Television Books

My Name's Friday is an enjoyable romp through the world of Jack Webb. From his days portraying hardboiled radio detectives Pat Novak and Johnny Madero to Hollywood Success, Failure, and a big comeback, Friday takes us through the highlights and lowlights of Webb's life.

Michael J. Hayde comes to the book with a great deal of respect for Webb and his work, which is an essential element in a work such as this. Hayde's work first and foremost is a Webb fan book. He gives a synopsis of each of Webb's movies and then provides a critique of them. While appreciating Webb's contributions, Hayde spares no criticism of the late 1950s Dragnet episodes, Pete Kelly's Blues, and other less than successful Webb projects. While I don't agree with all of Hayde's criticism (I loved the "Night School" episode and he didn't), his criticisms are reasoned and measured rather than spiteful. Whatever criticism Hayde has for Webb is mild compared to the well-deserved critique he slams down on the 1987 Dragnet movie with Dan Akroyd.

If there was one criticism I'd had of Hayde's book, it was where he went from TV fan to armchair psychologist, buying Webb's statements that he didn't miss having a father around as a youth. I actually after reading the book and of Webb's difficulty letting himself act believably on screen particularly in romantic scenes, as well as history of broken marriages might not have been influenced by never having a father around. Kind of off-topic from the subject of the book, I know. However, if one is going to engage in psychology, it shouldn't be done haphazardly.

Still, the book is incredible fun as a fan resource and provides a rare glimpse at a radio and TV genius that's been typecast as a stiff clown. Read it to recapture a vital part of America's television history.

This is an excellent book. While not a true biography, it does take a look into Webb's personal life because Webb was such a workaholic that it had an effect on all that he did and who he was.

Unless you're an old time radio fan like me, you may not know that Webb started early and young. He had many outstanding shows before Dragnet and even Dragnet started in 1949 on radio. For a while, it was on both radio and television at the same time.

Webb was in many ways a brilliant man. Yet he had many failures --- both in his business life and certainly in his four marriages.

To say he was an interesting man may be an overstatement. But his body of work is so extensive, that one has to be impressed.

I started to become interested in Webb when looking for metaphors for my own writing. I didn't want to use stuff that everyone knew. And I kept hearing them on his old radio shows --- especially the ones written by the incredible Richard Breen.

I liked Webb's delivery and unemotional approach to acting. In most people, that would be considered bad acting. But somehow with Webb it was something special.

This book makes Webb and his entire career, his stock of actors and his many incarnations come to life. While his life was short, he accomplished so much.

Dragnet started on radio in 1949 and still today, in 2007, I know of no one who doesn't know what it means to hear, dum - de-dum -dum. And few people do not know of Dragnet and at least seen it on television. To me, that's amazing.

This book dwelt mostly with Webb's body of work and not his personal life or his personality. It does deal with it to some extent. But if you're interested mostly in that area of Webb's life, you might prefer another book.

The book has an excellent and exhaustive appendix that included a list, along with dates and other valuable information on each show on both radio and television. The appendix also includes other valuable informations. Well worth saving.

For Dragnet fans and Webb fans or those who are interested in radio and/or television history, this is a must-read. Oh, it has lots of great photos too.

Highly recommended.

I found this book to be an OK read. The only problem I had was that toward the end the tone of the writing shifted as the author sought to be a Jack Webb apologist. There are excuses made for the way the Dragnet of the 60s portrayed drug users, and there's almost an indignant tone taken over Dragnet spoofs such as the Dan Ackroyd film and even Nick at Nite promos!

The reason the Dragnet of the 60s became such a ripe ground for spoofing (besides the rapid fire patter) was indeed the portrayal of drug users. The series basically equated marijuana use with LSD and heroin, which is a laughable premise. The author's defense of the "Blue Boy" episode was particularly humorous. I remember seeing one of the participants of the drug party in that show actually physically trying to climb the walls. Talk about heavy-handed and unintentionally funny!

That said, I still found the book worthwhile reading, I'm a fan of Dragnet, both for Jack Webb's innovative style of shooting and the campy humor. It was interesting discovering things about Webb's radio show and some of his films that I had not previously known. I was easily able to overcome any minor annoyances with the tone shifting at the end.

I bought this book expecting fluff based on the reviews. I am a big fan of Dragnet the radio show but did not think the book would cover much of it in depth. I was wrong. Although it spends more time discussing the television series and movies, I was happy with the information on the radio show.

This book details the Dragnet radio show, both Dragnet television shows, and Mark VII movies. It does this through the central person in all of these productions, Jack Webb. However, the reader also learns about the regulars on the shows, and we get to know a bit about them as well.

"My Name's Friday" does not claim to be a biography on Webb and if that is what you are looking for, this is the wrong book for you. If you are looking for a bio of Jack Webb, there are many other books that you would probably enjoy more. However, If you are interested in the multiple incarnations of Dragnet and Pete Kelly's Blues, this is the book for you.

In addition to the main text, the appendixes include titles and brief descriptions of each Dragnet radio and television show in addition to police terms used in the shows and movies.

This is a must if you are collecting the radio shows, original TV series, or the '67-'70 version. A lot of the 50's series is on DVD, but they are scattered on all sorts of compilations. This book helps keep track of what you've got. I particularly enjoyed hearing from the extras that Webb used religiously.

But beyond Dragnet, there's a lot of interesting stuff here, how Webb was a jazz nut, including his foray into recording with his spoken-word "You're My Girl" album.

I think it's very interesting how he worked with ex-wife and her husband on Emergency! Many paramedics credit Emergency! with inspiring them to join this service. He obviously loved police and emergency services and his hometown. It makes you wonder, if Webb had lived, what his creative reaction to say the LA riots and the OJ trial would have been.

Etta James has lived a wild life, and she lays it out unvarnished in Rage to Survive. Plenty of detail about what the music scene was like during her formative years, and she pulls no punches when discussing her bad habits and mistakes. Refreshingly straight forward and entertaining. I highly recommend reading this.

I, Tina; Don't Block the Blessings by Patti LaBelle, Bobby Womack, Pryor Convictions (Richard Pryor), Super Freak (Rick James) and The Etta James Story have been some of the most TELLING books that I have EVER had the pleasure of reading.

I personally prefer when an artist joins with their OWN writer and composes their OWN story, instead of waiting for someone else to do it, only to wind up in court desperately trying to refute the ill-refuted claims gathered by 2nd, 3rd and 4th-hand witnesses to something they heard told to their 3rd cousin twice removed.

I agree with Etta, your only TRUE judge in this ball of confusion is God, so why should you apologize to anyone else? Why not put it out there for everyone to finally snicker, whisper and gossip about, and then ultimately get over?

This book is only a grave reminder to everyone who has always looked to "Holly-WEIRD'S" version of a "hero", that perhaps it would be best to look a little closer to home.

Celebrities are only humans, too. Try looking up to the everyday, ordinary people that you see delivering your mail daily, pulling over drunk drivers, extinguishing fires, teaching your children, preaching to your families and saving your loved ones~~instead of people who can never vote (because they're felons), don't own property or their own vehicles, and are barely able to do a better job than YOU at child-rearing!

the book is great to read it came in very good condition not dirty or torn or bent.

With odds stacked against her in every direction - including personal resistance to success - Etta manages to not only survive, but thrive & inspire!
Stories of the early days of motown, touring, & musician swapping is exciting and nearly incestuous (so many huge names in music ran the same circuits, competing for musicians, songs, gigs & label attention).

The title of this book, Rage to Survive, is very well chosen, hinting is at does to the French phrase "rage de vivre," rage to live.

I grew up with Motown, Aretha, and Otis Redding, but never heard of Etta James until I was over 50! The singer I know only thanks to YouTube, but what I heard there was so talented it's almost scary: soul and blues, sure, but also country and jazz. I suspect that her drug addiction in the late 50s and early 60s led the publicity industry to shun her. (It was only starting in 1968 that one could do drugs and not get the silent treatment.) I know that this is an "as told to" book, but how many soul musicians have bothered to write any kind of memoir? This book deserves to become a classic of its kind.

Amy Weinhaus sounds fresh and interesting only because Etta James is so little known. Weinhaus's career may be over, and she probably won't live to see 30. James is 71. If I am right, Weinhaus will never have a child. James performs with her sons. Etta, you are one tough momma...

Michael Troyan has a gift for biography. I hope he can collaborate with Turner Classic Movies to produce a video on the life of Greer Garson.
This book makes me wish I could have known Greer Garson. She loved and respected her mother, she loved her husband, she loved children and orphans and the disabled and disadvantaged. She loved her dogs, ranching in New Mexico, history, and she loved Texas...makes me love her even though I never met her. Good job, Mr. Troyan.

Michael Troyan has done a wonderful job of putting together an informative and enjoyable biography on a fascinating subject. In fact, I found the book so delightful as to find it to be one of the best biographies I've ever read.

While there is no doubt that the charming personality of Greer Garson herself that radiates throughout the book has helped in the formation of my favorable opinion, I give much-deserved kudos to Mr. Troyan for being able to present his subject to the audience in such a friendly manner. By that I mean that throughout the pages, I could feel the presence of Greer Garson, and after having finished the book, felt as if I had just finished reading a letter from a long-time friend.

The first half of the book, which deals with Greer's childhood, life in Britain as a stage actress, and the later move to Hollywood, is generally a smooth and easy read. The toll of the grinding studio system and the competition involved for the popular actresses of the time are keenly felt and one can get a very good idea of the kind of position the actress was in at the time. Eventually though, talent perseveres and success follows. Detailed and interesting accounts of each of Greer's films are available and are a joy to read.

The latter half of the book is a particularly refreshing read because of the relatively vast amount of information about Greer's later life outside of Hollywood. Personally, I had not previously been aware of her various activities and hobbies and learned a great deal more about Greer Garson than when I first started out. A sign of a good biography is new information, and this one certainly has its fair share.

Now, all other traits aside, the most notable accomplishment of this work is that it does not read as a stiff, dull and fact-driven thesis paper, which is a pitfall that so many biographies of this kind can fall into. Rather, it is an intimate yet respectfully distant portrait of a lovely human being who was also a remarkable artist in her own right.

This book on Greer Garson I highly recommend. It's very balances and tells of the good and bad times in her life about her career andher fmaily. Though i must admit I wished it had mentioned more about her interests and personal life off screem. But overall it's really well written and interesting book about alovely screen actress. Greer Garson really had class
and a wnderful grace about her in all of her films

Modern actors and actresses don't seem to have the charisma, style and elegance of yesteryear's stars. Maybe that's because most of today's actors are really nothing but pitiful celebrities striving to be what once was, when Hollywood was golden.

I long for yesterday when it comes to film stars: Betty Davis, Myrna Loy, Katherine Hepburn Ginger Rogers, and so many more. Oh, yes, and that includes Greer Garson. The beautiful and talented woman we thought was born in Ireland in 1908, was really born in London in 1904.

Author Michael Troyan delves into Greer Garson's life, as much as anyone could, given that she was an extremely private woman. He carries you through her intense desire to succeed as an actress, her `discovery' and career struggles to resist being typecast, all the way through her marriages, and to her death on April 5, 1996 at Dallas Presbyterian Hospital with Van Cliburn at her bedside.

I'd always thought of Ms. Garson as a brilliant actress who could get any part she wanted. I had no idea of her struggles with Metro-Goldwyn-Mayer. One of my favorite films is the record-breaking "Mrs. Miniver." I get chills thinking about her Academy Award-winning performance.

And while it felt a bit like voyeurism looking in on her life, I'm glad I visited it through Troyan's eyes. It was a satisfying trip. And the author did a marvelous job showing us a small part of the woman who was Greer Garson.

For a compelling look at one of the best actresses to ever grace the stage, big or small screen, read A Rose for Mrs. Miniver: The Life of Greer Garson.

Armchair Interviews says: This is a wonderful slice of our American film history.

An excellent read if you're into details. For me, the details got a little overwhelming, but I so much wanted to learn more about this actress that I admire greatly. Sadly, as the author himself stated, it was difficult to write a biography because Greer Garson was a very private person and did not give many interviews or express many personal opinions in public. However, he richly details her movies, her public service, and others' opinions of her (and a good name is more desirable than great riches; to be esteemed is better than silver or gold). I have always enjoyed watching her many films and am tracking down as many of them as I can on DVD so this made for a fine addition to my collection of her work. I enthusiastically recommend this book to anyone who enjoys reading and loves any of her many films.

Tarkovsky's 'Sculpting in Time' offers a fascinating glimpse into this master's theoretical and poetic approach to his craft. Reading it alongside with 'Time Within Time', his diaries collected, the text casts a new light upon the work and mind of this artist of truth and sacrifice - A true must for art lovers worldwide.

If you want to find out how to make a movie, this is not the book for you. On the other hand, if you're one of those who believe in the transcendental power of movies to reflect on humankind, to change it, this might be the single most powerful book on aesthetics ever written by a filmmaker you'll ever find. I say "aesthetics" because he's talking about art, in general, and not only about films. It's sad, but Tarkovsky might have been expecting a longer life, maybe another couple movies when he put this book together, but he died just afterwards.

I was introduced to Tarkovsky's work about 20 years ago during my time in film school, and The Sacrifice was the movie that turned me on to his outstanding cinematic legacy. The more I saw, the more I wanted to learn about the artist. Then I came upon Sculpting In Time; a cinematic memoir which has forever changed my life, and my artistic visions.

This book is nothing short of inspirational. I highly recommend it even if you are not familiar with Tarkovsky's work. Each chapter is loving written, eloquently detailed and profoundly insightful on topics such as the importance of sound, story and visual aesthetics in filmmaking. Tarkovsky's ability to, quite literally, sculpt cinematic moments in time in each of his films is nothing short of genius.

Thames & Hudson have triumphed with what collectors might regard as a limited edition, artist's book.This isn't the place to start chipping into Tarkovsky. It is more the devotee's piece - a touchstone which alludes to the magnificent ediface of his films: all which return the viewer to their world with a deeper, more spacious vision, an expanded present moment. In 'Rubelov','Solaris', 'Stalker', and,'Sacrifice', to name my favourites, he re-invented the epic with sustained inquiries into our transience without heady verbalism or vanity. To grapple with his own thinking about his achievements and how he positioned himself as an artist, one should seek out,'Sculpting In Time,'penned towards the end of his relatively short life. Recently, French documentary-maker, Chris Marker('Sunless') compiled a stunning homage to this Russian cinematic master. Bits of Tarkovsky's aforementioned book, and excerpts from his diaries appear with the reproduced polaroid snaps(the present book's theme)which fall into two geographic zones, Italy & Russia and are bookended with short tributes by two Italian friends. Every effort has been made in layout to convey the darkened atmosphere in which the illuminated materiality of these world's float to the viewer's eye. And in images barely larger than matchboxes this scale has some of the hallucinatory power of his movies. The layout & medium insist on episodic, fragmentary framing. Tarkovsky's films privilege the same exquisite framing with a sensual appetite for textures above narratives that makes us feel newly arrived at a primary experiencing of the world. These polaroids could have served as his flexing towards film projects: even their outtakes.

"Sculpting in Time" is truly an amazing work of art in its own right. Certainly filmmakers have written books about their artistic styles in the past. Philosophers have written elaborately on the subject of aesthetics as a whole in the past as well. And yet "Sculpting in Time" offers those with aesthetic interests something truly unique.

It should be forewarned that Tarkovsky, like Ingmar Bergman, was heavily interested in aesthetic philosophy. In fact Tarkovsky's ideas regarding art borderline the metaphysical (as this book is often used in higher level philosophy classes), and yet - through the tone in which the book is written - "Sculpting in Time" manages to appeal to the average Tarkovsky or cinema studies fan in such a way that no other aesthetics book has managed.

Tarkovsky's self-written "Sculpting in Time" is an amazing supplement which describes the brilliant filmmaker's use of filmic techniques but also goes a step further by explaining (at great length), why the filmmaker believes those techniques are significant. The value of his tried efforts to create a meaningful work of art directly relate to Tarkovsky's view of art as a whole.

Tarkovsky's views of art are complex and yet are reiterated for the reader so simply they stand out in "Sculpting in Time" like a gem. For instance the underlying theme in Tarkovsky's writing is the idea of an "absolute truth" of art which can be derived a given piece of art. Without giving too much away, Tarkovsky's beliefs, as expressed in his chapter "Imprinted in Time" mostly, is simply that art done for the right reasons - containing some form of objective truth within it - serves to link us (subjective beings), with an "absolute." From that blooms Tarkovsky's entire creative aspect fans of his films know and love him for.

I have to recommend this book to anyone interested in aesthetics, cinema studies, or Tarkovsky. I think this is a nice supplement to have when watching Tarkovsky films as well, so it might just serve to spark the interest in a philosophy buff to check out a few Tarkovsky films! Enjoy!

A great book. Shows stunning photos of the TV show "24" being filmed for seasons 1-3. I highly recommend it for any true "24" fan.

Excellent content for 24 fans, from Season 1 to Season 5, with plenty of professional pictures of very high artistic quality, to get insights into the show cast, crew and into some of the most challenging scenes.
You have a look at off screen actors relaxing and having fun while waiting for the next shot or discussing about it or trying to focus on their lines.
Finally you feel the strength of that "24 family" Kiefer Sutherland writes about in his nice foreword of the book.
Also excellent quality of the editorial format.

Get this book. Especially at the price, you can not go wrong. If you are a fan , get this book. If you've never seen 24 before, watch it , and then get this book.

I have become an avid "24" fan and really loved this book. I highly recommend it to any fan of "24".

Loved the book - came with a CD which I haven't seen yet. Unfortunatly I read it all in one day - but it is great to get a glimpse of how they put together this amazing show and a sneak peak at all the interesting people that make it work so well.

This book's meticulous scholarship started a welcome trend for "shot-by-shot" analysis of moviemaking.

Psycho is known for many things, but among them is Hitchcock's determination to use techniques he learned from television production. For a creator and adherent of "pure cinema," this special discipline makes the movie all the more notable.

What a series of paradoxes. The famous shower sequence is cited over and over again as one of the best uses of cutting and montage, and yet classic 50s "two-camera" TV shows would never dream of this approach. Too expensive and time consuming.

The usage of black and white - again classic 50s TV - actually enhances rather than diminishes the horror. As with old-time radio, the viewer has to fill in the lurid colors of blood and gore with her own imagination.

The cover says that this film started a trend toward "psycho thrillers." I suppose that this is true, but it accomplished much, much more than is acknowledged by the mediocre films that followed.

What an intelligent, readable, informative book this is. Full of insights about the personalities of Hitchcock, Anthony Perkins, Janet Leigh, and all the other collaborators in this important and usual film project for everyone concerned. What struck me most about the book is the author's ability to blend his thorough research with a sense of the psychology and drama of what goes into making a movie. I'd have to agree with the reviewer who said that Rebello made reading this book nearly as entertaining as the movie itself. That's quite a feat. What I want to know is when will Mr. Rebello give the royal treatment to other Hitchcock projects as well as films by other directors.

I found this book to be just wonderful from start to finish. The research is painstaking, the writing smart and lively, the degree of film industry know-how is evident on every page. In fact, the book strikes me as one of the few I've read on Hollywood to suggest that the writer actually knows his way around movie sets and knows how films get made. This book has none of the absurd (and insulting) armchair psychologizing that mars other Hitchcock books and there isn't a dry or pedantic paragraph in it from start to finish. I thought I knew a lot about Hitchcock and Psycho until I read this book. A job obviously undertaken with love and wisdom, superlatively done by Mr. Rebello. I had the pleasure of hearing the author lecture on Hitchcock on TV in London and in Tokyo and he was the standout of the whole affair!

This book is about as in-depth as you could want, but very interesting and good reading. Stephen Rebello begins at the beginning with a rather revolting chapter about the psychotic killer upon which Norman was later loosely based. (Don't let your children get a hold of that chapter!) He then talks about the man who wrote the book "Psycho", and on to Hitchcock's discovery of the book and the making of the movie. There are chapters and sections on practically every aspect of the movie and the making thereof - cast, costumes, shooting, casaba melons, publicity, and the aftermath. At the end there is also a list of the entire cast and little paragraphs about what became of them after Psycho.

This book is very good if you are a fan of either Psycho or Hitchcock in general, because in telling about Psycho the author tells a lot about Hitchcock as well.

For the true fanatic, or just the curious, this is an immensely
readable account. Far, far more interesting and enlightening then
any of the turgid, pompous academic treatises on Hitchcock that
pollute bookshelves everywhere. As definitive a reconstruction
of how PSYCHO - or any movie, with a few exceptions - was put
together. However, I suggest Mr. Rebello is overdue for either
an update
(though this reprint's front and back cover is definitely an improvement over the original),
or a companion volume.
For the completists, I suggest:

1. More production and cast stills.
2. Saul Bass's storyboards.
3. Interviews and/or photos of Marli Renfro, the actresses
who provided the voice for Mrs. Bates, the diminutive woman
who stabbed Arbogast. Other cast interviews.
4. Documentation on PSYCHO's aborted CBS broadcast of 09/66
and its subsequent showing in 06/67 on ABC - the edits,
and when it was finally shown complete.
5. Information on the sequels, and Van Sant's "recreation".
6. Full descriptions of deleted scenes from the original.
7. Some of the less inflated analysis on its symbolism, etc.
8. Most importantly: a cue by cue evaluation of Bernard Herrmann's magnificent score, including its unused parts.

Ok, Mr. Rebello, make it happen.
Until then, anyone who is at all fascinated with how an American
cultural landmark came together, (Yeah, I know, like Hitchcock used to say, "Oh,it's only a movie!")
GET THIS BOOK!

This is THE best scrapbook in the wooooooooorld!!! What can I say??!! I'm obsessed!!! Along with the two albums this is wicked...JUST BUY IT AND DROOL OVER NOAH aka CHAD!!!... R.I.P Michael Cuccione xXx

This is the ultimate book for the ultimate 2GE+HER fan! Although I got a book that only had 92 pages - and I think I'm missing the last 4 pages of the book because it suddenly ends. But anyways, this book is hilarious and is filled with various trivia about the guys! QT can't write, Jerry was born without a jaw, Mickey wasn't always a gangster, Chad's blue eyes hypnotize, and Doug wears a balding toupee! A book that's definitley worth your money.

I love this book but the person that I bought it from ripped me off. I am totally pissed about this. Someone took out 4 pages so now I have 92 pages. I was supposed to have 96! Damn con artist. I still love 2gether though but I need to know what I'm missing in those 4 pages.

2Gether is the best musical grop and will always be the best, there cd's are funny, and good, whenever I have a bad day I put in one of there albums and it makes me feel better. The guys of 2Gether are talented, cute, sweet, and adorable. Noah is my favorite member and he sings beautifully and I love him with all my heart. I would like to say R.I.P. to Michael Cuccione, he was a brave kid until the end, he's a great singer, actor, and he is defintly a role model to all people. I will always love you.

This is one of my favorite books! I do enjoy "real" literature, novels, and that sort of thing -- don't get me wrong. I just think that this is written very well and it's extremely hilarious. You find out stuff about these guys that you've never known before. For example, did you know QT really couldn't write? He signs his name with an X! Never before seen pictures of all the guys (ever wonder what Doug's high school yearbook pic looked like?) are included, too. A little bit of old skool Whoa! is in here as well. If you ever watched 2Gether, this is a great book to have! Besides, it's cheap enough. Give it a shot. Or else Chad will cry.

Well written, and chock full of excellent information on the making of Combat!, the stars (especially Vic Morrow, who WAS Sgt. Sanders), the story lines, directors, ground-breaking filming techniques, etc. For anyone who understands how far ahead of its time this program was when it aired, this book is a must.

This publication is a must have for the discriminating fan of Combat! As the title states, it is a true "Viewer's Companion to the WWII TV Series". Author Jo Davidsmeyer provides an indepth and detailed look at what I consider one of THE best television series ever! A perfect addendum to Combat!, the complete series.

This is everything you could want as a fan of the show. The author does a great job of giving us a reasonable amount of insight to move us from season to season. This blended nicely with the information about each episode.

I wish there had been a bit more room to expand the information about each episode, but, then again, I'd like to have had a bit more information about the participants lives outside of "Combat!". But I do understand the limitations publishers impose.

I would have preferred the author not to attempt to give each episode a rating (0-4 bayonets), or a least put this in an appendix. Critics can give ratings, but fans just really shouldn't try to tell another fan he's wrong (and charge them for it)!

There's nothing like an avid fan to author a great book to an already epic tv show. Jo's affection really lends itself nicely to the anecdotes given by the former cast members.
Also, if you're ever in the LA area, you can still visit Franklin Canyon where a lot of episodes were filmed. There's a road near the corner of Cold Water Canyon Dr. and Mulholland Dr. that takes you right there (can't remember the exact name,sorry). Anyway, the same trees and water still exist that were in the episodes (this is also the same place where the opening of The Andy Grifith Show was filmed, where Opie skips a rock across the water while the theme is playing). It's now a recreation area and is a nice place to hike and stow down a few beers...

This is a great book for all those fans of the "COMBAT!" TV show, produced in the 1960's. I highly recommend it if you have invested in the "COMBAT!" DVD's or if you just want to understand why this series was, and indeed still is, so popular. Ms. Davidsmeyer even included her hand written autograph in my copy!--A wonderful and unexpected surprise!!! Indeed, this entire book is "A wonderful and unexpected surprise! You'll enjoy it without a single doubt!

This book is an EXCELLENT source, full of complete information on film production. This is the most comprehensive and complete publication I have seen to date. No wonder it constantly sells out. I am glad I bought it. I highly recommend it.

Really good book. Full of excellent forms and useful tips. Great for your next film.

I offered this book to a friend who is into film production. He seemed to be really satisfied with the book content...

Eve has done a great job of encapsulating the logistical process of making a film. One could call Eve's book a filmmaking bible. No other book says it better.

Matthew Giovannucci
Student / Rockport College, Maine

My friend Mark Hansson wrote to me recently to recommend this set. Mark is a busy guy in `the biz,' having done almost a hundred films and TV shows, including episodes of Murder She Wrote, Fat Actress, Six Feet Under, as well as the features Dreamgirls and The Quickie (overlooked and much-recommended) - so his advice is key.

Turns out that Eve and Mark have been friends for a couple of decades, since they met on a film when Eve was a Production Coordinator. Mark read the first edition in galley form, long before it became a standard reference book at most studios and at many film schools. Eve's got another book out too - Hollywood Drive: What it Takes to Break in, Hang in & Make it in the Entertainment Industry.

While Hollywood Drive deals with more `esoteric issues,' this book is worth its price for the production forms alone: a CD Rom of almost 200 templates that can be customized and adapted for any film or TV show. Mark says, "I still use some of them today, such as the `Walkie Talkie Checkout List,' an active Word document that you can type into once it has been downloaded."

Eve herself has helped thousands of our industry colleagues, through classes and the group she founded - the Film Industry Network (FIN), which still meets once a month at Sony studios. Mark again: "I'm very proud of Eve and the second career she has found as an author and teacher. She's an extraordinary person. And no - I don't get royalties from the book!"

I don't get royalties either - in fact I bought both books right here on Amazon, and I am glad I did. The Complete Film Production Handbook is a must-have for any producer, director, or production manager.

I've spent countless hours and money pursuing my acting career before I running into this book at http://www.SuccessInActing.com I've overlooked many of the facts written about which could have saved me frustration, wasted effort, and money if I would have read this book first.

Michele Blood has written a magnificent book with all the ingridients to inspire you, educate you and put you on the right track to manifest the life of your dreams. Highly recomended!

I noticed that no African American entertainers or producers were interviewed for this book. Maybe Michele doesn't know any black folks - hmmm. HOWEVER, I do recommend this book for anyone interested in an entertainment career. It gives an important slant on how to find work in the industry. It approaches the subject from both a metaphysical and practical viewpoint. The interviews from people working in the field were insightful and valuable. I would have given the book a 5 if there had been more diversity. I believe the experiences of successful "minority" entertainers would have given the book greater value.

I learned these techniques from Rock last year and have attended his amazing seminars where industry insiders speak frankly about how the BUSINESS of acting operates. I have been in this industry longer than some of the other seminar attendees have been alive, and I have never heard anyone speak these eye-opening truths before. What a gift for any actor! Michele Blood is a beautiful little whirlwind of enthusiasm, bubbling over with love for the world. Both of these people are inspiring, uplifting and genuinely interested in helping people succeed. Among an industry famous for its charlatans, they prove that at the heart of Hollywood are beautiful people. If you can't attend their seminars - or even if you can - this book is a must-have. Oh, and I want to mention that in the last two weeks I have scheduled 5 auditions and one callback, and I am currently cast in four films which are in various degrees of development. God bless you, Rock and Michele.

I'm a metaphysical fiction and screenplay writer with a daughter who graduated from The American Academy of Dramatic Arts some years ago. How I wish this book had been available to her. The succinct, straightforward and highly useful advice in this book wasn't available then nor is it available elsewhere now. It approaches success in Hollywood, or in any business or life endeavor at all, from the two most important fundamental aspects - the outside and the inside - workable, useable business advice by Rock Riddle, and practical, amazing techniques for continually keeping your spirit and personal action pointed in the right direction by Michele Blood. What a terrific team! This book is a complete package, underscored by meaningful interviews with successful individuals who have intuitively put these principles into practice in their lives. The compilation of information in this book is truly astounding and shouldn't be missed by anyone.