Movies Books

now that I have all the Last of the Jedi books, I can finally read them.

This is the eighth in a series of 10 that is actually one novel.
It is well written and moves well. I believe it is good reading for younger set and not bad for an adult. I have read every Star Wars novel with the exception of Invincible and this rank high on the list of all the stories.
While each story can stand alone it is better if read together book 1 to 10.
By the time you get to this book you want to get to the end that you don't want it to end.
Because of the period it is in there are a lot of threads that are left to be followed. Although a conclusion of a sorts is written it is not as satisfying as it could be.

I loved this series. Just sad to see it end. Jude Watson is a fantastic writer. I have her other 2 series . I hope she has another series of Star Wars soon. Marianne Shinmon Mshinmon@cox.net

These 10 novelettes could have been put together into one normal sized novel. Brilliant to sell them separately. They are all very well written and only get better as the series progressed, culminating with this volume (10). Wonderful story...EXTREMELY well written. I was honestly sad to see the series end. I came to like Ferris and the other Jedi immensely. This series could be made into a feature movie easily. hmmmmmm.

highly recommended.

Now . . . having read all 10 books of Last of the Jedi, I have come to the conclusion that THIS is the best work Jude Watson-san has ever done, really ! ( Um . . . my second favourite is Jedi Quest, by the way. )

Well . . . to be frank, I was already on the verge of tears when I was only half way through the story . . . and . . . I was really crying ( silently ) while I was reading the last 1/3 of it because I vaguely knew exactly what was coming which was inevitable ! *sniffles*

Hmm, I believe this "Reckoning" IS filled to the brim with unconditional love, friendship, hope, betrayal, sacrifice and TRULY unexpected turn of events ! *sobs, facedesky* And I couldn't help but read the very last chapter, playing Princess Leia's Theme in my head because they really do match.

Anyways, I really loved the ways Ferus chose to show his affection and love for Trever at the very end of the story and THAT made me cry some more and more until my nose got completely stuffy !! ; _ ;

Arigatoh SO MUCH for creating all these wonderful characters of LotJ, Watson-san !! *bows*

Too-adoring biography always takes the best view of Chaplin's often checkered personal life, and doesn't really dig into the drive for control that made Chaplin one of the first modern artists.

Robinson is the premier researcher on the life of Charles Chaplin, and this book is the result - a fact filled, balanced book that allows equal focus on Chaplins films and personal life. Most books tend to focus on WAY too much personal life and innuendo, but Robinson avoids this problem, and makes a good book that truly encompasses the entire life of Chaplin.

Robinson's book includes a well detailed filmography, scripts from several early Keystone films, excellent appendices, and many rare pictures. My only complaint is that many of the pictures could be printed much better, and larger too.

Superb reading!

David Robinson's book is the finest biography extant of this indispensable genius of movies. I first read this monumental book 22 years ago and it has remained an indelible part of my understanding of movies and of the life and work of this complex, infuriating, somewhat naive but always questing and humanistic comedian, whose movies are finally being issued on DVD in luminous copies of his own carefully preserved originals.

At the time of Robinson's book, and for a number of years after, Buster Keaton was the preferred choice in silent comics. To take nothing away from Keaton, whom I regard as sui generis ("The General" is a masterpiece, and "The Navigator" is the funniest movie I've ever seen) this may have been more a reflection of the then-current attitudes of "cool," reacting against Chaplin's perceived sentimentality, than an argument for Keaton as the greater artist. Chaplin has recently become of greater interest, and at present his star seems much more firmly fixed, due in large part I think to the recent availability of his work on DVD. Robinson himself, in tandem with the silent cinema scholar Kevin Brownlow, is partly responsible through his access to Chaplin's mint copies of his own movies, which resulted in the superb Thames documentary "The Unknown Chaplin." In any case, it's much easier now to see and to recognize Chaplin's innate (yet painstakingly arrived-at) genius for mixing uproarious physical comedy and subtle pathos; if there is a more moving finale in all of American movies than the last moments of "City Lights," I'm not aware of it.

Robinson's approach is both scholarly and eminently accessible. And he dispels a great many erroneous "facts" that have accrued to Chaplin over the decades, many of them directly attributable to Charlie's own myth-making. The author also refutes some aspects Chaplin's late (and appallingly egocentric) memoir "My Autobiography," whose appearance in the 1960s shocked and saddened many of his former creative collaborators, who found themselves conspicuously absent from Chaplin's over-stuffed tome. If this book is not definitive -- and who can say what future writers may produce in the fullness of time? -- it is at the very least the one fixed starting point for all serious Chaplin research.

There are only two books necessary for the true Chaplin fan; "My Autobiograpy", by Chaplin himself, and this book by Robinson. While there are scores of other books on the market concerning Chaplin's life, Robinson's is THE definitive work.

If Charlie had been around to read this work, he might have amended his famous phrase from "If you want to know me, see my movies," to "If you want to know me, see my movies and read this book".

David Robinson has written the definitive biography of Charlie Chaplin. It is largely the basis for the movie "Chaplin" because it was authorized by the legend himself and thoroughly explores his life to a greater extent than his autobiography. It is truly a moving and informative work.

Robinson begins his chronology of Chaplin's life in his childhood. He was largely orphaned by his alcoholic father and was only allowed to spend time with his mother while she was mentally healthy. It was through a failed performance of his mother than he got his first taste of acting as a child. From this point, he would devote almost all of the rest of his 87 years to entertainment. In his youth, he specialized in the stage productions which entertained England. He got his first taste of America on one of these traveling tours. On a later tour, he was offered a contract by an American film company. Chaplin agreed to honor his stage contract before beginning his film career.

The book documents with reasonably precise details the process of each film he released in addition to one the public never saw and the final project he never started. Through this filmography, we see the development of "the tramp" character. With each film, the character moves closer to the final product we know.

Chaplin's personal life is well documented. Unlike the autobiography all four wives are addressed, even the one Chaplin was not very fond of discussing. The fact that his first two wives were young is not avoided. However, it must be put in perspective that people did marry and have babies a lot sooner in those days. It is only unique in Chaplin's case because the husband/father is famous and much older. Despite his work for America during war time and a professed love for the country, the slanderous allegations of McCarthyism, also known as the 1950's witch hunt for communists, forced him to finish his life away from the country he loved. Truly the red scare is made to be a more terrible embarrassment to America by this result.

Today's cinematic audience has little appreciation for the roots of the art form. Charlie Chaplin was a revolutionary and founding father in the film industry. Reading about his life is only a step in appreciating his brilliant work.

In one word : loved it. The prologue was the settting for the murders to come. It starts with the first murder in Hawaii and continues in L.A. and onwards to it's final denouement.I felt as if I was watching the story on the screen.Well written, top marks to Lee Goldberg for always creating the right atmosphere for his story.Cannot wait for the rest of my orders to arrive.

Millie Fowden

While on a reluctant vacation with his son Steve, Dr. Mark Sloan witnesses a new found friend die in a horrific shark attack. Or so everybody thinks. It turns out that the man was dead before the shark had him for lunch, so why was he murdered? The answer is a surprise, and how Dr. Sloan chases down the murderer makes for a satisfying mystery read. While The Silent Partner read more like a novelization of unused scripts for Diagnosis Murder, The Death Merchant reads like an actual novel. Even those unfamiliar with the show and its characters will enjoy it. Good stuff and highly recommended.

This second volume of the official Diagnosis: Murder novels is another winner in the series. Author Lee Goldberg brings his experiences from the original television series to these books, but also takes advantage of the form: Without the limits of a television production -- budget, time, or casting -- Goldberg is free to explore Dr. Sloan's adventures on an epic scale. As such, these books do not limit their appeal to fans of the show, but are great entertainment for any mystery fan.

Equally as good as the show. Hard to put down!!!!!

Again, Lee Goldberg has done the deed. Written a book that you don't want to put down.

I liked the episode, but the book was so much better there's almost no comparison. Steven Barnes' story of Benny Russell's struggle to preserve his dream of "Deep Space Nine" against racism blends a Christ-figure with the same restrained, tolling tone as Langston Hughes' poetry to show a man whose passion is such that it elevates his "fiction" to the level of prophecy (inside the Trek universe, anyway). Read this story and then consider its basic premise in general terms. Your life just might change in unexpected ways.

There are a number of aspects to this story that can be rated. It seems to be a fairly accurate, true-to-the-episode novelization; five stars there. It is a marvellous pure science fiction story, which leaves unsolved whether it's actually about an alternate-universe writer who is able to tap into the world of Deep Space Nine for his stories, or about Commander Sisko having temporary insanity that produces hallucinations. Again, five stars. It is a powerful, moving story about the effects of racism on a young black science fiction writer in 1953 Harlem. Once more, five stars. About the only way in which it is NOT a five-star effort is purely as a Star trek novel; ninety percent or more of this story has absolutely nothing to do with Star Trek, and another five percent is only tangentially related to Star Trek. Only the very beginning and the very end actually deal with the station and what's happening there; the plot for this tiny fraction of the story is virtually nonexistent except as a setup for the non-Star Trek part of the story. In that regard, it's barely worth two stars.

So if what you're interested in is a wonderfully told, powerfully moving story with some minor connection to Deep Space Nine, this is EXACTLY what you're looking for. If, on the other hand, you actually want a Star Trek novel, this may not be what you want.

Clearly "Far Beyond the Stars" was one of the best Deep Space Nine episodes in it's seven year run. Steven Barnes took that episode and, in a very short amount of time, turned the novelization into an amazing accoutrement to that episode. Even more so than the episode, you can feel for the characters in the book. It is at times gut wrenching and at other times totally enlightening. The author captured all of the character's with perfection. He also captured the 50's era with ease. A truly delightful book. If you've not read this, you need to whether or not you're a fan of trek fiction. It would be nice if the author would make another foray into the trek universe.

I throughly enjoyed reading this novel which is a novelization of an episode of Star Trek Deep Space Nine. The setting for most of this novel takes place in the 1950s in Harlem. Sisko (commander of Deep Space Nine) unexpectedly falls sick and is transported to Harlem, New York in the 1950s. He keeps his body but is a different person who is struggling to become a Science Fiction writer. By reading the novel we feel the main character's (Benny's) pain and wish him well, but everyone who has seen the episode knows what the outcome will be. Seeing how Benny overcame so much adversity and kept his dream alive in spite of all of the obstacles that confronted him was an emboldening story.

One of the things that I really liked about this book was how it went back to Benny's childhood and into the bodies of men from several generations back. We see Benny as a child growing up in Harlem and also as a slave in america tending the fields.

I think this story would be enjoyable for any reader, but I think those familiar with the characters on Star Trek Deep Space Nine will appreciate it much more. The story transposes the main characters from Deep Space Nine and puts them in a different setting along with Sisko giving them different names but having mostly the same personalities.

I was surprised to discover that the original episode on television was written by a white man, because it really brings out the feelings and frustrations of a black man living in a time when any black man other than a custodian, busboy or shoe shiner was seen as a threat to the majority community.

The author's note at the end of the book discusses the role of blacks in film and TV. The author makes some interesting and insightful observations on how far we've come and how Star Trek has been at the forefront in placing blacks in good parts.

If you have not seen Far Beyond the Stars -- see it. It's simply one of the best Star Trek episodes ever, of all the series. You don't necessarily have to be a Deep Space Nine fan to enjoy it either -- just being a fan of great stories, or of science fiction, would be enough.

The book is a wonderful supplement to the TV episode, adding in many details and extra scenes. It perfectly captures the tone and mood of 1950s New York, as the episode did. Benny Russell is an unforgettable character.

The only reason I don't give it 5 stars is because of a jarring line or two in there comparing the situtation of women vs. blacks in the '50s. It was totally unnecessary, IMHO, not to mention rather insensitive. A woman writer features in the story - like Benny, she's told to "call in sick" on the day the magazine staff is photographed for their next issue - how dare a woman be a sci-fi- writer? But the author says she has it better because "she can live where she wants, her kids can go to the best schools..." Hmm.

Other than that however, it's a wonderful read.

WAS WANTING TO KNOW NAME OF DANCERS IN SHOW...AND IT LISTED ALL OF THEM WITH PIC...FANTASTIC BOOK...

Didi Conn's book is OK for fans of the movie "Grease". Most interesting is her behind-the-scenes info on everything from famous scenes from the movie(like the "Greased Lightning" musical segment) to the premiere of the film. Some of her interviews with the stars are insightful and some of the photos are OK. But Conn should have perhaps hired a ghost writer as her style is a bit weak. Also, it would be nice if there were more color photos in here as well. True Grease fans will appreciate this book.

If you love the movie Grease this is a book you have to have. It is full of behind the scenes information about the cast,play,and movie. It also is full of candid pictures from cast members. It also tells about the casting and production,and is an overall wonderful book!

There's not a lot of new information in this book, unless it's about what the stars are doing now. There are lots of cool photos, although they're in black & white which is pretty disappointing. There are maybe a page or two towards the end, which are colour photos, but the black & white photos don't seem too clear for some reason.

There's not much reading to do either, and it took much about an hour to read right the way through. Didi Conn (Frenchy) was the perfect person to write a book about Grease. Whether she's babbling on about how drop dead gorgeous John Travolta, or that the actors were only a "little bit older" than the characters they were playing, she does it in such a bubbly way that you smile right the way through.

This is a terrific book, and well worth hunting it out on Ebay, or buying it used from Amazon. Mine was brand new, and managed to entertain me for a morning. But you have to be a serious fan of Grease. There is not a lot of new information, but the pictures are well worth it.

This book is full of rare information that the average Grease fan would love to know! The photos and facts are very interesting and fun to look at and learn. I would recomend this book to anyone that loves Grease, Olivia,Stockard,John,Jeff... It is truely the best asortment of information,and pictures I have ever read and or seen of the movie Grease!

Gone with the wind is a novel packed with action, love, distress, hard times, and most of all, scarlet's strong sense of lofe. be it love of the land person, or thing scarlet is so emotional its almost unreal. it is an amazing book and i reccomend it for anyone with atleast a 9th grade reading lvl.
I think that the views expressed in this book about slavery and the civil war are more realistic than in any other book i've ever read. for instance, although uncle tom's cabin was another great book i believe that the viewpoint on slavery is too dramatic. i do not believe that all southern slave owners whipped their slaves.
i hope that reading this review has encouraged you to read this book. Gone With The Wind was deffinitely a book i can and will always remember, and i can't wait to read Scarlet, the sequel!

This book is packed with information and great photographs, both in color and black and white. The majority of the book deals with the filming an abundance of behind-the-scenes shots.

Also of particular interest is the post-production section dealing with the public's reaction to the movie and the section on the Premiere. This is a great book to add to your personal library.

Gorgeous pictures. Wonderful history of the novel to movie story. All GWTW fans should have this.

First I was impressed by the quality of photos - excellent. I come from Poland where, for a long time of communism, the good quality was a rare luxury. I could see every single element of fabulous clothes. Good taste, an unattainable world of really rich people - different from those starving and hungry after war in "Gone With the Wind". A lot of pictures, too little stories and anecdotes, but this is an illustrated story, so I shouldn't complain. Vivien Leigh, Olivia de Havilland, Clarke Gable are warm and human as private persons. As actors they are shown as professionals.

This is an excellent book that chronicles the making of the legendary screen classic "Gone With the Wind". The book moves in chronological order from it's start as a novel all the way through the pre-production, production and post-production stages of what was to be one of the greatest films of all time, if not the greatest. The book is filled with numerous photos, some of them in color, many of them rare and all of them crisp and clear. There are close-ups of all of its stars (Vivien Leigh, Clark Gable, Olivia DeHavilland, Leslie Howard), the crew at work, movie posters and it's world premiere. This is a great book that will make an excellent addition to any library!

Inventing the Movies is really well written, describing with great clarity the history of innovation in the entertainment industry. Kirsner shows the century-long efforts of Hollywood pacesetters to innovate while others preferred to maintain the status quo. The author's extensive use of sources and recognizable theme makes his book compelling for both industry aficionado and the layman alike.

See the blog posting here: http://www.newsoftwarepathways.com/blog/?p=25

Very well thought out and insightful. As an independent filmmaker, and at a time when the industry is going through so much change, I found it to be a very stimulating and relevant read.

Just adding a bit to the other reviews here:

Today we are in the midst of the most profound upheaval to Hollywood traditions in 100 years, so to provide analogy, one of the most important chapters was the first one, where Kirsner should have described in some depth the primordial battle between live theater and any sort of filming. Instead, he focuses on the competition between Kinetiscope and projection, as if film had vanquished live theater on day one and all that was left to do was iron out the details. Otherwise, this book hits the mark.

"Inventing The Movies" is an incisive chronicle detailing the history of technology in filmmaking. It is filled with fascinating tidbits and facts about the struggles movie innovators faced when attempting to enhance how movies are made.

Scott Kirsner has compiled a wealth of historical facts and he presents them in a wonderfully entertaining manner.

Truly an excellent and quick read. I highly recommend this book to any cinephile looking to understand the evolution of technology in film.

As one who considers himself a dedicated moviephile, I found Inventing the Movies to be both illuminating and entertaining. The wealth of information it offers in barely more than 200 pages is astounding and the manner in which technical detail is interwoven with personal stories keeps one's attention throughout. I would heartily recommend this book to anyone with even a passing interest in the motion picture industry.

A very moving book. I knew Joel from a distance, all we would say is "Hi" to each other. Nothing more. Reading this book should be a school requirement. It does not get any better. What a fascinating man he was. He will be MISSED!

Who ever suspected Joel Siegel led such an interesting life? I couldn't believe all of the experiences he wrote about and the funny insights into his family. He included a chapter on Yiddish words which was informative and amusing. Of course throughout the book was the touching message to his son.

A man, approaching fatherhood late in life finds that he has cancer. What can he give his very young son that would impact the child's life. This book is Joel Siegel's legacy to his young son.

It could have been overly-sentimmental or morbid. Instead it is funny, profound, and deeply moving. Those of us who have faced the same eventuality that Joel Siegel has faced, will find great wisdom here, and solace.

The only quibble I have with the book, is that there are a few chapters that seem to have been added to flesh out the size of the book. A chapter on Yiddish phrases, for example, seems a bit "fluffy," though quite funny.

In all, a wonderful legacy for Dylan... and us all.

This book is a treasure in the fact that a man who has a young son (who should have been his grandson) at that age realizes that he may not be around to share all of these stories and this valuable insight to Dylan in person, and he put in print the things he would have told him (maybe) had he been a young father. The last twenty-five (27) years were a trial for him, as they were for me, as a divorced woman with a son the same age at the time of the divorce. You feel that you've just got to be there to see that son grown, then get on with your life.

He is funny. The Jewish jokes were okay, and the one he had Bobby Kennedy tell about the price of meat was okay, but this whole book is written in the joking way he thinks. Serious times about lowering the flag to half-mast on the UCLA campus the day JFK was assassinated. He was there when brother Bobby died and heard the shots. He and Dylan's mother lived in an area of New York where they were able to watch the Twin Towers burn on 9-11. This is history he passes down to his son in intimate terms.

He writes fondly "some of my best memories of my father are of him laughing while he and I watched TV. We didn't go to movies much; most families didn't in the early '50s." My sister Evelyn took me to my first movie about that time (before she ran off and eloped, ending up spending the rest of her life up North) and I marveled at the beauty and splendor of Tennessee Theater. I don't remember the movie, but I will never forget how I felt looking up at the mural on the interior dome. In the middle and later Fifties, I went to many movies there and even sang in a local talent show on that stage. It was no big deal.

As a film critic, he explains that movies are a fraud and goes into detail about how they are made. But, those he chose for viewing with Dylan were a varied and motlely group, not my choices at all. He tells how old he was when he saw them and how he felt. He dishes the dirt about some of the big movie stars. The index is full of big names. You think of one, he has met him or her and has a funny anecdote to share. TO KILL A MOCKINGBIRD, I can understand why he would want to explain to his son what is happening and why. Since he is such a funny man, I guess he would choose the Marx brothers' films. I did enjoy Groucho on the t.v. game show!

Of course, he wants 'I Love Lucy' and 'The Honeymooners' to be available for Dylan to enjoy and share a few laughs. His remembrance of live t.v. in Los Angeles, 'Time for Beanie,' brought back memories of 'Your Startime' hosted by Bob Lobertini for me as I was one of his regulars, and later he had a 'Popeye' show in Nashville where I took my sons. He told them on the air that he and I had appeared on t.v. together in Knoxville; that was stretching it -- he was the star, I the adorer.

During the 1958 Winter/Spring, one of my best friends was the young Jewish usher, Joe Feldman, at the Tennessee Theater. I had moved to the YWCA to finish high school and, that Easter, he took me to eat Easter dinner at the S&W Cafeteria on Gay Street. I still have his senior picture from Young High School.

Dylan is a darling child and so much like Ken Young when he was younger. I sincerely hope they will share many good times as he grows up -- and away. That time will come before you know it.

There are no athiests in foxholes or in an oncologist's office. Siegel, an entertainment critic for ABC's GMA, faced a terminal illness, and created this story of his first 58 years of life. (He passed away on June 29, 2007 at the age of 63).

At the age of 54, Siegel became a father for the first time and learned that he had cancer. In "Lessons for Dylan," Siegel shares all the things he wants his son to know, in case he is not around to tell him, things about his family history and Jewish heritage, life's pleasures and disappointments, the challenges of growing up (at any age), and, most important, who his father is and what Joel values. As Joel and Rabbi Larry Rafael discussed, Joel wants his son to be normal (but not average).

Siegel was born in East Los Angeles in 1943. His Romanian Jewish grandmother survived the Triangle Shirtwaist Factory fire in March 1911. (Her father banned her from going that day.) His father, a Levite, was an electrician, and he got the first African American and the first Mexican American into his local IBEW union. In 1965, Joel delivered a bag containing $800 in cash to a minister named Martin Luther King at a UCLA luncheon. ("Dr. King, I've come with dessert.") He ended up spending the Summer working for King. Siegel says he invented the names of several Baskin Robbins flavors, including German Chocolate Cake (my favorite) and Pralines and Cream. Siegel was nominated for a Tony Award for his work on a musical about Jackie Robinson. Siegel was a joke writer Senator Robert F. Kennedy in 1968, and witnessed Kennedy's assassination in the Ambassador Hotel in Los Angeles. He is co-founder (with Gene Wilder) and president of Gilda's Club, a non-profit support facility for cancer patients.

Only Siegel can make the story of his chemo sessions and a colostomy funny. Siegel candidly writes about the end of his marriage (his third) to Dylan's mother and the experience of having cancer. The famous ad man and partier Jerry Della Femina bought pot for Siegel during his chemotherapy. Siegel also shares great stories from show biz (featuring Orson Welles, Marlene Dietrich, Paul Newman, Brad Pitt, Stevie Wonder, all four Beatles, and more); lays out the History of the Jewish People in Four Jokes ("Why make trouble?"); and offers fatherly advice on sex ("ask your mother"), work, what to cook for Rosh Hashanah (recipes included), and a list of movies he would like to see with his son.

One of his letters:
Dear Dylan,
One day you might remember--maybe triggered by a photograph, or a sense memory of a texture or a color--the soft, grey cashmere sweater I bought for you for your second birthday. As an adult you may wonder, "What kind of schmuck buys a cashmere sweater for a two year-old boy?"

The answer is: A schmuck who tempts fate.

Another fantastic book from Focal Press. This book by Jason J. Tomaric is a fantastic resource guide, covering all aspects of filmmaking from start to finish. Well written, and a DVD loaded with extras! Don't make an independent movie without it! Highly recommended!

Newer thought that I would be considering working on a feature film, but reading and viewing Jason great material just gave me the feeling that I also could do it.

Books like this promise a lot but I have to say that Jason has done an excellent job of condensing the complex task of movie making into concise and accurate descriptions of each discipline. I've experienced quite a bit in the film business over 30 years and time and again as I read this book I kept saying "Oh yes, that's true." It is also a great reference for those noodly details one needs from time to time like proper script format. There is no need to hunt through your library for the answer, script format is right here on page 27. The other good thing about Jason's breakdown is the responsibility associated with film making regarding money,permissions, safety and insurance. I cringe when I think back on how we made 16mm indie films back in the 70s. In some cases we were lucky to be alive afterward much less sued! The Power Filmmaking Kit is terrific primer for those who wish to make a movie in the classic tradition for very little money.

Mark Sawicki
Motion Picture Effects Cameraman/Actor and Author.

I was so frustrated with the lack of practical filmmaking instruction that I took two years out of my life to write and illustrate "The Shut Up and Shoot Documentary Guide", so I speak from the heart when I say that Jason Tomaric's "Power Filmmaking Kit" is a rare wonder of practicality, conciseness, and valuable filmmaking wisdom.

There are two ways you learn the things in a solid practical film book like this:

1) the hard way- by doing it and learning from your mistakes (fine if you've got the time and the money) or

2) by being smart enough to study and learn from a book like this how to stretch your time and money and get better results.

After fifteen years in this business, I still found plenty of valuable tidbits, forms, and practical wisdom in Jason's book and the jam-packed DVD lessons to make it more than worth the cover price. I only wish I had access to a book like this back in my film school days.

Yet another big shot in the DV Revolution. Well done, Jason.

Author Jason Tomaric has written, directed and distributed several minor independent features which is a laudable feat. Yet, Tomaric has surprisingly little to say about the filmmaking process. Sure, there's a lot of information here, but nothing you couldn't get anywhere else. Even the skimpy material on his own productions generally amounts to one thought--"Need something for free? Just ask!" What makes similar books like the Complete Guide to Low-Budget filmmaking (Josh Becker) or Make Your Own Damn Movie! (Lloyd Kaufman) interesting is the authors' willingness to share their personal views and stories of their triumphs and failures. Other books like The DV Rebel's Guide (Stu Maschwitz) and Digital Filmmaking (Mike Figgis) are authored by highly-regarded professionals who describe how low-budget technology potentially transforms mainstream filmmaking processes. Tomaric, on the other hand, opts for an encyclopedic "wide as an ocean but shallow as a water basin" approach. The result is a paint-by-numbers text that reads less like a book and more like a reasonably executed career move.

If you're a fan of Heath Ledger(or have seen the TV series) you'll know basically what this book is all about. I've always believed that a movie can never capture the magic of a good book, and this is a good example of just that. Through reading this masterpice by Sean Kiernan, you become much more aquainted with the characters and their feelings,and are given much more information of the relationship between Conor and Claire(how they first met, etc). Well worth reading.

I have never seen the show ROAR, but the book was awesome! Sean Kiernan is now one of my favorite authors, and I can't wait to read the sequel. It was great literature, very descriptive. I couldn't put it down. It had a different sort of plot, but very interesting. I recommend it! Great book!

I've been a fan of the series since it first aired and was extremely disappointed when Fox cancelled it without airing the last 5 episodes. I then heard about the books coming out, but could not get my hands on them till now. I finished Roar yesterday and all I can is wow! I love that they included the story behind the story with Gar as a young man and Conor not even born yet. I also liked the allusions that were made about Catlin's father. Overall I thought this book ran true to form and I'm glad that nothing was cut out that was in the pilot episode.

the Roar book was great because it gives you all the background for the show in great detail. (even if it is a little late for that) i loved the show and was upset when it went off the air in '97. this book was like a breath of fresh air to my stifling passion for Roar. i thoroughly enjoyed it and will read it again and fully intend to read the sequel. A must for any Roarior!

I had watched the T.V. show befor I read this book ( and before the show was canceled) and had thought it was great. As soon as I read Roar I thought it was great. The characters in the book were a great match for each other. If you like fantsy and Scifi, you'll love this book. And the sequal is really, really good to. It is almost better! (Sorry if there is any spelling mistakes!)