Television Books

These letters provide wonderful insight into the life of the man who was Mozart. These are not just letters from the Divine Maestro writing about his music, but mostly from the fun loving master of silly yet clever wordplay and language games; the virtuoso of scatology; the fool who falls in love head over heels but is rejected by the object of his infatuation; the son, all alone with his mother on her deathbed in a dark and depressing Parisian room; the lover who sometimes writes horny and funny, passionate words to his wife; the cash-strapped protégé, constantly begging patrons and moneylenders for more money.
I've always loved the Maestro Mozart, but I confess I like the Maestro/Man Trazom even better.

If you are interested in everyday lives and struggles of geniuses, this is a book for you. Most of us know Mozart as a great composer, but he also wrote passionate letters to his friends and loved ones. His writing style and personality allow us to understand his times more and to have a closer look at the person that he was.

What a fine accomplishment! According to the introduction, this book contains about 2/3 of Mozart's surviving correspondence. It has letters from and to Mozart and the translations are very lively and bring the personality of the composer to life. In older translations it seems that care was taken to make him sound like the monumental cultural force that he has become. But in this book, Mozart is a boy, a young man, a young husband, a fiery genius, and at times lost, grieving, and even confused.

The book is organized chronologically and provides biographical information that gives each letter some context. There are many useful footnotes as well as a couple of maps and list of Mozart's travels. The author has even included some notes about the various currencies in order to help the reader understand the discussions of money in the letters.

I can't emphasize enough what a lively read this book is. I found that I simply didn't get bogged down and enjoyed reading it. Yes, there are some portions of some letters I skipped, but that is one of the beauties of the book. You don't get lost simply because you skipped some mundane portions of one letter or another.

Mr. Spaethling is to be congratulated on this fine achievement. If you are interested in Mozart in any way, this book will deepen your appreciation of the living breathing person who wrote all that music. It didn't come from some alien dimension. Wolfgang Amadeus Mozart, this wonderful and complex human being did it all and we are much richer for it.

Those of us who know a little about Mozart believe that he was perfection incarnate, part angel, fluttering down to endow the world with heavenly music. (There probably is some truth to that.) This book, however, reveals a whole new side of Mozart, a very human side. As beautiful as Mozart's music is, the more beautiful it becomes after reading this book. Understanding his big heart, hard work and, yes, even imperfections, increases one's appreciation of his music.

Mozart's full and final dedication to his work was exemplary; no doubt, his music spoke for the conscience of the world and his audience felt an almost religious faith in it. But the young man had frivolous and fun-loving personality, and his closeness to infantile notions was apparent with friends, relatives and pupils.
Mozart was possessor of the least inhibited tongue even in his contacts with serious foundations like Archbishopric or Freemasonry that mismatched the depth of notes he wrote.
This composer genius was filled with spontaneous strong-willed passion for music if weak-witted for romance and throughout the wide spectrum of his works involving every conceivable style of symphonies, operas, and orchestral pieces - some of the finest ever written - Mozart produced something truer than love.

To begin with, several adjectives to describe this wonderful book: 1.) candid, 2.) inspiring, 3.) poetic, 4.) instructional, 5.) spiritual, 6.) humanitarian, 7.) humorous, 8.) compassionate, 9.) courageous. From what I gather, it took Capra approximately three years to write this book, and what book it is. To be honest, this book is perhaps one of the best pieces of work we might ever have about the legendary director, the course of the twentieth century, and the people who have helped shape the film industry. This book demystifies the often deified directors, actors, moguls that ruled Hollywood during the golden age, reminding us of the universal bonds of humanity that link us all to each other. In many ways, it reads like a Frank Capra movie -- life-affirming to the end. For the younger generation (X'ers and Y'ers) who might question the values of their fathers' generation, this book is a must read. Underline this fact several times because when Capra takes you into his fold and shares his world, it is an experience you won't likely forget. Most history books seem to be written with a detached sense of objectivity from an supposedly impartial historian. The results of such labor is often an uninspiring book that keeps the reader at arm's length from the fascinating history, often boring the reader to no end. No so with Capra's autobiography. Capra reminds the reader that people are still simply people, no matter what generation, no matter which occupation. There are always going to be saints, martyrs, bullies, intellectuals, clowns, idiots in every walk of life. Such an example can be seen when Capra served in World War II and was privy to a touching moment with the great Admiral Nimitz. The old war hero had just come back from seeing three thousand men he had sent off to war -- some of them now without limbs, others without faces, yet all of them saluting him and thanking him from the bottom of their hearts. Nimitz broke down and wept, his shoulders so burdened by the sadness of his men's suffering. Hitting his desk over and over again the Admiral cursed the war with ever fiber in his being. After a brief moment to recompose himself Nimitz thanked Capra for being in the same room... allowing one tortured soul to connect and draw strength from another. Personally, it is easy to find yourself laughing when he laughs and crying when he cries. Like all classic works of literature, this book is so fresh in content, that it inspires the reader to look into his/her own heart and find the beating pulse of humanity and to take pride in the fact that one such as Capra was able to do so much through his films. I look forward to reading this book again and again. And perhaps, others will agree and do likewise.

Frank Capra's superb autobiography provides loads of fascinating information about the film industry during a thriving period, when he was one of filmdom's most popular and successful figures, as well as about the mindset of this intriguing man of accomplishment. What is refreshing, along with his basic candor, is that despite his enormous success he retains a humble and highly humane touch.

Some of the most humorous anecdotes of "Name Above the Title" involve madcap, always colorful Columbia boss Harry Cohn, who took his Gower Street studio from the ranks of "Poverty Row" to the that of a giant. Capra helped significantly with box office smashes such as "It Happened One Night", "Mr. Smith Goes to Washington","Lost Horizon" and "Meet John Doe." It took awhile, but the Capra film which has soared to top spot in the hearts and minds of the public was the 1946 release starring Jimmy Stewart, "It's a Wonderful Life." The star was so enthused about the story that he pitched it personally to Capra after driving over to his house. Capra relates the time that he begged Cohn not to drop a struggling young cartoonist from the Columbia payroll, predicting that he would be sorry. Capra was right as the cartoonist was a young, meek Iowa farm boy named Walt Disney.

One of Capra's great contributions was directing and producing the excellent World War Two documentary series "Why We Fight." He tells about being called into the office of Army Chief of Staff, General George C. Marshall, who asked him to undertake the project. "But I've never done a documentary!" a surprised Capra replied. Marshall pointed out that he had never run an army before either, and that the American way during the critical war period was for citizens to learn jobs with which they were previously unfamiliar. Capra saw Marshall's logic and the rest is history.

This autobiography is fascinating enough for the interesting information about Capra's life. What makes it even better is that you are reading the revelations of a good man who did his best to instill positive values into his films, and to help in his distinctive way to make America a better country.

I have read many, many books on Hollywood and auto/biographies in general and this book ranks as one of the best ever. It is a very entertaining book that doubles as a great history of Hollywood through its golden age. Capra interacted with Hollywood's legends and reports in a funny, candid and emotional way his dealings with the likes of Harry Cohn, Sinatra, Disney, Monroe and many more stars of the thirties and forties. Do not think the book is dated: yes, some of the names are meaningless to us today but the perspetive and lessons contained in every single page are timeless. this book tells you better than any others how movies are made or should be made...

From the opening chapter which describes the incredible saga of how this man (as a young child) and his poor Sicilian family managed to come to America, to the end of his inspiring life and his brilliant career when he suffered cluster headaches so severe he could barely function, but kept his head up, this book captivated me. Capra exemplifies the American Dream, where a poor immigrant can become anything he sets his mind to be. Especially significant is his pure and honest soul. This book is SO inspiring.

I cannot figure out which is more amazing and inspiring: the man, his films, his life or his autobiography.
Every autobiography will pale in comparison after you read this one. Frank's book should come with a
warning that he will open your mind, transform your relationship with films, and ultimatley find a place of permanent endearing love in your heart! Friends don't let friends go into the Light, without reading this book,
as I am sure, it is required reading in Heaven!

Frank's biggest fan, Vaishali, author of "You Are What You Love."

What an entertainer! You just never get sick of this book. The basic concept is finding mistakes (or "nits") in the Star Trek: The Next Generation TV series. It includes episode reviews, trivia questions & tote boards. He spots things that you'd never think of seeing: before this i could go through an entire episode without seeing anything wrong, but he'd find 2 pages of nits on that episode. Another plus-point is the size of the book, great value for all ages. All in all, a MUST for all TRUE Next Gen fans!

A brilliant, post-post-modern book that compiles an episode guide and list of mistakes for a television program. For maximum irony the world really needs a 'nitpicker's guide to nitpicker's guides'.

More specifically, there are two volumes of 'Next Generation' guides (the first goes up to the end of series 6, the second has additional mistakes, condensed episode guides, and 'Generations'). It works brilliantly just as an episode guide, and the mistakes are well-chosen and quite perceptive. There's also a fantastic 'Original Series' guide, a 'Deep Space Nine' guide (which is very large and dull, a bit like the series itself), and an 'X-Files' guide. Nothing on 'Voyager' yet.

Or is it u-post-modern?

I have read this book hundreds of times. I love getting it out when I watch a Next Generation rerun, so that I can see the mistakes and it is hilarious! Phil Farrand has a unique sense of humor that only Trek lovers can understand. I highly recommend this book to anyone that enjoys watching Star Trek: The Next Generation.

Though not as outrageously funny as the Nitpicker's Guide to Classic Star Trek, this volume had me, a grown man, giggling like a naughty schoolgirl (and that's quite a confession). All the inconsistencies and plot oversights are handled by a very sarcastic and wry author (Phil Farrand) who knows how to make us laugh at a great but sometimes pretentious and pompous TV show in Star Trek: The Next Generation.

I've had this book for quite sometime and I still go back and read parts of it every now and again when I need a laugh.

This book is for the serious Trekker (or Trekkie) who can take a joke.

I've always enjoyed watching movies and TV shows for one big reason- I'm always searching for those little things that give away the illusion. I'm always checking the reflections in mirrors, windows, paint finishes on cars, etc. for a glimpse of the camera crew.

With both my neverending searches for TV & movie miscues, and being a NextGen geekoid, grabbing this book was a natural. It satisfies both my Trek fandom, and helps me search for those little things that makes its magic less potent. It also uncovers technical problems, plot inconsistencies, and just plain strangeness that you might have missed in your fanboy fervor. I try to keep this tome as well as the original Volume I on hand while I view the weeknightly NextGen reruns on the local indie channel.

Volume II covers flubs from the series' final season, as well as the 'Generations' movie. The author Phil Farrand also includes other inconsistencies submitted by fans from the first six seasons that he overlooked in Volume I. Even my favorite two parter (gasp!) "The Best of Both Worlds" gets its dues. The heartless swine (sob, choke)...

But I know what some of you are thinking... what you read in this paperback might make you less of a Trekkie than you are now. I don't know about anybody else, but in my case, it made the watching of NextGen reruns even MORE fun and enjoyable. Looking for the little details that cut the show down to size has helped add life to episodes I've seen many times over. If you can handle this kind of scrutiny, I strongly recommend this book, and all of the rest of the Nitpicker's guides.

'Late!

As a teacher, I would like to thank Dr. Weiner for writing such timely book for students. I have seen students get caught up in Sam's life from page one. What a wonderful treat to see students absorbed by reading. They all comment that the story and characters are so real to them. The book is also intriquing for adults because it shows us the world around young teens so clearly - through their senses and their perception of the world they live in. I am anxious to read the next story by Dr. Weiner. In the mean time, this story should be made into a movie are TV show ASAP!

Educators, parents and tweens alike will be glad Kimberly Weiner put her unique set of talents to work in this original and timely new book. The media floods young girls with images of rock stars and beauty queens but rarely presents role models with whom they can truly identify and connect. Sam fills the gap. With her independent spirit and her blatantly honest blog - which continues to grow at notmyreality.com - Sam taps into the cyber-reality of her generation and inspires today's kids - or rather, teens and tweens, to look at their own realities and aspire to make their dreams come true whatever they may be.

Now that was a fun read! A great contemporary story that leaves you wanting more. This book brings the imagination alive. Readers can put themselves in Sam's place and live a star-studed reality while dealing with real issues at the same time. I have given this book as a gift to two preteens who loved it! They want to know when the sequal is coming out.

As a teacher, I would like to thank Dr. Weiner for writing such timely book for students. I have seen students get caught up in Sam's life from page one. What a wonderful treat to see students absorbed by reading.

They all comment that the story and characters are so real to them. The book is intriquing for adults because it shows the world around young teens so clearly - through their senses and their perceptions!

I am anxious to read the next story by Dr. Weiner. In the mean time, this story should be made into a movie are TV show ASAP!

Even adults will enjoy this fast but very contemporary children's book. This book would translate easily and well to television. I hope that Dr. Weiner writes sequels because NOT MY REALITY leaves us wanting more. With the current overfocus on reality shows, this book provides the perspective on how not everyone enjoys them, especially being an involuntary character within one. It's fun; it's fast moving; and it's current!

In this fascinating book, Janet Lee James describes her adventures while living in the Alaskan wilderness. While that may be enough of a challenge for many, this author suffers from multiple sclerosis. Coming to grips with this devastating diagnosis, Ms. James decides to live life to its fullest extent--and follows her dreams----to Alaska. She starts out in Anchorage working at a radio station, but eventually seeks out more remote areas of the state. Traveling to Cooper Landing, on the Kenai peninsula, Ms. James finds work as a cook/waitress/bar maid in a small lodge. As part of the deal, she can live for free in a rustic cabin. 60 feet up the side of a mountain, with no running water or electricity. This would normally be enough of a challenge for anyone, but imagine doing this with the exacerbations of MS. Ms. James provides an infinitely readable and entertaining book. She is frank and honest about the problems encountered with MS, some of which can be pretty humiliating. After reading this I immediately googled her name to see if she had written more books, but was unable to find her or any other books she has written. This book is highly recommended.

I was on the fence about buying this book due to what seemed may be mostly about MS and it's horrors . But, took a chance and am glad I did . I realize it was first published in 1993 and here it is 2007 and I just got around to it .

I was captivated by Ms. James sheer gutsiness ( is that a word ? )to leave the safety of her home and family to pursue a dream she might have otherwised put off like the rest of us do , thinking we have all the time in the world . She made me laugh , and made me shake my head at some of her antics before MS got a real hold on her . amazing adventure ..worth your time and $$$ .

the last 1/3 of the book was un-nerving tho . I'm happy I didn't read it as a young girl , i would have been looking for every symptom . I learned more about MS then i wanted to also ....all the promises to her and every patient of that time over 30 years ago ...saying a cure was probably going to be found in a few years with all the research . How sad . they are no closer to a cure now then 30 years ago .

I would have been terrified to go it alone in a state such as Alaska with no real friends waiting for me knowing that I had MS yet not knowing what to truly expect from it as being newly diagnosed and each case different.

I do have many questions tho , BUT those I wrote in a letter to her home . I hope she is still with us . In any case ...God Bless and may she find peace & happiness wherever she is .

This book is great - positiveley the best book I've ever read. It follows the story of Janet, a woman with MS. Instantly, you feel as if Janet is an old friend. A good book for when you're feeling frustrated with the world and wishing you could do like Janet did...fly away to Alaska. A true story of adventure!

I have read all sorts of books on MS--- Medical journals, personal accounts, alternative healing.. This wonderful book brought me to new heights in my understanding of the disease.. I wanted to jump on a plane to Alaska and pick up where Janet left off! I loved her bravery, her honesty and especially her sincerity. I, too, am a vagabond and traveler with MS... One of my favorite books ever on the subject!

What an excellent, excellent, excellent book and a brilliant author. The author had the courage to share the often unspeakable truths of what can happen, which doctors NEVER tell you about. She also has a warm and charming way of infusing humor and inspiration so others to gain a sense of hope and to "go for their dreams and make them happen. I can't think of a gutsier auther!
I loved it and would love to meet her!

It's hard to find information on Pier Angeli so this book written by Jane Allen is a perfect source. I originally bought this book because I am a huge fan of James Dean and she is mentioned in so many of his biographies. After reading the chapter on him, I felt compelled to find out about what happened to her later on after his death. And it was not happy. I see Anna Maria Pierangeli as a young woman looking for love in all the wrong places and in the wrong people, hoping to recreate the security and comfort she had with her father who had died just as she reached stardom.

She was a misunderstood young woman who wasn't prepared for how big she was getting in the movie industry and who was too trusting, though this was not her fault but mainly part of her nature. She was a kind person who had a good heart and had the best intentions for those she cared about, especially her sons. But too many heartbreaks (the end of her relationship with James Dean, his death), failed marriages to Vic Damone and Armando Travajoli, the physical and mental abuse she endured from lovers she hoped to find companionship with, hoping that it would lead to some sort of happiness in the end.

All of this took over her life, thereby making her believe that she could not find the happiness she longed to have. This biography is very intimate and shows the readers a side of her that she desperately tried to hide away for fear of rejection, rejection that she frequently experienced. A lot is provided about her personal life, the betrayals, the never-ending events of unhappiness, disappointment, etc. It seems that life never really treated her fairly and during the times when it seemed that all was well, they were simply too good to be true and always came to a miserable end. I felt sympathy for her because of what she had to go through, an independent life which she desperately wanted when she was dating James Dean and when she got it, she found that she couldn't harness it herself, especially after James had died. All that she went through led to her untimely death, which was NOT suicide, apart from what fans and/or other biographers claim.

It hurts me to think of all her pain and misery, thinking that Jimmy Dean would have been heartbroken if he was watching over her after his death. It's true, she was a loving person even though at times she turned to alcohol and pills to relieve her of her pain, even if it was only temporary. She believed she could depend only on love to get her through, part of her idealistic life. But in the end, she could not have this. As true to the title of her biography, she did have a fragile life. I could not put the book down and page by page, I felt that I could relate to her, her emotions, her views, and her reasons for her actions which weren't in her best interest, though through no fault of her own but simply her misguidance by those who controlled her and her weakness to stand up for what she wanted, to be a non-conformist (an influence that Jimmy Dean had tried to help her to demonstrate).

After reading that Pier considered Jimmy to be her one true love, you start to think about what could have been between them had fate not intervened, leading up to his unexpected and sudden death. Pier went through many hardships, many that she should not have had to endure. Whether you are a James Dean fan or not, this book is a must-read, you won't be disappointed.

And I don't say that lightly. This is an incredible book for several reasons.

Information, especially good detailed information on Pier Angeli is quite hard to find and here is a whole book in English, just about Pier.
The book is well researched and is written in a warm , respectful tone towards its subject.
You don't always see that in a biography.
I also enjoyed the format and layout of the book. I thought it was done beautifully.It also had some photos of Pier I'd never seen before.

Most of all I was just grateful for an opportunity to find out more about Pier . And I was happy to see her story sympathetically told.Her story should be much more well known and she is sadly underrated as an actress.
I first heard of Pier because I am a huge fan of James Dean.
But I have became a fan of Pier in her own right.The book touched me deeply. I did not know that Pier had experienced so much unfairness and agony in her life, especially in her final years. I knew she had experienced some rough times throughout her life, but I did not half the things she had been through.I think Jimmy would be saddened to know all the pain that his "Annarella" has suffered.
Pier was a sensitive , fragile, unique woman and I relate to certain aspects of her character such as her oversensitivity and the part of her that never wanted to fully grow up and let go of the innocence and free spirit of childhood very much.
What happened to Pier was a tragedy.I still don't understand why the studios turned their backs on this beautiful , talented actress. That was a huge mistake because it cheated both Pier and her fans out of all the terrific work she was capable of doing.
If the major studios hadn't unfairly turned their backs on her , she would have had the lasting quality career she deserved.Her life would have probably have been different and she might even be alive today.Who knows?
I don't mean to make this book seem all negative because its not.Pier's story is a heartbreaking one thats for sure, but the book also celebrates the good things in her life-her beauty, her love and loyalty to family, her love for her children, her talent, her once luminous career.And the book also presents proof that Pier DID NOT commit suicide as is so wildly reported and believed.
I would recommend this book to any fans of Piers, any fan of classic Hollywood , its personalities and its darkside,and also to fans of James Dean. There is a chapter about her relationship with him and several mentions about him in the book.

My only possible complaint about the book is sometimes I feel the Author tried to insert her own speculations as to what Pier was thinking and feeling at certain moments, when nobody not even her family or friends could know that unless Pier came out and explicity told them, but I suppose thats common practice in a biography.
But it don't feel it takes away any from the high quality of the book.

Jane Allen, lets us all know the truth about how much Pier Angeli and James Dean really loved each other. The questionable paternity of one of her children. The shocking papers that were found in James Dean's Porche after his death. The eyewitnesses who saw the lengths each one had gone to to see each other. There has to be a movie made about this relationship that gets deeper into their rocky romance not just their intimate moments in Malibu at the beach house but their long talks. They had so many interests in common not just a loss of a parent which is what everyone who has seen the other television movies about James Dean have found out. Their love for each other was emphatic in every way. I know that they were reunited when she left this world, accidentally, as Jane Allen points out, on September 9th, 1971. This is a great book.

The only thing I have to negatively comment about is Jane Allen's belief that Pier wanted to be envied. Pier wanted to be adored by her fans. She always wanted praise but not envy.

this was a wonderful read, and beautiful written story of the life of the equally beautiful yet flawed pier angeli, i think the title was a bit misleading because i don't think pier was as fragile as the world thought she was, in the book i saw a woman who just didn't really have her piorites right and made bad decisions.the only thing i critize about the book is the book format, it's written as though you are reading a newspaper with very small print.

Information on Pier Angeli is hard to find; I'm so glad I found this book! Pier's story is wonderfully told - I simply could not put this book down. I highly recommend it!

Strouse is one of the most underrated composers of the American musical theatre. This is mostly due to the large number of failures he has been associated with. After reading his revealing memoir, it is easy to see why that happened. Strouse is singularly lacking in self esteem, and has been far too easily led, nor has he stood up for himself properly. This is a shame, because he wrote some of the best scores of the late twentieth century, including his masterpiece "Rags," a show that seems certain to be rediscovered one day and take it's place among the great ones.

Strouse promised a lot of "dirt" in this book, but I can't say it really delivers in that regard. Other than revealing that Arthur Laurents is an egomaniacal bastard (hardly a news flash) and that Strouse and Adams made a contribution to the development of "Hello, Dolly!," there isn't anything much along those lines.

One thing that emerges that is sort of surprising is how many close friends of Strouse's are gay; to the extent that it comes as a shock that he isn't gay himself! It is a testament to his open, accepting spirit.

It becomes very clear by book's end that Strouse suffers from chronic depression. One wonders why he isn't on medication for it. His creative output, despite that, is astounding.

I would have enjoyed more about Strouse's creative process, his aesthetic tastes, his opinions of the work of his contemporaries, and so on. The personal details are interesting, but after all, it is their work that fascinates us about these geniuses.

A fascinating autobiography of a genuinely 'nice' gentleman. Too often Strouse is left out in the panoply of great Broadway composers. As a (former) HS musical director, I conducted Annie, with with my staff on Birdie and the quality of the scores is beyond reproach. I remember the original Applause on Broadway; it's still one of my favorite scores. I enjoyed the 'backstage' chit-chat between producers, directors, and choreographers. It would have been wonderful to be a fly on the wall. My only disappointment is that I wanted to know how Lee Adams felt when Charles began collaborating with other lyricists. Highly recommended and a fast read!

What sets this autobiography of the great Broadway composer Charles Strouse apart from other "and then I wrote" memoirs, is that although Mr. Strouse gives plenty of fascinating info on the what, who and where of his career, his main focus is on how it felt to create those shows, work with those people, and live that life. So the reader is drawn in and effortlessly identifies with him, coming away with the experience of a life lived in musical theatre. The only curious element is that, although his portraits of famous collaborators like Arthur Laurents, Alan Jay Lerner and Sammy Davis, Jr. are quite vivid, we are left with only a shadowy outline of Lee Adams, who wrote the lyrics to many of his most famous shows, such as "Bye Bye Birdie" and "Applause."

A truly enjoyable and quick read. Many insights are offered into the world of Broadway musicals. Strouse reveals several things about himself that are very interesting. Some Broadway writers,producers, etc. really come off as horse's a---s. Like the bit where he ways he has made more money than he can spend. Was sorry that it wasn't longer!

A must-read for all fans of musical theatre, this heart-warming candid and funny autobiography provides a fascinating look into the world of showbusiness. Charles Strouse writes candidly about his ups-and-downs in showbusiness, the nagging insecurities that have followed him throughout his career and of course provides juicy tidbits about Teresa Stratas, Arthur Laurents, Leondard Bernstein and more.

I thought this book was very well done. Detaild information and is explained as if you have no idea about the process and job of a radio producer, which I didn't. This is a great explanation for anyone working in radio in any aspect.

I'm not really that familiar with radio production, but am more interested in the creative process in general, and I found this to be a worthwhile and engaging read. The writers are entertaining and personable, and make everything that they talk about exciting and interesting to read. I thoroughly enjoyed it!

If you listen to the radio and ever wondered what goes on behind the scenes, this book is for you. The authors provide an often humorous description of the day to day activities that are done to bring the listener must-hear radio. Even the technical chapters were written in a way that somebody like me who has no connection to radio (other than listening) could understand and find interesting. Whether you are in the broadcasting field or just interested in radio, this book is well worth purchasing. The book was enjoyable to read and it gives the reader a new appreciation for what happens behind the scenes to bring the listener a good radio show.

I worked with John Swanson at WTMX for almost 2 years, though not along side of him. I read this book and learned an large amount of what a producer does. It helped me out in a college radio show I do. Since it's a small station we don't have producers, so it's up for the DJ to do everything. This book made it easy to understand what I need to do for a successful show.

I have nothing to do with radio and I stumbled across this book to get a peek into the world of radio production. If you want to get into radio in any capacity, this book paints a great picture of how good shows are put together day in and day out.

If you don't want to get into radio or if you do but you just can't seem to escape those golden handcuffs at Fargenflam Inc., then this book is still a good read. As Rick and John bring you deeper and deeper into their radio producing world, they share many stories that add humor and depth to the subject matter.

It's a good read. I liked it but I am sticking to the much simpler world of TV.

Randall Cross
MTV Networks

An absolutely fascinating book detailing all that happened in front of and behind the CBS cameras of the ill-fated Judy Garland Show. Also, every episode of the show is examined in detail, and the author takes a straight-down-the-middle approach to the book's subject matter.

Over the years I have read every book about JUDY and excluding the 'book' written by Mel Torme' many have been decent. But, not until this book has the talent, the class, the POWER that was JUDY GARLAND been properly conveyed!The book is informative about what went on in front of and behind the scenes of THE JUDY GARLAND SHOW. But also, it shows how at certain points JUDY wanted certain things done a certain way for a specific reason!!! Case in point, her singing 'THE BATTLE HYMM OF THE REPUBLIC'. She knew why it had to be done, she knew how it had to be done, and she knew that it had to be done!!!! AND SHE DID IT!!!! And what 'we' see on video during that performance is what JUDY was, is, and always will be!!! A performer who should have been left to do what she did-SING!And reading this book, you'll see why she is what she is, and how she got what will always be hers! LEGEND!!!!

The Judy Garland Show consisted of twenty-six shows that aired in the CBS Sunday night line up in the 1963-1964 season. The network considered it an immediate and expensive failure and the series was canceled as soon as contractual obligation allowed. Isolated exceptions aside, the series was neither syndicated nor re-run and, with the exception of various "art" screenings it seemed to vanish completely.

Nonetheless, The Judy Garland remains one of the single most discussed and written-about series in broadcast history. Garland biographies aside, it is inevitably touched upon--and often focused upon--in histories of broadcast television, where it is usually held up as an example of how even the greatest talents, biggest budgets, and best intentions can be exploded by mismanagement, network politics, and in some instances pure spite.

Two major publications have focused on the series. The first was the 1970 OVER THE RAINBOW WITH JUDY GARLAND ON THE DAWN PATROL by Mel Torme, the respected singer-songwriter-composer, who contracted to write and arrange special musical material and make three guest appearances during the first season. Torme places blame for the series' failure squarely upon the shoulders of Garland herself, painting a frightening portrait of a greatly talented but extremely unstable and often vicious star self-destructing through booze and pills and determined to drag all those around her down with her. Although denounced as grossly inaccurate by many associated with the series, it was for many years generally accepted as authoritative.

The second was 1990's RAINBOW'S END by Coyne Steven Sanders. Amassed from meticulous research and seventy-five interviews with individuals directly involved in the series, it explodes DAWN PATROL with the force of an atomic bomb. Sanders freely acknowledges that Garland was a tempestuous individual with profound chemical dependencies--but his interview subjects note that, far from being difficult, she actually withstood a great deal more unpleasantness from others than she actually caused herself.

What ultimately emerges is a story of Garland's mismanagement, first at the hands of agents Begelman and Fields, then at the hands of such employees as Mel Torme, but ultimately and most destructively at the hands of CBS executives James Aubrey and Hunt Stromberg--each with their own self-serving agendas and all determined to drain The Judy Garland Show to further them. It is also a story of great talents and opportunities simply thrown away.

With the advent of DVD, The Judy Garland Show at last began to reach a wide audience, and the actual product bears out Sanders' contentions. At its best, it was extraordinary, offering not only Garland very near the peak of her vocal talents, but a host of great performers that read like a Who's Who of 1960s show business--June Allyson, Tony Bennett, Vic Damone, Bobbin Darrin, Lena Horne, Ethel Merman, Peggy Lee, Jane Powell, and Barbra Streisand, to name but the most obvious, most of whom Sanders interviews to great effect. But the program was "fiddled to death" by constant CBS reformatting, too often saddled with inept writing and insipid guest stars booked on studio demand, and ultimately unable to establish any consistent formula acceptable to both Garland and CBS.

According to Sanders, Garland did indeed spiral out of control toward the end of the series--but given the madhouse into which she was thrown it is amazing that she did not run screaming down the street at the very beginning. And, as Sanders so astutely points out, she has had the last laugh after all. Few series television programs of the early 1960s, including those that bested The Judy Garland show in ratings, have survived in the public memory. But The Judy Garland Show, for all its flaws and faults, seems to become more greatly respected with each passing year.

After reading Sander's meticulously documented assessment of The Judy Garland Show, you'll never again look at broadcast television with quite the same eye. Very strongly recommended, not only for Garland fans, but for any one with an interest in the medium.

GFT, Amazon Reviewer

Coyne Steven Sanders is, undeniably, _under_ the rainbow with this treatment of Ms. Judy Garland. In a good sense. First, one must respond to the treatment here of Micky Rooney, without whom we would still probably be responding to Ms. Garland in the same way. In the birth of the cliche, there is a moment when the idea itself is not a cliche but is instead an archetype. In this way cliches are to be honored as original ideas so fitting to such a large number of {events} that they become, through no fault of their own, a cliche. Sadly, this treatment of Micky Rooney in relation to Ms. Garland does not recognize the fact that Mr.Rooney was a cliche _from the beginning_. He personified the cliche by occupying one from the moment he embarked on his character--the same wide-eyed, over-eager, lifelessly hyperbolic grating dunce he dusted off every time the cameras were stupid enough to have him within their frame. If only Steven Sanders would have bitten into this none-too-tender tendril of the gas that was Micky Rooney! Instead, it is waived away like a bad odor that the reader imagined should have dissipated 5 minutes earlier. By failing to contextualize Ms. Garland within this necessary border, Coyne Steven Sanders renders a full quarter of this book into a wide pie of plums and pits; into a full line of outergarments best suited for intemperate climes. Three cheers for Coyne! Because, after all, this author is able to, in this book, show us why we should all, as I do, love Judy Garland with each breath we take. I love her. Yes. I love this book, and I love Judy Garland.

This book, which accompanies the box set (Vol 1) of Judy's TV series, is an invaluable resource for any serious Judy Garland fan. The writing is clear and concise, the approach is objective (but with great empathy for Judy), and the research conducted by the author is impressive. Until this book was written, the only documented history of this landmark TV show was the book written by Mel Torme, which was mean-spirited and by no means a balanced account of what really went on. Congratulations and much gratitude to Mr. Sanders for a very memorable read.

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