Movies Books

THIS BOOK IS GREAT, REALLY GOOD AND FUN TO READ IF YOU ARE AN X-FILES OR GILLIAN ANDERSON FAN. I HIGHLY RECOMAND THIS BOOK

Straight from the cutesy title that X-Philes know and love as one of Scully's trademark phrases, Mulder, it's Me really hits the spot. Gil Adamson and Dawn Connolly's biography about the amazing Gillian Anderson is extremely informative without being invasive of Ms. Anderson's privacy. The well-written fourteen-chapter biography is only the beginning of this stunning masterpiece - the book also includes candid interviews, a comprehensive episode guide of the first four seasons of The X-Files, a section on the 1996 Burbank convention by the renowned Autumn Tysko, a listing of internet resources, and 16 pages of color photos. Whether you are a newbie or a veteran fan, Mulder, it's Me: The Gillian Anderson Files is the must-have biography.

This is the best Gillian Anderson biography on shelves today. But this isn't just a biography, this book also includes television and radio interviews with answers to some of the most frequently asked questions. You get to find out what people did when Gillian Anderson appeared at the X-Files convention and what questions her fans asked. It also includes the speech she made in Washington D.C. for public awareness about Neurofibromatosis, the disease her younger brother has been diagnosed with. This book also includes great Gillian Anderson Internet sources and an X-File episode guide with all the shows from season one to the end of season four. But best of all, this book includes a great section of full page color photographs of Gillian. If you are a Gillian Anderson fan, you have to get this book!

This book is great for people who want t get all the facts and want awesome color Photos .I think Gillian is agreat person and Actress and this book helps you realize that.AS well as info there is a great X-files episode guide section.Many thanks to the athur and gillian for being the great actress she is.

This book has, well, everything you wanted to know about Gillian Anderson (Agent Dana Scully on the X-Files) and more! The colour photo's are excellent, as well as the black and white ones. Each chapter has a unique title, and very good detail into herself, her daughter, and her work. A must have for any Gillian Anderson fan.

Know this first: I'm a huge fan of all things Disney, especially POTC the ride.

Imagineer Surrell's book is very well-done. This is one of those (along with his earlier work on the Haunted Mansion) that I go to again and again, like watching a favorite movie or listening to a favorite album. Maybe I'll notice on the 50th reading ONE MORE DETAIL I somehow missed...
I especially enjoyed the look at the other parks' version of the ride. Rock on, Jason!

Con: Woulda liked it in HARDCOVER.

Now, as with any OTHER topical subject, some of the info goes out of date the day the book is published, and will continue to "go stale". The 2nd, 3rd, and even talked-about 4th movies are, of course, not included. The much-publicized ride rehabs are not either. This is the same with Jason's earlier Disney's Haunted Mansion book (a good companion piece, by the way). That said, the HM book goes off into a hopeful description of the actually-miserable HM movie, touting it as the best thing since Bela Lugosi. This was written well in advance of the actual public release of the HM movie, I guess, so they were gambling the public would love what turned out to be a huge embarrasment. ( When I need cheering up, I sometimes imagine HM Director Minkoff at what I hope is his new day job, asking people if they want to add a cherry turnover to their order for just 50 cents more ). Okay, here's your soapbox back.

They shouldn't have pushed the HM movie so hard in THAT book.

Not so in THIS book: Because they "got burned" on the HM movie, there's a decidedly less-throat-cramming push for Curse of the Black Pearl, which, of course, in hindsight, they could have laid on thicker, now that the movie has generated some kind of Star-Wars-level cultural shift.

Buy the book. You know you want it.

I know I want more books on CLASSIC Disney attractions, and I only want 'em writ by Jason Surrell. Amen.

I love Disney world and I love love The Pirates Of The Carribbean! Great if you like both!

I really enjoed the first chapter on how the concept translated into the final product of a ride. Amazing how these things come together. The second chapter comparing the ride throughs between the four parks I found a bit frustrating - hard to really picture it unless you're there (for me). I was more interested in the ride portion than the movie chapter myself. Worth the buy (though I bought it used).

My daughter just loves all the background information. She's very happy with it.

As of November, 2006, a newer, updated version of Mr. Surrell's book is now available! Look for the version with the compass rose in the upper right corner of the cover.

Cheers!

Beck

This is definately a winner! Great little gems from Walt Disney's family, closest friends and colleagues. The pictures are equally wonderful. Great candid shots and personal family photos. This man had more character than Mickey Mouse himself!

This lavishly illustrated tribute --- first published in 1999 and now released as an oversized trade paperback --- is a must for diehard Disneyites. (Dig the vintage, time-worn color
cover photo of Uncle Walt, with Cousin Oscar clearly in view.) Amy Boothe Green and Howard Green's text is nothing more than quote after quote from Walt's pals, peers, co-stars, family and friends, all of whom (surprise!) praise The Man Who Would Be King. But it's the vast array of black-and-white and color photographs --- many rare and many never-before-seen, all of which are stuffed into the pages --- that make this a winner. Walt as a young boy. Walt as a young man. Walt at play. Walt at work. Walt with family. Walt with friends. Walt with Julie Andrews and Dick Van Dyke. Walt with Hayley Mills. Walt with Shirley Temple. Walt with Annette Funicello, who provides the book's most poignant quote: "When I was first diagnosed with multiple sclerosis ... I thought,. "If Mr. Disney were here, I could ask him what I should do. He would know." And, of course, Walt with the Mouse and the Mouseketeers. Noting goofy here. Except Goofy.

The pictures were nice. I'm a big Dinsey fan so I pretty much enjoyed this book. It told what people who worked with him thought about him. I gave the book four stars because there were some bad words.

I was very happy while reading this book. I found all the things Walt's aquaintances had to say about him very interesting and credible. Very little seemed sugar coated (as Disney personel seem to be sometimes). I would make the assumption that Walt's personality was portrayed correctly by the many people that knew him. Throughout the course of reading this book I kept thinking about the quote that one amazon reviewer said that made me buy this book in the first place, "makes me wish I knew that man."

This book is exactly as one would expect by reading the title. It's just quote after quote from people who knew Walt Disney best. I liked that many of his former employees were interviewed. Since I was familiar with some of the animators, imagineers, and actors it made it a more personal thing for me when reading this book. There are also many pictures that show Walt during all the different periods of his life, though the majority of them are during his successful years heading the Disney corporation. I share the sympathy of another reviewer who said that after reading this book they wished they had known Walt Disney. I think a person who really admires the Disney empire will share the same sentiments about the man who dared to dream.

I have loved this since I was a kid. I only have it on tape (I'm old). Once you get used to the actors and once you stop trying to compare it to the movie, you will like it.

The only scene I hate is the one where Vader is torturing Leia. It is laughable. Actually, you should listen to it because I guarantee you will laugh it is so poorly done.

I remembered listening to this production on NPR when I was a kid and now that my own children have discovered Star Wars I decided to share this version with them on a recent trip to visit grandma. We loved it! The Star Wars story is expanded and the writing and voice acting is so well done that it will keep the kids and adults entertained. Our trip seemed almost too short because we enjoyed listening so much.

Don't waste money on a DVD player in the car. Stories like this one are much more entertaining and leave the special f/x to the imagination.

In 1981, the phenomenally popular movie Star Wars was adapted into a radio drama. The series ran as 13 half-hour episodes. This being about three times as long as the movie, a lot of extra scenes were added, especially back stories for many of the characters. The only actors from the movie that reprised their roles from the movie were Mark Hamill as Luke Skywalker and Anthony Daniels as C-3PO, but most of the actors taking over the other roles do a good job. Most Star Wars fans will probably enjoy this.

I recently wrote a review for the Return of the Jedi adaption on NPR which I gave a mere three stars. I cited poor directing, acting and lack of added material.

These complaints cannot be levelled against this, the first of the NPR dramatisations.
The acting is spot on, with Perry King providing a rougher verion of Solo that goes over well, as opposed to the next two adaptions where it begins to grate. Mark Hamil and Anthony Daniels are naturally perfect at the characters that defined them for a decade and more after the original trilogy finished. Bernard Behrens does a surprisingly good Ben Kenobi, and Brock Peters likewise with Vader. They are not Alec Guinness and James Earl Jones, but they're good enough not to cause problems.

The direction is great, and I never found myself noticing the obvious radio 'cues' which tell the listener what is happening. THe music and sound effects are good and the pacing is not rushed, unlike ROTJ.

And as for added material? Deducting front and end credits gives us roughly five and a half hours, nearly triple the length of the film. The vast wealth of extra material is great and never seems out of place.

In all I would recommend this to anyone with an interest in the Star Wars original trilogy.

I have fond memories of myself eagerly awaiting each installment of this fantastic radio drama adaptation of the original "Star Wars" film back when it aired originally in 1981. Brian Daley did an excellent job via his superb scripts giving us more details of the relationships between Luke Skywalker and his Tatooine friend Biggs Darklighter and between Princess Leia and her father on Alderaan. We also learn here how Princess Leia obtained the technical plans for the Death Star. Both Mark Hamill and Anthony Daniels give superb performances of their screen characters, Luke Skywalker and C3PO respectively. However, the rest of the cast is just as fine with a fine - if somewhat restrained - Darth Vader voiced by Brock Peters and Ann Sachs as Princess Leia. Both the sound effects by Ben Burtt and of course the original film score by John Williams are absolutely splendid. This is a spellbinding radio drama that should appeal to diehard fans of "Star Wars".

This book, in my opinion, is the best in the Stargate Atlantis book series. It really captures the relationships between the characters and their own personalities. Martha Wells did an excellent job bringing the characters from the show to life in her book. I have read Reliquary... I think four or five times and I haven't gotten sick of it yet. I have read all nine SGA books published thus far (Mirror Mirror being the last one I read) and I still hold that Reliquary is the best of the nine. It has a well-written plot that feels more like an episode you would watch on TV. Parts are scary, others funny, and everything captures the feel of the show. There have been one or two SGA books that I have been not quite thrilled with, but even after reading it so many times I don't think I will ever grow bored with Reliquary.

So far, I have found the Stargate Atlantis books to be far superior to the Stargate SG-1 books. Many of the SG-1 novels are obviously written by inexperienced authors, and are little more than legitimized fan-fiction. Mind you, I have only read two Atlantis novels thus far ("Rising" and "Reliquary"), but both of them have been of higher-than-average quality, while out of the eight-or-so SG-1 novels I've read, only one or two have been of equal quality. Regarding "Reliquary", I was completely unsurprised to find out that the author (Martha Wells) is an already-established writer with many published novels. It shows in this book.

She does an excellent job of creating atmosphere. The first half of the book reads like a suspense novel, with the tension growing as the team explores an abandoned Atlantean outpost. When they find an unexpected survivor, things seem to be explained . . . until everything starts to go wrong. It isn't a very long novel, but the plot is so well-paced that you don't notice the length, or lack thereof.

The characterizations are quite good. The dialogue, the actions and interactions of the characters, all of it is true to the show. She also does a good job with descriptions (lending to the atmosphere). I thoroughly enjoyed this book. If given the chance, I will certainly read all of this author's Stargate novels, and I intend to look into her other books as well.

As a writer, it is extremely difficult to turn off my inner critic when reading a series tie-in like this. Historically, such books are an experiment in mental torture with their inaccuracies, poor style/construction, sophomoric plots, cardboard original characters, et al. Honestly, I can't even walk by the Star Trek section of any bookstore without physically cringing. Knowing the process of tie-in publication, you would think the license owners of these shows would be FAR more selective when choosing who expands their universes upon the page.

Ms. Wells, on the other hand, stands out from the pack with this work. Talk about a blast of welcomed fresh air! The characterization was scarily accurate, the plot/storyline well conceived and laid out, and the dialog had me literally guffawing out loud (John's thought of group therapy with sock puppets completely slayed me!).

Several reviewers mention the SGA episode, "Conversion," which shares a similar plot contrivance with "Reliquary," though in the latter, Shepp has the misfortune of becoming a gray-skinned werewolf creature psychically in tune with Ancient technology--as opposed to becoming a two-legged eratus bug that likes to combine kissing with stick fighting. Long story to short, considering the length of time the publication process takes (2-3 years ordinarily), Ms. Wells likely wrote her first draft while Season 1 was still on the air.

Thanks to her amazing way of bringing the SGA characters to life, such things are irrelevant.

If I had one bone to pick, it would be the POV-shifting in so many scenes. That's one of those writing Ten Commandments that should never be broken. POV-shift is annoying, even jarring to the reader, and it screams amateur. But in this case, it's a small point when the strength of the story is taken as a whole.

Looking forward to seeing what "Entanglement" has to offer!

I'm a huge fan of the show Stargate:Atlantis for many different reasons, most of them have to do with character growth and interaction. I usually shy away from books based on favorite tv or movie themes since most cannot stand up to the reasons I like them to begin with, but I bought a couple of the Atlantis novels in order to have something to read when bored at my third shift job. The first time I picked up Reliquary to fill in some time was the moment I was lost to it. I couldn't put it down and had the book finished within 48 hours of picking it up. This book is a must for any Atlantis fan who loves the characters and their interaction. Ms. Wells KNOWS these characters and all I kept thinking while reading the story is "this author has to be a fan of the show". What a fantastic adventure with our favorite characters. I'm not sure I totally understand the entire plot with the bad guy's motives, but it honestly doesn't matter since the adventure alongside the characters was entertaining and fulfilling in itself. I hope to see more of Stargate:Atlantis titles from Martha Wells. Five Stars and Two Thumbs Up!!

I found the books really good, but the entire time they were messing with the months and moments in every single story. For example this one takes place about four months after the issue with the teams biggest human enemy the Genii and after they did battle with a crazed wraith on another planet a couple of weeks later. I mean if they want to make the books they should do them in the order that the tv series played in rather then going back and forth and tossing certain details that they never mentioned in the show. But all in all this was a really good story, I especially got a kick when they mentioned the details of sheppards first conversion before he went through it a second time in season 2. I recommend this to any who like the tv show.

This book is brilliant - the layout, execution and even the sentence crafting make it easy for anyone to believe "I can do this!" I'll have to acknowledge the author when I'm accepting the Oscar - LOL.

This was both informative and useful. Cynthia's use of examples are few, but powerful and relevant. I have read both this book and Michael Chase Walker's Power Screenwriting: The 12 Stages of Story Development, and if you have to choose one, buy this one.

I'd like to say more, but I'd be repeating myself. Highly recommended.

This book is practical, easy, and very encouraging. Cynthia knows you can do it, and she wants you to try. She gives really solid advice, along with some insightful anecdotes. I've read a lot of screenwriting books and I highly recommend this one. It'll get you going!

I'm writing my first screenplay and found this book to be invaluable. Worth its weight in gold.

Top of the line. Easy to read and pleasant-toned in layman's terms. Organized and simple. Demonstrates the usefulness of 3x5 index cards for story-plotting. Tells you how to make good characters, scenes, dialogue, plot, etc. by demonstrating good and bad examples in movies that we are very familiar with. Simplifies the Three Act Movie formula by telling you how many minutes in the movie you should be starting your act and the significance of each act.

Additionally, the book demonstrates correct formatting for a screenplay, explains screenwriting terminology, explains the "& vs and" in writing credits. Explains certain dos and dont's with your script when presenting to a agent/producer. Whitcomb also tells how she started off as a preacher's daughter who was not allowed to watch TV and ended up becoming a successful screenwriter. She's a prime example of starting from square zero and proves you don't need to know someone in hollywood in order to make it big.

For all beginners--read this book first!

I read the book cover to cover and found it to be a great, extremely helpful read. The film festival circuit is so daunting, and there's so little material out there to help filmmakers navigate it all.

Little things in the book really stuck with me, like don't be nervous at the Q and A. If they've stuck around, they already have some interest in you and the film.

Thanks for writing this, Chris. It was really great!

Jeffrey Goodman
Director
THE LAST LULLABY
www.thelastlullaby.com

As a festival programmer I am thrilled that a book like this is getting out there. Holland offers practical, real world advice on the entire process from submission to screening to what happens next. I highly recommending picking it up, and I am going to be pointing all my filmmakers in its direction.

A great resource for those that intend to enter the Film Festival circuit for the first time, and for those independent filmmakers that have already been making the run. The detailed and straightforward information contained in this book will definitely take your festival experience to a different level, where the bottom line is to get lots of people to watch and enjoy your film. I believe the rest is a natural consequence of this accomplished goal and rewarding experience. Grab a copy now and see it for yourself!!!!!

I've read a lot of film festival books, bogged down with way too much useless information--most of which is outdated and not updated with new editions.

Chris Holland's book is a lean, informative, timeless film festival book. His tips are just as meaningful today as they will be in 25 years. As someone who has had films play at festivals, as well as being a part of the film festival selection process, his advice is right on (and he even taught me a thing or two!) His book is very thoughtful, easy to follow, and is devoid of the self-congratulation/arrogance found in other books. Chris clearly wants to help you as a filmmaker and as a future film festival icon.

Cannot recommend this book enough!

As a film festival programmer who has also been a filmmaker, I can honestly say that this book succeeds where so many others have failed in terms of describing the realities of the festival circuit. The author talks to both filmmakers and programmers, and offers no-nonsense advice which he supplements with case studies and practical examples. Indispensable for the indie filmmaker.

As usual, J.M. Dillard does a fine job of remaining true to the source material, while still elaborating on it. The story is an excellent one, with plenty of action and plenty of interesting science-fiction concepts for the more thoughtful to consider. It gives us a bit more insight into the "future history" between the near-collapse of civilization and the beginning of the Federation that has been hinted at but rarely detailed in various episodes of Star Trek, in various generations of series.

The plot and characterization are both excellent and the writing is fluid and professional. The book is a pleasure to read.

This is without doubt the best of all Star Trek stories, both in film and in print. It touches on many grand philosophical, scientific, and technological themes: machine intelligence (both in Commander Data and in the Borg), space-time engineering (the first time humanity has done this, via the efforts of Zefram Cochrane), the first contact from an alien civilization (the arrival of the Vulcans), the confrontation with true history (meeting Cochrane and finding out just who the man really was), and the ethics of highly advanced civilizations (the contrast between the Borg and humanity). This book and the film will without a doubt inspire many a young reader to take up the practice of science, and thus it will do the best job of all. Science fiction has the habit of coming true sometimes, but it also has the fault of underestimating. The future of humanity, as exemplified by the Star Trek crew of the year 2367, is a grand one to contemplate, but the true future will be much better: a world populated by humans and machines striving to be the best they can be; a future that is never static, for stagnation to intelligent life is an abomination. We will do genetic engineering of humans, to be the best we can be; we will do space-time engineering, to travel beyond any immediate confines; we will create intelligent machines, to be our friends and allies. All of these things we will do, and much more. Humans and all other lifeforms, organic or not, will be very different in the time frame set in this novel. But they will be restless, ambitious, and always yearning for more understanding, for more insight, for more knowledge: these traits will characterize the beings of the 24th century...and beyond.

This is, of course, the novelization of the highly successful Star Trek: The Next Generation film of the same name. First Contact refers not to first contact with the Borg, for, six years later, Picard still bears the mental scars of his assimilation in the form of Locutus, but to Earth's first contact with an alien civilization. It is a story that had yet to be told, although Captain Kirk and his crew had met the extraordinarily old Zefram Cochrane, inventor of the warp drive, in an episode of the original series; additionally, there had been hints that this pivotal event in human history took place some time after a terrible Third World War on Earth.

As the story begins, the Borg have attacked the Federation, with one of their massive cube ships making a bee-line for Earth herself. Picard and the new Enterprise-E starship defy Starfleet orders and rush to the battle, after which they follow a small Borg ship through a time portal which takes them back to 21st-century Earth. The Borg plan is to destroy the Phoenix, the spacecraft which Zefram Cochrane launches and, by way of its successful warp drive test, captures the attention of a Federation scout ship. If that pivotal event does not happen, the Federation we all know and love will never come to be. While half of the senior staff is planet-side trying to make sure the Phoenix launch happens on schedule, the rest of the crew find themselves battling a Borg infestation onboard the Enterprise herself. Data is captured, Picard is in danger of letting his hatred of the Borg overrule logic and reason, and we get to meet the Borg Queen. Personally, I've always felt that the introduction of the Borg Queen was a disservice to the greatest Star Trek villains of them all. The Borg Queen is a complete contradiction that introduced a level of individual vulnerability into a collective that was, up until this time, faceless and seemingly invulnerable.

This is an impressive novelization of the film, making it a worthwhile read to those of us who are already familiar with the onscreen story. In particular, it provides a great deal of insight into the erratic nature of Zefram Cochrane himself; in the movie, he came across as basically a drunk, but the novelization does a much better job of explaining his behavior. That alone makes this novel a natural and extremely beneficial corollary to the movie.

"And you people...you're all astronauts on some kind of...star trek?"

That line, uttered by Dr. Zephram Cochrane in both movie and novelization, has to be my all time favorite from the Trek film series. The most interesting difference between movie and book, as far I am concerned, is that despite James Cromwell's fine performance I found the film's Zephram Cochrane incredibly annoying. I never developed a shred of sympathy for him, because the background the film gave me - the Third World War and its chaotic aftermath - wasn't sufficient to make me understand him. I don't know, not having seen the script from which J.M. Dillard worked, whether she added "Zef" Cochrane's tragic battle with bipolar disorder (a disease that before the War had an effective treatment), or if it was among the elements that inevitably got cut as the film took shape. But I do know that for me, it made all the difference in being able to care about this character and root for him.

The book follows the film with little filler added except for background on Lily Sloane and Zephram Cochrane, which gives it a similar pace. They complement each other well.

Star Trek First Contact by J.M. Dillard was an excellent book. it showed emotion, fear, dispair, and anger. IT was a well written book considering it was made after the movie. I encourage all Star Trek fans to read this book and watch the movie.

Being a fan of JAG I was surprised and excited when I found out there was a TV Tie-In book for the series. I promptly ordered the book and wasn't quite sure what to expect, having read a fair amount of Tie-Ins that were nothing like the series they portrayed. Happily, I was well pleased with my choice!

I feel that Robert Tine really captured the feel of an episode of JAG. The characters were well-drawn and right on par with the ones I've grown to love through the show. The dialogue and thought processes of the characters were spot-on except for Harm's penchant to revert to heavy cursing -- something I felt was completely out of character for someone who is so good at expressing himself.

The action was fast paced and exciting, I was kept guessing and completely immersed until the very end. This story line would certainly make a wonderful episode of JAG -- one I'd love to see. There was just enough humor thrown in -- namely Harm being shifted from one place to another -- to lighten the mood while still advancing the plot.

Mr. Tine also captured the chemistry of Harm and Mac perfectly -- right down to the way they play so well off one another. And as a bonus -- Harm even gets to fly! That, in my opinion, is always a plus!

There were a few disappointments such as one quite confusing place where some sentences seemed to have been left out of a pretty important scene and there were a few typos spattered throughout that could have been caught through tighter proofreading.

I was sad to note the absence of a picture section toward the middle as I've seen in other TV Tie-Ins -- it would have made a nice addition to the book.

All that aside, I still rate this book 5 stars because it kept my attention as well as the actual program does and the fact that I will read this book again. Mr. Tine certainly did his research, I could actually see the actors who play these parts in my head as I read.

Despite the few errors and the brief slip-up on Harm's character it was a good, solid read that I thoroughly enjoyed. I'm completely looking forward to the next JAG novel by Robert Tine -- Clean Steel -- and hope that there are plans for other Tie-In novels for this spectacular television program.

Great stroy and a suprise twist at the end

I found this book to be very fun to read. I am a JAG lover and felt that Mr. Tine, expressed the characters true to how they are shown on TV. I recommend this book to anyone looking for a good read or lover of JAG.

The story is exciting and would be a wonderful base for an episode of JAG ( next season perhaps *hinthint*'Cleverness and fairness of the JAG lawyers are shown with much perfection. Some well hidden, but deep friendship showing moments, are given, too. *shipperheartbeatinghere*
A big must for all the JAG Fans out there :)

The book is very good. It stays true to the series. This story would make a good episode.

Basically it is a mix between the original 2 scripts for the movie, making it pretty much twice as awesome!

Those random small things that left you hanging in the movie such as where does the Left Knocker lead?

HIGHLY RECOMMENDED!

Ah, another George Lucas movie. Well now its a awesome book. I personally love it as much as Star Wars. Its a strange tale, of a strange girl, who gets trapped in a strange land....wow, does that sound familiar. This is my favourite book! I love it more than Interveiw with the Vampire! and thats alot of love!

If you liked the movie, then you'll love this book. I bought a mint condition copy for about seventy dollars last year, and I couldn't be happier with it.

Like the movie, the book tells of a young girl draw into a fantasy world by her own overactive imagination in order to save her little brother, who has been stolen by the goblin king, who says he is only seeking favor in her eyes, and seems to have fallen in love with her.

The book follows the storyline of the movie exactly, but offers more insight into the characters thoughts and actions. I can remember in particular that the ballroom scene was quite staggeringly more descriptive. A wonderful book, worth the price; espescially if you can find one in good condition.

this book is worth every penny... its a story about a day dreaming girl who wishes her little brother to a land of goblins castles and of course the labyrinth. if you dont want to spent 50 dollars on this book you CAN GET IT FOR FREE.. just google it and youll find the transcript of the book that you can print out and read.. its not like having the book... but its way cheaper..

gosh, i was six when i first saw the movie! now that i'm eighteen makes no difference how i love this enchanting story.

smith brings the story up to another level, as he dwelves deeper into sarah's feelings... and also jareth's. the chemistry between the two is undeniable. i would like to think that in another situation both of them would be together, albeit the fact that she's mortal and he a goblin prince.

smith's writing is of course, very detailed and deep, and he tries to explain all the different meanings and reads between the lines of the movie. he has us vying for the king, and rooting for the good guys, too. he makes us want jareth to have a happy ending, and perhaps one with sarah. he makes us want to see the movie.

well, maybe the movie IS old, and the special effects kind of horrid by today's standards, but truth be, enchantments are timeless.