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Klein has written a definitive bio of Woody Guthrie. He portrays Guthrie in his full humanity with flaws and all. As a result, this is a rich real portrait in which Guthrie is illuminated as a human that was able to achieve in-human feats during his life time. This book is a must for anyone interested in understanding this seminal figure of American history and culture.

Woodrow Wilson Guthrie wasn't the most talented of musicians, but few people have had more influence on the landscape of American music. He was an incredibly prolific writer and the grandfather of the 1960s folk music revival, hero to the Dylan, Baez and the like.

Woody was to music what Steinbeck was to literature, capturing the California story of the thousands of "Okies" who emigrated to California looking for employment when dust storms devastated their farms during the Depression. But unlike Steinbeck, Guthrie was one of the people he sang about, leaving his poor Texas panhandle home and hitch-hiking, riding the rails, and singing his way across the country. Along the way, he listened to stories and felt the disenchantment of the other wayward wanderers. He captured those stories and sentiments, then put them to music. Woody quickly found an audience in his fellow immigrants, first around campfires, then on the radio. His character was more authentic than the slick corn-pone caricatures Hollywood had created. The large new audience could relate to Woody. And more importantly, he was voicing frustrations they could relate to.
Woody Guthrie's life was situated at the nexus of American music and American politics. He spent much of his life as a Communist (most people forget that, though not a threat to take office, the Communist Party had a sizable membership in America pre-WWII), and was one of the first people to use music to encourage political rebellion. He played the picket lines, helped organize rallies and played at Communist party meetings.

While his songs sound happy and simple to us today, the lyrics are often packed with anger and irony, expressing frustration at an America not living up to its promises. There was talk, for a while, of making Guthrie's "This Land is My Land" the national anthem. But in truth, the original "This Land is My Land" is far from the patriotic ditty schoolchildren learn today. It was actually a response to Irving Berlin's "God Bless America," a song Woody found to be full of false hope. Along with the fourth verse, the final verse of Woody's version is typically exorcized:

"One bright sunny morning, in the shadow of the steeple
By the Relief Office, I saw my people -
As they stood hungry, I stood there wondering if
This land was made for you and me."

Personally, Woody was a complex guy, full of good intentions, but falling short on many counts. For all his success as a musician, he was a terrible husband to several women and an absentee father, often leaving his families for months at a time on wandering cross-country trips. He drank too much, was unpredictable and often a pain in the side of some of his closest friends. Only later in his life, when he was diagnosed with Huntington's disease, the genetic nervous disorder that killed his mother, did it seem like there may have been an explanation beyond selfishness for Woody's unpredictable behavior.

Joe Klein tells Woody's story with the kind of craft and poetry that such a story deserves. He paints a vivid portrait of Woody that jumps off the page with life, all quirky and charming and lovable and maddening and irresponsible and admirable and stupefying and brilliant. But WOODY GUTHRIE: A LIFE is more than the story of one man's life-it is the story of America in the last century, of its changing social climate, of its musical maturation, of its dreams and realities. All of these themes can be found in the songs of Woody Guthrie, and the only thing he ever sang about was what he saw in his lifetime.

This biography is stunningly and painfully intimate. Joe Klein did a fantastic job. This is a great read.

Guthrie is a tremendous American icon who not enough of us actually know about or perhaps have even heard of. He was a thousand contradictions. In his art and in his life, in his outrageous, childlike, precocious, brooding, energetic, and endlessly subversive behavior... he was just utterly himself, he embodied a particular American brand of freedom in life, outlook, and sense of possibility.

Even if you haven't got time to read this book, make sure the kids around you know all the verses to "This Land Is Your Land". You may not agree with the politics but it's worth knowing what the man actually said, it makes you think.

....and I'd recommend this book even to those not especially interested in Woody Guthrie. The writing is superb, and Klein's reporting skills are without peer. The book also stands as a fine social history of Depression Era America.

Every Christmas, I buy multiple copies of this book and give it away to friends and family. Every spring/summer, I receive multiple messages of enthusiastic thanks and gratitude. No one who reads it comes away unaffected.

Basically, I will just say this is the most riveting biography I've ever read, and I've read it many times (am rereading it now actually).

There are two primary reasons why this book is so far above all other biographies:

1.) Joe Klein's writing is fantastic. His research is thorough, but his ability to communicate to an audience complex historical, socio-political, medical, and psychological concepts is virtually without peer.

2.) Woody Guthrie's life simply is one of the most fascinating lives I've ever read about. From his birth (even before his birth) straight through to his death, his life never gets boring. There is no plateau, where a great artist achieves his best work and then self destructs or mellows, etc etc.....every single period of Woody's life is equally fascinating. He was an incredible human being, a very complex artist and man-and he happened to straddle many periods of history. You will be constantly surprised. Sometimes you want to strangle him and then he turns around and does something so unbelievabely heroic, that you can hardly believe it actually happened. There is NO ONE like Woody Guthrie today....nor was there ever another in any other time period, the guy was truly a one and only.

I couldn't recommend this book enough. It's so good that not until 2004 was another biography attempted on Woody, and I can't imagine it could be any better than this.

Besides discovering my kid, he has been an invaluable resource with both his books and his coaching! He makes acting fun and easy to learn for kids! All his books are highly recommended.

This book really helped my auditioning skills. Just learn a commercial each day and you will be ready to book.

Reading this book has greatly enhanced my auditioning skills. After working some of the commercials from this book, I was able to book a national public service announcement! I had the opportunity to train in person with Chambers Stevens and believe he is an acting genius. This book includes all the secrets on how to land commercial jobs and has worked wonders for my career. I would highly recommend this book to any aspiring actor who wishes to master the art of performing a commercial.

When my son started acting he was nervous going to an audition.
The good thing about this book is the author shows you what happens at an audition.
He takes you through the process step by step.
The author's style of writing is very funny. My son and I were laughing and then when he got his first audition we found it happening just like in the book.

I bought this for my son, as well as the scene book for kids, and he hasn't put them down! They're a really good resource for kids who are interested in acting. I've also noticed that his memorization skills have improved since I got him these books. If you have a child interested in acting, I highly recommend both books.

This is a good group of interviews and conversations done with Al Pacino. It isn't a biography, although it has bigraphical information. What it does is give the reader a small glimpse of a man who normally stays well hidden. If you like Al Pacino it is a good read, and gives insight into the behind the curtain reasons for some of his "quirks". The Kindle editon is formatted without problems. The only complaint is the pictures are small, but that is a kindle limitation. The words carry the book. So this isn't an issue for me. I have looked for the print edition and it was out a few days, sold out in book stores, and I haven't seen it since. It may be available on Amazon, I was checking when I found this edition. And didn't continue to look, the pictures aren't that important to me - I know what Pacino looks like.

Mr. Grobel's relationship with Al Pacino grows throughout this book. The book consists of numerous interviews by the author as well as magazine articles. Pacino talks about his many successful films, actors he admires, the Godfather III disaster, and his obsession with Richard III. This was a great read and allowed me to see inside the mind of one of my favorite actors.

Lawrence Grobel is a master interviewer and get some original and surprising answers of Al Pacino. There is no flattery for the celebrity here and if there's some is only in small doses. Pacino reveals himself as a down to earth guy who cares
a lot about his craft and about doing his job well(no more,no less) and shows an amazing sense of humour at times.This is the portrait of a true artist who loves his art.
Lawrence Grobel many times insist in questions that Mr. Pacino does not want to answer and many times out of insistence get an answer from the actor.
I truly find this book entertaining ,didactic and intelligent.

This is a great book for several reasons:

1. Pacino gives insight on many of his movies, discussing why he feels they were hit or miss.

2. Pacino talks about off-the-camera stuff, such as his childhood, his struggles in trying to become an accomplished actor and much more.

3. Pacino elaborates on his true passion and where he returns when his career is in a slump.

The introduction is very strong and interesting because it summarizes his career work. If you like Al Pacino, you gotta have this book.

Excellent book in interview form which delves deep into the fascinating and complex psyche of one of the most accomplished and gifted actors in cinema history. Reknown journalist and writer Lawrence Grobel goes to where no other interviewer/reporter has gone before:deep into the mind and thought process of legendary film and stage actor extraordinaire Al Pacino. This fantastic and thorough book explains in great depth the complex and brilliant acting career of Al Pacino. If you love Pacino's work like I do you will love this book. Highly recommended and entertaining. Al is widely known not only for his remarkable work on film and in the theater but for his passion for his craft. He is passionate about acting and is a very serious actor but who would of thought that this dark and intense actor would have a sense of humor. Some of the answers that he gives to Lawrence Grobel are actually quite funny. He can be serious when he needs to be and quite amusing when he feels the need. Get this book and you will not be disappointed. He discusses in great detail his entire career from his humble beginnings when he was a homeless struggling actor to his defining status as an icon of American cinema.

This is a compilation, like the previous works by Mr. Magruder, but it retains its vitality and insight. Although his work continues to show a liberal bias, he doesn't hesitate to point out the fallacies and misrepresentations of all sides in the political and social arenas. Worth buying, reading, and keeping.

This is the final installment of McGruder's Boondocks comic strip. It's a bit weaker than the other two large volumes, but still very strong. There were some strips from the first collections scattered throughout, and not necessarily in order. That threw me off here and there. There's a large section of articles and interviews which are quite interesting. And finally there is an anticlimatic "controversy" section. We've seen these before and McGruder adds nothing new. Still, even though this is a weaker collection than we've seen before, it's still worth reading.

All The Rage covers the different formats that Aaron McGruder's comic has undergone as it transitioned from a newpaper strip to animation. In this reviewer's humble opinion, some of his very best strips are included in this volume. I own all of the Boondocks books and this is by far my favorite.

I love the strip and I'm sad that it's over.
That being said, this pieces all the "best of" non-comic moments together. I read that it was 200+ pages, and thought, "Wow! That's a lot of comics!"
Well, the current comics comprise about 1/2 of the book, 1/4 goes to interviews, and 1/4 are "controversial" strips. Ooh, controversy!
These are great. If you have seen the first or second season of the shows, you will recognize some story arcs a little too well, even down to the line. Awesome.

All the Rage: The Boondocks Past and Present is more than just the latest collection of the politically charged, African-American culture-centric newspaper comic strip - it also gathers a massive assortment of interviews with comic creator, writer and cartoonist Aaron McGruder, and even prints some of the most controversial strips for the first time. Young, unsmiling radical leftist Huey gives his cynical take on everything from McDonald's ridiculous attempts to emulate hiphop culture to high-level political hypocrisy, while his gangsta-wannabe little brother Riley represents the aspect of modern rap culture that is blindly obsessed criminality: "Man, I'd never steal music off the internet... it's easier to just steal it from the store." No cow is too sacred in All the Rage; there are jabs galore for the more questionable aspects of black and white culture alike. The interviews reveal a passionate side to McGruder, embedded in his desire to do more than make his readers laugh; he also wants to make them think, and in that All the Rage is a resounding success. Highly recommended.

Initially the quality of the photos is striking. Then you look at the subject - a man who brings joy through his art of comedy - and some of the most emotionally moving images of Groucho emerge. And some gorgeous photos of the rest of the brothers also.

What fans of a dead artist always encounter is the lack of anything "new" out there. This fills a gap. I have been a Marx fan since my youth and have found the expenditure on this book, and the wait, worth it. The best picture book on the Marx brothers to date.

I have to rate this book highly, due to one thing in particular; a load of photos NEW to someone who's been buying all things Marx since the 1970's. Some of the candid, on-set shots; some of the very rare shots of Zeppo; and some shots from scenes that were later cut...these are the stuff of dreams. Crazy dreams, but dreams, nonetheless.

It just misses five stars for two reasons: a nice crop of pictures we've all seen a thousand times and, worse, a number of well-known, yet misquoted, lines.

Did someone proof this? There's not much writing, so it couldn't have taken long...and, after all, Arthur's an author in good standing.

You'd think he could take some of the money he's made off his pop over the past forty years and buy a complete set of Marx CD's. Then he could nab the quotes directly. No excuse for this.

Yet I, for one, still recommend it for the visual treasure it is. A great "coffee table book" - and on a hilarious subject that makes you long to crack it open and take it all in, as opposed to some of those paper paperweights you've typically seen gathering dust in living rooms various and sundry.

The best Groucho book to come around in years. I loved it!

I've owned this book for several weeks now and it continues to have this strange affect on me: every time I pick it up, my mouth opens wide in awe and then twists into a grin that runs from ear to ear!! I just can't stop smiling! This is not your average picture book on the Marx Brothers.

Make no mistake....this book is first and foremost about the pictures and all have been STUNNINGLY reproduced. There is a richness and depth to the photos that you find in, say, coffee table photography books (Ansel Adams comes to mind). Some of the photos have been published before, but the majority of them are being seen here for the first time in book form. But even if you've seen some of the photos before, you've never seen them like this! This truly must've been a labor of love.

Accompanying the photos is a casual running commentary supplied by Arthur Marx which is at once charming, engaging, revealing and entertaining. You can almost imagine yourself thumbing through a Marx family photo album with Arthur stopping here and there to share the memories he associates with each picture.

This book satisfies on so many levels, but don't expect it to be a primer on the life and times of Julius H. Marx. For that find a copy of Hector Arce's GROUCHO (if you can!) but keep a copy of this book nearby because it wonderfully illustrates yet another facet of the man we know as Groucho.

I give this 5 stars (and 4 hard-boiled eggs!)!!!

This book allows you to be in the Marx Family and experience what it must have been like to have a Father who was none other than the "One and Only, GROUCHO!!!"

I have nothing but the utmost respect for Arthur and thank him for sharing his memories and ALL of his fantastic photo's of his Father and Family.

If a picture is worth a million words then this book is worth at least two million ("or three for a dollar").

Bottom line - great how-to book. I am NOT in any way, shape, or form, a computer geek. Technology is not my friend, and nothing about machinery is inuitive to me. I am also a no-nonsence kinda guy. In this particular case, I want to edit, not spend my time READING about how to edit. So this book is GREAT! (Wouldn't know if it's the best 'cause I'm completely dependent on doing what it says to do so I have no way to compare it to other resources.) The layout is straightforward - topics are categorized and independant from each other. Like a cookbook. Simply go to the instructions on how to do a particular thing, and there you go! The book uses paragraph format in the beginning of each topic/chapter to explain the "why's" of the upcoming topic; like a comprehensive overview. (What's the purpose and point of doing "_____".) Then when it comes to the "how-tos", each subtopic/activity converts to bullet-points. (Click A, then do B, then press C.) The book also includes side notes and hints along with illustrations of what you should be seeing on the screen at that particular stage. Wonderful! Efficient!

This book is based on Avid Express Pro as of 2004 and will serve you well as a reference text. It is well-indexed and has useful cross-references in the text.

This book is very helpful for new beginners learning AXP. It is very detailed and to the point. A must have.

figata ci vediamo al solito posto alle 12.00. porta la corazzata
pinuccio

I am a beginner with Avid and was daunted by all the different and options available to me. Monohan's book was just what I needed. I am currently giong through the book from A to Z, which gives me an overview of all the options and work-methods the program has. Even though I allready had set up my workspace, this book gave me some interesting tips. Even though I had allready developed a workflow for my previous projects, I learned some new options by reading this book.

Interestingly, serving as a guide from a to Z is not where Monohan excells. It should be used as an index to all the available options from this program. Want to know how to find those audio-peaklevels? How to get rid of that nested alpha-channel? Or you want to remember that trick in lassoing to trim mode? Use the index or the table of contents and you'll find what you're looking for in no time.

Great value for its price!

HEEBIE-JEEBIE HULLABALOO is top-of-the-line Simpsons! The presentation is high-quality with an embossed cover and bright, clear graphics inside. You won't be disappointed!

This book was as told it would come and was brand new. There was not one little mark on it. I would order from this user again.

This comic book was pretty good with another humerous approach to to the Simpsons comic saga. Stories include
1. Sideshow Blob-Sideshow Bob is turned into a giant phlem.
2. The Exorsister-Lisa possessed by the spirit of Madonna.
3. The Immigration of the Body Snatchers-Pod people take over and Homer tries to convince them they are here and not crazy.
4. Call me Homer-Famly history of Homer eating blubber in the tale of Ishmael.
5. Bart People-Bart turns into a cat.
6. Little Shop of Homers-Killer Homer plant.
Pretty good book overall.

I think this book was really funny. I really liked Homer Simpson's Halloween Carols. He is my favorite cartoon character. I guess the funniest part is, when the Simpsons were watching Kent Brockman talking about a plant that eats donuts, and Homer said "Mmmm... Donuts." That was pretty funny. Another funny scene was when everyone in Springfield found out this was just a comic book, and they didn't really exist. Homer said "If I don't exist, can I still eat donuts?" That one cracked me up. I guess, now, you can see why I like Homer Simpson so much.

For those of you who are fans of the hit television show "The Simpsons", you are probably well acquainted with the legendary "Treehouse of Horror" episodes that have become a Halloween tradition. These episodes have proven to be such a seasonal favorite that Groening and the gang have decided to dish out even more tales of terror in "Bart Simpson's Treehouse of Horror: Heebie-Jeebie Hullabaloo".

Hullabaloo is a collection of comics and sketches that cleverly capture the humor and style of the Simpsons Halloween specials. Much like the television version, the main stories in Hullabaloo are parodies of famous horror films. The first story in the book is a parody of the classic horror film "The Blob". In the sketch, Simpsons character Sideshow Bob takes an experimental treatment that transforms him into "Sideshow Blob". Seizing the opportunity to take revenge on his nemesis Bart, Sideshow Blob squeezes out of prison and wreaks havoc on Springfield.

After Springfield is saved from "Sideshow Blob", they barely have time to recover before Lisa becomes possessed by the evil spirit of Madonna in "The Exorsister", a combo-parody of the infamous "Exorcist" and the even more infamous Madonna. The book continues with additional parodies of films such as "Little Shop of Horrors", "The Invasion of the Body Snatchers", and "Cat People".

In between the main features of the book are a plethora of comics, guides, and stories hosted by and featuring an assortment of Springfield characters. One of these guides features everyone's favorite slack-jawed yokel, Cletus Del Roy. Cletus presents to us "A Yokels Guide to Halloween" which teaches us how to celebrate Halloween like "Edgar Allan" Poe white trash. Another extra features Bart's "Guide to Low-Budget Costumes" which shows you how to cheaply transform yourself into horrid monsters such as "Vaselino, The Thing That Wouldn't Dry". You'll also find the story of "Elijah Dunn and the One-Armed Nun", Evil Dr. Burn's "Goodtime Servant Factory", "Springfield in Hell", and much, much more.

Hullabaloo is colorful, fun, entertaining, and just in time for Halloween. The comical cast breathes sarcasm and humor into favorite horror classics. If you are a fan of the Simpsons and Halloween, then this book will not disappoint you.

I'm a fan of the wonderful Brady Bunch sitcom and some of the made for television reunion movies so I bought Elizabeth Moran's Bradymania book and I liked it and thought it was interesting and fun. I loved the episode guide which was actually the main reason I bought it but I loved all the rest of it too including the cast biographies and I highly recommend this book and also Growing Up Brady which was written by Barry Williams who played Greg Brady.

After reading Bradymania, I bought the book for friends that I knew would get a kick out of it! I even played a trivia game with friends and family, utilizing the Bradymania book as my source of questions about the show!

In terms of spinoff coverage, this is the best I've seen so far. While they're not the focus of the book, Moran does talk about each one in more detail than anyone else so far. There's no episode guide for the spinoffs, but I suspect the problem there is availability. I bet a lot of us would do our own episode guides if we could just see the shows again, uncut!

Moran's book also talks about the stage show, and speculates about the "upcoming" (at the time!) theatrical film, the first Brady Bunch movie from 1995. Moran was shooed away from the ultra-high-security movie set in her quest for tidbits!

I have yet to find the true ultimate Brady book. Like the rest of the Brady books, the episode guide in this one could be a lot plumper. But Moran's book is a good balance of character trivia, actor trivia, producer trivia, episode trivia, etc. Read every word, and you just might pass the trivia challenges at the end of the book!

You can find more in-depth actor trivia in "Growing Up Brady," and good "outside-world" trivia in the "TV Treasures" book. However, if you are looking for a little of everything, "Bradymania" will do the trick.

Elizabeth Moran did her homework. The famous TV show which first aired October 3, 1969 accumulated a lot of trivia, and Moran found most of it,

It is as if she read every Brady Bunch fan site and spoke at length with every Brady contact.

I'm not a Brady collector, and found "Bradymania!: Everything You Always Wanted to Know" to be an entertaining book about a show I grew up with.

Learn about every episode, the careers before and since the show (including Oliver and Sam, and even 'Tiger the Dog' and 'Fluffy the Cat'). Incidentally, there were as many as 36 cats (all named Rhubarb) that may have played Fluffy.

There are sections on how the actors became Brady kids, how they were schooled on the set, how they relaxed, and why the show was eventually canceled.

Anthony Trendl
editor, HungarianBookstore.com

I know this book is much more reliable than Barry Williams' often untrustworthy Growing Up Brady book. The GUB book has in it's original edition about 32 careless mistakes! In it's revised edition it has about 15! Buy this book by Moran instead!

As another reviewer already said, this book is obviously a labor of love. The author went to a tremendous of amount of effort to get interviews from dozens of the surviving Burlesque trooper, whose histories and stories are engagingly told in this book.

I happened to see the book in a used bookstore, and picked it up just for fun. I didn't know anything about the subject, and was surprised at how much there was to know. For example, one of the women points out that back in those days, they didn't have the elaborate production numbers that they do now, and so just simple talent had to carry the brunt of the show, and she's generous (unfortunately I don't recall her name) in saying that the whole cast was just packed with talent and everyone in the show was usually very talented, so that usually wasn't a problem.

I was so naive about the subject that I didn't even know that women were appearing on stage in such skimpy costumes back then. :-) I thought it only happened in photos taken in shady back rooms for rags that were circulated to a small but discrete clientele. Until Playboy came along in the 50s, you didn't this kind of nudity anywhere in print, at least in a widely circulated publication. But the women here are easily the the peers of those from the famed silkscreen magazine era.

But even more than the visual titillation aspect of the book is that the stories of these women, who were true pioneers and unappreciated until now in many ways, are being told for posterity. Also, some of the men who were important to the period are profiled too. Overall, it's a fine book on what was a bygone and almost lost age of the stage and theater that finally seems to be getting some of the credit it deserves.

And as for the reviewer who gave the book a low rating because he works on Broadway and thought the book should have mentioned the new Burlesque revival, and that the book was just the author gushing about shows she'd never actually seen hersellf, well, stop whining. The book is about the old Burlesque, not the new stuff. And as for not having seen it, that's pretty much the nature of history, since most of it wasn't seen firsthand, anyway. And if you want a book on the new revival, then go write it yourself. Some day someone will be saying the same thing about you.

Just noticed that there are some copies around for used prices on this insanely well-done hardbound. I paid a lot more and if you're looking for some vintage burlesque history of real performers, begin here. Briggeman clearly states how and why she undertook this search; this isn't a working author, she approached it as a fan, a researcher and hit a bull's eye. And if you can scarf one up for a good price, grab it for a fascinating read.

No Virginia, this isn't neo burlesque: here are the roots of the original bump & grinders who paved the way for today's performers who now cross into new media, post-feminist stuff and are more rock stars than many rock stars: today's performers owe a major bow to the subjects in "Burlesque: Legendary Stars of the Stage" and as a labor of love, this proves that a well sought-out and researched project like this can transcend its original goal. "Burlesque" humanizes the performers behind the glitter and, sometimes, grime of a lost era. for the Bettie Page fans and Brown and Bigelow pin up fans along Elvgren's alley, a tip o' the Hatlo hat to a book well done. could it have been heavier in one way or another? Sure: any subject like this is a jump into the deep end of the pool. There's a lot more to cover, but that's not the point: finding real, breathing people and hearing their stories was and is the point. Great vintage photos make it a time trip. And like so many art forms that were reviled by upper class, burlesque, baseball, comic books and rock and roll are spawned by commonality and drew from their working-class roots to become the color in a grey society. This books rocks: what an homage and how well it is done! Kudos!!!

I'm glad to have it in my library; I envy the author in her numerous encounters with the real, working performers who, in their own stories, are now legends. True stories; real people. Bless Briggeman; bless her subjects.

This book is full of wonderful memorabilia, but it's a little weird that the author doesn't mention, or never has heard of, the neo-burlesque movement that has sweeped America and parts of the World. Rhapsodizing about performances she has never seen seems to be her way of romanticizing the past. There's no denying the book has wonderful photos, and the author's collection is full of amazing items. Even if she doesn't like the current burlesque scene, it's something she should comment on. Even the NY Times has written about the current burlesque revival! Nowhere does she mention Teasorama, the NY Burlesque Fiestival, or Exotic World, though she talks about the Museum. It's a flaw in an otherwise entertaining book.
Caveat: I am very much a part of the NY scene, stage managing and helping in a variety of shows, so perhaps I'm prejudiced.

I just heard this book, "BURLESQUE: Legendary Stars of the Stage," won the 2005 IPPY Award in the Performing Arts catagory. From what I've read, over 2200 books were submitted by over 1500 Independent Publishers...and this book was judged to be the best in its catagory. That's all I need to know; it tells me this is a good book--perhaps considered a collectible due to all the photos it contains. The book also preserves at least a small piece of burlesque history; written by someone who has gotten to know many of these old-time performers in their later years. It's a book worth owning!

Slipping behind the scene, author and founder of the Burlesque Historical Society, Jane Briggeman,draws the reader into the dressing rooms and personal lives of the woman and men of burlesque.

Peppered troughout the book are beautiful photographs that show lots of curves, georgious gowns and costumes that bring the art of the dance into the readers mind.
Jane Briggeman covers all the ground from men performing baggy pants comedy to the burlesque stars and big production shows.

The author writes about burlesque's high popularity as well as its low periods when threatened by repressive times. Her impressive collection of burlesque memorabilia would be a welcome addition to any writers research library. Briggeman reveals heart and soul in "Burlesque". The size of the book and the attractive high gloss red cover makes this a very classy coffee table conversation piece. Go out, buy the book and have some fun, it's a very exciting read.

This book is jam packed with great information! As the parent of child actors, I wanted to get the scoop on what casting directors are thinking. On auditions, parents wait in the reception area while their kids meet with casting directors in a separate area. Most of the time, the parents do not meet the casting director at all. So I never really get to see how the process works.

By reading "Casting Qs", I got all of my questions answered, without having to nag my kids for info! The best part is that even after reading the book from cover to cover, I can go back use the book as a reference if my kids have a meeting with one of the CDs interviewed. I think that this book is a MUST READ for any parent of a child actor, seasoned, or just starting out. I wish that I had read it even sooner!

With all the research that has been done for me in this book I've been saved a lifetime. I've just started utilizing some of the words of wisdom gathered and have a new perspective and energy on the industry because of it.

Bonnie Gillespie's "Casting Qs: A Collection of Casting Director Interviews" is the most important book to have on hand if you are an aspiring actor in the entertainment industry. This book has been referred to numerously by myself and my daughter, a child actor. Bonnie's format is non evasive yet to the point - a perfect blend of insight for a new person to this business or a seasoned professional. This book should be in the hands of everyone with a true passion for "making it". Each Casting Director that is featured offers an enormous amount of hits and misses to their daily grind. Anyone wishing to embark on this business would be a fool to ignore the straightforward words from these top casting directors....I give it two thumbs up...but if you ask our whole family (immediate and who have read it) WE give it 10 thumbs up!!!

Bonnie Gillespie's book "Casting Qs" is a totally invaluable resource if you're an actor in LA. Every actor needs a leg up and every casting director is different - how great to have a resource that allows you to differentiate yourself while appealing to the Casting Director's own sensibilities! I go to this book every time I read for a new casting director, and also for ideas on how to gain access to casting directors I don't know yet. It's not what you know, it's who you know - so why not learn how to know the people you need to know? This book helps you do that. One casting director says flat out to send in your headshot with Casting Qs on the outside of the envelope, he'll know you know a little bit about him and he'll take a look at you. I took him up on the offer, and he's serious! But you'll have to buy the book to find out who.

The most fascinating book on auditioning that I've ever read. Nearly 100 casting directors share their thoughts on what they like, hate, and everything else that falls inbetween. The most incredible aspect of it all is how often the casting directors say the same things.

I learned things in this book I wouldn't (and couldn't) have possibly learned without it.