Television Books

This is an outstanding summary of Bettie's life and her impact on modeling, art, pin-up, photography, and those needing encouragement in overcoming obstacles. The book is a nice way to learn about Bettie Page and those individuals she worked with during her career and growing up. It stops short of telling about recent events, but gives one a good understanding of the lady. The information is factual and well written. Much speculation has been made about the time she walked away through the present, but this is a nice account with the facts that we know to be true without the speculation. The pictures within this book are amazing and many won't be seen anywhere else. The information about those individuals she touched, encountered was interesting as well. Good read.

So said one of her photographers. What a marvelous book. If you're like me, and have been a Bettie fan for years, you've been waiting for this book. For years one could find stuff on her only in comic shops and the like, dealing in old memorabilia from the Fifties, or in various "alternative" shops that sold her image on T shirts. As a teen that's where I learned about her, thanks to "The Rocketeer," the comic "The Bettie Pages," and psychobilly trash-punk band the Cramps, who for a short time had a bass player the spittin' image of our fair maiden. Now that we've finally opened our eyes, we can buy several books on her, this being by far the best. It is the ne plus ultra of Bettiebooks, of pin-up books in general. What a trend-setter; a humble, troubled, open and honest woman who was not exploited, who has not turned herself into a PC victim--she's idolized by smart, hip young women who see in her freedom, sexuality, playfullness, life itself. This book had better be reprinted--it's an absolute crime to be unavailable. Get this book by any means necessary!

I bought this book for my husband's birthday last year; he has always thought Bettie Page was great, and he is the one who enlightened me about her. As an artist, I was drawn to her style and unpretentiousness, and have drawn her twice so far.

This book is well-written and leads the reader through Bettie's life; from her start and to her present day in a respectful and fascinating manner. I came away from this book understnanding the appeal she had to men, and wanting to draw her portraits over and over.

There was one another 50's icon who rivals Marilyn in popularity today--Bettie Page. True, she didn't make any A-movies, but like Marilyn, embodied that woman who drew a fine line between good girl/bad girl and crossed the lines as easily as one drank Coca-Cola. Unlike Marilyn, Bettie survived, but like Marilyn, her legend lives on for one simple reason: she dropped out of sight in 1957 following the fall of Irvin and Paula Klaw by the Kefauver Committee on indecency and pornography and refused to have herself be photographed as she is now. Thus, she is remembered as she was back then. And as her life has become simpler, she values her privacy. She says so as much in the hand-written foreword, at the same time surprised and honoured that so many people are interested in her.Karen Essex and James L. Swanson book is a great place to start for those curious about Bettie Page. Basically, it's a biography accompanied by lots and lots of colour and b&w photos, many of them topless. There are two of them which has her completely nude. She also posed for countless magazine covers and photographers. Art Amsie's photos are the best of the lot here. Bunny Yeager is touched on briefly, but that woman has a book on herself so... Looking at the early Bettie, before she became a pin-up from 1947, is also quite a revelation. She is still beautiful, but in an ordinary way, like a typical girl growing up in 1940's America.There is clearly a dualism going on here. There's the pretty wholesome girl in the bathing suit or maybe not, and then there's the darker leatherbound fetish girl, be she receiver or giver. That latter half led to her downfall. The point also was that she enjoyed her work, mainly the lighter beach stuff. You can see it in those twinkling eyes and smile of hers.The last section of the book features models who have been influenced by her, be they in clothes or just looking like her. Of the lookalikes, Eva Herzigova, Debi Mazar, and Janice Dickinson have got it down to the bangs, (it's the bangs that did it for Bettie, after all), long black hair, and prominent eyebrows.Apart from being one of fantasy artist Olivia's favourite subjects, Bettie's images appear on album covers by My Life With The Thrill Kill Kult and the David Lee Roth Band. Her three videos, Teaserama, where she acts opposite stripper legend Tempest Storm, Varietease, and Strip-O-Rama have come out. She'll live on, no doubt about it.Anyone interested in Bettie Page-start with this book. You won't be disappointed.

This is the ultimate book on Bettie Page. This book is for every true Bettie fan. Even contains an introduction from Bettie herself.

If you really want to follow the history of legend, this is the ultimate book on Betty Mae Page!

i've been a fan of kevin smith and his movies for about 6 years and i just got the book this year (2006). i'm not really a fan of comics but i have wanted to get ahold of the comics by him and see what they were all about. these comics are great. the lost scene is hillarious. i'd say that ALL of the comics by smith are a MUST for any fan. hillarious stuff.

These stories are unbelievable!! Kevin Smith has come through once again with these stories which are just as funny as the movies. There are jokes in here that will have you laughing out loud, and there are some moments in here that will fill you with the Christmas Spirit. There is even a scene that was actually emotional. Dante and Randal are the main focus in these stories, since it is about "Clerks". Other characters from the View Askewniverse are also in these stories, even the return of Caitlin Bree!! There is even a scene with everyone's favorite guy who just wants to see the sailboat, you know who I'm talking about. If you loved the movie, you will love these stories too. They are just as witty and funny, with a little true drama thrown in, as the movie you have come to love. As a fan, you owe it to yourself to pick this up, it is worth every penny!!

This is a SWEET book, i am a die hard Kevin Smith fan[God Bless All u other Kevin Smith Fans!] and this book is awesome. I really love how it is like the movie. This is a must have for all u Kevin Smith Fans............Oh yea....SNOOTCH TO THE NOOTCH!!!

For all of those people out there just like me, you cannot get enough Kev Smith material. This collection of comics spins off of the movie, Clerks. Randall does not dissappoint with crude behavior and his warped yet sensible logic. Find out what happened to Caitlin. How do you awaken a comotose female who had sex with a dead guy? Dante knows. Jay and Silent Bob naturally appear and even host the "Lost Episode" from the funeral in Clerks. Saying Kev Smith has milked this concept to death shows how little a VA fan someone is. Jay points out how the tubby one is cashing out, tongue in cheek of course. This book is not for the money it generates, it is for us die hard VA fans out there who cannot sit idley by and wait for the next flick.

This is so funny you may laugh yourself unconscious. You may want to check with your doctor first. Composed of several episodes from the Clerks comic book series, Kevin Smith authors some of the most laugh outloud comic adventures I've ever read. Reprising the characters from the Clerks movie and guest appearances from Smith favorites Jay & Silent Bob, Clerks: The Comic Books is a highly recommended good time.

If there was going to be a Charmed movie, this is the story they should use.

I guess I'm just a huge fan no matter what, because I love ALL the Charmed books, and own them all! Each one has a great and unique story, I'm addicted to collecting AND reading them!

I watch the show every day, sometimes twice a day, every episode, haven't missed one yet, and don't plan on it, ever. I would love to get all the books on the series, especially shadow of the sphinx. That sounds so good. I give the series books 5 stars, cause its the best show on tv except for wwe raw and smackdown.

this is my favourite charmed book!!! this is mainly because it gives each of the sisters an equal part bringing them all together at the end to kick but. although there are parts in this book that mirror the crimson spell this book has more levels plus a good twist at the end plus the charmed ones get a few good one liner jokes in. although the bad guys are pretty see through the ending is pretty solid.

overall this is a great book even if your not a mjor charmed fan and if you are it's better

This book circles around the 3 new strangers who are close to each of the sisters, and each time they meet, something strange happens. Piper's emotions are unruly, Paige seems to be exhausted for nothing and Phoebe has short-term memory loss, and all 3 of their powers are getting weaker and weaker. Just like that. And the more times the sisters meet these "strangers", their sudden-weaknesses seem to be worsening (both magical and non-magical). At last, they discover that there is something sinister going on, and they have to pit against these strangers to defeat them AND get their powers back, as all the Ks (strangers) want in revenge, to what happened to their ancestors nearly 3000 years ago. Dark Vengeance indeed.

Find out what happens to this awesome story penned by Diana G. Gallagher. Definitely worth your money and your time to read it. Happy reading!!

Brownlow's massive biography does a very good job of painting a comprehensive picture of the great Lean--arrogant, demanding, selfish, and absolutely brilliant first as an editor and then as a director. Lean had no patience for what did not forward the story, and his movies were the better for it. One gets the impression, however, that the same was true for individuals in his life who did not help him achieve his own goals.

A bit clunky at times in regards to readability, this is still a first rate book. The sections on Brief Encounter, the Dickens' films of the 40s, and Lawrence are excellent.

This extraordinary biography by Kevin Brownlow, reflects the life and inspiration of one of the great artist in movie screen history.
Page by page, we can take a look along the David Lean?s mind and the way he was inspired by the subjects and the way a big project became alive.
From the black and white to the beautiful color, from the photography created by Frederic (Freddie)Young to his partnership with Maurice Jarr? and the insistence from Lean to
compose the exact music for Doctor Zhivago.
Every important film, such Zhivago, The bridge on the river Kwai and Lawrence of Arabia, were written through many chapters and the conception of those films as unique, the casting and the making of those titles are unforgettable.
Also, we have David Lean as a human being, with his failures
as father and husband, but the intimacy of his life is only
upgrade by his conception of his films.
Every moment in his films was special.
He directed every dialogue and moment as unique and all those
were the equivalent of the best.
This great book written by Brownlow is one of the best biographies ever written.
The heart and soul are alive along the pages and there is no moment when the book becomes slow or uninterested.
The same proportion we have in David Lean movies.

I adore this book. I have been reading it as of late, and I love the book (and David Lean) even more. I have always detested biographies of filmmakers that are far too academic in their tone; that professorial tone where they analyze the films ad nauseum, and are constantly talking about symbolism and other completely useless things. This book spares us of that. It is meticulously researched, with great antedotes and quotes from the master himself. It talks about Lean's childhood, and you realise what Lean had to overcome to become one of the greatest filmmakers ever. It's a shame this massive book is out of print. Like a reviewer said earlier, we're constantly given fluff pieces of talentless whores like Spears, Lohan, etc., but here is a real artist whose films still inspire people today. Thank you, Kevin, for writing such a great book, and, of course, to David Lean himself...

What a pity it is when "biographies" of no-talent flashes-in-the-pan like Madonna, Ashley Simpson, Brittney Spears, ad naseum, are ubiquitous, but Kevin Brownlow's fascinating and throughly-researched biography of a true genius is out of print. What does this say about our culture's priorities? Not much. Oh well . . . fortunately a few copies of this marvelous book survive. If you're interested in great movies ("Lawrence of Arabia," "Doctor Zhivago," "Summertime," "Great Expectation," etc.), great stars (O'Toole, Sharif, Katherine Hepburn, William Holden, Robert Mitchum, and a host of other great stars -- AND great actors), or, perhaps, one of the greatest film directors of the twentieth (and probably any other) century, do whatever you have to do, but grab up a copy of "David Lean: A Biography" as quickly as you can before the remaining copies disappear altogether.

A simply marvellous biography of a cinema titan. It's the product of many conversations between Lean and the author, a great film historian and no mean director himself, having made the gorgeous Silent Era documentary "Hollywood" (is that ever coming out on DVD?!). For this reason the tone is very chatty, with so much quotage from Lean himself that it's nearly an autobiography; and Brownlow's knowlege of real-world production lets him know just what questions to ask. It rather reminded me of "Hitchcock/Truffaut", another filmmaker-to-filmmaker conversation. Mind you Truffaut didn't bother quite so much with Hitchcock's love affairs, but one can always skim. It looks intimidatingly massive but this is more because of the lavish illustrations than excessive wordiness. Great read, inspiring and full of useful tidbits.

1978 was a key moment in Bruce Springsteen's career, and Frank Stefanko was there to capture it in black and white. In these photos, you see a rock star breaking out, but still struggling and working his [tail] off. Stefanko had not even heard the Darkness album when he took the photos that would lead to its cover (and the cover of The River), but he captured the mood and the tone perfectly, of both the music and the musician. Even if you're not into photo books, if you have an interest in Springsteen, do yourself a favor and get this book.

this is not only a book about an era in the beginning of the career of bruce, but a book about friendship as well. very nice photos. i recommend it to bruce fans

This book engrosses you from the moment you start reading you cant stop.I am giving this book to my clients and friends as it makes the perfect gift for Bruce Springsteen fans.I was also very moved by Authors tribute to his late wife Sheila and feel there may be another story there Frank ?

Just thought everyone would like to know that the cover photo was taken in front of Frank's Men's Hairstyling on Kings Highway in downtown Haddonfield, New Jersey!

This is a wonderful book. The photographs are uniformly compelling and insightful, as is the text. The reader is treated to a rare, unvarnished glimpse of an American hero about to "burst like a supernova." The images are timeless, and harken back to a simpler, perhaps more poignant time -- before MTV and the Internet changed the way we obtained and enjoyed our music. The author's spare text is thoughtful without being intrusive; a perfect compliment to the compelling images that accompany it. The text conveys a straightforward warmth and appreciation for the author's subject that are both refreshing and inspiring. This is a book to pore over, savor, and return to. Thank you, Frank, for sharing your gift -- and thank you, Bruce, for recognizing his genius, and for allowing us a little glimpse of yours.

DEFINING VISION by Joel Brinkley is as comprehensive as any history behind the development of HDTV/DTV can ever possibly get. The text of this book will surely be required possessions for technological historians for at least the next 1000 years.

I'm reading this book a second time (a year later) because it's such a great introduction to players in the HDTV world. Brinkley chose a suspense style, and it really works well. I am excited about HDTV and turned each page holding my breath - hoping for a successful conclusion. Now I'm looking for more works that go beyond 1998, and can't find any more fulfilling...and the story isn't over yet!

Having had the opportunity to check the authenticity with several of the principles in the book, my hat's off to Joel Brinkley. He ties all the factions together that brought us DTV. It is a story with more twists and turns than you expect that comes mixing an industry that hates to change with new technology. Add in the governments of the U.S. and Japan, and it really becomes fun. Mr. Brinkley did a masterful job telling the story. This is a must read for anyone interested in television.

In the early 1980s US broadcasters faced two major headaches spawned by greed and jingoism. Their comfortable, tidy, oligopolistic-and profitable-broadcast world was about to be shaken by the digital revolution, where foes and friends were often indistinguishable. New York Times reporter and Pulitzer Prize winner Joel Brinkley takes the reader on a roller coaster through boardrooms, bureaucracy, technocracy, and hubris (individual and national) in "Defining Vision." It is a ride worth taking for broadcast students, educators, historians, and international political economists.

Represented by the National Association of Broadcasters (NAB), radio and television companies considered the broadcast band spectrum their personal property. This largesse suddenly came under assault from the land mobile industry that wanted more spectrum space for a variety of public interest broadcast services such as police, firefighters, ambulance, quick response units, and other emergency services. Broadcasters, too, saw a new threat from across the sea. The Japanese spent $300 million and hundreds of thousands of engineering man-hours developing high definition television (HDTV). NHK unveiled its Muse system in 1986 to US policymakers and consumers. The picture quality was superior to the current analog systems in the United Sates, and Japanese-made monitors were designed to fit the wider formatted movies without the annoying letterbox effect.

Brinkley chronicles the scrimmages involving development of HDTV in the US like a general writing his wartime memoirs-if that general had access to the thinking of his opposition, that is. First the grand alliance-RCA, Zenith, AT&T, Phillips, General Instruments and MIT-had to admit that a victory by any one of them in the costly race to develop HDTV would be a defeat for the others. They were able to convince a willing FCC Advisory Committee that cooperation was possible in building a single system. Committee chairman Richard Wiley's role in HDTV cannot be understated (and Brinkley doesn't). His single-minded pursuit of high definition television as the national (and, it turned out, international) standard most probably resulted in its acceptance.

US broadcasters had worried privately and publicly as well, that the future of television would be dictated by a consortium of Japanese electronics magnates and NHK, the world's second-largest broadcasting company. Across the Atlantic, the European Union was equally concerned, and promised up to a billion dollars to Europeans to come up for a system on its own or else adopt the Japanese HDTV, since the Americans seemed not to be players in the game as the century's ninth decade unfolded. But the European effort never got off paper. US broadcasters at first fretted about a new "yellow peril" that posed as great a threat to them as it did to the automobile industry a decade earlier. Ever opportunistic, however, broadcasters found the Japanese an unlikely ally in their fight to snatch the unused frequencies from land mobile companies. HDTV, as the Muse system showed, required additional bandwidth space. Obviously, they reasoned, Congress and the FCC could not allocate precious broadcast spectrum space to land mobile users when they, the "rightful frequency heirs," needed the frequencies for HDTV.

At the same time, MIT's Nicholas Negroponte, who Brinkley treats somewhat derisively, was telling anyone who would listen that "HDTV had to be digital," not analog, which would allow for signal compression that would fit into existing frequencies. One naysayer echoed a common broadcast engineering complaint at the time: "we will have digital HDTV when we have anti-gravitation machines." Broadcast engineers at the major manufacturers nodded in agreement: digital high definition television technologically could not be done. The NAB, in its attempt to protect its space band largesse, inadvertently kicked off a race to develop HDTV in the United States that took on the trappings of a crusade to "rescue" the future of television in the United States from the hands of foreign interests. Along the way, General Instruments research engineer Woo Paik invented digital television (because, as a non-broadcast engineer, he didn't know that "it was impossible").

HDTV uses a compressed digital broadcast signal that not only remained within a single frequency but allowed broadcasters additional capacity to sell secondary services such as pager services, email, Internet connections, digital music, and pay-per-view movies. With such an entrée to new revenue flows, the reader would be surprised to learn the depth of NAB's animus to HDTV. Simply put, broadcasters used the HDTV concept to wrest away additional public airwaves spectra and then, among themselves, grumbled that they were unwilling to invest in new high definition cameras, monitors, and other equipment that would allow them to broadcast signals in both progressive scan (favored by the computer programming and manufacturing sector) and interlaced (favored by broadcasters) modes. Another opponent of a high definition television standard was the fledgling computer manufacturing industry in the mid-1990s, which didn't want the additional expense of adding interlacing decoding to what essentially was a dedicated proscan system.

After seven years of ups and downs in a process that often threatened to sputter, splinter, and spin totally out of control, HDTV in a digital form arrived in the US shortly after Thanksgiving in 1997. Despite all predictions to the contrary, the HDTV "turkey" arrived fully stuffed with enough goodies to ease its transition into the marketplace. The result was acceptance of the Americanized international standard by the European Union and the final, if not sad, acknowledgment by NHK that its analog Muse system was outmoded before it even got much beyond a toehold in its native land.

In "Defining Vision," Brinkley has crafted a highly readable, almost techno-mystery story with well-defined characters: heroes, villains, and rascals alike. At times he seems to get into the heads of the key players, which he explains as a literary device borne from extensive interviews with the principals who told him what they were thinking at the time. The effect rounds the edges of what could have been a highly technical, heuristic, and sloggish recitation of engineering reports, public hearings, and dreary diary entries from the participants. To his credit, the author explains his process to readers in an epilogue, thus enhancing the book's credibility. Furthermore, in this paperback edition, the author has updated and expanded several sections over the hardcover version, including an appendix and FAQ that are instructional.

I work in the television broadcast industry and this is a must read if you want to learn about the origins of HDTV, the players who made HDTV a reality, and how the standards for HDTV were defined. The author is an authority on the subject and provides an excellent description of the systems, history, etc. that both technical and business professionals can understand. At my company this has become required reading. I highly recommend this book.

I purchased this as a gift for my husband, but he has remarked at what a good collection of stories have been put together about John Wayne. This is coming from someone who has a pretty substantial collection of his movies.

Almost like a brief history of the era and new insights into how those movies were made. Enjoyed the ancedotes of fellow artists.

With John Wayne's 100th birth date coming up I started looking for books on him that I have not read. This book is very enjoyable reading. You learn alot about the man from his fellow co-workers and friends. I would recommend this one to any one.

One of the reasons Wayne was so popular was that he symbolized everything America wanted to be; strong ,brave,loyal,savvy and honest.His character was a fighter who never backed down when he knew he was right. He was a role model to millions, his screen actions were a roadmap to manhood. That was John Wayne,Icon.
But there was another side to Wayne. He was a real man,flesh and blood, and he had real thoughts and feelings,strengths and weaknesses. He was as brave as his larger-than-life screen persona in his real life,such as in the way he faced up to cancer, and very very human.This is John Wayne,the Man.
This book does an excellent job of showing both sides of the John Wayne coin,Man and Icon. It does it with stories told by people who really knew him. After reading this book you actually feel like you've had a bull session with Duke's friends and co-workers. It's got a very amiable feel to it.
The book also reminds me of Studs Terkel's books. Studs would just turn on a tape recorder and let his subjects pour their hearts out. The author here uses a similar approach. Each story is like a piece of a jigsaw puzzle and at the end of the book you can put all the pieces together to get a clear picture of the Duke.
After I finished reading, I wished I had known him too.

I am a huge fan and relative of Herb's writings. He has a true gift for the written word and I have enjoyed all of his books. Herb, my prayers and thoughts are with you during these very trying times. I am thinking of you incessantly and the entire family prays for you daily. Godspeed.

I am a child and adolescent psychiatrist and a parent. I came across this important book as I was researching my own.

If you care about how your kids live through their childhood and make their way forward through a world saturated with media and technology, you must read this wonderful and informative book. Many principles discussed here may be extrapolated to the Internet.

Don't miss it!

Eitan D. Schwarz, MD, DLFAPA, FAACAP

I picked this book up already convinced that t.v. is basically the worst thing that ever happened to society, so I was skeptical to say the least. However, as the authors state, their intent is to admit that t.v. is here to stay, and for the overwhelming majority, getting totally rid of it would not be an option, and offer guidance in how to make watching it as beneficial as possible.

What this amounts to, it seems, is telling readers that your children under 7 are basically confined to 'Sesame Street', 'Mister Rodger's Neighborhood', 'Blues Clues', and nature shows on Discovery channel. I found their assessment of Sesame Street a little over the top in their praise of its supposed benefits, though later on in the book they admit that merchandising has begun to compromise the integrity of the show and its imitators. The fact is, there are a number of major studies that have directly challenged the ability of shows like Sesame Street to produce real-life results in reading and mathematics, and much of the research the authors cite as supportive of the show was done or funded by the creators of the show themselves, a definite conflict of interest when funding is on the line.

The research on content in terms of sexuality, violence, and materialism that is dealt with is pretty accurate. My biggest disappointment was that the authors failed to spend any real time dealing with the long term effects of visual media on learning ability at the neurological level, a subject that in and of itself makes one quite wary of significant exposure to television. There was maybe a paragraph or two, but that's all.

Overall, the impression I got was that the authors have an underlying uneasiness with the whole idea of t.v., and if they thought enough of their readers would accept it, they'd recommend chucking the thing out the window. However, as stated in the beginning, they know this is impossible, so the book ends up sounding like a hesitant admission of the fact and an almost reluctant setting forth of strategies to overcome the inherent and perisistent flaws of the medium, punctuated here and there by brief offerings of lavish praise for the possibilities of t.v. to expand our horizons and foster meaningful conversation. In short, most chapters give all kinds of wonderful suggestions, but are interspersed with admissions that seem to contradict their earlier celebrations of the potential benefits of television.

Personally, I would still recommend the book since I know also the futility of asking people to abandon t.v. altogether. However, I would strongly urge the reader to also get a copy of 'The Plug-In Drug" by Mary Winn, a book written about ten years ago that comes to the same basic conclusions and recommendations, but is more forthright about the downside of television and the industries it propogates. I find it significant (and revealing), that it was never cited by the authors of this book, considering that it is seen by most who have followed this subject for some time (as the authors obviously have been) as a seminal work. Critics of Winn have labeled her a Luddite, but while she does come off as somewhat hostile toward t.v., she is also realistic and manages to stay objective. It is a necessary companion to this book.

Finally, there is a book I can recommend to help parents make informed choices about the television viewing in their homes. This well-referenced book is a comprehensive summary of the existing research about TV viewing and youth, yet it remains an accessible read, peppered with interesting personal vignettes. Rather than telling people to throw out the tube, this book offers practical tips to help parents get the most out of what's good on TV, and strategies to mitigate its harmful effects. Reading this book I found both the evidence and the solutions needed to control the role of TV in the lives of children.

TV has been around for over 50 years and has become for most, an unquestioned or unexamined part of life. It just IS. Is what? Good for you? Bad for you? How do we know? We should be critically examining many facets of our culture. But how? Pediatrician and scientist Christakis and Zimmerman give us ways to decide by presenting reasoned opinion backed up by studies in a very accessible way. The concepts are mostly intuitive but not easy for many of us to act upon to benefit our children. Much of what kids watch on TV isn't good for them, nor for society. They give good guidelines for how to use the beast. Ignore this book at your grandchildren's peril.

If you have a television and a child, you must read this book! Without being remotely preachy or judgmental, The Elephant in the Living Room lays out both the benefits and pitfalls of TV watching for children, and gives manageable solutions for minimizing the bad and maximizing the good. The anecdotes lay out the issues in a way that's clear and entertaining, and the advice is specific and realistic. Each chapter ends with a sort of action plan, which makes it easy to keep track of the important points and put them into practice. The book is also funny and entertaining, making it not just a painless way to get important information, but a pleasant one. There is nothing else like this out there--The Elephant in the Living Room really is a must-read for anyone raising children in today's media packed world.

the Presleys were poor. no -- they were POOR.

his father Vernon borrowed $180 from the landowner to build the house Elvis was born in. five years later in 1938 (when Elvis was 3), with the loan still not fully repaid, the landowner evicted the Presleys.

as Elvis himself said of their leaving Tupelo for Memphis in 1948, "We were broke man -- broke."

even in Memphis, where WWII had brought better times, the Presleys would often do odd jobs for neighboring black families, just to have enough to eat.

as can be seen from school photos taken at the time, though his classmates had regular clothes for that period, "Elvis's first 'jump suit' was a pair of overalls."

but, as his fifth grade teacher (a niece of the landowner who had evicted the Presleys) later said, "There is something nice about everyone. There is everything nice about Elvis."

Hill and Range was the music publishing company that Elvis did business with from age 20 until his death at age 42. its owner, Jean Aberbach, stated without qualification, "Elvis was the finest human being I've ever met."

the thrust of this excellent book by Elaine Dundy (who died last year) is that no matter how poor they were, Gladys was determined to raise Elvis to be the finest human being anyone who ever met him had ever met.

"Elvis never forgot his raisin'." (Cousin Annie Presley)

I grew up poor (though not as poor as the Presleys). There were 6 people living in a 2-bedroom home. That Elvis slept with his parents (it gets cold in northern Mississippi and Tennessee) doesn't really shock or surprise me.

What does surprise me is that someone like Dee Stanley, who put her own sons in foster care so she could pursue Vernon Presley, would condemn them.

I am also not surprised that Elvis was never able to form a long-lasting relationship with a woman. Most of the women I have read about seemed only interested in what they could get from him. not what they could give to him; a total contrast to his Mother.

I thought Elaine Dundy did a masterful research job. Too bad the history books kids use in school don't usually match this level of research and dedication to facts.

This book is not just about Elvis, it is about poverty and how it shapes people and stays with them throughout their lives.

Buy this book, you will treasure it.

Just loved this book it was fascinating about Gladys and Vernons background. How poor they were and the sadness of the birth of Jesse Garon and Elvis it's to much to tell every Elvis fan needs this book. You will be amazed on how much understanding of the Presley family you will have after reading this book. This is why Elvis had such a kind and gentle way about him and a giving heart it hurts me to know that the people he loved the most used him for there own fame and fortune. All i can say is buy this book you will not be disappointed and you will come to know Elvis a lot better than before it's a must for every Elvis fan.

I've read quite a few books about Elvis and this one is excellent. The author spent a lot of time with people who knew Elvis back then and uncovered some very interesting and heart-warming stories. I learned a lot about his childhood and school days that I hadn't heard before. I'd recommend it for any Elvis fan.

The author, Elaine Dundy, not only tells the story of Elvis and his mother, she traces back several generations into the history and psyche of Elvis' ancestors: the Scotch and Irish who settled the Southeast and tamed the Mississippi Delta. Although she is British, her extensive research and comments about post-Civil War Southern society, customs, lifestyle, and mindsets are dead-on. I grew up in the rural Deep South and many of the influences peculiar to the South that Dundy sites in this book were still a part of my mid-20th century experiences.

The reader closes the book with one thought about Gladys (and Vernon) and that is that these two parents loved their son more than life itself and that they simply did the best they could. They were handicapped from the beginning by poverty, ignorance, and also quite possibly genetic pre-dispositions towards depression, obsessive/compulsive disorders, and addictions. It was not uncommon throughout the 19th century and into the 20th that first cousins would marry and have children. The inter-marriages within the Smith and Presley families were pervasive and no doubt exacerbated genetic tendencies.

Gladys' relationship to Elvis was very close in that she put his needs above everything else in her life. She was the only person who could have ever "saved" Elvis from his excesses. But unfortunately, she succumbed to her own drinking habits early on. Once she was gone, his life spiraled out of control.

Elaine Dundy leaves the question unanswered: If Elvis had such a close relationship with Gladys, why wasn't he ever able to form an equally enduring and intimate relationship with a lover? The answer comes from the reader's personal conclusion that the mother-son relationship was close to the point of crippling to Elvis. Just as he reached young adulthood his fabulous success story began. He was stretching out for independence and Gladys figuartively and literally abandoned him -- through death. Elvis was always able to keep the "enduring" part of a relationship going (i.e. he could never let Priscilla go) but his love affairs seemed to mirror his relationship with Gladys in bizarreness, obsessions, and misery.

Many have made favorable comments on this, and I agree with the favorable ones. This is a good reference. Inspiring on another level to expand creativity. Recommend this.

As a working Hollywood director and published author (The Power Filmmaking Kit), I usually take many filmmaking books with a grain of salt. They are either overly simplistic, revealing the inexperience of the author or serving as blatant self-promotion. "Filming the Fantastic" is neither. Mark Sawicki's take on visual effects cinematography whipped me back to my childhood when I dreamed of creating the same in-camera special effects I grew up with in movies like Star Wars and Indiana Jones. The one book I wish existed years ago, "Filming the Fantastic" is chock full of techniques, tips and advice to both novice and experienced filmmakers alike, focusing on the art of using lenses, practical set pieces, miniatures, forced perspective, and a variety of non-CGI approaches to making incredible effects. If you are interested in making movies or the filmmaking process, I highly recommend "Filming the Fantastic." It is a fascinating read, and a fresh look at an extraordinary art form.

If you are a filmmaker Mark Sawicki's book is a must for your arsenal. The book will give you much needed fundamentals of how visual effects shots are done. Dont try to "fix it in post". Do it right the first time in your camera.

Finally a book which analyzes FX effects non only in CG but in old fantastic and "Handy" method!!!

Mark Sawicki's book, is a wonderful resource for those interested or involved with the history and creation of visual effects for film and TV. This book would be a great addition to a visual art students library - teachers will also find the practical exercises excellent, while film industry professionals will find the advice and commonsense approach to making visual effects invaluable. I should stress that this beautifully illustrated book is different to the glossy (and all too common) "how we made the effects for such-and-such blockbuster", Filming the Fantastic is much more real and practical, always encouraging the reader to learn by trying things for themselves.

Filming the Fantastic is about creating visual effects - not just those made by computers. The use of miniatures, matte painting and clever planning demonstrate how time and money can be saved while producing outstanding results. Marks professional effects experience provides the framework for the book, backed up with interesting anecdotes and exercises for the reader make their own special effect shots. A really unique feature of this book is showing how to deal with the inevitable situations where there has been little or no planning prior to filming.

This substantial book is crammed with photographs and diagrams, illustrating the text and clearly explaining concepts for the reader. There is considerable depth to the theory sections on colour, perspective and lighting, making the book a fine reference work for any filmmaker. The exciting thing I found about this book was sections such as "So you don't have a million dollars" - which go into making effects with a low budget or if you are challenged for time. Effects are created using home video equipment with simple props - ideas on how to create you own blue screens, superimposed backgrounds, stop motion animation, people falling out of buildings, crowd replication and even a pan across an airplane crash scene, can all be created with a few dollars and a few hours. This may make the book sound too simplistic for a professional, however "in camera effects" (as they are called) are becoming more rather than less common in feature film production. These "tricks" are recognised as time savers in the professional industry.

In summary this well written book is very easy to read with clear thought out examples for students, teachers and professionals. Great illustrations and photos explain the key concepts thoroughly while the broad topic range make the book relevant for many people and situations.

A great gift for yourself or anyone interested in the magic of movie making. My advice is to dust off the camera and try the effects for yourself!