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Dark Horse: James GarfieldReview Date: 2008-05-01
Brilliant political analysisReview Date: 2008-04-13
A must read for American History Buffs, Gilded AgeReview Date: 2007-10-11
"Dear Mr. Ackerman, I recently read and thoroughly enjoyed your fantastic book, Dark Horse: The Surprise Election and Political Murder of President James A. Garfield. I feel it is worthy of a Pulitzer Prize for History. I found your writing style to be engrossing as, even though I knew much of the history you recounted, I read each page of the book most eagerly. I had just finished Roy Morris' Fraud of the Century and, as much as I enjoyed it, I found your book to be a more compelling tale. Your character development is superb and I love how you tied the thread of the Conkling/Blaine feud of 1866 to events throughout the book. The final weaving together of the tale in Chapter 15 is a beautiful closure to a moving story that, as you accurately captured, impacted and captivated large numbers of Americans. Your research and documentation were extremely thorough and quite logically incorporated into the chronological flow of events. Your footnotes are pure joy for a politics and history buff (like me). I didn't really feel I had finished the book until I read the endnotes, as they added to my deeper understanding and appreciation of the events. Having lived through the Kennedy assassination, the comparisons with Garfield's demise are most intriguing and the distinctions also profound. Both were younger presidents who had won narrow victories to gain the White House. Both were succeeded by vice presidents who were clearly 'ticket balancers.' But Kennedy's assassination has forever been plagued with conspiracy theories, while Garfield's had no doubt as to the assassin. Alas, to pursue this line of thought would invite rambling on my part, but these ideas do cross my mind. I think your book would make a great movie, except for the sad reality that Hollywood would inevitably destroy a great story. Also, most likely, it isn't the kind of story that would capture much interest among our populace, at least in my judgment (keeping in mind the kinds of movies that seem to proliferate theater complexes these days). If only I were wrong about this! Your recapitulations of future developments of each of the prime players in the book (Chapter 15) are tailor made for the closing of a great film. I found particularly touching the telling of Mollie Garfield having married Joe Stanley Brown. Some minor observations, suggestions, and thoughts I have are as follows: - A table of the results of the 1880 Presidential Election and a national map of the results (as I have attached) might have been a good addition to the book. I did thoroughly enjoy your tables of the key convention ballots. (Obviously, my bias as a mathematician and cartographer is showing.) - I am working on a book (well, it is really more of a tutorial) of the History of Partisan Representation in the United States Congress. As you are well aware, the story of the evenly divided 47th Senate, in and of itself, is a fascinating one and your accounting of the battle for control of the Senate is most illuminating. Your description of the tie-breaking (precedent setting) votes of Chester Arthur is great drama. -- In this vein, while you point out that one of Arthur's first actions as President was to call the Senate into special session to choose a President Pro Tempore, you never related who they selected for this position. My research indicates that Thomas F. Bayard (D-DE) served from October 10 to 13, 1881, David Davis (Independent-IL) from October 13, 1881 to March 3, 1883, and George F. Edmunds (R-VT) from March 3 to December 2, 1883. Perhaps with the Senate evenly split, this particular tale was too complex and off the focus of your storyline to include. - Not to nit-pick, but in case your book is ever reprinted, some minor points: -- on page 205, last line of paragraph two, the spelling of 'ungentlemanly' missed the editors gaze, -- on page 234, end of line 15 should probably read 'In fact' instead of 'If fact.' -- the last endnote 'I am a poor hater' should be attributed to page 453. - If space had provided for it, including the White House family portrait on the cover of the book would have been wonderful. Just viewing this photo (in the context of the murder of Garfield and all you shared about his wife and children) truly conveys the personal tragedy that occurred, separate from the great loss to our country. - Indeed, as you note, we do need a solid, contemporary biography of James G. Blaine. Equally, I would welcome one of Chester A. Arthur. While a product of machine politics, as you described him, he showed character, spirit, decency, and integrity that made him attractive. I would enjoy reading more about him. Again, please accept my thanks for your superb work and for sharing this wonderful tale. Sincerely, R. Bruce Telfeyan"
--By the way, he did write me back a substantial note of thanks. As did other reviewers, I subsequently visited the Garfield NHS in Mentor, OH, and his burial site (really a beautiful shrine) in the eastern part or Cleveland, OH.
Gilded Age PoliticsReview Date: 2008-05-20
It is highly unlikely, with the exception of Grant, that any of the participants in this book will ever be the subject of an uncritical adoring biography. Garfield and Arthur do come off as ultimately honorable men, but the real protagonists of the book are James G. Blaine and Roscoe Conkling, two titans behaving badly. Ackerman places the nomination of Garfield in the context of battle between these two national figures who played an important role in politics in the years following Reconstruction.
While the behavior of some of the founding fathers is often so honorable as to defy imagination, this manner of operating does not have appeared to have occurred to Conkling and Blaine. Both are bare-knuckled operators who are frequently petulant as children arguing over a soccer ball. No marble men on Mt Rushmore were the politicians of the Gilded Age.
In a way, because Conkling and Blaine are such scoundrels, the book is rather fascinating, almost like a sequel to "Democracy" by Henry Adams (Conkling is supposedly the inspiration for one of the characters). However in this version, circumstances elevate both Blaine and Conkling to the status of Greek Tragedy.
The book opens with the origins of their feud which began on floor of the US House of Representatives. Because the wise old men of congress decided not to intervene, the two men grew to hate with a fervor that lasted until death. The hatred between the two men reached its crescendo at the Republican National Convention of 1880. Blaine was making his first serious run for the presidency and Conkling was sponsoring the third run of General Grant who represented a return to government free of the meddling of reformers.
A deadlocked convention lead to the selection of Garfield who was present to back his own candidate, Secretary of the Treasury, John Sherman. Of all the candidates Garfield seemed the most reasonable choice since he had yet to have made any serious enemies. This would change once Garfield was elected president. The selection of Conkling's crony, Chester Arthur sealed the deal. It appeared that Conkling's Stalwarts and Blaine's reform minded "Half Breeds" had unified around a single candidate.
Garfield was sworn in as president in March 1881 and died less than six months later. The focus of his brief presidency was an argument over the appointment of a Conkling foe to the plum position of plum positions, collector of the New York customs house. This obscure position today was the most lucrative in the Gilded Age. For the senior senator of New York, this was an impossible blow to Conkling's honor. He resigned his seat in a fit of pique and never was significant in politics again.
This argument at the center of US political life so unnerved a Stalwart supporter, Charles J. Guiteau, that he shot Garfield in order to ensure that Chester Arthur would be president. Ackerman's ability to move between the world of the White House, Congress, political smoke filled rooms, and the shabby world of Guiteau is a credit to his skills as a writer and an historian.
Along with bringing back this lost world of Gilded Age politics, Ackerman's story serves to illustrate that while civil service reform (or "snivel service reform" as Conkling dismissed it as) and other changes have taken place, the dynamics that sustained US politics then, with its larger than life personalities seeking advantage over rivals continues on now much as it did then.
Well done tale of political intrigueReview Date: 2007-03-23

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Childrens' Poetry-Caroline KennedyReview Date: 2008-07-18
aristocratic in a good wayReview Date: 2008-01-07
Less than perfect conditionReview Date: 2007-12-27
I ended up giving my own copy, which truly was in new condition, and keeping the inscripted version for myself.
Beautiful book for younger children as wellReview Date: 2008-05-28
masterful paintings, beautiful poemsReview Date: 2008-01-23

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AmenReview Date: 2008-07-19
He writes so the lay person can understand and so the professional does not get bored. This book has been very helpful to many people.
Healing Anxiety and DepressionReview Date: 2007-07-09
Depression and anxiety fully understood and dealt with at lastReview Date: 2007-07-17
There is help!Review Date: 2007-05-12
Highly recommend to really read the book. Kind of like a textbook. Going back to pages if one has to, to really understand ones behavior, and what one needs to do to be healthy. Highly recommended!
Decent Material For BeginnersReview Date: 2008-01-11

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Molly Moon Can't Get Any Better!Review Date: 2008-07-09
Molly enters HollywoodReview Date: 2008-03-20
Molly Moon Stops the World (Molly Moon)Review Date: 2007-06-27
Just great!Review Date: 2007-03-12
this is the best book ever!Review Date: 2007-03-25
but i thought it was great when they were in Sinclair's car, watching ms. trinkleberry and nockman. (hahahahahaha!!!)
i love this book, and ive loved all the other ones, too!

Used price: $23.70

Braising BibleReview Date: 2008-07-23
If you don't braise--you should--it makes the best dishes and is convenient for a group since you can do it ahead of time.
If you are going to braise, I think you could be wasting a lot of time and effort and missing out on wonderful meals if you don't have this book.
A must for your collection!Review Date: 2008-05-26
This book has made me a better cookReview Date: 2008-05-10
Note that there are very little pictures in the book, which usually renders a cookbook useless for me. However, the way she has described and categorized the recipes, I have never once yearned for a picture to know if something will be good. I just read through the title and recipe and think "Yum, that sounds great!" She's really a great cook and teacher. Kudos to you Molly!!! I love your book!
Buy it. You will be a better cook if you read the first couple chapters and make sure you spend the money and buy a good pot. You won't be sorry.
As for the two star review, I'm certain that their version of the crock-pot pot roast is the reason I never liked pot roast in the first place (you probably need half a bottle of ketchup to stomach it). Pay no attention to that review.
I can't tell you how much I love this book!!! If you like chicken, the chicken fricassee is the best. Also, her pork chops are to die for!
Update: I've been cooking from this book going on three years now and I am still in love with it. One of the great things is not only the recipes and education she gives you, but just about every recipe she recomends a side-dish and a wine. How great is that!? You don't even have to think about your menu. She also starts each recipe with a story about how she came across the recipe, which really gives it meaning and makes me appreciate how wonderful good cooking is. Great job Molly!
UPDATED: My New Favorite Cookbook cReview Date: 2008-03-03
UPDATE: After another couple months of making recipes out of this book I wish that I could give it another 5 stars. Every single thing that I've cooked from its pages has been a barn-burner. Do not hesitate to buy this cookbook.
Hands down--this is the best for braising!Review Date: 2008-02-18
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Bear Wants MoreReview Date: 2008-07-23
Cute BookReview Date: 2008-05-05
bear wants more bookReview Date: 2008-01-18
Another good story in this line of books!Review Date: 2008-01-06
Bear is so loveableReview Date: 2007-12-27

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I'm happyReview Date: 2008-03-22
Historical Fiction originalReview Date: 2006-02-26
This book gives a great emotional account of the horrors of slavery. It is amazing the vocabulary the author had without being formally educated.
This book will stay with me for a while.
A vivid account of slave lifeReview Date: 2005-12-15
By the middle of the story, the reader can easily assess that slave life is neither desirable nor easy. Crafts and her mistress are captured with only more hardships following. Crafts depicts for the reader her passing from one master to the next after her mistress's death. Things only continue to get worse until she brings the reader along with her on her flight to freedom.
Though met by a series of mishaps throughout the novel, Crafts finally obtains freedom to live life with her husband and her recently found mother. No doubt, the reader is happy to see something pleasant finally happen for Crafts. The reader is left with not only a sense of happiness for the author, but with a vibrant image of what it took to get there. The Bondswoman's Narrative is most certainly a good choice for anyone wanting a harsh, yet inspiring, account of what slave life was truly like.
An unpublished masterpiece?Review Date: 2004-10-10
There is also a photo depiction of the abduction of his slave, Jane Johnson with her family, off the Steamer Washington on July 18, 1855, in Philadelphia "by force" by a gang of Negroes led by an abolotionist. Since he was unable to locate and reclaim his servants, Jane was subsequently replaced by Hannah -- who escaped in the Spring of 1857. He must have been a hard taskmaster.
One interesting thing (for me) was a mention of John Brown's (of Harper's Ferry, West VA fame) hanging in Charleston, VA. It was observed that he died as he lived, "game." He certainly was no coward.
I found too much redundancy in the introduction by Henry L. Gates, Jr., and the narrative itself. Absorbed in finding and preserving black culture in written form, he spends a lot of effort propounding on his conclusions, instead of the facts. Like a local writer involved in uncovering ancient history, he uses too many "that's" proving he is not scholary. To me, it shows a definite lack of education and too much emphasis on self promotion, so that whatever is printed will be thought or taken as the truth, the whole truth and nothing else.
As with all autobiographical material it is hard to tell what is fact and where the fiction begins. An old acquaintance now deceased who had been in the Merchant Marines in his younger years and received much enjoyment in bewildering strangers with his detailed stories, told me how he manufactured "truth." Add a few relevant facts which can be substantiated and names of real people and presto! it's history -- not fiction.
As with science, the individual authors are expounding on their own theories, not facts per se. It's the same in any field and any "case" history. Mr. Gates wanted to prove this narrative was authentic; therefore, he spent more effort with his "proof" than the slave's account itself.
Something that old can never be proven beyond a doubt. Now Clifford Irving's bogus biography of Howard Hughes was ill-timed. Had he waited until after the person's demise, there would always be doubt and nothing to prove he was a liar.
I don't believe a slave would know some of the words used by this writer. By including family background and descriptions of events, it is taken as the authentic tale of a real Hannah Crafts. He did too much surmising "what if's" to have run down the actual writer to New Jersey -- to have been the runaway slave from North Carolina.
I found the marked out words and phrases to be distracting (also detracting). It would have helped to have the edited parts left out; the 21 chapters would have sufficed without so much explanation and additions (in brackets). Instead of making this clearer, it befuddles the story itself.
I'm not a user of the word "that" which is grossly overused in newspapers today. About ten years ago, I typed the lengthy "memoir" of my ex-husband, a college English professor, and edited at intervals throughout. Of course, he proof-read every page before having the entirety copied and bound to distribute to members of his family. Sometimes, he agreed to my "clarifications"; at others, he'd say, "but we didn't talk that way." Growing up in a tiny hamlet between Shelbyville and Chapel Hill (where he'd been born) in Middle TN, and being about fifteen years my senior, he'd experienced things and feelings totally opposite to what I had in Knox County (East TN). My reasons to "edit" were for the benefit of those who'd be reading his memories, not to change events -- and he finally agreed with me.
Perhaps I should have left things exactly the way he expressed them, no matter how grammatically incorrect they were, as now that is what I am wishing Mr. Gates had done with this manuscript. The things he marked through seemed inconsistent vocabulary for such a young, uneducated woman confined in "the peculiar institution", and I'd have preferred not to have to think about them.
The textual annotations did not add to the story and were a bit too detailed. You can analyze a situation "to death." Some things are better left to the reader's imagaination.
This story is as old as the hills. Didn't he see the similarities between characters of this narrative and those in SHOW BOAT? Sad but true. Life is not always easy for those without power or money.
You have to enjoy this style of writingReview Date: 2004-07-10

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ia ia Cthulhu fhtagn!!!Review Date: 2005-04-19
If you want real horror, ignore the WoD and make it Cthulhu!
Useful even to non-lovecraft fans...Review Date: 2005-04-03
That is amazing, considering exactly how LITE the rules system is. There are very few hard and fast rules, with almost everything being handled by percentile dice. The system is very organic, with characters increasing in skill by performing them.
The characters in a Call of Cthulhu game are more 'real' than some similar games from other companies. They have a great sense of depth due to the occupation system used. Also, considering how lethal combat is in the game, you are greatly encouraged to think your way out of problems.
One other area that has been found by my group to be important is the ease of transfer from one 'style' of play to another. Whenever we are wanting to run any type of realistic game set in any era, we always look to the Call of Cthulhu rulebook for ideas. So far, we have run a wild west game and several other genres using the rules in this book.
In his house at R'lyeh, dead Cthulhu waits dreaming...Review Date: 2004-06-22
An Unforgetable ExperienceReview Date: 2003-03-11
That old book, now tattered and yellowed with age, was read by my son and daughter, who now want to pass it on to my grandchildren. It's time for me to replace it with a new Penguin edition before is falls apart, totally!
Lovecraft's writing has many weaknesses, flowery language, poor characterizations and vague plots. I see all these faults now, but they never bothered me when I first read him. Women don't seem to be a part of Lovecraft's world, and that is a shame. His stories were too short to correct these faults. Modern full novels, in the Lovecraft tradition, like "The Riddle of Cthulhu," are written with many of HPL's faults corrected; like the inclusion, for example, of unforgetable characters, romance and a believable plot. Still, the "Call" is the source and the classic horror book. You must experience these classic stories, then move on to today's modern "Lovecraft Style" novels!
Yet another 5-star reviewReview Date: 2004-01-13
Some people will say the Basic Roleplaying rule-set is outdated. It's true that games like Unknown Armies and Godlike are pretty cool, and I know people who are using those rules for their CoC games. But just try introducing a newcomer to those rules, or getting someone who's only played D&D before to convert. They get dizzy, I tell you. Nope, for a simple, elegant rule-set that just about anyone can grasp right off the bat, Call of Cthulhu's Basic Roleplaying has still got it, after more than 20 years. The rules fade into the background, where they belong.
And unlike other games with their multivolume core rulebooks and endless splatbooks that you *need* if you want a fully fleshed-out campaign, everything you really need is right there in this one rulebook. Heck, every time Chaosium does a new edition, they comb all the supplements for spells, monsters, skills, and so on, and add them into the new edition--to save you time and money! Chaosium even printed the entire short story, "The Call of Cthulhu," in this edition, so newbies can get a taste of what it's all about.
If you've got an older edition of CoC, you don't need to buy this one--the rule changes are quite minor. Unlike D&D, a new edition doesn't make everything you already know obsolete--"editions" of CoC are back-compatible with older editions and old supplements. Chaosium does new editions to keep the book in print and to make it a little better every time, not to force the fans to spend money. I bought it because my old book was getting worn out, and I wanted a more durable hardcover edition. Now I can loan out the old book to players. But I'm really happy with the little changes, and it's nice to have some of the information that used to be in adventures and supplements all gathered together in one book.

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One of my favoritesReview Date: 2008-04-23
ahh, the devil with you!Review Date: 2006-04-27
The reader should expect more than the above summary. The story is intricate, and there is meaning behind each character. Otherwise, the reader, may find the book boring and confusing.
A book you'll either love or hate.
Oh how savagely I would make love to this book if it was a woman because it would be a very beutiful nymph...yesReview Date: 2006-06-02
Not since finishing On the Road can I say that I have read a better novel.
It was like a pathetic escape from life when I followed all of these facinating characters around Dostoevsky's St. Petersburg.
Without a doubt, my favorite part of the book was at the beginning when Raskolnikov wandered into a bar and met Marmeladov, the hopeless, yet loveble drunk who is kind of the Micawber of the story if we may compare this monumental work of fiction with an obviously inferior one. Marmeladov just gives Raskolnikov his life story and talkes about his alcohol addiction and how it harms his wife and children. What really struck me the first time I read that part was Marmeladov's eloquence in saying how much he was ashamed of himself and sorry for putting his family through such pain. Then he says that meek ones like him on the last day shall be redeemed.
What we have at that part is the most beautiful part in world literature. It hit a bullseye with me and this simple scene of the drunkard's dignity is just the welcome Dostoevsky gives the reader. I love the friendship between Marmeladov and Raskolnikov and the depth of the character of Raskolnikov is simply astounding. It is just the epoch of psychological characterization.
The philosophy Marmeladov lays down to Raskolnikov at the beginning, salvation, redemption through suffering is very powerful (and true). We all have a cross to bear, especially Dostoevsky when he was writing this incredible work of fiction. It makes one romantically picture the great prophet slaving over this masterpiece with only a candle to light his writing in that beautiful language of Russian and finally finishing it and probably using the first pay to gamble.
I love you friend Fyodor Mikhailovich
and I love your novel.
I hath spoken to my friend...ECCE HOMO.
Crime and PunishmentReview Date: 2007-03-09
This is probably the best fictional study of the effects of guilt and radical ideas on a troubled mind. The prose is flowing, and it's not hard to see why Dostoevsky considered his novels "poems".
Dostoevsky's works in general are marred by a flaw I prefer to ignore as much as I can, and in this novel it is hardly present. Dostoesky's politics are odious, his nationalism, anti-Semitism, and anti-Polish sentiments absolutely ruined a section of The Brothers Karamazov for me and in The Gambler I felt their effect dramatically. They only crop up once in Crime and Punishment, that is when (plot spoiler coming soon) Svidrigailov is about to shoot himself, when Dostoevsky describes the Jewish guard as having "that sour look common to all members of that tribe", or something very close to those words.
All in all, I feel that Dostoevsky's politics can be excused, and prefer to focus on the positive attributes of his writing. There are many, and it isn't difficult.
An absolute pleasure to readReview Date: 2006-05-05
Just a note of interest, Woody Allen's excellent movie Match Point (2006) takes a huge amount of thematic material and action from Crime and Punishment, and some particularly memorable sections are taken down to the smallest details. The main character in the movie is pictured several times reading this book, so Allen definitely wanted us to know something was up, and as I started reading, I just smiled and smiled, knowing that Woody Allen was rewarding me for following his not so subtle hint. When the movie came out I had just discovered Dostoevsky and was reading The Brothers Karamazov. Talk about chance!
I would also highly recommend the Pevear and Volokhonsky translation, because it definitely does make a difference.

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Through a glass, darkly . . .Review Date: 2007-11-02
This is a book that I first read when a condensed version appeared in a Harper's magazine article in 2001. I purchased the book shortly thereafter since my own mother had been diagnosed with the disease a year earlier at the age of 58.
I still pick up Death, in Slow Motion every few weeks. I can't tell you what a comfort it has been to me as I journey through the dark and twisted tunnel of care for my own mother. Although our circumstances are different, and the case of every Alzheimer's patient is truly unique, I felt and still feel as if I have met someone who is willing to hold up that mirror and tell me what I am in store for - but in a comforting, compassionate and very honest manner.
Death in Slow Motion: A Memoir of a Daughter, Her Mother, and the Beast Called Alzheimer'sReview Date: 2007-09-25
I don't always find authors or experts that have her down to earth way of relaying the real nitty-gritty experience of caring for someone with Alzheimer's. She's an intellegent, strong woman who jumped head-first into the role of caretaker of her Mother, Mary who was beginning the long decline of Alzheimer's. This is a task many children take on and barely survive. Eleanor Cooney is definately a survivor and a brilliant, funny, brutally honest author.
But Eleanor Cooney is also a wonderful storyteller. I feel like I have been in these Connecticut neighborhoods and homes, and have met this cast of characters that tell the exciting story of Mary Durant's life. I especially feel like I've met someone special, Mary. It's hard to remember the person that's inside that Alzheimer's shell. Eleanor has done her Mother proud and left a loving memory of a very beautiful, creative and unusual person.
As the author remarks of Alzheimer's: "you will never be the same once it's paid you a visit." I have not been the same since I've read this book! Do yourself a favor and take this journey!
Powerful!Review Date: 2007-03-24
p.s. I bought this book used.....wonderful condition...used is the way to go for any college student! low $$$$
Death in Slow MotionReview Date: 2006-01-24
A Must Read for Alzheimer's CaregiversReview Date: 2006-01-19
Related Subjects: Veidt, Conrad Van Damme, Jean-Claude von Sydow, Max Van Outen, Denise Velez, Lupe Van Dien, Casper Visitor, Nana Voight, Jon Van Dyke, Barry Vosloo, Arnold Van Peebles, Mario von Trier, Lars Vartan, Michael Visnjic, Goran Varney, Jim Vaughn, Vince Van Der Beek, James Vorderman, Carol Voight, James Haven Van Doren, Mamie Vickery, John Vanous, Lucky Vaughn, Robert Vieira, Meredith Valentino, Rudolph Verdon, Gwen Valley, Mark Vansier, Nathalie Vickers, James Venora, Diane
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Garfield's assassin was Charles J. Guiteau, a religious fanatic and a Stalwart, who was apparently angered because he had been refused a government job. He stated that he shot Garfield in order "to unite the Republican Party and save the Republic." Guiteau readily gave himself up after the shooting, certain that the people would understand the high-mindedness of his purpose. He was found guilty of murder, however, and was executed in 1882.
Vice President Chester A. Arthur succeeded Garfield as president. A member of the Stalwart faction, he had sided with Conkling in the dispute over Garfield's appointments. He gradually replaced all of Garfield's Cabinet with Stalwarts, but picked them for ability rather than loyalty to Conkling. The shocking nature of Garfield's death fueled a movement in Congress for civil service reform, which had been started but stalled under the Hayes administration. As a result Congress passed the Pendleton Act, which President Arthur signed into law in 1883. It established the Civil Service Commission to ensure that federal jobs would be awarded according to qualifications rather than connections
Several hundred pages of text on Garfield and the politics of his day may seem a stretch, given the gray, hyper-partisan, issueless politics of the Gilded Age. But in Ackerman's hands, the story of Garfield's presidency and murder comes brilliantly alive. Ackerman (an attorney who has worked on Capitol Hill and in the White House and written about Gilded Age scandals) relates with gusto and fizz the story of Garfield's unanticipated nomination as Republican presidential candidate in 1880, his election by a whisker, the travails of his few months in office, and his assassination. It's a story mostly of the struggle for spoils and patronage between two wings of the post-Civil War party of Lincoln. In fact, the lonely, unstable assassin, Charles Guiteau, was a resentful partisan of the wing that Garfield didn't fully reward. Soon after the president's death, and largely as a result, Congress enacted civil service reform. Ackerman brings to life all this and the colorful political figures, mostly senators, who strode the nation's public stage. The trouble is that, like so many works of history these days, it's long on narrative and short, very short, on analysis. You wouldn't know that the political deadlocks of the 1880s deeply, and disastrously, affected the lives of freed slaves, nor do readers learn of agricultural and labor crises, industrial growth or financial shenanigans-the very matters that factional fighting and political murder kept under the rug. It's a pity that Ackerman doesn't apply his skills to such central matters of context and significance.