Mark Valley Books
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miyazaki doesn't just excel at moviesReview Date: 2007-02-28
the first two books. Review Date: 2007-06-01
Volume One.
Nausicaa of the Valley of the wind is one of my favorite movies. After seeing for the first time I was amazed that I hadn't seen it sooner. It had everything I like in a movie, a good premise, deep and emotional characters, amazing art work, a deep meaning, and an awesome soundtrack to boot. So when I heard that there was more to the story I went out and bought this book to see if it was as good as the movie. After waiting about a month for it to come in, I bought it on Amazon, I finally got it. I was not disappointed. Let's break this book down into categories.
Art Work. The drawing pretty much, how do they look and how much detail is put into them. Miyazaki, I have to say, is a master in his field. All his drawings are extremely detailed and you can really get a sense of the surroundings. The characters emotions are brought out almost perfectly, especially the Nausicaa herself, who is shown as a powerful, yet fragile girl. Overall the drawings are almost perfect and I don't think anybody would disagree with that.
Characters. I was already familiar with all the characters in this book, having seen the movie already. They are pretty much the same here as they are in the movie so if you've seen it, which I'm taking for granted you have, and then isn't much knew. They mostly do the same things as they did in the movie and feel the same emotions with a few fun differences, but nothing really is too different.
Story. This book follows the movie almost exactly up to the point where Nausicaa and Asbel discover the underground system under the sea of corruption, or toxic jungle as it is called in the movie. There is one big difference that I must share, the Valley of the Wind is really an alley of Torumekia, and Nausicaa goes out to fight under Kushana agents the Doroke principalities, a nation not even mentioned in the movie. Other than that it follows the same story almost to the letter.
Overall a very good and strong opening to the series. This entry doesn't really add a whole lot to the overall story if you've already seen the movie, but there are some important differences which mean you can't simply skip over it if you want to read the series.
Volume Two.
As I continue my reviews on this series I have come to Vol. 2. Nausicaa has left the Valley of the Wind to go to war with Princess Kushana of Tormekia, but on their way to the front their attack group is attacked by Asbel of Pejite. Asbel is shot down and Nausicaa goes to save him, only to be stuck under the Sea of Corruption. As the first book ends Nausicaa and Asbel are seen trying to fly out of the bottom of the Sea and get out.
This book, for those who've seen the movie, covers closely the events that take place in the second half of the movie. Here's the difference. One of the Doroke tribes, mentioned in the first book, has been driven from their lands by the Tormekia invasion and has been sent to conquer and settle the lands of the Periphery, where the Valley of the Wind lies. To do that they must first destroy Kushana's army by luring the insects out of the Sea to attack. Of course Nausicaa finds out about this and manages to not quite foil the plot, but she does save the baby Ohm larva. Much of the Tormekian army is destroyed but the Dorokes are forced to retreat. By the end of the story Kushana takes what is left of her army south to join up with the rest of her men already engaging in battle, and she takes Nausicaa with her to find the stone that controls the God Worrier.
halfway through this book it goes in a completely different direction than the movie, Nausicaa goes off to war, Asbel and Yupa foil a Doroke plan to conquer the Valley, and we are introduced to knew characters such as the Doroke Priest, who is known as the Holy One, and Ketcha, a Doroke girl who serves him. The part where the Ohm attack the Tormekian army is one of the highlights of the series, but the ending was a little odd and might feel rushed. Not the best in the series, but it is a good follow up to the first.
If you have seen the movie then there isn't anything new in the first half of this book for you. But don't just skip this book to save money, there are enough differences to make buying it worth wild.
not comic, this is art.Review Date: 2004-03-14
As you know, Naushika's story don't finish to the movie. The truth story start from reading this comic. Even if Japanase read them, the story is a little difficult, but there are more wondeful things than the minus point.
For instance, the drawing ways. Generally comic(Japanese MANGA) is simple drawing. But the comic is very detailed drawing. They is like art rather than comic.
And in addition to the wonderful drawing,the expression of the character's face is very excellent, for instance joy, sarrow, longing, anger... Mr. Miyazaki can write their expressions very well. There are writers that can write comics very well in the world, but there will not are writers that can write their expressions of face very well.
If there are people that was moved when watched the movie, absolutely we recommend this comis..art series.
You will not waste your money by buying this arts series.
I am sorry for my poor English.
More Than A Children's BookReview Date: 2004-12-31
Children, both boys and girls, will love the major characters in "Nausicaa", because children can find all they wish to be in these characters, but most of them would be puzzled (or troubled!) by the development of the story. An exceptionally smart kid may be able to guess some of Miyazaki's plan of the story before he/she reaches Vol. 7, but I dare to bet, he/she will not accept that plan until he/she reaches 30.
This is a great gift to children. They will thank you many, many years later.
The Best Manga I've Read in YEARS!! Too good to pass up!Review Date: 2005-02-28

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Best yetReview Date: 2007-09-09
secrets of the savannaReview Date: 2007-08-08
Some Books are KeepersReview Date: 2006-11-04
Wonderful sequel Review Date: 2006-09-02
Turning the TideReview Date: 2006-08-27
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Wonders of the WildReview Date: 2006-11-03
A riveting, disturbing story of war with poachersReview Date: 2005-05-31
The Owens' passion leads them to risk their lives routinely. In searching for a suitable camp in North Luangwa they set out in an ancient truck with no radio and inadequate gear. After a grueling trek that would have sent sane mortals packing for home they separate so Mark can fly his Cessna to a site that "would make Cessna's insurance company shudder" while Delia makes the two-day trip alone with the old truck and a trailer over trackless hilly, bushy, gully-filled flood-plain terrain. Tracking animals they are constantly walking smack into a startled lion or buffalo or cornered elephant.
But the real danger comes from people. "The Eye of the Elephant," while filled with wildlife anecdotes and tidbits of information about elephants and lions, is really about the poaching war the Owens conducted on behalf of the besieged North Luangwa elephants.
The poachers are villagers, many armed with AK47s, backed by the local government and assisted by the corrupt and underequipped local game guards. The Owens' weapons are education, cottage industry projects financed by the Owens Foundation for Wildlife Conservation and the Cessna.
The battle starts genially with children exclaiming over magazine pictures and their parents joining sewing circles and carpentry workshops. But it quickly escalates until Mark drives Delia from him with his obsession for highly dangerous and only modestly effective night flights, and the poachers organize an assassination squad to rid themselves of the Owens once and for all.
The book is organized in alternating first-person chapters between Delia and Mark. The tone is brutally honest, touching when one admits to mistakes which endanger the other, disturbing when their frank discussion of anti-poaching tactics veers from the politically correct. The Owens' care more for the animals and the landscape than the people. But since the people are there, their needs must be faced. Their singlemindedness will outrage some, but their strong personalities and sheer stamina will awe almost everyone.
York County Coast Star
Do not miss this wonderful book!Review Date: 2002-08-19
This Book Was AmazingReview Date: 2000-07-10
EXCELLENT ADVENTURE!Review Date: 2004-06-26


Coggins succeeds again with Vulture CapitalReview Date: 2002-05-19
a lot of action and amusementReview Date: 2002-05-13
The whodunit part of the mystery is very engaging and kept me turning pages rapidly. The reader gets many clues along the way, some obvious and some very subtle, but enough are false leads to keep you in suspense.
Action abounds as the main characters Valmont and Riordan careen around Silicon Valley and the Napa valley wine country. There is also plenty of humor from these two very different protagonists who share little in common except a very sharp and biting sense of humor.
Worth the Wait!Review Date: 2002-05-09
Fine, distinctive, new noirReview Date: 2002-10-28
Focused writing. And it has enough secrets that it is easy to be surprised, even when you think you're ahead of the plot.
A cliffhanger, too.
Fans of Coggins' first mystery will enjoy encountering the Riordan / Duckworth team from a different perspective.
Silicon Valley coolReview Date: 2002-09-03
Venture Capitalist Ted Valmont is informed that the brains behind a biotechnology start-up he's funded called NeuroStimix is missing. Without the technology guru, NeuroStimix's future is in jeopardy just as a new product designed to aid spinal cord injury victims is about to come to market. Valmont engages PI August Riordan to help find the missing man and we soon learn that the disappearance is part of a larger conspiracy to use NeuroStimix technology for dastardly purposes. To complicate matters, the missing man is Valmont's buddy and Valmont's own brother, as a spinal injury patient, would benefit from the NeuroStimix discovery.
Co-founder of a failed Internet start-up, Mark Coggins injects lots of local color into his work. Technology-types and dot-com veterans will especially appreciate the Silicon Valley photos and clever quotes, which open each chapter. Settings and situations will be familiar to industry types, but the jargon is not overwhelming. The book is even dedicated to the Pets.com Sock Puppet.
VULTURE CAPITAL is the second in a series featuring August Riordan, a private eye we first met in Coggins' well-reviewed debut THE IMMORTAL GAME (2000). THE IMMORTAL GAME received extraordinary attention for a debut title from a very small press. It was chosen as a Penzler pick and nominated for a Shamus Award. This would only happen because the book was good. Expect similar praise for VULTURE CAPITAL. According to the excellent Vulture Capital Website... we can expect more titles to come in the Riordan series

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reviewReview Date: 2007-01-04
Hudson River MansionsReview Date: 2002-04-27
Makes you want to go see them for yourself!Review Date: 2006-07-04
Mansions For MilesReview Date: 2005-05-18


A compelling monologue of biography, geography and historyReview Date: 2002-03-08
Writing in the first half of the 1870s, Twain retraces the steps of his youth: the watery highway he knew when he trained to be a riverboat pilot nearly 20 years earlier. He speaks of how life _was_ along the river, and what life _became_. It's almost a "you can't go home again" experience for him, while the reader gets the benefit of discovering both time periods.
I have two favorite parts that I share with others. Chapter IX includes a wonderful dissertation about how learning the navigational intricacies of the river caused Twain to lose the ability to see its natural beauty. And Chapter XLV includes an assessment of how the people of the North and the South reacted differently to the war experience. If I were a social studies teacher, I'd use that last passage in a unit on the reconstruction period. So put this title on your vacation reading list, and don't fret: the chapters are short and are many -- 60! -- but you can stop at any time, and the words go by fast. _Life on the Mississippi_ should make you forget all about any Twain trauma and report-writing you may have suffered as a teenager. [This reviewer was an Illinois resident when these comments were written.]
Twain on the MississippiReview Date: 2005-12-02
The first part of the book tells of Twain's early years as a riverboat pilot. He talks about being a cub pilot, about learning about the intricacies of the river and the difficulties of navigating it, and about his mentor Horace Bixby. Twain's love of the river and his pride in "mastering" it are made obvious in these chapters.
The second part recounts Twain's return to the river in 1882, mainly to "see it again" in preparation of writing this book. Starting in St. Louis, he first goes south through Baton Rouge to New Orleans. He spends a bit of time there and describes life as he sees it in the city (there's a funny chapter regarding the above-ground cemeteries and an argument about cremation). Then he heads north on the steamboat City of Baton Rouge, piloted by his old mentor Horace Bixby. He stops off in Hannibal for three days, just enough time to see how much the town and some old acquaintances have changed, and then continues all the way to St. Paul, Minnesota.
Twain's humor, as he recounts conversations with people, sights seen, reminiscences dredged up, and a myriad of other matters that fill the book, is always evident. It's one of the great books on the mighty river, and whether you are a lover of the works of Mark Twain or interested in the Mississippi River during the time period just before and after the Civil War, you will enjoy this book.
"S-T-E-A-M-boat a-comin'!" Review Date: 2007-04-11
The steamboat was a technological phenomena. The vehicle that evolved to meet the unique demands of this particular environment was a special design of river boat. In his own inimical style Mark Twain captures both the excitement of the riverboat's arrival and describes its essential components:
"She is long and sharp and trim and pretty; she has two tall, fancy-topped chimneys, with a gilded device of some kind swung between them; a fanciful pilothouse, all glass and "gingerbread," perched on top of the "texas" deck behind them; the paddle-boxes are gorgeous with a picture or with gilded rays above the boat's name; the boiler deck; the hurricane deck, and the texas deck are fenced and ornamented with clean white railings; there is a flag gallantly flying from the jack-staff; the furnace doors are open and the fires glaring bravely; the upper decks are black with passengers; the captain stands by the big bell calm, imposing, the envy of all; great volumes of the blackest smoke are rolling and tumbling out of the chimneys...the crew are grouped on the forecastle; the broad stage is run far out over the port bow, and an envied deck hand stands picturesquely on the end of it with a coil of rope in his hand; the pent steam is screaming through the gauge cocks; the captain lifts his hand, a bell rings, the wheels stop; then turn, back, churning the water to foam, and the steamer is at rest." (27)
Within a period of ten minutes the boat has been offloaded, loaded and departed. It is an efficiency of system and design ideally suited to its unique purposes, but as the Civil War looms its days are numbered. By then the steamboat had already evolved to it most advanced state and the steam locomotive has become the dominant form of transportation
As a literary piece by a "brilliant travel writer and incomparable humorist" (Kaplan, in Twain, xvii) Life on the Mississippi earned its accolades, but, as a window into a period of time, one can extract an eyewitnesses truth. In Life on the Mississippi, Mark Twain describes the latter period of the steamboat's heyday dramatically cut short. Wartime technology did not improve the riverboat other than to convert it into an instrument of war. What doomed the steamboat to oblivion was the advent of the steam locomotive and the railroads. The steamboat well served the purposes of river life in its time but was eclipsed by the railroad.
That the steamboat was functional is indisputable, but if form determines function, it was a perfect adaptation of a water craft in conformity with purpose and contemporary technology. Combined with light weight and flexible wood construction the steamboat evolved into a shallow draft, wide beamed, low freeboard hull propelled by stern or side paddle wheels. The overall size of a steamboat was a compromise between maneuverability and economy. Power plant, fuel, cargo and passengers were accommodated within a superstructure rising above the hull. Bulk items, machinery, deck hands and low fare passengers were located on the main deck; superior public and private accommodations at higher fares were on the upper decks. Here travelers could enjoy incomparable luxury.
High on top of all was the pilothouse. River pilots, by necessity of their position earned through their experience and knowledge of the river, had the best view. By status, they were the pinnacle of river hierarchy. Mark Twain, on his 1882 return to the river, quaintly asks of a fellow passenger he suspects of being a river pilot: "Have you ever traveled with a panorama." The passenger responds, "I have formerly served in that capacity. [Twain's] suspicion was confirmed." (315) Only higher than the pilothouse were the tall stacks made so for the purpose of disgorging noxious black smoke and dangerous smoldering ash to the wind.
All components contributed to functionality, but perhaps the "stage" or ramp which bridged the gap between the boat and shore, contributed most to its versatility. It enabled the boat to be hailed from landings along the shore without the aid of a dock. As an apprentice, Mark Twain is left alone on the bridge for the first time by his mentor. His initial proud serenity is broken by a sudden awareness that the boat is heading for imminent impact with a "bluff reef." His panicked reaction throws the ship into reverse, but he is saved by the return of the pilot who calmly restores order and chastises him. "When you have a hail, my boy, you ought to tap the big bell three times before you land, so the engineers can get ready." (53) The "bluff reef" was actually a wind reef (from the effect of wind on the surface) and they sailed uneventfully through it.
The romance of the steamboat era is tarnished by frequent tragedy. Mark Twain loses his brother Henry, a cabin boy on the Pennsylvania, who died when the ship's boilers explode in June 1858. The hazards of operating year round and during night and day, plus the varying river conditions contributed to mistakes of judgment and probably just bad luck too! The pilot may have been king, but he was still human and suffered from the human faults of vain glory, unrealistic confidence, ego, and infallibility.
When he returns to the river in 1882 after an absence of twenty-one years, Mark Twain notes the changes that have occurred on the river. There are very few ships left in operation. Passenger travel is limited in frequency and destinations. The romance he once knew is gone, but a new one is beginning, the romance of the rails.
Today we know that the railroad too would have its heyday and, in time, its romance would also wane. But has the romance of the steamboat and rail eras disappeared? Today you can take cruises on Mississippi riverboats and luxury train trips across the continent. The difference now is that trips are for novelty and not necessity. The romance only comes from the remembrance of a time past and not the needs of the present.
Mark Twain's Finest WritingReview Date: 2003-06-27
now-vanished steamboat culture comes alive like nowhere
else. However, the best part is the contrast between the author's confident early youthful years and the much later, postwar years of bittersweet reminiscence and regret for what has passed, never to return. A wonderful book - I simply cannot praise it highly enough.

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Tom SawyerReview Date: 2006-03-09
Think about this for a sec...
Your going to a grave yard at mid night with a friend to see if devils are really and if there take the body of a dead man who died a couple days befor. Any way you and your friend are waiting for the monsters to come and take the bait but as your waiting you hear a sound but its not what you expect. Its three intirely different people coming for the goods left in the cofin. But then out of no were one of them kills his partnerand blames the other one for doing it! Then you and your friend relize your in grave danger, if the murder finds out that you know what he did then he'll come after you and your buddy next!How did Tom Sawyer and Huck Finn do it? find out by reading The Adventures of Tom Sawyer.
Great story if you love adventure!Review Date: 2006-11-10
Great Books for Kids!Review Date: 2006-11-16

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Actually quite good for a Chimera Book ....Review Date: 2004-01-28
The reader quickly learns that maybe her dead husband and his younger brother are not all tender and sweetness as one may have though considering the mourning agony our heroine is trying to escape from. Young Mark manages to understand some of Evelyns hidden desires and he has no problem stepping into Richards shoes or his widow ....
This is not what I would call one of the hottest of erotica books since the sex scenes are somewhat short and subdued .... ther is however a wonderfull little story that keeps the reader interested as our heroine suffers her 'Eternal Bondage' from really one man to another ....
Erotic BDSM excitement with a good storyReview Date: 2003-03-26
For anyone with even a passing interest in Egyptian history, the words and scenes in ETERNAL BONDAGE will delight. The descriptions of the ancient world set in modern times, laced with the graphic telling of the world of the submissive woman and the domineering man, give good counterpoint of different worlds merged.
Scene descriptions take the highest praise, the main character development comes in second... the erotic passages of violence within sexual play are done fairly well within the context of the story---the erotic writing itself borders on the crude, but the subject matter itself is by nature somewhat less than 'soft'. The bondage scenes are framed with the nature of Evelyn's passion, and then journey into the psychological realms for the reader to enjoy. The sex itself ties the intricate, keep-you-guessing plot together, and the reader is left with a mystery to solve between the spankings and tomb touring.
To the true S&M/bondage world enthusiast, this book will deliver erotic excitement with a story line... the title of the book is wonderful and ties together many possibilities of the words 'Eternal Bondage".
From a review written for SENSUAL ROMANCE
An Absorbing Novel with DepthReview Date: 2002-11-14
This quite nice erotic novel by the author of "Thorsday Night" is somewhat similar to her earlier work, except that this novel takes place in Egypt instead of Miami.
Mark O'Brien, an American Photographer working in Egypt, meets Evelyn in a hotel. After dining together, he seduces her, and discovers that she is used to mild D/s. She then begins to see visions of her husband Richard, and the story deepens from there.
I don't want to give too much away, but I will say that this is an absorbing novel with some depth to it. The author has done her homework about ancient Egyptian history and the Valley of the Kings, so this isn't a simplistic story at all.
Plenty of good sex and discipline scenes to keep the story moving, as Evelyn finds herself used by many other of the male characters in the novel. A must read, if you like the supernatural sex type Erotica...

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Loved itReview Date: 2003-09-23
A Fun and Engaging ReadReview Date: 2003-09-10
All in all a very enjoyable read. I am really looking forward to Mr. Miller's next novel.
I could not put this book down.Review Date: 2003-08-29
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A ground breaking survey of Hispanic-American womenReview Date: 2002-09-14
A ground breaking survey of Hispanic-American womenReview Date: 2002-09-05
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The tone of the series changes from beginning to end. This makes sense, as the series was written over about 10 years, with a number of hiatuses. The first two books are confusing and not terribly interesting, but the story blossoms from there.
On top of that, I don't even like manga or anime as genres. Miyazaki is truly exceptional.