Television Books

Wow! What an amazing book filled with the most beautiful pics ever! Also has a few inspiring quotes. All NKOTB fans should own this one.

This book is filled cover to cover with beautiful photographs of the fabulous five on stage, off stage, awake and asleep. This book is filled with seriousness and silliness. Lynn Goldsmith has managed to capture the very essence of these men. It's more than a documentary. She's managed to illustrate where they come from, where they're going and who they are. Even if you're not a NKOTB fan you can appreicate the beauty of these photographs.

This is one of the most exciting books ever published on the New kids! The pictures really share the most intament experiances the boys went threw! Pictures are the most wonderful part of the book!

A must have book for any New Kids Fan. This book contains some of the most incredible pictures I have ever seen. Lynn Goldsmith captures the guys in there own way. Their Real Selves!

A+

I am an adult and I am still and always will be an NKOTB fan! This book is great! The pictures are the best one's I have seen! This book is a must for any NKOTB fan new or old! Iam very proud to own this book!

I own both made for TV movies and all 20 episodes. Darrin McGavin was perfect for the role of Kolchak. I waited every week for a new episode, and was scared every minute as I watched them. The shows/movies not only keep you in suspense, but make you wonder; did it really happen? (If you do not understand that last statement, you never watched the show/movie.) Mr. Dawidziak did a fantastic job of writing this book. Every angle is covered from the movies and shows. The stories behind the shows are very interesting. I have the 25th Anniversary tribute issue. There are interviews with the surviving cast plus photos, biographies, and an episode guide are only part of this compendium. Carl Kolchak is a character that will live forever, read this book and you will want to watch the series. And for those X-filers out there, you need this book: because it is the inspiration for the X-Files.

It is funny; I have always loved the Night Stalker series and did not know this book existed. I flew to Seattle, Washington to tour the underground city I saw on the 2nd Movie, "The Night Strangler" and at the end of the tour in the gift shop was this book, hidden in the corner. They told me they use to make reference to the show during the tour, but for the last decade or so, no one knew what they were talking about. This came up because when they asked why we were on the tour, my friend told them I made him come on the tour because of the Series. (It is true) :-)

I ran across the night stalker on cable a couple of years ago. Despite it's age I found I really loved the show. It has a great mix of humor along with the 'horror'. (the horror is the most dateable bit).

This book gives you great background to the series (and why there is so little of it) and the actors. It also includes a fully detailed episode guide and a critical evaluation of each episode.

For people who enjoy the night stalker or who want to know more about the show or actors/producers you can't go wrong with this excellent guide.

Mark Dawidziak has put a lot of work into this companion, which documents the development and demise of a television series before it's time. I remember all too well those Friday nights from 1974-1975 watching Kolchak: The Night Stalker in my youth. Dawidziak's book does not disappoint. The book is full of documentation and photos, not to mention it's documented confirmation of Kolchak: The Night Stalker television series' influence on Chris Carter's The X-Files. Personally, I still think The Night Stalker was a better series. It's too bad Dawidziak didn't have more episodes to work with, due of course to the show's premature cancellation.

The Night Stalker was almost the forerunner of Buffy the Vampire Slayer, both in subject matter and humorous handling. It ran out of steam after a mere twenty episodes (and its forerunner pair of top-rated T.V. movies), and has ever since been nothing more than a cult favorite, unknown to everyone but its small circle of ardent fans.

Mark Dawidziak has done us all an immeasurable favor by keeping the legacy alive, introducing Carl Kolchak to new generations of viewers who might otherwise never hear his name. His wonderful book contains interviews with the principals responsible for bringing Kolchak to T.V., both before and behind the cameras, and the best available pictures from the series.

For those who are already Kolchak fans, an invaluable resource and a welcome walk down memory lane. For those who are not (yet), a proper introduction to the original supernatural super-sleuth.

Mark Dawidziak's first attempt at a history and critique of the Kolchak mythos was Night Stalking: A 20th Anniversary Kolchak Companion (Image Publishing, 1991), sparsely distributed and now a collectible. Aided by Kolchak creator Jeff Rice, he then wrote Grave Secrets (Image, 1994), the first Kolchak novel since Rice's novelization of Matheson's Night Strangler teleplay. Rice was pleased with Grave Secrets, but not with Image's dismal distribution. He withdrew literary rights to the character.

Details are in Dawidziak's Night Stalker Companion, a heavily revised and updated version of Night Stalking, and a well-structured chronicle of the rise and fall and afterlife of Carl Kolchak, a hard-boiled reporter who investigates supernatural and extraterrestrial crimes. Dawidziak interviewed all key players, and while he accentuates the positive, he does not eliminate unpleasantries. Kolchak would expect no less from his biographer.

Kolchak first appeared in The Kolchak Papers, an unpublished 1970 horror novel written by newspaper reporter (and actor) Jeff Rice. Rice submitted it to Richard Matheson's agent, who sold TV movie rights to ABC without first signing Rice. Rice had hoped to adapt it himself, but the agent had already secured the teleplay assignment for Matheson. Dawidziak adds, "It's important to note that Rice does not in any way blame Matheson for what he views as shady Hollywood dealings."

Dawidziak's Dan Curtis comes off as a bit of a bully, or at least possessed with a Hollywood ego. When ABC bought the rights to Rice's book, Curtis was executive producing the last season of that network's Dark Shadows. "'I wanted to say good-bye to it so bad I couldn't see straight,' Curtis reflects. 'We got around to the last year and I was completely tapped out ideawise. And we ended up with some dreadful stories during that last year. It was like being in jail.' " Dark Shadows did afford Curtis the opportunity to direct a feature. Dawidziak cites House of Dark Shadows (1970) as Curtis's directorial debut, followed by Night of Dark Shadows (1971).

When Barry Diller asked Curtis to produce The Kolchak Tapes as the TV movie, The Night Stalker, Curtis requested the director's chair. It had already been given to John Llewellyn Moxey (Horror Hotel 1960, aka The City Of The Dead). Curtis didn't interfere with Moxey's authority on set (and it was a happy set), but he'd grumble to McGavin, "Will you look at the setup Moxey has here. What's he doing?" [Curtis contradicts this version of events in his interview on Night Stalker/Night Strangler DVD, claiming that he was offered the director's chair but turned it down, and that he himself sought out Moxey.]

Despite Moxey's setups, The Night Stalker was a ratings success when it premiered in January 1972. So too The Night Strangler, its 1973 sequel. Curtis got to direct. Rice was less fortunate. ABC press kits and trade ads hadn't credited Rice for the first film. Rice lobbied to script the sequel, but was given the runaround by network and studio execs. Instead, he wrote the novelization for Matheson's teleplay. Dawidziak says of Rice's original deal, "No sequels or series could be made without Rice's permission." Apparently, Rice didn't press his advantage.

The Night Strangler ended with bad blood between Curtis and lead actor Darren McGavin. Near the end of the shoot Curtis "was berating the crew something awful." McGavin defended them, then quit. Curtis insisted he stay for closeups, but McGavin replied, "You've got enough film. Make your movie. Goodbye."

If Curtis comes off a bully, Rice sounds paranoid. Rice tried vainly for years to launch a series of Kolchak novels and comic books. He sees two factors blocking him. Publishers "keep trying to acquire the rights for pennies and balk at paying Rice nearly anything at all, doing their best to keep Rice from doing any writing if possible." And Rice fears "that deals are fashioned with the intention of keeping Kolchak locked up and off the market."

Rice has reason to be paranoid. He first learned of ABC and Universal's plans to produce a Kolchak series from the April 24, 1974 issue of Daily Variety. No one informed Rice about a series in the works, even though his contract forbade a series without his permission. Rice tried to coax Universal into buying the rights it was exercising, while simultaneously working on script ideas for the show and a contract for future novelizations. When in August Rice's attorney requested that Universal "settle the rights question," Rice was barred from the lot. His calls were no longer returned. His novelization deal collapsed. Rice finally filed suit in March 1975, shortly before Kolchak was canceled. The suit was settled nine months later. Rice never "made it" in Hollywood, either as scriptwriter or actor (his promised role in the first film had also fallen through). Perhaps he was branded a troublemaker. Today he's a certified paralegal.

While McGavin loved The Night Stalker film, he had no desire to do a series (he had a thriving career in TV movies). McGavin only relented because Universal agreed to let him produce. Once he was on board, Universal turned producing chores over to Paul Playdon (Dan Curtis was uninterested). Determined to keep Universal to its word, McGavin acted as de facto producer. The tug of war between "producers" created turmoil and tension. Playdon quit after two episodes. Replacement producer Cy Chermak failed to ease tensions. Long hours and all night shoots only increased pressures. By February McGavin was begging network and studio to cancel the show. Dismal ratings granted his wish.

Yet Kolchak survived. An inspiration for Dawidziak while he was still an undergrad journalism major, the author is amazed by the many reporters he's met over the years who've expressed similar sentiments. Kolchak also inspired The X-Files, which McGavin dismisses as a humorless ripoff.

Dawidziak confronts other rumors that have plagued fans for decades (such as Curtis's plans for a feature film), making this a juicy and enlightening book. Yes, there's an episode guide. And some errors. Dawidziak says of The Night Stalker's initial 33.2 household rating: "about one out of every three people in the United States was watching Carl Kolchak track Janos Skorzeny." No, because a household rating does not indicate how many individuals per household are viewing. Nor even "about" how many.

The index is inadequate. While many of the names and titles in the text are only mentioned in passing, often as past credits, I'd want them included. The index even excludes some key textual references to Rice.

Pomegranate Press is a fine publisher for The Night Stalker Companion. Founded in 1986 by Dark Shadows actress Kathryn Leigh Scott to self-publish My Scrapbook Memories of Dark Shadows, its success induced her to release additional Dark Shadows books (all beautiful, lavishly illustrated, and informative). Pomegranate's Dark Shadows contacts likely aided Dawidziak. Dan Curtis, composer Bob Cobert, and actress Lara Parker all worked on both Dark Shadows and the Kolchak mythos.

Pomegranate has a curious custom of listing deceased actors in its Dark Shadows books, with date of death. The Night Stalker Companion follows tradition with its own R.I.P. page.

I had this when I was a child (20 years ago) and I learned how to play almost everything in it, as well as how to improvise according to the song's key and play blinding legato runs. I recently bought it again and am digging into this classic once more because it is so worth it.

I'm 25 and have been playing guitar for about 14yrs. I started out playing electric and was motivated to play like Randy from the start. Before I ever even picked up a guitar I always dreamed and wondered "What if I could sound like that?" refering to Randy on the Tribute album, truley a masterpiece performance/recording. I was young and ambitious and wanted to sound just like him. When I found Wolfe Marshall's transcriptions I fell in love. Marshall was the best for me and my guitar playing developement during those early days because he showed me how to model my playing style after that of Randy's. Through Marshall I learned Randy better than I could ever imagine learning Randy without Marshall. Truley a great book. Now after having impressed many o' college coed and friends with some awsome guitar playing and feel I have Randy & Marshall to thank. Really what come's out in my playing more than even skill (which you will learn) is the feel for the music. There is true feeling in Randy's playing and if you honestly make the effort to learn you can become a really good player because you will feel the music. Sounds wacky but I don't know how else to explain it. You will certainly see smiles on peoples faces when you play not so much because you can play (really good if you study hard) but because people will know you are enjoying yourself pushing yourself emotionally to your limits through your instrument. Randy's inspiration makes that possible ONLY IF YOU PRACTICE AND APPRECIATE HIS STYLE. Good luck to any begginer choosing to take on this book and this masterpiece...take it serious and you'll have something with you for the rest of your life that will make your life that much nicer, guitar skills and guitar heart. Only works if you really feel like you can be a great guitarist...push yourself with this book!

Helpful hint: listen to the album if you get stuck at any point while reading the book and feel like you need clarity at any point during a song. Usually by listening to the record you'll go "Oh that's what marshall meant here". Marshall will tell you and Randy will show you...great way to learn!

His songwriting (yes, Randy's songwriting cause Ozzy hasn't written anything close to what was on 'Blizzard' and 'Diary' since!) was clearly GENIUS!!! Randy's solos challenged your music theory knowlege and technique. Then he would touch your heart too with his SOLO'S. Kind of telling you what kind of person he was!!! A genuine one, a nice one (obviously INTELLIGENT AS WELL). Someone dedicated to music. NO ONE HAS COME CLOSE SINCE. AS A WORKING MUSICIAN IN ANOTHER GENRE I WILL TELL YOU THAT RANDY HAD A FEELING IN HIS PLAYING NO ONE WILL EVER DUPLICATE!!! He took that polka dot flying V and MADE PEOPLE REMEMBER BUDDY GUY!!!! Hell, I bet Chuck Berry is proud of him too!!! DO YOU REALLY KNOW ABOUT GUITAR? DO YOU KNOW THAT CHUCK BERRY IS THE KING OF ROCK AND ROLL!!!! DO YOU KNOW THAT "JOHN LENNON" SAID THAT IF ROCK AND ROLL HAD ANOTHER NAME, IT WOULD BE "CHUCK BERRY"? I JUST LOVE MUSIC PERIOD, I GIVE CREDIT WHERE CREDIT IS DUE.....

MR. RANDALL RHOADS THIS WORLD SORELY MISSES YOU AND YOUR TALENT!!!!

I'm 26 and play guitar, and I have to say that Rhoads was the best of the best..the only guy that comes close in my opinion is Zakk Wylde.

Dimebag Darrell, Jimi Hendrix, Eddie Van Halen and Stevie Ray Vaugn also come to mind,,,but Rhoads is my favorite..I dont have this book but I have the album..I wish I had the privlidge of seeing him perform live

I was lucky enough to grow up watching Randy play weekends at the Starwood on Santa Monica Blvd with Quiet Riot. The guy is still the best I have ever heard and this "Randy Rhoads Tribute" truly rocks. Sorry everyone, if you never saw the skinny dude with his polka dot bow tie live, this is the best you can do!

Pro's: It was interesting to read about the actors and their were plenty of interesting photos. I like reading the comments from the actors on certain episodes.

Cons: The episode guide was good, but it was something I could care less about. I wanted to see more behind the scenes facts and this book gave me what I already knew. Also the quiz at the end was impossible. I've been watching the show since it started, and the questions are based on details that are impossible for even me to remember and the only way you'd remember them is if you taped each episode and/or took notes from each episode. I read what the other people said about the book and thought it would be great, instead it was a dissappointment.

Over all: Don't get this book unless you are a NEW fan and don't know anything. Also don't even try the quiz!

The Author of this book should be very proud! I mean I thought I was a fan and then I read this book and I realized so much I didn't know! This book has shown me how I can dedicate and try to make this show more popular by supporting it!! Read it, it's GREAT!

I think that this book was really good, probably because I am a po5 fan! It has good information that I didn't ever know about. I recommend it, and any other party of five books!

It has bios of all the stars and guests, recaps of all the episodes of the first three seasons, behind the scenes info./pics, plus tons of other great stuff!

If you love PO5 as much as I do (which beleve me is a alot!) this is the book that you should read. It gives you the inside scoop on the show and the stars and also includes tons of quizzes and an episode guide. So if your smart (which you must be if you decide to watch PO5) read this book now!

Very efficient with delievery and a book in excellent condition. I thank you .Our son reads alot and we were pleasently surprised in ALL areas of this transaction.

I am a new fan of the clash and just fell in love with them one day. Wanting to know more about this band, I bought this book and was blown away!! I honestly couldn't put the thing down. It really gives an insightful history of the band and really made me like them even more. If you love the clash this book is worth every cent. Buy it!!!

I just got it a week ago. I CANNOT put it down. Well written and a lot of great facts that I never knew about. For example: Did you know that Joe Strummer's first guitar was actually originally owned by Pete Townshend?

A great,detailed and thorough history of The greatest Punk band ever. This is a MUST READ for anyone interested in the origin of contemporary rock music. The author delves into the personal history of the band members from childhood on. Pat Gilbert obviously has a passion for The Clash as every band today should and probably does. This book is an amazing overview, easy to read and impossible to put down. I bought this for myself but my 14yr. old son "permanently borrowed" it from me, reading it like crazy(he's not fond of reading) and I couldn't be happier.
Thank you Pat Gilbert for writing this awesome book!!!!!

This review applies to the 2004 hardcover edition. I knew a reasonable amount about The Clash before reading this book but the author here opened my eyes to a number of things and helped to confirm some of my ideas and reject others.

This is an academic book in the sense that any university sociology or history department type would or should respect the high standard of scholarship here - painstaking research involving interviews with a large number of band friends, business associates and childhood and youth buddies - and objective and intelligent analysis throughout. Although the research is detailed and Gilbert takes the subject matter seriously, the writing is still lively and captivating.

The book first traces the childhoods, youth days and former bands of all members individually which is fascinating and well researched. A lot of this information would be new to even the diehard fans. It's fascinating to read about and see a picture of Mick Jones' gran's 18th floor council flat in South London overlooking the Westway - where Mick "practised daily in my room" according to the song Stay Free. We also get to learn about Mick's close friend, also written about in Stay Free, who in real life did serve time for a bank robbery offence.

The art-school beginnings and the "squatting days" in early 1970s London (living in vacated houses under the Westway without paying rent) and the members' pre-Clash bands are well documented. Overall, Gilbert does an excellent job in helping the reader recreate in his/her mind the world of 1970s South London where the Clash story was played out. That is one of the book's great strengths in my opinion.

The book demolishes some punk myths, but keeps others alive. Firstly, the book demolishes the cherished idea that The Pistols and The Clash were working-class lads who met up, decided to form a band, and sing about social and political topics. There is some element of truth in that idealised view. However, the bands' respective managers, Malcolm McLaren of The Pistols and Bernie Rhodes of The Clash, clearly manufactured the bands to a certain extent based on their personal visions of what they wanted to achieve. Joe clearly understood this and was willing to co-operate with Rhodes to achieve common goals - but Mick was less supportive, being more of a traditional old-time rocker.

Gilbert clearly describes the social changes affecting Britain in the late 70s - the rise to power of the Thatcher right-wing government and the first wave of West Indian immigrants into London (and especially Brixton). We see how all band members had a genuine and sincere desire for racial harmony - they were fascinated by Jamaican reggae music and later New York hip hop. The bands' involvement in anti-racism gigs and sharing the stage with acts such as Bo Diddley and Micky Dread were extremely influential in contributing to the unity of the streets.

Another Clash myth that the book does not debunk but strengthens is their closeness to the fans and genuine warmth they felt towards the fans and vice-versa. However, the bitter infighting and bad vibes involving Joe, Mick and Paul often seemed to take the joy out of their lives and the book exposes this fully. It ultimately led to Mick's sacking at the hands of Joe, Paul and Bernie.

Other highlights are detailed descriptions of the recording sessions that led to each album and brief song-by-song descriptions (however, the focus on the actual music is fairly brief - the book is more a study of people and society).

Producer Guy Stevens' drunken chair-smashing antics during the London Calling sessions are hilariously recounted. His crazy energy probably contributed to the eclectic joy that London Calling produced. The details of the football games during the London Calling sessions are also interesting. The orange mohawked Japanese guys they met playing football in the London park - who knew every note of every Clash song (and Joe's cynical reaction to them, in contrast to the other band members) - also is humorous in my opinion.

Lastly, we are also are given a rare insight into The Clash Mark II. The three young band members who replaced Mick and Topper are all interviewed. Naturally they were dissapointed with certain aspects of the Mark II experience - but they don't seem bitter and it doesn't seem that they were treated totally badly (at least not by the band - by Bernie Rhodes maybe). In my opinion "This is England" (from 1985) ranks in The Top 3 Clash songs of all time. Good to get an insight into this less-publicised and once-denied stage of the band's existence. It almost makes me want to go out and buy Cut the [...]!!

I enjoyed my trip to the world of South London that Gilbert offered and South London became a better place I'm sure due to the huge influence of Joe, Mick, Topper and Paul. Stay free...

See also my soon to be published paper:
James, K. (forthcoming). "'This is England': Punk Rock's Realist/ Idealist Dialectic and its Implication for Critical Accounting Education", Accounting Forum, doi:10.1016/j.accfor.2008.01.002 (available at www.sciencedirect.com or by contacting me at kieran_james@yahoo.com (Kieran James)).

For a long time I have been discouraged in my efforts to establish two-way communication with children. I would bring books, toys, and games to social functions and share them with children. Once one activity was over, the children would stare at me, waiting for me to start another activity. Why won't they provide any input of their own? Am I overpowering them without realizing it?

This book explained everything: the children think I'm a television!

This book is about the effects of television on children and families.The use of television starts innocently enough.Too often TV is used as a child minder so that parents can get some peace and quiet: to prepare meals, so that Mom and Dad can sleep in at week-ends, etc.But dangers lurk in this innocent scenario.Before long, the kids are hooked on watching, and parents are hooked on a device for having the kids out of the way.Marie Winn aptly calls TV a drug.Many parents are aware of the dilemma, but often they are and the kids too hooked to break the habit.Winn explores the process of this addiction and the harm done to vibrant human living.For example, excessive TV viewing hampers the personal and social development of the child, so some mothers get a job to escape from their maladjusted kids!Winn offers helpful advice to families trying to cope with TV.She gives examples of the benefits families have experienced when they went without TV, such as increased family interaction, more creative and satisfying activities,doing various things that had been put of, and so on.Marie Winn gives many examples from family life which add great interest to this thoughtful and helpful book.

Excellent. A must read for parents of kids of all ages.It is really well written and should make a responsible parent a believer. Kill the TV before it kills your kids brains or at least be very selective as to what they watch.

A wonderful book, that all parents should read in order to eliminate their TVs and *live* again.

Read 4 Arguments...Jerry Mander Then this book! If you are looking for "ways" to get rid of the TV, or "ways" to occupy your families (or your) time away from the TV. This is not the book. This is the book if you would like statistics, and startling information about TV in the lives of people. Although the TV refrences are quite early 80's ALL of the information is very useful, persuasive, and passionate.

Dont believe the hype up there! It is relevant to this day in age, take yourself to account, before the TV takes you! Buy this book and dont burry it into the shelves, pass it on the neighbors, your childrens teachers, family and friends! this book is for EVERYONE!

This is one of the most honest portraits of a human being you will ever find.. I would recommend this along with Charles Mingus' 'Beneath the underdog' for a taste of the 'jazz life'. It is amazing what these guys lived through - and still created such beautiful music!

This was the first jazz biography I have read. Hawes does a great job of portraying the terrible effects of heroin addiction. I knew some jazz musicians were busted for heroin use in his time. But I didn't understand how rampant heroin use was in the industry. This book gives great insight into the life of a wonderfully talented jazz pianist. But more importantly, it gives insight into the tumultuous life of a drug addict. Initially, the piano seems to be Hawes' only love. But then there is the realization that heroin is his real love. It is his only motivation to even play the piano.

I enjoyed reading this book very much.

It is first of all Hampton Hawes biography of his life as a jazz musician. It tellls us of his way from being a little boy attending his father's church on Sundays to a highly acclaimed jazz pianist, his downfall because of his heroin addiction, his 10-year jail sentence (which was reduced to six after Hawes had written to John Kennedy!), his way back up on the European market, his love relationship with Jackie, and his new found love after separating from Jackie after almost two decades. The very last sentence of the book speaks about his ex-wife Jackie - and it is very touching and shows that Hawes indeed must have been a nice man.

There is only one really dumb remark in the book that I felt was disgusting. (Find it for yourself... ;-))

Hawes repeatedly talks about Black issues. I personally feel that those statements are very intelligent, and can therefore recommend this book not only to those of you interested in jazz, but also to anyone into Black issues.

This book is all of these things and more. This is the story of an essentially decent person fighting his own demons. A beautifully crafted book written in the subjects own idiom. A must have for anybody wanting to get inside jazz during the be bop era.

I love this book. Remember, back then when you played this music, it wasn't exactly a sweet world for the musicians (Black ones). I'm glad he let everyone know how hard it was out there. Drugs took this Bad Boy out the game and the world passed him by. Musicians like Brother Hawes, will never be acknowledged for their great playing in the U.S.A.

If there was a dumb remark in this book, I didn't see it. Again, think back to the times he was living in. He talked about Jimmy Rushing and the way he thought about things. Jimmy Rushing came out of a different era, yet Some of his thoughts were not far behind. When he described Black people, some were light skninned, some were black... The book is not dated, it's just good.

Great, fun book for Road Rules fanatics

I am obsessed with everything on Road Rules and Real World. To me, this was one of the better MTV books. You should read it if you like learning about how the characters really felt during their adventures. It was great!

I started reading this book and i couldn't put it down. The pictures are so funny, and the entrees are juicy and tell you every thing that you never knew about the casts. I think this is a great book.

As an almost-obsessive fan of both the Real World and Road Rules, this was definitely one of the better books. Even if you have watched every episode of the shows, like I have, you should get this book. It tells what really happened with the romances and fights; what cast members really thought of each other, and it even contains lost missions that were unable to make it onto the show. I would recommend this book to anyone who has seen the show. So order it today!

This book had tons of information. It really made you feel like you were there. It gives you how cast members really felt about what the other cast members were doing. It gives you the FULL story, not the part that Bunim/Murray wants you to hear. You actually find out the reason the cast members were arguing, not just the argument. I hate to read, but I finished this book in just two days. Better than Road Rules: Passport Abroad and In the House: Real World Seattle. If you only plan to get one book about The Real World or Road Rules, this is the one!

Este libro que nace de la mano de los creadores de The Beatles: 365 Days nois muestra fotografias de Los tones desde sus inicios hasta el concierto de febrero del 2006 en Brasil. La gran mayoria dlas fotografias son nunca antes vistas y van acompañadas cada una de su respectiva leyenda ademas de la fecha en que los hechos se estaba desarrollando, impactan la del funaral de Brian JOnes en especial la de sus padres. Un libro quizas un poco incomodo para leer pues preciera que se te puede romper los bordes, pero que de seguro con mas de 700 paginas te dara horas de entretencion para ti y tus amigos.

A very detailed book about the Stones. So many pictures. They don't come any better than this!I recommend it for all Rolling Stones Fans

Watch Video Here: http://www.amazon.com/review/RA4RLLN7E0LRI This very thick picture book is much larger than I had expected for this low,low price.
It's packed with photos, lots that aren't that common .Some color,but mostly in black and white.
I am very happy with this purchase and it will take some time to go over all the pictures and the information about them.
Recommended for fans.

This is a fantastic book for fans and, at this bargain price, it is a steal. There are 365 mostly black and white photos from the beginning up to last year and many of them I have never seen, and I have plenty of Stones' coffee table books already. The text describes the photo and gives a bit of a plot line about the time the photo was shot and there are plenty of quotes from the fellows and others to underscore things nicely. My one request would've been some Exile recording session shots, but that's simply being greedy and I won't let my greed drop a star off of this otherwise excellent purchase. If you don't own it, do yourself or a loved one who is into the band a favor and buy it.

Need a present for that Rolling Stones fan in your life? Then look no further as this book should fill the bill quite nicely. With about 460 pictures, this collection will satisfy even the most jaded Stones fanatic. Why? Because the bulk of these photos are from the 1963-1969 era (1-203) with the 1970-1979 decade (204-296) being fairly represented and the 1980-2006 years (297-365) breezed through at the end. With the majority of these shots never having been seen before, you'll get more enjoyment out of this book then those other ones that are filled with rehashed stories and sprinkled with stock concert and album pictures. Add to this a quick note about each photo and a pertinent quote and you've got yourself a gift that's sure to please. Of course, you could just do what I did and buy it for yourself. While the Rolling Stones still haven't gathered any moss, they certainly are gathering more shelf space.

Biographies of entertainers are usually pretty shallow, just part of the marketing effort. This one is a little unusual because it was written by a scholar who put a lot of effort into making it both as complete and interesting as possible. The author, Dr. Charles Townsend, also became, to a small extent, part of the story. On Bob Wills final recording with his Texas Playboys, For the Last Time, Dr. Townsend kicks off the music as the announcer, saying "The Texas Playboys Are on the Air!"

My Dad loved this book! It was a great gift for him

I was a little dubious at first because the book seemed kind of thick and was written by a professor. However, the more I got into it the more I loved it. Thick with detail, yes, but the story constantly moves along and we get a rich, complete picture of the man and his music, his triuimphs and his foibles. I could just picture being in a ballroom back in the day listening to Bob Wills and his Playboys as I read through. Truly a labor of love, this book. I picked it up because I'd just recently purchased a four-CD boxed set of Wills' music -- far more than I thought I wanted to hear, but I was wrong, and after reading this book I just want to hear more and more. Truly an American musical hero, and this is one of the best musical biogs I've ever read.

Charles Townsend has captured the real Bob Wills. A fine job, a detailed account on the life and music of the one of the greatest Texas stars to have evolved on the American western scene. Well written and exhaustively researched. Worth buying and reading.

OK. I'm a little biased. My grandfather J.W. Shafer, otherwise known as "Bub Shafer" (don't ask me why...nobody knows why), was a second cousin to Bob Wills. In this book, there's a photo of Bob standing in a cotton field near Turkey, Texas and he's got his arm around a young boy that looks about 13-years-old at the oldest. The young boy was my grandfather, and the caption beneath the photo states that Bob is posing with a relative in the cotton fields near Turkey, TX.

I didn't read this book until a few years ago, and I read it cover-to-cover. It details EVERYTHING, including a consistent barrage of extensive notes and details about the writing and progression of almost every song from concept-to-recording, and all the events surrounding anything that Bob Wills and his Texas Playboys must have done. In fact, you almost feel as though you are reading a virtual daily journal as if the author walked side-by-side and recorded the details as time progressed over many decades of Bob Wills' life. It's all documented perfectly, as most of the documentation came from bandmembers or friends or relatives...and 99% of each person's accounts were cross-checked against other sources for authenticity. Mr. Townsend definitely wanted to get the real Bob Wills rather than a comic book version pieced together by wild tales and drifting imaginations.

My favorite parts of the book deal with the intertwined perfection and imperfection of Bob and his life. Here's a guy who was born into poverty, ran away from home as a young teenager to escape poverty, almost became a preacher when he was found by a Godly family after running away, went back home to help out the family on the farm, almost got thrown into prison had it not been that for the local policeman recognizing who he was and letting him go after a failed robbery of a tire at a closed gas station, and then you've got repeated failures in almost every line of work you can imagine. And all along the way, through all of the misery and the rejection, he always had his fiddle (known as a "violin" for people north of the Mason-Dixon line) that bailed him out of trouble.

Bob didn't WANT to use his fiddle for gain, but it always saved his rear when he was in a real pickle. He finally travels to the Dallas-Fort Worth area during the depression, which wasn't a good place to be, to tell you the truth. He gathered up a couple of guys to audition for a spot on the Light Crust Flour radio spot--Back in those days, companies hired musicians and various entertainers to perform on the radio and at live concerts. Usually, the name of the band was surprisingly enough the name of the product being pitched. In this case, whomever played for the Light Crust Flour company was named "The Light Crust Doughboys." Funny-sounding, yes, but back in the day it was a sure-fire way to make a connection with the blue-collar families that listened to the music on the radio while also being spoon-fed a healthy dose of advertising.

To make along story short, Bob and his boys were a hit. Contract disputes; however, with the head honcho of the Light Crust organization led Bob to lure his bandmates away to Tulsa, OK, where they set up shop and were known as "The Texas Playboys." Huge fame came to Bob and his band. He had the largest band in the world, and had many people laughing at the sight of anywhere from 20-30 bandmembers lining up on stage at one time on any given night. His band rivaled, and probably even surpassed, Benny Goodman and any other mainstream Big Band-style band. Almost like our nation's standing army, if you were approved by Bob Wills to be good enough to be in his band, you were "on call" and could travel and make good money whenever the opportunities presented themselves. Bob was driven, and was a definite Type-A personality who had everything done his way. I can't remember the real number, but he made sure his entire band knew BY MEMORY hundreds of songs, if not thousands. He wanted to be able to play a dance anywhere in Texas, or any other state for that matter, and he wanted to strike up his band in an instant if a spectator from the crowd hollared at Bob to play a certain song.

This brand of customer service made Bob Wills a legend. Every band member knew his role. Every band member knew he'd be cut from the team like a washed up NFL player if he didn't measure up. They practiced all day long, almost every day of the week. They would sometimes travel way out of the way on the way back home from a tour to go and play a funeral for someone, and then REFUSE to be paid for the performance and even for expenses of traveling out of the way. Bob would slip a down-and-out person a few bucks so they could buy their child some food or some shoes...and he'd make sure it stayed a secret as long as it could. In the book, there are countless witnesses who say they knew Bob was so generous because he knew what it was like to go days without a meal and have nothing but what he had on his body at the time. Bob was never consistently financially wealthy because he gave most of it away over the years.

Sadly, Bob had severe faults that often outweighed his good deeds. He was a drunk, sometimes missing performances and thus placing a huge burden upon his band to let the crowd know that "Bob has the flu and can't come out of the tour bus to play." People must have prayed for Bob a lot, wondering how one man could contract the flu as often as Bob did. He had a knack for anger and foul language, and he could "let you have it" (as we say in Texas) at a moment's notice. He couldn't stay married for longer than a day or two, though a couple of marriages were longer than the other three dozen that had failed miserably, and it was mostly due to his overly possessive handling of his wives. His wives were made to stay in the home all the time, especially when Bob was away on a tour. He feared his wife going out and potentially striking up a relationship with another man while Bob was away. The same thing happened every time: The wife couldn't stand Bob's suspicious nature and lack of trust, and who could blame them? If a bandmember stepped out of line on the tour...he'd find himself with a one-way ticket home and he might not ever be asked to go on future tours ever again.

Lastly, the attack at Pearl Harbor paralyzed his career. Almost all of his bandmembers signed up to join the military in the days after the attack. The good 'ole days were over for good. He drifted away. And then as time went on, several country-western artists (Merle Haggard) paid tribute to Bob and recorded a reunion CD with some of Bob's surviving bandmates. At this time, Bob was crippled from a severe stroke and sat in a wheelchair in the recording studio. "Bob Wills and The Texas Playboys, For The Last Time" has Merle Haggard at the helm for many songs, and he does a great job. During one song, "When You Leave Amarillo, Turn Out The Lights..." Bob breaks his paralytical silence and moans audibly on the CD at different points throughout the song. It's a sad sound, and I think it's due to the fact that Bob's memory was not as plagued as the body was at the time...Amarillo held a special place in his heart because his one "true love" lived there when he was a young man. He had lost track of her, but found her in Amarillo and went to her house with flowers for what he knew would be a great reunion of two kindred spirits. The father greeted Bob and told him she was just engaged and the soon-to-be-groom was on his way at that very moment to see her! It crushed Bob something fierce, and he stayed until the young man got to her house. Bob stood right up in the man's face and let him know that he better treat her well. He assured Bob he would, and then Bob wallked out of the door and back into the cold Amarillo winter...crushed, heart-broken, and without anything to really live for. To me, this incident was the beginning of a dark and terrible time for Bob. He went a long time before clawing his way back to the top, and I seriously doubt he ever forgot that cold Amarillo evening. Listen to the song, and hear Bob's groaning when the lyrics say, "...when you leave Amarillo, turn out the lights..." There's something there that says Bob might as well have died in Amarillo than continue on with the thought that he missed marrying his true love by only a few days or months. I am married six years now, and thank the Lord I will never know what that feels like. It must be awful.

Bob represents all of us: We want to do good for other people, even when we have nothing to give or everything to lose. But we also do bad when we know we shouldn't. And through the good and the bad, what's really important is that we never give up trying to do what's right in the face of wanting to do what's easy and convenient for that part of us that desires to do bad. Bob was so eerily conflicted inside: "Do I use my fiddle like some bargaining chip, as a cheap trick to dodge the bullet? Or am I really playing the fiddle because I love it and I want to spread joy to people who love this music?" I think he loved his fiddle, and he loved the music he made--it shows in the quality and in the passion of his music. It was that hint of suspicion that he had of himself, the part of him that said, "Bob, you're using the fiddle as some sort of tool to get what you want, and it's wrong for you to betray the true nature of music to do so" that tore Bob apart all his life. I don't think he ever found peace with himself. He was his harshest critic, and that's a sad thing. When you see older folks from his era get all misty-eyed when they hear his music or when you ask them about Bob Wills and what he meant to them when they were younger in Bob's era...you know he was way too hard on himself. But he couldn't enjoy it to its fullest potential. Born a victim, died a victim. Born to physical poverty, died with emotional poverty. And it was Bob who robbed himself and made himself poor in the end.

The music? It lives on. In dance halls across Texas. On classic country radio stations. In the books. On the CDs. In the hearts of people who know a good fiddle lick when they hear it. As Waylon Jennings sang one time to the enormous cheering of some dance hall's patrons who were listening and dancing to Jennings' live performance, "...In Texas, Bob Wills is still the King." For that, Bob should be proud had he lived a little longer. He would have been a richer man for it.

You would do well to get this book, and read it. It'll teach you a lot of life lessons. Some day, when I have the money...I'm going to make a movie out of it. And what a masterpiece it will be. "The Texas Playboys are on the air!"

-- Pecos Shafer of Amarillo, TX.