Movies Books

Based on protocols in this book, I devised methods to complete my own experiments. I found the insights contained in the book completely indispensable. The range of topics it contains and the detail with which Freshney explains each point made the process of designing conditions for experiments rational and approachable. I highly recommend this book.

There are not a lot of glossy pretty pictures, which is a good thing for a no-nonsense instruction manual that gets the point across with what pictures it did have. I found it to be a very good complement to my cell culture class. Everything I learned in the lab was put into context nicely.

I purchased this book with a description of like new. I would say this is new. The previous person who used this did not even break in the binder. This is an excellent reference book, I have enjoyed reading the text up to this point.

For many years Freshney's Culture of Animal Cells has been the gold standard of tissue culture reference books. This new edition adds and updates many techniques and continues to be the best book in its area. I use it extensively both for my own research and in teaching classes on tissue culture.

Freshney's Culture of Animal Cells is a great book. It is writen on an easy style, it is concise and complete at the same time and it does teach you all the basics (and a little bit more) of cell culture. When I was doing my masters I didn't have a lot of help with my cell culture experiments and this book was fundamental for my research. The book covers everything, starting from the biology of cultured cells, equipments, design of the lab and asseptic technique and going all the way to primary culture, cloning and selection, cell separation, characterization, differentiation and more. The book (hard cover) is pretty resistant and it easily stands going to the bench (where you surely will be using it a lot). If you are thinking about spending money on a book about cell culture techniques this is the book! Don't think twice.

Anyone born between 1955 and 1970 HAS GOT TO SEE Dazed and Confused.

And this book adds to the fun. Plenty of real live Mad Magazine stuff, real live ads from the time period, with a bunch of side splittingly funny made up stuff based on the characters from DAC. Enjoyed the heck out of this book. Just wish it was longer so my trip through memory lane could go on another hour or so.

Great stuff! Where's Wooderson today, by the way?

It was in a fit of Dazed And Confused mania that I purchased Richard Linklater's tie-in book to his cult classic 70s adolescence movie several years ago. At the time I basically flipped through the book and then put it aside. Until earlier today when I was going through a stack of old college texts I was planning on getting rid of and wonder of wonders came across this one mixed in among them for some reason. So I decided to take a refresher course in 70s stoner adolescence and then offer up my take on it.

What I especially liked about Dazed And Confused the movie was the way Linklater managed to sneak in some profound truths about life amidst the nostalgia. In the book, the most profound and honest part is Linklater's introduction where he writes: "Let's face it, no matter where you live no matter at what time high school is a light prison sentence to be served. Once paroled, you don't look back".

From that point on, any social observation basically goes out the window as we are treated to a crash course in all things 70s as well as stuff related to the movie itself. All of the major characters are profiled and there are excerpts of a yearbook page from the high school they attend. Although it might seem redundant to most people, die hard fans of the film should enjoy it. Pick up a copy! Also recommended -------> The Losers Club by Richard Perez, an offbeat small press novel that you will truly dig. Like far out!

ATENTION ALL D&C FANS: IF YOU DO NOT GO OUT AND GET THIS BOOK RIGHT NOW, YOU WILL NEVER KNOW THE WHOLE STORY! This book has everything, from Clint's favorite colored muscle T-shirt to Benny's beer limit. It is definantly a must for not only Dazed fans, but to any fans of the seventies!

Dazed & Confused is a classic movie about the day in the life of high schoolers in a small Texas town on last day of school in 1976. This book that is a companion to the movie is just like the movie itself: funny. Designed as part high school yearbook, part 70's era teen magazine, it is a nostalgia filled, quick and enjoyable read. There are tons of pictures (the yearbook pictures of the cast are great) and everyone of the major cast member contributes an "article" to the book. If you are a fan of the movie, then this book is a must for your collection.

Let me just start by saying that I just bought this book no more than an hour ago. As soon as I got home I picked it up and didn't put it down forr the next hour. As a huge "Dazed and Confused" fan, I was extremely happy when I saw that there was a book to go along with the movie. But the book is not just about the movie. It starts out with a great introduction by the director and writer Richard Linklater. In this intro he explains the time period, the pros and cons of the 70's, and where the idea for the movie came from. Also in the book are synopsis's of all the basic charactar (the best is Clints, the guy who beats up the nerd). This book doesn't just follow along with the movie, it is an explanation of the 1970's, I enjoyed it considering I wasn't alive yet. So if you are a hardcore fan of "Dazed and Confused" or a collector of 70's memorobilia, than you need this book.

Our 3 y.o. daughter is obsessed with the movie 'Cars'. One night on a shopping trip I brought this book home on a whim. Not a single bedtime has gone by since without reading this book. She loves it so much that she wants desperately to learn to read it for herself. She even recognized the word 'McQueen' repeated throughout the book and reads that word on her own now. The book is already well loved and dog eared but standing up to it all.

The pictures in the book are hand-drawn and give a high-level overview of the story. It skips many of the details in the movie but my daughter doesn't seem to care very much about accuracy, detail or that it looks different than what's in the movie.

We've read hundred of books to her but none have sparked her interest quite like this. I don't know if it's timing because she's getting older or the tie-in with the movie. I don't care even if it seems over-commercialized. Whatever keeps her interested in reading is what counts. I'll surely be buying more books in the series.

Arrived ahead of time for Christmas. Purchased as a Christmas present for my grandson. He carried this book around all night. He loved it. thank you Amazon.

the step into reading books are excellent for young ones....the cars book is cute..good for new readers!!

both my children and found this book to be a delight and very
fun to read. also the pictures were very colorful.
thanks,

debbie pollitt

My four year old really enjoys this book. I wouldn't recommend it older kids though.

Almost like a brief history of the era and new insights into how those movies were made. Enjoyed the ancedotes of fellow artists.

One of the reasons Wayne was so popular was that he symbolized everything America wanted to be; strong ,brave,loyal,savvy and honest.His character was a fighter who never backed down when he knew he was right. He was a role model to millions, his screen actions were a roadmap to manhood. That was John Wayne,Icon.
But there was another side to Wayne. He was a real man,flesh and blood, and he had real thoughts and feelings,strengths and weaknesses. He was as brave as his larger-than-life screen persona in his real life,such as in the way he faced up to cancer, and very very human.This is John Wayne,the Man.
This book does an excellent job of showing both sides of the John Wayne coin,Man and Icon. It does it with stories told by people who really knew him. After reading this book you actually feel like you've had a bull session with Duke's friends and co-workers. It's got a very amiable feel to it.
The book also reminds me of Studs Terkel's books. Studs would just turn on a tape recorder and let his subjects pour their hearts out. The author here uses a similar approach. Each story is like a piece of a jigsaw puzzle and at the end of the book you can put all the pieces together to get a clear picture of the Duke.
After I finished reading, I wished I had known him too.

With John Wayne's 100th birth date coming up I started looking for books on him that I have not read. This book is very enjoyable reading. You learn alot about the man from his fellow co-workers and friends. I would recommend this one to any one.

Critics complain that he was a Johnny-One Note who played the same person over & over, & wasn't very good at it. I say this is Baloney.

The annecdotes & observations of the people who lived & worked with him that are found in this book show that he was able to do so much, physically, & emotionally with the characters he played.

You come away with a better sense of why you cheered, laughed, & cried under the spell of his performances. Whether you agreed or disagreed with the actions of his character, you still cared for him & cared about what happened to him

His friends, family, & co-workers loved & admired him & it shows very clearly in this wonderful book.

Sure, he drank, & smoked, & was a staunch anti-commie, but he was also a loyal, funny, kind & gentle family man who worked hard to perfect his craft & cared about his co-workers.

Read this book & understand.

I am a huge fan and relative of Herb's writings. He has a true gift for the written word and I have enjoyed all of his books. Herb, my prayers and thoughts are with you during these very trying times. I am thinking of you incessantly and the entire family prays for you daily. Godspeed.

If you like giant monster movies, and want to know more about how they were made, this book is for you. Not many photos of the monsters (there are other books out there for that) but there are behind the scenes photos. Learn the biographies of the men who made films you still love after all these years. Not much has been published in the West about them, but here it is! Well written and laid out. 2 page essays about certain film makers by noted Western Kaiju lovers. Worth the price, and thankful that it was printed.

This is a wonderful coffee-table size book that contains beautiful photos and interesting commentary. If you are a fan of Godzilla and/or Eiji Tsuburaya this is the book to get!

This book is a meticulous, thoughtful, well-written, and beautifully laid-out tribute to a true master of special effects. It is a fascinating look, not only into Tsuburaya's life and career, but also the way the film industry works in Japan. An interesting read for non-fans; a must-have for fans of the genre.

Phenomenal book. Great quality, design, and content. If you have any remote appreciation for this kind of film making and monster design, this book is an absolute love letter... A must have!

Tsuburaya Eiji was the Japanese special effects director who was behind so many monster movies that came out from Japan during the 1950s and 1960s. This is a pictorial biography of Tsuburaya Eiji that proves to be very well written and informative. I found the book to be rather insightful as the author included inserts written by men who worked with or worked under Tsuburaya Eiji during his career. The book also comes well illustrated with photographs and movie posters on almost every page as it traces the life and time of Tsuburaya Eiji's career. It was interesting to note that during World War II, he made a movie made from miniatures that showed the attack on Pearl Harbor. It was so realistic that during the initial post war period, Americans thought it was the real thing. Tsuburaya Eiji was also the man who made Godzilla what he was and creator of the Ultraman series that is still going on to this day.

Overall, this book is definitely worth your time and money to read over and treasure. Tsuburaya Eiji is one of the great pioneers of motion picture industry regarding special effects and his influence help shape this industry to this day. His influence in the science fiction genre will remains pretty strong as monster movies like Cloverfield still hit our theaters and on DVD to this day. The book strongly reflects the heydays of Japanese monster movie era history and it will remind many of us, the fun and wonder these movies brought us during our younger days. And it will inform otherwise misinformed that there is more to these movies then just a "guy in the monster suit" concept.

(And yes, I am writing the subject's name in Japanese style...sur name first always...Tsuburaya Eiji is the way you would address him if he was still alive today...as you would with any Japanese national.)

THIS IS ONE OF THE MOST BEAUTIFULLY COLLECTED PHOTOGRAPHS TAKEN OF MISS MONROE AT HER VERY EARLY CAREER. A TIME WHERE IT WAS PRIOR TO HER "HOW TO MARRY A MILLIONAIRE" AND "GENTLEMEN PREFER BLONDES" SUCCESS, WHICH LAUNCHED HER TO ETERNAL STARDOM. THIS IS A "MUST" FOR ALL MARILYN MONROE AFFICIONADOS. IT IS TRULY A BEAUTIFUL BOOK THAT I ENJOY READING AND REVIEWING MANY TIMES OVER.

'Niagra' is known for the movie that made Marilyn Monroe a star, and this book shows every moment of her life during the filming. As a true Monroe fan, I'm more interested in the casual candid photos of her more so than the made-up studio photography. My favorite photos of her in the book are the pictures taken of her while she was learning how to smoke a cigarette for the film. She had never smoked before and had to look like a natural within a few hours. These are photos you wouldn't see on a billboard or in a magazine. They show her true nature. They show her being a real person, vulnerable and timid.

Wonderful, oversized hardcover book with lots of black and white images of Marilyn while at Niagara Falls, shooting her first mayor movie "Niagara" in '52. I enjoy all the photographs, my favorites are where Marilyn practices smoking. There are also pictures of her with Joe Dimaggio before they were married, pictures of Marilyn without her make-up on and her face covered with vaseline as she liked to do. Reading her script while relaxing in bed. These are priceless photographs, showing Marilyn at the very brink of superstardom.

At 26, Marilyn Monroe was on the brink of stardom as she filmed her first leading role in Niagara. Canadian photojournalist Jock Carroll spent weeks with her at Niagara Falls during the on location shooting, and took almost 400 photographs. He also interviewed her throughout these weeks, and captured a lot of her activities on and off the set. He was preparing for an article called "Marilyn's Not So Menacing" that appeared in an August 1952 issue of Weekend Magazine, Canada's largest periodical at the time. You will see more candid photographs in this book than in any other source. Mr. Carroll died in 1995, and these photographs were located then. The photographs are well reproduced in this book, and bring her to life in both her glamorous and nonglamorous roles.

I was attracted to this book when I realized that it contained extensive interviews of Marilyn Monroe when she was 26, just before she reportedly drafted My Story. That autobiographical book has come in for many challenges concerning its authenticity and the strong stories contained in it. Reading the interviews in Falling for Marilyn provides a useful contrast in terms of what she says about herself and how she says it.

I was surprised to see that the stories she tells are almost identical in both books. That similarity argues for either for her being the author of My Story, or Mr. Carroll being the author. Interestingly, she tells a story here of having been recognized in school for her fiction as a child, and wanting to become an author. The most significant difference between the books was that here she claims to have needed the $50 she got for shooting the famous nude photographs to pay rent while in My Story, the money is used to retrieve her repossessed car. A minor discrepency comes in her asking Mr. Carroll a lot about Korea because she was thinking about doing a USO tour there. In My Story, she claims that this came up for the first time after she and Joe DiMaggio were in Japan on their honeymoon. There could be truth in both versions of these two stories.

There is a Zsa Zsa Gabor story here that is almost word-for-word the same as in My Story. This is true, as well, for one about being molested as a little girl by a boarder who paid her a nickel to keep quiet.

To me, the most telling comparison was in what Mr. Carroll observed about her. Even though she was making a fine salary at this point, she was always short of clothes while he was with her. This is something that she talks about a lot as being a function of her poverty in My Story. She also was always studying scripts or reading intellectual books, which is consistent with My Story also. She also made self-destructive comments about sleeping pills to Mr. Carroll as she does in My Story.

What was a pleasant surprise for me was Mr. Carroll's descriptions of his reactions to her. Those are missing from most books about Ms. Monroe. He had just come back from his own honeymoon a month before. He found himself strongly attracted to her, despite this. "The effect on me was cataclysmic." " . . . [W]hen she looked directly at you, it made you feel as though . . . you were sharing some naughty secret."

The photographs themselves are certainly sexy, but not revealing in the sense that we think of revealing today. They were daring, however, for 1952 in showing a little cleavage, a loose blouse, and sometimes erect nipples through her clothes.

She consciously worked on achieving this effect for these photographs. During a tour of a silverware factory, "Marilyn brightened [these] . . . photos by loosening the straps of her blouse, leaning over . . . to give . . . a good view of her breasts . . . ."

On the other hand, she was very protective of her relationship with Joe DiMaggio who did not want any publicity. She refused an interview where the interviewer was trying to worm in questions about the Yankee slugger.

My favorite photographs in the book include:

Reading script in bed (two page spread), located in the book's very beginning

Posing in front of the falls, p. 19

Visiting the silverware factory, p. 33

Combing her hair, p. 48

Arranging her hair, pp. 52-53

Laughing, pp. 84-85

Looking at Jean Peters' suit, p. 87

Smiling, p. 102

Seeing the vibrancy of this woman makes the sadness of her life all the more poignant. Be sure to read My Story to pick up on that contrast. Regardless of who wrote it, that is how Ms. Monroe saw herself and her life.

Consider how you can lift someone's spirits every day. Look for the hurting heart behind the naughty or haughty eyes . . . or any other strongly affecting mannerisms you notice. They are just part of the cover up.

THIS IS ONE OF THE MOST BEAUTIFULLY COLLECTED PHOTOGRAPHS TAKEN OF MISS MONROE AT HER VERY EARLY CAREER. A TIME WHERE IT WAS PRIOR TO HER "HOW TO MARRY A MILLIONAIRE" AND "GENTLEMEN PREFER BLONDES" SUCCESS, WHICH LAUNCHED HER TO ETERNAL STARDOM. THIS IS A "MUST" FOR ALL MARILYN MONROE AFFICIONADOS. IT IS TRULY A BEAUTIFUL BOOK THAT I ENJOY READING AND REVIEWING MANY TIMES OVER.

An outstanding companion piece to the great(if not THE greatest) dramatic series ever made. Ed Robertson really did his homework in researching for this book. Jam packed with info and anecdotes from the crew and many fine stars who guested on the show. Dozens of photos both stills from the episodes and candid shots taken on the set. Detailed synopsises of each episode(without spoilers) Even a special list of every name used by Richard Kimble, jobs he held, and places where each story took place. Highly recommended.

Ed Robertson's book is definitely the best. I also own "The Fugitive - A complete Episode Guide" by John Cooper and "My Fugitive" by David Janssen's former wife Ellie Janssen which is worth a read!
Another amazon.com reader mentioned the Twilight Zone Companion. But where is the Peyton Place Companion? I'm missing a book on the TV series "Peyton Place" for several decades and wonder why there is still no book out there.

"The Fugitive Recaptured" was published in 1993, thirty years after the TV series, "The Fugitive", premiered on network television in 1963.

This volume, by Ed Robertson, is just about all a "Fuge" fan could want in order to find out everything you'd need (or want) to know about this excellent TV drama, which was on the air for 4 complete seasons (120 episodes from 1963 to 1967).

The book features an "Introduction" by horror author Stephen King, plus a "Foreword" by Fugitive co-star Barry Morse, who portrayed police Lieutenant "Philip Gerard", star David Janssen's chief rival and nemesis during the course of the series. A chapter detailing the origins and conception of the series is also, of course, included here. Interesting stuff too.

Within these 208 pages, each and every episode of "The Fugitive" is dissected and examined in detail -- including cast lists, writing and directing credits, episode numbers, original air dates, episode descriptions, and verbatim "Prologue" and "Epilogue" text (the exact words spoken by series' narrator William Conrad at the beginning and end of each episode).

Many fun "Fuge Facts" are also revealed for many of the 120 episodes. These "Facts" are bits of little-known trivia that make this volume an even more enjoyable read.

In addition -- This book includes extended chapters on the series' Pilot episode ("Fear In A Desert City") and the two-part final episode ("The Judgment"), which remains to this day one of the highest-rated TV programs in the history of the medium.

There is also an "Appendix" area of the publication, with "Appendix 2" consisting of some very interesting trivial facts and data concerning every Fugitive episode -- including every single "alias" that was used by "Dr. Richard Kimble" during the whole run of the series. This appendix is useful to mega-fans of the series, as it also contains information about the "Location" (City/State) of each episode, as well as Kimble's "Occupation" on each show. Example --- Episode 31 had Kimble pretending to be "Frank Borden"; Occupation: "Dishwasher"; Location: "Harrisburg, Pennsylvania".

Many top-notch black-and-white photos are also scattered throughout this paperback publication, mainly publicity stills.

"The Fugitive" (1963-1967) is one of the best TV dramas ever put on the boob-tube. The long-running cat-and-mouse game between Dr. Richard Kimble (David Janssen) and the police officer who let him get away, Philip Gerard (Barry Morse), provided some of the finest tension-filled moments ever aired on television.

"The Fugitive Recaptured" does, indeed, "recapture" the magic that surrounded this first-class piece of television entertainment.

Very Highly Recommended.

Certain television shows were so enormously popular during their original runs that they have been reincarnated more than once. THE FUGITIVE is one such drama. When Dr. Kimble began to run in 1963 in a three partnered minuet with Lt. Gerard and Fred Johnson, the American viewing public was so enamored of the chase that they refused to accept the judgment of THE JUDGMENT (the series finale) that the running had indeed stopped. Ed Robertson in his THE FUGITIVE RECAPTURED analyzes just what it was that made millions of Americans tune in every Tuesday night to watch Kimble run from one man only to pursue another. Robertson captures the essense of the spirit not just of the show but also of the social subtext of the show. In his Fuge Facts and plot synopses, Robertson well delineates the motivation of a doctor who, in his forced travels, became a collective Keroukian ON THE ROAD, with every watching viewer able to tap into the flip side of the American Dream, that out there in every dusty small town and bustling big city lay adventures that we could not aspire to but Kimble could. Roberston reviews every episode, judges its intrinsic worth, provides the needed Kimble trivia of both character and actor, and adds a handy list of names that Kimble used over a four year run. This list resembles a phone directory of a small town that Kimble must have passed through more than once. Reading THE FUGITIVE RECAPTURED made me think of the follow up success of the filmed version with Harrison Ford and the less succeessful small screen run of Tim Daly. It is not likely that the latter two will ever be considered worthy contenders for a pantheon of running heroes, but Robertson's literary paean to David Janssen serves as a perpetual reminder that for a spirit of a character or of an age to be recaptured, then that spirit must have been worthwhile in the first place. Robertson's book will not let Kimble ever run far enough or fast enough to escape our notice.

I can certainly add my kudos to Ed Robertson for his labor of love in this book commemorating the 30th Anniversary of the famous television program. This work brings to life the entire four years that the series ran on network television, and gives the reader the feeling that he was actually "on location" with the cast and crew as they produced this first-rate series. Each episode is fully documented with full credits for the director and all principal actors in the series. The episode synopsis give the reader a feeling of being on the run with the Fugitive. The opening and closing narration for each episode certainly sets the tone for each nights program.

If you are a fan of this great television series, then this book is certainly for you. I highly recommend it.

Great as usual, If you've bought the previous ones, there's no reason not to have this one. I you haven't, what are you waiting for?!

Excellent production. Seeing old movie clips is fun but I really hoped that WB would release twelve "Order of the Phoenix" photos instead.

The calendar was ordered by mistake. I actually wanted the day-by-day calendar. I didn't realize the error until it arrived in the mail. The customer service guy was very courteous and helpful. He showed me how to return that calendar so I could order a new one. Thank you...

I think this desk calendar is one of the best I have seen. There are so many pictures( one for each week). I love Harry Potter and been a fan since day one, so this calendar took my dedication to Harry Potter to the next level. I use this calendar for work to write down my times I am working. It has pretty big spaces to write stuff down. Maybe around 1-2 inches tall and maybe 6 inches across. I think this is a most have for those Harry Potter fans, like me, who need to keep organized.

This is the second calendar (I also bought the 2006) and I love it. My parents were even impressed with the quality of paper, that is used in the making of the calendar. Just wish they had included more pictures of Richard Harris as Professor Dumbledore.

"How to Write a Screenplay" is a superb guide to the craft of cinematic storytelling and the process of rendering that story into the standard screenplay format. The book also includes detailed guidance on the pitch and development stages of the screenwriting process. Schwartz effectively delivers his lessons because "How to Write a Screenplay" seamlessly marries form and function. The book itself is in the form of a screenplay, and therefore serves as an ongoing example of the points it presents. This is an extremely effective pedagogical approach because the reader's attention is not divided between separate narrative text and examples, but fully engaged at any moment in an interesting story that illustrates its points in concrete terms.

In the introduction to his book, Schwartz states he has seen the quality of his screenwriting students' work dramatically improve after utilizing this approach; I have no doubt that this has been true for him, and will also apply to those who read his excellent book.

This is by far and away the best book I've read on screenwriting. It's really insightful, informative, and entertaining. I found myself laughing while learning! As others have noted, this clever little gem is a fast and fun read, a how-to book that is actually written in the form of a character and story-driven screenplay. Like a good movie, I kept turning the pages, wanting to "see" what would happen next. Before you get to the feature length screenplay (titled Screenwriting for the Hell of It!),it has a funny short script about pitching, and takes you by example through the steps of development. I can see why a great director like Wes Craven recommends it. Very cool!

The latest edition of HOW TO WRITE: A SCREENPLAY appears in its revised, expanded edition to add a chapter on 'The Pitch' and features a screenplay-like format which sets it apart from others on the market. Danny, the hero in this story, is hopelessly in love with a star who won't date him until he proves he can write an outstanding screenplay for her. Learn the basics of writing and marketing a screenplay through a format that lends to lively insights: perfect for any public library or school collection catering to aspiring screenwriters.

Diane C. Donovan
California Bookwatch

The addition of a section on "pitching" in Mr. Schwartz' Second Edition is the icing on the cake of his excellent guide to screenwriting. Having worked inside the studio system for several decades as a story analyst, development executive, and producer, I've seen many cases where a screenwriter had a good story and/or script but failed to sell it because he/she blew the "pitch." As he did with screenwriting in the First Edition, Mr. Schwartz provides the keys to successful "pitching" in his user-friendly format: keep it simple, clear and entertaining. I will continue to recommend Mr. Schwartz' book to writers, producers and development execs as a very useful tool in developing, and NOW in selling screenplays.

In summary, like a good movie, this is highly entertaining and educational!
There, now that that is out of the way, let me say I was initially skeptical about this book and its overwhelmingly good reviews. The reason is a character flaw (I think): I don't trust positivity.

However, it wasn't too expensive and Amazon would ship it to me in record time so I thought, what the heck and ordered it. It's a small book, and I was expecting it to be. After all, it's in the format of a screenplay and those shouldn't be more than 120 pages or so, right?

On starting to read, straightaway, I was hooked. The story used is a bit corny, but--I couldn't believe it!--I wanted to know more: what did Virgil want? Who was the stranger in Bebe's apartment? Does Danny finish the screenplay? And right along with all that, I was actually learning about structure, character, theme, dialog and exposition; all in a way I never would have thought possible.

And at a speed I never thought possible either! I was learning how to write a screenplay and how to make it interesting and watchable, without the impediment of translating jargon and quasi-indecipherable jibber jabber. I blew through it in less than two hours and I thoroughly enjoyed every minute. One of my highest recommendations and kudos to the author for finding a pleasant, funny, and incredibly insightful way of transferring knowledge.

Since this is written much as a diary of a young WW2 fighter pilot there are some sections that, like life, are a little tedious. That fact aside I found Mr. Lopez's work an interesting and inciteful view of the famous Flying Tiger unit after it was absorbed into the Army Air Force after the US officially entered the war. I highly recommend the book to anyone interested in the China theater of the war and how it was used to get the Japanese to attack us and get us involved in WW2. The vivid air combat descriptions are great insights into what pilots of that era were up against as opposed to the "video game-like" air battles of today.

Haven't read a pilot's memoirs for quite a while, although doing much more of it now. Into the Teeth of the Tiger was the first of a long line of new purchases that I need to read and it was well worth the purchase. Mr Lopez, while an excellent flier and leader, is also a wonderful writer. He writes with modesty and is not afraid to describe his errors in addition to his successes. The action sequences are superb and the humour used by the pilots and crews to lighten things up a bit is guaranteed to generate a smile and even a chuckle. Of course, this is war and the deaths of friends and the treatment of the civilian population was no doubt shattering for all involved. I get the impression that this book has become somewhat of a classic and justly so. It is a well-written account of a less publicised theatre of the war by a (then) very young pilot. What these guys did at 20-25 really puts things into perspective. A bloody good read!

I've read a lot of World War II flying book and this is the best! Mr. Lopez writes well and tells the unvarnished truth of what it was like to fly a P-40 against an agile and determined foe.

Don Lopez was a 23-year-old fighter pilot in the 14th Air Force Flying Tigers, flying a war-weary P-40 against the Japanese army air force in such close combat that he once took a wing off a Nakajima Ki-43 Hayabusa ("Oscar"). Good pilots are easy to find, and so are good writers, but Don is that exceptional individual: a pilot who can write well and to the heart. This book is a keeper.

This is an engrossing story of a young fighter pilot's experiences flying P-40s and P-51s in mid to late World War Two with the 75th Fighter Squadron in China. Donald Lopez writes excellent flying sequences and conveys the essence of the people he flew and fought with. A good read if you have any interest in military history or aviation.