Television Books

Another great book added to my collection.When I was reading this book,i kept thinking back to when I was watching the episodes and I laughed a lot.It all made a little bit more sense to me,(Im not all that good when it comes to understanding everything that they say)This book is a MUST HAVE for any AbFab fan!

Having seen most of the episodes that are in script form in the book, it was really hilarious to read them and think back on the episode. Five+stars for this one!!!!!!!!

Jennifer Saunders is one of the world's greatest comedy writers. If you are serious about comedy then you need to see Jennifer's show, "Absolutely Fabulous" on Comedy Central Cable TV. Airs on Saturday afternoon 4p.m. (Pacific time). This comedy was so succesful the American Networks rejected it for being "too funny!" Go figure. In any case, if you want to learn some great comedy buy this book, and watch the TV shows. You can also purchase Jennifer's movie, "The Last Shout" and her TV episodes. Jennifer Saunders is top notch professional comedy to the utmost. James Russell/California.

Buy this book-PLEASE! Do everything you can to get your little hands on it. You will not regret your purchase. J. Saunders is a comedic genius. She writes with the talent and craft that all comedians-turned-tv stars in the US dream they could posess. No comedian--not Jerry Seinfeld, Rosanne Barr, Jim Carrey--can write anything remotely as entertaining, funny, and completely fresh as Saunders. Not even Friends is this funny--and I enjoy that show.

No American sitcom can touch the level of orginality, spunk, finese, and energy of this British television show. In fact, 90% of the things done and said on this show are not permitted on American television (save the cable channel Comedy Central) because the show would be so funny (in comparison to all other US sitcoms) that it would expose the Grand Canyon-esque gap between it's sublime quality and the bloody mess that is American sitcoms.

(If you do not believe me, that US shows have become, well, redundant bird droppings, just watch any show starring a one-time-stand up-comic and see if they don't do the "I killed/lost your pet and bought a new one that looks exactly the same to fool you" number). Pure, uninspiring wishy-washy tv. I'm 24 and I swear that I have been watching the same show over and over again, no matter who they get to star in it or try hide this fact under a new series name. Sounds like you? Enter . . . Abosultely Fabulous.

Absolutely Fabulous 2 is truly beyond hilarious. My gosh! I do not know how J. Saunders and J. Lumley are able to transform mere words on a page to the masterfully acted characters of Edina and Pasty that they inhabit on screen.

I will never grow tired of reading or watching these episodes. Although this collection lacks the episode "France" which is also another favorite, the book features the scripts for the best ABFAB episodes ever. I am talking "Poor" "Morocco" and "Hospital"--they are the series finest and showcase Eddie and Pats at their best.

Buy and read this book while watching the corresponding episodes to see what I am talking about. You will not be disappointed unless you were expecting God to appear--oh, wait, that happens, (in Absolutely Fabulous the Last Shout which is absolutely required watching). Bye, Sweetie Darlings.

One of the more interesting Dr. Who books, that catches everyone up to date at time of publication. Also covers material in Time Flight 1 and 2 (which are also worth picking up). This is good for Dr. Who fans, and just about anyone who bought their kid (or themselves) a cyberman talking helmet for Christmas. Along with sonic screw drivers, phone activated tardis, or the host of other doctor who memorabilia out there.

For those that missed most of the first, second and third doctors, this makes an interesting review into those characters and how they reacted, acted, and their part of the series.

Overall a very enjoyable book, and while there are debates on its true authenticity, it is still worth picking up and reading. I enjoyed it, but then I am also a rabid doctor who fan, and in relationship to the other books like Time Flight and others that came out in the last few years, it is an enjoyable book to read.

The time and effort spent, and the attention to detail are represented on every page. Especially enjoyable where the essays featuring Parkins' own theories on some of Doctor Who's mysteries, and the section collecting all know references to the Doctor's own personal history. Whether you are a new fan looking for more info on the Doctor, or an old fan looking to put a little more order into his world, this book is for you.

"Ahistory" is the latest edition of Mr. Parkin's attempt at chronologizing Doctor Who. As such it is a humongous work with seemingly endless entries about every tiny nuance that ties individual episodes of Doctor Who together, along with the books and audio adventures of the same.

The trouble here is that everything is an enormous mess, because nobody really cared all that much about continuity in a show that was originally designed to be shown once and then taped over.

What makes it worse, according to "About Time" (which I recommend instead), Mr. Parkin seems to have actually written Doctor Who novels to cover plot holes in the continuity (such as Tegan not liking transmats when she'd never seen them before in the show -- surprise, there's a story he wrote where Tegan encounters transmats!)

There is much in this book. Far, far too much. Also it contradicts many things that are said in "The Discontinuity Guide" and "About Time". It even contradicts itself in places.

One gets the sense that it's all a bunch of fanboys arguing with one another, and not a respectable history (or even ahistory) that tries to be definitive.

So this is a terrible work for someone wanting an introduction to Who, but is great for those who want to write their own Who and would like to know what happens in the Somethingth Century so they can put their story there.

The major redeeming feature is that "The Discontinuity Guide" and "About Time" do not cover the books or audio adventures to any real extent, and "Ahistory" does. But even this can be seen as a handicap when there is still much debate over the canonicity of the books or audio adventures.

A purist will probably go for just the television series, as there is enough of that to last a lifetime (28 seasons so far), and will likely wish to pass on this book. But the rest of us; the completists, the people interested in what the novels are saying without wishing to actually read them, and the novelists and writers of fan fiction; these will want to have a crack at "Ahistory".

Ever wanted to know when the Cybermen were created? Or how about when the Daleks invaded Earth for the first time? Or perhaps how the universe began and how it will end? Well fans here's your chance with Ahistory (Second Edition). So is there a difference with the first edition? Oh yes and that difference is the reason enough to get this one.

This edition has been expanded to cover not just the books and Big Finish audios published after the first edition but the two series of the revived TV series featuring David Tennant plus Torchwood, The Sarah Jane Smith Adventures, and even the long running Doctor Who comic strip. Where has the first book contained 500 or so stories this one contains well over 800. It also presents interesting theories regarding continuity gaffs over the various stories.

One of the best things about the book is that it gives nice, neat little summaries of each story which is helpful when you're a fan seeking good stories. The summaries are usually filled with spoilers for the different stories so consider your-self officially warned.

While the spoilers aren't good for new fans, long-time fans should enjoy this. Full of theories and dates, this book should be helpful to any fan fiction writer looking for a good time to set a story at. Or if you're a die-hard Who fan seeking to know history according to the Doctor, it's just about as good as stepping into a real-life Tardis. Definitely recommended to Who fans.

This book is a fascinating, engaging read. It feels more like a great story than a history book, but is a really interesting insight into the beginnings of WSM, the early history of radio, country music, the Opry, the start of many a famous name in broadcasting, and Nashville itself. Thoroughly enjoyable, I would recommend this to every reader I know.

I believe Air Castle of the South is an important book, in that it goes far beyond the history of a musical genre. It sheds light on the mindset of those who first dabbled in a revolutionary new medium. The innocence, curiosity, and zeal of some of radio's brilliantly naive pioneers is painstakingly recorded, as is their evolution from enthusiastic hobbyists to full time broadcasters. But this accessible read is not just a nostalgic indulgence. It's full of insights for the era-changing times we are in now, where the Internet is opening new doors of opportunity for those willing to rethink the why, the what, and the how. As a performing artist who came up through the ranks playing on country music radio shows, including the Opry, Air Castle rekindled my affection for the charm and simplicity of those shows. As someone who grew up listening to a transistor radio in bed late at night with an earphone, it renewed my love of the medium of sound; where the absence of force-fed visual images allows one's imagination to create them in the theater of the mind. Thank you, Craig Havighurst, for this invaluable work. It is clearly a labor of love.

Havighurst has compiled a tremendous amount of information on this subject into a story which comes to life. I can't imagine any one writing a more definitive work on WSM and that era. He has succeeded, for this reader, into making WSM a living, breathing character unto itself within this story. I'm not even a huge country music fan but no matter, Havighurst's storytelling style and obvious passion for telling this story won me over early on. Once I picked it up I couldn't put it down. He made me feel as if I was right there in the early days of radio, watching and listening as all the early pioneers of the industry shaped the airwaves. Great read for anyone interested in how radio began and evolved and it's impact on not only country music but the world as well.

Just finished Craig Havighurst's magnificent history of WSM. It's a read that you hate to see come to an end.

What a GREAT station WSM was in its golden age which extended into the TV era while other stations of its size threw in the towel and got rid of its live musicians and the stuff that made bigtime radio great.

The book comes to a sad ending--the rash sacking of TNN and Opryland--and I kinda felt like I was finishing the final pages of "Gone With the Wind."

Anybody with an interest in Bluegrass, Country, Nashville, big time radio, the Ryman and/or the roots of country music and broadcasting has to read this book.

This would be a great way to start a unit for upper elementary kids on media and truth in journalism. It's a visual delight, and has lots of details to spark further inquiry. While most kids today think they are pretty media-wise, can they indeed tell the difference between "entertainment" and "infotainment?" A fun visually engaging introduction to the "War of the Worlds" broadcast, might provoke some interesting conversations in the classroom.

Aliens Are Coming is about a false radio broadcst about aliens.This book illustrates how a little prank could affect so many people. I thought this book was great and you should too.

Picture book non-fiction. A hard format to write in, or the hardest format to write in? Every year countless libraries get inundated with the same old same old. Your bee books. Your dinosaur books. Your fifteen different biographies of Teddy Roosevelt. So you can imagine my surprise when I picked up a book that looked... different. You don't expect something called, "Aliens Are Coming" to be factual. You especially don't expect it to tell the truth when you flip through the pages and see large multi-tentacle-laden outer space beasties terrorizing the natural landscape. But then, it helps to know your history. Seeing the 1938 radio broadcast of "War of the Worlds" for what it truly was (perfect picture book fare), McCarthy gives us, thrills, chills, and some wonderful little factoids in the back of what I might well call my favorite non-fiction picture book of 2006.

It's the 1930s! Good old 1930s. Open the book and here's a cheery announcer telling kids that back in the thirties the primary source of entertainment and information was the radio. It then explains that some people "were easily fooled by a radio play that sounded like an actual news bulletin". Turn the page, and everything is black and white. We're looking at a typical American street scene. "It was October, 30, 1938, the day before Halloween". We next see a nice black and white scene of a family gathered in their living room. The noise coming out of the radio forms into colorful dancing sequences. Suddenly an announcer comes on and starts talking about a flaming meteorite that has fallen in New Jersey. As the listeners grow worried, the scene shifts to a field where a group of people stand around as a flying saucer slowly begins to open up. It's aliens! And they've come to conquer us all! They ransack the farmlands. They invade the cities. They land all over the country. "Was this the end of the world?" Certainly a lot of people listening thought so. The pictures are back to black and white and we're seeing clogged highways and jammed phone lines, and police investigating perfectly calm fields in the country. It wasn't the end of the world. It was Orson Welles and his troupe of actors at the Mercury Theatre performing a realistic version of "War of the Worlds". Interesting factual information rounds off the book with the true story and fun info about subsequent readings of the story (with similar results).

Part of the fun of this book is that there is no indication that any of this story might not be entirely on the up and up until you reach its end. Then it finishes a bit abruptly. Still, imagine introducing this book to a room full of second graders. You tell them in all seriousness (preferably around Halloween time) that this book is a true story. True true true. Then you fill their little heads with a wacked-out tale of alien invasion and widespread panic. The fact that they've been duped only makes them (like those poor 1938 American citizens) only more intrigued and want to read the book again and again later. The pictures make it ideal read-aloud material, to say nothing of the haunting scenes, colorful during the broadcast and bleak in real life. Though McCarthy works with a misleadingly simple palette, her pictures have a great deal of depth, tone, and character to them.

Actually, author/illustrator Meghan McCarthy has always struck me as being underrated. She first came to my attention when she wrote, "The Adventures of Patty and the Big Red Bus". Like a cohesive Lauren Child, McCarthy is particularly good at her atmospheric round-eyed cartoonish illustrations. She seems at her best when she's writing non-fiction too. Her factual information bringing up the book's rear is just amazing. All in all, this is one of the most amusing and wonderful titles to grace libraries and bookstores this or any year. A great idea for a book and superb follow-through. Amusing to its core.

One of the most famous - or infamous - hoaxes in American history, an event that terrified hundreds of thousands and sent normal people into panic-driven frenzies, may not be the first thing you'd think of when you consider writing a picture book for young readers, but thank goodness Meghan McCarthy had a vision for this book that presents this very significant snippet of Americana in a way that not only won't scare the bejeezus out of your little alien hunter, it will entertain them with great, kid-friendly art, and educate them with photos of the period and some really well-researched historical information in the back pages that will make this one a staple in American classrooms. A must for anyone studying the time period.

This engaging and readable account of modern GLBT/queer history argues that gays and lesbians have become increasingly visible in the past thirty years. Whereas it was once scandalous for GLBT people to meet publicly, many 'mainstream' institutions such as Disney sponsor gay days, if nothing else to demonstrate their own 'inclusivity' and gain money from this community.

Because coming out is such a common event today, myself and other generation xers (regardless of our own sexuality) may inadvertently dismiss the revolutionary impact these declarations of self had for the generations of Americans who were conditioned to believe that GLBT and 'well adjusted' were essentially contradictions in terms.

Gays and lesbians were not the lonely mysterious stranger but friends, neighbors, and coworkers. Any depression which these individuals experienced because of sexuality was the result of society intoning negative self-esteem messages rather than the 'natural' state of being.

Walters's book is also important because she traces how a rise in GLBT visibility (although not the same as equality) has prompted a backlash. The right wing vociferously campaigns against gay rights in today's environment because the greater cultural visibility has effectively undone their own world. Whatever they actually think of GLBT rights, now having to acknowledge that GLBT people exist is a very uncomfortable development.

Prior to Stonewall, these people and their predecessors were effectively enabled to pretend that GLBT people actually did not exist because the prevailing cultural norms had prevented GLBT visibility.

This book primarily deals with the cultural aspects of GLBT rights, but it is still an important and essential read. Both scholars and/or community activists will want to understand how cultural visibility is not the same as political equality but is necessary for facilitating the progress.

Author Suzanna Danuta Walters chronciles the history of gay visibility in America excellently in this book! Looking at it from a variety of perspectives: Cinema, Television, Advertising (Marketing)and her own personal accounts of being a lesbian parent. While the debate rages on over assimilation, equal rights and the unigueness of gay culture, I feel that the author has done an excellent job bringing to light valid arguements while chronciling the history of how far we have come as a culture and how much furhter we have to go. It never ends and we are fooling arourselves to think that it does.
It sometime shocks and angers me how the gay community refuses to support such good work as this. Ignorance in anytything is not bliss!

Anyone interested in any type of gay studies should read this book. The author puts together tons of research into a rich and well developed text.

This is one of the most thorough and thought-provoking books I have ever read. I couldn't put it down and have in fact read it more than once. It offers a current and readable analysis of the contradiction between gay visibility in America and the growing trend of such Anti-gay initiatives as the Defense of Marriage Act. It was very enjoyable to read and very insightful.

"All the Rage" presents a readable and engaging overview of
gay and lesbian cultural visibility in recent years, with
emphasis on the growing representation in television. The
book takes a middle-of-the-road view that cultural visibility,
while good, does not necessarily imply progress in achieving
political rights (and, in fact, growing cultural visibility
for gays and lesbians has coincided with increasing efforts
to impede progress toward gay rights). The book offers a
number of insights through detailed treatments of particular
TV shows, advertisements, etc., with loving attention. I
thoroughly enjoyed reading this book, and I learned a lot on
the ride.

Then this is the book you have to get! I loved the film, ALMOST FAMOUS (so much, that I went to go see it at the movie theaters towards the end of it's playing by myself - usually, I go to the movies with at least one other person). ALMOST FAMOUS is really the best film I've ever seen in my life. I can't believe it only won one Academy Award and didn't get nominated for Best Picture! Oh well, if you wanna see the exact Oscar-winning script from the film than this is the best thing you can get. I went out to the bookstore recently and bought this and I was not disappointed in the least! I loved every moment of it. In fact, I am trying to memorize the script so when I buy the video, I can repeat every single word they say in the film. This script captures all of the highlight moments from the film and if you missed a line or two while watching the movie, you can probably find it here in this book. Also, the intro written by the author is pretty cool, too. Also, the author has an interview with Cameron Crowe himself, and Crowe explains many parts of the film that were most confusing to you. Plus, there are some great memorable photos directly from the shooting of the movie (though they are all in black and white) to add to this true ALMOST FAMOUS collectors' item. A great read and a must have for all ALMOST FAMOUS fans! Trust me, you won't be disappointed.

As good as the movie. Well, okay, better. (Isn't the book always better?) This includes details the movie left out and tells the story just as well. Also includes interviews with Cameron Crowe. EXCELLENT Book.

After seeing the movie I couldn't wait for the book to come out. I got it the first day of November and read it in like one day. I am now reading it again and picking up more then I did before, not because I read to fast but because you just do. If you are a fan of the movie and want a little behind the story look then get this screenplay (book).

When a film becomes the darling of the critics and viewers alike, you can be quite certain a good script is at the core of the success. Almost Famous is no exception. The screenplay is remarkably close to the final edit of the film, with only a few scenes that will probably make it into the DVD release of the film. These scenes fill out the characters even more, and in at least one case, anchor a wayward reference in the final cut of the film.

Several characters in the film will become immortalized by their dialogue, and savoring it in the context of the entire screenplay is a real treat. In addition to the screenplay, there is an interview with Cameron Crowe that covers many of the questions you or I would like to ask Crowe about this film. Yes, almost all of it really happened, and Crowe gives his take on a world and lifestyle that albeit passing and circumstantial, became real for the people who lived it. I recommend it highly.

an informative and entertaining look at gay and lesbian images on radio and television through the decades. the author makes a number of interesting and relevant points in a non-judgmental yet authoritative style. should be on all public and university library shelves.

Witty, insightful, daring, complete, and as non-dry as you can get, this book goes where none have gone before, not only regaling us an authoritative on-screen compendium of lesbian, gay, bisexual and transgendered images, but the "stories behind the stores" - lesbians invading NBC studios, gay activists interrupting Walter Cronkite on the air, from the tortured, pitiful images of the early "exposes" of "the gay lifestyle" to full, responsible news coverage of activism. Neatly divided into small chapters, it weaves the tale of the first whispers of the "love that dare not speak its name" through to the out and loud shouting of "Ellen" and "Will & Grace" (and the format, for better or for worse, makes for great bathroom reading). An absolute must-have for every queer library and TV fan.

Author Steven Capsuto chronicles the history (1930-2000) of gay and lesbian characters on Network TV and in doing so mirrors the history and struggles of the gay community to be shown as real, full human beings. Even as a reader familar with much of the material mentioned here I even discovered new things that I didn't know. While heterosexual television character continue to romp all over the screen in wanton abandon, even the smallest, simpliest signs of affection between two characters of the same sex is treated with scorn. Has the gay community actually progressed? Given the choices of lonely Will on "Will & Grace," the constant in your face gay sex on "Queer as Folk" and the little screen time of the now lesbian romance and soon child for Dr. Weaver on "E.R." I'm not sure. Media (especially televison) and gay and lesbian studies scholars should take note, there is such a wealth of a history and knowledge here that it can't be ignored. A rich, acurate and very well written text.

The first striking thing about this book is the amazing amount of research that would have been necessary to have written it. Just how does a person master this much material, run down particular episodes of "Medical Center" from the early 1970s or "Hill Street Blues" from the 1980s, and dozens of more obscure programs? I don't know, but Steven Capsuto has managed to do it.

The result is a singularly fascinating book, and a worthy companion to Vito Russo's The Celluloid Closet. And since television plays a more important role than movies in shaping public perceptions of gay people (and in helping young gay people to understand their places in the world), Capsuto's project is arguably even more important.

For gay readers over 40, this book is likely to produce some strong nostalgic feelings. Reading the author's accounts of such significant broadcasts as "That Certain Summer" (with Hal Holbrooke and Martin Sheen) or "A Question of Love" (with Gena Rowlands and Jane Alexander), one can't help but reflect on memories of a former self and how the world was then.

For younger readers, this book will fill an important gap in their cultural knowledge--what happened many years before Ellen and Will & Grace, "lesbian chic" and heightened gay visibility. It also tells the story of lesbian and gay media activism, of the Gay and Lesbian Alliance Against Defamation (GLAAD) and its forerunners. And Capsuto covers television and radio depictions of bisexual and transgendered people in his thorough account.

Perhaps most important, the book also helps to illuminate a continuing flaw in television depictions of gay life: for all the progress of the past decade, there continues to exist a kind of unwritten Hays Code that bars most expressions of affection or sexual desire between persons of the same sex from American network television.

Will & Grace continues to depict what may be the only attractive, witty, smart and successful gay man in Manhattan who has no sex life. In its own way, this show is as deficient today as was "The Andy Griffith Show" in depicting (during the height of the civil rights movement) the only town in North Carolina with no black people.

Television provides a crucial window through which we see our lives and our society. Capsuto's book helps us to remember how skewed that vision has often been, and to realize the important changes that are still needed. This is an important work of cultural and social history.

I first read this book a couple of years ago and thought it was very clever. Though the author sometimes sacrifices compelling language to reach a rhyme, the overall story is a rich, satirical tale for adults about how TV is used to lull a group of dissatisfied slaves back into complacency, presented in the guise of a children's book. I bought a copy recently to read to my junior high media literacy class in honor of "Turn Off Your TV Week" and a lot of it flew right over their heads. I think the rhyming helps to cloud the real issues being presented so I would recommend this title only for a high-school-and-older audience. Also, this book, unedited, is not suitable for read-alouds as it is deceptively long (and one can only listen to rhyming couplets for so long).

A classic! Fable for today's kids. My boys got the message, and my husband and I both loved it! Our current family favorite.

This is a fun book. The graphics are really engaging, and the writing has a really incisive glance at consumerism and how TV and media control every aspect of our lives. It's a nice follow up to Snark, Inc. and in many ways it's a stronger book.

Turn off the TV and check it out!

This is a very clever follow up to Snark, Inc. I read a review somewhere stating the book puts more twists into fewer pages, and I agree with that. I liked Snark but this book is more of an interesting critique of its enemy (if you will) as it has a stronger narrative. I think the best underlying theme of the book is that the "protaganosts" are treated as a faceless collective - which is exactly what people become as media consumers. There's a great illustration to convey this when the Snox Boxes are delivered to slaves, and they're all in the background with no discernable faces. Definitely worth picking up if you have your doubts about the true intentions of mega-media corporations. Control, control, control!

This is one of the most thoroughly researched film biographies I have ever seen. This book relates the life story of Tom Mix, the silent movie star who dominated Hollywood in its early years. Jensen has provided extensive documentation of all the information contained in this work, including material from original sources stored in the back rooms of libraries and museums. Due to the research and reliance on original documents (personal letters, court records, etc.), there is a considerable amount of material contained in this book that has never been published before now. This book is a true tribute to Tom Mix, and will serve as the definitive biography of his life and career for many years to come.

One of the better books on Tom Mix.I really enjoyed this one,it
tells the Mix story warts & all.Apart from spelling errors & some incorrect facts Mix fans will go for this one.A good proof
reader would have helped!!!
John,"B" Western fan.

I loved this book and agree with these two reviews that were on the back cover:

"Here is Tom Mix as he really was ... captivating ... enchanting ... a splendid book."
- Richard S. Wheeler, five-time Spur Award winning author of "Trouble In Tombstone."

"...the most complete biography of Mix's life of trials, tribulations and victories."
- John Duncklee, author of "Bull By The Tale."

"The Amazing Tom Mix" reads like a novel but it's a biography, which to me made it all the more enjoyable. I only knew a little about Tom Mix but my parents remembered him, so I read it and then gave it to them to read. All of us agreed that the book was fascinating. There is so much detail in the book, but you don't get bogged down in it. It's just a great book.

This is an extremely entertaining, compulsively readable book. Doerksen mounts a compelling case for his view that early radio involved much much more than the non-commercial high-brow recordings of the national networks. But the great joy of reading this book is in the stories. Doerksen gives us robust, full-bodied descriptions of the people who filled the airwaves of the 1920s, of the (sometimes craven, sometimes wacky) things they cared about and how they tried to use radio to promote then. Whether or not you think you're interested in early twentieth century broadcast history per se, I can guarantee you'll be enthralled by the outsized on-air personalities Doerksen brings to life.

Doerksen uncovers the fascinating yet neglected histories of the independent stations that operated in the dawn of radio broadcasting. He details their (sometimes) humorous battles with the corporate players and the Federal Radio Commission and the ultimate demise of these stations under re-written rules and "consolidation". I was surprised to learn that it was the populist stations -broadcasting hillbilly music or vaudeville acts or ultraconservative diatribes or "smutty jazz"-- who pushed broadcast advertising, not the "Big Four" corporations or the advertising industry. A concise and easy read.

This was an interesting book about how the medium of radio was perceived when it was brand new. Essentially middle-class people attributed all sorts of miraculous potentialities to broadcasting, and expected it to bring universal culture, prosperity & wisdom. In other words, this was the Twenties version of the Internet bubble of the 90s. I kept expecting the author to refer to the obvious historical parallels between the two mediums but he never does. I actually found it distracting as I got closer to the end of the book, wondering when he was going to acknowledge the 9,000 pound elephant standing in his foyer. Maybe the author is so old that he hasn't heard of the Internet or something. Anyway, other than that, it tells an interesting story.

Anyone interested in radio history or the 1920s in general would enjoy this book, which tells the stories of forgotten pioneers of radio from the days before the networks took over the airwaves. A lot of the radio personalities profiled were kind of crazy and the book is often quite funny. It's very well written and I read it cover to cover in two sittings.