Movies Books

Great book. Love it. Cool pictures and sketches from the production included. Quite a few awesome full page pictures from the film.

I bought this as a present for my boyfriend since he is a big fan of
this movie. Just got the book in the mail yesterday in good condition.
He'll really love it. I recommend buying it for the Gladiator fan in your life. :)

this book is awsome although I would have prefered more pictures of the cast on location.

This is a fantastic 'making of' book charting the fascinating process of filmmaking from script to screen. And it doesn't skimp on the color pics either. Ridley Scott' epic GLADIATOR is given the full epic treatment here, with accolades aplenty and no shortage of impressive obstacles faced while making the film. I love all of Scott's films, from The Duelists to the recently released Kingdom of Heaven. But sometimes the accompanying books don't quite match the majestic tone of the films themselves. This is different. Walter Parkes' treatment is fair and doesn't fail to connect with the reader. Showcasing all the necessary film techniques and humorous asides along with abandoned concepts, this also contains cast and crew thoughts and praises Scott for his remarkable visionary touch. A solid read and well worth the price. Buy it now!

this book is awsome although I would have prefered more info on the cast on the set.

There's not much more I can add to the glowing reviews, except to say that this is my favorite book about science-fiction movies. In fact this may be my favorite book about movies, period. Great insights, a wealth of data, and a keen understanding as to why these films continue to entertain and fascinate us. (I loved watching these movies on TV years ago and love to collect them on DVD today.) True, some may find certain assessments a bit nit-picky --especially for some of my personal favorites -- but the author's affection for the genre cannot be questioned.

This 1997 paperback edition is a combo reprint of the hardcover editions of volumes 1 and 2 which were originally published in 1982 and 1986, respectively. My only quibble -- and this is a minor one -- is that several movies that were not readily available for the author to view when these books were written have since been issued on home video and/or DVD. And there's at least two omissions: the sci-fi comedy GEISHA GIRL (1952) and the space adventure MOON WOLF (1959). Both of these obscure titles were later released on video. So I wish the publisher would allow the author to update the text, to incorporate new information and fresh appraisals.

Despite some outdated material, this is still the definitive book on the subject and I highly recommend it.

This is a terrifically entertaining and informative compendium of 1950's science fiction movies that, for fans of this inexplicably overlooked genre, will serve as an almost endless supply of delectable brain candy. Other reviewers have nicely captured the essence of this book; I'll simply add that this is the one volume you'll want to keep by your bedside and savor night after night.

do you ever wonder about the old days? how people thought about space and time, and oh yes, giant monster bugs? then look no further than this fine and funny volume. from 1950 to 1962, warren covers the best to the worst with a wry sense of humor and a clear love for the subject. almost everything is covered, from obscure jungle movies, to elaborate space epics. if you want to know about these old films, and have a laugh or two, then by all means pick up this book.

If you're a fan, or even a casual watcher, of science fiction movies of the 1950s and early 1960s, this exhaustively researched, 2-1/4-inch-thick tome deserves a prominent place in your library. It is, quite simply, THE definitive reference book on the subject. Period. There is none better. The conscientious reviewer MIGHT point out only one minor "problem"--but more on that later.

Mr. Warren does an unbelievably thorough job of presenting the most minute details of virtually every American science fiction film produced from 1950 through 1962. The classics are all here, of course. "Destination Moon," "The Day the Earth Stood Still," "The Thing From Another World," "Forbidden Planet," "Creature from the Black Lagoon" and "War of the Worlds" each receive 10 or so pages of treatment (in very small, closely spaced print, mind you). Mr. Warren tells you everything you could ever want to know about the script, the director, the actors, the special effects (such as they were, in those days), the budget, the editing, the musical score and the reception that each movie got on its initial release. He includes meaningful, interesting details and fascinating anecdotes, many of which I can't imagine how he managed to dig up. Lesser films such as (to pick a couple at random) "Mesa of Lost Women" and "The Rocket Man" get only a page or so, but still with full discussions of each film's production and how it fits into the genre. Well-chosen still photos, typically printed in full-page size and in many cases not the same ones seen in other books, illustrate some of the movies.

I found that the best way to use Mr. Warren's monumental work is to refer to it just after watching one of the films that it covers (which means ANY science fiction movie of the era). With the screenplay fresh in one's mind, reading the relevant chapter adds immeasurably to the viewing experience, much as a director's commentary does on a DVD. You can, of course, read "Keep Watching The Skies" through from cover-to-cover, but only at the risk of information overload. Its usefulness is sure to last for many years--as long as there are VHS tapes, DVDs or (if you're very lucky) old 35mm prints of classic science fiction movies to watch and enjoy. It adds new meaning to the term "reference book."

Now, for the one and only "problem" with "Keep Watching The Skies." The book consists of two parts. Part 1 covers the years 1950 through 1957; Part 2 covers 1958 through 1962. Both parts were apparently once issued as separate volumes. For this reissue, both volumes are bound together. Each part has a comprehensive index, but ONLY for that part. Thus, it can be a little difficult to find a specific film if you don't know its year of release, especially since many films in Part 1 are referred to--and thus indexed--in Part 2, and vice versa. A single integrated index would make Mr. Warren's magnum opus much easier to use. With that single tiny quibble aside, I give "Keep Watching The Skies" the highest possible recommendation. Five stars is not nearly enough. It deserves a galaxy of stars.

Bill Warren is obviously very knowledgeable concerning classic science fiction films, having spent a lifetime researching the subject. "Keep Watching the Skies" is not only factually accurate, it is also extremely entertaining to read.

Highly recommended for all fans of the genre.

Based on the same-titled movie released in 2001, Mel Odom's novelization of the Angelina Jolie flick is top-notch, enveloping every quality that made the archaeologist one of the most popular icons of the video game franchise.
Lara Croft observes the first third of a complete planet alignment - an event that happens once every five thousand years - through the high-tech telescope at her home, Croft Manor. Little did she know, only hours later, she would become an integral part in protecting the alignment's omnipotent power from ill-intended hands.

Through her deceased father's gift of a planetary clock, she travels from one exotic location to another to locate the pieces of the power's medium, a triangle emblazoned with the All-Seeing Eye, the Masonic symbol of omniscience. But an internal desire to see her father again brings her motives to locate the triangle halves into question. If she finds the pieces, will she use the power it contains for herself? Or will she snatch the godly control away from her foes and bury its abilities for another five thousand years?

Odom's literary portrayal is accurate and engrossing, detailing the emotional impact of each event and discovery, someting that may be lacked in the film version. Rather than drooling over Angelina Jolie, Raider fans can envision the described settings and locales in the book with relative ease, with every exotic touch in place. There are only very slight changes in the book, such as Croft enemy (or perhaps not) Alex West's naked romp from the shower to the bedroom in response to mysteriously lurking shadows (provided by Croft, of course); that differs from the movie's ending locale of the dining room and its strategically placed dining table.

But the story proceeds with the same heart-pounding action and romantic passion that's found in the box-office seller. Though short, it makes the reader feel as though they are in Croft's military-booted shoes, even as much as the video games do.

- T.C. Robson

This book is great. It is just like the movie, only with a little more dialouge. There are even parts before Lara's dad died telling how he tried to stop the evil. The deleted scenes only able to watch on the DVD are in this book, and I thought that was great! The action level seems a little less than the movie. The book seems to just speed by the action and to the point. I didn't really like that factor. If you liked the movie, read the novel, it is GREAT!

Very good in fact. It adds alot to the movie. More fleshed out characters and such. It's only 6 bucks, so what do you have to ose? Another plus is the 8 pages of pictures featuring the amazingly beautiful Angelina Jolie.

This book was just.. WOW!! It was way better then the movie, b/c the movie can only put a certain amount of scenes, but the book you get it all! i loved all the stuff between lara and alex, if you are a lara/alex fan this book is definatly for you!!

Long ago a meteor fell onto Earth with a magical, metallic form within it. Witnessing its power, it was forged into the (thought of) holy form of a triangle and a temple was formed to protect it. A city grew around the temple, The People of the Light were there. During an invasion, the nine planets aligned and the power of the Triangle was shown. Realizing no mortal should possess such power, the High Priest ordered it cut into two smaller triangles. One stayed at the temple. The other was hidden at the end of the Earth. However, the Craftsman who cut the Triangle in half secretly made a highly advanced device. It could serve as a guide to find the hidden piece, and preserve the Triangle's powers for future generations. It was a magic clock.

Lady Lara Croft was much like her father had been. Beginning with a clock he had hidden for her to find someday and tales he had told her as a child, she must set out to save the world. The Illuminati, a secret group of powerful people, were out to find the two triangle pieces before the planets aligned (which happened only once every 5,000 years). At her side was Mr. Hillary, her butler, and Bryce, her technician. Two tombs must be entered and survived or the world would belong to Manfred Powell.

***** I made that brief as possible, but left out much to do it. Even though the movie, as of now, has not been released, I can already tell that the book gives much more insight to Lara and the adventure in which she finds herself. However, many scenes have the potential to be much more vivid and exciting on the big screens! I found it to be a wonderful book! I plan to be in the theater, with a huge group of friends, on its first night out! *****

Reviewed by Detra Fitch of Huntress Reviews.

This is an extremely thorough, even-handed and well-written bio. The author's approach is intelligent and his research and references are extensive.

One learns that Brooks began as an upper middle class wildchild from the plains who determined early to be a great dancer. She had talent and determination. But Fate along with timing made it possible for her to escape Kansas for New York City at the tender age of 15 (!) to train with a premiere dance company. She seems never to have gotten past being that wildchild and was, at 17, dismissed from the troupe for unacceptable behavior. Soon she was a dancer on Broadway, including a stint with the Ziegfeld Follies. Next stop, the movies!

Being admittedly "selfish and stubborn" as well as volatile, Brooks tore through New York, Paris, London, Hollywood, Berlin and back, living it up and burning bridges all around. By age 25 she was finished in terms of ever becoming a movie star or great dancer. She eventually disappeared into a gin bottle, was reduced to dance instruction, retail sales and finally "love for sale."

This is all fascinating enough, but her late-in-life resurrection as a rediscovered silent era "icon" (based mostly on films made in Europe in the late 20's) and as a newly minted writer is the surprising twist toward the end of an otherwise bleak life story.

Her work in Pabst's "Pandora's Box" ought to provide Brooks all the immortality any actress could desire. She is spectacular as Lulu and deserves every accolade. She was a beauty, but there were other beauties of her era who achieved greater stardom - Joan Crawford, Marlene Dietrich, Greta Garbo, Jean Harlow. Her "black helmet" hairstyle was well suited to her looks, but it's more likely that Colleen Moore actually popularized the look, having been a superstar of the 20's (which Brooks wasn't)and the iconic "flapper." As for her skill as a writer (with reference to "Lulu in Hollywood"), I find Brooks interesting, insightful and even poetic, but there is an underlying note of bitterness that undermines any claim of objectivity. And, considering her decades of gin guzzling, I question her ability to be very accurate 40-50 years after the fact. For me, the mystique and power of Louise Brooks comes down to her performance in "Pandora's Box," her primary and glorious claim to fame.

Read "Louise Brooks" by Barry Paris and form your own conclusions. Don't miss "Pandora's Box." The Criterion Collection DVD boxed set includes Kenneth Tynan's 1979 profile, the TCM production, "Looking for Lulu," a 1970's interview with Brooks and other extras.

This book is an expansive overview of the life of Louise Brooks and also of the early days of the movie industry. Very throughly researched, it gives a nuanced look and the beautiful, brilliant and maddeningly self-destructive icon. It also is a wonderful history of the entertainment world in the 1920's and the personalities who populated that world. A must-read from fans of Louise Brooks.

Several books have been written about Louise Brooks, but this book is probably the most concise and most thorough of them all. The book starts off with Louise's birth and it describes all the people that helped to make Louise so interesting and famous. There are many black-and-white photos of Louise, from the time she started in show-biz (at age 4) to Louise in her later years, just before her death.

Since Louise Brooks had such a fascinating life, it is not a surprise that this book is so long. Each Chapter basically covers a chunk of her life, and each Chapter describes (in detail) the characters that encountered & shaped Louise, and also all the Theatre and Movie productions that Louise was involved in.

This is what a biography should be: insightful, understanding, offering a measured & complex view of its beloved subject. And what a subject Barry Paris has in Louise Brooks! Her beauty, her intelligence, her compelling charisma all shine in these pages, giving us a multi-faceted view of this ravishing star. For someone who had never heard of Louise Brooks, this biography will send him or her in eager pursuit of her all-too-few films & her own writing -- and both are of the very highest standard.

It's clear that Brooks never did anything without wanting to give her all, to make true art out of it, a work of beauty & meaning that would stand the test of time. And the same could be said of this superb biography. While Paris clearly adores Brooks (and with good reason), he never succumbs to blind hagiography. Nor does he stumble in the opposite direction of pathography. His purpose is to explore the life of a fascinating woman, and to present it to the reader as thoroughly & lucidly as possible. He succeeds on every level. Louise Brooks emerges from these pages as both a flesh & blood woman, and as the dazzling, mysterious icon she became to countless admirers.

In short, the best book on Louise Brooks you'll ever find, most highly recommended!

I have not yet read this entire book, but just glancing through it when it arrived I would find that I have just read twenty pages or so whenever I openned it up. I can't wait until I read it cover to cover.

Stephen King did a good thing by writing this book.The charcters and cast
are wonderful, This is one of my all time favorite, what goes on behind the walls of a prision.

After reading 85 novels, I finally read a Stephen King story. My friend who encouraged me to start reading had been after me to read him for awhile. I am really glad that I did. He is a great story teller and kept me in the story even when I wasn't reading it. As I have said before, a good writer is someone who can paint a vivid picture in the reader's mind's eye. This is done here in painting a picture of life in Shawshank Prison, Maine. This a great story of one man's strength to survive against all odds; we can all learn from this. It certainly should be told to all those who would think of breaking the law.

"Stand by me" - this is the most important sentence in the novel The Body written by Stephen King. The novel is about the natural and deep sense of friendship. Four boys are keen on experience an adventure, they take a long way to see a dead body in the forests of Maine. Alone on the way of excitement and fear, they are between childhood and adulthood. The story is easy to read and also to understand.

Reta hayworth and the Shawshank Redemption, was a great short story by stephen king. I enjoyed reading this book and even watching the movie. I was suprised how much the book grabed my attention and how I didn't ever put it down.

I recently watched both "The Shawshank Redemption" (with Tim Robbins and Morgan Freeman) and "Stand By Me" (with River Phoenix, Jerry O'Connell, Wil Wheaton and Corey Feldman) and this prompted me to dig out my old copy of Different Seasons. Most people are surprised when they learn that those movies were based on novellas by horror master, Stephen King, but he shows that he's not just into scaring the heck out of you.

The story cycle bases one novella per season, and each follows characters on a journey, whether it's one of hope, descent into corruption, coming of age, or life through offspring.

"Rita Hayworth and the Shawshank Redemption" takes place over decades, as a prison inmate retains his spirit and soul, while breathing life into a dark institution, and whose patient nature finally leads him to freedom. The story is told in first person from the point of view of old Red, the guy who can get you things, about Andy Dufresne, a young banker jailed for the murder of his wife and her lover.

One of King�s great strengths is creating a believable voice for his characters, and as you read this tale, it is like Red is talking to you. Other King strengths are providing back story and creating a world in which these characters live, one with a past, present and future, and it makes them three dimensional. One of King�s flaws is going off on tangents and digressions a bit too often, but he always comes back to the story.

�The Body� (basis for �Stand By Me�) is a coming of age story about four small town boys on the cusp of entering Junior High School. On the Friday before Labor Day, they set off to find the body of a missing boy. One of the four boys, Vern Tessio, overheard his brother talking to a friend about the dead body.

The characters fall into several categories: Gordon LaChance, who narrates the story as an adult, is the dreamer/writer whose older brother died earlier that year. Chris Chambers is athletic, tough but smart. wise beyond his years and the white sheep in a family of black sheep. Teddy Duchamp is the psycho wiseguy who wears thick glasses and hearing aids as the result of his war veteran father putting his head to a stove. Vern Tessio is the least intelligent, but plays a key symbolic part as the one tells the others about the body and also is the first to spot it.

Along their journey, the boys encounter adventures, such as Milo Pressman the junkyard operator and his dog, Chopper. There is a run across a high trestle as a train bears down on them, a swim in a culvert full of leeches, and a night in the dark woods with screaming wild animals. When they eventually reach the boys, they have a run in with a group of teenage hoods from their town. A major difference from the movie, is that this story details the aftermath of the confrontation after the boys return to town.

King does a nice balancing act with his adult narrative and pre-adolescent dialogue, making each voice unique and fleshing out each boy�s character to make them multi-dimensional. All four experience growth, but Gordon and Chris take this growth with them as they get older. Don�t let people drag you down. There�s a lot more to this story than just kids looking for a dead body.
My bumps here are again that King goes off on tangents and digressions, some to fill in background and history for the characters, but sometimes really straying far from the course. At one point he takes nearly a page to say that someone is dead, where �The kid was dead. The kid wasn�t sick, the kid wasn�t sleeping.� Would probably have sufficed.

I won�t go into a lot of detail about the other two stories. �Apt Pupil� is about a boy who discovers a Nazi war criminal living in his town, and blackmails the old man into telling him stories about the war in exchange for not blowing the whistle on him. The stories the boy hears slowly lead him into senseless acts of violence. In �The Breathing Woman� a �disgraced woman is determined to triumph over death.�

These four stories combine to make an interesting cycle, and demonstrate that Stephen King has writing talents that stretch beyond his horror work.

Derek Rydall talks about the ideas in his book on my spiritual entertainment talk show in a way that shows he's living the message in every fiber of his being. Reading his book renews my passion and confidence for my personal dream and vision of shining as a real light. He reminds me of my divinity and power in this magical play of life. He explains "oneness" like I've never grasped it before. He reveals the most important "it's who you know" metaphysical truth in Hollywood. He reminds me of my higher purpose and now I have a much deeper meaning to my work in television, and I'm able to articulate it to others so I can touch and awaken all those who cross my path on this beautiful journey. He enables us all to be true healers through the entertainment medium as we perform the real work of remembering and awakening wholeness in every heart on the planet. -- Tamara Henry, MA, Producer/Host, IN with Tamara Henry, Santa Monica News Anchor

In his second book, Derek Rydall attempts to provide an antidote for the cynicism, greed and rampant sociopathic tendencies which plague the entertainment industry. To counter these, he exhorts people to become `enlightened entertainers', who see the entertainment industry as a force for Good and who live their lives accordingly. A tall order, perhaps, but in the book he provides all the necessary information in order to set out on this journey of the soul.
Rydall starts off with the basics: identifying what enlightened entertainment is, and why audiences need it. He also provides the basic tools needed for the journey: types of meditation and soul-searching exercises. Next up is the big picture, a look at the realities of show business and the spiritual world, and how these contrast and (possibly) interact. Changing the business is something which can only happen one person at a time, so the rest of the book is devoted to developing the character of the reader. First on the purely personal level, then specifically as an artist, and finally as an entertainment professional. The final section of the book helps the reader create a career plan.
This book is definitely very New Age in style. If you're not into spirituality, the book won't do much for you - although many of the exercises are introspective ways of getting to know yourself better, and these will be beneficial for anyone. If you are spiritually enclined, Rydall's book will undoubtedly be inspirational and provide you with great insights.

Firstly, well done! Well done, congratulations and two thumbs up for writing There's No Business Like Soul Business. Not only was it an inspiring read for the spiritual warrior but a brilliant example of someone wanting to help other artists and pass on oh-so-valuable insights about not only life but the wonderful world of entertainment. Reading each chapter I could hear the lessons of Deepak Chopra shining through, as I have read many of his books, and then to apply them to entertainment breaking down the myths that people can get caught up in, and allow a new road to be paved for the "enlightened entertainer" who can then make the conscious decision to shift his/her attitude and focus on your inner being as the tool for transcedence is...well, awe-inspiring.

A must read for anyone wishing to follow their dreams in the wonderful world of entertainment!

Marshall Dunn (Sydney, Australia)

This book is not just for screen writers who want to go beyond simple entertainment to meaningful film, but for all writers who want to make a difference. The time for enlightened entertainment is now! This book is not only a stepping stone and good resource, it's invaluable. Read, learn, and profit.

Derek,
First let me complement you on your book. I really am inspired by every word. I did the visioning exercise today on the industry. I've know for some time that my purpose as an actor and writer is to wake people up to their humanity through the emotions evoked in my performances or my writing. Today I got so clearly that the essence of the industry is love and connectedness.

Thank you!
INSPIRED in 2007,
Traci Dority

When I bought this I was hoping for some form of indexing of the characters and plots of the novels. What I got was a compendium of author comments on the creation of their novels. Interesting, worth reading, I'm glad I bought it, but it wasn't quite what I was hoping I would get.

Hi all, if you read the star trek novels and have plenty of them this is THE STARTING POINT to figure out what books are placed where in the star trek chronology. Thuis one shows the books covers and gives a synopsis of each book - simply amazing. And its a thick book too, so perfect fot that rainy day to sort through your star trek novels = ) And the price if great too, so click that mouse and get it sent you - highly recomended!!!

Every serious Star Trek fan should have this book. It's interesting and fun.

I cannot imagine all the research that Ayers did to assemble this book. The book is far from complete, but still to track down all the various Star Trek book covers, get interviews, write up summaries is a phenomenal achievement that should help all ST fan writers track down the best in ST fiction.

The factoids concerning the various books are fun and interesting. I, myself would have loved to have heard more on Barbara Hambley's Ishmael where she combined two television shows into one novel.

Another missing fact. That there were major differences in the hard cover and paperback version to the Star Trek:Generations novelization due to the alterations in the last moment on how our beloved Kirk was killed.

Someone at Pocket Books should consider doing a similar type text for all the Star Trek comic books that have been written. Now, that would be a great book. In a few years, I do hope that there will be a second edition to this text, with some of the non-contributing authors telling their side of the story on getting their books out.

Excellent read.

JThree
[...]

Yes, this book indeed contains each and every volume of officially released StarTrek fiction and not only sketches their plots, but also presents b/w pictures of each cover. What makes "Voyages of the Imagination" more than just a simple bibliography is the stories behind the novels, that Jeff Ayers collected in many interviews with the authors. Just the job of conducting these must have been immense. Still more incredible is the time arrow that places every chapter of the fictional world created by the StarTrek novels in the right year since 5 billion years b.c. until 1 012 260. Compared to that, the presumably giant task of finding a nearly practical structure for the bibliography consisting of miniseries which are part of other miniseries that also correspond to tv series, seems small.

But I could think of many other features that I would have expected from this book:
* The plot summary of every novel or short story never tells the ending and usually isn't more detailed than the back covers. I don't like that since I really was interested in the whole story archs.
* There is never a critique of any of the fiction. "Voyages of the Imagination" doesn't tell the readers whether any of the books is worth reading or not so much.
* I would have liked summarizing articles on which characters from the TV and movie productions appear in print fiction and how they develop; who was newly invented by the authors; where are overlaps between the novels that exclude each other etc.

On my rating: Apart from a complete bibliography and some fun with reading the stories behind the stories, this book doesn't offer me anything of what I had expected. But it gets a big bonus from me for the incredible task done and for the fact that it's the first of its kind. Therefore, three stars.

Martin Jost


I originally wrote my review in German:
Ja, dieses Buch enthält wirklich ausnahmslos jeden Band von offiziell veröffentlichter StarTrek-Fiction und umreißt nicht nur kurz dessen Handlung, sondern präsentiert auch s/w-Bilder vom jeweiligen Cover. Mehr als nur eine bloße Bibliografie ist Voyages of Imagination durch die Hintergrundgeschichten der Entstehung, die Jeff Ayers zu vielen Romanen in Interviews mit den Autoren recherchiert hat. Die Arbeit, die allein dahinter steckt, muss unglaublich gewesen sein. Noch unglaublicher wirkt aber der Zeitstrahl, der in jedes beschriebene Jahr von 5 Milliarden Jahren v. u. Zt. bis 1 012 260 unserer Zeitrechnung kapitelgenau den Ausschnitt aus der fiktionalen Welt der StarTrek-Romane einordnet, in dem darüber erzählt wird. Daneben scheint die ebenfalls nicht hoch genug einzuschätzende Leistung gering, eine halbwegs übersichtliche Struktur für die Bibliografie zu finden, in der Miniserien mit anderen Miniserien verschachtelt sind und dabei noch einer der Fernsehserien zugeordnet werden müssen.
Mir fallen aber auch noch zahlreiche Features ein, die ich mir von diesem Buch gewünscht hätte und die bei so viel Vorbereitungszeit doch hätten machbar sein müssen:
-Die Zusammenfassungen der Handlung jedes einzelnen Romans bzw. jeder anthologisierten Kurzgeschichte verrät nie die Auflösung und geht selten mehr ins Detail als die Umschlag-Rückseite. Ich finde das schade, denn mich hätten die vollständigen Handlungsbögen interessiert, die in der Roman-Welt ablaufen.
- Eine Kritik der Bücher fehlt völlig. Mit dem Handbuch "Voyages of Imagination" lässt sich nicht entscheiden, ob irgendeines der Bücher lesenswert ist oder nicht.
- Zusammenfassungen wären interessant gewesen, aus denen hervor geht, welche Charaktere aus den TV- und Kinoproduktionen mitspielen und sich weiterentwickeln; welche Charaktere neu eingeführt werden; wo es sich ausschließende Überschneidungen zwischen den Romanen gibt u. s. w. Diese hätten am Ende jedes Kapitels in tabellarischer Form oder am Ende der Beschreibung jedes Plots hervorgehoben Platz gefunden.

Zu meiner Bewertung: Abgesehen von einer vollständigen Bibliografie und einigem Lesevergnügen über die jeweiligen Menschen hinter den Geschichten bietet dieses Buch nichts, was ich mir von ihm gewünscht hätte. Einen dicken Bonus erhält es aber für die gründliche und unvorstellbar umfangreiche Arbeit die drin steckt und dafür, dass es immerhin endlich das erste seiner Art ist. Unterm Strich also 3 Sterne.

Martin Jost

Love this book! Now I allways know what to pick at the video store! And LOTS of great movies. Thanks.
-Torfinn-

If you hate reading spoilers, don't read about any movie in this book unless you've seen it already. Duralde gives away FAR too much in his synopses, which are in my opinion completely unnecessary anyway. It is his commentaries that are the interesting element here, and motivate us to see the films. Why he chose to reveal plot turns, and thus needlessly deflate our enjoyment of the films is beyond me.

Love it, love it, love it - short, sweet, funny, smart. Or as I like to call it, "the best bathroom reading book ever."

Oh, and my copy of "Can't Stop The Music" is on its way from Netflix as we speak ;)

This is far more than a simple list of films that may be aimed at a gay audience. It is 101 hysterical fan rants from someone who has a wicked sense of humor and extraordinarily evolved taste in film.

This is a book that every film student should read because Duralde has a genuine passion for movies and the understanding of them to back up his opinions.

Many of Duralde's choices surprised and delighted me; he didn't go for the easy selections. Any book that mentions "Tarnation" and "Without You, I'm Nothing" in the same breath is aces by me.

101 Must-See Movies for Gay Men is a seminal tome in more ways than one. Well, actually, only one. It hasn't got any of the good pictures in it. But it does have 101 movies that are essential to a broad range of the gay aesthetic. It's got movies for drama queens, diva queens, show tune queens, bears, disco queens, grunge queens and size queens. The only gay subgenre it's lacking is the queer sports movie, and I'm sure once Duralde has seen Summer Storm and Guys and Balls he'll add something appropriate to Bride of 101 Must-See Movies for Gay Men he keeps promising (unless that what he's titling the lesbian companion piece he keeps promising as well, in which case he'll have to include Bend it Like Beckham or, better yet, Personal Best).

When I came out, I was told I couldn't get my queer card until I'd seen Torch Song Trilogy and Murder by Death. Both are missing from 101. I'm not going to fight too hard for Murder by Death which is simply a very good example of camp and not particularly queerly significant beyond that, but I will say that I can't imagine a list of queer movies complete that doesn't include Torchsong.

But what is in the book is delightful and insightful. I knew Fight Club is about the slashiest thing every made, but it didn't occur to me to put it in a list of must-see movies for the queer cognoscenti. But even the obvious choices - Whatever Happened to Baby Jane, Sunset Boulevard, Valley of the Dolls, Sunday, Bloody Sunday and many more - are given new life and new perspective with plot synopsis, evaluation of what's important to the queer viewer, quotes from the movie and an interesting visual classification system.

Duralde examines these movies with wit and sensitivity. He makes you want to expand your DVD library, and in some cases your VHS library, not only with the movies he lists, but with the movies he mentions in passing discussion about other movies.

And, for the record, I've seen The Broken Hearts Club and it isn't nearly as awful as Duralde makes it out to be, but it is awful.

I cannot remember the title or anyone who was in it, but it you're looking for a movie emblematic of what bad queer cinema is, the one with the fireman who begs his girlfriend for a threesome without specifying the gender of the third participant and then is horrified when she brings some guy from the neighborhood who's been crushing on him for years into the bedroom is the one to choose.

While I'm by no means into the industry yet, this book was an easy read and it contains invaluable information for the hollywood neophyte

Trouble is, Tony Martinez is no devil. He comes across, in fact, as the ultimate boy scout in a shark-infested business. Part instructional, part ever-so-careful not to offend anyone, Martinez writes in a conversational, run-of-the-milll average-guy style that allows you to skim to the sections that may mean more to you. On the one hand, it's banal and boring and on the other, there are nut n' bolts insights that should be helpful for a rank beginner.
As someone involved in the business for many years, looking for some hidden insights or juicy info, I was disappointed. But I DID learn a little more about the way pilot season works and for that reason alone, I found this very brief tome to have some worth.

This book is a must-read for any aspiring actor or aspiring agent and an entertaining book for anyone working in the entertainment industry. It's humorous, well-informed and succinct. It's not a surprise that this quick-witted and to-the-point agent provided the entertainment community with such a well-written book. His personal stories and antedotes complete this book. Do yourself a favor, and buy it.

An Agent Tells All by Tony Martinez is an excellent book that is very easy to read and hard to put down as it flows on very well.
Specific Contents that go straight to the point and excellent for the novice to clearly gain an understanding of the industry from agents point of view. Also Highly rate the Pilot Season Chapter!
Great Read.

I did a monologue in front of Tony Martinez at TVI Actors Studio, and he was generous enough to tell me what did and didn't work. His book just as helpful, only laced with his terrific sense of humor. I would say this is a must have for any actor and would probably be helpful for managers and workers in corporate America.

Having read most of the other books about Audrey Hepburn, a woman whom I respect and admired since my youth, I chose this particular one by Mr.Paris as the most engaging (besides the book by Sean Ferrer which I thought was essential). I could never tire of anything A.H., with that being said it was important to me that I had a sense of how she lived. This book was hard to put down and wasn't full of colorful writing like some of the other so-called biographies done on her. For me, it brought me closer to this person as if she were someone I knew personally and combined with her son's book provided me with an insight into the world that was Audrey. She was and still remains a huge inspiration for me, and this book should be read by every young 'actor' out there today. Kudos to Mr.Paris!

Audrey Hepburn (1929-1993) was born in Brussels the daughter of a Dutch woman and an English father. She was raised in Arnhem Holland suffering through the Nazi occupation. Audrey was a thin, sensitive child who excelled at ballet.
As a young woman she migrated to London appearing in British films until she was exploded into fame with her first US film
Roman Holiday (for which she won as Oscar as Best Actress)
Hepburn appeared in such films as "Charade"; "My Fair Lady"
(her singing voice being dubbed by Marni Nixon"; "Two for the
Road"; "Breakfast at Tiffanys"; "Sabrina: "Robin and Marion" :
"Wait Until Dark" and several other films.
Her gamin pixish face and figure was a revelation in the 50s era of Monroe, Ava Gardner; Sophia Loren and other well endowed film goddesses.
Audrey had a long but troubled marriage with stolid Mel Ferrer and had other husbands and a few affairs along the way most notably with film star Albert Finney.
She worked with such noted directors as Willie Wyler, George
Cukor and Stanley Donet. She lived in Switzerland in an isolated
village where she raised children and loved animals.
There is little dirt to plow in these pages1 Audrey was an
adorable and kind person! Her work with starving children on behalf of the UN is heartwarming.
Barry Paris (previous biographer of Louise Brooks and Greta
Garbo) does a fine job in this well documented biography.
The most exciting chapter deals with life in Holland during
the horrible Nazi occupation,
This is a good biography of the film star.

A book so well researched and written that it flows like a meandering river. The prose is wonderful. Very difficult to stop reading the book until the reading is completed.

May Audrey Hepburn be in the Kingdom of God as I surely want to meet her and talk with her.

A biographer shouldn't lower your opinion of the person they're writing about (as if you could ever
have a low opinion of Audrey Hepburn!) and Barry Paris certainly does a brilliant job of depicting
Audrey's life from age 15 until her death (age 64). The author blends his words so you don't loose
interest even once. The book has lots of quotes, from and about Audrey, and several pictures of
her throughout her life. There isn't a down side to this book, except for a few subjects where the author
should have elaborated on a bit more than he did. You can clearly see that Audrey was a truly
wonderful person, a real lady. After you read about what a hard childhood she had, in the middle
of WW2 and the miscarriages she suffered and basically being deprived of love from her parents,
it is amazing that she was still such a beautiful person, a beautiful soul. She traveled to countries to
help dying people and did things that few other people would do...she seems to have been an
angel, and certainly was to several people. This is a book that you don't need to read before buying, it's wonderful.

What is the true test of a biographer's skill? Creating a riviting, insightful book about a subject who had no scandal in her life and who seems to have be beloved by everyone. Material that, in lesser hands, could have been saccherine or written with the usual "movie star bio" template is instead moving, wise, very informative, and beautifully written. Check out Mr. Paris' other biographies of Garbo and especially Louise Brooks for more great writing.