Movies Books

Sam Fuller has a strong, cult like following. He made a couple great films, but to be honest, the rest were very choppy, B grade thrillers that get a bit overrated by that cult.

A THIRD FACE is his greatest work.

This is an absolutely wonderful autobiography. Following his early days as a newspaper writer, his time in WWII, and his years as a writer and director. This is honestly more fun to read than any of his films are to watch.

The most amazing thing about the book is that it is written in his voice. If you ever saw him interviewed, or act in a film, he had a very distinctive voice. The book sounds just like he spoke. With short phrases, lots of exclamation points, just like he sounded!! It is the closest you are going to get to him reading it to you.

Even if you aren't familiar with his films, this is a great read.

"A Third Face" is one of the great crusty, caustic autobiographies of recent years. Fuller died a few ago, an old cigar smoker of pithy phrase, maverick tendencies and artistic courage. As a crime reporter in New York in the 20s, as a hobo in the 30s, as a GI in World War II, as a novelist, screenwriter and director of noir and war movies ("Pickup on South Street," "House of Bamboo," "The Big Red One"), Fuller was a force of nature, a no-BS realist who knew how to tell a story. The photo on the back cover speaks volumes: raised pistol in one hand; a camera lens in the other. Yet he was, at core, a powerful pacifist. He was a survivor.

Fuller's style is profane, anecdotal, street wise and hugely engaging. It's no wonder, since he was the young protege and buddy of hard-boiled writers like Gene Fowler and Damon Runyon.

Fuller's account of his "dogface" years as a G.I. in North Africa, Italy, France and Germany is one of the best descriptions of WWII Army life I've read.

Later, Hollywood studios offered him big money to make their blockbusters ("The Longest Day," "Patton"), but he turned them down so he could make little movies his own way. ("I make A movies on B budgets," he liked to say.)

Out of curiosity,I recently rented a couple of his movies. "Pickup on South Street," with Richard Widmark and Jean Peters, just crackled. "Shock Corridor," with Peter Breck, was ambitious but flawed.

Though I can't wait to see some of his other films, my hunch is "A Third Face" will stand as Fuller's single greatest artistic achievement.

In later years, Fuller became mentor to many young directors: Jonathan Demme; Tim Robbins; Jim Jarmusch, Martin Scorsese. It's clear from Scorsese's introduction that they idolized him.

As a writer, Sam Fuller teaches this lesson: Write fast; never give up; to hell with the naysayers. His final two or three paragraphs offers a capstone philosophy that all should embrace.

I loved this book. It saddens me to finish it.

A Third Face: My Tale Of Writing, Fighting, And Filmmaking by Samuel Fuller (with the posthumous and collaborative assistance of his wife Christa Lang Fuller and longtime friend Jerome Henry Rudes) features a Foreword by Martin Scorsese and and presents the reader with an autobiographical account of one of Hollywood's most prolific and independent writer/director/producers. The late Samuel Fuller (1911-1997) made 29 tough, gritty films from 1949 to 1989. His film "Park Row" was inspired by his years in the New York newspaper business. His years of service in the army during World War II provided material for his films "The Big Red One", "The Steel Helmet", and "Merrill's Marauders. From "Pickup on South Street" and "Underworld U.S.A.", to "Shock Corridor" and White Dog", A Third Face provides the story behind the films and the man who created them. A Third Face is highly recommended and inherently fascinating reading for film buffs and students of 20th Century American Cinema.

This is a wonderfully feisty book, the autobiography of Sam Fuller told (basically) in three parts - his years as a journalist, his years as a soldier, and his years as a filmmaker. Fuller was a colorful character, and he didn't mind raising a ruckus, something which makes for lively reading. He also saw more and did more than most of us ever will, and his book is a parade of many of the 20th century's most fascinating events and characters. My biggest regrets after reading this work are 1) that he didn't get more of his film projects on to the screen and 2) that so many of his books are out of print. If his other books are half as entertaining as this one, I very much would like to read them.

"Film is like a battleground. Love. Hate. Action. Violence. In one word, emotion." That line of dialogue, ad-libbed by Samuel Fuller in Jean-Luc Godard's `Pierrot le fou,' seems to more or less sum up his philosophy of film making. Those of us who aren't fans of the film director may mourn the absence of words like `coherence' and `plausibility,' but there's no denying that most of Fuller's film literally burst with energy.

As does his autobiography `A Third Face,' written with wife Christa at the end of a long and event filled life, even those who find Fuller's film a little too energetic will find this book interesting. Starting out in New York City, where he found working as a copy boy and reporter on Park Row more interesting than the high school he'd abandon without graduation, to his service in the 1st U.S. Infantry Division (the Big Red One) in World War Two, through to his post-war career as a screen writer and film director, Fuller is never boring.

With the possible exception of `The Big Red One' (1980), a film that he'd nursed for years, Fuller's career peaked in the mid-60s with independent productions like `Shock Corridor' and `The Naked Kiss.' Although Fuller claims he was offered both `The Longest Day' ("My own vision of war and the world made me say no") and `Patton' ("After my war experiences, I didn't have the necessary detachment to do a picture celebrating the man"), it's as intriguing to contemplate how he might have directed these films as it is to wonder how serious were the offers. After all, as he admits, he `was prone to excess' and loved to grab the audience and shake them. Not necessarily what you look for in a big picture director. The third face, to Fuller, is the inner person that nobody else sees. "My third face was my own holy sanctuary... It was a storage room that nobody but me could enter... It wasn't just a concept for me but a very real locale, captivating and whimsical, cozy and seductive, the geisha girl of my brain." A Third Face is captivating and whimsical, cozy and seductive, too. A strong recommendation for this one.

This book is brill as it is all about helping each other. In this story the real teen van comes to MK and A's school.Ashley thinks she is going to win the fashion shoot they shot(so 1 pupil can have a chance to be in the mag! When Ashley goes to winners board she realises it is not herself who won but someone totally different!What is she going to do?

I liked this book because it shows that you should never thinkthat you (Ashley) can win. But even though Mary Kate got picked shewas nice and shared the spotlight with her sister.

In another 2 of a Kind book that reminds me of Sweet Valley Twins,a scout visits Mary-Kate and Ashley's school to choose a one-time model to appear in Real Teen magazine.Ashley couldn't be more excited!She starts turning up at school in sparkly dresses and high-heels.Mary-Kate thinks modelling is silly and playfully teases Ashley over her love of it.There is surprise in both girls when it is Mary-Kate who is chosen as the new Real Teen.Ashley begs Mary-Kate to swap places with her,but after MAry-Kate is conjoled into agreeing ,she starts to regret it.

I would give this book 6 *s(stars) if I could. It is entrancing and funny at the same time.

TWO OF A KIND My sister the super model Reviewed By: Brenda Adams from Tennessee

I give this book five stars because it's a great book about two paternal twin girls. The twins and their best friend, Jennifer Dealber where interested in modeling. The twins both had different opinions on why they wanted to tryout for the modeling contest. With the help of their father, they were able to proceed in the contest. They encountered a few problems but over came them. The reader, will find themselves caught up in the story. Readers of all ages will really enjoy this very cool book!

Now THIS is what I'm talking about! I don't know how the movie will be, but this book was great. If you love vampire and/or zombie novels, you'll truly enjoy this. This is the first book I've read by author Tim Lebbon, but if he writes this well in all of his books, it won't be my last!

This is probably one of the best movie tie-in novelizations I have ever read. Usually books based on the movies are rather watered down and pale in comparison to the movie. Strangely enough, the power of the written word in this case wins out. The novel moved at a fast pace and was difficult to put down; the author did a fantastic job of fleshing out the main characers and I thoroughly enjoyed it reading it within two days.

The story revolves around the sleepy secluded town of Barrow, Alaska, battening down the hatches and preparing for the annual 30 days and nights of darkness. Sheriff Eben Oleson and his estanged wife, Deputy Stella Oleson are struggling to keep the threads of their marriage together but soon discover that their marriage is not the only thing they are soon fighting for, because this time, something is hiding under the cover of the Dark, which begins with the mysterious arrival of the Stranger and his portent of an impending evil, then suddenly the Olesons find they are cut off from civilization and the townsfolk are being hunted and savagely and swiftly slaughtered by an evil horde of vampires who have decided to make this their feasting ground....can the survivors last the remaining days til daylight??? Great storytelling and better than the movie! Tim Lebbon has outdone himself!

I just want to start off by saying do not start this book unless you have plenty of time to finish it! This is the first book in a long time that I have actually read all the way through. I am very easily distracted and most books just do not have enough story to them to keep me interested. With this book once I started reading I could not put it down. I ended up staying up all night reading it. I was a little disappointed in the ending, but it also was because I did not want it to end. A great read for any fan of a horror/suspense.

Wow, this book is truly spectacular. Although I haven't seen the film itself, Mr. Lebbon does a fantastic job bringing the people and the fear of being hunted to life. Though these aren't your classic vampires, they are terrifying nonetheless.

I would recommend the novel to readers of vampire novels and fans of books based on graphic novel.

PARTY ON, DUDES!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

I could not put this book down. And, I don't recommend reading it at night, either! What a vampire book. Wew! Vampires that not only drink blood, but eat flesh. I was lifting my legs to help "the good guys" escape and run faster! I would have preferred it to end differently and that's all I'll say about that. Barrow, Alaska oh my...

This is a beautiful and very informative book; I was very pleased with it. I really enjoyed all the behind-the-scenes pictures and the addition of the script is an added bonus.

If you're a Spider-Fan, you need this one. You will not be disappointed.

I think this book has excellent descriptive as well as graphic content which will help me with my coursework.

A comprehensive look at the making of the SPIDER-MAN legend, from comic-book to film. It's an excellent and interesting story to tell, although Behind The Mask didn't deliver in the graphics department. There just aren't enough illustrations, but there is enough to give the reader a feel of being on the set in the midst of the movie-making magic!

Mark Cotta Vaz is the best "Making Of" author in the world and Behind the Mask of Spider-Man: The Secrets of the Movie has everything a discerning film fan could ask for. Without the material entering the annoying world of overkill, this pleasing and informative book breezes along with its fascinating insights into how Spider-Man went from comic to silver screen. With enough inside info and graphic content to satisfy the most info-hungry geek, this is extremely satisfying and also is possibly one of the best film books ever written. It's that simple. Vaz has so many impressive book-writing credits under his belt already, but this is surely his best work. Containing info on the cast and crew, this never fails to interest and Vaz thankfully differs from other authors with a pre-determined un-pretentious standpoint. The early chapters focus on abandoned ideas about a team up of the Green Goblin and Doc Ock, and numerous costume changes for the first movie, where every little detail is spread out in a well-plotted format. Candid interviews with comic and film boys wraps up a nice package that keeps a very special place on my bookshelf. Highly Recommended.

BEHIND THE MASK OF SPIDER-MAN by: Mark Cotta Vaz is one of the best "making of" movie books I have ever read. Fair warning though, this book is so thorough that if you have not already seen Spider-Man then DO NOT READ THIS BOOK! Upon viewing some of the great color photos and reading the indepth information, you'll be completely robbed of any true movie surprises.

With that said...

In 205 pages, Vaz manages to provide tons of background on the characters, history, and production stages of Spider-Man. You'll find everything from pictures of original comic page art to step-by-step photos on the various concept sketches of both Spider-Man and the Green Goblin (Goblin in particuar is all over the place in the various designs). Vaz clearly did his homework as there are numerous interviews and sound bytes from everyone from Stan Lee to Sam Raimi to Willem Dafoe to producers, stunt people, and FX coordinators.

Rarely do "Behind the Scenes" books read as fast and as enjoyable as this one. Now granted, I am a HUGE Spider-Man fan, but I believe that anyone who enjoyed the movie will find lots of insight to be gained from this informative and entertaining book.

Un des livres sur le cinéma qui m'a le plus enthousiasmé. Une écriture très divertissante et des réflexions sur les films et leurs artisants qui captent notre intérêt au point de ne plus pouvoir arrêter notre lecture.

I can't say enough good things about this book. It has ended the difficult search for movies that please both the kids and the adults. It has inspired my family to get at least one pre-70s movie every week to watch together. It's been an education. Through this book, we've found a few movies that we all unequivocally adore, and others that we enjoy but have sparked some important deeper conversations. His ideas on why older movies are good for our children are very thoughtful.

My daughters are nearly the same age as his daughters were when he wrote the book (9 & 11), so the book is particularly on target for us. I love how Burr describes his daughters' and their friends' reactions to old movies. I am surprised by how much negativity about older movies he says has received from some of his children's friends and their parents, because my children and their friends have always been completely receptive to older and black & white movies. But we don't move in mainstream circles (we are secular homeschoolers), so I will take his word for it.

If you enjoy watching movies with your children, you need to own this book.

Excellent Book--I have given it to all of my grown up children. Just reading through it is a trip down memory lane.

Our family enjoyed this book--we got lots of ideas for movie nights, and we also got a kick out of reading the author's entries on movies we've already seen with our kids. It also kick-starts your memory for movies that Burr didn't write about--we were surprised that John Wayne's "True Grit" didn't make the cut for tween girls, and that the Julie Andrews' "Cinderella" wasn't mentioned in little girl musicals. Altogether, this is an engaging and fun book that I would also recommend for adults who are looking to educate themselves about classic cinema.

I came across this book in my local library, and after reading it, am going to purchase a copy for myself, and perhaps give it out as gifts for friends that have young children. This is an amazing movie resource. Ty Burr writes in such a familiar, easy-to-read style, and despite his motives [trying to get us to expand our young ones' movie viewing experiences through old movies/classics], never once comes across as condescending or snobbish.

The fact is that children these days are really being fed a steady, and not so healthy diet of the same type of movies that have spawned sequels, mass merchandising, and dare I say movies that don't really promote great role models [I have had enough of those tween movies with young Hollywood starlets in them]. Ty Burr provides great tips and ideas on overcoming this problems by suggesting old movies, or rather classics that will appeal to the toddler set[Meet Me in St Louis], the tween set[The African Queen], and also teenagers[Metropolis]. There are also old movies he doesn't recommend you watch with your children. The best part of the book is the comprehensive list of old movie titles in the different categories such as comedy, drama, musicals, action, adventure & westerns, horror, sci fi and fantasy, & foreign movies.

All in all, I'd highly recommend this book to readers who are interested in expanding the movie viewing experiences of the young children in their lives, and even for one's own viewing pleasure [there were titles in here that I had never come across and plan to check out!].

David Robinson has written the definitive biography of Charlie Chaplin. It is largely the basis for the movie "Chaplin" because it was authorized by the legend himself and thoroughly explores his life to a greater extent than his autobiography. It is truly a moving and informative work.

Robinson begins his chronology of Chaplin's life in his childhood. He was largely orphaned by his alcoholic father and was only allowed to spend time with his mother while she was mentally healthy. It was through a failed performance of his mother than he got his first taste of acting as a child. From this point, he would devote almost all of the rest of his 87 years to entertainment. In his youth, he specialized in the stage productions which entertained England. He got his first taste of America on one of these traveling tours. On a later tour, he was offered a contract by an American film company. Chaplin agreed to honor his stage contract before beginning his film career.

The book documents with reasonably precise details the process of each film he released in addition to one the public never saw and the final project he never started. Through this filmography, we see the development of "the tramp" character. With each film, the character moves closer to the final product we know.

Chaplin's personal life is well documented. Unlike the autobiography all four wives are addressed, even the one Chaplin was not very fond of discussing. The fact that his first two wives were young is not avoided. However, it must be put in perspective that people did marry and have babies a lot sooner in those days. It is only unique in Chaplin's case because the husband/father is famous and much older. Despite his work for America during war time and a professed love for the country, the slanderous allegations of McCarthyism, also known as the 1950's witch hunt for communists, forced him to finish his life away from the country he loved. Truly the red scare is made to be a more terrible embarrassment to America by this result.

Today's cinematic audience has little appreciation for the roots of the art form. Charlie Chaplin was a revolutionary and founding father in the film industry. Reading about his life is only a step in appreciating his brilliant work.

Robinson is the premier researcher on the life of Charles Chaplin, and this book is the result - a fact filled, balanced book that allows equal focus on Chaplins films and personal life. Most books tend to focus on WAY too much personal life and innuendo, but Robinson avoids this problem, and makes a good book that truly encompasses the entire life of Chaplin.

Robinson's book includes a well detailed filmography, scripts from several early Keystone films, excellent appendices, and many rare pictures. My only complaint is that many of the pictures could be printed much better, and larger too.

Superb reading!

David Robinson's book is the finest biography extant of this indispensable genius of movies. I first read this monumental book 22 years ago and it has remained an indelible part of my understanding of movies and of the life and work of this complex, infuriating, somewhat naive but always questing and humanistic comedian, whose movies are finally being issued on DVD in luminous copies of his own carefully preserved originals.

At the time of Robinson's book, and for a number of years after, Buster Keaton was the preferred choice in silent comics. To take nothing away from Keaton, whom I regard as sui generis ("The General" is a masterpiece, and "The Navigator" is the funniest movie I've ever seen) this may have been more a reflection of the then-current attitudes of "cool," reacting against Chaplin's perceived sentimentality, than an argument for Keaton as the greater artist. Chaplin has recently become of greater interest, and at present his star seems much more firmly fixed, due in large part I think to the recent availability of his work on DVD. Robinson himself, in tandem with the silent cinema scholar Kevin Brownlow, is partly responsible through his access to Chaplin's mint copies of his own movies, which resulted in the superb Thames documentary "The Unknown Chaplin." In any case, it's much easier now to see and to recognize Chaplin's innate (yet painstakingly arrived-at) genius for mixing uproarious physical comedy and subtle pathos; if there is a more moving finale in all of American movies than the last moments of "City Lights," I'm not aware of it.

Robinson's approach is both scholarly and eminently accessible. And he dispels a great many erroneous "facts" that have accrued to Chaplin over the decades, many of them directly attributable to Charlie's own myth-making. The author also refutes some aspects Chaplin's late (and appallingly egocentric) memoir "My Autobiography," whose appearance in the 1960s shocked and saddened many of his former creative collaborators, who found themselves conspicuously absent from Chaplin's over-stuffed tome. If this book is not definitive -- and who can say what future writers may produce in the fullness of time? -- it is at the very least the one fixed starting point for all serious Chaplin research.

There are only two books necessary for the true Chaplin fan; "My Autobiograpy", by Chaplin himself, and this book by Robinson. While there are scores of other books on the market concerning Chaplin's life, Robinson's is THE definitive work.

If Charlie had been around to read this work, he might have amended his famous phrase from "If you want to know me, see my movies," to "If you want to know me, see my movies and read this book".

This book, though thicker than brick, is a swift and fascinating read. You'll wish you'd known old Charlie, you really will. Robinson doesn't care for those who don't care for Chaplin, and that's a little too evident. It's hard to blame him. Overall, a stupendous piece of work.

If there was going to be a Charmed movie, this is the story they should use.

I guess I'm just a huge fan no matter what, because I love ALL the Charmed books, and own them all! Each one has a great and unique story, I'm addicted to collecting AND reading them!

I watch the show every day, sometimes twice a day, every episode, haven't missed one yet, and don't plan on it, ever. I would love to get all the books on the series, especially shadow of the sphinx. That sounds so good. I give the series books 5 stars, cause its the best show on tv except for wwe raw and smackdown.

This book circles around the 3 new strangers who are close to each of the sisters, and each time they meet, something strange happens. Piper's emotions are unruly, Paige seems to be exhausted for nothing and Phoebe has short-term memory loss, and all 3 of their powers are getting weaker and weaker. Just like that. And the more times the sisters meet these "strangers", their sudden-weaknesses seem to be worsening (both magical and non-magical). At last, they discover that there is something sinister going on, and they have to pit against these strangers to defeat them AND get their powers back, as all the Ks (strangers) want in revenge, to what happened to their ancestors nearly 3000 years ago. Dark Vengeance indeed.

Find out what happens to this awesome story penned by Diana G. Gallagher. Definitely worth your money and your time to read it. Happy reading!!

this is my favourite charmed book!!! this is mainly because it gives each of the sisters an equal part bringing them all together at the end to kick but. although there are parts in this book that mirror the crimson spell this book has more levels plus a good twist at the end plus the charmed ones get a few good one liner jokes in. although the bad guys are pretty see through the ending is pretty solid.

overall this is a great book even if your not a mjor charmed fan and if you are it's better

It's Friday night, you're tired after a long work week, and you're wandering the aisles at Blockbuster looking for a good family film. No need to go through the brain damage of reading millions of obscure DVD sleeves when you have Michael Booth's fine book, which recommends some little-noticed but still-great films appropriate for the schoolkids in your house. Screenit.com is OK if you have a specific idea for a rentable movie, but Booth's book is much better when you need recommendations (and for the fun writing, too).

This book is both helpful and enjoyable to read. The commentary addresses its audience with insight and intelligence. Best Family Films has been really helpful - particularly with concerns on the wide range of whether PG-13 movies are more of a PG or an R rating. This book has taken away parental angst.

Booth has a great feel for which movies work for which audience/age group. His recommendations have been 100% when selecting movies for our family.

Michael Booth is the thinking person's alternative to that other Michael (Medved) who professes an interest in family films. Booth's reviews are informative, helpful, witty, and a real pleasure to read. Highly recommended!

This guide's succinct reviews are really useful. Every review is on one page, with an entertaining tidbit, age-appropriateness and run-time on the facing page. I found several of my all-time favorites, but what's better is that I found a few gems that weren't on my list yet.

I don't normally write reviews, however in this case I felt compelled to do so. If you're looking into the topic of family films, let me save you some time. Get this book. As others have noted, Mr. Booth's reviews are entertaining, informative and spot on. His selections include films off the beaten path. Good stuff!

New York after the Jewish Holocaust in Europe. Herman Broder lives a frantic life between 2 wives, and soon to be three. He writes books for a rabbi. His life is a lie, a big lie to which he's grown used. His mind is a mess, just as his life is. The women around him are products of their survival experiences in Europe during the war, as he is too. Religion is present in every page, almost every line, whether it's mentioned with hate or with hope. Things Jewish are ever present: one gets to learn a lot about Jewish customs and terminology.

The story, however chaotic and improbable, almost ridiculous, doesn't fail to be interesting. The author sure knows how to move on between scenes and keep the pace of the changes in Herman's life. The overall impression is of confusion in all areas of live: sentimental, business, psychological, and of course, religious.

These characters behave so weird after their painful experiences, their loss of loved ones, and their witnessing of so much suffering, that they don't believe in anything anymore, not even in why they keep living. Seems they are bewildered and just make most of what they've got at that very moment: which for Herman is most of the time sex. But that is a temporary refuge from insanity, not permanent. People here are lost, drifters melting into the human masses of New York City.

The book is readable, well told, but the story ain't much fun. Herman just annoys me. And the others aren't very likable either. It's a mess of a book that leaves a sweet-sour taste.

In New York

The hotel staff

gave me the chair

that

Isaac B Singer

used to

lean his back against


years before he died




custom made


produced

out of gentle wings of butterflies


that circled his first wife's head


every day and night in Treblinka


before she finally

went

up in smoke




So

I went down at the front desk


A weird occurence

of

that strange and powerful thing

I certainly

wanted to bring to their attention



Of course they say


I. B. Singer

never stayed here

never had a first wife

nor she died in the concentration camp



But what's metter?



My back

feels better


way better



ever since

Isaac Bashevis Singer writes a novel of sheer absurdity and yet, page by page, he makes it very believable.

Herman Broder is a Jew who managed to escape the gas chambers of the Nazi Holocaust by living in a hayloft with his mother's servant Yadwiga from Poland for three years. His wife was not so lucky.....she and her children were all killed by the Nazis......at least that is what we (along with Herman) are led to believe early on. Herman manages to make it to the United States where he marries the peasant girl servant Yadwiga out of sheer gratitude for her saving his life, not out of any kind of a love or fondness for her. And while he is married to Yadwiga, he is carrying on an affair with Masha, who also went through her own camp horrors in Russia. Herman identifies more with her, not to mention the fact that an attraction also exists there, both physically and intellectually.

But just when you think the suspension of disbelief Singer creates cannot get any more bizarre, it does, when Tamara, his ex-wife, shows up in New York, after surviving the Nazis. Herman now has two and sometimes three women after him, and still he is unable to commit to any one of them. Singer creates a novel of absurd proportions, and then has the temerity to keep it growing! And the arrant brilliance in it is that it works on the reader to the very end.

Along the way the characters reveal thoughts which make one think more of a philosophical treatise than of a novel, a mark of a great writer and one of the reasons I could not put this book down:

"How peculiar that a panful of brains should be constantly wondering and not able to arrive at any conclusion! They were all silent: God, the stars, the dead. The creatures who did speak revealed nothing."
-Isaac Bashevis Singer, from the book "Enemies, A Love Story"

There are few writers such as Oscar Wilde to whom I can say they are unequivocally brilliant......Singer is certainly one of them.

How does one cope with such a thing? You know? The Holocaust.

It was the Holocaust that took Herman's parents, wife and two children. He manages to survive by hiding in a hayloft. For three long years, a former servant in his home, Yadwiga, a plain, uneducated but loving Polish woman, keeps him hidden and alive. After the war, we find Yadwiga and Herman married and living in Brooklyn. For other Holocaust survivors, Brooklyn represents opportunity, a sense of re-birth. All around him, new families are being formed out of what is left of old ones. Old customs are being renewed. The old prayers are said. Feasts are held. Traditions prevail. Life goes on. The future is hopeful, but not for Herman. Herman merely exists. He has a job as a ghost-writer for a famous rabbi. Herman is good at writing inspirational messages, messages of hope. But, Herman is not a believer. Not anymore. Not since the Holocaust. To Herman, God is either dead or an enemy. God is out to get him. Herman has a mistress, Masha, a camp survivor. His life is complicated. Then, as it turns out, his first wife who supposedly died in the camps, she's alive. Now Herman has two wives and a mistress. Complicated. They all want a piece of him. Emotionally, he retreats to the hayloft. But, emotionally, Herman is already dead, as dead as he would have been had he been found and sent to the camps, as dead as the rest of them, as dead as his faith in God. In the hayloft, minute by minute, day by dragging day, Herman was exterminated.

There are reasons that Isaac Bashevis Singer won the Nobel Prize for Literature, and all of these reasons are apparent in ENEMIES, A LOVE STORY.

Though he is not the only Jewish author to have won the Nobel, he is the only author whose primary writing was in Yiddish. Hence, the version of ENEMIES that I read was a translation.

Still, the simplicity of his prose shines through the novel. His storytelling skills are spellbinding.

Mr. Singer perfectly captures the undertone of desperation and doom connected with those who endured the Nazis and survived.

This novel will shock and it will sadden but it never will be less than writing at its finest.

Coach Grant Taylor's life seemed to be running in reverse. As a high school football coach, Grant had yet to have a winning season after 6 years. Angry parents were pushing for him to leave.
On the home front, things weren't much better. The Taylors' attempts to start a family had failed. They had financial problems,their house was in constant need of repair, and their old car left them stranded more often than not. After an encouraging conversation with an older man who had been praying for the school and the students, Grant decided to give it all over to God. I won't spoil the story for you by revealing what happened after that, but believe me, things did begin to happen!
I am not a big sports fan so I didn't know how much I would like "Facing The Giants". I didn't see the movie until after I read the book. Wow was I ever surprised! I LOVED this book! I laughed, I cried.....it is so much more than a sports story. It amazed me to see what really is put into motion when an individual,then a whole football team,gives their best to God and trusts Him for the outcome.

Eric Wilson is best know for suspense novels with historical backgrounds. With each novel he's shown growth and depth as an author and a man. His first four novels were very different and yet revealed trademarks of the Wilson signature.

Now with the release of Facing The Giants Eric stands everything you've known about him before on it's proverbial head and shows he's no one trick pony. Not only can he come up with imaginative plots and characters that are at once real and larger than life, but he can also take someone else's work and make it his own. This he's done with Facing the Giants.

Originally a grassroots successful film depicting the real life struggles of a high school football team, their coach and community, Eric Wilson's novelization takes that framework and builds his own story brick by brick. Yes, much of the book reflects the original movie, but Wilson adds depth and meaning where a film-goer might be left to wonder.

Admittedly, this isn't my kind of story and I've told Eric so. I much prefer suspense. However, it is a great read and a reminder of God's faithfulness even in the darkest night of your life. As always Eric brings characters and situations to life, raw with emotions, heart, courage and weaknesses.

Next up for Eric is the novelization of another film, Flywheel--coming in April. And then, in October, Eric will change everything again with the release of book one of the Jerusalem's Undead series. Book one is called Field of Blood. Think 1st century Jerusalem and vampires. How can you not want to read that?!

I loved reading this book. It even made me cry! The part where he makes the player crawl the entire field with the guy his back is incredible! I even loaned it to two of the boys I babysit who love football and the loved it! Great book! I would recommend it to anyone!

Herein lies the rest of the story.

These days every successful movie is either preceded by or followed by a companion novel, but many novelizations fail to stand on their own. Poor or lazy writing, failure to understand the onscreen characters, failure to add something new to the original--these errors and others weaken the majority of movies-turned-books. FACING THE GIANTS suffers none of these troubles and stands to widen the movie's already sizeable audience.

Wilson's novelization of Stephen & Alex Kendrick's screenplay is as enjoyable, moving, and inspirational as the original film, and it provides an excellent way for fans to re-experience FACING THE GIANTS for the first time and for first-timers to finally jump on the bandwagon. What's more, the book version not only expands a few scenes and adds a few others, but allows the reader to see inside the heads of several key characters--something even the best actors can't perfectly convey.

Just as Dan Reeves said about the movie (see front cover), this story is one that every Christian, athlete or otherwise, should experience in one media form or another.

It is all about the motive. It is all about the heart.

I received this book Saturday and read it all the way through today, after watching the movie again yesterday. I think the book and the movie make a great combination. I had seen the movie several times, and I think the book added some details that are not seen in the movie. While I was reading the book, I was able to visualize what took place in the movie. Eric Wilson did a wonderful job of putting the movie on paper. I will often return to the book, when I need encouragement, and probably later on watch the movie again.
I think it is important to understand the whole plot before jumping to conclusions. It's easy to think this is nothing more than a feel good Christian book/movie, but after a couple times, you start to get the message. I found myself actually identifying the emotions where I was hyped up at times (especially the game for the state title), but the extra details in the book really helped; for example when Larry Childers wheeled himself to the end zone and stood for his son when David was about to kick a field goal to win the state championship. From the book, I could see the encouragement a father provided for his son, and that gave David the encouragement to give it his best. I could say much more, but I was very happy to see this in print.