Television Books

There is no Tom Yoke, only the great Tom Yohe, associated with Schoolhouse Rock!

If you grew up in the 70's and 80's and were anywhere near Saturday morning cartoons, then you know Schoolhouse Rock. Many of us learned our times tables because of them. I can remember at least twice when the catchy songs about American History were caught in my head and helped me answer test questions. The lyrics may have been replaced by other facts, but I'm sure that the songs are stuck in your head somewhere. This book is a great companion to bring so much of it back with lyrics, pictures and trivia about all the episodes. It will bridge things until the DVD is released. All in all a ton of fun. Pull out the book, sing along and relive those cereal laden mornings in front of the TV. Oh yea!

If you are like my self, when you were a kid in the 70's, you could not wait to get out of bed on Saturday mornings to watch tv. Mixed in with all those great tv shows were the School House Rock segments. As a kid I loved them, and now as an adult, I still love them, and always will. Buy the Official Guide To School House Rock. Read it, and take a trip back in time when everything was right with the world. You were a kid, enjoying classic tv, and learning your multiplication tables, and how bills became laws, and what adjectives and verbs were. School House Rock is classic tv at its best....

I rate this book 5 stars. The title of my review is School House Rock: The Official Guide by Tom Yohe and George Newall. I like this book because it is a great book and I like School House Rock and it's still my favorite show. This book is great. I like this book because it reminds me of School House Rock.

Schoolhouse Rock: The Offical Guide is fab! Filled with trivia, synopsis, lyrics, facts, color illustrations and behind-the-scene anecdotes from one of the most innovative and successful cartoons in American television history. A must-have for educators, parents and fans of this long-running and revived series of educational short subject cartoons. And don't forget:...."So when you're happy (Hurray!) or sad (Aw!) or frightened (Eeek!) or mad (Rats!) or excited (Wow!) or glad (Hey!) an intejection starts a sentence right!

This book represents the pinnacle in terms of a blend of behind-the-scenes insights and anecdotes combined with basic reference data. The multitude of interviews that went into the text give the material a depth that the more common coverage of sci-fi shows rarely attains. Like other books by McFarland, it's pricey, but I can think of none that give the reader better value for their dollar.

What makes this guide especially fascinating are the numerous candid in-depth interviews with the producers and writers of these shows, giving much insight into the creative process and the trials and tribulations of creating innovative television shows. There are countless behind-the-scenes anecdotes that have, I am sure, never seen print before. I thought I knew a lot about certain shows, but this book contained info that was new to me; and even reading the articles about shows I never watched (and the entries on each show are long and detailed) I could scarcely put the book down. This book serves as a reference, but it is more than that; it has a wealth of fascinating insights into the television industry itself.

One of the most fascinating 'episode guides ' that has come on the market , a must have for any one associated or fan of the SF genre. An upto date episode guide / summary with an added bonus of interviews , with key actors directors of many favourite sf shows.

From my own column (ex of Mania Magazine), Andy Mangels' Hollywood Heroes:

If you're a fan of science fiction television history, there is one indispensable book you must have in your collection. Science Fiction Television Series is subtitled "Episode Guides, Histories, and Cast and Credits for 62 Prime Time Shows, 1959 through 1989." It's written by Mark Phillips and Frank Garcia, both well-known writers for magazines like Starlog and Cinefantastique. Kenneth Johnson, producer/creator of V, The Incredible Hulk, Six Million Dollar Man, The Bionic Woman, Alien Nation, and more, contributed the introduction.

The hardcover book is a whopping 691 pages (!), and has photos throughout. Each series is given a historical overview, with interviews for the writers, producers, actors, cameramen, and more! Plus, you get an episode guide with correct titles, guest star information, and trivia. I've had this book on my shelf for a few months, and besides using it for research, I'm immensely entertained browsing through its pages.

What are some of the shows covered? Alien Nation, Auto Man, Captain Power, Cliffhangers, Greatest American Hero, Kolchak the Night Stalker, Logan's Run, Man From Atlantis, Misfits Of Science, Planet of the Apes, Quantum Leap, Spiderman, Starman, Star Trek, Superboy, Twilight Zone (all three series), V, Voyager, and Wonder Woman. And that's just to name a few! Plus, appendixes cover unsold SF pilots, and Emmy Award nominees and winners.

It's unlikely you'll find Science Fiction Television Series in your stores, as it's a specialty book largely aimed at researchers and libraries. It's well worth the price!

Once again, this gets my highest recommendation.

It's past time that someone put some thought and effort into a book of this nature. We've had "Science Fiction TV" guides before, and they've uniformly been written by authors whose axes could be heard grinding away throughout as they slagged shows they disliked and drooled over shows they (often unaccountably) were fans of. Mark Phillips and Frank Garcia have done a good job of research and writing here, with few and minor mistakes. The chapter on "Battlestar Galactica," which is accurate and contains a good deal of information, much of it from new interviews done especially for this book, is worth the price of admission alone. If you're a fan of science fiction on TV, this book, in spite of its price, should be on your bookshelf. Very highly recommended.

Rich Whiteside is a fellow UCLA family member so I do hold some bais. He is a rare talent and a quiet professional who focuses on results rather than ego. He is a man of character. "The Screenwriting Life" is an unflinching look into the reality of what it is like to trade daydreams for dollars. Being a working screenwriter in Hollywood I thought I had a little bit of insight. This book cleared up the fog and sharpened my approach. If you ever get a chance to meet the author, first thank him for serving our fine United States in his former career as one of our country's elite. Secondly, thank him for making you a better screenwriter through awarness and truth. I surely will.

I haven't had a chance to read it, but I met the guy when he did a presentation at our school. I want to be a screenwriter, so I found him very interesting. I can't wait to read this book.

I met Rich Whiteside (and Paul Castro and Lew Hunder) when I was in the Screenwriting program at UCLA. Since I knew Rich, I bought the book as soon as it hit the shelves. Then life got hectic, I put it on my bookshelf and forgot about it. I recently took it down and started reading it and it's completely blown me away! It's the most honest book about the industry I have ever read. I wish I had read this book when I first bought it, as it would have made my life as a screenwriter a heck of a lot easier! It's brilliant and I highly recommend you not only buy a copy, but READ it from cover to cover. And keep it around to re-read later. Rich, this is brilliant work, my friend. Kudos to you!

This book doesn't get bogged down in the authors own ideas about careers. Instead, he offers insightful interviews with many people in the different screenwriting fields. Sitcoms, longform, and feature writing interviews convey the life and experiences of their respective areas and helps the reader decide if that is truly an area they want to enter. All the interviews suggests what avenues may give new writers the best start into that area.

"The Screenwriting Life" is an excellent, well-organized primer that dispels many romantic notions of what it takes to achieve success as a screenwriter in Hollywood today. Rich's insightful interviews with some of the leading creative forces in the entertainment industry reinforce the point that good writing alone is not enough. "The Screenwriting Life" is an indispensable guide to the political realities of Hollywood.

Cute book for Scooby lovers! Has little pictures to give clues to the words for beginner readers.

Smaller book than I expected. My son likes it, I just thought the flash cards would be something besides a page in the book.

My 4 year old loves all of these Scooby Doo Picture Clue books. I like them too since I grew up with Scooby Doo it makes me feel like we have something in common other than DNA.

My twins love Scooby doo. Anything with Scooby on it they will use over and over. They read it over and over even though they don't know all the words.

Book Review By MENDIOLA ROOM #B1 a
Scooby Do The Search for Scooby Snacks

If you like cartoon books you are in the right place. You'll like reading this book.
I like Scooby do because it is very, very funny book.
This story is about Scooby and Shaggy looking for their food that was lost. A bear was eating it. In my opinion this book is very good because you will laugh all through and enjoy the book from beginning to end. This book showed me not to leave my snacks on the floor because someone could come and eat them. This
Book is very funny. YOVANI

It is rare in children's literature that readers find male figures that attempt to mentor a boy.

After Walt's mother abandons him with his two eccentric uncles, they attempt to raise him and influence him through their outrageous stories. While they are unique rolemodels, they are honest ones. As I read this, I genuinely couldn't think of anything comparable. I highly recommend it for young male readers who are in search for adventure and a little influence ~ but beware of jealousy! Who wouldn't want the adventurous Hub and Garth as uncles? The ending is a as wonderful as the adventure to get there...

Secondhand Lions was a great book; it always kept me interested and wanting to find out what was going to happen next.
In the story there is a boy named Walter. One summer his mother leaves him with his two great-uncles Hub & Garth. Throughout the story his uncles did some strange things, one of my favorites was when Garth bought an assortment of seeds and they turned out to be all corn. The corn is a symbol of freedom for one of the characters, but you will have to read the book to find out who it is.

Second Hand Lions is the best. It is very good. I cried. I do not useally cry during movies, but this movie is the best. I really recomend seeing it. it iz gr8

Probably the best sheer entertainment of a touching nature this year.

I loved this book and I'm 58. Touching, funny, adventurous,and without giving away the ending it was a very surprising satisfying end. I am now anxiously waiting to buy the video. It was nice to know the stars in the movie to picture them in the reading of the book. Thorougly enjoyed!

Holy .. this man is brilliant and twisted .. and, well .. brilliant and twisted! I can't wait to read the novelization but from what I know first hand from his work in the past, I will be sure to leave the lights on when I do.

If Dan Madigan were not a writer, he would be the next BTK!

Horribly intriguing.

Dan has a keen ability to bring you right into the action, as sick as it may be.

We're waiting for your next one Dan.

A lot of books find their way onto my desk. Many of them get "re-gifted", and when I saw a movie tie-in novel for a film starring pro-wrestler Kane, I was pretty sure I knew where this was going to wind up. Caught in a last minute grab for something to read on a flight from LA to NY, I wound up with this in my carry on, and to my pleasant surprise I was wrong in my initial assessment.
This book is good.
It is better than good.
I haven't been this excited to discover a new writer since I read Jack Ketchum's Girl Next Door. Dan Madigan may be a new name to horror fiction readers, but he's obviously been digesting this stuff for years, as he has turned out a compelling page turner that challenges the conventions of the typical slasher. If the set pieces in the novel are to be any indication of those in the film, I'll be seeing it on opening day. I see that the author is also credited with the screenplay, and that makes me very happy.
This novel has made the very short list of movie tie-in novels which transcend their purpose -that of merely fulfilling the media frenzy associated with selling tickets. But not only has it transcended, it has excelled.

SEE NO EVIL is superb horror and far more than a novelization. The writing is muscular and visual. The characters are intruiging, authentic and 3-dimensional. The story is fascinating, and the plot moves swiftly. There are many bone-chilling moments. Dan Madigan reminds me of a young Steven King. I look forward to his next tome of terror.

Dan Madigan's first horror novel reads like the work of a seasoned pro. "See No Evil" is a breath of fresh air in a genre of fiction that has become too tired (like Stephen King) or too feminized/glamorized (like the execrable Ann Rice). Madigan's writing takes horror into new territory: a landscape of brutal terror, fright, and a place where the word hope is completely unknown.

His writing style is lyrical, his sentences resounding with the ethereal quality of Edgar Allan Poe's dark poetry. If anything, Madigan's style is reminiscent of the films of Dario Argento: both are full of brutal gore, but the way the violence is executed is operatic. Nothing is held back when it comes to the violence. Compared to the flesh tearing, eye gouging, vulva ripping action you have in "See No Evil," King's works seem as tame and non-threatening as the fluff on Oprah's Book of the Month club.

Most brilliant is Madigan's perfect realization of the so-called monster of the text, Jacob Goodnight. Much of the novel is told through Goodnight's perspective, and through his eyes, the reader comes to understand and appreciate the violence in his nature. It is rare that a book can achieve the impossible, and make the apparent villain transformed into the only pure character in the text, while the alleged "good guys" are revealed to be morally bankrupt and heinous individuals who deserve to die.

Society, itself, is ultimately the monster in "See No Evil": set in modern-day California, we see the results of a society where political correctness and moral relativism have taken over. Every criminal in the text is treated with kid-gloves by the prison system, and pampered by social workers who feel their crimes are only the result of a "bad childhood," and, therefore, excused. Police officers, on the other hand, are treated like dirt in this modern day Sodom and Gomorrah. Jacob Goodnight is, paradoxically, the only character who has a clear set of values.

While it is being marketed as the novelized version of the film of the same name, it should not be treated as such. Dan Madigan himself wrote the screenplay, and has said at conventions to promote the film that he had an earlier version of the novel written BEFORE submitting the screenplay. So this should not be dismissed as a crass adaptation of an already-existing film, the way trashy novels have been made out of "Star Wars" films or other films, just to swindle people out of their money. In fact, the book is reputed to have far more gore and violence than the film.

"See No Evil" is a triumph of true horror. If you are squeamish, then do not read this book. If you are looking for pretty boy vampires, Jacob Goodnight would have had them for dinner. This is not for wimps or the faint hearted. Madigan's writing is reminiscent of HP Lovecraft and Bret Easton Ellis's "American Psycho," while at the same time being completely original in its approach. Get this book while you can: it will be a limited edition, and its value will skyrocket once Madigan's next book comes out.

This is a good biography of Miss Booth by someone who is obviously enchanted with her. He writes glowingly about her life. And he has tried hard to make a book about an immensely talented woman who, in private life, seems to have been rather boring. Perhaps in an attempt to make a longer book, Mr. Manago has recounted endless radio programs which Miss Booth did in the 1930s and 1940s, and even includes the dates of each one. Why this would be interesting to a comtemporary reader is anyone's guess.
But the real reason I am giving this book only 3 stars is the editing job, or is it the lack of it. Countless misspellings and grammatical errors. It took me a few minutes to figure out the meaning of a "yet low bedspread". Then I realized it was supposed to be "yellow bedspread". Throughout there is "woman" for "women" and "become" for "became" among many, many other errors. I know this is not Mr. Manago but the publisher who should be held accountable. But Mr. Manago's writing style is a little bookish and sophomoric, which is surprising given his background. He seems stuck on words such as "thence" and "accordingly". I probably should have bought the other book about Miss Booth published this year, but according to the reviews, that one contains factual errors.

I thought I knew about this talented lady, Shirley Booth, from the awards for theater and movies and the wonderful television show. However, Jim Manago's book gives much more about her life and career. It's a very good read with so many beautiful pictures and I'm delighted I found it, and highly recommend this book. Wanda Clark

I really enjoyed this book. I had never known much about Shirley Booth, other than her playing the role of Hazel. She was really quite an individual and Jim Manago did an excellent job on this biography. He gave the details of her accomplishments (theatrical experiences, awards, etc.), numerous quotes from her, and reviews and comments from others. I especially enjoyed the quotes from Shirley Booth because I was able to get a good feeling about her character through her own words. I applaud Jim for keeping it legit and not throwing in the trash and gossip that most biographies have. I can also appreciate the research and work that went into this endeavor - and he didn't have Shirley to consult with! Good book.

Written By: Tommy Garrett, Editor in Chief For Canyon Newspaper in Beverly Hills California and for San Francisco News in San Francisco.

"Love Is The Reason For It All: The Shirley Booth Story" captured my attention this week while I was spending a few hours catching up on my reading. It was written by biographer and historian Jim Manago, who had previously written the very funny story on Gale Gordon. Manago manages to tell a story in the most honest but engaging manner. He is a fan of the people he writes about, and it shows.



Published by mega publisher Bear Manor, the book is well put together and the cover design is eye catching and showcases some of the scenes and stills from the career of the great star. This book is inspiring but most of all, it is honest. It tells of Shirley's dedication and burning desire to become a star, remain a star and compete in the toughest field second only to politics. Booth may have played an airhead in some roles, but it proves she was far from one in real life.

She's best described as a character actress, equally adept at playing smart-mouthed characters such as the cashier on radio in "Duffy's Tavern" or on TV as maid Hazel, or in films like "Come Back, Little Sheba," which she made in 1952. For those that only know her through her sitcom, it might be hard to believe she was a seasoned theatrical veteran, having appeared on Broadway from 1925-1970. She was highly regarded on stage and ranks as one of the premier talents of the 20th century theatre.

The three-time Tony winner is not demeaned or ridiculed in this very authentic and respectful biography. Recently some biographers seem to show disdain for their subject instead of admiration. But although Manago admires Booth, he's able to separate his affection and go in depth into her life story and does so with ease. The book is chronologically correct and he's an amazing fact checker.

The author describes how Booth was divorced from Ed Gardner in the 1940s; the marriage was a rocky one as Gardner was a drinker and habitual womanizer. She remarried in 1943 to William H. Baker, a kind investment banker. The union was a happy but relatively short one. She was in rehearsals for "A Tree Grows in Brooklyn" when he died suddenly of a heart ailment. She had no children from either marriage.

The actress performed most famously in her debut with a young Humphrey Bogart in 1925. But the story doesn't start or end there. This book really covers the life and career of one of Hollywood's forgotten icons. Julie Harris is best quoted in this tome. "We were neighbors and best friends for a long time. She was funny, bright and a lovely person. I loved her very much." Miss Harris's theme is born out throughout this book. Despite the tough and aggressive nature of her business, you come across wanting to like and feeling like you know Shirley Booth in a way only Jim Manago could deliver.

This is a must read for historians and should be required reading for anyone interested in entering the field of acting via the Broadway stage.

This is a very, very comprehensive accounting of Shirley Booth's work and includes everything you could want about the individual projects -- story line, co-stars, her feelings about it, co-stars' feelings about her, and critics' feelings about everything. Reading it, I learned that "Hazel" was just a small part of her very large career. She acted on radio, she acted on stage (Broadway, as well as stock), she acted in movies, and she acted on television, winning major, major awards along the way. I never knew before what high respect her peers had for her and that they were afraid that appearing as the title character in "Hazel" would cheapen her. Turns out it didn't. What it did was gave her a few million more fans. This book also tells us about her personal life, which didn't seem to be nearly as emotionally satisfying as her career was. Love was, indeed, the reason for it all. She loved her audiences and did her best to deliver a sterling performance every time.

Fred has done an excellent job of cataloging a wide range of shortwave receivers from the early WWII "boat anchors" up through the modern integrated-circuit PLL synthesized high performance radios of the 1990s. He not only covers the usual radios such as Collins, Drake and National but also the more obscure like the beautiful Gelosos from Italy (I DROOLED over those in catalogs in the '50s).

I guarantee you this book will raise your appreciation for the radios created by the gifted engineers (and the "dogs" created by some NOT so gifted ones) - these wonderful devices not only entertain and educate us but help save lives at sea and keep our conuntries safe.

The Shortwave Receivers Past & Present: Communications Receivers 1942-1997 is an excellent resource book for collectors and those interested in used radios. There are pictures specs and evaluations of hundreds for the shortwave radios in this era.If you are in the market for a used receiver or a collector this is an invaluable resource. Also provided is a realistic pricing of the true value of each receiver as well as a 1 to 5 star evaluation based on the author's many years in the hobby.
This is the Bible for radio hobbists on the subject

If you do not already have this book, and have avid interest in communications receivers, shame on you. You have no right to gripe if you are in the dark without the info. Fred needs to come out with a new edition soon. A bargain at the price. A must have, what else is there to say?

Yes, this is a catalog of base receivers, 1945-now. Osterman provides many useful informations, and if it may be true that some informations may not be useful to an european reader (e.g. the 'used' prices), you wil not find elsewhere a so comprehensive guide. Another book will be dedicated to portable sw radios. Osterman is not God, so many data are provided by the readers: it's the way the informations flow in the scientific communities, why not here? If you are an european reader, and you know something Osterman does not, write him. I've done so, and a new chapter in this edition was added with the informations I retrieved.

Nearly 500 pages of pictures & data on most SW receivers built in North America & abroad. Contains basic specs & features, picture, descriptions, and data on when built, physical dimensions, and estimates on values. A must for collectors.

My 10-year-old son requested this as a Christmas gift and he really likes it.

Spend your year with the Simpsons like you should be. The centerfolds in the calendars make nice posters, if you're into that kind of thing. I've been using the Simpsons Fun calendar for about 4 years now, and I'm never disappointed. This year's theme is travel, so the pictures are scenes from episodes, unlike previous calendars which were made up for the most part.

I buy this every year for my teenage son. It's becaome tradition and each year it is hung on the wall and used. He loves it because he loves the Simpsons. There are birthdays listed of celebrities although I'm not sure he cares too much about that. The calendar is usually funny and colorful.

This calendar is just what i expected - fun, colourful and entertaining.

Another year, another great Simpsons calendar. With the impending arrival of 2002, Matt Groening and the creators of the Simpsons treat us to twelve months of memorable Simpsons' moments. Extracting scenes from the show's many seasons, the "2003 Simpsons Fun Calendar" provides the user with colorful, glossy pictures that not only catch one's attention, but also captures the zany, fun spirit of Springfield's many denizens. If you are a Simpsons fan or know of one, this calendar will make a great gift during this upcoming holiday season.

As an American, it hurts to admit that Buffy the Vampire Slayer, the quintessential expression of American cheekiness and derring-do, has been best chronicled by a Britisher. Of course, I'm teasing a bit. But there is no question that Keith Topping seems to have a better grasp of what is important in the Buffyverse than many of his contemporaries on this side of the ocean.

What Topping does not do is write one agonizing reprise after another of all the episodes of Season Six of the show. As viewers will no doubt remember, Season Six was quite agonizing itself without that point being hammered home all over again. Instead, Topping provides very short synopses, followed by myriad details of things that are unique, funny, or perplexing about each episode.

You will be treated to paragraphs on 'A little learning is a dangerous thing' (the power of misinformation), 'Denial they name is...' (Self-delusion in Sunnydale), 'It's a designer label..' (clothes, of course), valley-speak, geek-speak, logic errors, and ever more items that bring to light the aspects of the production which the viewer, caught up in the story, is likely to miss. All of this is done in a style that is an enjoyable mix of tongue-in-cheek and respectfully serious.

Topping is an excellent researcher. His ability to find countless relationships, both intentional and accidental, to other atavars of popular culture is uncanny. Nor does he hesitate to introduce the reader to the more analytic writings on Buffy and the Scooby gang. Despite the spottiness of Season Six, Topping manages to ferret out all the good parts - to the point where I have to admit that the book is better than the season.

If you are a fan then you will want this book. And you will want to track down Topping's other efforts on the show that nearly ate South California.

I have the edition of Slayer for seasons 1 through 5, and it is really a good guide of the series. This book continues with the same fun observations, facts, and quotes. I know some people hate season 6, but for those of us that love it--this book is worth it. If you don't like season 6, maybe this book can help you see the good things about the season.

For those who liked Keith Topping's British perspective in his earlier 'Slayer' volume, here is an update. This book covers only the 6th season - Buffy's resurrection, the Trioka, the musical, Willow-as-evil, etc. Each episode receives 5-to-8 pages of coverage, organized under various thematic headings: Plot summary, music, memorable quotes, comments on the women's clothing, continuity errors, logic flaws, pop culture references, etc. Topping seems to have caught everything, down to the tiniest continuity error.

There are also separate essays on (1) series creator Joss Whedon, (2) the network switch to UPN, (3) an update on BtVS novels (about a paragraph on each), (4) an update on BtVS and the internet, and (5) predictions for the 7th season, which was the last season of this underappreciated series that never gained the viewership it deserved.

Season six is in my opinon the best Buffy season ever.
If you don't like it read this book. It will change your mind.
If it doesn't, then go back to watching Bewitched or Buffy season one. I guess the true spirit of the Slayer is lost on you.

This book covers the sixth season of Buffy and is the next volume in Keith Topping's 'Slayer' episode guides (the previous 5 seasons are covered in a single volume, also available from Amazon). Keith does his usual thorough job covering each episode in detail. Even if you disagree with his views, you can't dispute that he has a deep love for the show and a healthy respect for all those involved in its production.

As I have stated in other reviews, Keith Topping's Buffy and Angel books are the best unauthorised episode guides on the market. If you are a serious fan of Buffy and Angel, you only need the official guides and these books.