U Books

This is for anyone who has ever fallen in love with this wonderful city, that is any who has ever, however briefly, been there.

The format is, as it is for all the "Then and Now" series to show vintage photographs paired with modern shots of the same view. The captions describe the scenes, giving short historical backgrounds. Anyone who has ever spent any time in the city will recognize some of the modern views and will probably find themselves interested in the vintage shots giving the history of the scene. Those who are planning a return visit just might want to slip this slim book into their luggage to take sightseeing. It also just might make a welcome reference for anyone reading about the old days in the City or watching an old film set there.

Lovely to look at and reasonably informative. Will be most enjoyed by fans of San Francisco. I can't see midwesterners enjoying this book. But if you live in or have visited the city by the bay this may be the book for you.

I received the book as a gift vut I would gladly paid for it.

This book is wonderful. A must have whether you live in the Bay Area or have visited here. Worth every penny.

These are a great series of books, I own each of my Favorite cities in the US. Seattle, Portland, and San Francisco. It is really cool to see old pictures of the cities compared to current pictures.

I'm not using "conservative" in the current political sense, obviously. Everybody knows that John McCain has less than a snowball's chance in Gomorrah of winning in SF. I using the term conservative in its root meaning, something like "saving what was valued in the past." Preservation and conservation have the same Latin root. San Francisco has conserved more of its past than any western American city, and I could make a case, I think, for its preservation of more old-fashioned city life even than Boston or Savannah.

Except for the tiny downtown financial district, San Francisco "looks" old. The vast majority of houses, churches, and schools were built in late Victorian styles and have been lovingly restored in the same styles. Even the relatively "new" streets of the Sunset are old-fashioned now, predominantly in modest Art Deco style of the 30s and 40s. And it should be no surprise that ATT baseball park is a booking success, since it's strikingly old-style brick in construction, with a street car stop at the front gate.

San Francisco is a bastion of old-fashioned independent mom 'n pop businesses. There are thriving corner groceries and open-air once-a-week markets: independent restaurants ranging from very cheap to ultra expensive, but hardly any chain restaurants in the neighborhoods. The big chain grocery stores like Albertson's struggle to stay open in competition with locally owned stores like Andronico's, which has six stores around the whole Bay Area. There are more independent fitness centers and gyms in the neighborhoods; 24-hour fat farms are not the norm in SF. There are no malls that would be recognizable to most Americans in downtown or neighborhood San Francisco. The only malls - and very small they are by US norms - are on the suburban fringes.

Even Boston is cut up by freeways today, though the traffic is no better managed than when I lived there in the early '60s. Seattle is sliced in half by its ineeffective central freeway. San Francisco is the place that blocked freeway construction in the late '60s. Several freeways have been demolished in SF in the last ten years! Streets in SF are narrow and parking is tough, but a measure to build more parking lots was recently defeated at the polls, and any attempt to chop wider streets through SF would meet with armed resistance.

Baseball is the number one sport in SF. The fans of the football team pour in from the 'burbs to the hideous modernistic but crumbling stadium just at the edge of the city. The basketball team plays in Oakland. Any town where baseball rules has got to be considered conservative!

People in SF are conservative dressers, especially by California standards. I know women who live in LA, who carry clothes they consider drab to SF when they visit, so that they will not stick out like the inflamed rear view of a peacock's tail. One never sees "his and hers" outfits on the streets, especially not pastels. Men wear less bling per capita in SF than in Omaha. A neck chain and an open shirt would get you sneered out of polite society in SF.

Sweet old-fashioned window boxes are everywhere in SF. Street tree plantings are lovingly maintained. Open space is all-important to San Franciscans, and it's by stubborn resistance to development than SF has preserved more open space (finangling the take-over of decommissioned army, coast guard, and navy bases) than any comparably populated region of the USA. Nature is inherently conservative.

The half-mile strip of upper Haight Street, which gets the attention of the "screaming heads" on TV and radio, is not populated by San Franciscans. It's the runaway and stumble-away refuge of the discontented - the "poor abused confused missused" - of all the dysfunctional "conservative" families and communities from Modesto to Miami. They come to SF to enjoy the true conservative values of privacy, tolerance, and neighborhood friendliness.

I have heard from many people how wonderful and helpful this book is. I have looked everywhere for it!! I am hoping that somehow we can get this book back into print. Several therapists have mentioned it. Any suggestions? There must be something we can do!

I saw this book on a friend's bookshelf and relived very important moments in my own childhood. I can't believe it's out of print and beg the publisher to reprint this very wonderful and crucial book for children and parents to read together...

the only relevant page in this book now a days is when the kid is balancing on the fence and it explained how when the big person said get off that fence or i'll ..... meant please get off that fence i love you - the rest of it in this modern world could be bunk - but still the only reason i don't have a copy is because it is a hand me down bible - any one got one let me know - anyone remember it lt me knoe - i'm rewriting - modern input apprecciated

I read with interest the comments of several reviewers and see my daughter (who is now 26 and expecting her first child and MY first grandchild) was not the only one to benefit from this book as a child. PLEASE bring it back - I came to Amazon.com hoping to purchase it for my grandson who will be joining us in May.

Going from a teenager to a young adult, I read the book T. A. for Teens. I wished I had learned about transactional analysis throughout my school years.It would have helped me deal and understand my behavior and that of others, as well as be a happier person. Now, I am a mother of a wonderful little girl. I'm looking for T.A. for Tots, to start her out earlier than I did. BUT IT IS OUT OF PRINT!!! Please, please, please bring it back. So the new generation of kids can get an early start on understanding warm fuzzies and cold pricklies, and how to comunicate their feelings in a possitve, constructive way. Looking forward to seeing the book available again. Thanks. Liza

Brooke Stephens is a valued member in the African American community, her contributions are culturally constructive, professionally progressive, and economically empowering.

We support her because her goal is to empower us.

BTW, those who gave Brooke's book a rating of 4 or more, we clicked `yes' for the question "Was this review helpful to you?" Even in this little way we empower one another.

While some of the information in this book is outdated, it gives the new investor some good knowledge to build on.

I have read this book and found it be be very insightful and informative. I would highly recommend this resource to those taking a looking at their financdial status and making corrective changes. This is a timely work. This resource is packed with information from cover to cover. I appreciate all that the author intended to do and accomplish with this work. Take the time to sit down and read this book for encouragment to do better financial management and control of your personal financial destiny.

I read this book about three years ago when I was deeply in debt always borrowing from one credit card to pay another credit card. After reading this book I stopped making Tommy Hilfiger, Perry Ellis and Ralph Lauren so rich and started paying myself and it has paid off in ways I could not imagine. I don't have ten credit cards anymore and I don't bounce checks anymore either, but instead I am reading Black Enterprise and the Wall Street Journal looking for the best investment opportunities.

This book should be read by every african-american. While I was reading I thought she was talking about me. We seem to spend more money on unnecessary things and worry and complain about how we are going to pay those high interest credit cards. I now look at life and living a whole lot different. I have passed the book on to other family members in hopes that it changes their lives like it has changed mine.

I read this book the first time when I checked it out of the public library. I loved it so much that I had to have my own copy. It is a fascinating account of how the nouvo riche in the U.S. basically bought acceptance to high society for their daughters. You can just pick it up and read sections - it's not necessary to start at the beginning and work through. Not a summer goes by that I don't pick it up!

Every time I read this book it becomes more and more interesting. Meticulously researched, with great little anecdotes and etiquette tips.
This book is a lot of fun! I especially liked the many photographs of the designer gowns (most by Worth, if you please!) that are liberally scattered throughout.
If you're ananglophile you'll want to get this one!

Those few of us who have wondered why in the world a comfortable, cosseted American girl would want to marry an Englishman and live in a cold climate in an even colder stone castle will find answers here, even if the answers aren't satisfactory to the modern ear.

Think of it: wealthy American society girls, products of generations of men and women who gave lives and fortunes to escape a Royalist society, thought it a worthy investment of their lives, loves and wealth to buy an English title in the form of a husband. It's understandable that men who have no money and are saddled with huge estates and titles with no way to support themselves "in the manner to which they have become accustomed" would search out these women. It's another matter to understand the women, especially if they were bright and energetic (like the fabled Jenny Jerome).

Of course the first women to get involved in this weird method of social climbing didn't realize what was involved. (Though why American society decided that an English title was important in the United States, especially if it could be bought with money, still escapes me.) The problems included loveless husbands who paid little attention to their wives and carried on affairs; cold and drafty castles into which Papa sank tons of money to no avail as far as comfort was concerned; families who refused to accept them in spite (or because) of the fact that they provided the money to keep the lifestyle intact; servants who often were sulky and rebellious ("but we've ALWAYS done it that way"); children they handed over to nannies. The first brides must have kept the hardships and loneliness from the succeeding generation, for the rage for English titles prevailed from the mid-19th century almost through the mid-20th century.

TO MARRY AN ENGLISH LORD is a fascinating and complete look at these women and the lives they led. Illustrations showing the homes and households of the times and how they operated, fashions, maps, photographs of the women and their friends, families and husbands all combine to present the core of that particular section of society in that particular age.

The book is meticulously researched and includes a bibliography, a register of American heiresses, a suggested walking tour of the women's London and a very handy index. It's built around the stories of these women and the men who wooed and won them. Who they were, what they did and what the consequences were -- all adds up to an intriguing and fascinating read.

As the other reviewers have noted, this is a great romp through a part of American history you don't learn about in school. I read it through once and then re-read it just to savor all the little bits and pieces the authors have so generously loaded it with. If you ever wondered about all those Vanderbilts and all those Whitneys, here is your chance (from an American point of view!)to find out just how and why these ladies ended up in the postions they did- all for the love of Edward VII. I wish there were more reader-friendly books like this that make history so entertaining.

Who says that history is boring and stuffy? This well-researched book is chock full of anecdotes, pictures, and facts to make the period and the subject come to life.

This book discusses the phenomenon of the "dollar princesses": American hieresses who married into titles abroad, particularly England. Amongst them were Winston Churchill's mother; a woman who was the second-highest ranking woman in the British empire (after only the queen); and maybe the most famous of all: Consuelo Vanderbuilt, who begrudgingly became the Duchess of Marlborough in a marriage aranged by her social-climbing mother.

Written informally, with lots of pictures, this might be a great book to buy a teenager who is just transitioning into "grown-up" non-fiction, but finds most of it dry and uninteresting. It is also a must-read for anyone who plans on traveling to country-houses in England, as it gives a more accurate view of what it was like to actually have to live in one of those monstrosities! Anyone who is interested in the history of class in America, or of the British Aristocracy, would also be interested.

i love this book, it was fast pacing and so sexy. a great love story and great charcters.

With her second book in the O'Fallon Family Series, Ms. Castell has once again provided readers with a fabulous and fun read filled with great characters and a wonderful plot! Laced with humor, charm, and passion this book is a very enjoyable pageturner that keeps the reader interested. I look forward to the other books in this great series about the O'Fallon family.

Keefe O'Fallon returns home to help his family. Little did he know that trouble followed him home, one sexy reporter and an avid fan and the fun is just beginning.

The attraction between Keefe and the reporter-turned babysitter Callie is sizzling!! They both try so hard to deny it but with the steam they generate it is only a matter of time.

Besides the main storyline, Dianne Castell has woven in stories for some of the other folks in town. Keefe's friend Digger has his eye on the new girl in town. Sally & Demar's romance is heating up and what is going on at the Hasting's House. The storyline involving the retired folks in the community was perfect, a second chance at love and plenty of fun. All great additions that make you feel like your part of the town.

This is a must read for all you romance fans and if you missed "Til there was U", be sure to read it also. I am "patiently" waiting for the next O'Fallon story "I'll be Seeing U"

Keefe O'Fallon has taken a break from his job as soap star, Lex Zandor, to go back home and help his family out during a crisis. Callie Cahill has followed Keefe to get a story for her magazine, which Keefe does not want to happen. Callie, also, has a bit of a crush on Keefe, but Keefe does not like reporters! Callie saves the day when she helps calm Keefe's baby sister, Bonnie, and agrees to take care of Bonnie in exchange for Keefe giving her an interview. And so begins, Keefe and Callie's adventures.
Dianne Castell has created a fun, engaging cast of characters who immediately pull the reader into their lives and keeps them there. Keefe and Callie are fun to watch as they try to fight sexual tension that they cannot escape, and they really do not want to. The secondary characters and the underlying mystery both add to the charm of the story. Dianne Castell's The Way U Look Tonight is wonderful and I cannot wait to get my hands on Til There Was U and Quaid's story. Dianne has me hooked!!

Meet Keefe O'Fallon. He is at the top of his game. A very hunky soap star. But the media hounds are driving him crazy. His father has a problem. So Keefe heads back to O'Fallon Landing to help Rory his father. And to hide out from the media. But then he mistakes a beautiful reporter as his baby sister Bonnie's new nanny. This is the break Callie needs. She has to have this interview so she can get a promotion. She needs it to help pay for her little sister's college education. Let the fun begin. Dianne Castell writes the second book in the Four O'Fallons and a Baby series. She creates a great family with a secondary cast of fun characters that are just as great. I always enjoy Ms Castell's books and this story is one of the best. Her books are great fun to read. Can not wait to the third brother to come home.
Also recommended: Dianne Castell- 'Til There was U. and Lori Foster's Jude's Law

Klein has written a definitive bio of Woody Guthrie. He portrays Guthrie in his full humanity with flaws and all. As a result, this is a rich real portrait in which Guthrie is illuminated as a human that was able to achieve in-human feats during his life time. This book is a must for anyone interested in understanding this seminal figure of American history and culture.

Woodrow Wilson Guthrie wasn't the most talented of musicians, but few people have had more influence on the landscape of American music. He was an incredibly prolific writer and the grandfather of the 1960s folk music revival, hero to the Dylan, Baez and the like.

Woody was to music what Steinbeck was to literature, capturing the California story of the thousands of "Okies" who emigrated to California looking for employment when dust storms devastated their farms during the Depression. But unlike Steinbeck, Guthrie was one of the people he sang about, leaving his poor Texas panhandle home and hitch-hiking, riding the rails, and singing his way across the country. Along the way, he listened to stories and felt the disenchantment of the other wayward wanderers. He captured those stories and sentiments, then put them to music. Woody quickly found an audience in his fellow immigrants, first around campfires, then on the radio. His character was more authentic than the slick corn-pone caricatures Hollywood had created. The large new audience could relate to Woody. And more importantly, he was voicing frustrations they could relate to.
Woody Guthrie's life was situated at the nexus of American music and American politics. He spent much of his life as a Communist (most people forget that, though not a threat to take office, the Communist Party had a sizable membership in America pre-WWII), and was one of the first people to use music to encourage political rebellion. He played the picket lines, helped organize rallies and played at Communist party meetings.

While his songs sound happy and simple to us today, the lyrics are often packed with anger and irony, expressing frustration at an America not living up to its promises. There was talk, for a while, of making Guthrie's "This Land is My Land" the national anthem. But in truth, the original "This Land is My Land" is far from the patriotic ditty schoolchildren learn today. It was actually a response to Irving Berlin's "God Bless America," a song Woody found to be full of false hope. Along with the fourth verse, the final verse of Woody's version is typically exorcized:

"One bright sunny morning, in the shadow of the steeple
By the Relief Office, I saw my people -
As they stood hungry, I stood there wondering if
This land was made for you and me."

Personally, Woody was a complex guy, full of good intentions, but falling short on many counts. For all his success as a musician, he was a terrible husband to several women and an absentee father, often leaving his families for months at a time on wandering cross-country trips. He drank too much, was unpredictable and often a pain in the side of some of his closest friends. Only later in his life, when he was diagnosed with Huntington's disease, the genetic nervous disorder that killed his mother, did it seem like there may have been an explanation beyond selfishness for Woody's unpredictable behavior.

Joe Klein tells Woody's story with the kind of craft and poetry that such a story deserves. He paints a vivid portrait of Woody that jumps off the page with life, all quirky and charming and lovable and maddening and irresponsible and admirable and stupefying and brilliant. But WOODY GUTHRIE: A LIFE is more than the story of one man's life-it is the story of America in the last century, of its changing social climate, of its musical maturation, of its dreams and realities. All of these themes can be found in the songs of Woody Guthrie, and the only thing he ever sang about was what he saw in his lifetime.

....and I'd recommend this book even to those not especially interested in Woody Guthrie. The writing is superb, and Klein's reporting skills are without peer. The book also stands as a fine social history of Depression Era America.

This biography is stunningly and painfully intimate. Joe Klein did a fantastic job. This is a great read.

Guthrie is a tremendous American icon who not enough of us actually know about or perhaps have even heard of. He was a thousand contradictions. In his art and in his life, in his outrageous, childlike, precocious, brooding, energetic, and endlessly subversive behavior... he was just utterly himself, he embodied a particular American brand of freedom in life, outlook, and sense of possibility.

Even if you haven't got time to read this book, make sure the kids around you know all the verses to "This Land Is Your Land". You may not agree with the politics but it's worth knowing what the man actually said, it makes you think.

Every Christmas, I buy multiple copies of this book and give it away to friends and family. Every spring/summer, I receive multiple messages of enthusiastic thanks and gratitude. No one who reads it comes away unaffected.

Basically, I will just say this is the most riveting biography I've ever read, and I've read it many times (am rereading it now actually).

There are two primary reasons why this book is so far above all other biographies:

1.) Joe Klein's writing is fantastic. His research is thorough, but his ability to communicate to an audience complex historical, socio-political, medical, and psychological concepts is virtually without peer.

2.) Woody Guthrie's life simply is one of the most fascinating lives I've ever read about. From his birth (even before his birth) straight through to his death, his life never gets boring. There is no plateau, where a great artist achieves his best work and then self destructs or mellows, etc etc.....every single period of Woody's life is equally fascinating. He was an incredible human being, a very complex artist and man-and he happened to straddle many periods of history. You will be constantly surprised. Sometimes you want to strangle him and then he turns around and does something so unbelievabely heroic, that you can hardly believe it actually happened. There is NO ONE like Woody Guthrie today....nor was there ever another in any other time period, the guy was truly a one and only.

I couldn't recommend this book enough. It's so good that not until 2004 was another biography attempted on Woody, and I can't imagine it could be any better than this.

Being a Yorkie lover, I really did enjoy the story. Smoky was quite a dog - they are an exceptional breed. I think any pet lover/history buff would enjoy the book.

I love this book about Smoky, and I almost didn't buy it, because a reviewer said it was poorly written. But I find it quite well done, and I have read some self published books that were not. This is really a lovely little book. I think anyone would enjoy it. Certainly, dog lovers will be most interested, but those who don't care about dogs might find themselves a dog lover by the time they finish this book. The photos are great, too. I have a little Yorkie, so I especially love this story. I'm going to buy the book for some older relatives who fought in WWII. I think they'll be charmed.

I first learned about Smoky through a Wikipedia link where she immediately captured my interest. Buying the book was the next logical step in learning more about this amazing and wonderful dog, but sadly none of my local vendors had it and was in fact greeted with several different smirks when given the name of the book to search for. Thankfully Amazon had it in stock, and I wholeheartedly recommend it to anyone. The story of Mr. Wynne and Smoky seems almost unreal during the War and the story of their life home and on the road will keep you captivated to the teary end.

When Bill writes of his experiences with Smoky it feels as though you are right there along side both of them,experiencing what they are going through.Well written and he even gives you training tips to train your dog with.Yorkie doodle dandy is a must have for any family library.Way to go Bill and thanks for bringing Smoky back for us all to enjoy!!!

Yorkie Doodle Dandy is not just another story of a man and his dog. It is a real life story of a miracle and I guess what is meant to be will be. Mr. Wynne finds his little Yorkie literally in the middle of nowhere on an island during a war. I don't want to give the story away but it shows the bonding that can take place between owner and pet and what sacrifices will be made for each other. Be prepared to laugh and cry. If you have Yorkies, like I do, run and get this book. If you don't have Yorkies, read this book and you will want a Yorkie. My deepest respect to Mr. Wynne who is one of those rare people who truly understands dogs.

"The 42nd Parallel," the first volume of John Dos Passos's "U.S.A." trilogy, is a novel about America and Americans from the 1890s up to the first World War. That sounds ordinary enough, but "The 42nd Parallel"--the title possibly refers to the latitude of Chicago, Dos Passos's city of birth and where a good portion of the action of the novel takes place--is notable more for its style than for its content, not that the latter is uninteresting. Dos Passos invents five young people from different backgrounds and parts of the country and follows the courses of their lives until their destinies eventually intersect.

The first to be introduced is a poor kid from Connecticut by way of Chicago named Fenian "Mac" McCreary who, starting out as an apprentice printer not unlike Benjamin Franklin, travels from city to city hopping trains and falling haplessly into a variety of odd jobs--assisting a con man, writing propaganda for a labor organization--until he ends up in Mexico running a bookstore on the fringe of a revolutionary movement. Then we meet Janey Williams, a middle-class girl from Washington, D.C., who makes a living as a stenographer while she is looking for a husband.

Next is a diligent, intelligent boy from Wilmington, Delaware, named J. Ward Moorehouse who after some bad luck in his career and his marriage becomes a successful public relations consultant for corporations. Eleanor Stoddard, a Chicago girl who dreams of a fashionable and cultured life for herself, breaks the social and economic barriers and becomes a highly reputable interior decorator in New York. Finally, Charley Anderson, a North Dakota native, struggles to find and keep work as a mechanic while he roams the country as a vagrant, ultimately volunteering for the ambulance corps in France as the United States enters the European war.

What all these people have in common is that they each epitomize some facet of the new American socioeconomic picture of the emerging twentieth century--the socialist, the working single girl, the corporate image softener. The novel reflects the changes America was undergoing at the time, especially in light of the problematic relations between labor, industry, and government, and the country's potential position as a new global superpower awaiting the biggest, bloodiest war the world would witness to date. Dos Passos wrote this in 1930, so of course he had the benefit of some hindsight; there was no second world war, nor even yet the threat of one, to obscure his vision of the era.

The narratives of the main characters alternate with "Newsreels" that provide glimpses of contemporary events, headlines, and snippets of popular songs; sections called "The Camera Eye" which record random prattle from snapshot subjects and look like modernist prose poems; and brief versified sketches of actual personalities and prominent figures of the day who shaped American history, from Eugene V. Debs to Thomas Edison to Charles Proteus Steinmetz. The novel is experimental in structure, but Dos Passos is breezily conversational in his prose, telling pure stories with natural drama; there is no unbelievable comedy or tragedy here, no sentimentality or jingoism, just life as it is lived.

This first part of Dos Passos' acclaimed "USA" trilogy takes the reader from the start of the 20th-century up to America's entry in World War I through the alternating life stories of five regular (white) citizens. Had he stopped there, the book might have been perfect, but modernist experimentations creep in through the "Newsreel" and "The Camera's Eye" sections and muddy up the work. These are kind of abstract prose collages or montages comprised of headlines, snatched phrases of songs, news clippings, and random phrases -- presumably intended to convey some of the mood and seeming frenetic pace of the time. The fourth element in his brew are brief sketches of notable figures of American history (some more familiar to contemporary readers than others), including Thomas Edison, "Gene" Debs, Andrew Carnegie, Henry Ford, Charles Steinmetz (pioneering electrical engineer) and more. However, if one can ignore all of Dos Passos' uneven futzing around with these various elements, there's quite a good social history underneath. When writing about his five core characters, he's very straightforward and proves to be an engaging storyteller.

Dos Passos uses his five characters to show the pre-war period as a time of great change in America, when the political field was still wide open and the opportunities for social mobility were a tangible lure to young people. Probably the closest to his heart is the first one we meet, a poor Irish-American apprentice printer from Connecticut named Mac. His picaresque adventures take him train-hopping around the country and into a turbulent Mexico, taking on odd jobs and working for the labor movement. Raised by Fenian rebels, he's a card carrying Wobbly and proud of it. The middle three characters are middle-class strivers. Janey is a Washington, DC stenographer whose halcyon days of youth end when her teen crush dies in a car wreck and her golden boy brother joins the merchant marine. Eleanor is a naive Chicago girl who is introduced into a "arty" set and eventually works her way up in the world to become a fashionable Manhattanite interior decorator. Both of these women's lives eventually intersect with that of J. Ward Moorehouse, an industrious Delaware boy who manages to latch on to a rich wife and leverages that to make a name for himself in advertising and public relations. A Minnesotan hick named Charley forms the working class bookend to the five characters. Like Mac, he wanders the country, living close the edge and picking up mechanic or carnival jobs where he can, and gets interested in the labor movement.

As the lives of these characters unfold over the decade and a half, we see the energetic face of modern America emerging. The rise and fall of unions, the rise of the working woman, the rise of advertising and media spin, the tension between government and the people, the rise of American hegemony and nationalism, and the inevitable class divide -- the one area that escapes major attention is race. Lest this sound rather dry and boring, the five characters go through personal and professional trials and tribulations familiar to our time. Playing an especially large role in the characters' lives are love and sex, the former generally playing out poorly, and the latter sordidly. There's an interesting tension that surfaces off and on through the lives of the male characters, in which females divert them from their avowed course. This is introduced very early in the book when Mac is warned by his father that he must stay away from women, because women will make you "sell out" and betray the revolution. The idea that a man can't be an effective revolutionary if he's got a woman to deal with is a recurring one -- which is not to say that women don't have their own problems throughout the story -- and it would be interesting to see a feminist analysis of the book. In any event, once you get used to the structure and style and concentrate on the core characters, it remains a very readable and important portrait of America's history from the perspective of a social revolutionary.

To read John Dos Passos' "The 42ND Parallel" is a unique reading experience that I highly recommend, though not to everybody. It is a great book, but very intellectual, slow and sometimes confusing --therefore it requires a lot of concentration from the reader. But those who adventure this superb work are likely to be very pleased. This is a great portrait of the USA circa 1900 --a remarkable read.

To begin with, the format of the story can be a major drawback. Not only is it segmented, but also, from time to time, sections that haven't much to do with the narrative itself pop up. Sections named "Newsreel" and "Camera Eye" may not make the main narrative --or narratives --move on, but they are important to set the mood and give historical background to the reader. They can put off the reader, or helpful, it only depends on how much one likes historical context.

Each main character is a book itself. They have long stories that are told from the beginning. Each one has his or her main conflicts, supporting characters and so forth. But the closer we get to the end, the clearer it is that all the storylines will get together in the end. And this is one of the biggest accomplishments of Dos Passos. Many writers try to do this kind of device and fail --they are neither convincer, nor surprising. But this is not the case in "The 42ND Parallel". You may have a feeling the narratives will eventually meet each other in the end, but the end is so engaging that surprises us.

Since "The 42ND Parallel" is the first installment of a trilogy, clearly, it has no ending so to speak. The narratives come to a finale, but still there is water to pass under the bridge. The last paragraph is the perfect hook for the next novel. It leaves the reader with a natural excitement to read "1919".

if you like On The Road by Jack Kerouac, than you'll love this trilogy.

When I first came across John Dos Passos' USA Trilogy (42nd Parallel, 1919, and The Big Money) as a teenager I thought they were the most exciting books I'd read to date. I was enthralled by its scope, its style, and its highly politicized substance. Dos Passos' montage-style (that seemed to be some sort of homage to the great Soviet director Sergei Eisenstein) mixed interwoven story lines of fictional characters with brief contemporary biographies of famous contemporaries. To that he added "newsreel" items, brief inserts from news clippings of the day that gave some sense of the cultural and political world these characters inhabited. Last, Dos Passos added subjective, autobiographical snippets (the "Camera Eye") that served as some sort of exterior voice of the author. I was concerned when I picked up 42nd Parallel many years later that I would find that my excitement was more the product of teenage naivete than from reading a truly unique literary work. Happily, I was not disappointed to find that the USA Trilogy remains for me, a wonderful piece of writing, one that has fallen inexplicably out of the American literary cannon.

Seventy years later we think of American fiction from the 1920s and 1930s as being dominated by three writers, Faulkner, Hemingway, and Fitzgerald. It is not much remembered that at the time Dos Passos was thought of as an essential fourth. When 42nd Parallel was published Edmund Wilson's review went so far as to claim that Dos Passos was "the first of our writers, with the possible exception of Mark Twain, who has successfully used colloquial American for a novel of the highest artistic seriousness." Upon publication of The Big Money in 1936 Dos Passos made the cover of the August 10, 1936 issue of Time Magazine.

42nd Parallel is a wonderful title for Volume I of the Trilogy. The 42nd Parallel of latitude runs right through the heart of the USA. Starting from the west it forms the north/south boundary of California, Nevada and part of Utah from Oregon and Idaho. Running east it crosses Wyoming, Nebraska, Iowa, Illinois, Michigan, and the New York/Pennsylvania border. After cutting across Connecticut it reaches the Atlantic Ocean just where the Pilgrims landed, at Plymouth Rock.

Dos Passos' 42nd Parallel cuts a similar swath across the USA. Set roughly in the years from 1900 to the First World War, Dos Passos traces the lives of five characters, each from a different part of the country and each with a different class and cultural background. We are presented with the stories of Fainy McCreary (Mac), Janey, J. Ward Moorehouse, Eleanor Stoddard, and Charley Anderson. As the stories progress they converge (personally or geographically) and diverge sometimes as randomly as two ships passing in the night. We have a range of characters from a card carrying member of the International Workers of the World (Wobblies) in Mac to a budding man of wealth and importance in the new field of public relations (Moorehouse). Some hop trains and tramp from town to town looking for jobs or social unrest. Others strive for respectability and try to make a `nice' middle class life for themselves.

In between chapters Dos Passos provides us with biographical sketches of famed Americans such as Thomas Edison, Bob La Follette, Andrew Carnegie, and Luther Burbank. Also interspersed throughout the book are the Newsreels and what Dos Passos called "The Camera Eye" made up of his own musings on his life and times. All of the fictional characters live for the moment and don't engage in any literary musings on the meaning of life and their role in it. The Camera Eye seems, in many respects, to consist of Dos Passos setting out his own interior life, something missing from his characters. 42nd Parallel is a politically charged piece of work and is fully representative of the highly charged and turbulent early years of the 20th-century.

By the time I was finished with the 42nd Parallel any qualms I had about revisiting Dos Passos had long since evaporated. I recommend this book to anyone who, like me, read the book many, many years ago. I strongly recommend this book to anyone who hasn't yet discovered The USA Trilogy. You won't be disappointed.

Absolutely outstanding book on the complicated second American revolution that occured as a result of the American Civil War and the startling reversals that took place not ten years later. McPherson's essays are masterful.

First rate.

This thin book which contains series of essays on how Abraham Lincoln revolutionized our nation during one of the most important periods of our nation proves to be well written and amazingly easy to understand. James McPherson writes clearly how the American Civil War was truly a revolutionary moment in our nation's history and how Lincoln took steps to ensure these changes. How we lived, our political/racial/social norms that are part of our society today took form during the Civil War. Even the way we waged war, have it roots in the Civil War, all have Lincoln's fingerprints all over it.

The book proves to be easy to follow and read. But in its simple prose, lies amazing insights and perception of Lincoln's influence during the war and his abilities to effect changes in our nation. I would say that this book is a "must read" for anyone interested in American history.

This well-argued collection of James McPherson's occasional pieces focuses primarily on what the author sees as the fundamental changes that the Civil War brought to America's polity, economics, culture, and self-identity. The first, second, third, and seventh of the essays deal especially with this theme. The middle fourth, fifth, and sixth essays are less directly related to it, but nonetheless offer fascinating explorations of Lincoln the total war president, Lincoln the wordsmith, and Lincoln the "hedgehog."

Many of the people who lived through the Civil War thought of it as a revolution. Many historians since have agreed, although for varying reasons. McPherson's main project in this book is to figure out whether and how the Civil War can be considered the "second American Revolution."
He believes that the war was in fact revolutionary on several counts.

First, the war shifted the economic and political power balance in the United States. The war's devastation of southern property and demographics, especially after it evolved from a limited to a total conflict, shifted economic superiority to northern industry and agriculture. Moreover, the southern states' virtual antebellum monopoly of the White House, as well as their immense congressional power, was broken for the next half century. This is what McPherson (and others) refer to as the "external" revolution.

But there was an "internal" revolution too in the realm of legal rights and national self-identity. Four million slaves were freed and granted civil and political rights, and the southern aristocracy, along with the entire way of life and set of values it maintained, disappeared (or at least went underground). Moreover, argues McPherson, the war brought about a shift from early Republic concentration on liberty as "freedom from" (negative liberty), which distrusted strong central government, to liberty as "freedom to" (positive liberty), which emphasized the responsibility of the federal government to guarantee civil rights. This shift helped create a new sense of national identity that focused on the nation rather than the region: hence McPherson's claim that the Civil War moved the country from a "union" to a "nation."

The influence of the political philosopher Isaiah Berlin is present throughout much of McPherson's thinking about liberty, and McPherson also draws on one of Berlin's most famous essays in designating Lincoln (Chapter VI) as a hedgehog in his single-minded devotion to preserving the union. McPherson might be drawing on the work of philosophers of language in his fascinating discussion (Chapter V) of Lincoln's influential talent for creating and manipulating "live" as opposed to "dead" metaphors in expressing his opinions and seeking support for his policies. In both these cases, McPherson nicely weaves some philosophical analysis into his historical interpretations.

Where I find McPherson less helpful is his rather uncritical discussion of Lincoln's suspension of habeas corpus (Chapter III). He rehearses the well-worn argument that the suspension was simply necessary from a pragmatic perspective--end of discussion. As Lincoln said in another context, "often a limb must be sacrificed to save a life." But this interpretation begs for a discussion of the moral and political short- and longterm trauma that the amputation inflicted on the body politic. How far can one go in suspending liberties in order to preserve liberty?

Nonetheless, the essays collected in Abraham Lincoln and the Second American Revolution are exactly what readers have come to expect from McPherson: illuminating, gracefully written, well-researched. They aren't the final word, and I suspect McPherson doesn't expect them to be. But they wonderfully enrich the on-going conversation.

James McPherson (Battle Cry of Freedom) is the preeminent Civil War author and scholar of our time. The Princeton University professor provides fresh insight into A. Lincoln in these seven essays.

McPherson demonstrates conclusively that the Civil War was indeed the Second American Revolution - it abolished slavery and smashed the political, economic, and social status quo. Before the War, southerners dominated American politics - after the war it was decades before a son of the south could be elected President. The absence of the south from the national legislature during the war allowed the passage of the great progressive and modernizing legislation; the Homestead Act, enabled a continental railroad, and land-grant colleges. After the war, blacks made great (if far from complete) progress in education, politics, and economics.

Unfortunately, the reactionary forces led a counter-revolution that attempted to turn back the massive changes in society with much success. That counter-revolution eventually yielded to a Second Reconstruction in the mid-20th century.

McPherson repeatedly returns to Lincoln's political evolution as the War changed from a limited war for limited ends to a total war for revolutionary ends. In the end Lincoln insisted on unconditional surrender.

I particularly enjoyed the essays entitled 'How Lincoln Won the War with Metaphors', which contrasts the communication abilities of Lincoln and Jefferson Davis, and 'The Hedgehog and the Foxes', in which McPherson favors us with a description of Lincoln as the single-minded hedgehog outlasting the multifarious foxes such as Horace Greeley and William Seward.

My only small quibble is that similar points are made using the same quotes in multiple essays (perhaps unavoidable in a collection of previously published essays), but the quotes are so evocative of Lincoln's thinking that the repetition is not only forgiven, but enjoyed.

Highly recommended for anyone interested in US history, Lincoln, or the Civil War era.

ABRAHAM LINCOLN AND THE SECOND AMERICAN REVOLUTION by James M. McPherson is a thin juicy volume. You feel energized as you read and absorb its deep insights. Each of six essays shows that it was Lincoln's reality anchored character and powerful intellect that transformed the United States to the country it is today. One essay shows how Lincoln's use of metaphor, culled from Aesop's Fables, the works of Shakespeare, and the Bible made him a consummate communicator. His metaphors resonated to the deepest layers of mind of the average American in way that instilled motivation and purpose to a war that seemed impossible to manage or win. Compared to Jefferson Davis who was so highly educated and abstract but was unable to connect with ordinary folk. But it is McPherson who too is able to convey to us this president's great powers with his own metaphors i.e. "barnyard philosophy," and his essay, "The hedgehog and the fox," which compares and contrasts Lincoln's abilities with the "smartest contemporaries." ABRAHAM LINCOLN AND THE SECOND AMERICAN REVOLUTION is a great distillate of the voluminous Civil War Literature. You must have it for your library.

The plight of the people of Libby and the other sites around the country is very sad and you want to hate WR Grace and the previous mine owners and operators. While their reponsibility is not in doubt, the book could have been improved by more information about what exactly they knew and when. I'm sure Grace et al. did not cooperate with the authors, but the extensive litigation should have made some of this information available.

I am in the middle of this book and I find it very compelling. I was interested in customer reviews and when I read the last review on how the story is not yet complete because many of the victims of this scandal do not have health insurance, I felt compelled to write.

Everyone will be making a profit on this story. WB Grace made their money and now the media will make their money. While I agree that the authors have done a wonderful public service uncovering this environmental disaster, I would like to suggest that a substantial amount of the money made on this book (and the perhaps subsequent movie) could be donated to the victims. If not for their illness, there would be no story. I was recently appalled to learn about the monies that were made by media stars on the Watergate scandal while Deep Throat (whoe courage made it all possible) was not doing quite as well. For the media to make money off these stories without providing for the victims is not right either.

I want you to read this book. It is important to you and your family. I consider myself a knowledgeable person and I don't remember this scandal when it came out in 2000-2001. Perhaps it has to do with the fact that I live in southern CA, but the problems with asbestos effects all of us in the US. Attic insulation, talc products and even gardening/soil products have asbestos risks that have been used and available for sale up into the 1990's and beyond.

I must have read a review or heard one of the authors in an interview...but somehow this book made it onto my "Must Read" list. When I received the book, I questioned why I had gotten it, having forgotten what motivated my interest in the first place. But I started reading and have found this book to be a treasure.

The story is one of deception, corruption and greed on the part of Big Business, in this case the mining business. The owners and executives misled their workers, investors and the government agencies that regulated them into turning a blind eye to the dangers of asbestos in their products.

While the deception of the miners in Libby was unconscionable, the book goes on to document the Bush White House withholding information that the air in and around the World Trade Center was not healthy! Can you imagine, after a tragedy like the WTC disaster, that your own government, that you rallied round to give support, would turn on you and withhold information that the air that you breathe is full of cancer causing dust? Which tragedy is worse?

The book is truly a must-read.

Lastly, I want to point out the courage of the reporters, editors, doctors and the outstanding EPA field workers that fought to get this story out. Whistle-blowers, whose main motivation is to right a wrong, are oftentimes rewarded by getting fired and branded as outcasts. This book is ultimately a story of courage and perserverance of those determined to overcome the obstacles of standing out and doing what's right.

The author Andrew Schneider tells the story of uncovering a scandal of major proportions. It is a frightening, chilling story of hidden dangers allowed by government officials whose jobs are to keep us safe. It is the story of a mineral still used in our country whose lethal dangers were recorded by Pliny the Elder. Asbestos cannot be safely used in any manner.

This book is a masterpiece of investigative journalism - well written, throughly researched and truly in the interests of the public.

The authors do a superb job of combining all the science and politics with a touching picture of the real Americans who ultimately paid and are paying the price for corporate greed and governmental push-overs.

If you read just one book this year, this should be it!