C Books

I purchased this four volume set when I was studying Greek at Denver Seminary, back in 1989 as it was highly recommend by my Greek professor. I used it quite a bit during seminary and even after that in my personal Bible studies, and more so when I started working on my Analytical-Literal Translation of the New Testament: Third Edition (ALT).

The arrangement of this set is by English not Greek words. But the fourth volume provides an index to where the discussion on Greek words can be found.

For each entry, the English word is given in bold, then the basic Greek word in a box. Then variant forms of the Greek word are given and synonymous Greek words, each with an English equivalent. Then the main article begins with a discussion of the use of the word(s) in classical literature. Then there's a discussion of the usages of the word(s) in the LXX translation of the Hebrew, OT, often indicating what Hebrew word the LXX was translating, and finally is the discussion of the usage on the NT.

So lots of information is presented, and if you read through the entire article for a word, you will definitely gain full knowledge of the history and usage of the word. However, the thoroughness of this set can sometimes be a drawback. It is just too much information and takes too long to read through. Most of the time when studying a word, you don't need that much background, so standard lexicons, like the ones on the BibleWorks 7 software program, provide sufficient info.

But that said, I am glad I purchased this set when I did. I didn't refer to it that often in my translation work, but on the occasions that I did, it helped to clarify how to translate a particular word.

For instance, some claim that "porneia" only refers to prostitution. The article in volume one of this set explains that this was originally the sense of the word. However, by the time of Christ, "porneia" referred to any kind of sexual intercourse outside of a Biblically lawful marriage (pp. 497-501). As such, I rendered this as word as "sexual sin" with the alternative translation of "fornication." I explain in more detail the reasons for these renderings in the Glossary contained in the Companion Volume to the Analytical-Literal Translation: Third Edition. The information for that glossary entry was mainly taken from the article in this set.

This set is also helpful when working on articles for my Web site. And it would be helpful in sermon preparation.

All that said, this volume is rather expensive. So only get it if you really think you will need in-depth word studies for transition work, sermon preparation, and the like. Less expensive lexicons and software programs will provide sufficient information for less serious Bible studies.

`New International Dictionary of New Testament Theology' edited in its English translation from the German by Colin Brown, is the most useful DICTIONARY on this subject I have found over the last two years of teaching Bible study. It is a true dictionary, with a primary focus on Greek etymology in classical Greek literature (Homer, Hesiod, playwrights, Plato, Aristotle, historians), the Greek translations of the Old Testament, and the New Testament, with distinctions made between Synoptic, Pauline, and other uses of the same term.
Before acquiring this work, I wrestled with `Theological Dictionary of the New Testament', edited in German and completed around 1933 by Gerhard Kittel, and translated into English by Geoffrey W. Bromiley, which has 10 huge volumes filled with a wealth of information, except that everything is organized by original Greek terms, and my reading of Greek is simply not up to snuff yet. So, while I have never been disappointed by this resource, it is simply too clumsy to use for the quick check on a meaning.
Brown's translation, on the other hand is marvelously organized by English words, with a transliteration of the Greek into English characters, followed by the original Greek script. Super, when the term you want is one of the major terms. A fly enters the ointment when the term you want is secondary to a more common word. I ran into this situation when I tried to look up `mute' (kophos) which my annotated Bibles told me could bean both deaf and dumb. Well, there was simply nothing there in volume 2 (G - Pre) under `mute'. By this means, I discovered the great value of Volume 4, the `Indexes'. `mute' was here in abundance, with the primary entry (within the entry for `dumb') highlighted, and I was merrily on my way.
I discovered an even greater value to this work when I looked up `hypocrisy', to help me understand the use of the word in Luke (who happens to use if far less frequently than Matthew). A recent lecture on Matthew stated that `hypocrisy' didn't mean the same to the ancients as it does to us. I did not entirely trust this observation. As I stated above, this Dictionary gives at least three different interpretations of words, one for classical Greek, one for Old Testament (LXX) Greek, and one for New Testament Greek. Well, classical Greek did mean an actor or explainer of narrative in dramas who may have performed with a mask. But usage in the Synoptics is virtually identical to our modern meaning. Even better, Luke's quote of Jesus may even been a metaphor using both meanings, one who explains as well as one who does not believe what they preach.
I was even more pleased with the book when it confirmed an interpretation I had of Luke's use of `yeast', which disagreed with the notes in my study bible. Brown, et. al. even went so far as to point out the common mis-interpretation of `yeast' in this context.
You may be using `Vines Complete Expository Dictionary', which puts everything in a single volume and is keyed to Strong's concordances. I've used Vines often, but I also often find this book light on interpretations in all parts of scripture. Vines is good, but this set of four smallish volumes is better for quick, but discriminating reference. Of course, it also has all the usual scholarly doo-dads, which are great, but not as important as the sound, discerning interpretations.

We are very pleased with the service and product. There were a few glitches but were cleared up immediately. I am very happy with the service. Thank's to all involved

A must for any bible study. As Greek has been transliterated there is really no need to even know the original language. The articles are AMAZING!!! AMEN!!!

The transliteration of the Greek is the only draw-back to this work as personally I prefer the Greek terms and in the Greek word order.Allow me to explain why. I do not use the NIV, though I know it to be a trustworthy translation, thus I tend to come directly from the Greek text to this. Thus I usually find the term, I am searching, in the transliterated indexed 4th volume. So if this was in the Greek word order and untransliterated it would prove easier. But enough of my crying! It IS WORTHY TO BE PURCHASED!

I also supplement this set with 'Theological Lexicon of The New Testament' by Ceslas Spicq, which tends to develop words the NIDNNT and Kittle have omitted. The TLNT is in the Greek word order and untransliterated, so it may feel odd to some who are not yet aquainted with the Greek.

Without question purchase the NIDNNT prior to the TLNT by Spicq as you will gain far more use from it.

soli deo gloria

I hate to be the only one not giving this a 5 (but four means it's great). [NOTE: My rating was accidentally registered as a five] Others have already highlighted how great this is. In many respects, it is superior to Kittel's Theological Dictionary of the New Testament (10 volumes). I've owned my set since 1980, when it was three volumes (the current fourth volume is an index). I can't give it five stars because 1) organizing by English words is very difficult and annoying for those of us who can look it up in Greek word order, like all the other Greek resources (20 minutes learning the Greek alphabet is all it would take for someone who doesn't read Greek). 2) Like so many other works geared to both those who read Greek and those who don't, it uses transliteration in the articles. I think that's the ONLY thing I like better about Kittel's - no transliteration! 3) This is not cost-effective compared to the absolutely outstanding and inexpensive "abridged" version of this set (see more below).

I've used DNTT for years. I always come away from reading articles quite edified. It's a tremendous resource. It's so good I overlook it's organizational faults.

However, consider the following:

Zondervan quietly put out an abridged version of this. Nothing important is missing! See my review of the New International Dictionary of New Testament Theology - Abridged Edition here on Amazon for more details. That is only $23, while this four volume set is $93. That uses the odd English based organizing system, the abridged is easier to use and all words are listed in Greek word order. They crammed the information into one volume by shrinking the type (still plenty big), moving to a double column format, and making the book taller and deeper than the original size. Read more about it at my review.

If you are considering this set, you may want to consider the abridged instead. When I've used the abridged, I never feel cheated because they kept all the relevant stuff! I have all the major theological dictionaries of the NT (TDNT, DNTT, Exegetical Dictionary of the NT, and Spicq's TNLT) and I use them routinely. I'm telling you that the Abridged version of this is not a kiddie version. It's the real thing. It's the best kept secret in scholarly resources for the NT! Don't feel like you're slighting yourself by getting the abridged, you're not. Now the abridged Kittel's, by contrast, is a different story. That was a serious abridgement and a serious compromise of the original. I sold that on eBay. I retain and use the original.

A great supplement to this set (or the abridged version) is Spicq's Theological Lexicon of the New Testament. See my review of that. It is far more theologically refreshing and insightful than either this set or TDNT (EDNT is the most bland, but it has its strengths).

May God bless you in your pursuit of a greater understanding of Holy Scripture.

This book helped me save my own life and the lives of many of my friends. It's become a handbook for recovery for me. Not a one time read. Thank you Chuck C.!

Few books have had such a profound and unforgetable impact on me. A New
Pair of Glasses was given as a gift to me over fifteen years ago. My re-
action was too powerful at times to continue reading. I needed to close
the book and ruminate, or go off the scale in an emotional overload. In-
side the book was a little portrait of Chuck C., I framed it and kept it
prominently displayed all these years. Today, I can look fondly at Chuck's smiling face, and smile back in gratitude for the wonderful gift
he left.

First of all, "new look publishing" is a very small non-profit which exists for the sole purpose of providing this book to bookstores and the genral public.
You can order yours directly by calling 949-650-6433 its only [...] for a single copy .. or .. [...] for a case of 18 copies. The first 164 pages of the A. A. big book are included in the current printing.
Also, although the quality is not that great ... you can find a free download of the retreat this book is taken from at
[...]
As a matter of fact there is a pdf download also.

All I can say is that this book cured me of trying to self-improve my way thru my sober life. After over 10 years in recovery I realized that there is little if any peace in trying to constanly improve myself. I found true peace when I found self-acceptance and a measure of humility. Thats what I got from this book. Thanks Chuck !!!

The latest 9th printing has the first 164 pages of the Big Book included (2nd Edition,1955).
This book is available from the publisher, New Look Publishing in Irvine, Calif. for only $6.00--brand new.

Just a great story by one of the old guys. You know, at the risk of blaspheming, there are other programs out there. Not for me. But others may have had successes in the attempts to moderate and live with this disease. Bill Wilson and Bob Smith couldn't, thank God, and we are here today to listen to the founding people, and their experience, strength and hope.

AAers get criticized by those who feel it's too religious. Too cultish. That we're all automatons. Did you ever hear someone who has had consecutive years of sobriety say those things? "Well my whole life has changed, I have less but I have more. My wife trusts me. I haven't missed a day of work in thirteen years. My daughters-in-law let me take my grand kids out for the day. But the AA Program is just too damn cultish!"

"We think not."

Great stuff by an old guy. These are transcriptions of conversations so they're not necessarily seamless. But all in all, great life-saving stuff. 5 stars. Larry Scantlebury

If you've recently read Homer (possibly for an anchor to Joyce) and concluded that Ulysses was a bit over the top, Kazantzakis is a joy compared to Joyce. Earthy, yes. Beautifully translated, oh yes. Best read all three at the midpoint of your life and chew on them for the second half.

I read Kazantzakis absorbing and compelling verse novel over a two-month period, rich and crazy as a Christmas fruit cake, and only to be nibbled in small doses. This is a deeply flawed work of consumate art; flawed, because it expresses a weltangshaung and philosophical stance utterly at odds with the complexities and values of the human spirit which it still succeeds in celebrating in verse of passion, intensity and beauty. Flawed, because it defines the human spirit in terms of the unsubtle, extroverted, violence of masculinity at its most obnoxious, a Nietzschean ubermensch driven to sweep through the human mind like a panzer division; flawed because it present a vision of utter and self-serving solipsism.

But of consumate art in that within those paramaters it creates, with a richness and intensity rarely encountered in modern literature, a detailed, elaborate and sensory world of image, passion and experience; and in positioning the human spirit dancing at the edge of the abyss, in celebrating the defining moments and relationships of life, it ultimately triumphs over its own weakness.

Its stages of the soul's evolution, its imagery and its passionate invocation of the sun link it with the old warrior-cult of Mithras; and while the leopards, elephants, drunkards and maenads seem at first more of Dionysos, the elegance and elegaic elements also link the work with the Greek Apollo, and the discipline of an exact and exacting verse.

Essential to an understanding of the twentieth century vision - and also to an understanding of what made so many of us passionately feminist.

A long, long time ago, I read this book and it changed the way I read literature. Kazantzakis' book goes beyond writing - it is a vivid exploration of the flame that consumes man. To go back to reading the frivolous so-called literature of today almost seems pointless. I am just thankful that Kazantzakis left us with such a rich body of work to read. The libraries were full of his books twenty years ago, but today I rarely find them on any shelf. To those of us who were lucky enough to discover him early, we know that he is the best kept secret of the twentieth century.

This is the best book I have ever read. Granted, I have read it in greek but still, there is no match. Homer would have loved his hero over again.

I read this in a period of weeks while homeless in a city, each day I would return to the library and read another huge section,never missing a day...the incredible prolixity and repetition, far from being burdensome, were like great rolling waves of majesty and freedom upon which I floated until the last cantos, surely one of the greatest climaxes in all world literature, brought me to rest and peace as Odysseus was united with Christ, and sailed off through the ice. And then I knew that for the rest of my life I would be as free as Odysseus had showed me how to be in this work. How's that?

There are so many easy recipes (especially for brunch) that usually take less than 30 minutes to prepare. My favorite are the yummy overnight breakfasts -- I can take 15 minutes to make blueberry french toast before going to bed and then just pop it in the oven when I wake up -- a delicious breakfast that didn't take long to make!! Most of the recipes are designed for moms who have a little one on their hip. You only need one hand to make a delicious meal that doesn't take long from start to finish. You can add little touches to any recipe (or change ingredients to your liking) -- it takes the stress out of cooking when you're pressed for time. Great buy!!

I am the mother of 3, and I cook EVERYTHING from scratch. I like the spiral binding. The book is sturdy and the pages stay open. There is a lot of advice in the beginning of the book but I did not find the advice helpful because I've already "been there, done that" and figured it out on my own by making mistakes. The advice may be very helpful to a new mother -- would make a great gift. As far as the recipes go, some are great (Mediterranean Chicken, which is adapted from The Silver Palate) and some are not. There are a lot of short cuts and adaptations from other cook books, which is kind of unoriginal. Some of the recipes I don't get -- there's one for stir fry chicken which consists of buying veggies, chicken and bottled sauce (why buy a cookbook when the recipe is on the back of the veggies package?). And, some of the recipes are not for kids -- my kids wouldn't touch the food. Although this book is good for the one-armed cook, I think that the recipes in my Gourmet (5 Ingredients), Bon Appetit (Keep It Simple, Everynight Cooking), and Rachael Ray books are just as easy and great.

I received this cookbook as a birthday gift over a year ago and it is - by far - the best, most useful cookbook I've ever owned. I was a decent cook (definitely not a chef!) but, over the past year, this book has elevated tremendously my ability to provide delicious meals for my family. My husband even publicly commented about this recently at a party we were attending! I knew I liked the recipes, but I didn't realize that he had noticed so much!

The recipes are wonderful, delicious, and easy to prepare, and even the non-recipe chapters are full of useful information (such as how to stock your pantry). I can't recommend this book highly enough!

I have raved about this cookbook to my friends. I have several cookbooks but the recipes in this one are actually for meals the children WILL eat! Yay!!!! :) The meals are easy to prepare, simple and delicious! I especially love the sections on planning simple get togethers (with specific menus all spelled out) and the slow cooking section. I use this book several times a week and have to say I finally have more selection for what to make for dinner and I'm enjoying the variety too. BUY IT!

I bought this book not for a new mother but for a busy mom, I would buy this book again without hesitation for baby showers in the future.

After seeing references to this book in several articles about Permaculture, I knew I needed to get it. So I looked, and I buy a lot of used books from Amazon, so I was hoping to get it that way. No luck. So I found a publisher in India, Vedic publishing and ordered from them. A month later(Air Mail) I got it. It is an easy read, throughly enjoyable. The author challenges you to rethink your daily life and question where your food comes from now. Because a book is hard too find and in demand, it shouldnt be expensive (sheer greed).

Fabulous book. Inspiring look at how not to mess around with Mother Nature. Nature is not the enemy we have been led to believe! I love this book, and it was one of the first to make an indelible impression about changing one's philosophy of how to possibly go about organic farming (I was an organic farmer later on). Poses searching questions (and one man's answers) that every gardener and farmer should look for the answers to, regarding how much we need to interfere with natural processes to produce food. Also a thoughtful look at balancing nutritional needs with what is seasonally available. Vital reading for anyone interested in permaculture, sustainable agriculture, or just a soul-lifting antidote to modern, corporate food production.

I read this book years ago when it was first published and it has been a magor influence on me and my gardens for all these years. I've followed Fukoka's ideas as much as closely I can living in a city and have had wonderful results. He is right, let nature do the work. My garden is the most beautiful in the neighborhood, and without any pesticides, fertilizers, tilling, or backstrain. Buy this book, Gaia's Garden, and Forest Gardening. They all follow the naturalistic, symbiotic, permaculture mode that mother nature has been evolving for a billion years - just plug into the natural order and start growing!

Some have said that the Fukuokan philosophy is the tap root of what is now more broadly called Permaculture, only Masanobu Fukuoka was a Japanese farmer, working with rice and winter grain in a southern Japanese climate. Both are no-till methods that shun the use of chemicals. However, Fukuoka should be set apart from farming in general and Permaculture in particular, in that The One-Straw Revolution is essentially a profound work of literary philosophy. Indeed, in many cases it reads like a naturalist's bible. Although the book is dressed in the language and anecdotes of a farmer, the message looms much larger. We read of a man who came to terms with the problem of death, and then decided to form a profoundly new (or is it old?) relationship with nature. In essence, the nugget of his wisdom is that, instead of struggling to control and command nature, we must learn to work with and learn from nature. Allow me to share one quote:"To build a fortress is wrong from the start. Even though he gives the excuse that it is for the city's defense, the castle is the outcome of the ruling lord's personality, and exerts a coercive force on the surrounding area. Saying he is afraid of attack and that fortification is for the town's protection, the bully stocks up weapons and puts the key in the door." Now I ask you, does the following paragraph sound like the words of a farmer or a philosopher? From the face of it, one might think Fukuoka is here criticizing the nuclear arms race, but he is actually talking about the warlike mindset of farmers who see leaf-munching pests as evil enemies that must be fortified against, sought out and destroyed. Whether we are talking about bull weevils or communities, though, his advice is sound. We must change our frame of reference and establish a different relationship with the world. Concise and yet elegant, Fukuoka's prose is pregnant with meaning. Altogether, this work provides poetic an intelligent critique of industrial agricultural practices and the linear notions of nature and progress that underlay those practices. In fact, Fukuoka goes as far as to declare that the scientific method itself limits our experience and knowledge of nature. An invaluable, timeless work that will move you, even if you have never picked up a hoe.

j.w.k.

Ladies and Gentlemen, please get on board, the Fukuoka earth ship is departing for Earth. All I can say is to get involved with the growing community of Fukuoka farmers around the world. Please come and visit us at fukuokafarmingol.net if you have any inclination towards ecological farming and leaving behind the fear of growing your own food because you are afraid the results will not be what you want or because you are afraid to damage the soil. Masanobu points the way to farming without destruction.

The Oxford Companion is a must-have shelf reference for anyone intending to seriously study the Second World War. As with many encyclopedias, this means that the amateur or buff will use the entries themselves, and the expert will use the bibliography and suggestions for further reading. It is, at least at this moment, quite reasonably priced for such a serious work of reference, and I likely would not have bought it otherwise. The only drawback is that in changing over to the current edition, the editors seem to have removed the full-color maps that used to be placed at the end of the volume. I do not remember enough of those maps to tell if they are now among the black and white maps placed throughout the body of the work; I do know that the color maps were one of the highlights of the old edition and are much missed by this reviewer.

the Oxford Companion to World War II is very complete and simple to use for poeple who study the WW2, he contains a hundred maps, stats and chronological fact, englobing the totality of the allies or the axes. he's the best way to find all the information you'll need.

I have both the current and first edition of this book (in hardcover). As far as I can tell, the new edition is only shorter because it uses a smaller typeface, allowing several more words per line.

However, the new edition is also a bit easier to read despite the smaller size, because the new edition uses a glossy paper and the text seems more sharply defined on the page. This is particularly noticeable in the text of the maps, which I have struggled to read in the first edition, but seem clearer in the new edition.

As an aside, I agree with the general view that this is the single best reference book on World War II. I can't really tell what is changed in the new edition, although it may just be minor corrections, since the several longer articles I have compared seem identical.

This is a wonderful one volume encyclopedia of WWII, covering all fronts, participants, and major events. This outstanding work is an absolute must have for any serious student of World War II in my opinion. More than 100 scholars and professional historians contributed to this book. This work is certainly detailed, well written, and well researched, but it is not comprehensive (how could one describe WWII in one volume of about 1000 pages?). I think the description of this book as a `Companion' is entirely appropriate, it has been my companion for more than ten years now. I've flipped through pages of this book several times a week for the past ten years and (effectively) read the entire book through at least half a dozen times. This book is filled with an unbelievable amount of information. There are major sections on each of the combatants that include discussions about the military, political, economic, and cultural developments and changes that took place throughout the war. All the major battles are discussed, as well as people, equipment, and events. In my opinion, this is not a reference book, it is a learning book. If you already know a great deal about the Battle of Kursk or Uboats, for example, you will not find much new here. You will find, however, a wealth of information about all aspects of the war that you probably weren't even aware of. I have no complaints about this book and would consider it a bargain at twice the price. My only warning is that this book is probably not suited to someone who has only passing interest in World War II; if Steven Ambrose is your idea of a good historian, you probably aren't going to like this Companion.

I'm a fan of the first edition (1995) of this fine book: I'm a World War Two buff, and this is the best one-volume reference book on World War Two that I know of. So why would I give only four stars to the revised edition of 2005? Here's why. Prospective purchasers of the revised 2005 edition might like to know that it is 1,039 pages long, whereas the first edition of 1995 was 1,343 pages long. That's a loss of 304 pages, representing 23% of the material in the first edition---a considerable loss.

In the case of The Oxford Companion to Music, there was a beautiful, lavishly illustrated edition of 2,017 pages of 1983; it was replaced by a revised edition in 2002 that had 1,434 pages---a whopping loss of almost 600 pages of material. In this case I know what I'm talking about, because I have both editions: the 2002 edition represents a substantial abridgement and cheapening of the 1986 edition; I doubt that anyone who had the chance to compare the two would choose the newer edition.

I don't know if the same thing is going on with this Oxford Companion to World War Two (I don't have the new edition at hand to compare the two), but the loss of 23% of the material in the first edition, and my experience with The Oxford Companion to Music described above, would incline me to approach the new edition with caution.

Patrick Demarchelier is one of the best artist of this age; his Photographs are pieces of history. Into this book you'll find his masterpieces: emotions in B&W!

A must own book for people that love b&w photography. Patrick is excellent at getting the perfect angle for the image. The way the natural light and shadows enhance the objects is great. The true persons are drawn by the way the pictures are taken.

My 12 year old saw this book on one of the display tables, picked it up... for the cover (naked lady) and glanced through it. He then later came running up to me saying... Please buy this book. The pictures are excellent. Well now, my son is interested in photography as a hobby.

This depicts some of what we know and expect of Mr. Demarchelier. His ability to capture so much in a photograph, in a look, is what makes him so incredible as an artist. If you are a fan of his work, this work should be part of your collection.

This is one of the best books of portraits that it has been my pleasure to view.

Before going further, let me observe that the book contains much female nudity that would earn an "R" rating if this were a motion picture.

Glenn O'Brien in the book's introduction captures the essence of the book well, "The beauty standard is being raised once again."

Whether the subjects are beautiful (and many are) or not, the result is the same -- a deep look into the personality and character of the model done in large, vivid detail in wonderfully contrasting duotone. One of the best tests for this book is to compare the celebrity images you see here with others you have seen of these same people. These images are more warm, more revealing, and more fun to see. Mr. Demarchelier has a light touch that gets out the happiest version of a person. You'll find yourself laughing and smiling your way through this collection, for sure.

The portraits displayed here are uniformly of very high quality, and provide nice contrasts of subjects (nose rings, boulders, children, and elephants among the beautiful people).

Here are some of my many favorites:

Nude, St. Barthelemy, 1994

Nude, St. Barthelemy, 1989

Her Royal Highness, The Princess of Wales, London, 1993

Warren Beatty, Annette Bening and their daughter, Los Angeles, 1994

Versailles gardens, Versailles, France, 1994

Gianni Versace, Paris, 1992

Nude, New York, 1995

Corbassiere, Paris, 1994

Helena Christensen, New York, 1992 (second image)

Cindy Crawford, Leh, India, 1989

Jasper Johns and Leo Castelli, New York, 1993

Roy Lichtenstein, New York, 1993

Naomi Campbell, New York, 1990

Isabella Rosselini, New York, 1994

Robin Williams (4), New York, 1990

Robert De Niro, New York, 1990

Sisters, St. Barthelemy, 1991

Christy Turlington, New York, 1990

Alice Dodd, New York, 1994

Natasha Kinski, New York, 1993

Warren Beatty from "Dick Tracy," Los Angeles, 1989

Elton John, Paris, 1992

Janet Jackson, Miami, Florida, 1993

Arthur Demarchelier, New York, 1991

Patrick and Mia Demarchelier and their three sons, New York, 1987

Meg Ryan, New York, 1994

Claudia Schiffer, St. Barthelemy, 1991

Paul Newman, Beacon, New York, 1994

Elle Macpherson, New York, 1990

Cindy Crawford, New York, 1990

After you look closely at these images, notice how lines and flaws provide balance and perspective in the same way that perfect figures provide proportion. How can you create more waves of enjoyable symmetry?

Drink deeply from the bubbling joy of humanity!

Gods be feathered, how I love this book. The four-book Chanur series is one of the greatest SF epics of all time. (The fifth, Chanur's Legacy, is a fun afterthought but not as deep as the original chunk.) This first volume is a satisfying stand-alone read, but trust me, you'll want to read the rest. I always warn people not to start this series unless you have a large chunk of time set aside--even though I've reread it countless times, once I get started I still find its momentum impossible to put down.

Pride of Chanur starts with an unforgettable image--a mostly naked fugitive human writing numbers on a spaceship deck in his own blood to prove his sentience to the startled alien who has just slashed him with her claws in self-defense. From there it rolls along into an intelligent, funny, and utterly satisfying adventure. Cherryh achieves an amazing feat in telling the story entirely through alien eyes, yet still giving us completely satisfying, believable, and likable protagonists. She vividly depicts four entirely distinct and fully realized oxy-breathing species, each complete with distinct patterns of thought, traditions, and psychology, plus several other more mysterious methane-breathing species, in all their complex and troublesome interactions, plus humans (well, mostly just one) thrown precipitously into the mix. The human is the alien in this story, and we hear his perspective only through the often garbled and always incomplete computer translator, an approach which is unusually realistic (unlike so much SF where translation always works perfectly, instantly) and always leaves you curious to know more. The reversal of perspective is so convincing and complete that you'll find yourself looking at your own species' psychology as the strange one.

Plus there's the fascinating reverse-sexism of the hani, the main alien culture, which essentially follows the structure of a sentient lion pride: men are considered too volatile and unstable for everyday business, thus are kept secluded except during dynastic battles; the sensible, pragmatic females take care of commerce, law, alliances, and space-faring. (In the sequels, these beliefs get confronted and deconstructed in interesting ways.) The quintessentially feline temperament and mannerisms of the hani--vain, swaggering, hot-tempered, affectionate, physical, fierce, loyal--are convincing and irresistible, especially if you're a cat person anyway! And be warned, the pidgin and idiom the characters use for inter-species communication will completely infect your brain.

Dive right into this satisfying yarn, and know that in the next three books a far, far wilder, bigger, and more complex story will unfold...nail-biting action intertwined flawlessly with deep psychological and cultural insight, tangled intrigue, agonizing moral dilemmas, and extraordinary character transformations. Enjoy the ride!

Not many writers can do aliens as well as Cherryh -- bilateral, oxygen-breathing, most of them, but with minds and emotions and evolved biologies that are very, very different indeed from human. Pyanfar Chanur is the successful, wealthy captain of a Hani trading ship, a powerful figure in the powerful Chanur family, leading a crew composed all of family members, like all Hani ships. And then she's suddenly saddled with Tully, a refugee human escaped from the Kif, an opportunistically piratical race that evolved by blood feud. Humans are newly arrived on the edge of the space occupied by the member races of the Compact and trading rights with them will be worth a lot, but Pyanfar will have to risk everything. And the profoundly untrustworthy Kif aren't going to make things easier. Cherryh does a terrific job of gradually introducing the reader to the intricacies of the vaguely lion-like Hani society, in which females do the work and tend to the psychologically unstable, world-bound males, who are lords of the estates -- until they're challenged by younger males and finally lose. You'll come to know Pyanfar and her crew as individuals, too. The plot gallops, the characterizations are intriguing, and the dialogue is snappy. Yet the book is much denser than it appears. What more could you want -- except the three following volumes in this saga?

After reading and enjoying Ms. Cherryh's "Cyteen" I started searching for more of her novels and decided to begin reading Chanur's Saga. "The Pride of Chanur" is its first volume.

Ms. Cherryh creates, once more, an astounding backdrop Cosmos full of intricacies, depicting the other end of the universe shown in "Cyteen".
Here she elaborates The Compact's Media where many alien races compete, trade and fight. There are oxygen breathers and methane breathers; big cat-like people and gray somber entities; aggressive races and peaceful ones; some species are deceitful and others are straight forward.
Just to make things more complex a Human show up demanding asylum from the Hani (Chanur's kind) and giving way to a feud between Hani & Kif (the bad guys of the story).

One astounding feature of the book is that the main character is Captain Pyanfar Chanur and her ethnocentric point of view is THE point of perception. All other races (including human) are strange and requires all her imagination to figure up what kind of entities they are. Are they friendly? Stable? Trustworthy? All these and many more questions she has to answer in order to survive.

The other bewildering aspect is that Hani kind is conducted by their females. Ladies are in charge of commerce, space travel, politics and any other significant activity (even war). Males are the Lords, pampered by females, sporting and hunting. Only one by Clan, he may be defied by other males (his own exiled sons are suitable) to singular combat and the winner takes all.

The novel has the typical Space Opera structure, enriched by new elements as character's depth and culture's coherence.
It is a very good sci-fi novel that will be enjoyed by fans & general public!
Reviewed by Max Yofre.

Yeah, this book was pretty cool. It's not quite as dense or sprawling as I've come to expect Cherryh books to be (not that that's a bad thing!), but that doesn't detract from it one bit. And this book moves, moves, moves. It's probably one of the most engrossing books I've ever read.

This is another one of Cherryh's first-contact type novels, and I think it's the thing she does best, really. It involves a lone human somehow lost in alien space who manages to sneak abord a Hani merchant ship, and how his presence upsets the delicate balance of power there. It's serious without being too oppressive, and it is without question the best of the series. I've read the other three, and really you can take those or leave them--the book is complete enough in itself. (With the others, I kind of feel myself playing the Star Trek 5/Aliens 3 game--if I didn't like it, it didn't happen. Trek 5? Nope. Went from 4 straight to 6....)

I highly reccommend this book. It's typical Cherryh, in that you'll have to wait for your gratification until the very very end--but then, it's always worth it.

I'm currently re-reading this in it's incarnation as the first part of "The Chanur Saga" "Omnibus edition." I wanted to put a separate review here since I intend to rate that "omnibus" low simply because it's not complete. "The Pride of Chanur" is an excellent book. Written in the standard Cherryh "from the gut" manner, it grabs on to your emotions and yanks them hither and yon from the first couple of pages all the way to the end. It's one of those books where you try to read faster and faster so that you can find out what's going to happen (even after having read it several times before). The best part of the book is the fact that it's stand-alone: it finishes what it starts. The remainder of the series requires this book. But, this book doesn't require the remainder of the series (though you'll definitely want to read that). Excellent book.

My daughter is in a predominately white school system and this book was perfect for her! It let her know that there is more than one standard of beauty and that you have to love yourself for who you are, braids (which she has) and all. Anytime she starts feeling slighted for not being the same as her classmates, I pull out this book and remind her of her INDIVIDUAL beauty. Loved it and would recommend it to everyone!

My daughter and I read this book and we both truly enjoyed it. As a mother it helps reinforce the values we instill in our children to love themselves and be true to yourself and how God loves us all. My daughter enjoyed the story and the illustration and found it to have a wonderful message about confidence. I highly recommend this book.

Awesome! Awesome! Awesome! Princess Briana needs to be in the hands of EVERY child across the globe! Boy or girl!

Children today have so many issues with their appearance, body image, self-esteem and the list goes on. This story touches on each of these areas and children can easily identify with Princess Briana as she experiences these "growing pains" and realizes that she is beautiful just the way she is!

I applaud Yaba Baker on an amazingly written story! The art work is incredible! I just didn't want the story to end!

Every parent, teacher, and child should have this book on their shelf TODAY!

My daughter is an avid reader and she absolutely loved the book. She is 10 years old and felt that the book spoke directly to her. The illustrations are wonderful and the story is compelling. I would highly recommend this book to all parents of young girls.

For one-and-a-half years, I've facilitated a book club of African-American girls. We read two picture books by black authors each month. Among our selections have been award-winners and titles that have made recommended reading lists. Never has a book stimulated such discussion as Yaba Baker's Princess Briana.

The girls, many of whom attend predominantly white schools, could see themselves in what Princess Briana was going through. They talked about what it felt like to be one of the few girls of color. They cheered at the story's triumphant ending. After discussing the themes, they decorated foam crowns and wrote about the quality they love best about themselves.

We celebrated the lesson of the story in a princess parade. The girls strutted their stuff for their moms and then one by one shared their poems. It was beautiful to see them talk about the beauty of their brown skin, richness of their heritage and keenness of their minds. It was one of our best meetings yet.

Princess Briana is a special story. In a world that still struggles to embrace diverse standards of beauty, this book is like balm to the soul.

excellent photographs of collection of royal family of england ,from1840-1940.some of the pictures i've seen before ,but there are alot of new one's not seen before.

This is an excellent resource as well as enjoyable reading and viewing. Queen Victoria had a large, illustrious family. This book not only humanizes and personalizes the many family members, it also helps to make sense of the extended family connections - particularly with the included family trees in the back of the book.

I have perused through this book many times, and have recently given one to a friend, who absolutely loved it. This is not a history book that will just sit on a shelf. It is a required addition to anyone interested in the history of Queen Victoria and the Eurpoean monarchies.

Absolutely remarkable. Charlotte Zeepvat takes the reader into the lives of Queen Victoria and her family with the amazing photographs, both candid and formal. The pictures are rare. They are well organized and have excellent captions. Zeepvat is a great writer/historian and I recommend her books to all.

for those interested in royalty. While some of these photos can be found in many different books, some of them I've seen for the first time. Queen Victoria's decendants are so numerous and belong to so many different royal houses. Definitely a worthwhile purchase!

There are certain photos that I simply expect to see when perusing volumes about European royalty. However, upon receiving Zeepvat's book, I was thrilled to find so many rarely seen photos of some of the more obscure descendants of the "Grandmother of Europe." If you're a royalty buff like I am, you can spend hours immersed in this marvelous book and its detailed family trees.