a German father and Norwegian mother. Frida was mainly raised by her grandmother, who took her to Sweden, where her mother joined them but died of illness a few months later, aged just 21. Frida also found it much harder than the others to achieve success in music, but she did eventually have some big Swedish hits of her own.

The author presents the main years (1969 to 1982) on a year-by-year basis, explaining the different events that occurred in each year - records, tours, TV, their personal lives - in a semi-diary format.

As far as the music is concerned, the story is quite complicated and not always easy to follow, but that is no fault of the author. Before they became Abba, they were four separate acts, each with their own careers and signed to different record companies. Once they came together as Abba, different things were happening in Japan, Australia, Germany, Sweden and elsewhere with different records - even before 1974. That was the year that Abba won Eurovision and charted for the first time in Britain and America.

There have been many books on Abba and will surely be many more. Despite being a huge Abba fan, this is the first I've read. If you're only going to have one book on Abba, it might as well be this one.

Did you ever come across a favourite song and say, "I wonder whatever happened to....? Abba took the world by storm back in the 60's when a quarter bought you an afternoon matinee at the movies, and minimum wage in my home town was $1.00 per hour. If you earned $1.25 or more, you had it made!

Abba possessed a unique blend of charisma, talent, and originality. Who can forget the sentimental lyrics of ,"I Had A Dream", the gentle flow of "The Rivers of Babylon", the melancholy strains of "Fernando" or the upbeat dance-hit, "Dancing Queen"? The list of hits went on and on.

What I particularly liked about this book was the numerous photographs all depicting Abba at their finest. Many photographs are ones not often, if ever, published before, at least not on this continent. In addition, the book reveals a lot of factual, personal information about the individuals themselves. The road to fame and fortune is not an easy one as readers will discover through the pages of this book. Some facts have been printed before, but other aspects of their career are presented here in a more complete, in-depth light. Fans of Abba, will no longer need to wonder, "what ever happened to..." because the epilogue tells you just that. Of all the books on the group, this is one of the best in print.

Probably the best book you can get, if you want an ABBA photo book. In this case even better than "From ABBA To Mammma Mia", since there is pictures from a broader period . It is written in cronologic date-by-date, where each year, as well as "The Movie" and the concert tours got its own chapter. You don't have to be an ABBA fan to enjoy this book, everyone can enjoy this trip in text and pictures through the fantastic story of ABBA.

I first saw this book at a resort we were staying at. I had to have it!! I have never seen a more amazing book. This book is something I believe everyone should own. It is a wonderful teaching tool for young children, an interesting study for adults, an artists dream to have each specimen right there in front of you, an interesting and colorful study of thousands of specimens of sea, land and sky. To think that these were drawings that occured way before the camera was even thought of. Once you see this, you won't believe you lived without it. Don't skimp on this one; buy the Jumbo book and enjoy. Don't forget to order a new coffee table to hold it! ( : You won't be disappointed...ever!! ( :

The book is more than I expected. It will be proudly display at my store Sol Interios. I know it will get lots of attention.

This is a beautiful book, but I've had to factor in the cost of a dictionary stand or console table to display it. It's giant! and it looked silly on my average-sized coffee table.

This book is an outstanding bargain. It is beautiful and breathtaking. I hadn't read the dimensions of the book before ordering and was really surprised when this 16 pound book arrived in its own cardboard case. The pictures are so gorgeous and some poster sized prints are included -- unfortunately, the images selected for the posters are not the most attractive of Seba's work. Before ordering, I had planned to cut out some of the prints for framing, but I can't bring myself to do that now --this book is just so amazing.

You have to see this book in person to really appreciate how beautiful it really is. Every single page is filled with excellent drawings of hundreds of animals, plants, seashells, etc. It is absolutly outstanding. Every book lover, or nature lover should add this book to their collection. The price seems expensive but when you see the book it will be the best 140 dollars you have spent in a long time.

All of Grace was a wonderful book. It was rich with doctrinal truths that believers at any stage of their growth in Christ will appreciate. Spurgeon always humbly directs the focus on God and His word and brings the reader greater understanding into the riches of God's grace. He makes it very clear that God's mercy and grace is not earned, but given freely - Eph 2:8,9. The chapters dealing with Salvation and Faith are extremely helpful. The book is written in devotional form, so it is excellent for bible studies, or for your personal devotional time with the Lord.

Good book about the grace of God and salvation to everyone that believes in Christ Jesus.

We need to believe in the forgiveness of our sins. God gives us a new heart and a right Spirit through salvation.

Recommend to those that want to understand what salvation is all about.

As with all works done by Spurgeon, this is a timeless classic. First printing in 1894, it is still in print. Simple yet profoundly true, Spurgeon explains the true Grace of God with a heart desire that many will come to know Christ through this work. I actually bought a whole case of 120 of these in paperback to give away from Moody Press. The audio version is awesome. I loaded it onto my iPod to listen while on the go.

There are three great strengths of this book; 1)the ability to make the gospel so clear that even a child can understand, 2)it is written in modern english, and 3)the chapters are very short and to the point. Asking someone to read this is one of the easiest ways to introduce the subject of Christ. The book provides a basis of discussion and followup that many can not deny.

Charles Haddon Spurgeon is considered by many to be the greatest preacher of the 19th century. This book, subtitled, "An Earnest Word with Those Who Are Seeking Salvation by the Lord Jesus Christ," is Spurgeon's great explanation of salvation and God's grace. He explains what God has done and why, and what we must do to be saved and to persevere in the faith.

This is a great book, showing the power and intelligence that form the bedrock of Spurgeon's reputation. But, even more, herein you really see his earnest concern for those who are unsaved and dying in their sins. I found this book to be enlightening and uplifting.

It's a truly wonderful book, a true classic of Christian literature - as much alive and relevant to today as it ever was. I highly recommend this book!

Finally someone explains prayer simply and clearly. Dr. Price breaks prayer down into its different points and reveals why many don't get what they pray for. This book is only for those who are ready to put down their religious ideologies and accept that they might be wrong. It is a very good book!!

This is one of the best books on prayer I have ever read.
I recommend this book to any christian who want to see results when they pray.

The book is excellent. Dr. Price writes in a very down to earth manner where you could not possibly misunderstand what he is trying to convey. I have really learned a lot from the book on how to properly pray and have sent the book to several other people to help them. I plan to even teach a bible study from the book. Yes, if you are not getting your prayers answered, this book IS THE ANSWER.

I absolutely loved this book. Dr. Price has taught me so much about prayer. I did not know you could pray the wrong prayer. In my whole life, I never heard a pastor from any church make that statement. I pray all Christians will get this book and learn how to pray. If Christians prayed like we are supposed to pray I think we could change the world. Thank God for this book.

If you've seen Frederick K.C. Price on television, you know he's not shy about expressing his thoughts. What sets him apart from many of his contemporaries is that he does not resort to theatrics and jumping around and yelling. If he wants a particular thought to really sink in, he'll speak...very...slowly and make an extra effort to clearly enunciate every word so that it's understood. On TV he often repeats "We walk by faith, not by sight," and you know you're reading one of his books when you get to page 12 and the statement "At the moment you pray, believe that you receive what you have requested. Hebrews 11:1 says, "Now faith is the substance of things hoped for, the evidence of things not seen." Your faith is substance - it is something real, something tangible. It is evidence of things you cannot see." It's a dynamic book grounded in Scripture, not one of the many that "teaches" you how to "bargain" with God to get what you want. If anyone wants to know what lies at the heart of this book, it's very simple: Pray as the Bible instructs (and ample Scripture is offered here) and believe your prayers are being heard WHILE you pray. And remember, as Price points out on page 111, "Pray according to the Word of God." God has no obligation or interest in answering prayers that are based in selfish or destructive motives. Act as if you are asking God for what you need directly...because, in fact you are.

This slim volume offers meditations on concepts and ways of life that are central to an alien race, the Ai Naidar. It's a society in which sense of place in the social hierarchy is very important, in which acting in the appropriate way at the appropriate time is paramount. The strictures are daunting in some ways, freeing in others: freedom within the constraints of prescribed forms, and some forms that offer freedom. Each aphorism is very short and very lightly written--nothing heavy handed here. The illustrations are gorgeous and the perfect complement for the aphorisms.

It's hard, sometimes, to peer into the alien societies that we have around us in real life--all sorts of historical and political baggage gets in the way. This book lets you stretch your intellect in that direction without the risk of those land mines.

The Aphorisms of Kherishdar is a slim, beautifully illustrated and constructed volume of 25 "incense stories" each of which is built around an aphorism penned by the main character, a Calligrapher who serves Civilization. The Civilization in question is not ours, nor is the Calligrapher human (in fact, he has a tail) but the aphorisms foster an interdependence of beings that our culture sadly lacks. The stories, each less than 2 pages long, are beautifully written and transport the reader to an amazing world described so clearly you can almost smell it. And each of them stays with you for days -- hence the term "incense stories". I have found myself reading the volume over and over again.

As the other reviews have touched on, the Aphorisms can make readers think, look at their own lives, examine their own assumptions, and find soul-touching truths.

One can also simply enjoy the snapshots of alien life and culture, and the marvelous color illustrations! When each story is but a page or two, it can make excellent "quickie" reading for when one doesn't have time to take longer.

You'll probably wind up going back when you *do* have the time, but the prose neither requires intense study, nor forces unwilling illumination upon the reader. Read it for pleasure, then read it again for the questions it raises and suggestions it offers. It can be enjoyed on many different levels.

I'll confess up front that I have an online friendship with this author. That in no way diminishes the lessons that can be found in this book. Each aphorism is short, no more than two pages. Yet each offers an insight into the culture of the Ai-Naidar and in to our own lives as well. They give you something to reflect on, and the art work is, per usual, top notch. Read her, read her, read her! Then go to her website:
http://www.stardancer.org

On the surface, the Ai-Naidar are as unlike us as day is to night...but dive deeper, and in the depths you'll find thoughts that resonate with you as far as the way things could be and perhaps, should be. There is so much we can learn from them, about community and belonging and love and how to cherish life and those around us.

If this book doesn't make you think, you're missing the point. It's easy to dismiss it as fantasy/science fiction if you're not a lover of said genres, but you'll be doing yourself a disservice. It's so much more than a peek into an alien society on another world.

In truth, it's a sacred text, it's philosophy, and it's food for the brain. Read it, enjoy it, let it open your mind to thinking in new ways.

This is an important book for everyone. It really shows how workings of the justice system are very much different than commonly supposed. It addition to valuable information for the individual in their dealing with the authorities it has some valuable sociological insights into how the legal system might be improved. The book gives the lie to the notion of 'innocent' until proven guilty.' If you are arrested the record stays out there to affect your life. It is the case that 'if you were arrested then you must be guilty of something.' ... I bought several copies and passed them out to my friends.

I read this book and was both shocked, ticked and, well, amazed. A lot was just plain common sense. But a lot I would have never imagined. The bottom line is this is a must read for every person no matter what the age. I have showed it to a couple teachers and they were amazed at how easy it is for even a kid in school to get a criminal record that will haunt him for hte rest of his life. You will hear a lot of things you want to believe do not exist in the United States, but believe it! It does happen to good people, even what the author calls "Whitebread America". The book talks of how the way one dresses, talks, drives, walks and who they associate with can all contribute to their 'arrestibility'. This book is a no nonsense book on how to reduce the risk of ever getting a criminal record by a man who has been in law enforcement for a very long time. He pulls no punches and tells it like it is. He even touches on subjects like the 'pussification' of America and how the old ideal of 'innocent till proven guilty' has been replaced by 'guilty till proven innocent'. I don't care if you are a hip hop punk or a soccer mom. You NEED to read this book! It could save you from the true nightmare of an arrest record which could cause you problems from not being able to get a job to not being able to get credit to buy a new home. Did you know that you can end up with a criminal record for little more then being taken in for questioning and then just set free? Unbelievable right? But I personally know of a person who has had this happen and was denied a job because now he shows up as having a criminal record. Prospective employers could care less if you were guilty, just that in a check you show up with a record. Buy this book and read it if you value your rights.

This is an essential guide for everyone--it doesn't matter what your previous encounters with law enforcement have been. Carson explains that in the world of criminal justice, it's all a numbers game: how many arrests can the beat cop make? how many tickets can he write? how many convictions can the prosecutor get? how can the city/county/state make money off the people who end up in the endless cycle of the justice system? (Don't believe me? Read Reason Magazine's story about Tracy Ingle. Unfortunately, most police officers are in the business of policing because they want to play cops and robbers; they aren't in it to help people.

The most eye opening part of this book was when he explains how someone can be inexorably caught in the "social services plantation," as he calls it:

Joe gets arrested for carrying a joint (or DUI, driving without a license, mouthing off to a cop, etcetera ad nauseum). Joe needs to have the financial resources, familial support, and a very understanding boss for the needed time off to make it to his court appearances, probation officer meetings, court ordered Narcotics/Alcoholics Anonymous meetings, and he needs to make it home from all these appointments in time because he's also ordered to complete in-home detention.

One day Joe's car breaks down on the way home. He calls a tow truck. After the tow truck drops the car off at the repair shop, he calls for a taxi to take him home. He gets home an hour later than he's allowed, and fully expects to hear from his probation officer, but he's sure the tow truck bill, repair shop bill, and receipt for the taxi are enough to prove he is telling the truth. Sure enough, he gets a call, and he goes about explaining the situation. A few short minutes later, the police show up and arrest him for violating his probation. The probation officer tells him that the GPS device Joe is required to carry shows him being in the liquor store next to the repair shop, and any drinking is prohibited on probation. Joe insists he was only in the repair shop, but the probation officer doesn't believe him, and that's all that is required to put Joe in jail.

Now Joe, the kid arrested for carrying a joint in his pocket, is a part of the local jail population for the next month. Career destroyed, family starting to have enough of Joe's getting in trouble, and financially buried by the court costs, the cost of the in-home detention, the cost of probation, and the cost of missing work for the required appointments throughout the day, Joe gives up on living a "proper life" and gets mixed up with illegal activities in the jail, and the process continues. All that from an arrest for a non-violent legal infraction.

I know the above is a long anecdote, but it's a perfect illustration of one part of Carson's subtitle: "How Even a Single Arrest Could Ruin Your Life."

The only part that seems a little bit paranoid in this book is when Carson demonstrates how to make an arrest-proof car, complete with filling the glove box with expanding foam and super gluing the trunk shut. That's a bit much, but still understandable.

The best part of the book are the "Creds" he offers: Sheets of paper that have all the pertinent information a cop would ask for, along with a statement that your lawyer has told you not to say anything in those situations. That's worth the price of the book alone. I'm putting my Creds together right now.

Highly recommended for everyone--especially those in the most arrestable demographic: young, poor, minority males.

This is a tremendous book and is worth every penny because the people it will save from jail are not the true criminals (who ought to be there because that protects the rest of us) but those who just do dumb things like mouth off to cops. As the author says, jail is full of people who are there principally because a policeman didn't like the attitude they projected.

However, he could have saved even more people from jail if he had been more forthcoming and graphic about what happens there. The jail population would drop by half if people new exactly what takes place (courtesy of their fellow prisoners) behind bars. As a former police officer and current practicing criminal attorney, he is most definitely well aware of the unspeakable horrors awaiting both males and females in jail.

Of the How To" books, this one may be the most important one that you will every read.

Author Dale C. Carson is a former Florida street cop and FBI agent. He is presently a practicing criminal defense attorney in Jacksonville, Florida. As such, he is in a perfect position to reveal the brutal truth about how police work, their methods, dirty tricks, and motivations. He stresses that cops do not receive promotions or accolades for keeping the peace, or resolving disputes by negotiation, but are evaluated and promoted strictly on the number of citations issued and arrests made, especially felony arrests.

He goes on go to explain how easy it is for *anyone* to get arrested, a subtitle of the book. Most non-criminal "upstanding" citizens" can inadvertently become caught up in the criminal justice "plantation," to use a word coined in the book. Arrest records can have serious consequences, even if the charges are subsequently dismissed, not pressed, or you are acquitted. Such an arrest will doom you (especially young people) to a lifetime of low paid jobs, since many employers will not hire anybody with an arrest record, regardless of the judicial outcome or merit of the arrest. This is particularly dangerous in the age of electronic information, where records can last indefinitely. Before the computer age, written records often got lost with age. Not so now.

So the only practical approach is a defensive/preventive/proactive one. Sadly, most people with not read this book until it is too late, if at all. The "clueless" people, who don't even understand the basics of the system, but are either petty criminals or non-criminals, because in their addition to their lack of ability to keep court dates (they do not own or do not use calendars or alarm clocks), frequently turn minor charges to major ones by failure to appear and other add-on charges. Probably most of them are not even literate enough to understand the simple advice in the book.

This book explains how to keep from being sucked into the system. Once you are, it will be very expensive to get out, if it is possible at all. Numerous parasites in the criminal justice system, including cops, lawyers, prosecutors, jailers, social workers, psychologists, have a big interest in perpetuating the system. The most important battle to be won is for custody of your body - remember, cops are visually oriented predators, whose main motivation is to arrest you and take custody of your body.

Buy this book BEFORE you get sucked into the system, and save a lot of money and heartache. As noted by the author, if you are a real, habitual, or big time criminal, this book will not be of much use to you - you will eventually be residing at the "Graybar Hotel" sooner or later. This book, however, is a must read for the non-criminal, petty criminal, or "victimless" criminal, or just for anybody that is naive about a dangerous, unforgiving system, in which ANYONE can inadvertently be caught up in for a momentary lapse of judgment.

what can I say?
If you read five or more of Terry's hilerious DiscWorld novels, and ever wanderd how MR. Pratchett imegained them, you will get more than your fair share in exchange to the 20$ this will cost you. Sam Vimes, Nobby, Carrot, Angue, Rincewind, Detritos, RIdiculy and his group of loony Wizards, Twoflower and Death (and manny more) will all get amazing and detailed paintings and sketchas. scatterd among the pages of the book are amusing and sometimes fasnating comments from Paul or Terry.

only little problam I had was the abscence os Gaspod- how could they everforget him? I'm sure he would have been really angry if he ever found out (He is, after all, the only talking dog in the world, he will be happy to explain)

Like every Discworld fan, I've always had in my mind a good idea of what the characters looked like. I pictured Ridcully as Brian Blessed, Vetenari as David Warner, Granny Weatherwax as either Judi Dentch or Maggie Smith, Lady Sybil as Dawn French, CMOT Dibbler as Eric Idle, and Vimes as Russell Crowe. This book doesn't present the characters exactly as I've pictured them, but it's not far off and what it shows is certainly great!

Consider the picture of A'Tuin flying through space, or the picture of Granny Weatherwax smiling broadly. Look at Greebo, oozing feline malevolence (though too bad we didn't get a look at his human form, once described as being the sort of person who can commit sexual harrasment by sitting quietly in the other room).

All your favorite characters are here, and most of them are so well-done you can look at them and just KNOW who it is, without being told. Look at the totally gormless picture of Fred Colon, for example, or Carrot, looking quite noble... almost... regal...

Basically what it boils down to is that if you enjoyed, The Last Hero: A Discworld Fable you'll like this book. There's no story, just some lovely artwork. A definate must-own for any Discworld fan!

This book is a collection of Artist Paul Kidby's illustrations of the various characters in Terry Pratchett' Discworld. And boy howdy, what a good job he does. Personal favorites of mine are the picture of Discworld on the back of the elephants on the back of the turtle swimming through space!! Kidby gets it perfect! I am also very fond of his pictures of DEATH.. one of my favorite characters in the series.

If you are fond of the series, I highly recommend this book! I would also suggest that you check out The Last Hero: A Discworld Fable, which also features the art of Paul Kidby.

All the best,

Jay

"The Art of Discworld" is a beautiful collection of images by Paul Kidby - some are pen and pencil essays, others are more advanced sketches and many form completed paintings. They are grouped by theme and portray the Discworld itself, several landscapes (Ankh-Morpork, Lancre, Überwald...) and buildings (Unseen University, several Guilds, Night Watch HQ...) and almost every named character in the Discworld universe. In addition, Terry Pratchett adds interesting, lengthy comments on characters, how they came to be and his opinion on Paul Kidby's view of them.

There are a couple of inexplicable omissions (for instance, Magrat Garlick is barely shown in the background of a picture, even though she is mentioned repeatedly in the accompanying text) and several images have already been featured elsewhere (e.g. several book covers, the Mapps,the Calendars).

Finally, the illustrations and the text correspond to the Discworld situation as it was by 2006, which means there are some serious SPOILERS in the text for those who haven't read the corresponding books.

Overall, this is an absolute MUST for any serious Discworld fan. It's gorgeous to look at, interesting to read and at times hysterically funny like only something written by Terry Pratchett can be.

I would say that the art depicting the various characters of Discworld looks exactly like I had imagined them. This is a wonderful book that I highly recommend if you are a Discworld fan. The only thing missing in this book is a depiction of Sybil, Vime's wife. I would liked to have seen her included in "The Art of Discworld". All in all, an excellent Discworld resource for the Discworld fan!

The last review that I did on George Orwell's work was Homage to Catalonia, his compelling story of his involvement in a Party of Marxist Unification (POUM) left-wing militia regiment in the Spanish Civil War. I noted there that this is the Orwell that today's militant leftists need to read. The current compilation of articles that he did during World War II and shortly thereafter are not in that same category although they are, as always with Orwell, well worth reading. No matter the subject matter of the articles they conform to the points that he made in Politics and the English Language about using precise, clear and rational political language. Unfortunately, at the time of the Tribune writings Orwell had already made his peace, even if critically, with British imperialism. This is obvious from the subject matter of some of the articles, particularly those in defense of holding on to the old empire or at least its prerogatives. The articles themselves vary from the topical and mundane under war time conditions to the speculative but as always written in a bit of a tongue and cheek manner. That said, although Orwell by this time was an anti-Stalinist socialist of some sort he preferred to outsource the fight against Stalinism to world imperialism. Apparently, as the recent furor over his naming names of British communists to British intelligence indicates, he had no such qualms about doing so. Certainly this was not his finest hour. He left that in Spain.

I don't know if George Orwell is the best writer this century has produced, but he is among the most decent human beings who was also an extremely talented writer. And that decency, that honesty and sense of fair play come through loud and clear through this wonderful mix of editorial pieces and personal letters. It does not matter whether he is writing about the Socialist movement, the Monarchy, the manner in which Americans were treated in England during WWII, the English language, writing, colonialism, nationalism, anti-Semitism, or how to make a proper cup of tea, his honesty is ever-present. For he wrote these essays (I think) because although "emotional urges which are inescapable, and are perhaps even necessary to political action, [they] should be able to exist side-by-side with reality. But this requires a moral effort." If you are prepared to make such a moral effort-or simply want to spend a few nights with a truly wonderful human being and gifted writer, I highly recommend this book.

George Orwell' (1903-1950)anthology titled AS I PLEASE is an interesting collection of his careful literary criticism and political insights which were much more often right than wrong. Readers can learn so much about not only the situation and conditions in Great Britian between 1943 and 1945, they can learn much about the international situtation and Orwell's complete disillusionment with the "Left" both in Great Britain and in Europe.

This reviewer thinks that Orwell's literary criticism of Arthur Koestler is the best article of literary criticism. Orwell focused on Koester's DARKNESS AT NOON which Orwell thought was Koestler's best work. Orwell argued that Koestler was a supporter of the "Left" during the Spanish Civil War and was arrested and faced the prospect of being shot. Koeslter escaped but had to know how the Stalinists betrayed the Spanish Left during the Spanish Civil War. Koestler was a member of the Hungarian Communist Party, knew of the Stalinist purges of Lenin's Bolsheviks, and saw a repeat of all this in Spain.

Orwell also had intelligent commentary of literature and humor. Orwell stated that good humor had all but disappeared in Great Britian because of political and religious sensitivity. Orwell stated that the best comedy was that which attacked hypocrisy and pretensioness. Orwell cited Aristophanes, Rabelais, Shakespear,Voltaire, etc. who did not hestitate to mock and write comedy of the self righteous and "high and mighty." Orwell was bothered by the fact that such humor almost disappeared from English litature during his life time. An interesting aside is that Orwell complimented Hillaire Belloc and G.K. Chesterton for their humor. Orwell was critical of both in some of the other essays in this anthology.

Orwell not only wrote good literary criticism, he wrote solid political commentary. Readers can see the beginnings of his best known novels-ANIMAL FARM and 1984. Orwell's comments on ill feeling between British and American troops. Orwell stated that since American troops were paid at least five times as much as British troops, social divisions and hard feelings were almost inevitable. Orwell also commented that many American troops refused to admit that British casualties were larger than American casualties which indeed they were.

Orwell's best political commentary dealt with such concepts as Fascism, Pacifism, the Trotskyites, the Stalinists, etc. Orwell's major criticism of the "Leftists" was that because they were anti-Fascist, they would not become anti-totalitarian because of refusal to oppose the Stalinists and Big Communism and its obvious record of mass murder and concentration camp brutality. Orwell makes hash out of the accusation that the Internatianl Jews heavilty subsidized Britian's Trotskyites. Orwell commented if that were true, one had to ask why Trotsky's supporters were always so poor. Orwell accused much of the "Left" of refusing to accept facts and assessments of World War II. For example, many of the British and American leftists commented that the Soviet Union was an example of the biblical inscription that the meek shall inherit the earth. Orwell noted that those who made this remark obviously had not read Soviet anti-German propaganda which was full of hatred and violent vengence. Orwell also noted that the Left expected British military failure while extolling Soviet victories during World War II.

Orwell also expressed serious concern over the distortions and falsification of history. For example, both the "Allies" and "Axis" claimed victory when their was defeat. Casualty figures were distorted as were events. What was worse was the description of non-events or events that never occured. Orwell commented that the Leftists never wrote a word about the SovietGerman "Non-Aggression Pact" which was negotiated in 1939 with the secret protocol of the Soviets and Germans to invade Poland.

Orwell made comments that his novel titled ANIMAL FARM was censored or kept from publication because of British concerns of offending their Soviet "allies." Little did Orwell know that this novel would be a best seller after he died. Orwell can also see the outlines of his 1984 in this collection of essays.

One development that concerned Orwell toward the end of World War II was the emerging anti-Semitism in Great Britain and to a lesser degree in the United States. Orwell was clear that accusations and slurs agains Jewish people were patently false. Yet, Orwell was clear that facts and reason were of no avail to many because they were immune to knowledge and reasoned thinking. Orwell attributed much to a weakened Great Britain at the end of World War II, and the British Empire would soon be dismantled. Orwell argued that nationalism and the fear of the loss of Empire incited anti-Semitism among people who would otherwise not fall for such nonsense.

While Orwell was wrong in some of his earlier predictions, he was honest enough to admit this and explained why which something most "intellectuals" are loathe to do. If Orwell had lived another 50 years, he would know that his important predictions came true. This reviewer was pleased to see Orwell admit he was wrong as this showed a degree of honesty that is sadly lacking.

This reviewer did not like the format of the book. As this reviewer stated elsewhere, the book should have been arranged by topic rather than by chronology. However, this is a matter of taste. This reviewer strongly recommends this anthology which is part of a four volume set of Orwell's thought. This is yet another excellent collection of Orwell's great writing.

It is a pleasure to read Orwell. I think that there are two major reasons for this. Stylistically he an exceptionally clear writer. His work has a quiet elegance. Secondly, he is a writer who says meaningful things. Whatever subject he writes about he writes about not only with knowledge but with real ' sense'.
In this third volume of his collected essays, jouralisms, and letters there are a number of outstanding longer pieces, including those on 'The English People' 'Notes on Nationalism' and 'Anti- Semitism'
He is an excellent letter writer and I especially enjoyed his insights into literature. His remarks on Conrad and Koestler and European as opposed to British Literature are sensible and insightful.
All through this work there are scattered gems of humane perception.

Sorry for the prank in the headline, it is not a comment on Orwell but a quote from the book, from the essay 'The English People', written in 44, but published later. Orwell tries to characterize the English. I would never have dared to write that myself.
This is volume 3 of 4, and the first that I give 5 stars. It is less uneven, less self-contradictory, probably more honest than the previous 2. GO had grown up, I assume. The bulk of the book are his leaders under the name that the collection carries: As I please. He comments on events of the time, and does it with lasting interest.
I don't want to repeat my friend Jim Egolf's summary of the book, nor his assessment of its historical value. All true.
But Jim left out an important subject that Orwell also included, and that I want to bring to your attention. The fact is that GO was an impossible romantic about England. He honestly thought that there was merit in English cooking! One essay is called: In Defence of English Cooking.
He lists a few items that we are supposed to accept as proof of his odd point of view. Believe it or not, one of the items which supposedly prove the high standard of English cooking are English apples. I rest my case.
'It is not a law of nature that every restaurant in England is either foreign or bad.' Written 1945. My regular visits in recent years, all in basically friendly intention, make me conclude: if anything changed, then for the worse, because now even many of the foreign restaurants are bad.
Dui bu qi.

I must say this was an incredibly fun sourcebook to read. At times it had me laughing with humorous quotations such as; "I am amazed, o wall, that you have not collapsed and fallen, since you must bear the tedious stupidities of so many scrawlers" and at other times I would shudder; "Good God, what scrawny little slaves they were! Their skin was everywhere embroidered with purple welts from their many beatings. Their backs, scarred from floggings... their complexions were an ugly yellow..."

Using a slew of both primary and secondary sources, Jo-Ann Shelton takes us through the life of the Romans. Covering topics as varied as slavery, provincial administration, the family unit, the magistrates and occupations, we are brought directly into Roman life with all of its practices, norms, values and peculiarities. The key feature of this book is the focus on the common Roman and how they lived with a section devoted entirely to woman in Roman society, a much overlooked topic. From dinner parties to funeral clubs, all aspects of the common Romans life are discussed.

In all a very worthwhile book to own and use as both a source of reference and entertainment!

Although this book was recquired reading for a Roman History class I took, I found myself really enjoying the read. Shelton does a superb job in collecting sources to paint an engaging and colorful picture of Roman society. I've read a lot of books about Roman history(due to the sweetness of its action), but few make the Romans seem to come alive quite like this one. If you like Roman history like me, this would be an excellent choice for your collection.

Excellent. You will actually have a good time reading this if it is required for a class. There are plenty of funny antecdotes throughout. Many of the examples of people interacting seem like they could be happening now. The great thing about this book is that more than half of the material is ancient sources. Letters about marriage, politics, superstition, it is all taught by example, which takes you into the history much more. Wonder what the people actually thought about gladitorial combats? What happened when someone had to go travelling? If there's two sides to the story, both sides are presented in this book.

Definitive Work On Rome,

I read this book for a graduate course in Roman history. Jo-Ann Shelton's book is the definitive anthology pertaining to Roman social history!

Shelton opens each chapter with a brief synopsis of the subject and then she has a plethora of primary source documents, which are about the subject. I find this to be the genius of the book. The books appendix of primary sources and bibliography make this book an indispensable resource for anyone who studies Rome.

Following is an example of some of the subjects covered. According to Roman folklore, the first public day of entertainment soon after the founding of Rome by Romulus was a day of chariot racing. Thus, its importance culturally to Rome was paramount considering it became the oldest and longest lasting public sport in Rome--lasting over one thousand years. These chariot races first took place in the seventh century BCE in an area between the Palatine and Aventine hills. The racetrack was built in the "Circus Maximus" and was expanded over the years in order to seat 250,000 spectators. Originally, there were 17 game days or ludi a year in which 12 races a day would be run. Romans throughout the social strata were attracted to the blood and danger of this spectacle, as most races had at least one chariot crashing in a race. In general, the political importance of the races and games were not lost on ambitious men wanting to make a name for themselves. Admission was free to the races since it was the aedile or praetor's responsibility to organize public entertainment while they held office. Politicians seeking to ingratiate themselves with the people and wanting to further their political careers would spend their own money to supplement the public funds available so that they could increase the lavishness of the games. For example, Julius Caesar almost went bankrupt in 65 BCE during his aedileship. He put on some of the most lavish games that Romans had ever witnessed, which made him extremely popular with the people. Though this political ploy was expensive it paid off handsomely because his popularity rose among the plebeians.

When one thinks about public entertainment in Rome, it is hard to ignore the Roman penchant for gladiatorial combat and what it culturally meant to the Romans. During the republican period, it was common practice for gladiatorial matches to be financed by wealthy private individuals. Usually sponsored in honor of a dead relative these matches were not ludi but referred to as munera meaning "duties." As was the case for the ludi, wealthy politicians used the munera for the purpose of winning over the hearts and minds of the plebeians by staging lavish spectacles for their entertainment. The advantage for an ambitious politician was that these events could be staged at any time during the year. However, during the imperial period, gladiatorial combat became a part of the publicly financed entertainment for Romans. This was done because Rome's emperors did not want potential political rivals currying favor from the plebeians. The Romans seemed to have a blood lust in their entertainment. This may be due to using gladiatorial combat as a way of showing its citizens an ennobling contempt for death. It was also certainly used to serve as a reminder to citizens the authority that the state held over them. Like the chariot drivers, gladiators were slaves that were trained in their sport under rigorous conditions. Since it was expensive to train men, not every loser of a match was automatically killed. To feed the Roman blood lust, those condemned by the state to death and many war captives were sent to the arena to fight to the death--sometimes pitted against ferocious wild animals. "In the 100 days of spectacles, which accompanied the opening of the Colosseum in 80 CE, 9000 animals were killed. At Trajan's games of 108 CE, 10,000 gladiators fought and 11,000 animals were killed."

Private leisure activities, such as dinner parties, also fulfilled important Roman cultural needs. Once again, the wealthy Roman politician frequently hosted extravagant banquets with exotic foods and expensive entertainment to curry favor from his dinner guests. Sometimes a banquet would feature food grown on the estate farms of the host. This custom was an old and respected time honored Roman tradition. Many times the dinner parties were more austere in nature and conducted as part of the Roman patron-client relationship, or just out of friendship. It is interesting to note that when one reads about the Roman customs surrounding dinner parties, one quickly realizes that they have many similarities to modern customs. As an example, in Shelton's book there are ancient accounts showing how a man fishing for a dinner invitation ingratiated himself by drying off the back of a fellow bather at the public baths, or how people would use flattery to gain a dinner invitation. There are accounts of uncouth behavior that dinner guest display that hosts, both ancient and modern, always dread. These include the guest that perpetually shows up at your door early for a dinner requiring the host to drop everything they were doing to attend to them. Roman dinner guests often came with their own cloth napkins and would use them as doggy bags to bring food home. Of course, there are accounts of the rude dinner host as well. Some hosts would serve different quality and types of food to their guests based on their social standing. Shelton's book has an account of the "persistent poet" that bores their guests with poetry recitals that drone on and are quite boring. It reminds one of being invited to a friend's house for dinner and then having to suffer through a long slide show of their host's summer vacation. What Shelton proves with her section on dinner parties is that some customs never change.

Bathing was not just used for hygiene in the Roman Empire but was also a recreational pastime in its own right. Romans throughout the social strata and of both sexes partook of this activity. Except for the very wealthy who had bathing facilities at home, most Romans went to public bathhouses. Many of Rome's emperors had bathhouses built as part of their master building plan for the city, and once again to curry favor with the citizenry. Emperors Augustus, Nero, Trajan, and Commodus to name a few, had bathhouses built throughout Rome. The popularity of bathing was such that by the fourth century CE, Rome had over 1,000 public bathhouses that were operated by the state or as private businesses. Bathhouses had either separate sex facilities or different operating hours for the opposite sex. Shelton wrote that bathing was so popular throughout the Roman Empire that, "almost every town and every village had at least one public bath building." For example, one can still visit the Roman baths in the city of Bath in England where the Romans became enamored with the restorative powers they perceived the local water contained. Starting in the late republic period, bathhouses offered many different recreational activities similar to our present day fitness centers. Thus, bathhouses served many cultural needs of its citizens; one of which was a place were Romans could congregate to gossip and talk about issues of the day. Another need they served was that they were a place where Romans could engage in all types of physical exercises--such as, ball games, swimming, and jogging. Massages were a large part of the bathing ritual as well. The plan of the Stabian Baths at Pompeii, built in the second century BCE, show the enormity of bathhouse structures. The Stabian baths had separate bathing for the opposite sex, dressing and massage rooms, a swimming pool, an exercise yard, offices for meetings, as well as other amenities. In addition, shops and food vendors surrounded many of the bathhouses; thus, many Romans of the upper classes could spend long portions of the day at the baths.

Recommended reading for those interested in Roman history.

Because Roman civilization is so fundamental to our own, there is scarcely a cultural of political topic that isn't illuminated a bit or at least better illustrated by reference to Rome. This book is organized topically with translations of primary source materials and an excellent index. Whether your topic is government, medicine, dinner or working for a living, this is a valuable source book on that most modern of ancient civiizations.

Lynn Hoffman, author of New Short Course in Wine,The and bang BANG: A Novel