Television Books

a great visual journey into john lennon's life with plenty of intimate photographs

All I can say is that this book is the best I've ever owned on any member of the Beatles. Jammed full of pictures and a detailed bio, this book is everything that you need to know about John Lennon's life, work, and social standings. I give it an A++++. Forwarded by Yoko Ono.

The perfect coffee-table book for fans of John Lennon and his music. Lots of lovely photos and illustrations, plus commentary from Lennon & those closest to him. Includes a very useful chronology & dscography. Highly recommended, as is the film upon which it is based.

i bought this book after seeing the rave reviews it got, thinking it was a real reading book. turned out to be a HUGE, glossy pictorial account..... but it's just as good probably better. awesome rare photos and quotes by the man and friends, and packed full of priceless memories. get it.

This is really a great book. It gave me allot of facts. Not just about the working John but also the person John Lennon. The picuters are big and very well taken. It's pictures we have seen before from the Beatles time. But also pictures from his personal life with his sons and wives. It's a wonderful book and a great tribution to John. I loved it.

Great book for anyone who loves cinema, starwars or special effects.
The whole history of George Luca's Industrial Light and Magic.

Thomas Smith was general manager of Industrial Light and Magic a year before he came to write this impressive book. The book is centred around the film special effects creations of ILM between 1975 and 1985. This includes the then "Star Wars" trilogy, two Indiana Jones movies and other lesser known projects. For the Star Wars fan theres plenty to learn about one of your favourite movies. This book is lavishly illustrated with full colour photos including triple page or gatefold images. The focus though is on how the effects are done and who did them at ILM. From the art work in developing concepts of storylines, through modelling, creature creation, the actual filming methods and matte image creation to the finishing touches of animation and optical compositing this book gives a gradual demonstration of the work of a special effects company. For someone with no knowledge what so ever of special effects this is a good introduction and to those involved it must be fascinating as well. As Thomas Smith points out, while film fans still love the movies from this era (1975-85), movie goers constantly seek new visions on screen. The digital era has brought movies like Toy Story etc but these were just figments of imagination at the writing of this book so its worth noting Thomas Smith's far-sightedness in the final chapter on digitized movies. The format of the book is to take each department of the special effects process and show what it does and where its part comes in the crafting of a movie. In each chapter there are short biographies of the leading people in each area of effects, this is a nice touch as it can serve as guide for those interested in getting involved. Its worth noting, many of those profiled have a long interest in their specialty going back to their youth and through the various twists and turns of working in an industry knew of other members of the ILM company before actually joining this now esteemed organisation. Thomas Smith by no means is setting out to sell ILM's considerable expertise though he tells the story of a company making dreams into reality, itself moving from an idea to a serious business proposition. (As a final note another book on movies of this period Paul Sammons "Future Noir: The Making of Blade Runner" contains insightful descriptions about the crafting of a movie not least its special effects.)

No one would ever have guessed that when Industrial Light & Magic opened its doors in Maren County that day way back in 1975 that they would produce the standard by which other special effects and other effects houses would be judged. ILM has formed the cornerstone of LucasFilm Ltd. a company that has spawned more spin-offs such as THX Sound, Skywalker Sound, all held neatly under the Lucas Digitial banner. Back in the days of Star Wars it was mostly using what was already known, and inventing everything else. ILM has been at the forefront ever since, from the early days of motion control cameras controlled by Apple computers the latest CG marvel like Galaxy Quest, Phantom Menace or Mission to Mars.

The Art of Special Effects deals more with the older films-those before 1986, illustrating a time when computers were not so large a part in the film-making process. It gives the reader a great look at the sheer amount of detail that went into the models, the props, costumes from Star Wars to Explorers, from Raiders of the Lost Ark to the some of the Star Trek films, ILM constantly and consistently proven to innovative. The book as a whole is on a level lower than, say, Cinefex magazine, assuming that the reader doesn't know how blue screening and rotoscoping works or how miniatures are lensed. It is light reading without getting itself bogged down in too much technicality, for those who want that, read Cinefex.

It also strikes me that this book is also best at presenting a dying era. A time when model makers kit bashed hundreds of plastic models just to build a Super Star Destroyer - few companies bother with that any more when everything can be rendered on a Silicon Graphics box and Maya and Soft Image software. Such films as Star Trek: Insurrection used few practical models and a completely CG Enterprise-E. The time of the supremely detailed, hand crafted model or set may be at an end, and I think the industry will be sadder for it. Partially because when I read Cinefex, a lot of what I see is the same-different movie, different space ship, but they're all rendered the same way and most use the same software, with only minor modifications or original code going into it to get a certain look or solve a certain problem.

I suspect the Digital Realm of the movies, while producing better special effects, lacks the mystique of knowing that several people labored for months to build that model. That instead it was modeled by a few people over a period of a week. (Though it should be noted that a lot of films, including the Phantom Menace, used practical models). I suspect their days are number.

Pér tutti quelli che vogliono sapere come fanno i film, per tutti quelli che amano Star Wars con tutti i suoi segreti, direi che questo è il libro che fà propio al caso vostro.Scritto in un inglese molto facile è un libro che può veramente appassionare

Years ago I longed for this book, as it sat on the shelf in the local book store(it was not cheap). I received it with much gratitude on my birthday. Now as a teenager I found a reinterest in this book, and was overjoyed when the next book "into the digital realm" came out. For anyone who is captured by the magic of special effects, this is for you.

Joan Collins is a brilliant writer! I suggested in my literature class that we stop reading Hemmingway and turn to Joan's books. The teacher said maybe, but this was an American Lit course, and Joan is British. I could't put this book down. It was a page turner all the way with a plot that kept me on the edge of my seat. This is a great novel, one for the ages.

I am not a fan of romance novels, and I cannot read anything by Joan's sister Jackie. Joan Collins though taught me what great writing is all about. To live, to love, to eat gourmet food all while living a life of fame and secrecy...it blew me away. The words flowed like honey from the page and took my breath away. I could only hope to approach Joan's writing style with my own meager attempts at prose. All this, and the woman acts too! Joan Collins is a spectacular writer and one of the best we have writing today. Joan is so great, she confounds the experts. She is YEARS ahead of her time, which is why she had that trouble in court. They didn't get her and she didn't yeild...a true artist and a great inspiration to all writers.

a wonderful book from a woman who has learned from her years what life and love can be. I can think of no greater author this century than Joan for capturing life in a phrase, a smile in a word, or an experience in a sentence. Joan has written the way women long to live, full of passion and verve, always looking for the miracle man to sweep us away. Don't bother with Goethe for classic literature. He couldn't hold a candle to her. Joan captures the psyche of women like Freud never could. A must read for all.

Joan Collins has virtually made me give up reading. Her novels are so well written, everything else seems like a waste of time. Joan is a woman who has truely known love and knows how to capture it on the page. I can't wait for the next book in this series. "my little cabage", don't make us wait too long.

Joan Collins is to novels what Shakespear was to scripts. There has been little her sister has writen that has approached this brilliance. Joan hurls thunderbolts where other mearly write sentences. I culdn't put this one down. Why is it that this book was missed on the top 100 novels of the century? Chauvinism. Joan should do like Virginia Woolfe and dress like a man while having torid romances with artists like Rodam. I can't wait for the next book. Joan Collins writes life like I've always dreamed it to be! Ten stars! **********

The story draws you in. This book provides an inside view to the corporate world. I found his stories to be fairly accurate in what happens in corporate america.

I was entrigued by the main character in his entrepreneurial spirit. I recommend this book for those who think they want to be executives, and for those who are trying to start their own business.

Once you pick the book up, you'll have a hard time putting it down.

For his first novel, Mike Neal has given us an engaging and well-developed story. Interactive Novel describes the entrepreneurial spirit, company politics, and the good and bad side of venture capital funding. With all the hi-tech start-ups and dot-bombs, this book should appeal to a large audience.

Interactive Novel is a great book! I particularly liked the interaction between company leaders.

There were surprises in the book that left me wanting more. I couldn't put it down until I finished the book.

I find myself recommending this novel to all my friends for an insight into corporate life. Even though Michael Neal uses the setting of a start up, I believe these are the same situations that occur in larger corporations.

Mike Neal's Interactive Novel sweeps you up into the world of a high-tech startup and doesn't let you down until you've been through it all. I recommend this book for anyone who wants the adventure of a startup. For those of you who already have been there, you will find yourself nodding your head in agreement with each twist and turn. In either case, you will enjoy the ride of Interactive Novel.

If you are at all interested in the life of high tech startups or just want a book that you can't put down, then this book is for you. Michael Neal does a great job of grabbing the reader's attention from the very beginning and not letting go until you have completed the book. Along the way you will get some insightful perspectives on technology, the creation of a company, and the CEO. Dont pass this book up. I would highly recommend it!

Well.. I have not actually opened and tried this product yet.It looks very good. I have put it away for a Christmas gift for my 1 yr old grandaughter. She LOVES this show.. and it is kinda tricky to find good merchandise from it. A lot of the plush available does not really look like the characters. This book looks very good...And I am hoping for the best on it. I give it 5 stars based on appearance and true to the show artwork.

My 19 Month old has loved Big, Big, World since the first morning he heard the happy Big, Big, World intro theme song on PBS kids when he was 5 Months old. He was sitting near the television in his bouncy chair kicking & fussing away and all of a sudden , I swear, it was like a calming hypnosis took over. This book is as beautiful as the program: Sweet Characters, Great clip-it music, and an adventure under way. When my son is pressing the sound bites while flipping the pages, all I see on his face is a Big, Big smile.

We love this book. Since my daugher was two weeks old we would sit and watch this show. The colors are great for them to watch at that age. Even now she will stop in her tracks to watch it. The book is great she sits with it each day and pushes the buttons to listen to hear the character voices and sounds. Definitely reccommend this book.

Exactly as it looks. My daughter loves to push the buttons and hear the characters speak / make noise.

My niece just turned one and she loves Big Big World. There are not a lot of toys out there with this theme, so I was very excited to find this sound book. I got her this book and the dancing snook for her birthday. Both items she absolutely loved. She can hit the sound buttons on the book, even though she's not quite ready to sit and listen to us reading a whole book yet. She carries the dancing snook like it is a stuffed animal, randomly hugging it when she gets the urge. I recommend both for a child who really likes Big, Big World.

I found the book to be a great information resource into her life and career start. The only thing I didn't like about the book was the out of order details, found to much jumping forward then back, or back then forward, but other than that, I thought is was a great book and I still love jenny in a big way, she is the greatest.

When my boyfriend gave me this book as a joke for my birthday, I didn't find it very amusing! You see, up to this point, I was one of the hopefully few "Jenny-haters" out there. But I decided to give the book the benefit of the doubt and give it a whirl, and I have to say that I was more than just pleasently surprised! Jenny McCarthy is not only very down-to-earth, but she's witty, hilarious, and quite frankly...normal! It was so refreshing to read that she isn't perfect after all - that she had acne, and stretch marks, and bad hair days, and bozo boyfriends. This book flys by, and I really didn't want to put it down. I am so glad I decided to read this book, not only because it was 100% entertainment, but because it gave me a chance to meet the "real" Jenny McCarthy. I loved it!

It tells us secrets about Jenny never evealed before.It's a little costly but well worth it.

The title should tell it all: Jen X. It should read Jen O because she is a negative interger. Take away those breasts, and she is just another annoying self serving celebrity with little talent. This book is a must read for airheads, retards, mutants and crackheads. Enjoy!

I think the book was one of the greatest books i have ever read. i could realate so much to her. she is my like idol and i was so happy when i found out she had a book coming out. i bought it the very first day i saw it at the mall. one day i hope i can meet her but i know that will never happen but all in all the book was really good~! i think everyone needs to buy this book and see just how much she is like anyone of us!!! well if your out there jenny mccarthy i just wanna say hi and maybe i will be lucky enough to see you one day! i love you! you are so cool! well people i have said enough, now you need to go get the book that i am raving about!please buy it! it will make me happy! well cya people! hope you read this jenny!!!! from: Your biggest fan in the world!!!!jenny h

The title of this book is somewhat misleading. "Jim Henson's Designs and Doodles" is as much a biography of Henson as a gallery of his artwork. Admittedly, the biographical details focus on Henson's career, rather than his personal life, but the fact still remains that the text still takes up about as much space as the pictures themselves. I think that this is something that people should be aware of if they are thinking of purchasing this book. I, for one, was hoping to see more of Henson's artwork, and was somewhat disappointed at the sparseness of it. Nevertheless, this is still a worthwhile book.
This is the first (and only, as far as I am aware) book to contain Henson's early sketches and artwork, and any fan of the Muppets is likely to find this fascinating. It is possible, through these pictures, to see how many of the Muppets have evolved. For example, in Henson's original sketches, Oscar the Grouch was purple with a long, skinny neck, a far cry from the green monster who now appears on "Sesame Street". Furthermore, in spite of the fact that I wish there was less text and more pictures, I did find the text to be of interest when I finally sat down and read it.

Hopefully, there will one day be a second book, featuring more of Henson's artwork. However, until then, this is all that is available and provided that you are aware of the limitations of this book, you shouldn't be too disappointed.

I ordered this book for my daughter who loves Jim Henson & the Muppets as a birthday present, and is a professional puppeteer inspired by Jim Henson. She absolutely loves this book and I highly recommend anything Jim Henson related as he was a pioneer in this area and one of the most creative people on the planet.

This is a must for all you muppet fans!

The wonderful new long awaited book, Jim Henson's Desings and Doodles is almost a museum on paper. It shows Jim's best artwork, from storyboards, to puppet desingns, even a very early Kermit sketch. The book also features a never before seen look at the never produced special, "Johnny Carson and The Muppet Machine" which was to be a physcedelic trip into the 1960's. The artwork is very detailed, and even has a stone carving of Ed Macmahon! The book also shows some of his early work, including silkscreen images of meloncholy (which was inspired by the death of his brother , Paul) and concert posters and crazy characters who were soon to be Frackles!

One of the best parts of the book is Henson 's early commercial storyboards, which feature the two popular commercial Muppets ,Wilkins and Wontkins, Hansel and Gretel Muppets, and Kermit, The Snerfs and Rowlf (the IDEAL doll ad where Kermit sings the unfamilliar jingle"Oh buy us, oh buy us, oh buy us we beg! If you do not buy us, we'll bite you in the leg!!!) . Early drawings of the La Choy Dragon, and Nutty Bird(Royal Crown soda ads, precursor to Big Bird) are also featured.

The book brings us for the first time many illustrations of show ideas that never made it to the small screen. The Zoocus (The Zoo Circus), The Entertainers, and Martian Landing are all examples shown by illustrations from Jim's fertile imagination. The Zoocus was to be a show full of new Muppets such as Mr. Ripple and Carbourator Jones and had a guest star on each show (Sound like TMS to you?). The show would be a variety but would mostly ,as shown in Henson's drawings,be a talk show with the guest, where the Muppets would lounge behind large alters and other sets. The Entertainer was to be a show about a travelling vaudevillian show where Muppet men (and a can can girl) would sing popular songs at the time. This was also to be a Variety type show. Martian Landing would feature Muppet Koosebaine like creatures that would swap jokes and do skits on another planet. It was to be a Live variety show. It ashame these didn't get aired.

This book has so much I haven't mentioned yet, (I don't want to spoil it!) and it is definetly worth every penny. By far, one of my favs. among a long line of Muppet Books. Enjoy!

I have always been a Jim Henson fan. After all, I grew up with Sesame Street and the Muppet Show. I was always fascinated with the strange and creative creatures that he came up with. This book is a gold mine of his ideas and sketches - some that you will recognize and some that you have probably never seen.

This is sort of an odd book for me to have. I don't collect books based on movies or TV shows. But this one doesn't really fall into that category at all. It's more of an artist's diary and sketchbook. I enjoy just paging through it to look at all of the wonderous things Jim Henson imagined. His work seems to have something "odd" to it that I can somehow connect with and be fascinated by it.

I think anyone who has enjoyed Jim Henson's productions will probably enjoy looking through this book. It's an adventure to page through time after time.

Jim Henson was a man who managed to sum up the whole intire feeling of what it was to be young, and full of energy in his fantastic creations. His work, from Mupets to films such as 'Labyrinth' and 'The Dark Crystal', showed us that he could tap that part of our minds that wanted to let go, and be free to live in our fantasies. This book, unlocks the back door to the mind that created our most cherished characters from the Henson world. It shows us where these characters came from, and also gives us an insight to the man who made it all happen. I found this book to be a real Gem, and an adventure. Just seeing the doodles Jim did as a child, or a teen, and some of his non character based art work, was fascinating. Buy this book If you are a fan of Mr hensons work. It is not the most complete book, as far as his other projects go, and some people may wish that some of his film work had got into the book. But for those that like to get closer to their idols, and want to feel like a close friend looking through his old scrapbooks, get this book. You won't be dissapointed.

Unfortunately, Jan Swafford did not have a chance to read this book before writing his own "biograohy" of Brahms. If he had, he would have been privy to a wealth of information, much of which has not been available to non-german speakers. Avins' commentary on the letters of Brahms and many of his correspondents is clear and well researched.

I'v been a Brahms' music fan for a long time and i have read three different biographies, without having the opportunity of get closer to his thoughts before i buy this great book. Now I know how Brahms' mind worked, how (really) was his relationship with his friends and how were his feelings and thoughts during the periods he composed that wonderful music.

I'm not an english born speaker, so i had some difficulties in understand the meaning of some sentences, more exactly, some modisms, wich are very frecuent in Brahms' speech.

In spite of this, I recommend this book because it's just wonderful.

Just a couple of small observations:

**The 27th of February 1854 was the most devastating day of Brahms' life. Robert Schumann threw himself into the Rhine in an attempt at suicide. His derangement interrupted a period of enormous creative momentum in the young composer's life (P36).

After the tragedy, Brahms' immediate reaction was to rush from Hanover to Dusseldorf, to Clara Schumann's side. With the support of Grimm, Dietrich and Joachim, he offered what help he could. There were six small Schumann children to be cared for, Clara was pregnant with the seventh, and arrangements had to be made for Robert Physical safety (he would soon be taken to an asylum in Endenich, on the outskirts of Bonn) (P37). On 11 June 1854, Clara gave birth to her eighth (!!!!????) and last child, Felix. (P45).

Was Felix the Seventh ??? All my references indicate that Clara Schumann raised seven children, an eighth died in infancy.

**WAS IT CLARA'S COMPLEX that caused Brahms to fear public appearances, when he was 23-25(??); given the fact that Clara was an excellent pianist with no equal, and Brahms could not have possibly matched her skills.

""J. Brahms wrote copiously to Clara, not only during this tour (1854), but for the next two years as well. For a time he was writing at least once a day, thereby leaving us a treasury of letters which overflow with emotions, and the details of his existence"".
It looks to me Brahms feared the public, in general. See JB letter to Julius Otto Grimm; ""Dusseldorf September 1855...I intend to play in public this winter and notice with horror that my aversion to playing for people has got quite out of hand. How will it go? At times I am seriously frightened. I do now practice a lot; also I have quite a lot of lessons to give.... (P112)""... Anything to do with Clara's complex!!! I ask??
""Brahms first appearance with orchestra took place in Bremen, on November 20, 1855. He played two works by Beethoven: The Emperor Concerto, OP.73, and the solo Fantasy in G minor, OP.77. (P114)
The greatest portion of what we know about him during these earlier periods of his life comes from what he wrote to Clara (P66).
Clara told in her diary his letters were her only joy. She too wrote frequently except that her replies have perished `I have often written to him, which always cheers me up, for of course, I cannot write to Robert of the things that occupy my mind; his spirit does not accompany me, when I go into a concert it does not feel me as if he were wishing me success - then I am dreadfully melancholy, and the one thing that lifts me , that always strengthens me, when my courage threatens to fail, is that He, Johannes, the dearest, most faithful friend, thinks of me and accompanies me with his good wishes"" .

The letters which still exist are only a portion of what he wrote.

""JB to Clara Dusseldorf 22/2/1856. .... I think to myself how beautiful it would be if we both made really vigorous strides and became capable, great musicians. Each of us places the other above himself, what is more natural but that we should squabble with each other, as long as we squabble only with each other..... (P121) Prior to that, on Feb 12, Brahms wrote Clara: ""It always depresses me a little that I am still not a proper musician, but I have the talent for it, more, probably, than is usual in young people nowadays.... (See comments on Mozart) (P120)""

The virtues of this book are several: about 800 previously untranslated letters of Brahms, masterfully translated and carefully and judiciously annotated, based on research entirely from source materials which, among other things, give the lie to the unsavory myths of Brahms childhood, proving beyond doubt that he came from a hard-working, well-meaning family who lived in a good neighborhood, and provided him with a good education and normal childhood. The author's research confines to the rubbish heap the silly Freudian theories, never based on any evidence, for his reasons for not marrying. This compendium of letters and their absorbingly written annotation is a gold mine for amateurs and professionals interested in a truthful picture of Brahms.

"Richly informative" - Sunday Times, London. "Occasionally a book comes along which changes perceptions of its subject. This is such a book. ... [The] annotations are not only scholarly but often witty and always full of common sense. ... Wherever you read, you will feel you are in Brahms's world and that he is speaking to you." - Sunday Telegraph, London. "There are many gems here ... much to be gleaned from what Avins has selected.. Those who seek to be on more intimate terms with Brahms and his circle... will find much to pore over in this collection" - Los Angeles Times. "Little short of a bombshell ... Ms. Avins's contributions are terse and often illuminating... fascinating illustrations, a helpful chronological table and other tools... Brahms reveals himself in workaday as well as transcendent moods." - New York Times. "This is a work that will thrill Brahms fans and provide much pleasure to those entertained by the personal correspondence of great artists. Recommended for general and academic libraries." - Library Journal. "It is not much of an exaggeration to say that the book presents Brahms in a new but quite convincing light... the book can be read as a biography... this composer has seldom seemed more lovable, more vulnerable, more honorable." - Gramophone. "This is one of the most important music books published in recent years." - The Oldie, London.

This book is grand, for sure, and certainly not just a coffee table book it IS the coffee table, it's huge- just read the dimensions- and the photos are excellent. As an Elvis fan, I have more than my share of Elvis photo books, and this one ranks high.

A stunning book that sits on my coffee table. Friends and family who visit pick it up over conversation to flick through. It a conversation stopper! The conversation becomes about Elvis and they're converted immediately to FANS!!
This book is worth every penny - decorative and fantastic quality!

This is a big book. But well worth every dollar spent. I enjoyed seeing pictures of Elvis not only bigger but some I've never seen before. Wonderful additional information on Elvis. I loved reading and looking through this book and would highly recommend it to all who love Elvis like myself to buy this book.

This is a super piece of Elvis memorabilia at an unbelievably great price. If you have a friend who is an Elvis fan he/she is bound to treasure this book. This is the perfect gift for an Elvis fan. Buy this treasure now before it sells out and beat the Christmas shopping rush!

That is all I can say about this book, buy it and you will see, but be prepare to have the table big enough to read this monster! The book deserves a special place to keep it because it's a museum!

If you are an opera fan, you will probably enjoy a lot of the behind the scenes anecdotes in this book. Most interesting for me were the parts that discuss working with high-maintenance divas and conductors (especially Karajan). There is also a very disturbing section about a stalker who followed Nilsson around the world for 9 years.

There are also many paragraphs of the form "In 19xx I performed such-and-such opera in such-and-such theatre alongside so-and-so who was a wonderful singer and so-and-so who was really good on stage etc etc." These get kind of boring --- except in those cases when the performers played practical jokes on each other. Because of the boring parts, I found it a little hard to motivate myself to read through the whole book, but there are a lot of good stories in there.

Nilsson fans will also appreciate the discography. She was an awesome singer.

This autobiography by Birgit Nilsson was originally published in Swedish in 1995 and in German two years later. This 2007 English translation of the German edition is by Doris Jung Popper, an American who was herself a former Wagnerian singer in Europe. It is for the most part in graceful, witty and seamless prose which catches the informal and down-to-earth way Nilsson spoke. We are taken from Nilsson's life as a farm girl in Sweden through her discovery locally, her schooling in Stockholm, her first breakthrough there and then internationally and her acclaim as the greatest Wagnerian soprano since Kirsten Flagstad. We get backstage stories about performances in New York, Milan, Stockholm, Vienna, London and, of course, Bayreuth. We read about her long happy marriage to Bertil Niklasson, a veterinarian. She shares funny and warm stories about her colleagues, not sparing those with whom she crossed swords -- most notably Rudolf Bing and, much more so, Herbert von Karajan, for whom she is particularly disdainful while admitting that he could draw magnificent music from his performers. She relates the details of her having to deal with her stalker, Miss N., a story well-known in opera circles but which may come as a surprise to some readers. One senses that Nilsson withholds some details in the interest of sparing the feelings of some opera world luminaries who are still with us. This reflects positively on her genuine concern for the feelings of others but might disappoint those who are looking for 'dirt.' There is a discography and a detailed chart outlining events in her life, as well as a compendious index. As well, there are over 60 black-and-white photographs from all periods of her life.

Warmly recommended.

Scott Morrison

This is a wonderfully entertaining read about a thoroughly gracious and unexpectedly humorous lady. I knew that she reportedly had a lively sense of humor, and this book chronicles that fact. It is especially nice to know that this book was not "ghost written," but was just translated from the Swedish.

At last an English translation of this wonderful biography. It is written by Ms. Nilsson herself - no ghost writer here. It is translated from the German edition, not the Swedish one. It also exists a Danish translation. In both the German and English translations some short episodes are deleted. The original Swedish version also exists as a talking book, with Ms. Nilsson herself speaking. The book is filled with lots of interesting details from one of the most spectacular careers ever on the international opera scene. Behind every word you can feel the sympathy and warmth of a really great but also earthbound star with great intelligence and - a great hearth. When famous film director Ingmar Bergman read these memoirs he tells in an interview that he had never laughed so much and so often when reading a memoir before. That says a lot. A must for all opera fans.

I was never privileged to meet or know Madame Nilsson personally, but her memoir, _La Nilsson: My Life in Opera_ makes me wish I could! She was a bright spot in the world and her death in late 2005 was a huge loss. I have certainly been an admirer of both her singing and of the woman herself for many years. I do own her earlier book, _My Memoirs In Picures_, which is largely a wonderful collection of photographs from her life and career, and whetted my appetite to know more about her. If you can find a copy, I recommend that book as strongly as I recommend this longer memoir.

That appetite has been mostly--if not completely--satisfied by La Nilsson, an easy, accessible and "can't-put-it-down" fascinating account of her life. This book is just what I would expect of Birgit Nilsson, unpretentious, friendly and conversational in tone, but awe-inspiring in terms of her artistry and long career; her great accumulation of knowledge and experience, and about comic moments onstage and off that made me laugh out loud. Some of the funniest of these deal with language barriers, and the difficulties of correctly interpreting foreign musical terms that were misheard, or misunderstood. She is never mean in spirit, although she doesn't sugarcoat her personal difficulties with von Karajan, and sometimes with Karl Bohm, and Rudolf Bing. But in all cases, she writes in detail about what she admired about them, too. She gave as good as she got in the area of verbal self-defense.

She writes warmly about all her many long-time friends and colleagues on the operatic stage, most notably Wolfgang Windgassen, Set Svanholm, Jon Vickers, Astrid Varnay, Leonie Rysanek, and Hans Hotter. She was a trouper through some harrowing experiences, and while she did not put up with a lack of professional consideration from anyone, she did not just wilfully indulge in "temperamental diva" behavior. No wonder so many of her colleagues loved and respected her!

Madame Nilsson also writes about her parents and her beloved husband, Bertil Niklasson, with great warmth, although she doesn't gloss over some of her frustrations with both parents during her childhood and adolescence. The twelve years she had to deal with her stalker, Miss N. filled me with sympathetic dismay, as I had no idea Madame Nilsson had had to endure that persistent, threatening intrusion into her life.

I highly recommend this memoir to any admirer of Madame Nilsson's in particular and of any interested opera fan in general for the insight into the career of one of the great singers of the 20th century in her own, very witty words.

Melissa Houle