Mario Van Peebles Books

Though he comes across a lot meaner in this book when contrasted with the movie starring Al Pacino, Carlito remained a very strong, and even sympathetic character for me. I can only think of a few characters-- fictional or real-- who have won me over, despite their considerable flaws: Humbert Humbert in Lolita, Neil (Robert De Niro) in Heat, Tuco from The Good, The Bad and The Ugly, and Henry Hill from Goodfellas.

The first person prose was very readable and believable. It also displays wit and humor that doesn't take away from its grittiness. All in all, I would strongly recommend this book. I am hoping there will be a re-release of the follow up book, After Hours.

Like many, I was first introduced to this book when I saw the popular movie starring Al Pacino, Sean Penn, and Penelope Anne Miller. I received the book as a Christmas present, that particular paperback being a movie tie-in reprint with Al Pacino (Carlito) on the cover. I think I gave away the book to the library when I moved a couple of years ago. Film Ink's edition, showcasing a typical street in an ethnic neighborhood, impressed me. I've always been fascinated by some of the provocative photography on book covers these days.

The saga of Carlito Brigante's life (in essence the film Carlito's Way) is actually chronicled in two books, the first titled Carlito's Way, wherein Carlito in 1st person narrative describes his rough-and-tumble childhood and induction into New York's ruthless criminal world, culminating in Carlito's arrest, conviction, and sentence of thirty years in Riker's Island. Yet no one can accuse Brigante of being simply a heartless killer. We get to sympathize with his plight; he is undoubtedly the hero of Torres' tale.

The next installment, titled After Hours (written in 3rd person this time), is actually the setting of the movie, beginning when David Kleinfeld, Carlito's Alan Dershowitzesque attorney, gets Carlito out of prison on a technicality. The David Kleinfeld character is another reason to read this book after seeing the movie, as things in the book turn out quite differently for most of the characters affected by Kleinfeld's machinations. There's also some additional fleshing out of characters and episodes not included in the movie, including Brigante's trip to Spain, where the brash hombre shows off his bullfighting skills. I'm not giving anything away.

Like the Shawshank Redemption, the movie also highlights the profound changes in American everyday life and culture (and with it the criminal world) during the twentieth century. The two books trace Carlito Brigante's criminal career, from the swinging and colorful 1940s, when Carlito existed on small-time armed robberies and switchblades, all the way to the sleazy lava-lamp lit cocaine infested 1970s, an appropriate prelude of the Me Decade. Central to the story is the role New York's Italian Mafia plays in the life of Brigante. Brigante, a Puerto Rican, is eventually admitted to their exclusive innermost circles, but because he is not a Sicilian is never elevated to the status of a "Made Guy," which ultimately leads to his downfall. Via subplots and secondary characters Torres notes the rise and fall of the Cosa Nostra's influence in the Big Apple.

I thought that Miller brought a lot to the somewhat hapless role of Gail, Carlito's longtime love-interest and confidant. I found it much more believable that Carlito's girlfriend would be a stripper and aspiring dancer. In the book her character is an elementary school teacher, which makes the idea of Carlito persuading her to go to the Bahamas a bit implausible.

In an interview contemporaneous with the film's release, Torres said that his novels were inspired by his exposure to countless Carlito Brigantes who had walked through his courtroom throughout his career on the bench. Torres also includes a vocabulary of Hispanic street slang and underworld terms.

An extremely capable writer of prose, Torres pens a stimulating, readable, and believable portrait of life in the Barrio. Barrio is Spanish for jungle, in this context the urban jungle-ghetto that wickedly and unknowingly nurtures the self-destructive psyche of a career criminal who knows nothing but a life of violence and self-preservation.

Splendid!

If you like crime stories don't miss this one. This is one of my all-time favorites and it never really got the attention it deserves. The story of Carlito Brigante shows us the world of crime from a different angle than the classic Mafia tales. Carlito is Puerto Rican and comes up in the New York of the fifties and sixties. He's a hard-core criminal, hard-nose, and he makes no bones about it. He starts of with breaking-and-entering, moves up to racketeering, and after a long impatient wait breaking into the big-time--heroin trafficking.

Yet Carlito never comes across as a merely evil person. Living in America, where the streets are paved with gold except in the barrio where he spent his entire life, Carlito says that no way was he going to spend his whole life washing dishes when there was big bread out there for guys with the guts (he would use a different word) to go get it.

Torres, to his credit, never romanticizes Carlito to the point that he comes across as a good guy, either. Carlito follows his way because its the one HE chose, and if that means dancing with a fine lady at the Palladium one night and then going into Lewisburg Penitentary for a 3-year stretch the next, that's how it goes. Those are the risks and rewards of the life he leads. He meets characters like smooth guy Earl Bassey, crazy guy Nacho Reyes, wise guy Rocco Fabrieze, and bad guy Pete Amadeo. All in all, "Carlito's Way" is a wild ride, both the ups and downs.

I really recommend that you get the audio version of this book and listen to Torres read his book. The movie "Carlito's Way" actually focuses on the second book Torres wrote, titled "After Hours." It's good, but the first novel is told in the 1st person, in Carlito's voice, and Torres is fantastic as he speaks in Carlito's voice. Well worth a listen.

For fans of streetlife and "the real" in general, this is a fantastic read. Having seen the movie, I wasn't quite expecting the book to be what it was - a running mental monologue recounting the life and times of Carlito Brigante, the fictional yet prolific gangster the film was based upon.

Having grown up in Brooklyn, I was thoroughly impressed by the accuracy with which Torres illustrates the "I've got mine, so .... you" thug mentality that's so much a part of the underground New York experience. That, combined with the "Code Of The Streets" and a tiny dab of conscience, is what makes Carlito seem human and uncannily real-to-life.

Torres, being a NYC criminal court judge, has chosen to expound his abundant understanding of the criminal mind not through textbooks or bland case studies, but through this brilliant character depiction. I place it in the same category as "Down These Mean Streets" - a modern urban classic.

After seeing the movie, I decided to get the book. I really like it, good reading.

I purchased this book expecting largly a pictoral history and a few words dedicated to the making of the film...what I got was a surprisingly in-depth history of the BPP magnificently supplemented with many pictures! This really should be the first book a person reads to get a general history of the movement. Generally biased towards the Panther founders (...they could do no wrong in the early days of the movement), it offers a much more balanced account of the late days and subsequent downfall of the Party. The section dealing with the making of the film was interesting, but a little long-winded in describing each detail. Overall, an excellent and surprising book that I'd highly recommend.

Melvin Van Peebles is a true innovator and produced the first successful independent film in America. He ushered in the genre of Blaxploitation films. He made a cool 10 million dollars and most of it way pure profit. He had no investors, because know one would contribute. Though the images may have been somewhat sterotypical, the black folks were starved to see images of themselves. The way he got the movie made, with unknown actors, was incredible. Of course once the movie was made, distribution was a problem. So what did he do? He took the movie to be shown where the folks were.