Television Books

Don't you think it'd be GREAT, if Amazon listed the book's true author as Arianna Stassinopoulos instead of Arianna Huffington? I mean, really. Oy.

I can't believe no one has reviewed this book...so although I have never written one before here goes....
Critics say that this is the best book on the intensely private yet captivating Maria Callas. I'll go farther than that and say that it is the best biography I have personally EVER read and I am a huge fan of biographies. Yet, I can't quite put my finger on why its so good. Maybe its because Arianna Stassinopoulos shows a profound empathy for the diva or perhaps it's because she interviewed practically every living person who knew her. Maria Callas, the love interest of Aristotle Onassis who later dropped her for Jacqueline Kennedy, and of course the greatest dramatic opera singer who ever lived, is brought to life right in front of you in this fantastic, well ..... just read this book. You'll love it as much as I do.

The book is very good, but in some parts can be quite dull if you are not an Opera fan or musician. The beginning up to when she becomes famous is exciting, and the end as she is no longer quite so famous, is interesting. But the middle is redundant. Arianna goes through detail after detail of each and every performance. That to me is not exciting to read. But because I was curious about the whole Onassis/Kennedy/Callas triangle, I waited. It is important though to read everything to understand her personality. This woman was a wonderful person and a great legend, but she definitely suffered I would suspect from Histrionic Personality Disorder. Onassis is definitely a complete dick, not that this is a surprise, he reminded me a lot of Diego Rivera when it came to women as his possessions. They might have been friends had they known each other - although I suspect thier politics were different. I also purchased a CD to hear Maria sing and often played it while reading, quite a beautiful experience. I was not an Opera fan prior to buying this book. I only bought it after seeing the movie from Netflix - Callas Forever - a Historical Fiction. Curiosity got the best of me and now I am a fan - of Maria.

The number one recall I have about this book still haunts me to this day... her abortion. Onasis giving her the choice, him or the child.
Haunting. Horrible.
Above all, this book was a major "undertaking" for the author which she executed superbly! What a story! What a book!

(To the reviewer before me: Now we're two.)

I have not read any other biography on Callas, but I listen to her avidly (her La Wally aria is particularly addictive) and have her Tosca performance on DVD as well as the documentary Maria Callas: Life and Art. But Callas's music alone has always made me wonder about her. Such deeply mined emotions in her singing, such ferocity, such purity, such power. How does she get all these in her performances? Where does she mine them? Zefirelli has compared her to Michelangelo, Bernstein has called her the greatest artist in the world. This book answers these questions and explains why. I have to say that it is a compulsive page-turner, even now in the twenty-first century where opera is no longer mainstream. There's always something interesting in each page. At the same time the biographer doesn't belabor a particular episode or detail in Maria's life as to make it boring or overly dramatized. And Arianna Stassinopoulos is no Kitty Kelly: everything seems very well-researched and reliable.

I've got copy 4066 of this sumptuous (and reassuringly?) expensive package and I thought this review should really detail what you'll get for your money.

ONE: An oversize Kodak color film box, nineteen inches high by sixteen wide and three deep, this is a big facsimile of the box that De Dienes kept some of his Marilyn prints in. The package weighs twelve pounds and will hardly fit any bookcase. The inside has recesses for the two books and one booklet. Black silk tape allows for easy access of the contents.

TWO: A large, beautifully designed and printed, 240 page book of Marilyn photos printed on thick paper. Although the printing screen is not the highest (150 dpi) the photos leap off the page, especially the full-page color ones. Many of these photos seem to be very private shots of Marilyn that De Dienes took during her career (a few show her with other people, a hairdresser and bookseller). Several at the back of the book show Marilyn's face montaged into clouds or surrounded by celestial bodies. Between the photos, printed in silver ink and in a large typewriter font, there are excepts from De Dienes memoirs. Also printed in silver are smaller photos with his hand-written captions.

THREE: A booklet with twenty-four, one to a page, magazine covers featuring De Dienes photos of Marilyn. Seventeen of them are European titles. Predictably, great photos are weakened by logos, cover lines and generally poor cropping. I thought this booklet was rather disappointing in its production.

FOUR: The 608 page facsimile of De Dienes manuscript and composite book. I think this is the most fascinating item in the box because of the production problems. The original pages were typed on one side of a sheet of ordinary paper and this facsimile is on similar weight stock so that the back of each page has some text showing through, as the original (There is a production problem here though, the paper rightly has text show-through but the photos do as well, on the original paper only the white back of the photo would have been visible). Although the manuscript was in black and white it has been printed in four colors to create the aged paper look and the few handwritten numbers in green and red that De Dienes wrote on the photos. You can see all of his corrections and deletions to the manuscript and read the comments he wrote about the various contact prints of Marilyn and other printed ephemera he stuck on back of each page.

The original composite section has a hundred pages (it becomes two-hundred pages in this facsimile) of cut-out contact prints which De Dienes stuck on the typewriter paper, again they are reproduced in four-color black because of the occasional handwritten colored numbers, even the image of the punched file holes on each page is reproduced. Hundreds of these contacts show how he photographed Marilyn and you can see how dozens of shots were taken of which only one or two were probably published. Most of these images have never been seen before and certainly never in the form that they are presented here.

Overall I think the Marilyn Box is an amazing production package. A world famous visual icon is presented in a unique way.

*** FOR A LOOK INSIDE click customer images under the contents photo.

A truly wonderful pictorial memory of Marilyns early modelling years.The photos capture the emotion that exsisted between Marilyn and Andres and are uniquely presented in the large book.The box containing the books is truly one of a kind making the entire publication very special and authentic.

When I opened this box on Christmas morning, I felt like the luckiest girl in the world. A recent convert to Marilyn-ism, this was one of the first books about her I owned, and I'm so glad, because I think it's important to know Norma Jeane before you know Marilyn. These huge, glorious photographs taken by Andre de Dienes capture her innocence and natural beauty at a time when she was an unknown model. De Dienes' memoirs are touching and reveal Norma Jeane as she was to him, a man who fell in love with her, as so many would in the future. After paging through these books, you are left to feel as though Norma Jeane Dougherty would never look quite as beautiful again (and of course she would, but not in the same way). Revealing Marilyn Monroe at her earliest beginnings, this limited edition package is definitely worth the money.

For the Marilyn fan, this is a great book. The photographs reproduced in the large book are magnificent. The large book is difficult to read with silver ink on white paper, but it is cleaned up excerpts from the smaller facsimile typed recollections of De Dienes. It is heavy, thus a sturdy coffee table is required.

This book by Andre de Dienes is the most amazing title ever assembled on Marilyn Monore. ANY fan of Marilyn's will find this book worth every dollar. The design and reproductions are amazing! The diaries are a wonderful read! ...

I would spend a lot more for this book...it is worth every penny and you will squeal with delight when you first open it and find all the goodies inside. PAPER goodies.. LOL

Excellent book on the life and times of the great legend Bob Marley. Absolutely a must have for all Bob Marley fans. I couldn't put the book down until I had finished it. I highly recommend this book, it definitely deserves a five star rating.

The book came very fast and was in brand new conditions. I would recommend purchasing from this seller and would buy from them again.

When this was opened at X-mas, brought the recipient to tears. All the goodies packed into the book are amazing & worth every penny!

This is a nicely packaged (and slipcased) celebration of a reggae icon with beautiful pictures and interesting tidbits...the gatefolds and pockets with little surprises might become tiresome after a few browsings but Bob Marley is one those performers whose legend only grows with time and he is entirely deserving of this elaborate book. It's not too deep but then there are plenty of good books to choose from...in the end, it's all about the music.

I bought this book for my son for his birthday he is a big meerkat fan,he loved it!!!!!!!! Lots of great pictures inside.

A feast for Flower lovers or anyone who can't get enough of Meerkat Manor! Substantial weight "slick" paper (used for entire book) gave each picture a "hi-def" look, and there are plenty of them.
Aside from more detailed insider information (written by Cambridge
Professor Tim Clutton-Brock) there are maps of the Manor divided into
the territories held by the major meerkat clans, a chronology of Flower's life, geneological notes on Flower's children, and full-color pictures on nearly every page. Prof. Clutton-Brock has been
studying the meerkats of this area since 1993 and has done a marvelous
job of organizing and delivering a thorough and enjoyable discussion
of all things meerkat, and of Flower in particular.
I highly recommend this book for all meerkat lovers. It is worth every
penny. I know you won't be disappointed.

The book is full of beautiful photography and offers insight and additional detail to events that were softly touched on by the Animal Planet series of the same name - I find that the chart of all of Flower's pups in the back of the book to be particularly helpful.

Overall, it is well-written and easy to read - anyone who is interested in animals, Meerkat Manor, or Meerkats in general will enjoy this book.

Gives details of the Meerkat project that are sometimes only touched briefly in the Animal Planet TV series. There is heavy emphasis on reproductive strategies such as male roving and the frequent practice of infanticide of sibling's pups by pregnant females. Definitely for the reader who wants a deeper understanding of the sociobiology of another mammalian species not for someone who expects a gushing anthropomorphic indulgence. For that, view the movie!

Being a fan of Meerkat Manor, I really appreciate the information and great photos in this book. For anyone who enjoys the TV show or likes the study of animal societies, this book is for you.

this is cute. Its all color photos featuring adorable Michelle from the beginning to the end of Full House.

I love this scrapbook. It has more than 70 full color photos from the show Full House. Who ever is a Full House fan I would recomend this scrapbook for them.

I love this scrapbook. It has more than 70 full color photos from the show Full House. Who ever is a Full House fan I would recomend this scrapbook for them.

The book Michelle's Full House Scrapbook is excalty how they describe it. It is also funny at times and very cute!

This Scrapbook is the best. I love Full House and watch it always whenever it is on tv. With more than 70 full color photos it shows the whole family in action. All dressed up or in memorable moments etc. It also shows and talks a little about each character on each page. This scrapbook is for any big Full House fan or a character you like a lot in the show.

If scientists ever dissect the brains of Tom Leopold and Bob Sand, they may just discover that these hilarious comedy writers put the fun in funny. As Tom and Bob romp through side-splitting escapades with Milt and Marty, they cleverly incorporate "a funny" in every sentence. Don't skip your meds when you sit down to read this, as you will need the extra oomph to power you through the hysterical page-long sentences that have no punctuation in sight.

This book is about an inch wide and an inch deep, but it's funny. Almost as if they pulled together every bad comedy line and strung it together into a book. You'll feel guilty reading it, but you'll love it. (Just get a dust cover off War and Peace to cover it up.) It also contains the most offensive funny line I've ever seen in print. Silly fun.

I couldn't stop laughing. You can't go wrong with this book (especially if you're a comedian or comedy writer).

Bob Sand and Tom Leopold, two veteran television writers with decades-long careers, have written a caustic, hilarious, bile-filled, real-life "mockumentary" on the TV comedy business.

From the book's wild and disgusting cover, to the endless side-splitting venting they lay out for readers, this book is not one to read in a public place. You may end up trying to suppress waves of laughter and cause yourself to be ejected from a cafe, restaurant or bookstore. This book is dangerous to pregnant women, children, other TV writers, many famous comedians and half the rest of the world. Beware.

Ken

"Milt & Marty" will take you on the most hilarious journey of your life. Irreverent and at times, appalling, it's a MUST READ for anyone who dreams of breaking into showbiz, and for those who have had the misfortune to do so. I laughed so hard I almost "voided" in my designer jeans.

I JUST ORDERED A COPY OF LAURYN HILLS BOOK 'THE MISEDUCATION OF LAURYN HILL' AND, I ALSO HAVE THE ALBUM, BUT I FELT THAT I NEEDED TO KNOW MORE ABOUT LAURYN HERSELF AND THE ZION,HOPEFULLY SHE MENTIONS IT IN THIS BOOK,I LOVE YOU LAURYN,YOUR MY ONLY INSPIRATION,I WOULD LOVE TO SEE MORE BOOKS WRITTEN BY YOU, I'LL BUY EVERY COPY YOU PUT OUT, I LOVE YOU LAURYN FROM THE BOTTOM OF MY HEART---love,Lashawn Nicole

This album is really creative, Lauryn Hill had TONS of talent!

I love this book! It is da BOMB! You have to read it. Lauryn hill is suck a talented artist and this book give you all the details of lauryn's life! It ROCKS! Hi mom!

The Miseducation of Lauryn Hill isan excellant book! Lauryn has beenthrough some trying times and I adore her for staying so strong. Aside all rumors that were made, Lauryn was still able to stay focused. She is truely genuine.

"Queen of the Hill"- What else could you say about a young woman of such grace? Many have loved and admired Lauryn for years and years and I can honestly understand why. Her style is so versatile, and her personality is so calm, that you can't help but join the " Lauryn Hill bandwagon" (ya know?) I say " Queen of the Hill" and I don't use those words lightly, because most people have read articles, many people have listened to her music, but when you meet her in person, the connection is so overwhelming, you do literally pinch yourself to see if it's a dream.

This book is a must for both men and women. (It might be for gay people too if you are into that sort of thing because they want to be "married" these days.)Darrell examines both sides of the realtionship from experiences and observations. I read this book cover to cover and will read it again because its funnnier than hell, just like his stage act! I can't wait for the second book!

Steve H. Ohio

MisInformation hits home in many ways. In reading the chapters (which are cleverly titled), I found myself wincing at some of the remarks, not because they are hard hitting and direct, but rather they are true in some regards. I think the key point made in this book is that it is not directed to all...let me stress all women, but those times I found the dialog assaulting were when I seen myself doing or saying those exact things mentioned. I think it is a good tool for men in respect to finding out why women think there are no "good" men left, but it turned out to be an eye opener for me as a woman. I can't wait to read volume 2.

This book is for men and women Darrell did not leave anyone that is dating ,married , or thinking about having any kind of relationship out. Ladys you may have to read a little bit at a time but when you calm down you will want to read more. Darrell is hard on us woman but if nothing else read the parts that relate to you or someone you know and i promise that you will read the whole book.

Darrell tackles the issues I wish others would be brave enough to address. As one of those "hard to find" males, I appreciated his honesty, directness and thoughts. We create our own reality and then blame others for the way things turn out, particularly in our relationships and how we are viewed by others in society. I laughed as much as I cried when reading this book. Darrell is a real truth-teller. After I finished reading it I gave my copy to my wife's single friends to read. Cheer up ladies and have faith. . . there are still a lot of great men out there. You just need to know how to find them with the right bait. Darrell's book is your tackle box for finding one of us! Can't wait for Volume II!

I thoroughly enjoyed Misinformation. I've had the pleasure of seeing Joyce perform live many times, and his skill as a comedian promised this to be an entertaining read. What struck me, however, was the level of insight and information underneath the issues he exposed. This is not some guy running his mouth off -- this is a study. This is a work that has come from years of astute observations, intense research, and personal experience.

That being said, Joyce's style is blunt and aggressive. This book is real. He doesn't sugarcoat things, and he doesn't shy away from his points for fear of offending. He tells it like he sees it, and for that I respect his honesty and courage. This book is a breath of fresh air in an age that is so hyper-sensitive to political correctness. If you put this book down because a word or phrase offends you, in the long run you're really denying yourself-- he just has too many excellent points.

Although Misinformation looks a bit intimidating, the effort is well worth it. You will see it's underlying themes every day of your life. Instead of chuckling at the overweight woman wearing the T-shirt that says, "Too pretty to work," you will shake your head at the much larger societal problem she represents.

Thanks, Darrell-- can't wait to read volume two!

I love Mister Ed. I was pleased to buy this book at the Mid-Atlantic Nostalgia Convention and more pleased to have purchased a copy with Alan Young's signature inside. Clint Eastwood, George Burns, Warner Bros., they are all here. Story after story after story. The kind of autobiography and behind-the-scenes stories we all love to hear and read. Rarely do autobiographies fall into the category of enjoyable reads. This one is certainly recommended if you love Mister Ed.

Full of many rare photos with funny captions. This updated book is so entertaining I read it in three days. Work of course prevented me from reading it in one sitting!
Alan (Angus) Young is a master story teller and you can just picture yourself in the cold Canadian mountains as you read.
A must for all fans of good writing and of course Alan Young himself!

I am very happy with the book and with the service received. It is what I expected ...and more. Thank you for your service.

Mister Ed and Me and More! is the autobiography of actor Alan Young, perhaps most famous for his sitcom role as Wilbur Post, co-starring with the "talking" horse Mr. Ed. Born in England, raised in Canada, yet often playing the role of "the all-American boy", Young tells of his youth, his friendships with Hollywood elite, his movie career, and much more. A dollop of tongue-in-cheek humor as well as an assortment of vintage black-and-white photographs rounds out this genial memoir. Especially recommended for fans of Alan Young - or Mr. Ed!

I bought the first version of Mr. Ed and Me when it came out in 1994, but this new expanded version entitled Mr. Ed and Me and More is far superior. With much added text by Alan Young and extensively illustrated with many more rare photographs, this new more elaborate version is well worth the money. This is a quirky and delightful memoir by the man who worked with the world's most famous talking horse, Mister Ed, in one of the most beloved television shows of all time. The book also contains a new section written by actress Connie Hines who played Carol Post, Alan Young's wife on the Mister Ed show. She writes for the first time about her background, life, and, of course, Mister Ed. Alan Young has a charming writing style and it is easy to see the fun and warmth of the show reflected in the man. Full of behind the scenes information about the Mister Ed show, Young also writes about his film roles including the classic film version of H.G. Wells's The Time Machine (1960) directed by George Pal, and his other notable motion pictures such as Mr. Belvedere Goes to College, Androcles and the Lion, Tom Thumb, etc. Young has also provided the voice for Scrooge McDuck for Walt Disney cartoon films. Highly recommended, and a perfect gift book for friends

Unlike many works that Alan Lomax had has hand in, this book is great reading, if nothing more. I am not known to be a fan of Alan Lomax and his father as my review of _The Land Where the Blues Began_ attests, but at least Lomax realized what a treasure Jelly Roll Morton was and interviewed him and also had Morton create hours and hours of singing and piano music.


This book offers a digest of hours and hours of interviews with Morton in the late 1930s when Morton was living in Washington. It is supplemented by some very useful interviews Lomax did with New Orleans musicians and their families in the late 1940s. The New Orleans interviews provide very useful direct source material about the social and culture and professional milieu that both Creole and Black musicians in New Orleans Sprang from. A recently written criticial review by a real scholar at the close of the book explains the great limitations of Lomax's selections and writngs here.


Lomax apparently knew little about the real history and processes of New Orleans jazz and life, so that a lot of questions that someone interest in Morton's impact on music are not asked, not just in what Lomax selected to put in this book, but in the larger transcripts of Lomax's interviews and in the monologues Morton dictated to a stenographer as part of this project. Lomax's tendency is to seek out non-musical issue his stereotypical images of Blues and Jazz musicians call forth. This is quite unfortunate because to the end of his life, Morton had a very sophsiticated and articulate understanding of music and was capable of serious discussion of jazz and blues in formal musical terminology. He was a person who seriously thought about music most of the time when he was not playing it.

Recently scholars with new information drawn from new discoveries of Morton's personal archives, correspondence, and musical library as well as the range of interviews with other musicians tend to verify much of what as thought of after these intervews as bragadoccio. Morton probably was the first person to produce written compositions that were Jazz as opposed to rag time. He was certainly playing and writing down blues compositions before Handy. Even the greatest of early Jazz Pianists like James P. Johnson affirmed that both in the days before WWI and in the 1920s Morton outplayed all the great Jazz Pianists.

The examination and performance of the music that Morton wrote in the late 1930s indicates that Morton had not only mastered composition and band arrangement in a style that would have surpassed the most surpassed swing of his day but had written orchestral pieces that prefigured the modal Jazz that Coltrane and others presented in the 1950s. These and other compositions indicate that whatever the fortunes of his public performances, Morton was a serious composer whose skills continued to advance even in his last years when his health collapsed.

Yet flagged by failing health, Morton was never able to organize an orchestra that could have played these pieces. He had been told that he could have lived ten or fifteen more years had he given up performing music, but he wanted to make his music more than he wanted to live.

Finally, Morton WAS cheated out of millions of dollars in royalties by the music industry, especially by the Melrose Brothers and by ASCAP. He was one of the first musicians to challange the way the Mafia-connected music publishers simply robbed musicians of their compositions or did not pay them. Unlike some musicians who suffered quietly or WC Handy who was one of the token Blacks ASCAP paraded around to hide its racism, Morton launched a public campaign in Downbeat and other Jazz magazines that exposed the crimes of ASCAP and music publishers like Melrose.

Until the mid 1940s, ASCAP which collected royalties for compositions from record producers, radio, night clubs, and other places where music was played had a racist setup. Few Black members were admitted although royalties were collected for their music. Morton carried out a public and legal campaign for years to be admitted to ASCAP even though it was collecting millions for the large number of his compositions that had become great hits in the swing era, like the King Porter Stomp that became a standard that any competent string band cut its teeth on.

Once inside ASCAP, he found ASCAP distributed its royalties not based on the money different songs brought royalties but on what a board of ASCAP leaders decided was the cultural worth of different kinds of music. Thus while Broadway and classical writers were getting hundreds of thousands of dollars in royalty payments, Morton received under 200 dollars each of the two years he was living and a member of ASCAP. Morton protested and exposed this publically in the last years of his life and attempted to gather other victims of this system in a law suit. While he was dying and unable to carry on this struggle, his protests and the information he gathered led to congressional investigations in the 1940s that forced an end to discrimination in ASCAP in regard to membership and forced it to distribute royalties based on the sales of the music, not on its "value."

The issue of braggadocio also comes here from the fact that Lomax supplied Morton with a bottle of whiskey for each Interview. Morton was not an alcholic, but those who have studied the transcripts have noted that Morton grew more inaccurate, abrasive, and unreliable longer into the interviews as the booze took effect.

This fits into Alan Lomax's consistent pattern of trying to make sources, particularly Black sources fit into the stereotypes he had about them. Lomax who took many photographs of his folk sources, for example, would force people who preferred being photographed in the Sunday Best, to appear in old work clothes. While Leadbelly actually favored the finest suits and imposed a dress code on Sonny Terry and Brownie MCGhee when they roomed at his New York Home (suits and ties as musicians are professionals and get a case, not a sack for the instrument) Lomax forced him to perform in prison garb or overalls. Lomax also created the fiction that singing and the intercession of his father John Lomax had some relationship with Leadbelly being released fromthe Louisiana penitentary when Leadbelly was released as part of program that automatically reduced prison sentences due to depression-caused cutbacks.

Lomax wanted precisely to convey a picture of Morton filled with whiskey, smokey rooms, and so forth, when Morton was one of the biggest stars of music between 1917 and 1930, performing in some of the most sophisticated venues and a particular favorite with Hollywood film stars of the period.

Despite these criticisms, I urge anyone interested in finding out not only about Jelly Roll Morton, but about the origins of Jazz in New Orleans and the entertainment industry in the earkly 20th Century to read this book. A good supplement, or perhaps a better place to start would be _Jelly's Blues: The Life, Music, and Redemption of Jelly Roll Morton_ by Howard Reich. This can be followed by _Dead Man Blues: Jelly Roll Morton Way Out West by Phil Pastras_.

In spite of Jelly's bragadocio and the author's lack of Jazz background (Lomax was a folklorist) it's a very interesting book. Jelly must have felt injusticed when, in the late thirties, Benny Goodman was earning lots of money with "King Porter's Stomp". But the truth is that, exactly like King Oliver, he was outpaced by the revolution started by Satchmo.

I have always been a fan of Jelly Roll Morton, and I've always looked for books about him. This is by far the best. I loved it. I wish they would re-issue it

Alan Lomax interviewed Jelly Roll while doing an extensive set of recordings shortly before Morton's death. He followed up with a number of interviews with people who knew Jelly Roll. Lomax did a fabulous job of keeping himself out of the way while letting the often colorful information from the interviews tell the story of Jelly's part in the birth of jazz, a story with triumphs, massive ego and ultimate decline. I read a library copy and am buying a copy for a present.

This is one of the rare books for it can be enjoyed by just about anyone who picks it up. Its the amazing account of the life of Jelly Roll Morton, one of the best jazz pianists of all time. Though a braggart and troubled man, he created some of the very best pieces of jazz. The book goes into his life from his childhood and his time working at Storyville to the very troubled end in the early forties. You learn about his family, his troubled relationships with Anita and Mabel and how he went from being wildly successful to dying virtually forgotten. Voodoo, New Orleans, jazz and Creole culture, its all here.

Written with flair and never boring, Mr. Jelly Roll is a book that you will read more than once. Its a look at a legend and a glimpse into a world we can only know of through books and music. Get this if you want a good read and a look at Mr. Morton's life. A true classic.