Television Books

Upon rereading this recently, I discover many areas in which Niven's memory is faulty in recalling certain events. This isn't surprising, given the fact that he was writing his memoirs decades after said events took place.

Some are frantic to know who "Our Little Girl" could have been. It can only have been Vivien Leigh. No, she wasn't from Arizona, she wasn't a blonde, etc. This would have been Niven's way of protecting her identity by creating an entirely different look and background from Leigh's own. When Leigh had her famous breakdown, Niven stayed with her for two days until Laurence Olivier, who was still married to her at the time, could come from England. Niven writes about this very occurrence in "Our Little Girl", which helps to identify the actress as Leigh. He was good friends with both of them, which may be why he chose to hide her identity rather than to give it out straight - Leigh died years before the book was published, but Olivier was still very much alive.

Niven has a style that is very easy to read, very human, warm, and often hysterically funny. He shows us a Hollywood apart from the glamor, the opening nights of movies, the gorgeous people. His Hollywood is populated by real people with real faults. A widower himself (his first wife died as the result of a tragic accident), he treats the stories of Clark Gable and Fred Astaire, both widowers, with empathy and compassion.

Tricky memory notwithstanding, it's still a wonderful read.

What a treat! So refreshing to have someone as talented and connected as Niven share his uncensored experiences. The stories of Errol were moving beyond anything I'd ever read about him before. Everyone has sung this book's merits, I want to concentrate on "Our Little Girl". WHO THE HECK WAS THAT???? People are saying Vivien Leigh (came from Arizona, left her mother behind, had a baby, married a camera man, married three times, grew up in the Hollywood system, a blonde known as the Erector set?????) Vivien Leigh doesn't even begin to fit this description. Lana Turner seems most viable but these details do not fit her story either. Same with Rita Hayworth. WHO WAS IT???

I read both books at school in the eighties. I well remember coming across them at the back of the room in my English teacher's large bookcase. I don't remember much, just that they were a great read. Well his first time sticks in my memory....

There is another book about David Niven, titled The Other Side of the Moon. Its author is Sheridan Morley. You might want to read Mr. Morley's recitation of David Niven's life in order to get a more balanced picture. Bring on the Empty Horses is much more about the famous people with whom David Niven hobnobbed during his Hollywood career, than it is about David Niven himself. As to himself, Mr. Niven plays it close to the vest in his autobiography. Mr. Niven makes only a passing reference to the multi-year affair he conducted with Merle Oberon. And a mystery that was not addressed in the autobiography, or in Mr. Morley's book, is exactly how Mr. Niven's wife died. The story from Mr. Niven is that his first wife died accidentally by taking a fall while playing "hide and go seek" at a party at a friend's house. Oh, please! No adult, let alone the sophisticated glitterati of Hollywood, played "hide and go seek." I get the impression that Mr. Niven's autobiography presents a very calculated and sanitized image of himself and his life. But the stories his book relates of his Hollywood friends are indeed fascinating.

David Niven is an often neglected actor from the Golden Age, but as a man, he was very likable. This book is proof that the talented actor was also a talented writer. He discusses many different people and scenerios in this book, the title of which is derived from an amusing incident on a film set. He writes with depth and clarity; it is obvious he has really analyzed the people he mentions. His respect for fellow stars and directors is admirable, especially the malligned ones.

Here we learn that the "Goldwynisms" that Samuel Goldwyn is so famous for might have all been made-up. We learn that Errol Flynn was indeed a womanizer, but no rapist. We hear an amusing story about Edward Goulding's funeral complete with the worst pallbearer casting in history.

The oddest thing in the book is a short story in the form of a chapter called "Our Little Girl." I still am not sure why it was included.

I have always admired Marcia Wallace. Although I was not around to see the original broadcasts of the "Newhart Show", she made a permanent impression on me through the countless hours of reruns that I've seen over the years. She has endlessly been called a 'one trick pony' - inasmuch as she is only really known for one role, that of Carol Kester Bondurant on the "Newhart Show". And Marcia herself admits that she has never really gotten good reviews for any of her other work (save of course for the also iconoclastic Ms. Edna Krubappel voicethrowing that she's done on "The Simpsons" for years.) Nonetheless, the character of Carol was a significant contribution to television history. She was very much her own person, and Marcia's comedic talents made her unforgettable. Carol Burnett, a genius herself, has said that 'if you're too pretty, you can't be a comedian.' Such was the case with Marcia. No, she wasn't that attractive - but she had a perfect look that lent itself perfectly, even if it was only for that one role. She never even had to read for the part - she was hired instantly by MTM Enterprises.

Marcia's life has indeed been a rocky one - and the tone of this book is fine. She's a survivor and she isn't full of self pity. Despite the rags, she's gotten plenty of riches, which included a brief marriage to a man who was very much the one-and-only for her, and a great kid.
However, I think the book overly emphasizes her marriage, the adoption of their son, and her husband's subsequent death. Virtually no details are given about her work on the "Newhart Show", "The Simpsons", or much of anything else. And in that regard, the book is a disappointment.
If these things were added, it would be an absolutely killer book.
Hopefully someday a second edition will be done. Nonetheless, what is presented is a very enjoyable read.

Marcia Wallace-what can be said? She is a woman on the umpteenth wit and full of honesty, always saved from being too sorrowful with her God-given ability to bring humor to situations that would bring the regular person to their knees...but Marcia isn't one of those "regular" people. I love this book because it tells anyone, no matter what circumstances they find themselves in, with a bit of keen-sighted observations and an always open pot of humor, they can achieve all of their dreams one day at a time.

I just finished reading Marcia Wallace's autobiography. This is an incredible read. She opens the door to her life for us as if she were opening the door to her closest confident and friend. I laughed out loud at her many mishaps and cried during the deepest loss a person can experience. This is a great gift for anyone who has had cancer touch his or her life, and who hasn't. It is also a celebration of life, friendship and family. This is a wonderful gift to share with girlfriends of all ages.

This book is NEW YORK TIMES BESTSELLER material. Marcia Wallace's book is as deeply profound as it is silly. It doesn't matter if nothing or everything has happended to you in your lifetime, you will relate to the humanity in her stories.
The book is bursting with self empowerment and triumph over tragedy and it's one of the funniest books I've ever read.

Look, if everyone who wrote a memoir was a literary writer, would we all be devouring memoirs like we are? Heck no--we've already heard that story. Marcia's story is... well, it's not your typical, 'here's-my-life-as-an-actress' kind of story. Marcia acknowledges indirectly that who we are has a lot to do not only with where we came from but also what we've been through. And heaven knows, she's been through a lot. But somehow she manages to remain a genuinely sincere person who seems to have a rainbow hovering quite near her at all times--something I will now try to be aware of in my own life after reading her book. Unlike many memoirs currently on the market, this is not an outpouring of self-absorbed angst (as it would be if I were writing it). It's a riotous celebration of the absurdity of human life and the power of the human spirit to triumph against all odds. Marcia writes the way she talks, and she's hilariously funny. Buy this book and read it all the way through the next time you have a "life sucks" day. That's my prescription for happiness.

I bought this for my daughter who loves Dora books. This book has a bunch of great titles and was an awesome price ($5!). The only thing is that pages started to fall out within a week of getting it. I was able to tape them back in, but it was kind of disappointing.

My three years old daughter simply loves this book. I have been reading the book to her more than 20 times if it is not 30 times already. She has been bring the book almost every night for bedtime story since the book was came to my door (the binding of hardcover becomes wiggly already). I am enjoying her responses when I read questions in the middle of the stories, just like Dora asked questions in the animation series. The book is big and colorful and lines of story are just short enough to keep my girl's attention to the page. It is clearly my best book purchase I ever made for my girl.

These stories are VERY short, basic and not very interesting. BUT, it's Dora, so my daughters still ask to read them.

Bought this as a surprise gift for my 2.5yo dd for a long plane trip we were taking. She loved all the stories, and I felt there was a nice variety of stories included. Great for any Dora fan, as long as you don't already own many Dora stories (to keep from having duplicates).

My son likes Dora. He loves this book. I read it to him every night. Some stories are too short though.

A lot of info that a lot of people did not know about those little darlings. Very interesting, good reading, very well done. Thank You.

Excellent book....Leonard really digs deep to document and convey all things "Rascal". It's worth the purchase price.

Revised in 1992, Leonard Maltin and Richard W. Bann's "The Little Rascals" is a must for anyone who has enjoyed the antics of Spanky and the gang. The authors' exhaustive research and warm-hearted nostalgia is evident as they chronicle the history of these enduring comedy shorts. Along with biographies of the ever-changing cast and crew, the book offers a detailed critical analysis from the golden Hal Roach period (1922-38) to the sad decline at MGM (1938-44). It's the ultimate Our Gang celebration, with a treasure trove of rare photographs and publicity material.

I have been looking for this book for ages.Answers so many questions about all the Little Rascals.Some didn`t live long and very few are still with us.Being from Long Island I watched them on CH.11 on the Officer Joe Bolton Show every day after school.Kids today have nothing like them on TV.The facts in this book are fantastic and the pictures are great.If you love the Little Rascals buy this book.

The Little Rascals: The Life and Times of Our Gang is the most comprehensive book available about the popular short series. Leonard Maltin, longtime fan of both Hal Roach comedies and the Our Gang series itself, writes both intelligently and lovingly about the series with the help of Richard W. Bann.

This book opens with a short history of the Hal Roach film company and the Our Gang series.

Then, it leads to a collection of all of the shorts made for the series including the cast, release date, and highly effective synopses and analyses of each short. These are listed chronologically and noted according to ownership and distributor and silent and sound. Some of the silent have been lost, but they are not neglected. Instead, Maltin has used reviews from the time period to give the reader a sense of the short and an idea of its quality. Opinions are used, but they are obviously separate from the factual information and are supported by facts. They add to the effectiveness of the synopses and paint a more vivid picture of the shorts that are unavailable. What is also unique about this book is the listing of the MGM shorts that are often regarded as the worst quality episodes of the series. Skipping these films, although understandable, would have made this book far less complete.

Next, the spin-offs and pop culture effects of the series are addressed, including the Saturday Night Live spoofs of Buckwheat and the cartoon versions of the show.

Last, the book includes a brief history of all of the major stars of the series and a few sentences about the more minor players. Sadly, this section needs to be updated because of the deaths of the cast members after this second publication. However, the information that is included is accurate and valuable, as much of it cannot be easily found anywhere else, especially interviews.

One must also comment on the abundant photographs utilized in the book including rare publicity stills.

Overall, this is a high quality history of The Little Rascals.

This book is a treasure. I have used it many times to check the lyrics of a song. Dylan is a favorite poet of mine.

The book is beautifully produced, but badly out of date (getting more so with each new album) and suffers from a certain lack of attention to the lyrics as the man sings them. Even so, ya gotta have it.

This book is a must for anyone who loves Bob Dylans lyrics. If a course were taught on Bob, this would be the textbook, and any fans will gets endless hours of enjoyment out of it.

I love this book. Dylan's output covering a 23-year span is right there in front of you. Whether you read the lyrics as they are or read while listening, any Dylan fan will soak up this wonderful book.

Interestingly enough, I have loaned this book to people who can't stand Dylan, but appreciate him as a writer. Their appreciation for the man and his talent always increases as a result. Sometimes this leads them to buy the discs, and they're forever hooked.

As much as I love the book, it is badly in need of an new edition covering Dylan's work since 1985, which includes at least 12 discs worth of work. But taken as it is, this book is priceless. Buy it.

A friend and I were out shopping a few weeks ago and we both picked up Bob Dylan's "No Direction Home: The Soundtrack" CD, which is the 7th volume in Dylan's archival Bootleg Series, and also the soundtrack for Martin Scorsese's excellent PBS documentary of the same title. The album is outstanding and now that my shopping pal's birthday is coming up, Halloween actually, I decided that Dylan's "Lyrics, 1962-1985" would be a near perfect gift. She is a major Dylan fan, as am I, and we have been for almost forty years. Time flies!

One of the deciding factors for making this purchase is that the hardcover volume edition makes an excellent, elegant presentation. The cover is laminated and each poem is printed singly on large, cream-stock pages with colored headers. Arranged by album, the book is a compilation of all of Dylan's writings and drawings, ('62 - '85), some wonderful pen sketches ranging in topic from roadside scenes to the romantic, plus 120 new compositions and an Index of song titles. "Lyrics, 1962-1985" is an extraordinary celebration of the artist's/composer's work.

"Highway 61 Revisited," "Blonde on Blonde," Tangled Up In Blue," "Masters of War," "Don't Think Twice, It's Alright," "With God On Our Side," "It Ain't Me Babe," "My Back Pages," "Subterranean Homesick Blues," "Stuck Inside of Mobile With the Memphis Blues Again," "You're Gonna Make Me Lonesome When You Go," "Tonight I'll Be Staying Here With You," "This Wheel's On Fire," "Shelter From The Storm," etc., and hundreds of others - they're all here! Dylan's liner notes and stream-of-consciousness short prose pieces really enhance the text.

Bob Dylan is a songwriter, musician and poet - an artistic genius and innovator whose tremendous body of work has had a major impact on over 40 years of American music, from the oldest anonymous folk ballads through blues and country into rock-and-roll. He expanded popular music by including politics, social commentary and philosophy into its vocabulary. He told more folks what was happening than the politicians and news reporters combined...and the counterculture loved him! We still do! While exploring and creating musical styles, Dylan did remain true to his roots in traditional American song.

I am so sorry that the book is out of print. Fortunately, I was able to purchase it, "New," from an Amazon marketplace seller at a very reasonable price. Highly recommended!
JANA

I have been wanting this book since it came out a year or so ago. It did NOT disappoint. There is so much in this book that doesn't come from the show. I remember writing a thesis on this show in college, stating that the website actually becomes a supplement to the show and by doing this, it actually pulls the viewer into the show, breaking the fourth wall. This book does that times two. Are the Sopranos based on actual people? Is it truth or fiction? By the time you get done reading this, you won't care. This is a must read.

A stellar examination of the past, present, and portents of "The Sopranos"! Wow! From the die-hard Soprano fans to all those interested schlumps, this book is the must-read needed on their bookself. An entertaining, voyeuristic, and compassionate look at the Sopranos' lives that mix reality and myth into a remarkable anthology of today's most famous mobster family. The show earned its Emmys and then some; the book compliments the show with its photos and commentary on what will become the most talked about series for years to come. In my opinion, there are only a handful of shows that truly deserve such an in-depth perspective as this one does- and this one hits the mark! Two enthusiastic thumbs up and a congratulations going toward the talented and witty writer, Allen Rucker, the only one who made this fantastic book possible for all Soprano aficionados to thoroughly enjoy. Rucker brings an unique standpoint to the Sopranos' family and lifestyle that I never knew existed. I hope he writes the next updated version! If not, "I have friends, you know!"

I loved this book. I poured over it so many times that I have just about worn it out. It has been like a Bible of sorts to me. Very interesting. Anyone who is a true Sopranoholic like I am will love this book. I just wish they would make an updated version of it. I am going to be so sorry to see the season end and just thinking about the series ending is too much for me to comprehend.

Think of this book as one big Soprano History/Dictionary/Vocabulary book and that is what you can expect. Worth every cent.

Great book to have if you are a die hard Soprano fan like myself. Gives you great insights on the Soprano family tree and it also gives Soprano fans a guide on things that you might have missed out on. Overall, a excellent book! Don't keep this book too far away when you're watching the show because it comes in handy

I'm a big Opera fan, and my grandmother bought me this book because she thought it was about great Italian singers. You can imagine my disappointment when I realized this book was about the characters from a TV show focusing on the Mafia. I don't have a TV, so I'd never seen the "Sopranos" show. Reading about something I had no knowledge of, or interest in, seemed dumb at first, but I had the book so I thought "What the heck! I'll read it". Once I started, I couldn't put it down. It is a very entertaining read, and I would recommend it to anyone, even people with no TVs like me, who enjoy a fun book. Highly Recommended! (Note: I have since seen the show at a friend's house, and frankly I must say I liked the book better than the progam.)

The book is AWESOME.It's a must have 4 all BtVS fans.It is from Xander's point of view and has his thoughts and feelings about what's going on. It's divided into chapters/sections-here is how it goes starting after the Acknowledgments: Tonight,Part1;Teacher's Pet(6 chapters); Tonight,Part2;Inca Mummy Girl(7 chapters); Tonight,Part3;Bewitched,Bothered,And Bewildered (7 chapters);Tonight,Part4.There are also great pictures in the center of the book.I hope I haved helped you out!

Just like on the TV show Xander delivers scarcasm and humor that only he can do. He tells 3 tales of his strange supernatural romance (Teachers Pet, Inca Mummy Girl, and Bewitched Bothered and Bewildered)and proves that Buffy isn't the only one with a twisted life. I liked reading about Xander becasue he's pretty much the typical male, except a whole lot wittier, and the occasional vampire slaying. I reccomend this to any Buffy the Vampire Slayer and/or Xander fan!

Only recently have I become a buffy fan (but boy, when I fall I fall hard) This was the first buffy book I read, but it was definately worth it! Especially the last story Bewitched Bothered and Bewildered made me laugh so much I have the stiches to prove it. This book made me stop thinking Xander was boring. Definately a must to read for any buffy fan!

In order to understand the entire buffy novels,one needs to understand Xander.This book details probably the most intimate things anyone will be able to get with the character.From his feelings for his best friend Willow to chrush unfulfilled Buffy,dating and romance in Sunnydale is truly humerous.....for Xander it's the most harzardous thing to do. Full of laughs and deep thought,to understand buffy,you need to understand why she does'nt just crumple from the pressure of slaying. Because Xander will always be there...laughing at the world.

This book is a novelization of three episodes of Buffy the Vampire Slayer. The first Teacher's Pet is a homage to the big bug movies of the late fifties. Inca Mummy Girl revives the curse of the mummy and Bewitched, Bothered & Bewildered explores the magic of love. In each story Xander falls in love with dire consequences. His heart is pure and his intentions good but the results are both frightening and humorous. I recommend this to all Xander fans. It could be a dating manual for the new century.

This book was given as a gift to a Carson fan. It was very well received and we felt we had given the perfect gift.

For those of us who grew up with Johnny Carson it's hard to believe that it has been fifteen years since Johnny last came out from behind "The Tonight Show" curtain and even harder to accept the fact that he is no longer with us. But we're in luck in one way....this wonderful book, compiled by Stephen Cox, brings Johnny back to life in the most comprehensive and nostalgic way. It's a walk down Memory Lane and it is nothing short of wonderful.

From the inception of "The Tonight Show" and its early years before Johnny, Cox takes us through every segment of the thirty-year run we all enjoyed. There are comedians, of course, memorable moments, the monologue and my favorite...Joan Embery and her wildlife companions from the San Diego Zoo. Who of my generation can forget the wedding of Tiny Tim and "Miss Vicki" or the Ed Ames tomahawk throw? (the latter being a perennial favorite of the Carson annual retrospectives)

What is such an added bonus to the book are the dozens of photos that grace its pages. "Here's Johnny!" is a terrific look back at a man who made the nation laugh for three decades and who will always be remembered as the best at what he did. Thank you, Johnny!

If you want to know about Johnny Carson and the things that went on behind the scenes at the Tonight Show, you need to get this book!!! It was great and the photos were wonderful.

Excellent read. For any fan of Johnny Carson and the glory days of the Tonight Show, this is the book for you. It makes you feel like you're actually watching the show again. Enjoyed it thoroughly!

Johnny Carson was the late night entertainer of my youth and there will never be anyone to compare - although Conan is great in his own right(that will be another review sometime). This book really takes you back. While I do not know all the "for-sure details"(and some things could be slightly off in this book since I don't keep track of that so much), there is enough substance here to take you right back to watching Johnny in your parents' living room! Like the "Clapper Caper" with Jack Webb. LOVED IT!

Enjoyed reading about the life of Clayton Moore, The Lone Ranger. Since receiving it I am now in my 3rd reading of it. It seems everytime I find someting new and interesting.

I wish he was alive so I could personally talk with him about his adventure doing The Lone Ranger. May his spirit always remain in the hearts of all Americans...

You can find out more information about Clayton Moore and The Lone Ranger fan club at www.lonerangerfanclub.com/jr

This man, Clayton Moore WAS the Lone Ranger. I can say no more.

Taylor Trade Publishing presents "I WAS THAT MASKED MAN" (Paperback) - by Clayton Moore and Frank Thompson --- Clayton Moore was an American actor best known for playing the fictional western character The Lone Ranger --- Moore was a circus acrobat as a boy, then later enjoyed a successful career as a John Robert Powers model. Moving to Hollywood in the late 1930s, he began working as a stunt man and bit player between modeling jobs --- He was an occasional player in B-Westerns and Republic Studio cliffhangers, ultimately starring in more such films than serial hero Buster Crabbe --- His big break came in 1949, when George Trendle spotted him in "Ghost of Zorro" --- As producer of the radio show and creator of "The Lone Ranger" character along with writer Fran Striker, Trendle was about to launch the masked man in the new medium of television --- Moore was cast on sight.

In keeping with the nature of the Ranger character, Moore chose to protect the Ranger's identity at all times and is perhaps the only actor whose full face is largely unknown to the public. It was never shown in the TV series, although occasionally he would don a disguise and affect an accent, revealing the upper half of his face in the process. However, there is no shortage of photos of Moore unmasked, including many in his autobiography. His many fans, however, could easily recognize him by his distinctive voice --- (From Wikipedia, the free encyclopedia)

TABLE OF CONTENTS: (Title and Page Numbers)
Foreword by Leonard Maltin - ix
Preface by Frank Thompson - xi
Introduction by Frank Thompson - 1
1. Birth of a Ranger - 13
2. A Cowboy Actor in the Big Apple- 35
3. Hollywood - 43
4. Republic Pictures - 61
5. In the Army Now - 71
6. King of the B's - 79
7. Hi Yo Silver, Awayy! - 111
8. Back to the Big Screen - 131
9. Jay Silverheels - 143
10.The Lone Ranger Rides Again! - 151
11.England and a New Daughter - 185
12.Adventures on Television - 195
13.You Don't Pull the Mask Off the Ol' Lone Ranger - 203
14.The Adventures of Clayton Moore - 221
15.Who is That Masked Man? - 231
appendix - 243
Index - 257

BIOS:
1. Clayton Moore
Date of Birth: 14 September 1914 - Chicago, Illinois
Date of Death: 28 December 1999 - Los Angeles, California

Moore often was quoted as saying he had "fallen in love with the Lone Ranger character" and strove in his personal life to take The Lone Ranger Creed to heart. This, coupled with his public fight to retain the right to wear the mask, ultimately elevated him in the public's eyes to an American folk icon --- In this regard, he was much like another cowboy star, William Boyd, who nurtured the Hopalong Cassidy character --- Moore was so identified with the masked man that he is the only person on the Hollywood Walk of Fame, as of 2006, to have his character's name along with his on the star, which reads, "Clayton Moore -- The Lone Ranger" --- He was inducted into the Stuntman's Hall of Fame in 1982 and in 1990 was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma.

THE LONE RANGER CREED - I Believe that to have a friend, a man must be one --- That all men are created equal and that everyone has within himself the power to make this a better world -- That God put the firewood there but that every man must gather and light it himself in being prepared physically, mentally and morally to fight when necessary for that which is right --- That a man should make the most of what equipment he has --- That `This government of the people, by the people and for the people' shall live always --- That men should live by the rule of what is best for the greatest number --- That sooner or later .. somewhere .. somehow .. we must settle with the world and make payment for what we have taken --- That all things change but truth, and that truth alone, lives on forever --- In my Creator, my country, my fellow man.

Check out a new book from Empire Publishing - "GENE AUTRY WESTERNS" (Hardcover) - by author Boyd Magers, like no other book on Gene Autry --- all of Gene's Mascot, Republic and Columbia westerns included, as well as his half-hour TV Episodes --- each segment contains the release date on each film ... major production credits ... complete cast (including character played) ... all songs included, songwriter and who performed them in the film ... running time of each film ... dates of the filming ... bios on the cast and major players (Smiley, Pat Buttram, Cass County Boys, Herbert J. Yates, directors, leading ladies, songwriters and various heavies, etc.) ... locations that were used ... budgets and negative cost ... stunt people involved ... analysis and synopsis on each film ... notes and comments (including film and cast background info, salaries paid, working titles, etc) ... comments from Gene and many other cast members on each film ... theater exhibitors comments at the time of the films release ...this tribute was written from the heart and it shows.

Hats off and thanks to Les Adams (collector/guideslines for character identification), Chuck Anderson (Webmaster: The Old Corral/B-Westerns.Com), Boyd Magers (Western Clippings), Bobby J. Copeland (author of "Trail Talk"), Rhonda Lemons (Empire Publishing Inc) and Bob Nareau (author of "The Real Bob Steele") as they have rekindled my interest once again for B-Westerns and Serials --- More than just a tribute to the role Clayton Moore made famous, this book is Moore's personal memoir, told with condor and sincerity -- the engaging story of the life he strove to live according to the ideals he represented to millions of Americans, please stand up and take a bow --- all my heroes have been cowboys!

Total Pages: 280 ~ Taylor Trade Publishing ~ (4/25/1998)

I was a bigger fan of the Lone Ranger on radio than TV, but only because I was away in school most of the years it was on the tube and missed a great deal. That is something I am trying to make up as I collect DVDs and is why I bought this book. I have also known personally two who worked with Clayton Moore in the past, serial queen Kay Aldridge and former rodeo star Beverly McDermott. Everything they said about this man is echoed in the book. A very honest upright straight shooter. I am also impressed by his arguments as to why a star should set an example. So different in Hollyweird today. We need actors and actresses today who have the high moral standards this man has shown. May God bless him always, here and in Heaven.

An in depth history of Clayton Moore. A very informative perpective of a bye-gone age in Hollywood. I really enjoyed this book. A must read for Lone Ranger and TV western fans.

I have never heard a piece of music by composer Jan Swafford, but if he composes as well as he writes, his music should be stimulating indeed. Some reviewers have called this book hard to put down, a page-turner. I found it so. Part of its interest lies in Brahms himself; any book that purports to shed even a bit of light on so enigmatic a figure would cause one to turn pages in hopes of illumination. But I can imagine, too, a very dull book about Brahms. Well, there are few dull pages among the 600+ in Swafford's biography. As is now de rigueur in good modern historical writing, Swafford creates a judicious blend of primary-source material and commentary thereon, along with a rich store of anecdotes told in his own fine, writerly voice.

Musical analysis is treated in such a way that the amateur musician, and even the musically challenged, will not be put off. In all cases, Swafford demonstrates well one of his chief theses--that Brahms was the most Janus-like of the great nineteenth century composers. He looked back all the way to Renaissance masters, assimilating their contrapuntal styles in ways beyond anything that Beethoven, Mendelssohn, or Schumann had done before him. Yet he so thoroughly anticipated the ambiguity of tonality and rhythm in twentieth-century music that Schoenberg could, long after Brahms's death, speak of "Brahms the Progressive."

But there is much more than musical analysis in this book. There is a thorough investigation of the many dualities in Brahms's nature: Brahms the generous, Brahms the curmudgeonly; Brahms the respecter of (intellectual and artistic) women, Brahms the misogynist; Brahms the romantic, Brahms the classicist; Brahms the sentimentalist, Brahms the cynic; Brahms the self-effacing, Brahms the monumentally egotistical. Swafford presents them all in their staggering incompatibility. And while Swafford himself admits that no one can ever quite hope to reconcile all these manifestations or indeed fill in the gaps in a life that the composer himself hoped to keep mostly a closed book, he comes close to making this great study in contrasts that was Brahms into a flesh-and-blood individual whose most mystifying acts seem almost comprehensible because we have seen him in action in similar contexts. By an exhaustive examination of the primary literature and shrewd speculation based thereon, Swafford builds a picture that convinces. He can't make us always like Brahms or even sympathize with him, but we come to understand him better through Swafford's portrait than we ever thought we could. That is some accomplishment.

Beyond this are the passages in which Swafford speaks of musical and indeed cultural history after Brahms. The epilogue to this book, in which the author traces Brahms's paradoxical legacy through the great century of change since his death, should be mandatory reading for all students of culture in the West.

Are there flaws? Yes. Some parts of the book show haste while others show careful crafting. In a work this large, that is to be expected. And Swafford overuses the word "magisterial." This may describe Brahms to a tee, but so, I hope, do a few other adjectives. Small gripes? Small indeed, given the wealth of insight and reading pleasure that Swafford provides here. I'm ready for his biography of Ives!

Mr.Swafford did excellent jobs in dissecting and analyzing major symphonic works without sounding pedantic and dry. However, I wish he had invested more ink on the other major orchestral works such as Piano Concerto no.2 and the Violin Concerto, two of my favorites, like he did Piano Concerto no.1 and the symphonies and variations, etc. On the late concertos he merely described the circumstances surrounding their creation and barely touched on structural analysis.

Other than that, the book is very detailed and enjoyable to read. It sheds a lot of light on the human side of the composer and his friends, and thus makes these historical figures come back to life. At several instances I was so touched by Swafford's writing that I almost shed tears. Reading this book has been an emotional journey for me, and I rank it as my favorite book on music and musicians. Very touching! I love it!

I wonder how Brahms would have compensated for the defeat to his friend's wife - Clara Schumann. Although lively attention to details was a notable characteristic of the German woman, pianist and composer, her love to the sentiments of her husband - the German composer Robert Schumann - was, at times, so shallow as to miscalculate Robert's perturbation with Brahms's apathy.
How could Brahms, having degenerated to low stage, get over the perfidy of his feelings for the woman who was fourteen years his senior (and who also raised seven children)?
Brahms could find no strength in a faith in the after-life; he remained peculiar, having sneering disbelief about human relationships, though devoted to his true friends and to Robert Schumann in particular.
While there are grounds for believing that he had anxious feelings about the strength of his own passions, he was denied the excitability for happiness in love ... On the face of it, Brahms was soulfully devoted to Clara Schumann and regarded Robert with the utmost respects. Clara cordially returned and her emotions remained held in careful control. ""Yet the profound seriousness of his temperament demanded a philosophy; above all, if Death was no longer accepted as the gateway to eternal life for the righteous, what was its meaning?"" Those were his words
Yet Brahms remained 'the confirmed bachelor''
With women, Brahms's approach was destined with indecision of purpose.

Brahms gave us medley of music; conscious of the shadow of the dead, Ein Deutsches Requiem {1867/8} is one that represented heavenly masterpiece as if to seek pardon in humble supplications like the sinner who renounces lifelong bad habits when in extremity of pain.

What a wonderful biography. Brahms' dealings with Clara Schumann, Joachim, and other friends is studied in fascinating detail through meetings and letters -- an intimate portrait of personal relations, desires and fears, quiet joys and resentments, etc., all as absorbing as a Henry James novel.

Meanwhile, Brahms' incomparable music is a life of its own, and we are treated to the master's views of it, as well as those of contemporaries and the author. The author's assessments seem to me almost unerringly valid. (Take, for example, his lofty praise of Gesang der Parzen, an underheard choral masterwork, or his concession that the Double Concerto, a concert standard, is on a less than inspired level.)

Add to this the author's occasional shift of focus to the Austro-German culture in which Brahms lived, in retrospect an even more remarkable time and place, where music was valued to a rare degree, and where ideas and events -- artistic, philosophical, political -- were poised to take momentous turns. Fascinating, even haunting, stuff, and all the more appropriate for discussion as these were issues about which Brahms had much concern in his later years.

This is a great story about a great composer. The book tells his life story, and highlights many of his great works. Within this biography, the book also mentions the interactions, disagreements and perspectives of the different composers of the late 19th century - Liszt, Wagner, Schumann, Bruckner, Mahler and of course Brahms. From that perspective, it is not only a biographry of Brahms but in some ways a history of classical music in that period. In my opinion, Brahms was the best composer of the group, and this book highlights why he was. It focuses on many of his great compositions, even providing the major musical notes for key parts of a composition. For example, in what is arguably his best work, the 4th symphony, this book spends four pages on the last movement of this symphony, a very powerful cantata and chaconne that Brahms brought to the symphony. This form, according to the book, derives from the Baroque period and Bach has a great similar work with the violin. Brahms took it a step further and using the whole capabilities of the symphony orchestra, weaves this concept into a very powerful piece of music. Since reading these four pages, I've developed a greater interest in this movement and in the 4th symphony in total. It is a beautiful powerful work and this book provides a beautiful perspective of this work. The same is true for all of the book. It has given me a better perspective of Brahms and classical music. For this reason, I highly recommend this book.