Television Books

If you're a Trans-Oceanic aficionado like myself, you need this book! These sets command a mystique like no other and this book is an excellent tribute to these outstanding receivers.

This is easily the best written book for collectors that I've read. Not only are its 160 magazine-sized pages thorough and exhaustive in their presentation of history, key personalities, and technical data, but the book is thoughtfully structured to be as useful as a reference as it is an entertaining read. A wealth of pictures, many in color, come from ads, from Zenith archives, and from individual collections.

The book places the genesis and subsequent evolution of the TO clearly in historical context and explains the impact of the TO on the commercial development and acceptance of the portable radio. The authors provide practical advice for collectors, even citing restoration techniques and specific restoration products used by museums.

Especially gratifying is the use of endnotes that provide sources of historical information. More than just references, the endnotes contain enough interesting anecdotal data that you'll find yourself reading them in their entirety when you finish the main text.

If you are interested in the history of radio for any reason, you won't go wrong with this fascinating, authoritative work. I expect that it has already significantly increased interest in the collecting of Trans-Oceanics.

As a collector of Trans-Oceanics, I found this to be the best book I have read in awhile. Couldn't put it down.

The book covers several areas: the history of the Trans-Oceanics, details of the various models, restoration and repair information, and accessories.

The history information is well worth reading, and told me a lot I didn't know about the radios.

The repair/restoration sections are excellent, whether you are experienced with electronics or not.

I would say this book is a must-have for anyone with an interest in Trans-Oceanics

I recently acquired a 1956-57 model Y600 at a flea market. The Zenith Trans-Oceanic is clearly in a class by itself and I wanted to learn as much about the history of this model as possible. What a pleasant surprise when I received "The Zenith Trans-Oceanic, The Royalty of Radios" and found it to be extremely well documented, highly entertaining and it even includes a restoration guideline section. The print quality is first class with all the historical photographs of related personages and reproduction of Trans-Oceanic advertisements that a reader could want. The writing style is both scholarly and entertaining. In short this book has provided significant additional pleasure in owning, restoring and listening to a radio worthly of being known as a historical benchmark in radio history. Thanks to Amazon Books the finding and acquiring this book was made easy!

Whenever radio-guys assemble to swap tales of great radios one name stands above the rest - the Zenith Trans-Oceanic. Considered the radio for listening to the world, Trans-Oceanic portables were one of the finest engineered and designed products made in America. I learned of the magic of the Trans-Oceanic from my foster Dad, who carried one (the R520\URR military version) in Korea. He told me it was the most reliable radio he had ever seen. A few years later I bought a 600 series and discovered for myself the joys of short-wave listening. I carried that Zenith from the States to Europe where, two years later, I bought a Royal 3000-1 which went back to the States and then on to Southeast Asia. The Zenith Trans-Oceanic - The Royalty of Radios, is one of the finest collector books I have ever seen. The author's spent more than two years researching the Zenith archives to bring this book to life. Page after page of beautifully produced color, combined with black and white photographs show each model inside and out, along with original magazine ads presented in their original format. Information covering the origin of the Trans-Oceanic and model changes through the years make for interesting reading. Also included are repair hints, as well as collecting information. The section on original cost compared to 1996 dollars demonstrates how expensive these sets were when new. The original Trans-Oceanic sold for $75 in 1942, which translates to $695 today. The most astounding price was on the first transistorized model, the 1000-D, introduced in 1958 at a 1996 price of over $1400! This is a book for anyone interested in the history of one of the finest products ever produced in the United States - the Zenith Trans-Oceanic radio. The authors, publisher and printer deserve a thank you for producing this fine volume. by Bob Moore The Roving Editor

This book gives a very good sample of the clowns' wide appearance in America and art in general. The author writes one or two pages (in English, German, and French) about each of the topics of the book, including: Photography, Film & Television, Paintings, Graphics, America's Clowns, Clowns in Movies, and Clown Code of Ethics. The author's view is very interesting and unique, and the pieces chosen to appear in the book are wonderful. An excellent book on the subject. See below a quote from the introduction.

"Those with curious minds seek to decipher the soul that inhabits the body of the clown behind the facade of grotesque face makeup and colorfully outlandish costume. In equal parts comedy and tragedy, joy and pathos, practical joker and devilish prankster, the clown has long been a fixture, both embraced and feared, in American entertainment."

Brilliant. Easy and fast transaction. hope we can do business again.

Jim Heimann and H. Thomas Steele's definitive 1000 Clowns: More or Less: A Visual History of the American Clown (2004) offers abundant evidence that professional clowning may represent the ultimate in alternative lifestyles.

Though playful behavior is, of course, found in some higher animals, the human activity of professional clowning is always a highly artificial process enacted within a specifically structured framework, thus making the clown a legitimate, knowing, and complexly-organized insider who nonetheless often essays the role of eternal outsider.

Clowns are 'betwixt and between' liminal creations whose behavior simultaneously reflects experience and innocence, callousness and sensitivity, seductiveness and repulsion, sincerity and deception. Whether performing in the center spotlight or merely acting as a diversion for another act, the clown is always on stage and constantly negotiating the space between the objective world of his audience and his own very private channels of perception, spontaneity, insight, and response. The truly successful clown becomes an autonomous personage, a "demigod of the sawdust" who subtly persuades his audience to forget the unknown human factor beneath the facade.

The gorgeous visuals in 1000 Clowns--which are categorized under "Photography," "Film & Television," "Paintings," "Graphics," "America's Clowns," and "Clowns In Movies"--underscore the fact that those clowns that appear bizarre, repulsive, and grotesque, such as those that appear on pages 114-116, are typically those with badly designed or haphazardly applied makeup. The stronger the design, artifice, and illusion, the more attractive and desirable the clown; some historical examples presented here include Lou Jacobs, Harry Dann, Felix Adler, Emmett Kelley, "Chucko the Birthday Clown," and baby boomer favorite Bozo.

1000 Clowns wisely focuses on the classic high period of the American circus, which, uncoincidentally, also coincided with the high point of Twentieth Century American culture.

This book came out of left field for me, usually I keep abreast with current clown and/or circus offerings. But the pictures, photo's and images relating to clowns in America is well worth the price.

The author has done a wonderful job gathering a vast number of clown images from circus, film,TV and advertising to create a collection ranging from well-know circus legends like lou Jacobs and Emmett Kelly to TV clowns like Milton Berle and Red Skelton to obscure and unknown clown performers. The sections on clowns in media contain great retro grafics and a diverse number of related clown imagery.

The only downside would be the lack of ID on some of the circus clowns, and the inclusion of the clown creed, which seems unrelated to the images or the art form.

I'm looking foward to a second volume.

This is a really neat book. I like the way it has been set up and the information included as well as the order in which it was laid out. Very nice. My only complaint is the darknest of some of the photos. I do believe the publisher surely could have done better than that.

"Twelve O'Clock High" is that rara avis -a bestselling novel turned into a hit movie turned into a successful TV series. This exhaustively researched, comprehensive and well-written book is what every fan of the book/movie/series was waiting for!

Written by two 8th Air Force veterans, "Twelve O'Clock High" the novel followed the trials and tribulations of General Frank Savage, a tough-as-nails commander, as he labored to salvage a demoralized Bomb Group that has suffered heavy losses to the Luftwaffe. Savage is successful in his efforts but at a great personal cost. In 1949 the novel became an Academy Award winning box office hit starring Gregory Peck. Frankly I have always enjoyed the movie more than the novel because it sliced away anything not related to Savage's struggle, turning it into a lean, mean chronicle of men at war. Then, in 1964, ABC and Quinn Martin Productions created a one-hour series starring Robert Lansing as General Savage. I rate Lansing's portrayal of Savage as THE BEST on film. Make no mistake about it; Lansing was MAGNIFICENT! A gifted actor, he turned Savage into a multi-dimensional, living, breathing, fascinating human being. Like many others I was appalled when ABC/Quinn Martin replaced Lansing with Paul Burke in season two. Burke simply wasn't the actor Lansing was and the series went down in flames after season three.

Duffin and Matheis' book chronicles the whole history of the "Twelve O'Clock High" saga, from the real-life World War II events and personalities that Beirne Lay and Sy Bartlett used to create the novel to the final episode of the TV show and what happened to the principals afterwards.

The depth of research is truly impressive; the book's bibliography alone runs to 23 pages. It's just a shame that Peck, Dean Jagger, Lansing, Frank Overton and others weren't alive when Duffin began his research. The book is illustrated with dozens of rare photos and, again, it's a shame the publisher, BearManor Media, didn't use the better quality paper such a quality manuscript deserved.

Whether you enjoyed the novel, movie or TV series - or all three - if you are a "Twelve O'Clock High" fan, you will want to buy this book! It is the definitive work on the subject and a good read as well. Highly recommended!

You cannot classify this book as a real history book or even a work of non-fiction or a novel but it is about a novel and a little about the actual war and also about a movie and a TV series. I can say this much, it is a hoot to read. It was fun and entertaining. "12 O'clock High Logbook" has lots of insider information and background on the whole "history" of that beloved TV series and so much more.

This well researched book has many great posters, photos and tons of trivia about the whole 12 O'clock phenomenon. A true fan of the old TV show could not ask for anything better. I remember watching episodes of the old TV series while in Vietnam on the old Armed Forces TV station along with old reruns of "Combat." It was strange how enjoyable seeing these old shows where to those of us those were flying daily into our own combat missions.

If you are looking for something fun to read about WWII aviation exploits then this is your book! The author takes us through the whole history of 12 O'clock High from the original novel to the 1949 movie with Gregory Peck and eventually to the three year long TV series. This is good entertainment by any measurement--well worth buying and reading!

An amazingly detailed analysis of EVERY version of 12 O'CLOCK HIGH. Whether or not you are a fan of the book, the movie or the TV series, this is a fascinating and informative look at how a single "property" was exploited across three different mediums. Just the section on the TV series is worth the purchase price for the inside glimpse at how the show was developed and produced, from pilot to cancellation. A must-read for students of television and the entertainment industry.

This lush book should do more than grace your coffee table. It is a magnificent companion to the PBS "reality" tv show. In a departure from the self-consciousness of the genre, this project was undertaken very seriously and turned out to be dynamic and enriching to all involved. The book supplements the program with a detailed history of the house and of turn-of-the-century society. More detail is given about the Bowler family's experiment in "time-travel", including "behind-the-scenes" tales and commentary that is by turns hilarious, moving, and sometimes, downright horrifying. (If you haven't seen the series, by all means buy the tapes)

The Bowler family is charming and intelligent -- a real family with flaws, but a lovable group of six who gamely and thoroughly threw themselves in this experiment. The book delves much more deeply into the gritty conditions lived, and the joyous lessons learned. (we also find how the "the shampoo dilemma" was resolved!). More is told of Joyce Bowler's ambivalence in being a "lady of the house" and how the emotional experience enlightened and edified her -- and affected her for life.

She wants to go back, and so will you -- and you can, through this hefty, glossy, handsome book.

I revisted this book very recently, it chronicles the tale of a 20th century British Family trying to live live life as it was lived a the end of 19th century. A good proportion of Britains housing stock hails from the Victorian to pre WW2 periods, so it was not difficult to find a house suitable to be transported back in time. The family had a real struggle with all aspects of daily life, cooking, cleaning, entertainment, peronal hygiene and worst of all for the females, the clothes (moreover the loathed and dreaded corset!). A marvellous historical resource for children, particularly if you can get hold of the TV documentry as well. It was originaly shown on Channel 4 in Britian to mark the the millenium. I am pretty sure Amazon uk has it on DVD, for the intersted.

It's been months since I've seen the program on PBS but I found this book to be very interesting and filled with detail. My complaint, minor, is that with the inevitable editing of material required by compressing three months of material into a small book or a few hours of video something is often lost. Some details in the program aren't even mentioned in the book and vice versa. I'm still waiting on my copy of the video, apparently it's on a long backorder, but I'd say get both because they make a fascinating combination.

Do you remember seeing this series on PBS earlier this year? This book is a conjuction to this series, but this series was orginally from England and the book too. The book embody a 1999 family, time traveling to the spring of 1900 to live three months as victorians. It's takes place in the south-east part of London, near the millenium dome. The book starts out with the history of late victorian britain and a timeline of 1900 in England. Then, you will read about how they started this project and etc. This book was a great read for me because I learned more than I learned watching this series or in history. This is a great read for anyone, I mean anyone.

I've been playing the piano for most of my life, though only in the past 3 or 4 years have I really started listening to jazz. This book is a revelation for anybody wanting to get an overview of the great players in jazz history, beyond a just a few paragraphs about when and where they were born, a discography etc.
The author is a jazz pianist himself and understands the genre well. He is insightful, and refreshingly candid about the performances turned in by the artists, and points out their flaws along with their strengths and unique contributions.
For the most part, it made made me appreciate even more all these giant talents that I already held in high regard.

A bonus 11-track cd comes with this portrait of eighty-eight pioneers and players of jazz piano, from Jelly Roll Morton to Benny Green. Here are insights on lives, techniques, and changing perspectives on jazz piano styles and artistry, enhanced by the author's personal experience as a jazz pianist and his original interviews with many of the players. Avid fans of the genre will find The Giants Of Jazz Piano positively absorbing.

With a chapter each and running to 324 pages, this is one of the best books you can buy on Jazz Piano. The author Robert L Doerschuk is a Jazz pianist himself and writes with authority on his subjects.

Starting with Jelly Roll Morton, though stride (James P Johnson, Fats Waller), Mainstream (Errol Garner Oscar Peterson) and finishing with contemporary artists such as Brad Mehldau and Geoff Keezer all the artists are given a fair analysis. All the main players are covered: Tatum, Powell, Monk, Evans, Brubeck, Tristano, Hancock, Tyner, Jarrett etc.

What I like about this book is that its not all praise. Yes he likes these guys as musicians, but its an honest appraisal, so when he listens to a recording and hears flaws we're told.

For example when writing about Monty Alexander:
"then stumbles moments later with an awkard figuration that disrupts the momentum". Now in fairness to Monty Alexander most of this appraisal was as compared to Oscar Peterson at the height of his powers. But at least its honest and not just blind hero worshipping.

If you're buying this book it'll certainly help if you're a musician, but its not essential, and there is plenty of interesting material here for non-musicians as well. Most noteably a CD with 11 tracks including pianists such as Mary Lou Williams, Teddy Wilson, Earl Hines and Adam Makowicz.

Raised in a Communist country, listening or playing jazz was forbidden. It was considered decadent. Yet, we craved it. So we would listen on short wave radio and hear with whatever Radio Free Europe or Voice of America would regale us. I tried to copy the great piano players the best I could, but not having the talent to emulate them, I rejoiced at listening to them. So, I have heard the music of Oscar Peterson, Art Tatum, Bill Evans, George Shearing, Erroll Garner, Dave Brubeck, Count Basie, Duke Ellington, Fats Waller, etc., but until I read this book I never heard of James P. Johnson, Mary Lou Williams, Sir Roland Hanna, Roger Kellaway, or Lennie Tristano. Clearly my loss. Of the 88 masters (one for each of the piano keys) I knew of no more than half, at best. The writing is erudite without being pompous and certainly very informative. Mr. Doerschuk is a pianist himself and it shows, as he gives us the unique insights of someone who is not only a music journalist, but also "tickles the ivories." As a result of reading this book, I have started listening to jazz piano music in both historical and social contexts. I am also learning to associate styles with groups of artists in ways that I could not, before reading this book. I like Mr. Doerschuk's organization and his titles for the various chapters such as "Deep in the Mainstream," "Back to the Fountain," "Improvisation as Revelation," since they provide yet another means for organizing jazz piano in one's mind. One can use this book as a permanent reference or just for the pleasure of reading it. I, for one, don't even bother putting in back on the shelf since it feels at home right in my hands as I am discovering "new" and old masters of jazz piano. This book is timeless, just like the marvelous musicians to whom it clearly pays homage.

a great book with nice pictures and stories. i'm afraid the script printed didn't match what the actors' were saying. however, i still enjoyed the movie. this classic will live on forever. laugh & enjoy. ****

For years.The fans of Abbott & Costello wanted to find out how their most famous film parody of horror movies"Abbott & Costello Meet Frankenstein!"came about.A few books have come to light in recent years:"Movie Comedy Teams"by Leonard Maltin,"The Abbott & Costello Book"By Jim Mullholland and:"Abbott & Costello In Hollywood!"by Ron Palumbo & Bob Furnemack.Now..As a companion to These three manuscripts is the paperback edition of the film's script.Film historian Phil Riley has found an early draft of the script that shows us all scenes and dialogue that never appeared in the final release print:"Oh Oh! And Up Pops The Devil","You're not going to leave me with all of this work"."You're not suppose to throw away all of that fat wasite".etc in terms of the film's dialogue.There is one scene that was never used in the film and sadly.It prohibieted Poor Lou from using his improvational skills as a true movie clown.The scene has "Dracula"(Bela Lugosi)using his hyponotic powers to lure poor"Wilber Brown"(Costello)back into the castle for the brain transplaint.Lou keeps trying to run away.But the power of the evil vampire's spell is so strong that he is constantly being pulled back into the castle via the cave entrance.He finds a rock and sits there."Dracula"(Bela) by now is getting madder than hell! And he says to "Wilber"(Lou)"I Said Come Back!"."Wilber Brown"sits on the rock and says"'No! I'm sitting right here and I'm not going back!".Until both Lou and the rock are zipped back into the cave and into the evil clutches of "Dracula"(Bele Lugosi) and "Dr.Sandra Morney"(Lenore Aubert).The book also shows some photos from the film and some wonderful behind the scenes candid pictures from the cast members,the film's director(Charlie Barton),The film's producer(Bob Arthur)and Dialogue Director(Norman Abbott..Bud's newphew)and the members of the Abbott & Costello families.There are also some thoughts about the making of the film from the team's family members and the true story of how this classic parody was conceived and filmed by the book's author:Mr.Riley.For fans of horror movies and for fans of classic comedy movies.This is one book to have in your collection.Bravo Phil! Kevin S.Butler.

This is a great treasure for Abbott and Costello fans as well as Chaney, Lugosi, or Universal fans. The pictures alone are worth the price of the book. The script is still titled "The Brain of Frankenstein" and includes deleted scenes which further add to the story. As someone who has seen the film many times the added info gives new insights as to the characters performances.

Classic horror film stars meet legendery comic duo make for great film and great book. behind the scenes info with rare photographs and insight into the relationships with all protagonist's. Also critic's reviews and posters and billboards from the orginal time of film's release.

Another great book added to my collection.When I was reading this book,i kept thinking back to when I was watching the episodes and I laughed a lot.It all made a little bit more sense to me,(Im not all that good when it comes to understanding everything that they say)This book is a MUST HAVE for any AbFab fan!

Having seen most of the episodes that are in script form in the book, it was really hilarious to read them and think back on the episode. Five+stars for this one!!!!!!!!

Jennifer Saunders is one of the world's greatest comedy writers. If you are serious about comedy then you need to see Jennifer's show, "Absolutely Fabulous" on Comedy Central Cable TV. Airs on Saturday afternoon 4p.m. (Pacific time). This comedy was so succesful the American Networks rejected it for being "too funny!" Go figure. In any case, if you want to learn some great comedy buy this book, and watch the TV shows. You can also purchase Jennifer's movie, "The Last Shout" and her TV episodes. Jennifer Saunders is top notch professional comedy to the utmost. James Russell/California.

Buy this book-PLEASE! Do everything you can to get your little hands on it. You will not regret your purchase. J. Saunders is a comedic genius. She writes with the talent and craft that all comedians-turned-tv stars in the US dream they could posess. No comedian--not Jerry Seinfeld, Rosanne Barr, Jim Carrey--can write anything remotely as entertaining, funny, and completely fresh as Saunders. Not even Friends is this funny--and I enjoy that show.

No American sitcom can touch the level of orginality, spunk, finese, and energy of this British television show. In fact, 90% of the things done and said on this show are not permitted on American television (save the cable channel Comedy Central) because the show would be so funny (in comparison to all other US sitcoms) that it would expose the Grand Canyon-esque gap between it's sublime quality and the bloody mess that is American sitcoms.

(If you do not believe me, that US shows have become, well, redundant bird droppings, just watch any show starring a one-time-stand up-comic and see if they don't do the "I killed/lost your pet and bought a new one that looks exactly the same to fool you" number). Pure, uninspiring wishy-washy tv. I'm 24 and I swear that I have been watching the same show over and over again, no matter who they get to star in it or try hide this fact under a new series name. Sounds like you? Enter . . . Abosultely Fabulous.

Absolutely Fabulous 2 is truly beyond hilarious. My gosh! I do not know how J. Saunders and J. Lumley are able to transform mere words on a page to the masterfully acted characters of Edina and Pasty that they inhabit on screen.

I will never grow tired of reading or watching these episodes. Although this collection lacks the episode "France" which is also another favorite, the book features the scripts for the best ABFAB episodes ever. I am talking "Poor" "Morocco" and "Hospital"--they are the series finest and showcase Eddie and Pats at their best.

Buy and read this book while watching the corresponding episodes to see what I am talking about. You will not be disappointed unless you were expecting God to appear--oh, wait, that happens, (in Absolutely Fabulous the Last Shout which is absolutely required watching). Bye, Sweetie Darlings.

This Odyssey guide covers everything. It has all the voices ever on the program, their pictures, interesting facts about the actors, and so much more. My 13 year old son is loving this book. A must have if you enjoy Adventures in Odyssey!

Adventures in Odyssey the Official Guide is an interesting book that contains summaries of the Adventures in Odyssey albums, pictures and interviews of the Odyssey actors, descriptions of lost episodes, illustrations from albums and videos, descriptions of videos and books, and insights as to what the writers were trying to achieve in various episodes.

The book describes things like how Odyssey characters age (Connie, how long were you in High School?? and Mandy, my how you grew up fast!)... It talks about some story lines the authors chose not to pursue, and why. It also answers "What happened to Officer Harley?"

Some of the materials included are excerpts from the Official Adventures in Odyssey podcast interviews.

AIO, the Official Guide is also a fun and easy read. Someone is always borrowing my copy!

I got this book for my kids, but I have enjoyed it as much as they have. Any Adventure fan will love this book. It has tons of info about the actors and the episodes. Fun facts about bloopers too. Lots of behind the scenes info.

My only complaint: it's too short. It's 563 pages long, but still too short! Nathan Hoobler did a wonderful job with this Guide--not bogging down with long episode summaries (yet giving enough that if you haven't heard an episode, you'll get what's going on), but digging right into that behind-the-scenes stuff most people have never known. Hilarious Eugene version of 'Three Blind Mice', Goof Alerts, interviews, 'My Take' segments, pictures, how-to-draw, and fan art are all included--with more. Wonderful job, wonderful book. Hilarious in spots, almost touching in others, always highly enjoyable. Please write another--longer this time. ;-)

One of the more interesting Dr. Who books, that catches everyone up to date at time of publication. Also covers material in Time Flight 1 and 2 (which are also worth picking up). This is good for Dr. Who fans, and just about anyone who bought their kid (or themselves) a cyberman talking helmet for Christmas. Along with sonic screw drivers, phone activated tardis, or the host of other doctor who memorabilia out there.

For those that missed most of the first, second and third doctors, this makes an interesting review into those characters and how they reacted, acted, and their part of the series.

Overall a very enjoyable book, and while there are debates on its true authenticity, it is still worth picking up and reading. I enjoyed it, but then I am also a rabid doctor who fan, and in relationship to the other books like Time Flight and others that came out in the last few years, it is an enjoyable book to read.

The time and effort spent, and the attention to detail are represented on every page. Especially enjoyable where the essays featuring Parkins' own theories on some of Doctor Who's mysteries, and the section collecting all know references to the Doctor's own personal history. Whether you are a new fan looking for more info on the Doctor, or an old fan looking to put a little more order into his world, this book is for you.

"Ahistory" is the latest edition of Mr. Parkin's attempt at chronologizing Doctor Who. As such it is a humongous work with seemingly endless entries about every tiny nuance that ties individual episodes of Doctor Who together, along with the books and audio adventures of the same.

The trouble here is that everything is an enormous mess, because nobody really cared all that much about continuity in a show that was originally designed to be shown once and then taped over.

What makes it worse, according to "About Time" (which I recommend instead), Mr. Parkin seems to have actually written Doctor Who novels to cover plot holes in the continuity (such as Tegan not liking transmats when she'd never seen them before in the show -- surprise, there's a story he wrote where Tegan encounters transmats!)

There is much in this book. Far, far too much. Also it contradicts many things that are said in "The Discontinuity Guide" and "About Time". It even contradicts itself in places.

One gets the sense that it's all a bunch of fanboys arguing with one another, and not a respectable history (or even ahistory) that tries to be definitive.

So this is a terrible work for someone wanting an introduction to Who, but is great for those who want to write their own Who and would like to know what happens in the Somethingth Century so they can put their story there.

The major redeeming feature is that "The Discontinuity Guide" and "About Time" do not cover the books or audio adventures to any real extent, and "Ahistory" does. But even this can be seen as a handicap when there is still much debate over the canonicity of the books or audio adventures.

A purist will probably go for just the television series, as there is enough of that to last a lifetime (28 seasons so far), and will likely wish to pass on this book. But the rest of us; the completists, the people interested in what the novels are saying without wishing to actually read them, and the novelists and writers of fan fiction; these will want to have a crack at "Ahistory".

Ever wanted to know when the Cybermen were created? Or how about when the Daleks invaded Earth for the first time? Or perhaps how the universe began and how it will end? Well fans here's your chance with Ahistory (Second Edition). So is there a difference with the first edition? Oh yes and that difference is the reason enough to get this one.

This edition has been expanded to cover not just the books and Big Finish audios published after the first edition but the two series of the revived TV series featuring David Tennant plus Torchwood, The Sarah Jane Smith Adventures, and even the long running Doctor Who comic strip. Where has the first book contained 500 or so stories this one contains well over 800. It also presents interesting theories regarding continuity gaffs over the various stories.

One of the best things about the book is that it gives nice, neat little summaries of each story which is helpful when you're a fan seeking good stories. The summaries are usually filled with spoilers for the different stories so consider your-self officially warned.

While the spoilers aren't good for new fans, long-time fans should enjoy this. Full of theories and dates, this book should be helpful to any fan fiction writer looking for a good time to set a story at. Or if you're a die-hard Who fan seeking to know history according to the Doctor, it's just about as good as stepping into a real-life Tardis. Definitely recommended to Who fans.

This would be a great way to start a unit for upper elementary kids on media and truth in journalism. It's a visual delight, and has lots of details to spark further inquiry. While most kids today think they are pretty media-wise, can they indeed tell the difference between "entertainment" and "infotainment?" A fun visually engaging introduction to the "War of the Worlds" broadcast, might provoke some interesting conversations in the classroom.

Aliens Are Coming is about a false radio broadcst about aliens.This book illustrates how a little prank could affect so many people. I thought this book was great and you should too.

Picture book non-fiction. A hard format to write in, or the hardest format to write in? Every year countless libraries get inundated with the same old same old. Your bee books. Your dinosaur books. Your fifteen different biographies of Teddy Roosevelt. So you can imagine my surprise when I picked up a book that looked... different. You don't expect something called, "Aliens Are Coming" to be factual. You especially don't expect it to tell the truth when you flip through the pages and see large multi-tentacle-laden outer space beasties terrorizing the natural landscape. But then, it helps to know your history. Seeing the 1938 radio broadcast of "War of the Worlds" for what it truly was (perfect picture book fare), McCarthy gives us, thrills, chills, and some wonderful little factoids in the back of what I might well call my favorite non-fiction picture book of 2006.

It's the 1930s! Good old 1930s. Open the book and here's a cheery announcer telling kids that back in the thirties the primary source of entertainment and information was the radio. It then explains that some people "were easily fooled by a radio play that sounded like an actual news bulletin". Turn the page, and everything is black and white. We're looking at a typical American street scene. "It was October, 30, 1938, the day before Halloween". We next see a nice black and white scene of a family gathered in their living room. The noise coming out of the radio forms into colorful dancing sequences. Suddenly an announcer comes on and starts talking about a flaming meteorite that has fallen in New Jersey. As the listeners grow worried, the scene shifts to a field where a group of people stand around as a flying saucer slowly begins to open up. It's aliens! And they've come to conquer us all! They ransack the farmlands. They invade the cities. They land all over the country. "Was this the end of the world?" Certainly a lot of people listening thought so. The pictures are back to black and white and we're seeing clogged highways and jammed phone lines, and police investigating perfectly calm fields in the country. It wasn't the end of the world. It was Orson Welles and his troupe of actors at the Mercury Theatre performing a realistic version of "War of the Worlds". Interesting factual information rounds off the book with the true story and fun info about subsequent readings of the story (with similar results).

Part of the fun of this book is that there is no indication that any of this story might not be entirely on the up and up until you reach its end. Then it finishes a bit abruptly. Still, imagine introducing this book to a room full of second graders. You tell them in all seriousness (preferably around Halloween time) that this book is a true story. True true true. Then you fill their little heads with a wacked-out tale of alien invasion and widespread panic. The fact that they've been duped only makes them (like those poor 1938 American citizens) only more intrigued and want to read the book again and again later. The pictures make it ideal read-aloud material, to say nothing of the haunting scenes, colorful during the broadcast and bleak in real life. Though McCarthy works with a misleadingly simple palette, her pictures have a great deal of depth, tone, and character to them.

Actually, author/illustrator Meghan McCarthy has always struck me as being underrated. She first came to my attention when she wrote, "The Adventures of Patty and the Big Red Bus". Like a cohesive Lauren Child, McCarthy is particularly good at her atmospheric round-eyed cartoonish illustrations. She seems at her best when she's writing non-fiction too. Her factual information bringing up the book's rear is just amazing. All in all, this is one of the most amusing and wonderful titles to grace libraries and bookstores this or any year. A great idea for a book and superb follow-through. Amusing to its core.

One of the most famous - or infamous - hoaxes in American history, an event that terrified hundreds of thousands and sent normal people into panic-driven frenzies, may not be the first thing you'd think of when you consider writing a picture book for young readers, but thank goodness Meghan McCarthy had a vision for this book that presents this very significant snippet of Americana in a way that not only won't scare the bejeezus out of your little alien hunter, it will entertain them with great, kid-friendly art, and educate them with photos of the period and some really well-researched historical information in the back pages that will make this one a staple in American classrooms. A must for anyone studying the time period.