Television Books

...and by that I mean finding out what a serious drug user Cass was most of her life. We're talking heroin here, people, HEROIN. No, She wasn't in the same league with John Phillips, to be sure. Very few people reach that rarified atmosphere (read HIS book), and fewer still live to tell the story. But still... heroin usage throughout a large portion of her life, and on top of all the other drugs she dabbled with. Rather disconcerting, to say the least.

This knowledge does not modify in the slightest her achievements as an artist, but it is a good example of why one should always remember to separate that "artist" from the flesh-and-blood person. Which brings me to another point that I gleaned from this book: that she is the iconic figure she is today rather in spite of herself. She never really wanted to be in a rock or even a pop group. She wanted to the kind of singer she eventually became on the RCA albums, and especially the "Don't Call Me Mama Anymore" album. She wanted to be a Barbara Streisand or a Judy Garland. Whether she would ever have achieved that goal had she not crossed paths with John Phillips could be debated ad infinitum, but I'm going to go out on a limb here and say no, she would not have. Why? Because of the way she looked, of course. Her talent and spectacular voice would always have been overshadowed by that factor in the world she sought to be accepted in. It was the quirky, hippie, pop music world that allowed just enough of a foot in the door to force it the rest of the way open with her talent... a world she really didn't seek.

So while the Mamas and Papas would have been something very different without her, I believe Phillips still would have put together something in that same vein and had great success because his marvelous writing and formidable leadership just would not be denied for very long. On the other hand I don't think Cass' legacy would be as it is today had she not met John and become the main voice associated with those records.

As to the style of the book itself, I would tend to agree with reviewer from Publishers Weekly who described it as "slow and repetitive". I did not find it a "fast read" as one other reviewer did, but I still enjoyed it and would definitely recommend it. I much preferred this book to Michelle Phillips', which was just too slick and breezy.

Wow...words cannot begin to describe this book! A very detailed, and well researched book about one of the greatest female singers ever to grace us with her beautiful voice and music! After reading this book I found myself lost and up in the clouds because I have never, ever been so into A book in all my life. I just wish I was old enough back then to have fully appreciated Cass, The Mamas and Papas, and the music explosion of incredible people, songs, and albums(I was born in 1968). I guess I will have to settle doing it now. I hope Cass knows somehow that she has so many fans who adore her to this day!! It's very sad to think that she's not here today to feel that warmth. Well, I'd like to think she does know, and is smiling at those fans who continue to be touched by her spirit, music, and humor. Some say Michelle was the "Pretty" one in the Mamas And Papas...I honestly have to say, nahhhh. Cass was as beautiful on the outside, and she was on the inside. The only thing I believe I would maybe tell her, if I had meet her back then...I wish, was to stop the drug use. After reading the book, I learned that she was making big steps to clean up that aspect of her life at the time of her death. The drug use would have turned me off for sure, but this was the mid-late 1960's. If you are A new Cass Elliot fan, purchase this book. You will learn so much about her life, and become even A bigger fan. If you are already A huge Cass fan, and don't own this book...you are doing yourself an in-justice. You will also learn new things like I did! Kudos to the author for an incredible treasure! We still miss you Cass!

A thorough, carefully researched biography of the infamous Mama Cass. Through interviews with Cass' family and friends, the author debunks the Ham Sandwich Myth which has been urban legend for years. If you want a detailed biography of this talented woman, this is a great one to start with. Cass never really wanted to be a folk-rock/pop singer; she was a Broadway Baby and her love was Broadway musicals. But without her, The Mamas & The Papas would not have had the success they did have in the 1960's, in my opinion. Her larger-than-life figure and personality, plus her knockout voice really made that group.

I like the book I recemend it to anyone who is a mama and papas fan

This book was very good, but it was sad to find out how really pathetic these talented people were. John Philips was the worst of the group, what a egotistical and controlling as*hole! I was totally blown away by the actions of this famous group! I understand that this was the 60's , but not everyone was doing drugs and laying around stone out of their minds. Cass Elliott brags that she dropped acid 5 times during her pregnancy and her daughter turned out perfectly normal! She was considered a "good" mother by her friends?!! (I have to wonder what her daughter really thinks about that.) To me, being very talented is not an excuse for being irresponsible. I'm glad I read this book, It was a real eye-opener about who the Mama's and the Papa's really were.If you Love this group you HAVE to read this.

This is- no way around the word- a lovely read. Bayer has a style of character developement that is elegant and fluid. Try his two books under the pen name "David Hunt".

Several decades have passed since a wealthy socialite and her young lover/teacher were gunned down in the Midwest: now forensic sketch artist David finds himself returning to the scene of their crime, investigating other murders and discovering a new circle of intrigue and danger. Bayer's is a strong suspense story which moves at a different pace and provides unexpected twists of plot and excellent tension.

I received "The Dream of the Broken Horses" as a birthday present. When I first started out I wasn't quite sure where it was going ... about 100 pages in I realized that it had crept up on me and I was "caught up" ... I mean I was enraptured ... I couldn't stop reading ... I read till 3AM. The next day I couldn't wait to get home ... the characters haunted me ... I was "in and in for the whole ride" and I rode that "horse" all night and enjoyed every minute of it. If there was one fault ... It was the fact that there is no city in the midwest this "cool" ... beleive me I know ... I'm from the midwest.

Typical of Mr. Bayer's books, it takes a dozen pages or so to really get into the story and then you are hooked. I have read every book that he has written, in both names, and I have never been disapointed, he is a master. The story just builds on itself and he has just the right amount of violence, sex and mystery. Not rauncy sex but a part of the story. To tell more would give plot away. Try it you love it.

Since his childhood, forensic artist David Weiss has been obsessed with a society double-murder that implicated his father and drove the man to suicide. Now, Weiss is back in his childhood home of Calista (a mythical midwestern town) and intends to use his time to discover the truth. The murder may be decades old but Weiss is certain that the easy explanations are wrong--that something more profound remains to be found.

Weiss's investigations lead him to stories of sexual obsession, child pornography, and blackmail. There are plenty of motives for murder--and even after all the years that have passed, some still living are willing to take action to stop the investigation and protect their secrets. With the help of a case writeup by his father and one of the victim's intimate diary, Weiss learns a great deal about the people who were killed, but nothing points a certain finger at the actual killer.

Author William Bayer's strong writing makes THE DREAM OF THE BROKEN HORSES something special and something far stronger than the story that underlies it. In some ways, the actual story is frustrating and important loose ends remain. Bayer's use of diary to develop character and reveal clues would normally be a cheat. Somehow, however, Bayer pulls it off. The powerful character of Barbara Fulraine (one of the victims) dominates the novel and the lives of many of the survivors. Her dream of broken horses may have been a psychiatrist's wish fulfilment, but it is also a sad reflection of the painful life Barbara endured.

THE DREAM OF THE BROKEN HORSES is a hard book to put down. Although most of the action takes place in back story, Bayer's writing is so compelling that I found myself reading on compulsively. Very fine.

I finally got my hands on a copy of this amazing book. It has lived up to everything I've heard about it from my fellow Elvis fans. First of all it's huge. It's 626 oversized pages of nothing but Elvis. It has over 500 photos ( I stopped counting at 500). Many of the photos were completly new to me. If you were from another planet and didn't know anything about Elvis this book would bring you up to speed. I predict this book will become "the bible" of Elvis fans all over the world.

The book is divided into 33 chapters. Each chapter focuses on one aspect of Elvis and his fans. Some of the chapter titles: Elvis music, Elvis and family, Elvis and the Army, Elvis and romance, Elvis and the martial arts, Elvis and food, Elvis impersonators, Elvis and animals, Elvis in person, Collecting Elvis, Elvis in cyberspace - It's sort of a "how to" book on being an Elvis Fan. It's like a Peter Guralnick book with a sense of humor and a lot more photos.

Not only does it tell you everything you want to know about Elvis himself, it tells you about what has emerged in the 25 years since he's been gone. At the end of every chapter is a section called " The Elvis and You Experience." This is where the author's suggest things to do to enhance your enjoyment of Elvis. The suggestions are a lot of fun. Some are really silly. Just like Elvis!

My favorite chapter is "The Pilgrimage". It lists all the important places to see in Memphis during tribute week. A lot of stuff only Elvis insiders know. I'm studying up to get ready for Tribute week 2002. If you're going to the 25th anniversary Elvis week in Memphis this August. I have one thing to say about this book. Don't leave home without it!

Probably because the book is this massive it is printed on very thin paper. Especially because this guide will function as a reference book often, this is a pity. We bet there will be only a few in perfect condition after a couple of weeks. Also a lot of the pictures used in the book deserve more than the exposure they get now, also due to the poor paper-quality. On the other hand: this work on quality paper might hardly be affordable for a lot of people, so the choice is understandable. Let's see if the content is good enough to hope for a "deluxe version" someday.As we always do with new books, we thumbed through it looking for new pictures. On first sight it looked a little complex, with a lot of repeats, we thought. Well, we weren't completely wrong about that, but starting from the beginning we soon found out it has a reason, and a well considered one. All chapters are build in the same way: a more or less short essay about the subject, facts ("Essential Elvisology"), references ("Your Elvis Education") and tips how to enrich your own experiences regarding the subject ("The Elvis And You Experience"). This consistent design makes it pretty easy to find what you want, most of the time. Unfortunately there is no index to this guide, so when you are looking for something really specific... it can be a very hard job.During the acknowledgements it becomes clear that the book has "a heavy Internet base". The reader familiar with the Elvis-scene on the Internet will recognize a lot of the names. Of course this results in a lot of references to the Internet throughout the book.The book is split up in 33 chapters, starting with the man himself: a short biography, mainly a time-line of important dates, his death, his records, his movies, his TV-work, his shows and his personal interests. There are a couple of chapters that are devoted mainly to the fans: Collecting, The Pilgrimage, Your Elvis Shrine, Impersonators and such. As stated before, all chapters start with an essay. Those essays are very well written, and even though nothing new comes up, the point of view from the authors makes them very enjoyable. The guide part of these chapters is very good, directing the reader towards the more important available works. Because the Internet-addresses (the so-called URL's) are often very long and hardly readable, the references to the sites look pretty cluttered. A better solution would have been to list just the site-names, with an alphabetic overview including the URL's in the back of the book. Since this book has its own site (that is: they are constructing the site, so far it looks like they only registered the URL), it might be a nice idea to include all links used in the book on that site, if possible per chapter. Since the Internet is evolving constantly, this might be a good idea anyway. Before such a list returns from the printer it may be outdated already.In general we can say the Elvis part of the guide is reliable, there are some mistakes, but they are in every book it seems, and we didn't find real major misses. The "You"-part is often going towards the ridiculous, especially the chapters we mentioned before. This certainly doesn't mean you can easily skip them. Again, the essays are well written, including a lot of wit and the "tips" are often so ridiculous it gets really funny (e.g. the "Dos and Don'ts of Impersonation" and "How to get started impersonating"). Having met all kinds of people ourselves (especially on the Internet), we know it's not complete nonsense written in those chapters, but sometimes we can't help but think it's too crazy to be true. In opposition to the main media, that love to use those exceptions to stereotype the average Elvis fan, this book shows it in a light-hearted, funny way. Probably the poor souls suffering the "handicaps" in these chapters won't even recognize it and take it seriously, so they'll be happy too.  Our conclusion is that this guide is really what it claims to be: "the guide to the pleasure of being an Elvis fan". Interesting, well researched and very enjoyable, thus it gave a lot of pleasure. We can only say that supported by a well maintained website it certainly deserves a "deluxe edition". "So now let's have a tremendous hand for a very nice book"

"Elvis & You", A comprehensive book like this deserves just a short review as it contains within it vast scope it's own recommendation. Elvis fans will be delighted with it's in-depth research, and the less scholastic will enjoy the eccentric humorous nature of the book as a whole. A work to explore at leisure and delve into for those important links to all things Elvis. A bargain for the photos alone!

As a discerning fan of the late Elvis Presley since 1957 yours truly has read a library of Elvis books-this one is amongst the very best.

This book is by far the absolute best book that will ever be written about Elvis. The authors are sincere Elvis fans who have done their homework, and it truly shows in this masterpiece. Whether you are a lifelong Elvis fan, or an "outsider looking in", this book is a must read. If you are an Elvis skeptic, read this book and you will be smitten for good. Kudos to the authors!!!

One of the most useful, fun and interesting Elvis books around. A must-have for Elvis fans and scholars because of the breadth and depth of its information. The photos are great as well. This book will be read and used for a long time. I only wish it had been around when I wrote my Elvis book - would have made my work much easier!

I originally got this back in 1975 when in college, and it became my film Bible for many years, until somehow it got lost. Over the years I had seen a smaller reprint (late 80s) and even an original hardcover for about $50. This is a 2005 reprint, with a new introduction by Scott Macdonald and a brief new essay and photo of Vogel himself. Vogel says he feels no need to change anything, and his text is still powerful and intelligent, but while very nice to have again, and definitely an excellent book on transgressive cinema, it really could use an update. Many (many!) of the films covered were recent at the time of publication. Someone really should continue to list and write about films from the last thirty years that continue in the inspiration of this work. Still, highly recommended -- though it is truly strange to see how many of these films I have managed to see, eventually. Even the Otto Muehl films I've had opportunity to watch in a theater with a (madly rushing for the exits) audience. So if you need a real kick in the head about what the cinema can do, you owe it to yourself to pick this up.

I had the privilege of being Amos Vogel's student back in the early 1980s, and was therefore fortunate to see a number of the 'unobtainable' films mentioned in this book. Vogel is an encyclopedia of film knowledge, and the often pithy accounts of various 'subversive' films -- including some you might not guess would warrant the label -- are both entertaining and intelligent. The image selection is great though, as others (including Vogel) have noted, a still frame stands for a film in an inadequate but nevertheless allusive way.

This book by Amos Vogel is a reference like no other. He explains why these films need to be seen. The photographs are a treasure themself and the book is abound with them. I have refered to this book constantly through the past 30 years. I'ts great to see it is back in print. My film library of over 1000 art, surrealist, avant guard cinema was largely do to Mr. Vogel's knowledge and explanation of film. I'm only sorry that it has not been updated to show the 1970's to 2006. A must have for sure, get the book while they last.

I agree with other reviewers. This is a great, indispensible book. I've spent the past twenty-five years or so trying to see all the films mentioned. I've made pretty good progress, but I still have a lot to go. My copy is all dog-eared and falling apart and I came here hoping to find one for my half-brother, who is just starting out in the movie biz and needs to know what's in this book. I hope it gets itself back into print. I'd love to see it updated to include subversive films created since 1974.

I've had this book half of my life and am still working on seeing all of the films. That said some of the films reviewed in it have dated badly (even Jean Luc Godard has dismissed his Maoist films which never show today). In addition, some of the countercultural (aka hippie) terminology such as "consciousness 3" will leave modern readers scratching their heads. That said it is an essential discussion of films that break film conventions, whether it be through the language of film, political subversion (suddenly relevant again) or sexual politics. The one positive note is that at the end of the book the author states in bold, "But the real question remains: how to reach the masses 'out there' with five heavy cans of 35 mm film and nowhere to show them". The answer is that through video and especially dvd films mentioned in this book that were impossible to find are suddenly resurfacing and being re-evaluated. Though some films are best shelved (I pity anyone who watches all 8 hours of Andy Warhol's "Empire" just to say that they saw it), others especially from world cinema such as the Iranian film "The Cow" and the Senegal made film "The Money Order (Mandabi)" show film makers who now have recieved acclaim. Though some reviewers wanted an update of this book I think that it was written and speaks for a certain point in time, before the co-option of underground films into indie films, when foreign films were still ahead of the times, before garbage like Jackass broke almost all visual taboos while actually taking film a giant leap backward and before the vcr, when hunting down experimental films showing in theaters or libraries was a religion onto itself.

... is the story of Jessica Savitch, who was certainly the Golden Girl of Philadelphia broadcast news at one point and whose name lives on in infamy in this city. I was the little girl who looked up to her; my father adored her; my mother felt her to be a good career example. Thus was the face that fooled everyone, including herself. This biographer's work is extremely thorough and very well written. Every paragraph is captivating. I couldn't put it down -- and I knew how it ended.

I could barely recall who Jessica Savitch was, but I love biographies so I read it. It was a breathtaking journey into a young girl turned celebrity's life. I read this book in one day and I couldn't get her out of my head for weeks afterward.

In high anticipation, I watched the movie "Up Close & Personal" which was supposedly based on this book. Even though the movie was good, it really had very few similarities to the book. I was dissapointed.

I strongly recommend this book.

Alanna Nash's biography of Jessica Savitch is a fine work, richly detailed and competently researched. In reading the story of this gifted, tragic woman one recalls the old Greek dictum, "Those whom the gods wish to destory they first make mad." I recall witnessing that now famous Sunday evening news broadcast, many years ago, when Jessica appeared in a foggy, bewildered state. I was busy with a young family at mealtime but stopped to watch as she seemed to self-destruct on the air.

Jessica Savitch led a charmed life, was blessed by the gods at first. Beautiful, intelligent, and charismatic, she found all doors opening to her. She entered television journalism with expectations on all sides of great success. She died at an early age after suffering through miserable relationships and becoming addicted to drugs. This modern-day morality tale makes somber reading, but is worth your time. Recommended.

I've kicked around a little bit - I know how easy it is to fall into the crapper, but this book- my heart was broken for Ms. Savitch. A person who wasn't what you would call whole to begin with goes into television and that television becomes her whole life, everything secondary to it. A little instable to begin with, maybe if she came across the right people early enough things might not have been so bad for her, but she didn't get the help she needed in time and ended up losing herself in drugs and promiscuity, her compartmentalized life finally seeming to collapse on her at the end.

I was very interested in the technical people and the description of the jobs they did and tried to look a few of them up, many of them spending their whole lives in camera, sound, film and videotape, but there is not much of a public record, which I think is a terrible shame; I think these people would have a lot of interesting things to say about recent developments in their prospective fields, the shape of the job market, etc. It is a shame these people don't get more attention - are you listening, union bosses, ABC, CBS, NBC, etc.? As important as Ron Kershaw was to the industry in his years in it, there is zero to Google about him, and I only came up with one piece of film of him as a reporter in his Houston days on the Vanderbilt web site - a double shame!

Get the book - very interesting for myriad reasons. And be thankful you are not Jessica.

It was impressive!
I could tell that Alanna had doneso many researches and interviews to write this book.

Jessica Savitch was one of the most well-known anchor in the
American broadcasting history. After reading this, I felt like she is still alive and watching the journalists today.

If you want to be a jouranalist, you should read this
and learn the other side of TV world.
It's a stressful world. Besides, you need efforts, patience,
lucks, and talents.

Even though Jessica ended up her life with tragedy,
I think she lived her life hard.

I can't wait to read Alanna's new book.
She has done a great job to let us know how important
Jessica was for anchor-women.

I really like this book, it goes way back to the radio programs...
I love seeing and reading about the people who played the parts years ago and have since passed away or left the show.
It is a great book for Guiding Light fans.
If you don't have it GET IT!

i have the hardback version of this book. This magnificent book came along in 1997 when "Guiding Light" was celebrating it's then 60th Anniversary. This month marks the show's 67th Anniversary {it having began on radio in January 1937 as a 15 minute sermon from various reverends from the Little Church in Five Points}. The radio show expanded to traditional serial melodrama by 1948 with the introduction of the German immigrant Bauer clan, a family that's STILL a part of the show to this very day, plus a host of other families. The book talks in-depth about each and every storyline that had a major impact or is at least memorable to fans. Admittedly, the first generation of fans who recall when the show was on radio are either no longer with us or are in their 80s or 90s by now. And so, this book, as i see it, was also designed to highlight the radio years for the contemporary fans of today who might've started watching in the mid '80s or the early '90s and afterward. The show moved to TV in June 1952 (continuing on radio until 1956). By now the Bauers were the focal point and the storylines were written to revolve around the Bauers and the conflicts they had with each other and the community. Bert was a social climber at first but she out-grew it by the early '60s after she had a pap smear, one of the first storylines in a soap opera to deal with such topics; Bill was a womanizer and an alchoholic; Papa Frederich was the German immigrant patriarch; and as the decade grew, Bill and Bert's son Ed became a doctor and an alcoholic while brother Mike became a womanizing lawyer. The book really gets "juicy" when the '70s section rolls around. 1971 was the debut of Michael Zazlow as Roger Thorpe, the scheming corporate ladder climber who was always being over-shadowed by nemesis Ed Bauer. And so, the '70s were dominated by the quadrangle of Roger Thorpe/Holly Norris/Ed Bauer/Peggy Fletcher. Storylines like that, plus the 1977 arrival of the wealthy yet sinister Spaulding clan would prove to be the show's success, causing ANOTHER very popular triangle of Alan Spaulding/Elizabeth Spaulding/Mike Bauer. The book gets vague in the mid '80s section because i recall things that the book leaves out: like 1986's return of Alan Spaulding. The book says Alan made his return with help from Baron von Halkein...which is true. But the book leaves out Alan's missing years (1984-1986) and never lets the reader know that Alan had been living life as 'Gregory Samuels' in San Rios after having been shot and presumed dead by the FBI, who were hot on his trail in early 1984. Alan had managed to seize control of several emerald mines and use an alias to avoid detection. If fans see this review they'll now know about Alan's missing years. Apart from that bit of history left out of the book, i have no complaints. The back pages of the book give histories of the families that were currently on the show: Bauer, Spaulding, Lewis, Reardon, Chamberlain, and Cooper. There are two tributes to the two most popular characters: Roger Thorpe and Reva Shane. Charita Bauer, the actress who played Bertha "Bert" Bauer from 1949-1984, is also given high praise. All of the awards from the industry to fan-voted are also shown. There's even a section where favorite couples are highlighted: Phillip and Beth; Mike and Elizabeth; Rick and Abigail; etc. Jerry ver Dorn gives the introduction and he holds the record for second longest running cast-member. He's played attorney Ross Marler since 1979. The record holder is Charita Bauer, of course, with 35 years as Bert. The other person with the most consecutive years behind Charita's 35 and Jerry's 25, is Tina Sloan...she's played Nurse Lillian Raines since 1983, this is her 21st year on the show. This book is dated, of course. A lot has happened on the show since late 1996/early 1997. seek out back issues of Soap Opera Digest for re-caps of action post 1996. This book is a must for all fans of the show both young and old. Until someone comes along with a potential 70th Anniversary book in 2007, this 60th Anniversary is an excellant introduction to the show.

Great book! Lots of information about GL. I enjoyed reading what happened in the episodes before I was an avid watcher.

Hopefully, there will be future update editions of this wonderful missive on the history of daytime's oldest soap. Not just for fans, either!

I have been a huge fan of GL for a few yrs now..the only thing that sux about this book is that all the great gl stars have left.. wendy moniz as dinah marler and cynthia watros as annie dutton will greatly be missed..

it is a great show...but the WRITING DESPERATELY NEEDS to improve...but the memories from 1990-1997 were truly spectacular...finally we see THE LIGHT!

This is the one cookbook that has not gone on the shelf, but instead sits on the corner of the counter. So far I've made the beef burgundy, pan roasted chicken, smothered pork chops, lemon meringue pie, macaroni and cheese, nachos with salsa and guacamole, and more. I'd've done more in the past two weeks, but I do have a job to go to. These may not sound like extraordinary recipes - they're all in my Betty Crocker cookbook or Good Housekeeping cookbook - but this is the cookbook that tells you the how and why, what works and what doesn't work (based on their own testing, which is an interesting read in itself). One of the things I like most is that they make an honest effort and usually succeed at restricting themselves to ingredients found in nearly every supermarket. Serving sizes are extremely generous. I ate nachos for four days --- luckily, they were delicious.

I do wish they would include nutritional analyses. These recipes are all about taste and optimal preparation to ensure the best results; nothing particularly low cal or low carb and certainly not low fat here; and it doesn't purport to be a diet cookbook. That's okay, but it would still be nice to have the numbers. And it would be nice if they would test a few ways of cutting calories and/or carbs and/or fat while developing the best recipe.

As a novice, I also got tripped up in the pan roasted chicken because the recipe didn't give me even a clue as to how long the pieces would be in the oven; I guessed about 30 minutes but turned out to be 50 minutes to get to temperature, which threw off the timing on the side dishes...minor, novice issue.

Finally, I also subscribe to Cook's Illustrated published by the same people. In the Nov/Dec issue was an incredible recipe for pumpkin cheesecake (beg, borrow or steal it from someone). Their technique explanation ranted about the wonders of cooking a cheesecake in a waterbath. Indeed it made a great difference. But in this cookbook, there's a recipe for a New York Style Cheesecake with no mention of a waterbath. I'm not a pro, so maybe the different techniques deliver two distinct textures, but it was curious why both ways aren't discussed in the cookbook since they touted it in the magazine (or vice versa).

I've bought a couple pieces of their recommended equipment and believe they've been right on target there too.

It's an impressive book that has pursuaded me to buy both the Italian Classics Cookbook and the cookbook for the 2002 television series. Looking forward to receiving those soon.

As a beginner with cooking, this book has led me places I never thought I'd go. It has been a guide for the basics and an inspiration for the heights. And meanwhile it saves me money by steering me away from useless gadgets and fad techniques.

This is my third Amerca's Test Kitchen cookbook. In all of the meals that I have cooked using these books, I have never had a flop. As a male and a physician, I really appreciate the "clinical" approach to cooking that ATK applies. Want to make good, gooey chocolate cookies? Then try a dozen different methods and see what works best. They have used this method for all of their recipes, and the reaults are tremendous.

ATK avoids pretentious cuisine. They aim to make the best steak, best french-fries; things that my kids will eat. Yet, some of my favorite meals for guests come from the book as well. (Twice-coked potatoes with pesto...mmmm). Even though I live in a small town in a remote area, I have always been able to find the ingredients they suggest.

They have a "Consumer Reports"-like approach to rating ingredients and equipment. What a delight when Morton's table salt out-performs...sea-salt in blinded taste-testing.

I can't wait for next year's book to come out!

As someone who consider's themselves an elite "home chef", I stopped using recipe books years ago and just built on the basics that I'd gleaned from reading what I considered the "essential" cookbooks. Then, one stormy Saturday afternoon when the husband was at work and the kids were away at Grandma's, I stumbled on America's Test Kitchen on PBS. Needless to say, I loved what I saw.

Now I am a Cook's Illustrated fan. I have not come across anything done by these folks that isn't absolute quality cooking instruction - no matter what your level of cooking expertise. That's because ATK doesn't just write the recipes - they write articles and background about every recipe that breaks down each element of the recipe and explains why certain ingredients, techniques and equipment work so much better than others in producing the best tasting recipe. Even if you never follow an America's Test Kitchen or Cook's Illustrated recipe step-by-step, the things you learn just by reading the recipe books can be carried over into all of your cooking. If, like me, you are a non-recipe cook, there is still much to be learned here.

"Here in America's Test Kitchen" carries on the standard of excellence that Cook's Illustrated has established for itself. Detailed recipes that are actually essays about what goes into creating each recipe and why certain ingredients and methods are used will elevate the level of every home cook - regardless of your current level of expertise.

This book contains some of the best recipes I've ever had. The BBQ Rib recipe prepared with a dry rub and slow cooked over a smoky grill is simply the best rib recipe I've ever made - spicy, smokey, fall of the bone tender with a wonderful crisp skin on the outside. At a recent 4th of July party, these ribs and the ATK buffalo wings were a huge hit. And the cookie jar favorites - chewy, flavorful double chocolate cookies and ginger cookies are family favorites. The recipes here aren't always the quickest, the cheapest or the lowest in fat and calories, but if you are looking for the best in flavor and texture, with America's Test Kitchen you can't go wrong.

I have been watching this series on PBS and the book is just a delightful. The receipes are pretty easy to follow, ingredients are available in most grocery or gourmet shops. Plus they have done all the testing and we get to prepare the perfect combinations! Highly recommend it, especially as a gift!

Biographical reviews tend to have a standardized format: several chapters on the linage of the subject, tales of early childhood, struggle and (usually)success.

Haberstadt's biography is much the same, except the author does a nice job of leading the reader thru the parts we have to endure by building a strong sense of the frustration and difficulties Doc Pomus faced throughout his life. The book isn't overbearing, and he paints an interesting enough picture of the determination this polio-stricken hall of famer had.

If there is a weakness, it's that you never get a real strong sense of what exactly it was that Doc did. I mean, I still haven't figured out if his contributions to some of the greatest songs were his lyrics, his sense of rhythm, his music, or a combination of all three. Certainly it is poignant to think that "Save the last dance for me" was written as he watched his new wife dance at her wedding, but there was too little addressing the mechanics of Doc's writing for my taste.

I thought it was a most interesting and useful book to have on one of the great contributors to rock and roll.... and long overdue.

During rock 'n' roll's early years Doc Pomus wrote some of the biggest hits from his Lonely Avenue to Save the Last Dance for Me and Hushabye. His works were picked up by Elvis Presley, B.B. King, Bob Dylan and more - and LONELY AVENUE documents his life, inspiration, achievement, and times in an outstanding blend of quotes from his journals and biographical examination. Music libraries will find it an excellent addition.

What a great book. You never think about songwriters when you listen to a song but after reading this book you will. It's the story about the man behind some of the biggest hits of the 50' and 60's but it's so much more. Doc's story is more then his music, it's the life that he led and the trials he overcame to get there. If you're into music or not this is one book that will make you laugh, cry and just revel in one man's life and times.

Great book. I got choked up reading about Doc writing Save the Last Dance for Me.

The writer did his homework, and I'd recomend this book to anyone, also visit the Brill Building, There's Always Magic In The Air.

Great reading!

Seriously. This lady apparently never threw away ANYTHING. She didn't even throw away the "Glorious Aryan Motherhood" medal she got from the Nazis in 1938 in an effort to entice her back to the Third Reich, though she was much offended by the "award" and described her displeasure in pithy terms. Conversely, she proudly told her daughter, Maria Riva, that whereas most daughters inherit medals from their fathers, Maria would inherit medals from her mother, and these decorations (including the U.S. Medal of Freedom and two degrees of the French Legion of Honor) are displayed in one of the book's many color photographs.



This splendid book is a Marlene Dietrich museum all by its lonesome. Gorgeous photographs from every stage of her career (including some very sexy and risque ones displaying her famous legs to best advantage!) are coupled with a visual catalogue of the most interesting of her clothing and possessions, including her famous good-luck rag doll, which appeared in several of her movies, and a pair of matched pistols she received from General George Patton (with whom she is rumored to have had an affair) during World War II.



Speaking of which, Marlene's WWII service, one of the great defining experiences of her life, gets full attention in this book, with many very striking photos of herself at the front. My favorite pictures from this period show her watching a training drop by the 82nd Airborne Division, the unit closest to her heart, in Holland in early 1945.



Marlene, of course, is famed as one of the great style-setters of the 20th century, and we see many, many photos of her outfits and accessories, both as display items and when she was wearing them.



Can I use the word "splendid" twice in one review? :) Because that is exactly what this book is. It's a bargain at any price you care to name, and one of the best retrospectives on any great film star I've ever seen.

This is a dream of a book. Full of glorious photos and facts. I highly reccommend this to all Dietrich and film fans. All public figures should be the subject of a book like this.

A delicacy! The best book of photographs I have seen on Dietrich and a compendium of beauty, not only hers but all that was created through and with her. A must have book.

I simply had to have this book when I first heard about it, being the huge Dietrich fan that I am. I couldn't wait for it to arrive, and when it did come in, I ripped the box open. The book was truly worth the wait! Filled with photos of incredible costumes, rare "in-life" moments, private letters from lovers, this book helps create an understanding of "Dietrich", the person. No book, no film, no insight could ever truly capture all the many mysteries that exist in each and every person. In Dietrich, there seemed to be many more than usual. While not going into great depth as to why she had all those lovers, or how she learned to create and control her incredible image, the book does offer an amazing trip down Dietrich Lane, which any Marlene fan will absolutely adore. The book is well worth the price, as it fills 260 pages with 289 photos, many not seen before. A must-have for Dietrich fans!

If you were a fan of Dietrich and were allowed to own only ONE book about this woman, then this should be the book to own. To reiterate another reviewer's thought -- it is EXQUISITE.

I read this book from cover to cover and only set it down when I got tired. Each night I would set aside some time to join adam on his adventures growing up playing the harmonica. He talks about love gained and lost and how he first became a harp player, including some of his influences. He has a captivating writing style and brings alot of imagery to his writing. I really felt he poured his soul out onto the page and you really kind of get to know who Adam and Satan are. Not the Prince of Darkness but Sterling "Satan" Magee. The overall story really is about the awkward white boy putting himself out there to play a soulful style of music and how he went through pain and heartache to pay his dues with with his friend and bluesmate, Mr. Satan. I would highly recommend this piece of work by Adam. You should also check out their 3 albums: Harlem Blues, Mother Mojo, and Living on the River.

I could hardly put this book down to perform activities of daily living, let alone going to work. "Mr Adam" has created a masterpiece of American musical literature. Being a blues lover of many years, I was bored to death by the almost clinical approach of most writers on the subject. Not so, Mr. Gussow! He delivers a passionately honest and heart felt memoir filled with wonderfully alive and vibrant individuals, sharing with us the one true American music, the blues.

It is an amazing thing when an artist (in this case, Gussow, a writer/blues harp player) can somehow manage to make their mark despite all the confusion and hard knocks life throws at them- and they sometimes throw at themselves. This is a moving story about a burgeoning blues musician captured with excellent dialogue... Gussow has made his characters come alive and jump off the page the way writers are supposed to.

Not only is it Gussow's personal memoirs of his early years in music, but a riveting biography of one of the most unique and original blues acts in recent years- Satan & Adam. Gussow's accounts of his early music/life mentors (such as the underexposed harpist Nat Riddles) with sincerity and genuine emotion is fascinating. The telling of Mister Satan's story is a valuable contribution to blues history that could well have been lost in obscurity.

There are issues explored in this book that have rarely been expounded upon with any meaningful insight in any musician interview or book I can remember. The passages in the book where Gussow is in the middle of Harlem grappling with the rift and misunderstanding between black and white is especially poignant, particularly from his perspective as a young, white, Princeton educated "bluesman".

Although this book isn't an instructional course on technique or musicianship- for those who aren't aware- Adam Gussow is considered by many blues afficionados to be one of the best harmonica players alive today. So he's paid some dues and he knows what he's talking about.

Adam Gussow had the good fortune, the talent, street smarts and the heartfelt focus to get out there and live it- become an apprentice to a bluesmaster- just like most traditional art is passed down from accomplished teacher to eager student. I admire him for it. Mister Satan's Apprentice is a must read for any struggling musician or blues fan- it just might get you thinking about your own life's journey.

Recently it was my privilege to see author and harmonica player Adam Gussow at my local huge independent bookstore here in the Eastern US. I rarely do commercials, but if you can't catch Adam, you can check out his new novel "Mr. Satan's Apprentice". Adam calls it "a blues memoir", and so it is. The guy is a no-shit, kick-butt, street-smart harp player! FYI, I have fairly high standards in this realm. If you've seen or heard the New York duo "Satan and Adam", you'll know what I mean. The guy is ALSO a juicy and creative, energetic, sexy writer - something I'm also picky about. Princeton Ph.D. candidate - English.

Adam's book describes a journey that a few of us know, but most do not. The musician in you will relate to the tale of the emergence of deep and powerful music from the little instrument - and the romantic in you will throb with the ways the emerging harmonica player and boundary-crosser discovers the things he needs to grow musically and personally - and then sometimes fearlessly, sometimes not, sets out to acquire them. You'll meet his teachers and mentors, and like it or not, you'll see life through the eyes of this seeker of musical and personal connection. You'll go with Adam on the romantic roller coaster as loves come and go - and you'll travel with him to Paris to play in the Metro and on the street; to the American South, and to other places exotic and otherwise - including a hitch with the road company of Broadway show based on Mark Twain's Sawyer and Finn. Later we get into the recording studio with Mr. Gussow and Mr. Satan - the Harlem street mystic and one-man band who becomes Adam's main-man mentor and muse, the Mr. Satan of the book's title. Throughout the book you'll find Adam the street intellectual examining his position as a white man among black men (and black women) in this blues-filled world - an examination in which Mr. Satan plays a key role.

A book for players and lovers - of the spirit of the music, of the street; of the endless forms of beauty and love, as they are found ALL over the place. The author is one who knows, and magically, describes, many of the gut experiences we players know; to my knowledge no one's ever written quite this way about these things before. Like the performing moments, the pulling out of all the everything you've got and then some, when the audience is on it's very EDGE, right there with you; when you are truly and purely the great IT! Blowing and drawing deep, and deeper, and then high and higher; and the room is all whoops and smiles, and all there in your hand. A good player knows these things, and believe me, in a blues band, nobody gets that kind of juice but the harp player.

OK, so maybe you don't know the peak of performance grace and light - but you know your peaks, and Adam's telling can stir it back into view...

Adam Gussow writes of music, romance, conflict, and awakening in an intimately physical and heart- connected way. As a player, I'm rocked. -"Harmonica Jack" Merrylees (JMerrylees@aol.com)

In "Mister Satan's Apprentice," street musician extraordinaire Adam Gussow has left in just about everything, and it's about 40 percent too much; the book would have read far better at a sleek 250 pages. But the good stuff is really good, and the book is well worth reading despite its distractions and digressions. In his early 40s, Gussow is currently a doctoral candidate in Princeton's English department. But thousands know him as the harmonica-wielding half of the "progressive gutbucket blues" duo Satan and Adam -- three-CD recording artists, photogenic subject of any number of newspaper and magazine features, and cameo stars of the U2 movie "Rattle and Hum."

In his autobiography, Gussow gets deep inside blues, and his relationship to it, and manages to successfully translate the music into language. "Blues harmonica played well was a miniature tongued slalom, a tornado swallowed and contained," he tells us, and his words capture every bit of excitement that the grooves and notes have to offer. "Mister Satan's Apprentice" is about much more than the blues, though -- it's a provocative meditation on race from a white man immersed in a traditionally black genre, neighborhood and world. Playing around with his first harmonica, in 1974, Gussow contemplates the subtleties of playing blues. "It had something to do with being a black guy," he muses.

As the protagonist in his narrative, Gussow pales (no pun intended) next to two marvelous characters: his two mentors, Nat Riddles and Sterling "Mister Satan" Magee. Twenty-two years older than his protégé, Mister Satan is as colorful as they come. He's a visual artist and apocalyptic numerologist with a murky music-industry background, and a font of, if not wisdom, then brilliantly idiosyncratic aphorisms and soliloquies. A Harlem fixture when Gussow approaches the guitarist to jam along, he shouts and hollers, runs hot and cold, towers over other men. Mister Satan looms larger than life, but harmonica player Nat Riddles is entirely real, an odd-job taxi driver with a dazzling smile and soulful tone. "He was perpetually on the verge of becoming the blues world's Next Big Thing," Gussow writes. "A young black harp-player with the Sound." Riddles flits in and out of fortune, showing up unexpectedly to astound a New York club, phoning from somewhere in the South, destitute and desperate, surviving gunshot wounds only to eventually succumb to a cruel wasting disease.

It's the music, finally, that counts most -- Gussow gives his story its own soundtrack, one of restlessness and yearning, of his struggle to capture the Sound: "The Sound was Southern-bound, it was cocky, playful, manic, chucking, resentful, edgy, comforting, relentless. It took incredible lip strength and finesse to produce. It was sexual. It was the haunted, restless feeling of a guy's apartment late at night after the woman who used to live there had moved out. It was whatever nasty things she was doing with the other guy-a virile sensitive soulmate-this very minute. It was the best way of beating those visions back into the ghoulish cave they had crawled out of. Working hard at the Sound was a socially acceptable way of sobbing, raging, and primal-screaming from a hot heart while pretending merely to be practicing." A little of this kind of writing goes a long way, and there's an awful lot of it here. Granted, it's a real challenge to maintain a level of excitement in writing about music page after page, particularly about blues, a genre built on the same few chords locked in a repetitious groove. So it's forgivable that Gussow often leans out a little far: "The sidewalk scene dissolved; I was wandering in a garden of earthly delights, hands cupped against the sweet cold fluid air. Every bent note was a pitch-perfect arrow puncturing the gray dusk. You only live now. Blue notes danced and spun, lines endlessly unfolding like so many wrapped gifts laid bare." You have to remind yourself that he's talking about a harmonica, one of the more prosaic of instruments.

For all Gussow's breathless adjectives and action verbs, he's frustratingly vague about the technical aspects of the duo's "huge raw perfect sound." The book's photos show Gussow with effects pedals at his feet, but he makes no mention of them; he doesn't mention the basic information that he plays in "cross harp" style until page 386; Mister Satan's "phase-shifted guitar wash and deafening clatter" is described pretty much only in metaphorical terms, as, for instance, "an endlessly unrolling Persian carpet with gristle and clanks added." Gussow is so good at getting inside his playing that the narrative sags whenever it moves to other topics. A hefty amount of the bloat deals with his failed relationships. We meet mercurial crackhead Robyn and inconstant ex-fat girl Gail, but mostly there's erratic, irritable hyperfeminist Helen. Gussow tells us on page 30 that Helen left him back in 1984, so we're predisposed to dislike her, and we indeed do. "Most men had a girlfriend," he writes. "I had Aphrodite crossed with Kali the Destroyer, She of infinite ravenous limbs." Worse, the book's artfully jumbled narrative, with short sections ordered sort of sequentially on several tracks, dooms us to read about Helen over the entire course of the book. We think we're finally through with her, and then: "1983. Things with Helen had turned out surprisingly well . . ." Enough already!

In the late '80s and early '90s, a period when racial violence kept flaring up in the outer boroughs of New York City, Satan and Adam's young-old, white-black novelty made a splash, but momentum slipped away. "Minor celebrity beckoned, then faded," Gussow writes. And despite the book's vibrant cover photo of the pair, they no longer perform, according to an e-mail Gussow sent me. "[I]t's impossible to keep the act together," he wrote, noting that Mister Satan now lives in south-central Virginia and has no telephone. That's a real shame.