Television Books

These stories are unbelievable!! Kevin Smith has come through once again with these stories which are just as funny as the movies. There are jokes in here that will have you laughing out loud, and there are some moments in here that will fill you with the Christmas Spirit. There is even a scene that was actually emotional. Dante and Randal are the main focus in these stories, since it is about "Clerks". Other characters from the View Askewniverse are also in these stories, even the return of Caitlin Bree!! There is even a scene with everyone's favorite guy who just wants to see the sailboat, you know who I'm talking about. If you loved the movie, you will love these stories too. They are just as witty and funny, with a little true drama thrown in, as the movie you have come to love. As a fan, you owe it to yourself to pick this up, it is worth every penny!!

i've been a fan of kevin smith and his movies for about 6 years and i just got the book this year (2006). i'm not really a fan of comics but i have wanted to get ahold of the comics by him and see what they were all about. these comics are great. the lost scene is hillarious. i'd say that ALL of the comics by smith are a MUST for any fan. hillarious stuff.

This is a SWEET book, i am a die hard Kevin Smith fan[God Bless All u other Kevin Smith Fans!] and this book is awesome. I really love how it is like the movie. This is a must have for all u Kevin Smith Fans............Oh yea....SNOOTCH TO THE NOOTCH!!!

For all of those people out there just like me, you cannot get enough Kev Smith material. This collection of comics spins off of the movie, Clerks. Randall does not dissappoint with crude behavior and his warped yet sensible logic. Find out what happened to Caitlin. How do you awaken a comotose female who had sex with a dead guy? Dante knows. Jay and Silent Bob naturally appear and even host the "Lost Episode" from the funeral in Clerks. Saying Kev Smith has milked this concept to death shows how little a VA fan someone is. Jay points out how the tubby one is cashing out, tongue in cheek of course. This book is not for the money it generates, it is for us die hard VA fans out there who cannot sit idley by and wait for the next flick.

This is so funny you may laugh yourself unconscious. You may want to check with your doctor first. Composed of several episodes from the Clerks comic book series, Kevin Smith authors some of the most laugh outloud comic adventures I've ever read. Reprising the characters from the Clerks movie and guest appearances from Smith favorites Jay & Silent Bob, Clerks: The Comic Books is a highly recommended good time.

If there was going to be a Charmed movie, this is the story they should use.

I guess I'm just a huge fan no matter what, because I love ALL the Charmed books, and own them all! Each one has a great and unique story, I'm addicted to collecting AND reading them!

I watch the show every day, sometimes twice a day, every episode, haven't missed one yet, and don't plan on it, ever. I would love to get all the books on the series, especially shadow of the sphinx. That sounds so good. I give the series books 5 stars, cause its the best show on tv except for wwe raw and smackdown.

This book circles around the 3 new strangers who are close to each of the sisters, and each time they meet, something strange happens. Piper's emotions are unruly, Paige seems to be exhausted for nothing and Phoebe has short-term memory loss, and all 3 of their powers are getting weaker and weaker. Just like that. And the more times the sisters meet these "strangers", their sudden-weaknesses seem to be worsening (both magical and non-magical). At last, they discover that there is something sinister going on, and they have to pit against these strangers to defeat them AND get their powers back, as all the Ks (strangers) want in revenge, to what happened to their ancestors nearly 3000 years ago. Dark Vengeance indeed.

Find out what happens to this awesome story penned by Diana G. Gallagher. Definitely worth your money and your time to read it. Happy reading!!

this is my favourite charmed book!!! this is mainly because it gives each of the sisters an equal part bringing them all together at the end to kick but. although there are parts in this book that mirror the crimson spell this book has more levels plus a good twist at the end plus the charmed ones get a few good one liner jokes in. although the bad guys are pretty see through the ending is pretty solid.

overall this is a great book even if your not a mjor charmed fan and if you are it's better

this is not only a book about an era in the beginning of the career of bruce, but a book about friendship as well. very nice photos. i recommend it to bruce fans

1978 was a key moment in Bruce Springsteen's career, and Frank Stefanko was there to capture it in black and white. In these photos, you see a rock star breaking out, but still struggling and working his [tail] off. Stefanko had not even heard the Darkness album when he took the photos that would lead to its cover (and the cover of The River), but he captured the mood and the tone perfectly, of both the music and the musician. Even if you're not into photo books, if you have an interest in Springsteen, do yourself a favor and get this book.

This book engrosses you from the moment you start reading you cant stop.I am giving this book to my clients and friends as it makes the perfect gift for Bruce Springsteen fans.I was also very moved by Authors tribute to his late wife Sheila and feel there may be another story there Frank ?

Just thought everyone would like to know that the cover photo was taken in front of Frank's Men's Hairstyling on Kings Highway in downtown Haddonfield, New Jersey!

This is a wonderful book. The photographs are uniformly compelling and insightful, as is the text. The reader is treated to a rare, unvarnished glimpse of an American hero about to "burst like a supernova." The images are timeless, and harken back to a simpler, perhaps more poignant time -- before MTV and the Internet changed the way we obtained and enjoyed our music. The author's spare text is thoughtful without being intrusive; a perfect compliment to the compelling images that accompany it. The text conveys a straightforward warmth and appreciation for the author's subject that are both refreshing and inspiring. This is a book to pore over, savor, and return to. Thank you, Frank, for sharing your gift -- and thank you, Bruce, for recognizing his genius, and for allowing us a little glimpse of yours.

This is an amazing book. The stories are as harrowing as they are interesting. When you read this book you will have a renewed respect for these captains and their crews who brave the Bering Sea for our enjoyment of Alaskan King Crab. I don't want to spoil the book for those who haven't heard some of the stories before, but, reading the stories about shipping going down is especially heartbreaking. I highly recommend this book for every fan of the show or those who are either just a casual watcher or people who enjoy true life stories.

This book is strongly recommended for any fan of the Deadliest Catch show. The book offers short interviews with many of the key cast members offering a glimpse behind the scenes.

It took me about a three days to finish reading this book. Once I started, it was hard to stop. There is so much information and you learn a lot, not just about the captains and deckhands, but about waves, freak accidents, cpatain-speak, etc. I love it!

i bought this book for my husband who's a big fan of the show which he also has all the seasons, he likes it, and tell about everything fisherman have to do and deal with while away, great!

DEADLIEST CATCH: DESPERATE HOURS is a book for fans of the Discovery TV show only. It gives thumbnail biographies of the captains involved in the TV show, and some of their stories of the wilder end of life on the Bering Sea. It has no central thread, nor any particular depth. but any fan of the TV show will find interesting nuggets of information.
I had hoped for an account of filming aboard one or more of the boats; the camera crews face the same hazards as the fishermen they film. And, there is a little of that, just not as much as I had hoped.
I enjoyed the book. I'm not sorry I bought it. But, I had hoped for more.

DEFINING VISION by Joel Brinkley is as comprehensive as any history behind the development of HDTV/DTV can ever possibly get. The text of this book will surely be required possessions for technological historians for at least the next 1000 years.

I'm reading this book a second time (a year later) because it's such a great introduction to players in the HDTV world. Brinkley chose a suspense style, and it really works well. I am excited about HDTV and turned each page holding my breath - hoping for a successful conclusion. Now I'm looking for more works that go beyond 1998, and can't find any more fulfilling...and the story isn't over yet!

Having had the opportunity to check the authenticity with several of the principles in the book, my hat's off to Joel Brinkley. He ties all the factions together that brought us DTV. It is a story with more twists and turns than you expect that comes mixing an industry that hates to change with new technology. Add in the governments of the U.S. and Japan, and it really becomes fun. Mr. Brinkley did a masterful job telling the story. This is a must read for anyone interested in television.

In the early 1980s US broadcasters faced two major headaches spawned by greed and jingoism. Their comfortable, tidy, oligopolistic-and profitable-broadcast world was about to be shaken by the digital revolution, where foes and friends were often indistinguishable. New York Times reporter and Pulitzer Prize winner Joel Brinkley takes the reader on a roller coaster through boardrooms, bureaucracy, technocracy, and hubris (individual and national) in "Defining Vision." It is a ride worth taking for broadcast students, educators, historians, and international political economists.

Represented by the National Association of Broadcasters (NAB), radio and television companies considered the broadcast band spectrum their personal property. This largesse suddenly came under assault from the land mobile industry that wanted more spectrum space for a variety of public interest broadcast services such as police, firefighters, ambulance, quick response units, and other emergency services. Broadcasters, too, saw a new threat from across the sea. The Japanese spent $300 million and hundreds of thousands of engineering man-hours developing high definition television (HDTV). NHK unveiled its Muse system in 1986 to US policymakers and consumers. The picture quality was superior to the current analog systems in the United Sates, and Japanese-made monitors were designed to fit the wider formatted movies without the annoying letterbox effect.

Brinkley chronicles the scrimmages involving development of HDTV in the US like a general writing his wartime memoirs-if that general had access to the thinking of his opposition, that is. First the grand alliance-RCA, Zenith, AT&T, Phillips, General Instruments and MIT-had to admit that a victory by any one of them in the costly race to develop HDTV would be a defeat for the others. They were able to convince a willing FCC Advisory Committee that cooperation was possible in building a single system. Committee chairman Richard Wiley's role in HDTV cannot be understated (and Brinkley doesn't). His single-minded pursuit of high definition television as the national (and, it turned out, international) standard most probably resulted in its acceptance.

US broadcasters had worried privately and publicly as well, that the future of television would be dictated by a consortium of Japanese electronics magnates and NHK, the world's second-largest broadcasting company. Across the Atlantic, the European Union was equally concerned, and promised up to a billion dollars to Europeans to come up for a system on its own or else adopt the Japanese HDTV, since the Americans seemed not to be players in the game as the century's ninth decade unfolded. But the European effort never got off paper. US broadcasters at first fretted about a new "yellow peril" that posed as great a threat to them as it did to the automobile industry a decade earlier. Ever opportunistic, however, broadcasters found the Japanese an unlikely ally in their fight to snatch the unused frequencies from land mobile companies. HDTV, as the Muse system showed, required additional bandwidth space. Obviously, they reasoned, Congress and the FCC could not allocate precious broadcast spectrum space to land mobile users when they, the "rightful frequency heirs," needed the frequencies for HDTV.

At the same time, MIT's Nicholas Negroponte, who Brinkley treats somewhat derisively, was telling anyone who would listen that "HDTV had to be digital," not analog, which would allow for signal compression that would fit into existing frequencies. One naysayer echoed a common broadcast engineering complaint at the time: "we will have digital HDTV when we have anti-gravitation machines." Broadcast engineers at the major manufacturers nodded in agreement: digital high definition television technologically could not be done. The NAB, in its attempt to protect its space band largesse, inadvertently kicked off a race to develop HDTV in the United States that took on the trappings of a crusade to "rescue" the future of television in the United States from the hands of foreign interests. Along the way, General Instruments research engineer Woo Paik invented digital television (because, as a non-broadcast engineer, he didn't know that "it was impossible").

HDTV uses a compressed digital broadcast signal that not only remained within a single frequency but allowed broadcasters additional capacity to sell secondary services such as pager services, email, Internet connections, digital music, and pay-per-view movies. With such an entrée to new revenue flows, the reader would be surprised to learn the depth of NAB's animus to HDTV. Simply put, broadcasters used the HDTV concept to wrest away additional public airwaves spectra and then, among themselves, grumbled that they were unwilling to invest in new high definition cameras, monitors, and other equipment that would allow them to broadcast signals in both progressive scan (favored by the computer programming and manufacturing sector) and interlaced (favored by broadcasters) modes. Another opponent of a high definition television standard was the fledgling computer manufacturing industry in the mid-1990s, which didn't want the additional expense of adding interlacing decoding to what essentially was a dedicated proscan system.

After seven years of ups and downs in a process that often threatened to sputter, splinter, and spin totally out of control, HDTV in a digital form arrived in the US shortly after Thanksgiving in 1997. Despite all predictions to the contrary, the HDTV "turkey" arrived fully stuffed with enough goodies to ease its transition into the marketplace. The result was acceptance of the Americanized international standard by the European Union and the final, if not sad, acknowledgment by NHK that its analog Muse system was outmoded before it even got much beyond a toehold in its native land.

In "Defining Vision," Brinkley has crafted a highly readable, almost techno-mystery story with well-defined characters: heroes, villains, and rascals alike. At times he seems to get into the heads of the key players, which he explains as a literary device borne from extensive interviews with the principals who told him what they were thinking at the time. The effect rounds the edges of what could have been a highly technical, heuristic, and sloggish recitation of engineering reports, public hearings, and dreary diary entries from the participants. To his credit, the author explains his process to readers in an epilogue, thus enhancing the book's credibility. Furthermore, in this paperback edition, the author has updated and expanded several sections over the hardcover version, including an appendix and FAQ that are instructional.

I work in the television broadcast industry and this is a must read if you want to learn about the origins of HDTV, the players who made HDTV a reality, and how the standards for HDTV were defined. The author is an authority on the subject and provides an excellent description of the systems, history, etc. that both technical and business professionals can understand. At my company this has become required reading. I highly recommend this book.

Wow...words cannot begin to describe this book! A very detailed, and well researched book about one of the greatest female singers ever to grace us with her beautiful voice and music! After reading this book I found myself lost and up in the clouds because I have never, ever been so into A book in all my life. I just wish I was old enough back then to have fully appreciated Cass, The Mamas and Papas, and the music explosion of incredible people, songs, and albums(I was born in 1968). I guess I will have to settle doing it now. I hope Cass knows somehow that she has so many fans who adore her to this day!! It's very sad to think that she's not here today to feel that warmth. Well, I'd like to think she does know, and is smiling at those fans who continue to be touched by her spirit, music, and humor. Some say Michelle was the "Pretty" one in the Mamas And Papas...I honestly have to say, nahhhh. Cass was as beautiful on the outside, and she was on the inside. The only thing I believe I would maybe tell her, if I had meet her back then...I wish, was to stop the drug use. After reading the book, I learned that she was making big steps to clean up that aspect of her life at the time of her death. The drug use would have turned me off for sure, but this was the mid-late 1960's. If you are A new Cass Elliot fan, purchase this book. You will learn so much about her life, and become even A bigger fan. If you are already A huge Cass fan, and don't own this book...you are doing yourself an in-justice. You will also learn new things like I did! Kudos to the author for an incredible treasure! We still miss you Cass!

A thorough, carefully researched biography of the infamous Mama Cass. Through interviews with Cass' family and friends, the author debunks the Ham Sandwich Myth which has been urban legend for years. If you want a detailed biography of this talented woman, this is a great one to start with. Cass never really wanted to be a folk-rock/pop singer; she was a Broadway Baby and her love was Broadway musicals. But without her, The Mamas & The Papas would not have had the success they did have in the 1960's, in my opinion. Her larger-than-life figure and personality, plus her knockout voice really made that group.

I like the book I recemend it to anyone who is a mama and papas fan

This book was very good, but it was sad to find out how really pathetic these talented people were. John Philips was the worst of the group, what a egotistical and controlling as*hole! I was totally blown away by the actions of this famous group! I understand that this was the 60's , but not everyone was doing drugs and laying around stone out of their minds. Cass Elliott brags that she dropped acid 5 times during her pregnancy and her daughter turned out perfectly normal! She was considered a "good" mother by her friends?!! (I have to wonder what her daughter really thinks about that.) To me, being very talented is not an excuse for being irresponsible. I'm glad I read this book, It was a real eye-opener about who the Mama's and the Papa's really were.If you Love this group you HAVE to read this.

My mom went to Forest Park High School in Baltimore. Cass Elliot went there also. There is a picture of her in my mom's yearbook, 1959....Who knew? Love you Cass, always have, always will!!!

I am a child and adolescent psychiatrist and a parent. I came across this important book as I was researching my own.

If you care about how your kids live through their childhood and make their way forward through a world saturated with media and technology, you must read this wonderful and informative book. Many principles discussed here may be extrapolated to the Internet.

Don't miss it!

Eitan D. Schwarz, MD, DLFAPA, FAACAP

I picked this book up already convinced that t.v. is basically the worst thing that ever happened to society, so I was skeptical to say the least. However, as the authors state, their intent is to admit that t.v. is here to stay, and for the overwhelming majority, getting totally rid of it would not be an option, and offer guidance in how to make watching it as beneficial as possible.

What this amounts to, it seems, is telling readers that your children under 7 are basically confined to 'Sesame Street', 'Mister Rodger's Neighborhood', 'Blues Clues', and nature shows on Discovery channel. I found their assessment of Sesame Street a little over the top in their praise of its supposed benefits, though later on in the book they admit that merchandising has begun to compromise the integrity of the show and its imitators. The fact is, there are a number of major studies that have directly challenged the ability of shows like Sesame Street to produce real-life results in reading and mathematics, and much of the research the authors cite as supportive of the show was done or funded by the creators of the show themselves, a definite conflict of interest when funding is on the line.

The research on content in terms of sexuality, violence, and materialism that is dealt with is pretty accurate. My biggest disappointment was that the authors failed to spend any real time dealing with the long term effects of visual media on learning ability at the neurological level, a subject that in and of itself makes one quite wary of significant exposure to television. There was maybe a paragraph or two, but that's all.

Overall, the impression I got was that the authors have an underlying uneasiness with the whole idea of t.v., and if they thought enough of their readers would accept it, they'd recommend chucking the thing out the window. However, as stated in the beginning, they know this is impossible, so the book ends up sounding like a hesitant admission of the fact and an almost reluctant setting forth of strategies to overcome the inherent and perisistent flaws of the medium, punctuated here and there by brief offerings of lavish praise for the possibilities of t.v. to expand our horizons and foster meaningful conversation. In short, most chapters give all kinds of wonderful suggestions, but are interspersed with admissions that seem to contradict their earlier celebrations of the potential benefits of television.

Personally, I would still recommend the book since I know also the futility of asking people to abandon t.v. altogether. However, I would strongly urge the reader to also get a copy of 'The Plug-In Drug" by Mary Winn, a book written about ten years ago that comes to the same basic conclusions and recommendations, but is more forthright about the downside of television and the industries it propogates. I find it significant (and revealing), that it was never cited by the authors of this book, considering that it is seen by most who have followed this subject for some time (as the authors obviously have been) as a seminal work. Critics of Winn have labeled her a Luddite, but while she does come off as somewhat hostile toward t.v., she is also realistic and manages to stay objective. It is a necessary companion to this book.

Finally, there is a book I can recommend to help parents make informed choices about the television viewing in their homes. This well-referenced book is a comprehensive summary of the existing research about TV viewing and youth, yet it remains an accessible read, peppered with interesting personal vignettes. Rather than telling people to throw out the tube, this book offers practical tips to help parents get the most out of what's good on TV, and strategies to mitigate its harmful effects. Reading this book I found both the evidence and the solutions needed to control the role of TV in the lives of children.

TV has been around for over 50 years and has become for most, an unquestioned or unexamined part of life. It just IS. Is what? Good for you? Bad for you? How do we know? We should be critically examining many facets of our culture. But how? Pediatrician and scientist Christakis and Zimmerman give us ways to decide by presenting reasoned opinion backed up by studies in a very accessible way. The concepts are mostly intuitive but not easy for many of us to act upon to benefit our children. Much of what kids watch on TV isn't good for them, nor for society. They give good guidelines for how to use the beast. Ignore this book at your grandchildren's peril.

If you have a television and a child, you must read this book! Without being remotely preachy or judgmental, The Elephant in the Living Room lays out both the benefits and pitfalls of TV watching for children, and gives manageable solutions for minimizing the bad and maximizing the good. The anecdotes lay out the issues in a way that's clear and entertaining, and the advice is specific and realistic. Each chapter ends with a sort of action plan, which makes it easy to keep track of the important points and put them into practice. The book is also funny and entertaining, making it not just a painless way to get important information, but a pleasant one. There is nothing else like this out there--The Elephant in the Living Room really is a must-read for anyone raising children in today's media packed world.

I finally got my hands on a copy of this amazing book. It has lived up to everything I've heard about it from my fellow Elvis fans. First of all it's huge. It's 626 oversized pages of nothing but Elvis. It has over 500 photos ( I stopped counting at 500). Many of the photos were completly new to me. If you were from another planet and didn't know anything about Elvis this book would bring you up to speed. I predict this book will become "the bible" of Elvis fans all over the world.

The book is divided into 33 chapters. Each chapter focuses on one aspect of Elvis and his fans. Some of the chapter titles: Elvis music, Elvis and family, Elvis and the Army, Elvis and romance, Elvis and the martial arts, Elvis and food, Elvis impersonators, Elvis and animals, Elvis in person, Collecting Elvis, Elvis in cyberspace - It's sort of a "how to" book on being an Elvis Fan. It's like a Peter Guralnick book with a sense of humor and a lot more photos.

Not only does it tell you everything you want to know about Elvis himself, it tells you about what has emerged in the 25 years since he's been gone. At the end of every chapter is a section called " The Elvis and You Experience." This is where the author's suggest things to do to enhance your enjoyment of Elvis. The suggestions are a lot of fun. Some are really silly. Just like Elvis!

My favorite chapter is "The Pilgrimage". It lists all the important places to see in Memphis during tribute week. A lot of stuff only Elvis insiders know. I'm studying up to get ready for Tribute week 2002. If you're going to the 25th anniversary Elvis week in Memphis this August. I have one thing to say about this book. Don't leave home without it!

Probably because the book is this massive it is printed on very thin paper. Especially because this guide will function as a reference book often, this is a pity. We bet there will be only a few in perfect condition after a couple of weeks. Also a lot of the pictures used in the book deserve more than the exposure they get now, also due to the poor paper-quality. On the other hand: this work on quality paper might hardly be affordable for a lot of people, so the choice is understandable. Let's see if the content is good enough to hope for a "deluxe version" someday.As we always do with new books, we thumbed through it looking for new pictures. On first sight it looked a little complex, with a lot of repeats, we thought. Well, we weren't completely wrong about that, but starting from the beginning we soon found out it has a reason, and a well considered one. All chapters are build in the same way: a more or less short essay about the subject, facts ("Essential Elvisology"), references ("Your Elvis Education") and tips how to enrich your own experiences regarding the subject ("The Elvis And You Experience"). This consistent design makes it pretty easy to find what you want, most of the time. Unfortunately there is no index to this guide, so when you are looking for something really specific... it can be a very hard job.During the acknowledgements it becomes clear that the book has "a heavy Internet base". The reader familiar with the Elvis-scene on the Internet will recognize a lot of the names. Of course this results in a lot of references to the Internet throughout the book.The book is split up in 33 chapters, starting with the man himself: a short biography, mainly a time-line of important dates, his death, his records, his movies, his TV-work, his shows and his personal interests. There are a couple of chapters that are devoted mainly to the fans: Collecting, The Pilgrimage, Your Elvis Shrine, Impersonators and such. As stated before, all chapters start with an essay. Those essays are very well written, and even though nothing new comes up, the point of view from the authors makes them very enjoyable. The guide part of these chapters is very good, directing the reader towards the more important available works. Because the Internet-addresses (the so-called URL's) are often very long and hardly readable, the references to the sites look pretty cluttered. A better solution would have been to list just the site-names, with an alphabetic overview including the URL's in the back of the book. Since this book has its own site (that is: they are constructing the site, so far it looks like they only registered the URL), it might be a nice idea to include all links used in the book on that site, if possible per chapter. Since the Internet is evolving constantly, this might be a good idea anyway. Before such a list returns from the printer it may be outdated already.In general we can say the Elvis part of the guide is reliable, there are some mistakes, but they are in every book it seems, and we didn't find real major misses. The "You"-part is often going towards the ridiculous, especially the chapters we mentioned before. This certainly doesn't mean you can easily skip them. Again, the essays are well written, including a lot of wit and the "tips" are often so ridiculous it gets really funny (e.g. the "Dos and Don'ts of Impersonation" and "How to get started impersonating"). Having met all kinds of people ourselves (especially on the Internet), we know it's not complete nonsense written in those chapters, but sometimes we can't help but think it's too crazy to be true. In opposition to the main media, that love to use those exceptions to stereotype the average Elvis fan, this book shows it in a light-hearted, funny way. Probably the poor souls suffering the "handicaps" in these chapters won't even recognize it and take it seriously, so they'll be happy too.  Our conclusion is that this guide is really what it claims to be: "the guide to the pleasure of being an Elvis fan". Interesting, well researched and very enjoyable, thus it gave a lot of pleasure. We can only say that supported by a well maintained website it certainly deserves a "deluxe edition". "So now let's have a tremendous hand for a very nice book"

"Elvis & You", A comprehensive book like this deserves just a short review as it contains within it vast scope it's own recommendation. Elvis fans will be delighted with it's in-depth research, and the less scholastic will enjoy the eccentric humorous nature of the book as a whole. A work to explore at leisure and delve into for those important links to all things Elvis. A bargain for the photos alone!

As a discerning fan of the late Elvis Presley since 1957 yours truly has read a library of Elvis books-this one is amongst the very best.

This book is by far the absolute best book that will ever be written about Elvis. The authors are sincere Elvis fans who have done their homework, and it truly shows in this masterpiece. Whether you are a lifelong Elvis fan, or an "outsider looking in", this book is a must read. If you are an Elvis skeptic, read this book and you will be smitten for good. Kudos to the authors!!!

One of the most useful, fun and interesting Elvis books around. A must-have for Elvis fans and scholars because of the breadth and depth of its information. The photos are great as well. This book will be read and used for a long time. I only wish it had been around when I wrote my Elvis book - would have made my work much easier!

I had the privilege of being Amos Vogel's student back in the early 1980s, and was therefore fortunate to see a number of the 'unobtainable' films mentioned in this book. Vogel is an encyclopedia of film knowledge, and the often pithy accounts of various 'subversive' films -- including some you might not guess would warrant the label -- are both entertaining and intelligent. The image selection is great though, as others (including Vogel) have noted, a still frame stands for a film in an inadequate but nevertheless allusive way.

This book by Amos Vogel is a reference like no other. He explains why these films need to be seen. The photographs are a treasure themself and the book is abound with them. I have refered to this book constantly through the past 30 years. I'ts great to see it is back in print. My film library of over 1000 art, surrealist, avant guard cinema was largely do to Mr. Vogel's knowledge and explanation of film. I'm only sorry that it has not been updated to show the 1970's to 2006. A must have for sure, get the book while they last.

I agree with other reviewers. This is a great, indispensible book. I've spent the past twenty-five years or so trying to see all the films mentioned. I've made pretty good progress, but I still have a lot to go. My copy is all dog-eared and falling apart and I came here hoping to find one for my half-brother, who is just starting out in the movie biz and needs to know what's in this book. I hope it gets itself back into print. I'd love to see it updated to include subversive films created since 1974.

I picked this up for a quarter at a book sale at our local library. I have read it straight through several times, and i still pick it up quite often and thumb through.

I don't know why it is out of print, but a good number of the films discussed in the book are just as difficult to find as the book itself. If you ever see this book anywhere, and can afford it, you have to buy it.

I've had this book half of my life and am still working on seeing all of the films. That said some of the films reviewed in it have dated badly (even Jean Luc Godard has dismissed his Maoist films which never show today). In addition, some of the countercultural (aka hippie) terminology such as "consciousness 3" will leave modern readers scratching their heads. That said it is an essential discussion of films that break film conventions, whether it be through the language of film, political subversion (suddenly relevant again) or sexual politics. The one positive note is that at the end of the book the author states in bold, "But the real question remains: how to reach the masses 'out there' with five heavy cans of 35 mm film and nowhere to show them". The answer is that through video and especially dvd films mentioned in this book that were impossible to find are suddenly resurfacing and being re-evaluated. Though some films are best shelved (I pity anyone who watches all 8 hours of Andy Warhol's "Empire" just to say that they saw it), others especially from world cinema such as the Iranian film "The Cow" and the Senegal made film "The Money Order (Mandabi)" show film makers who now have recieved acclaim. Though some reviewers wanted an update of this book I think that it was written and speaks for a certain point in time, before the co-option of underground films into indie films, when foreign films were still ahead of the times, before garbage like Jackass broke almost all visual taboos while actually taking film a giant leap backward and before the vcr, when hunting down experimental films showing in theaters or libraries was a religion onto itself.

A nicely researched and insightful biography of Florence Lawrence, one of the most shadowy yet important figures of early cinema. Many things about Florence's life and career will perhaps always remain vague, but Kelly Brown gives a worthy account of America's "first movie star." It is refreshing to know that Flo is finally getting the recognition she deserves. This book is a must for the true film buff.

This slender volume is fascinating because it finally paints a well-researched picture of the long forgotten Florence Lawrence. I've always been fascinated by her after seeing publicity stills of her from the mid-1900s. She appeared to be warm, charismatic and fascinating. Her greatest tragedy is that none of her films have been shown in eighty years. I have one of her shorts, "Flo's Discipline" which only lasts about twelve minutes but it gives you a hint of how dazzling she was before the cameras. While her cohort, Mary Pickford, went onto a spectacular career that included mind-boggling salaries and a world-famous Hollywood castle, Pickfair, poor Lawrence was living in a small, hotel room, being paid a few dollars a week as an extra at MGM. Her life would make a wonderful movie--and a cautionary tale about the pitfalls of how fleeting fame is, and how fickle is the public when it comes to remaining faithful to the flavor of the month.

Florence Lawrence was an enigma I had always wanted to know about, having been interested in silent films for many years. Information on her was scarce, save for some still photographs in silent movie history books. Kelly Brown really did her homework, in what must have been a difficult task, digging up information about a star whose heyday was almost 90 years ago! Congratulations, Kelly, on a job well done! I can't recommend this book highly enough!

I always enjoy a good biography, especially those of the nearly forgotten silent screen stars. This biography of Florence Lawrence was well researched and had many wonderful photos. The author did a good job with the resources available. Most of the films and people involved in silents are gone now, so the job is doubly difficult. Although pricey, this biography is well worth reading.

Florence Lawrence was "big" before there were movie stars. She was the original "Biograph Girl" before Mary Pickford was given that name by movie fans. After losing her job at Biograph, she was hired by Carl Laemmle's IMP company (later Universal). As a publicity stunt, Laemmle started a rumor that she was dead. Then she made a personal appearance in St. Louis and was mobbed by fans.

Unfortunately she was pretty much out of work in five years. Poor managemet by her husband Harry, as well as a painful injury forced her into bit parts. She was still acting in very small parts into 1938, when she gave up on life and committed suicide.

Kelly Brown has done an incredible research job. Using Florence's surviving correspondence, as well as trade magazine artices and advertisements, she has reconstructed Florence's life. The book has many footnotes noting sources, and there is a very detailed filmography. Instead of a book full of dry facts, Ms. Brown keeps Florence's story interesting. If you are interested in early cinema, or even important women actresses, you should definitely read this book.