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Hi, how are you all? Well I know this book is wonderful! Acually i never read the book charmed but i did read the book so little time, which is by the same author. That was a very good book. So if that was a good book that she wote then this should be good also. The book is very intersting and tells you alot of information and some good heads up and tips. Kids my age would like the book, i would belive..... I might not be giving alot of information right now but the more information you want is right inside the book. So i would suggest to read the book and i think you will injoy it! I also think Charmed is a good book to read too.!.!.!.!.! Well i hope i at least helped you out a little bit. And i hope you read BOTH books because reading is good for you , and just enjoy them! Thank you for taking your time out to read this.

I have a penchant for time-travel stories, as they are striking, interesting, not to mention compelling. This book is inevitably one of them. Phoebe being abducted into past by a time-demon during the times of the Salem Witch Trials was huge (amazing)!! I'm not going to reveal details of the story, but what I don't get is that how on earth could the Charmed Ones use their powers in the past, and how the Law of no coincidences is oblivious to the author.


But as this is not the tv show, I suppose authors are able to use their imagination freely. My fave bit of this book is how Piper and Prue was under the evil influence of the root tea Prudence drank, given by Hugh, and they acquired amazing powers, which included being "evil" themselves and coming in handy to rescue their sister. I especially like the fact that Prudence did not succumb to the tainted root tea to nearly kill her own descendant, as the power of good always prevails!!! Also, its nice to involve the Charmed Ones' ancestor to this book, as readers somewhat know more about certain witches from the Warren line. Rosalind Noonan did a good job portraying each sister's characters, and how all their different and unique personalities combined together can pack a huge wallop. True to the series, with dry humour added and the Power of Three situation makes Whispers from the Past all the more enjoyable. And the fact that poor Phoebe, despite "stuck playing cinderella", she was determined to stay focused on the path to solving the problem, is also rather warmth-evoking.

In a nutshell: If you like Charmed, there's no doubt you will like this book. Not as excellent as Soul of the Bride, but close. One of my all-time faves. Well worth it!!!

Finally, a Phoebe episode [well book] that any Charmed fan can get behind. It's a time travel piece and a family get-together. Need I say more?

Fantastic addition to the Charmed series :) Not as good as 'Soul of the Bride' but up there with the best of the books.

I always love a good time-travel story if it's: 1) Well-Written, 2) Believeable. This book gets it on both counts.

The evil piper/prue angle was kinda amusing *ducks* The new powers they got were awesome too (though Piper's was kind of an extension on her stopping tme power)

This book does have a couple errors (Girls using their powers in the past to get home) but considering these books aren't written as fast as the series is ('least most of them seem that way)... we need to give the author's a break. We can't expect them to keep up with the pace/storylines of the show.

Considering SOME of the storylines 'Charmed' has taken, maybe the creators should look to some of these books for plot ideas.

I hope Miss Noonan puts in another contribution to the Charmed series again sometime.

This was the very first Charmed book I read and it was solid. I have now watched every episode of every season and there were no holes in it. I love all episodes that the sisters go back in time or forward or relive memories etc. If you are like me, then you will love this book too!

Everything!

The Star Trek Deep Space Nine Companion is an "absolute must" for any DS9er or Star Trek fan. I owned this book for several years and would occasionally read about specific episodes. But this summer, I decided to watch every episode and then read what the author wrote about it. Now, I know why it's called a companion.

The book supplies, what I believe to be, an appropriate amount of information to introduce the reader to (or remind them about) the show and then continues with a behind the scenes "peek" from the perspective of the writers, directors, cast members and crew. Frequently, the author reveals the inspiration of the episode. And it is a very common occurrence to learn that the finished product was not always what the writers originally imagined. Without saying it, the author conveys all the hard work, patience and persistence associated with each episode and a glimpse into the Star Trek universe.

The companion contains numerous quotes from the writers, actors and directors. Included are their assessments of whether they considered the episode to be good, great, or not-so-great. The opinions and experiences of the guest stars, supporting cast members and even the stunt guys are also included. And the author delays revealing the back-story until the very end of a story arc, on those occasions when a particular story spans several episodes, to prevent the reader from getting too much information. Special treats include "close ups" on secondary characters, maps of Bajor, drawings and pictures of artifacts used in the show. Even a pronunciation guide for one of the episode titles is included.

This book is the perfect complement to the series. It's more than an episode guide. Future Star Trek companions will find this book to be a tough act to follow. I highly recommend it!

Love this in my Star Trek collection. Helps you to remember all of the great episodes of this series.

This book really set the standard for me for what a companion book for a TV show should be. A nice essay on the shows creation, lenghy season overviews, detailed synopsis' for each episode, and at least a couple pages (note these are big pages) of behind the scenes information on every single episode. With all due respect to a previous reviewer I don't understand how one could say there isn't enough behind the scenes information. This book is basically everything you could ever want to know about the TV show Star Trek Deep Space Nine. I now only buy companion books that follow a similar format. For anyone who likes DS9 this is the book to own.

This book is just too good for words - I actually was a little stunned to see it existed, and when I received it, I could not have been more pleased with the content. In-depth articles on each episode, illustrated by nice B&W photos and great interviews with cast and crew up and down the list.

Definitely NOT for the casual fan, but for those rare DS9 fans among the Trek fan base, this is the one.

Also, for those of you who enjoy the current "Galactica" series, this is a good window into how Ron Moore learned to write serialized, relevant sci-fi. If anything, this show is superior in many ways to "Galactica," if only by allowing a few rays of light to shine through the perpetual gloom.

Only complaint, and a very minor one: no interviews with either Marc Alaimo (Gul Dukat, nose-to-nose the best villain in Trek, along with Khan and Q) or Cirroc Lofton.

I'll just add to the heaps of praise for this massive work covering the complete Deep Space Nine series. The plot of every episode is described in detail, as one would expect, but this volume goes much further, devoting a great deal of text on each episode and season, primarily offering points of view from the writers, story editors, producers, directors, and other production staff, and occasionally from the actors. What's especially great, aside from all the detail that fans salivate over, is that everyone involved with the production is generally pretty candid about what does and doesn't work, so the less-inpsired episodes aren't subjected to faux praise for the sake of selling DVDs.

It's not flawless, however. Too much detail is sometimes given about how a story evolved into what finally aired, whereas there are often other questions about plot and character development, or lack thereof, that would've been more compelling to read. Also, there are spoilers in some of the behind-the-scenes info that could've been better disguised; it makes it difficult to share the book with someone who is watching the series for the first time. Those are small nits to pick, though. No other Trek episode guide comes anywhere near the level of depth and quality of this one, and I can't recommend it highly enough to fans of the series, even those who don't consider DS9 their favorite part of the ST franchise.

I probably would have liked this book a little more if I had read it before I read Ravished; it just seemed like a rehash of that book, only in a medieval setting instead of nineteenth century.

Also, the purple prose bordered on the silly side at times, making it hard to read with a straight face.

this book is fun to read. one of the only medeival books written by amanda quick.high in action.

This is definitely my favorite AQ novel. I won't go into a breakdown of the book, but I will say that besides enjoying the story, I learned more about how life was during that time.

A great read for any Medival novel or Amanda Quick fan!

I love these 1-title books from Amanda Quick. I know they are not a series, but each book has some similarities, but she always keeps it fresh!

I cannot believe all of the 5 and 4 star ratings for this book! I couldn't wait for it to end. Very formula and hoaky dialogue. If this is any indication of how Amanda Quick writes her best-selling novels, I think I'll pass up the next opportunity to read another. The purple prose was forced and ridiculous. If this was supposed to be a satire or comedy, it missed the mark and just came across as incredibly stupid.

"He found the valley that divided the luscious hillocks and followed its course to the hot spring that awaited him." (The words of Hugh the Relentless.)--Even though this is a medievil romance--way too hoaky.

"A cold, ghostly wind wafted from the dark corridor. It carried before it the promise of doom." (this is describing Hugh entering a dark cave and Alice, the heroine senses his presence by mental telepathy or something. OH PLEASE!

"Hugh was vengeance incarnate, a dark wind that would sweep all before it."

And these ridiculous passages were easy to find--they're everywhere in this book.

I say don't bother with this one.

This book is one of the best books about the fire service I have ever read. I hung onto each and every word. It was though I was there sometimes.

During the tumultuous period of the 60s when author Dennis Smith wrote Report From Engine Company 82, the book was a cry for help from exhausted, frustrated men. Men who cleaned up in the aftermath of other exhausted and frustrated inhabitants of a society stretched to the breaking point.

As I type this, a younger firefighter in a comfortable, air-conditioned fire station among a population that by-and-large respects my profession, it's easy to forget the sacrifice of our past brothers who unceasingly fought fires, city hall and the population they served, until they had forged the modern fire service.

It's an important book for new firefighters to learn how the iron men of old did the job. And for the general reader it's a testament to both a volatile period in our nation's history, and to the timeless strength and courage by which good men have always worked to keep back the chaos of barbarism and destruction.

I spent 10 years in the fire service in both engine and truck companys. While I have many memories and stories to tell, the author, Dennis Smith, sums up the life of a fire fighter in an urban environment about as well as can be possibly told. Trying to balance the unpleasantries and sadness against the satisfaction of saving a life or helping a family overcome one of life's most agonizing moments is very well portrayed in this book. This is what a fire fighter's life is about folks. There is no other book that I can remember that tells it any better than this. If you're thinking of a career in a big city fire department or for that matter, if you're even thinking of becoming a volunteer fire fighter this book is a must!

I first read this book 20+ years ago, when I was under 20 years of age myself but streetwise from being the "wheels" (with a driver's license and a car) for various escapades all over Chicago in my raucous, hard-partying and utterly politically incorrect youth. Many aspects of "Report From Engine Co. 82" stuck with me through the years, and I've re-read it several times. Now I'm 40 and an ER RN in a Chicago hospital where we see more than our share of the extraordinarily dysfunctional lives of the people who live in poverty in the neighborhoods that surround our hospital -- the type of job and environment Smith portrays so well in "Report From Engine Co. 82."

"Report From Engine Co. 82." tells truths about the nearly inescapable poverty and illiteracy of people scraping by in lives that are marginalized in every possible way because they don't -- can't -- really care for themselves appropriately because they don't even know how. Poverty isn't what it used to be -- but it's still as screwed up as it was in Smith's first book. Most of our ER visits aren't really emergencies, just as most of the calls Company 82 responded to weren't emergencies, either. Nowadays, people call 911; when "Report" was written, that 911 system didn't exist yet. But not much has changed since then, in terms of what the firefighters/paramedics respond to and bring to the ER.

Most of the "emergencies" he sees are not emergencies. The non-emergencies, combined with the real emergencies, portray the dangerous and unthinking way poor people live through a combination of lack of resources, lack of experience with the "straight" world, lack of common sense, and minute-by-minute survival thinking. Most of these emergencies and non-emergencies are easily prevented -- if people had common sense, proper parenting, and a normal instinct for self-preservation.

These qualities, however, are surprisingly hard to come by in poverty, and this is what Smith dramatizes. The heroin overdoses. The stupid kids doing stupid things because they are constantly left unattended and to their own devices. Kids who shoot themselves in the thigh or foot -- or worse -- "playing" with guns. Fires that kill children because space heaters provide the heat slumlords refuse to provide in their code-violating buildings. The incipient hatred and distrust poor minority neighborhoods have of the white emergency personnel and firefighters who respond to their calls. The huge cultural gaps that make true communication and understanding so difficult -- even when you're both the same race and both speaking English.

What Smith accurately portrays is the way poverty-stricken people "live in the now" -- people whose entire lives are spent with no real financial or material stability or security. These are people for whom the concept of saving money for the future is impossible, either as a concept or a reality. People for whom making an appointment days or weeks in the future, and actually remembering to get to the appointment, is nearly impossible. Their main mode of thought is: what do I need to do now, what do I want to do now, what do I need or want to do in the next five minutes. This inability to think about and plan for the future is endemic, as is the inability to prioritize that which really matters -- one suspects because most of these people realize on some level they have no future that truly matters to the rest of society, and they're incapable of living as the rest of the "straight" world lives because they never have, didn't grow up with it, and don't know the language of living that life, let alone the mindset.

These are the people and children who have no insurance, no health care, no glasses when their vision is bad, no braces or dental care when their teeth are bad; who never use birth control (to prevent pregnancy OR to prevent disease transmission). People who don't understand why it's inappropriate to come to the ER with an upper respiratory infection and get pissed off when they wait hours for care while higher priority, higher-acuity patients (in respiratory distress, cardiac arrest, heart attacks, asthma attacks, and overdose, etc.) are taken before they are.

Conversely, these are also the people who shun health care until they are so sick they can no longer avoid it, and discover they have cancer... Cancer that could have been prevented or at least treated, often saving their lives, had they ever had regular health care -- but who are now consigned to an inevitable death they will blame on the healthcare providers who couldn't save them because they were at a stage beyond saving or treating in any way other than palliative.

Smith's New York is NOT the New York of Sex And The City. This is the New York of the infants whose welfare mothers don't immunize them, but have the latest, most expensive coats and boots because conspicuous consumption is how they live: you show how much money you have by wearing all that your money has bought you (rather than doing the far less glamorous but sensible things more responsible people, whose children were WANTED rather than accidental, do). The New York of the kids having kids who have kids, all of whom have never known proper parenting, nutrition, or health care. The overdoses. The children who come in with accidental poisonings or burns from household chemicals because no one was watching them. The attempted suicides with anything and everything -- cold medicine, knives, guns, illegal drugs. The kids raised by siblings because the parent is completely incapable, if they're even around, with or without the additional problems of substance use/abuse, addiction, or domestic abuse. The families which are largely single-parent families -- and where the parental figure may be an elder sibling, aunt or cousin who cares more for the children than their biological parent(s) does or is capable of doing.

This is also the world of the terrified illegal immigrants who wait so long to call for help because they're afraid of INS (now ICE) and deportation; by the time they do, they're often too sick to save. The penniless old people whose pensions don't cover their living expenses and who don't call for help because they're terrified of being discharged from the hospital to a nursing home and losing what little autonomy and material security they have left. The fractured families (with utterly dysfunctional dynamics) who interfere with the paramedics' jobs -- as well as the tight-knit families who are rich only in love for one another. The people who refuse help they desperately need because they fear and distrust the paramedics and firemen trying to help them, and because their healthcare illiteracy is such that they have no idea what is necessary to save their lives, and so refuse or avoid medical treatment that could stop problems in stages when they're still treatable. The mothers who speak no English, who superstitiously fear that emergency treatment will kill their children, yet who are so desperate to save their babies, they don't know what else to do, because all home remedies have now failed. The endless numbers of people who let their prescriptions run out or try to save money by taking less than the prescribed doses and then have severe health problems that wouldn't happen if they bought and took their meds as prescribed -- but who, for multiple reasons, can't and/or don't. The people who beg not to be brought to the hospital because "people DIE in the hospital" -- people who don't understand that their neighbors and family members who died in the hospital, died because they waited far too long to call for help, and were therefore were beyond saving when they finally got to a hospital.

Anyone who works in public service as a fireman, cop, nurse, social worker, or psych intake worker in a big city -- and in poverty-stricken, crime- and drug-infested suburbs and rural communities -- can relate to Smith's book. For everyone who majored in something else, this book opens a door and exposes the lives of people you don't even know exist, people you don't acknowledge when you're forced to share a bus or train with them during rush hour (or who you intentionally avoid by driving in your own car, despite the expense of gas, insurance, and time spent on the commute): the people who don't work, or the people who work wage-slave jobs like janitor, maid, fast-food worker, security guard, who can barely pay their bills or care for their children with what little they make -- or who blow it all on liquor and/or drugs and/or gambling (or all three) to escape the miserable hopelessness of their lives. The kids who have the latest "stuff" -- whether it's the shiny ten speed bicycles Smith writes about, or today's video games and cell phone/mp3 player/cameras -- but whose parents can't or won't give them what they really need: breakfast, lunch, dinner, and a stable environment from which to emerge every day to deal with the life-endangering risks of walking to and attending public schools that do little more than babysit and warehouse kids whose futures include teen pregnancy (and the late-term, life-threatening miscarriages that go with total lack of prenatal care, with or without drug use), repeated incarceration, and shorter-than-average lifespans due to the daily likelihood of violence in their communities and their lives.

Smith's portrayal of this kind of poverty is not pretty but it is not unsympathetic -- there are glimpses of beauty and hope, mostly in the young women and children who haven't yet been ruined by their surroundings. Smith tempers it all with a matter-of-fact acceptance that although it is his job to care for these people, he may never really understand them because he's now too removed from that life, and he takes on faith that they possess human qualities they often fail to demonstrate. But some do show their humanity, and those are the people he does it for.

Smith does an excellent job of portraying the paradox that the job of these firefighters and paramedics is to help and save these people, which by its nature includes finding them WORTH helping and saving, at the same time as they move and live as far away from these neighborhoods and the associated poverty, crime and drug problems as they possibly can. This is not merely a racial difference. There are plenty of black and Latino paramedics, cops, firefighters, nurses and doctors who straddle the gulf (some might say 'minefield') between their class and the class of the people they help, in circumstances that are at best trying and at worst nearly impossible to help them transcend for any sustained length of time.

Smith portrays the sympathetic detachment required to know that this is what you do, all day, every day you work, with only the hope that one or two out of ten people will actually genuinely and sincerely thank you for what you do or have done for them -- which is that elusive reward you get, one that can make it all seem worth it when it happens -- and to hope that when you show up and give this of yourself on every shift, there might be one kid or teen who sees what you're doing, who still has enough time ahead of them to see this glimpse into another world... A world it is just *barely* possible for them to enter given enough determination, education, mentoring and drive, and sadly also given enough instinct to discard much of what they learn in their families about how they THINK the world works, versus how the world REALLY works for the more educated and better-off people who run it.

The fact that Smith can show all this without denigrating an entire class of people -- does, in fact, portray them with humanity and the grace one occasionally sees in these circumstances -- is because he also recognizes that he is not that far removed from the kind of poverty he sees on the job (he grew up poor, too). He recognizes and accepts that he is that kid who admired firemen as a boy and saw a different world -- he is that kid who made the leap to the next class up, to the working class and blue collar as opposed to poverty-stricken. He understands the dysfunction -- the drinking, the drugs, the abuse -- that occurs in the neighborhoods Co. 82 responds to because it occurred in his neighborhood, his family, his poverty, while he was growing up.

This understanding that few "get out" -- and that he was one of the lucky few -- underscores with sympathy his otherwise stark portrayal of the job of a NYC fireman in the 70s when NYC was not a desirable place to live and people did their best to escape "the city" as soon as their financial circumstances permitted it.

The uncensored version of this book (which is the one I've read multiple times) also shows the bizarre split someone who works as a fireman/paramedic, nurse, or doctor must negotiate within themselves -- the intimate knowledge you have of the bodies of the people you must save, which is merely part of your job but which you can't really talk about to any family member or lover who isn't in one of these fields. I don't mean merely intimacy with people's genitals -- though there is that, such as the way the Smith describes heroin overdoses getting icebags put under their testicles (negative stimulus, designed to bring unresponsive, unconscious people back to responsiveness and consciousness). I mean the intimacy of seeing people stripped of their modesty and dignity, voluntarily (prostitutes) or involuntarily (the terribly sick), whose personal space and body integrity you must necessarily invade, often in less-than-respectful or diplomatic ways because there is no time for those niceties when someone is dying and you're trying to save them. People who don't work in these fields can never really understand how you can be unaffected by the nudity, exposure and/or intimate knowledge you have of these total strangers, and the disinterest or casual attitude with which you greet what would shock most everyone else.

And, of course, you're not unaffected by this knowledge. Sometimes you're disturbed, or someone or something sticks in your mind -- the things you've seen or had to do -- and is recalled in inappropriate moments with your loved ones. You're not unaffected, you're just emotionally calloused or you compartmentalize it, in order to repeatedly perpetrate and endure this violation of the boundaries between strangers and its inherent power imbalance: you, as the emergency personnel, never have to reveal any of these intimacies to your patients... but they must necessarily, willingly or not, reveal them to you. This includes the mentally ill and the hopelessly drug-addled or dopesick (or both, combined) -- sometimes the most disturbing intimacy of all: the insides of their heads and their distorted, sometimes frighteningly unhinged, perceptions of the world around them.

Before anyone decides to dedicate their lives to becoming a firefighter, they would be wise to start their research here. Some 30+ years after it was first published, this book still shows remarkable insight into the lives, struggles, and emotions of a professional firefighter. When I started on the road to becoming a firefighter, being a volunteer and reading Dennis Smith books asserted in my mind that my life would be wasted doing anything else. For others, this may convince you that the job is not for you. It isn't for everyone. Either way, this is a very enjoyable read and worth the time and money for anyone, not just firemen and wannabe's.

Series book. The large, readable print makes this good for children to read.

Summary
Frog and Toad are friends who share life together. I love the "To Do List," which includes "Wake up." Lobel wrote and illustrated more than 70 books. This book received a Newberry Honor Award.

Illustrations
I love the fresh and pleasant green and brown pictures, as did my children.

When Frog and Toad saw a snake, the snake said, "Hi,lunch!" Frog and Toad ran away.
Toad made cookies and Frog said, "They got will power." Toad made a list then when he got to Frog's house, Toad said, "We have to take a walk." They went on a walk. Suddenly, Toad's list blew away.

My daughter's nursery is decked out in Frogs, so the discovery of these books made them books we had to consider. They are fun and the illustrations are grest. At eleven months she is too young to read them herself, but we read them to her - and she enjoys them. The stories are simple with a central theme - do good for others, treat your friends with respect, help your firends when they need help, laugh, and aporach life with adventure. These are great virtues to instill in young minds. If the books were made in cardboard stock, Teah would be even more happy with them - as it is she frequently grabs one of them when it's time for her bedtime story - and great bedtime stories they are. By the time she starts to read she will know the stories by heart, but that's ok - fond memeories of bedtime stories like these should help her build a lifelong interest in reading on her own.

The Frog and Toad books were favorites of my daughters when they were young. I often give them to young friends, and was very happy to share them most recently with my two year old grandson

Learn the value of friendship with one of the most delightful duos in all of children's storytelling! Perfect bedtime stories or beginner's reading books, kids love the animorphed amphibians and funny adventures. Buy one and you'll have to get them all!

J. Lyon Layden
The Other Side of Yore

The book has great pictures and very detailed if you know someone who loves Sta Wars movies would love this book..

My son is using this book as a reference for his drawing class and we all find it very helpful. There are facts here which are quite detailed and wondered how the author know all these stuff! Anyway, we love the book!

This Book has a lot of glear crisp pictures in it. Since I make Star Wars movie props (Lightsaber hilts, Helmets, Costumes) this book helped a lot. darth vader lightsaber is totally sweet and the moment I saw it in the book I said I gotta make that, so right now I'm in the process of making his and many others.
Again this is a great book so please don't hesitate a second. buy it!

RYAN J.

This guide was accurate, except for one thing: Solah is Padme's sister, and Jobal is her mother. This book portrays it as the other way around. But otherwise, a good reference book for the best movie ever!

This is the best book for any fan of the movies. It explains things you'll never learn about on screen. From their weapons, to their clothes and why they need and have them, it makes sense of things that don't make sense. Good book!

Playwright Peter Shaffer is an exceptional dramatist. His characters are unforgettable, and each one is dealing with a psychological struggle. In "Amadeus," Shaffer examines seventeenth century Vienna and the life of Wolfgang Amadeus Mozart and his rival, court composer Antonio Salieri. This play shatters the view of Mozart as an innocent child prodigy, and instead paints a picture of a childish, scatologically minded, yet ultimately tormented musical genius. Trapped by the financial demands that are placed upon him, and the demands of a domineering father, Mozart strives to make his music and to be excepted.
The main focus of the play is upon Salieri, whom the audience sees as a sweetmeat loving, conniving schemer who is appalled by Mozart's new ideas and manner. However, Salieri is not one demensional. He is a sympathetic character, who wrestles with his conscience. Feeling betrayed by a god who shows favoritism, he recounts his desire to make music that will provide him with unsurpassable fame. However, his music is ordinary when compared with Mozart's genius, and Salieri is fully aware of this whereas ordinary citizens of Vienna are not. Vowing revenge, Salieri decides to lash out at Mozart: "God's Flute," therefore providing an opportunity for a terrifying confrontation in which Mozart is driven into madness and early death. Everyone can relate to the character of Salieri because we have all felt betrayed when our own specific talents were regarded as inferior to someone else's.
Shaffer introduces us to two tortured individuals who are nevertheless sympathetic and unforgettable. Please give this play a chance.

When I was younger, I almost never reread anything. My hunger was so voracious that I gobbled up a book and then rapaciously moved on to the next. But as I've aged, I read less frantically, returning again and again to a few works that especially move me. At the top of the list of such works are the plays of Peter Shaffer. And at the top of that list is his masterpiece "Amadeus."

What I find remarkable about Shaffer's "Amadeus" isn't so much the title character, Mozart, as the character who becomes Mozart's nemesis, Antonio Salieri. Salieri is one of the great tragic figures in literature. He's an individual who appears to genuinely love musical beauty, and who genuinely wants to dedicate his life to it. (In an early scene, for example, he makes a deal with God. "Signore," he begs, "let me be your flute, your mouthpiece. Let me produce absolute beauty. In return, I'll be your slave.") But Salieri is also a hopeless mediocrity. He knows good music when he hears it, but he's simply unable to create it himself. His compositions are acceptable, and sometimes even pleasing to the ear. But when compared with the music of Mozart, they reveal themselves for what they are: technically proficient, but utterly uninspired. The awareness of his own mediocrity, coupled with his absolute yearning for beauty and his life-destroying jealousy of/admiration for Mozart, is the heart of the play. (Milos Forman's 1984 cinematic production of the play unfortunately rewrites the script to put Mozart rather than Salieri centerstage, thereby missing the whole point.)

When one thinks about it--and I believe that this is what makes Shaffer's play so poignant and profound--Salieri is everyperson. Let's face it: most of us are mediocre. We fall somewhere in that great middle zone of "average." We'll never be able to create artworks that express the yearning for beauty that even the dimmest of us occasionally feel.

As if that's not bad enough, the world, as Shaffer demonstrates in his play, is unforgiving of mediocrity when it comes to art. One can work like a demon, as Salieri does, but it's genius that the world wants, genius that the world demands, and genius that the world rewards. Moreover, the creative genius is allowed anything by the admiring world--in fact, the world expects its geniuses to walk to the beat of a countercultural drummer. The mediocre artist, however, is allowed no latitude whatsoever in personal lifestyle.

The paradox of this situation, as well as the horrible burden of mediocrity felt by artists like Salieri (and the rest of us), is the tragic message of "Amadeus." When Salieri at play's end tells us, in his decrepitude and madness, that we can pray to him when we feel the sting of our own shortcomings and he will bless us, most of us ought to shiver. For, after all, we don't want our mediocrity blessed, do we? And yet the tragedy of the human condition is that, blessed or not, it's what we are. And so Shaffer leaves us with this question: how do we overcome our Salieri-like resentment and frustration at not being able to create beauty long enough simply to appreciate beauty when we encounter it?

The best part of the book is the introduction, which tells of the changes made to the script over the years, based on on-going research by the author. I saw the movie and the play, then bought the script in order to compare the different renderings of this amazing story.

Peter Shaffer's award-winning and highly popular play AMADEUS is in many ways a morality play but seen through the eyes of a complicated postmodern villain. The play is called AMADEUS but the chief character of the story is Antonio Salieri. Salieri is the Court Composer for Emperor Joseph II of Austria during the end of the 18th Century. He is held in esteem not only by the Emperor and Court, but by the masses as well. Then Amadeus Mozart makes his way to the Austrian Court at Salzburg and Salieri recognizes in the young man a musical genius superior to anything musical he has ever heard. He becomes enraged with bitter jealousy. Feeling that God has abandoned him and given the talent that he has trained to develop and possess his entire life, Salieri declares a war against God that he will fight on the battleground that is Amadeus Mozart.

AMADEUS is a fantastic play. Author Peter Shaffer has revised the play several times since its first performance in 1979 and this version of the show (written twenty years later in 1999) is in my opinion the best because it is the one that portrays Salieri more than just an evil man, but as a human being that the audience and readers can relate to and actually understand somewhat. A must see play that anyone who enjoys theatre should be familiar with.

Like a newspaper article, theatre has to convey its story with an economy of words.

In this way, great playwriting is a rare skill much like land the penny toss at the carnival and Shaffer is that rare playwriter who accomplishes his task so seemingly effortlessly.

Deftly, Shaffer tosses his Amadeus and Saliere together and in so doing plays each against their type rendering his Amadeus into the simple squeezebox which provides the background for the languid single note of Saliere's mournful jealousy.

What's so amazing is that in telling us the story of Amadeus' art, Shaffer shares important insights about his own. Don't have too many or too few notes but just the right number. Don't be so flashy in being good that people concentrate on the flashiness instead of the point.

And don't become so engrossed in your art that you lose sight of the ultimate ends it was meant to service in the first place.

Whether we are each more Amadeus or more Saliere we can connect with this play.

This was one of the best books I have read in a long time. I highly recommend you read this book. It is definetly a tear jerker and is an item that belongs in every married African American woman's bookshelf.

I love Jacquelin Thomas books and this one by far is one of the most moving stories. The personification of redemption! Be prepared to stay up until 3am and pull the Kleenex out because you will need it! This book was truly a blessing to me and all my friends that I've passed it along too! I even bought a second copy as a gift for a friend =)

The book brings the stories in the bible to life...reading the book made the story of gomer and hosea make so much since. The one thing I do like is after you read the book you can turn in your bible to that story and see the similaries. God has truely given you a wonderful gift. Keep using it to gorify God

I just finished reading Redemption and I have to say i was trully touched by the way that Ms Thomas mixed in the scriptures so eloquently with the story line. Marin and Warren are two souls in love with life and themselves. I really thought Marin would pull it together and her and Warren would live happily ever after. All things weren't meant to end in pure joy and happiness. Marin's mother was a pure WITCH I don't see how Marin stood to be around her...i know..i know she is her mother but good gracious. I felt her father couldve stepped up and spoken on her behalf. This book teached a lesson of love and forgiveness that all of us could learn from.

EVEN THOUGH THIS BOOK REFLECT SIMILARITIES TO THE PROPHET HOSEA, THE STORY CENTERS AROUND IMAGES. IN THE BIBLE STORY THE PROPHET IS TOLD TO TAKE A WIFE OF WHOREDOM, WHICH IS NOT THE CASE AND THE PROJECTION OF MARIN BUT CHOICES THAT ONE MAKE WHEN THERE ARE NO ANSWERS. HER CHARACTER IS ABOUT A WOMAN SEEKING TO SOLIDIFY HER AFFECTIONS BUT CAN NEVER FIND ANYONE TO BELIEVE IN HER UNTIL THE END. BOTH SHE AND HER HUSBAND REPRESENT FOR ME THE PROJECTION OF TWO IMAGES COMING TOGETHER SEEKING TO VALIDATE WHO THEY ARE IN A WORLD APART FROM EACH OTHER. CAN THEY FIND SOLACE IN EACH OTHER AS SHE REPRESENT ONE WHO SEEKS TO BE VALIDATED AND HE AS ONE IS STAUNCH IN FAITH AND THE CHRISTIAN IMAGE TO REPRESENT EVERYTHING SHE NEED IN HER LIFE? HE FINDS HER AND SHE GRAVITATE TO THAT WHICH HE HAS OFFER AS THE LOVE OF CHRIST IN AFFIRMING HER. BUT THE TENSION COMES WHEN HE DOES NOT SEE AND UNDERSTAND THE EMOTIONAL PINING OF HER SOUL AND THAT OF BEING INSECURE. BEING THRUST INTO A REALITY IN WHICH SHE IS NEVER COMFORTABLE WITH HER ROLE, SHE ENDURES AND OVERCOME SOME OF HER FRAILTIES BY CLINGING TO HIS REALITY WHICH EVENTUALLY SEND HER SPIRALING INTO HER OWN PERSONAL JOURNEY FILLED WITH THE TREACHERY OF A DECEITFUL WORLD. THE STORY IS MOVING AND SHE FINALLY IS ABLE TO OVERCOME THE DEMON OF HER SOUL THROUGH HER OWN PERSONAL JOURNEY OF SELF DISCOVERY, CHOICES AND THEN CONSEQUENCES. A WONDERFUL STORY THAT CAN BECOME A MOVIE.

"Save the Cat Goes to the Movies" is not so much a sequel to the original "Save the Cat", but an elaboration of the ideas put forward in the first book. In "Save the Cat", Snyder claimed that every (mainstream) movie ever made can be classified into one of 10 basic genres (a claim that I do not entirely agree with). In "Save the Cat Goes to the Movies", Snyder shows what makes up each of these genres by taking 50 well known (and mostly recent - you've definitely heard of most of them) films and breaking them down into "beats". If you subscribe to Snyder's genre theory and want to use it, then this book is a handy reference. Even if you don't subscribe to his theory, this is an interesting book to flip through. However, "Save the Cat Goes to the Movies" offer no new advice that wasn't given in "Save the Cat", and whereas I read "Save the Cat" from cover to cover, I skipped over a lot of passages in this book.

This book is awesome!

If you want to write a spec script that will get sold then READ THIS BOOK and it's companion (the original Save the Cat book). This book literally blows the roof off the "secrets" behind successful screenwriting.

My collection of screenwriting books is ridiculous. The problem with ALL of those other books (with the exception of those by Cynthia Whitcomb) is that they are by people who have NEVER SOLD A SCRIPT. If you are serious about becoming a SUCCESSFUL screenwriter then you MUST limit ALL of your study to that material by successful screenwriters ONLY. Seems logical and yet there are hundreds of people like Robert McKee who prey upon the hopes and dreams of aspiring screenwriters while sucking their wallets bone dry.

My only issue with the Save the Cat series (actually two issues) is that Blake spilled the beans on the secrets so now everyone will know how to write a successful spec script -- so will there be less of an advantage? (Doubtful because most people are lazy and never write anything...but if everyone used this powerful information then it would flood the Hollywood market with wonderful scripts, thus making it harder for someone to break into the industry.)

My second issue is that in both the Save the Cat books Blake doesn't cover anything about the business. I understand that this book isn't about that. The first book could have included information about breaking in or getting a break.

So...Blake Snyder, if you're reading this: PLEASE MAKE YOUR NEXT BOOK ABOUT HOW TO BREAK INTO THE BUSINESS! PLEASE! You're the only guy who writes USEABLE books on screenwriting that are HONEST and tell the REAL DEAL about how things work. So, if you write another book, please use that same honesty to (1) talk about how Hollywood really works, and (2) how to realistically break into the industry.

Save the Cat has done it once again, but this time on a much higher scale. After a great introduction to the BS2 (Blake Snyder's Beat Sheet) and a few extras, Blake includes a beat-for-beat layout of various films in 10 popular Hollywood genres.

Excellent purchase! I'm convinced these books will give me the knowledge I need to succeed and I recommend 'Save The Cat' for anyone interested in screenwriting.

5 out of 5 stars!!!

This book holds the keys that unlock the secrets to screenwriting success. Even though the first book by Blake Snyder was suppose to be the only screenwriting book you'd ever need, this second book uses examples from the movies to explain what needs to happen when in greater detail. A must read for any screenwriter.

You can take classes and buy other books, but the simple technique illustrated in this book is something everyone can use immediately. If you're a writer and sometimes get lost in the plot trap, Snyder's categories like "Dude With A Problem" and "Buddy Love" really helps you cut through the clutter to find the heart of your story. It's a fun read and insightful. It compelled me to go back and watch "Three Days of the Condor" and "All the President's Me." That's a big plus for real movie lovers. Well worth the price.

C.A.Compton

Having already read Think & Grow Rich, I didn't think that there was anything more that I could learn about PMA. I figured that this would be more of the save only on a different cover. Boy was I surprised!

W.Clement Stone and Napolean Hill joined forces for this text. W. Clement Stone used the principles in Think & Grow Rich to amass a personal and self made fortune in excess of $400,000,000
when that was worth $400,000,000.

I found chapter 2 particularly interesting. How Robert Christopher was able to travel around the world in 84 days with only $80 merely as a result of setting it as a goal, conceiving, believing and then achieving it is impressive.

Success Through A Positive Mental Attitude is divided into five parts, 19 chapters and over 300 pages. It's a fun, easy read and provides powerful strategies i.e. pilots to succeed.

In 1990, I met a very successful businessman who told me he went from unemployment living in Tampa, Fl to over $2.5 million and moved to Hawaii where he bought a boat and retired in only 18 months using these principles along with the right opportunity.

The first batch of significant books that had the greatest influence on me in terms of attaining personal achievement includes mostly Napoleon Hill's books:

- The Law of Success;
- Think & Grow Rich;
- The Keys to Success;
- Success through a Positive Mental Attitude;
- Succeed & Grow Rich through Persuasion;

The others were from Clement Stone, Dale Carnegie, & Earl Nightingale.

That was the early 70's when I had just started work as a young engineer.

The author, Napoleon Hill, had impressed me most by his relentless dedication in spending some two to three decades of his life in pursuing & researching the success secrets of the rich & famous...with a little help from Andrew Carnegie, of course.

As matter of fact, many of the famous people he interviewed were also favourite role models of mine e.g. Henry Ford, Thomas Edison, Alexander Graham Bell, just to name a few

Till this day, I have never forgotten what he said:

"The most powerful instrument we have in our hands is the power of our mind."

I have never ceased to be fascinated by the simplicity & the potency of his ABCs of personal achievement: CONCEIVE, BELIEVE & ACHIEVE!

It is certainly enlightening to note that even Stephen Covey had drew inspiration from Napoleon Hill's work even though he never made that credit. He only admitted that the 7 Habits had its origins from "200 years of success literature in the United States." That remark itself is self explanatory.

Anthony Robbin's Mastery program as embodied in his books as well as his audio/video resources is no exception, even though he has been influenced in larger extent by NLP.

If you look at & compare the 17 principles of personal achievement in 'The Law of Success' &/or the 13 Steps to Riches in 'Think & Grow Rich', one can obviously see the uncanny resemblance of the 7 Habits & the Mastery principles...in one way or another.

At this juncture, let me outline the principal theme of each book:

The Law of Success: the original course on the fundamentals of success - all the seventeen essential principles of personal achievement;
Think & Grow Rich: The seventeen essential principles are reframed & condensed in terms of thirteen concrete steps to wealth creation (in actuality, this is a condensation of the Law of Success);
The Keys to Success: a further elaboration of the seventeen essential principles with concrete suggestions, exercises & advice;
Success Through Positive Mental Attitude: joint authorship with Clement Stone, with a further emphasis on developing a positive mental attitude;
Succeed & Grow Rich Through Persuasion: joint authorship with Clement Stone, with a further emphasis on developing master salesmanship & networking;
[It is pertinent to note that Clement Stone actually built his insurance business empire with these principles.]

My most productive, personal learning experience from Napoleon Hill's work is the understanding - application - of his success principle #1: Develop Definiteness of Purpose.

[Very surprisingly, J Y Pillay, former Chairman of Singapore Airlines, - who had been credited for building the airline to what it is today, A GREAT WAY TO FLY! - also credited his work axiom to this same success principle, but he attributed it to an ancient Hindu scripture known as Bhagavad Gita.]

I am certainly gratified to note that Napoleon Hill's work had casted so much influence on - & empowered - so many people in the world, including myself.

This is unquestionably one of the very best books on the science of personal success. Written in the same vein as the Napoleon Hill classic, "Think and Grow Rich," this book is full of inspiring examples of how focusing the mind upon intended positive outcomes can be the catalyst to great accomplishment and personal growth.

The message is extremely powerful and its strict application MUST invariably lead you towards the fulfillment of whatever aims you focus its principles towards.

In the spirit of full disclosure, I should say that I am a speaker, trainer, and author of another unique and highly valuable learning tool that can also be found here on Amazon: The WealthLoop Series Beginner's Guide to Personal Wealth Creation (Combo Audio/Data CD): Audio Seminar With Downloadable 40-Page Action Manual and Active Link Library. It is a straight-forward discussion of the art and science of personal wealth creation and should be considered by anyone serious about wanting to learn more about the right way to get started on the road to personal wealth creation and financial freedom!

Other "WealthLoop Series" tools of worth looking into include:

The WealthLoop Series Beginner's Guide to Building Wealth Buying Houses: The Foolproof Roadmap to Real Estate Riches Without the Risks and Hassles of Landlording

and

The WealthLoop Series Beginner's Guide to Building Wealth Buying Houses (Combo Audio/Data CD): Author's Audio Commentary Plus Downloadable 32-page Marketing Manual, Checklists, Spreadsheets, and Forms.

I've read Think and GRow Rich at least 20 times, and now Read this one at least 2times going on Three now..I received Spiritual blessings because of these principles that cannot be measured in money or material things.. only in the eternal. Now I am being prepared for My wealth, My Million dollar ideas to manifest into reality. I am now practicing these principles daily and look forward to the physical manifestation which has been prophesied by prophets, preachers, and people who don't even know me..The seed was planted years ago now What has been sowed is being reaped. Wealth is circulating in my life, this wealth flows to me in avalanches of abundance. All my needs, desires, and goals are met instantaneously.
Carl Ray Marshall

postive mental attitude...I liked this book, when i was getting down on myself i found that reading this book lifted my spirits somewhat. I just didnt like the printing and size of the book. Other than that...the material was pretty good. buy it used...