John Turturro Books

This book may perhaps not meet your expectations regarding content: I expected to see the uncles in their own habitat, surrounded by the debris of compulsive hoarding, at one with the world they had created. Lidz does not show this world: instead, he shows mainly the two uncles who live outside asylums at odds with the outside world, fumbling their beyond-quirky way through the landscape of New York.

That difference could make or break your interest in the book. Which do you want to read about, two curmudgeons at home in the nest they have created or two outcasts in society? I'm not saying that either narrative pathway makes for a bad or good book; I merely suggest that, before you read, you be prepared for what you will be reading. You might also consider that the four uncles of the title really refers mainly to two uncles; one of the others makes a single cameo appearance, and the other uncle gets a bit of space toward the end.

Lidz takes slow steps in childhood, telling ancedotes about his times with the two main uncles. These humerous takes are made forceful because they are told against the backdrop of his mother's long, ultimately fatal bout with cancer, a narrative that underpins the first half of the book. You thus have two strong narrative themes in the first half: the bumbling uncles (and the question of how on earth they function) and the sick mother (and the question of how on earth she manages to hang on to life).

The book becomes rockier in the second half, beginning when Lidz is an adolescent and his father remarries. Time speeds up considerably and without warning: you go from the slow ascent of the roller coaster to the rapid descent, and, narratively speaking, it's a rocky ride. It does make some narrative sense to speed up this second half, but it's too much too quickly and thus disconcerting for the reader. The second two uncles are introduced rapidly and don't receive as much analysis as the other two.

The book goes on to wrap up (incompletely) too quickly as well. It's as if when one uncle dies, another uncle is plugged in to take his place, and, what with the uniqueness of the uncles being emphasized, it doesn't work in the narrative. Lidz's attempt to introduce his recording techniques is also akwardly introduced, though I don't know how he could have done it more smoothly.

All in all, though, it's a good book. The strong first half does much to make up for the weaker second half, and the character's personalities make for excellent dialogue throughout. Lidz is an excellent prose writer who simply needs to pace himself a bit better; the writing itself is commendable. Recommended.

Heard the taped version of UUNSTRUNG HEROES by Franz
Lidz, the author's tale of growing up in what might charitably
be called a dysfunctional family . . . it consisted of him and
his sister, their parents, and their father's four brothers who
played an even more significant role in his upbringing when
his mother died.

If you ever thought your family was strange, wait until you meet
this group of eccentrics . . . for example, one brother thought
Mickey Mantle was out to get him . . . another collected
shoelaces . . . how Lidz, who became a writer for SPORTS
ILLUSTRATED, managed to escape the lunacy is beyond
me.

The fact that he grew up on Long Island, not far from where
I was raised, made the book even more interesting to me . . . that
and the narration by John Turturro . . . the actor's work greatly
aided in my enjoyment of UNSTRUNG HEROES.

This story although sadding at times kept me giggling and laughing at the antics of these uncles based on the real-life uncles of the author. I can see why it was made into a movie--it is a ball of fun and yet heartbreaking in others and down-right silly at times--in the end you come to feel as if you KNOW these men and the rest of the family and you feel slightly sad that more people don't look at the world through their eyes, but instead are so quick to judge those considered "different". I hated to see it end---a great, great story!!!

The author possesses fierce intellectual honesty, and his prose has a bare, involuted rhythm that is almost hypnotic. Very, very funny.

I could show you a sentence in Unstrung Heroes as elegant in its implications as the binomial theorem, and another as economically sphinx-like as the square root of minus one. The declarative sentence, Franz Lidz makes you suppose, is perhaps a writer's highest achievement.

As a big fan of his movies, I was really inpressed with this collection of short stories. This guy can really write. GATES OF EDEN will leave you wondering if every story included could be made into a film. Brilliant!

Well no, these aren't actual people in Coen's stories, but they are 'real' and brilliantly drawn. The dark humor those familiar with the Coen Bros. movies is ever-present in these stories, and Ethan proves he's as capable a writer as a storyteller, with very clever use (and abuse) of language and clever turns of phrase.

I suppose what I enjoyed most is that every chapter of this short-story collection is a *story*, rather than just a writing exercise from a creative writing course. These stories are populated by *characters*, and the actions of these characters advance the *plot*. Each is pure fun to read, and again, are excellent *stories*. They're about people, and the things people do, and how screwed up the whole species really it.

If you like Ethan Coen's wacky films, and I am among their biggest fans, then you are bound to enjoy most if not all of the subject stories. Unlike most audio collections, these stories are narrated by many of the actors who have starred in Coen Brothers films such as William H. Macy, John Goodman, John Turturro and Steve Buscemi. I thought that was a great touch, and unlike another reviewer here I thoroughly enjoyed the vocal talents, never sensing that the stars had been quickly handed the stories and told to "read" by the director.

As for the tales themselves, they were each very different, and ranged from typical Coen brothers slapstick crime stories to poignant tales of growing up Jewish in Minneapolis. I really enjoyed "Destiny",the story of an over-educated boxer with no fighting spirit, narrated by Matt Dillon, who becomes hopelessly involved in a battle between a couple of two bit hoods while getting pummeled throughout the story. "The Boys", a story of a father struggling to maintain his sanity on a camping trip with his two sons really struck a chord as well, since Coen displays his typical caustic wit and dead-on observations of family relationships.

The stories are not for everyone, sometimes the language can get a little coarse (especially the Steve Buscemi narrated "Have You Ever Been to Electric Ladyland", involving a music industry executive who tries telling the police the myriad of enemies who might have tortured his dog), and those easily offended may want to look elsewhere. Even here Coen's biting sarcasm is evident, as he skewers thinly-veiled real stars including Cat Stevens.

Overall, while Coen may never push writers like Raymond Carver out of the pantheon of American Short Story writers, these tales are an amusing bunch, made more entertaining by the considerable vocal talents of each of the narrators. I recommend you give them a try, especially in audio format. The people in the next car will wonder what you are grinning about.

Ethan Coen's collection of short stories is a hint to his remarkable movies. The writer of such great films as Raising Arizona, Fargo, and O Brother Where Art Thou? brings his unmistakable sense of humor to literature with his first work of fiction, Gates of Eden. Coen's sense of humor is uniquely intelligent at times, stupid at others, and very often disturbing.

From mafia back-stabbing to a decapitated wife and every story in between, Coen makes the reader laugh and simultaneously makes the reader feel uncomfortable for laughing. One often finds himself asking, "Should I really be laughing at this?" It is upon this type of humor that the Coen Brothers built their film career. Coen overcomes the occasional lack of true plot development with intriguing character analysis and captivating dialogue.

This book is a very easy read even with the intriguing and interesting lanuage and dialogue. The stories are short enough for a single sitting and long enough to actually say something. I would recommend this book to anyone who has taken even the slightest interest in a Coen Brothers film. But take heed, many stories are not for the weak-stomached conservative. Be prepared for a few shocks and an interesting insight to the American way.

Coen brothers.

Just say the words, and most moviegoers can tell you what you're probably in for.

Crime. Criminals. Mystery. Shenanigans.

The same holds true for "Gates of Eden," a collection of short stories by Ethan Coen, one-half of the brother team (bro is Joel Coen) that created such contemporary classics as "Blood Simple," "Fargo," "O Brother Where Art Thou?" and, most recently, "The Man Who Wasn't There."

With the short stories in "Gates," Ethan displays the tendency to irresistible characters that the brothers have put to such acclaimed use in their films.

And characters they are. Hapless schmucks, crooks who just don't seem to have a clue, oddballs and hitmen, all of whom are destined to win your heart. Or, at the very least, your funny bone.

The title story is probably my favorite, simply because it examines a career that is usually shucked aside by storytellers in favor of more glamorous work: The weights-and-measures man.

It's Joe Gendreau's job to make sure the gas station attendant isn't overcharging for or skimping on gas; a beating with a tire iron will keep him straight. All in a day's work, ma'am.

Like Joe says, "Standards are what make us a society. A community agrees. A gallon is a gallon. A pound is a pound. He who says fifteen ounces is a pound - he must be put down. A pound is a pound, or we go bango."

Sigh. Coen's use of dialogue makes me weak in the knees. Oh, to have that firm control of dialect.

Other faves in "Gates":

"Destiny": A knocked-out-too-often boxer agrees to take pictures of guy's wife in bed with a business associate, and ends up caught in between two gentlemen of less than civil reputation.

"Cosa Minapolidan": Among other things, a mob boss wants a fresh stiff. But the guys he's got on the job ain't quite right in the head, if you know what I'm saying. And one of 'em's new on the job.

"Hector Berlioz, Private Investigator": Aside from his name, there's nothing out of the ordinary about this private investigator. Coen sets the whole story like it could be an old-fashioned radio drama, and the results are both familiar and fantastic.

"A Fever in the Blood": Next to "Eden," this is the best story in the collection. Another p.i. finds himself deaf in one ear psychologically after having the other one bitten off. Brings the "Twilight Zone" to mind, complete with twist at the end. Perfection.

Anyone in need of a quick pick-me-up or an enjoyably light read can do worse than Coen. Grab your teddy bear, hunker down under the covers after (or in the middle of) a long day and thank your lucky stars you don't lead these sorry souls' lives.