Television Books

This book is jam packed with great information! As the parent of child actors, I wanted to get the scoop on what casting directors are thinking. On auditions, parents wait in the reception area while their kids meet with casting directors in a separate area. Most of the time, the parents do not meet the casting director at all. So I never really get to see how the process works.

By reading "Casting Qs", I got all of my questions answered, without having to nag my kids for info! The best part is that even after reading the book from cover to cover, I can go back use the book as a reference if my kids have a meeting with one of the CDs interviewed. I think that this book is a MUST READ for any parent of a child actor, seasoned, or just starting out. I wish that I had read it even sooner!

With all the research that has been done for me in this book I've been saved a lifetime. I've just started utilizing some of the words of wisdom gathered and have a new perspective and energy on the industry because of it.

Bonnie Gillespie's "Casting Qs: A Collection of Casting Director Interviews" is the most important book to have on hand if you are an aspiring actor in the entertainment industry. This book has been referred to numerously by myself and my daughter, a child actor. Bonnie's format is non evasive yet to the point - a perfect blend of insight for a new person to this business or a seasoned professional. This book should be in the hands of everyone with a true passion for "making it". Each Casting Director that is featured offers an enormous amount of hits and misses to their daily grind. Anyone wishing to embark on this business would be a fool to ignore the straightforward words from these top casting directors....I give it two thumbs up...but if you ask our whole family (immediate and who have read it) WE give it 10 thumbs up!!!

Bonnie Gillespie's book "Casting Qs" is a totally invaluable resource if you're an actor in LA. Every actor needs a leg up and every casting director is different - how great to have a resource that allows you to differentiate yourself while appealing to the Casting Director's own sensibilities! I go to this book every time I read for a new casting director, and also for ideas on how to gain access to casting directors I don't know yet. It's not what you know, it's who you know - so why not learn how to know the people you need to know? This book helps you do that. One casting director says flat out to send in your headshot with Casting Qs on the outside of the envelope, he'll know you know a little bit about him and he'll take a look at you. I took him up on the offer, and he's serious! But you'll have to buy the book to find out who.

The most fascinating book on auditioning that I've ever read. Nearly 100 casting directors share their thoughts on what they like, hate, and everything else that falls inbetween. The most incredible aspect of it all is how often the casting directors say the same things.

I learned things in this book I wouldn't (and couldn't) have possibly learned without it.

For all you kids out there who picked up a guitar because you wanted to be a Beatle, this book shows you how to do it.

First, be exceedingly talented and charming, then WORK YOUR TAIL OFF! Within these pages is detailed documentation of exactly what the Beatles did to attain, then retain, their unparalleled success.

No other band, save possibly The Ramones, put in more stage time wherever they could, and we all know the results.

Read this book, young musicians, then go out there and do it, for the sake of us music fans.

Thanks to Mr. Lewisohn for this book. We look forward to his multivolume bio.

The Beatles weren't always big,and their was a time actually before Beatle mania.In these times we also didn't always have Ringo star to play drums.We had Pete Best.

The compiled information is outstanding.For a person to gain so much information and archives and list them all in this well priced book is a genious.Very affordable as amatter of fact i picked this up new for $5.99 just awhile ago.

With a well written list of all of The Beatles shows from Livirpool to the USA you can expect the same amoutn of quality info in each segment.The back of the book features a list/guide to all the Beatles albums and a well summed up list of al their songs.(OR so we believe)All the information found in this book is accurate never having to worry of fasle news paper clippings or romours that spread amongst those days.Cool little tid bits of info float all over the book and some well done photos.

This is truley for the Beatle fan in all of us craving that little bit of nerdiness wondering about everything they ever did.Or to some one who wants a well written chronological ordered book of the Beatles in general.Big fan or newcomer this is just right for you.

This is the best book to twin the Anthology Book.
You can get your PhD in Beatle Arts, studying this bible.
However, I rated it just 4 stars because the cover portrait says "The Complete Beatles Chronicle" and the picture below makes you think they were a duet (John & Paul). This is a huge and annoying mistake.

Mark Lewisohn has collected some great Beatles info that every fan should know. Every live performance, recording session, and even mixing dates are included here, in this fine publication. Belongs on everyone's Beatles bookshelf.

I borrowed The Complete Beatles Chronicle from the library hoping to get more info on the making of the White Album (my favorite). But, because of how well the book is written, I wound up starting from the beginning.

This book is interesting because it doesn't miss the big picture. At the beginning of each year is a concise chronicle of what happen that year and its significance. One needn't get bogged down in the details. Just read the first few pages of each chapter for a good overview.

But, if you read the whole account, you'll discover the true genius of the four lads from Liverpool and how they somehow managed to create high-quality songs in between appearances on TV shows, sitting in on radio broadcasts, making movies, going on far-flung concert tours and dealing with mobs of desperate Beatlemaniacs.

Some of this data must be conjecture (even though it's not presented as such). For example, unless it was revealed in an interview, how would the author know that Billy Preston was brought into the Get Back sessions in order to break the tension within the group.

Still, it's an easy read filled with facts. I must now buy this book. So should you.

[DW]

Being big disney fans, my son really enjoyed receiving this as a Christmas gift. It comes beautifully packaged and is a great addition to his collection. Playing the cd's brings fond memories of the rides and attractions at Disneyland Park and makes you wish you were there.

You must be a Disney fan for truly appreciate this book. If that is your case, you'll love it!!. The "pockets" where some of the "souvenirs" are located are a little tight, and can tear with ease. Other than that, it is a nice idea.

I absolutely love this book! I love seeing replicas of letters, stories, pamphlets, early drawings, etc. When people come to visit they pick it up and are as fascinated as we are. It's one of the coolest books we own.

These books are like a pop up book on steroids...They are FULL of interesting little pieces that you can take out and look at, like letters from Walt to Lillian, ride tickets from the early days and all sorts of other things...These 2 books are worth every penny!!!

This book is a timeless classic, an absolute gem. For anyone wishing to get a real glimpse into the magic that is Disney this is the book.It offers historical insight and hands on replica memorabilia. I found this book full of information and fun.Beautifully presented.

I love these Official Guides for the X-Files. They tell the entire episode in just enough detail if you may have missed something or have not paid enough attention. They also have the "Backstory" so you could find out information you ay never have even heard of. They have quotes from the fabulous stars. I just wish they would have had more from and about the stars. Bt other than that they are fabulous. I have my rating as 5 stars but because of this I would pick four and a half if I could. They tell everything you need to know and more about the greatest show to ever air!

I love this book,I especially like the behind the scenes stuff, it's great.I recommend this book to anyone who is the biggest fan in the world to the show like me.It has a great picture of David Duchovny in front of the mirror (very cute). I have almost all of season 6 on tape so it was very interesting to read the behind the scenes stuff and see how they made the episode.I have all of season 7 on tape so I can't wait for the next book to come out.I am running out of blank tapes!

I admit to being a X-Files addict, and so this was necessary to try to understand the show. It, and its previous 1 through 4, have made my interest in the X-files grow as I finally got clues and tremendous answers in reviews and stories from many missed episodes. A lot of work obviously went into these books, and I wait eagerly for volume 6.

The End and The Beginning is just another great book in a great collection. It is one of the most descriptive guides yet, with great color photos and a play by play look at each episode from season 6. If you are a true X-phile, this book is a necessity. This is a great look at the series while Scully and Mulder were still on the same planet, so to speak.

This is definitely a must-have for any X-Phile, especially if you missed an important episode of Season 6. It contains a detailed summary of every episode in a mini novel-like form, with commentary about that episode. It's also great to have if you desperately want to view a Season 6 episode, but you didn't tape it. In this book, you can READ the episode. I know it's not the same as watching it, but it's something. And for all you 'Shippers like me out there, you can re-live all the greatest 'Shipper moments, like in the episode "Triangle."--the famous kiss, and Mulder's famous "I love you" line to Scully. And let's not forget the part in "The Unnatural" where Mulder teaches her how to play baseball, or in "Dreamland" where Mulder dances in front of the mirror while in the body of Morris Fletcher.

The book also contains colorful photos commemorating every unforgetful moment of the season. Now I can't wait for the next volume. I'm one of the unfortunate people who missed the Season 7 finale, where Mulder gets abducted and Scully announces to Skinner that she's pregnant . . .

I've known the author almost my entire life, and have never met a man with a bigger heart or a bigger set of "ba..lls".. He writes the things that we all think about but never say.. Ed touches on the subjects that rub us the all the wrong way and has the guts to ask why...Reading this hysterical book is like talking to the author in person, no false pretenses here, a real book written for the people by a author who pulls no punches and takes no prisoners...

This books is a great book written by someone that is not afraid to tell it like it is, or give you his opinion on something. Too many people in todays world try to be politically correct, or tell you want you want/need to hear. Ed will tell you the way that it is, without "sugarcoating" it.

Ed takes on many of todays problems of the world, saying how it is. If more people would take the initiative that Ed has, maybe we could change some of the "problems" with America.

Met Ed via my brother and that's how I heard about his book. Because I'm a Social Studies teacher, I figured this would be a "must have" for personal reference. I would categorize this book as a "water cooler ranting" because the questions, concerns, and social mores Ed mentions are exactly what all of us regular folk say at work, home, or in our heads. He's put out a work we can relate to - poor grammar, spelling, and lack of political correctness. Very good that someone is voicing what we're thinking (but too fearful to say).

Kudos, Ed. I want my copy signed! Ha!

This is a great book..I would suggest that you read this book it will really make you think..An Edward is a GREAT author.He says what were all thinking.I bought 2 copies one for myself and for my girlfreind. And she can't say enough about it We'll be sure to tell everyone we know.....CAN'T WAIT FOR YOUR NEXT BOOK....Will absolutly buy it

This is a really great book. I never read a book like it. I think a lot of people think like Ed but would never have enough nerve to put it down on paper. He has no trouble telling it like it is and at the same time it's funny. Can't wait for the next one. Good job Ed.

This is a very well written and engaging biography of one of the most incredible musicians of all time. Totally worth it!

This will probably be one of my shorter reviews [A sudden shout: "Yeah, right Doc!"] because I can quickly cut to the chase, to wit, Dr. Alan Walker has produced in this painstakingly researched 3 volume biography [spread out over 25 years during the research] with this 1811-1847 book being the first in that series, the 'definitive' Franz Liszt! This trilogy is a must read for those interested in Liszt and, IMO, is not only the definitive Liszt from "the" acknowledged authority and foremost Franz Liszt scholar but a decided asset to the Liszt biographical literature per se.

Two more comments: Watch the Amazon vendor prices for the 'hardcover' editions! Originally, these were rather pricey books in hardcover [although well worth it! Knopf quality!] but I was able to get 'used' albeit literally mint hardcover editions of the 3 volumes from 3 separate Amazon vendors. What's that? Sure! The original harcover editions were, in order of publication, $25.00, $39.95 and $45.00. I'll generally check out the hardcover offerings over the paperback editions in most of my books and sometimes there are some really exceptional buys out there although if it's a choice between 'good' and 'very good' pay the few dollars extra for the 'very good' or 'like new' grade notations.

Finally, check out among other of Dr. Walker's tomes on Franz Liszt, "The Death of Franz Liszt: Based on the Unpublished Diary of his Pupil Lina Schmalhausen" which is quite an eye-opener with regard to the "treatment" [or lack of same therein] of Liszt prior to his demise. As I said when I reveiewed that book, I trust the source of the diary find as well as the findings and its editing, annotations and examination via Dr. Walker as to the veracity of the Schmalhausen remarks. I quoted the remarks of the conductor, Felix Weingartner, who was 'there' at the time and his own observations [et al] lend credence to the Schmalhausen diary.

So too, and if finances permit and you want Franz Liszt a la mode, get the 3 volumes in one swoop plus the Lina Schmalhausen diary book which was edited and annotated by Dr. Walker in re the death of Liszt and finally, putting it all together, the 2005 published Dr. Alan Walker 'capstone', if you will, "Reflections on Liszt." See my reviews on those two tomes as well.

Doc Tony


What's that? Why not! Doc Walker with a straight white haired wig resurrecting Steve Allen's "Meeting of Minds" and doing the one and only "F. Liszt" as a sort of latter day counter-balance to Victor Borge's 'interpretation' so to speak in that classic Mike Wallace skit! Who better than Doc Walker to play Liszt and concurrently know what he's talking about! Ahhhh! That's the rather cogent difference!

A sudden voice: "What about Doc Walker's Chopin and Schumann tomes?" Fine! They could be played next! ;-) [as I place much trust in Dr. Walker's sense of humor! But the obvious compliment of his research is clearly evident!]

As a music student in the 70's the subtext when discussing Franz Liszt was that he was a showman who leaned on his empty virtuosity. Chopin, Mendelssohn, and Schumann on the other hand, were the true romantic artists.

It's taken me over 35 years of studying piano and music to get to the point where I would read this wonderful biography of Liszt, and my eyes have been opened even wider about the wonderful artistic character of Liszt and his completely indespensible role in 19th century music.

This book (I have all three) is a wonderful read, at some times it is "laugh out loud" funny, and is filled with musical examples that perfectly illustrate the points that Mr. Walker makes.

If you are a musician interested in the piano, or the Romantic period, you owe it to yourself to let the scales fall from your eyes, and read this enlightening exposition.

Alan Walker deserves 5 enthusiastic stars for making his life's purpose the writing of Franz Liszt's definitive biography, and succeeding nearly as well as humanly possible considering the availability of the always-emerging Liszt materials throughout the years. For me, I would have liked to have seen an even more musically-oriented life of Liszt. More than a few times, Walker mentions that eyewitness accounts exist of important concerts, only to refer us in a footnote to some person's diary (probably only available in some Transylvanian dialect if you could ever find it) rather than telling us about it himself. Meanwhile we're treated to almost painfully detailed renderings of Franz's love life with Marie D'Agoult and the many domestic dramas which haunted him as his pursued his life on the concert trail... but these are minor quibbles. The book is great, no doubt about it. Poor Liszt, he was the busiest piano virtuoso in history at that time, traveling in various carriages and carts across thousands of miles of potholed roads where he was jolted mercilessly and endured illness, exhaustion, rain, mud, snow and ice while he raced to his next gig. He was literally thrown to the ground violently at least twice, when wheels dipped into ditches or the drivers fell asleep and the whole carriage overturned. (It's sad and sobering to realize that this is exactly how the original bassist for the rock group Metallica, Cliff Burton, was killed more than 150 years later on a lonely road in Sweden. He was sleeping on the band's tour bus when it overturned. In a similar accident, singer Gloria Estefan was lucky to escape with her life.) Somehow, despite these gritty and dangerous travel conditions, Liszt performed a grueling succession of mostly triumphant concerts everywhere from Italy to Scotland to Russia before he decided he had been bounced around quite enough thank you, and settled down to compose and teach in Weimar, where Volume two of this epic biography begins. Towards the end of Volume 1, I began to feel as if author Walker's spark was fading slightly. And lo and behold, as I began reading Volume 2, I was very pleasantly surprised to see that the intervening years in which the author was researching the next installment had allowed him to completely recharge his batteries, and present part 2 to the public with a fully-renewed sense of brilliance, wit, and passion for his subject matter. Highly recommended reading for biography buffs interested in great musicians and composers!

This is simply the standard of Liszt biography. The fact that Alan Walker researched enough to fill three volumes is an achievement enough, but you know what else makes this biography so good? It's fun to read. Without a doubt, anyone interested in Liszt will find anecdotes, insights, illuminated facts, and even musical analysis of the most colorful and exciting character in classical music: Franz Liszt.

I've read this book twice, actually, and the second time was even more enjoyable. This owes to many things: Alan Walker's superb writing style, eloquent organization (gives the pedantics many footnotes to absorb at the bottom of the page) and a fine cohesion of thoughts and ideas put into each chapter. Sometimes I can't help but enjoy the biography as I would a novel. Yet Walker does not write it like a novel and clearly sets out to chronicle Liszt's life from his youth all the way to his retiring from the concert stage. In between these pivotal times, Walker manages to debunk myths, explore Liszt's underrated music from his virtuoso days, and examine other characters who interacted with the Hungarian composer. Walker is always focused on Liszt but never detracts by discussing Clara and Robert Schumann's reactions, or Sigismond Thalberg, Chopin and even Alkan. Walker depicts their perspective of Liszt and goes on to explain why there were so many misunderstandings.

Stories of Liszt's true meeting with Beethoven, his exciting romance with Marie D'Agoult, the duel with Thalberg, his generous nature to play for charity, and so many enticing stories of his concert days all help to shed light on what a remarkable man Liszt was, and at such a young age, too. The whole book is an exquisite panorama of Liszt's character, detailed through his letters, his travels, his music, and his legacy as researched by the author. What Walker has done is set the standard for the way Liszt should be viewed in the history books. For so long, musicologists were almost feeding us false information. From the really low ones we were even getting propaganda that he was a womanizer, a cheat, some kind of vulgar pianist, and even a fraud. Walker candidly mauls those old and incorrect views into the dust; he explores and accurately dispels the myths and ignorance that so many people harbored and still harbor for him, and for that I feel thankful.

Never have I read a biography twice like this and found the second reading even more engrossing. There is never a dull moment, never a chapter that slows down. To be fair, the only chapter that was uninteresting was the prologue and biographical information of Liszt's family. Despite that, once you're absorbed into Liszt's young world with Czerny, his move to Paris, and his tours all over Europe, it's like being on a rollercoaster ride during the whole book.

Bottom line: Liszt lovers must read this book; it's the best wealth of knowledge to get on the young Franz Liszt and it is written in a way that doesn't just educate, but also entertains. Highly recommended.

On a warm summer evening in either 1954 or 1955, I was lying down listening to the radio when a strange new composition began, something I had never heard before. By the time it got through "The Pink Houseboat," I was definitely hooked. A local radio station was playing the entire SEVEN DREAMS. I told my wife about it, and she ordered it for me for Christmas that year. I still think that it is one of the best things ever recorded. It was after this that I became an avid Gordon Jenkins fan.

This biography by his son is worthy of its subject, very effectively written to celebrate the life of one of the best all-around musicians ever. It gives a brilliant insight into the music business, with striking vignettes of some of the legends of a few years back, like Sinatra and Garland and Armstrong and Nat Cole. I read it with great pleasure and have just ordered a copy to be sent to my son, who is also a pretty good musician, and who I am sure will love this book.

I also discovered that SEVEN DREAMS is also now available on CD and have already obtained a copy to go along with my old LP, which in turn was a replacement for the original one, which was worn out by frequent playings years ago. If Jenkins had never written another thing, his life would have been worthwhile just for this, I think, but I am so glad that he turned out such a great many excellent compositions and arrangements. He was simply the best--period.

What a great job Bruce Jenkins has done in revealing the "behind the scenes" goings on of his Dad's life, and the stories that lead us to
understand the man (Gordon Jenkins) and his genius! I have an inkling of that era...being born in 1937, but; this book opens the door to new appreciation of Jenkins' magic, and sentiment in his work. I indeed have met (musically); and have a new hero in Gordon Jenkins! Way to go, Bruce; you've made your Dad proud!

I enjoyed this bio from cover to cover. As a musician,i always wanted to know more about Gordon Jenkins life as a person and a musician. His son, Bruce did a wonderful job of enlightening me.

I first became aware of Gordon Jenkin's music as a boy through his marvellously exciting arrangement for Peggy Lee's "Lover". Later his style changed totally through superb albums for Sinatra, Nat "King" Cole and even "Nillson". Some thought that style old-fashioned even then but those artists thought differently.
Now thanks to this superb book by his son and professional writer Bruce, we learn that away from the podium and arranging desk Gordon Jenkins had a wonderful mordant wit and great courage in the way he coped with life's cruelties and particularly his last illness. I lent my copy to a friend who immediately had me get him his own copy. No higher recommendation than that!

I have been an admirer of the musical talent of Gordon Jenkins for decades, and I enjoyed his son's biography of the life of
a most talented arranger, composer and performer, along with
insights about Jenkins' relationships with the many artists who
benefited from their associations with him.

If you like the Harry Potter movies, you will love this calendar! It has most of the famous movie posters and is just plain excellent for any HP fan. I cannot wait for the 2008 one!

This is a wonderful calendar with great pictures from all of the films. I keep this one at work and I get compliments on it all of the time!

This calendar is nice because it features all of the Harry Potter characters, not just Harry. I preferred the 2006 calendar, but this one is still cool.

It captures the characters and events of the movies. As a rule, the Potter merchandise is a great buy and a fun gift for any Harry Potter fan.

It has a lot of other country's holidays marked. That's a plus or minus depending on where you are from!

I bought this calendar for a Harry Potter fan. It is on her wall and well loved.

If you know Suzanne Farrell you will love and respect the lady even more after reading this book. Many artists can relate with her experiences and feelings. I'm sure anyone who was in the arts in college knew of someone who had this type of relationship with their teacher.
Honesty and truth abounds in this volume. Ms. Farrell has an accurate memory of the past. We have proof of that in her restoration project of Balanchine "lost" ballets. She is putting together choreography that she danced in her early twenties.
A remarkable lady!

Farrell had a rather dramatic climb into the spotlight so this is not the book to learn how a young dancer makes her way up through the ranks. It's also a little I-danced-this-then-I-danced-that, which makes it hard to remember important roles early in her career. That being said, she is a brilliant dancer, with an unusual career and the truest sense of Balanchine's choreography. If you're interested in Balanchine, American Ballet or the New York City Ballet, this is a must.

Suzanne Farrell was often regarded as Balanchine's ultimate "muse", although she was neither the first nor really the last. Balanchine in the 1960s became obsessed with this willowy, mysterious dancer, and choreographed many ballets for her. Their personal relationship was much gossiped about. But Balanchine was married (to another "muse", Tanaquiel le Clerg), and Farrell was a staunch Catholic. Eventually, she married another dancer, and left the New York City Ballet. When she returned 5 years later, Balanchine's personal obsession was over. They worked professionally till his death but it seems as if Balanchine never became emotionally invested in her again. Farrell for her part loftily insists that the relationship was consummated through "dance" and not the traditional way. One wonders if it was this remoteness and unattainability that made Balanchine so hurt when Farrell married and left the company.
Farrell's book is a moving personal story, and I'm too young to have seen her dance but surviving videoclips make it easy to understand Balanchine's obsession. She was indeed a beautiful, electrifying dancer. However, like a lot of singer autobiographies, Farrell can't help but sound a bit self-centered. She was isolated at the NYCB due to resentment from the other dancers, but it seems impossible that she'd remain so completely oblivious to the company's other members. Thus, 1960s mainstays of the NYCB like Edward Villela, Patricia McBride, Karin von Arnoldigen, that all figure so prominently in any chronology of the NYCB, are completely absent in Farrells story. From someone reading her book you'd think Balanchine choreographed solely for her, that she was the only important ballerina in his life, and that the company essentially revolved around her. This is not a criticism, but it's something to keep in mind when reading the book. I'd suggest also getting a biography of Balanchine, to keep this in perspective.
To Farrell's credit, she never self-aggrandizes or vilifies anyone. She admits Balanchine could be selfish and smothering, but overall she treats him very sensitively. She is also fair about her mother, a typical stage-mom. Overall, this is one of the best autobiographies of a dacner that I've read. Its candid and personal. However, like most autobiographies I wouldnt read it as an entirely accurate history of ballet either.
As an interesting footnote, Farrell's frequent stage partner and new NYCB dancermaster Peter Martins fired Farrell from teaching at the NYCB after a blowup in the late 1990s. In a preview of the book Farrell mentions the firing.
Farrell's co-writer was Toni Bentley, who's also written a fascinating personal account of being a NYCB dancer.

I stumbled across this book by accident almost a year ago and have been touched by it ever since. I'm not sure that I can explain the specialness of this of this story but it feels like a real life fairy tale. You can feel Ms. Farrell's emotions and passion of what it must have been like for her to work with her teacher, George Balanchine. What a dynamic duo they must have been together. I would recommend this book to everyone, whether you have been exposed to ballet or not, as a special glimpse into a very public but very private life. Truly a lovely story.

i read this book as a young adult, when i was entrenched in the rigours of technique and training and it inspired me in many ways. from farrel's honesty and dedication to her art to the descriptions of balanchine as both a person and an artist. i love this book and i highly recomend it.

Just thought I would redo my previous review. The main reason I got this book was because I got interested in Tom Green after watching Freddy got fingered. I think that film is possibly one of the funniest movies ever made, although I know quite a lot of people disagree with me on that one.

In my previous review I kind of referenced Howard Stern's private parts. In a sense they are somewhat similar. Both books deal with the theme of a somewhat ordinary guy rising to fame in a funny and lighthearted style. Green's book is a bit more personal though, dealing with both his illness, marriage and fall from grace.

There are some insider tidbits about other celebrities, although it is mostly nice stuff. The celebrities being painted the worst are probably Martin Short and Courtney Love. There is a segment about Courtney heckling Green's father during his speech at the Barrymore-Green wedding. I guess no-one would really contest the validity of that happening.

I don't think the parts pertaining Drew Barrymore are at all negative nor ill intended. Green's namedropping seem to not really be trying to capitalize off certain people's fame.

I think even people, even the ones that detested Green's other works, will find the book interesting. Especially if they would like to get an inside look at the Hollywood-elite's society. And the fans get an inside look at how some of the classic moments like i.e the moose humping and the bum bum song got created.

I couldn't be more pleased with the book, there's so much more depth to this man then most people realize. If you're even a casual fan of Tom Green's, this book is well worth picking up.

If you like Tom Green, read this book. If you hate Tom Green, read this book. Tom is a genuine talent. Amazing. I was riveted by Tom's story. I read this in one day.

Wow, this is now my favorite book, (Although that isn't saying much, I rarely read) It is a funny, but also serious book about Tom Green's life. I read this book in 1 day (I got home from a friend's house a 12 AM and read until 5 AM, went to sleep, then woke up and finished it) I just couldn't stop reading it. This is a great book whether you are a fan of Tom Green or not.

I was never a huge Tom Green fan, as I was a few years too old to appreciate his MTV show. I was intrigued by his story, which as I'd heard was that he was a small town Canadian boy who struck it big with gross-out humor and MTV.
After reading his biography, I have definitely changed any and all assumptions about him and his work. The insane rollercoaster of the best and worst luck in the world he experienced within a few years would be unbelievable were it not true. The decade of persistence that preceeded those huge years is in itself impressive. The anecdotes about giving a speech, a night with a rather wild woman, having and making use of a cell phone before cell phones were everywhere, plus so much more all adds up to one of the most interesting and captivating books I've ever read. Another point to mention is that in a world of gossip and salacious tales, Green gives more information and personal feelings than I expected, but never, not even once, uses the book to criticize anyone else or to try to make himself look like a hero. He shows a lot of appreciation and humility, and reveals an immense depth of character. I had intended to read this book over a period of time and started reading it on a four hour flight. As the plane landed I was only 30 pages away from the end. I exited the plane only to sit in the boarding gate and reopen it because I couldn't wait to finish the final little bit. It was that good. I highly recommend this book to fans, non-fans, and everyone else.