Movies Books

a great book for those ho love the series.
a lot of information and a free cd

As I'm a big fan of Prison Break, I've always wanted to buy this book. Shortly, it summarizes the plot very detailed with lots of photos and interesting facts that you didn't know befora aand the included FBI files are great. A must-have for fans!

i lke that they made up a book of "fbi" files, it makes the show feel more real, even though you know it's just a show! i started to understand a lot more about each character! good thing to have if you love the show as much as i do!

This is a must have for all Prison Break fans..book is in full color with lots of information plus you get a bonus dvd :)

I thought that this book was very interesting, and if you have missed anything from this program this book helps you catch up. I think that a person really interested in this show, would really like it.

Buy this book right now. Even if you aren't interested in film. If you've ever walked by a poster advertising a film, buy this book. Why are you still reading this review? Why aren't you ordering this book? In fact, don't order it online here, run to your local Borders and pick it up right now. Hurry, it'll close soon! Well, okay, buy it online, but you'd better use overnight shipping! I'm warning you!!! Buy it.

Now!!!!!

"Saying that Jerry Ziesmer probably has delivered the greatest assistant director book ever written doesn't do it justice. His tales from the Kleig was in "Ready When You Are, Mr. Coppola, Mr. Spielberg, Mr. Crowe" are not only an insider-insider's look into what actually happens in the making of movies--from "Close Encounters of the Third Kind" to "Apocalypse Now" to "Jerry Maguire"--but also a compendium of perceptive glimpses at the personalities and decision making by great filmmakers and actors across four decades. This book relates the biz and its lore with color, intimacy, candor and horse sense..."

An amazing inside story of filming with Frances Coppola, Steven Spielberg, and Cameron Crowe told by their assistant director. The author relates the tales of filming "Apocalypse Now", "Close Encounters of the Third Kind", "Jerry Maguire", "Scarface" and so many others. A truly enjoyable book for the film professional or for those who just enjoy films.

Jerry Ziesmer tells the kind of inside stories you usually only hear (if you're lucky) over beers after shooting's wrapped for the day. Without ever whitewashing or pulling punches, he offers a thoughtful, compassionate perspective on the trials and tribulations that led to some of the greatest films of our day. This is simply one of the best books ever written on the nuts and bolts, the passions and personalities of filmmaking, period. Thanks Jerry.

Disclaimer--I know Jerry from working with him on the Director's Guild Council, and I have utmost respect for him as a professional filmmaker. But I never knew his talents extended to such cogent, fun-to-read, full-of-insight writing until reading this wonderful book. It combines the best of both worlds--the "inside baseball" stuff that pro's with years of experience will still find new and fresh and helpful to their work AND the "Hollywood" anecdotage that any fan of great movies and moviemakers will read with a chuckle and a tear and a lot of smiles. If you really want to go "Behind the scenes"--save the trip to Universal's tour and get this book instead. You'll learn a lot, and have a great, great time!

Sabrina the teenage witch competes in a witch's spelling bee(a spell-casting contest)and her prize is a reality check(a cheque she can cash in to change any event of her choice)Only problem is that EVERYTHING is going wrong so how is a girl to decide what to change?!!!!!!!!!!Life's hard!

This is a pretty good book.On this book Sabrina competes in the Other Realm spelling bee,wins and gets a Reality Check!But Aunt Hilda and Zelda are under a 24 hour time-release spell witch is causing a disruption in their lives!To learn more just read the book!

Reality Check (Sabrina The Teenage Witch)is a great book. I could read it over and over again. It's fun reading about all the trouble that she gets herself into, and how she gets herself out of it. It's fun and easy to read. Everybody should read it.

Sabrina wins the first prize in the spelling bee contest -- and it is a reality check.her spelling bee prize has her world abuzz.she can change only one incident. but which one? she has no idea.Aunt hilda and zelda are in a 24 hour time release spell which is causing many complicated problems in their lives,HARVEY Needs money after his motor cycle accident,Val resigns as school news paper editor and libby twists her ankle just before her cheerleading stuff.

in the end she used it wisely though. it was a great read. the ending of this book was mind boggling. it was too good a read. She finally uses the check to save - nah fooled you. I am not 1 bit interested in spoiling your read. so i suggest you to buy this book which is another great book added in this great series.lllooooovveeeeellllyyyy.Got to read it

This book was completely a breath taking addition to this sereis.Tooooooooo coooooooool. Sabrina wins the national spelling bee and the first prize is a REALITY CHECK. but she doesn't have a single idea on where to use it. because her spelling bee prize has her world abuzz. Finally, she uses it in the right way - by using it to save - no no no i don't want to spoil your read . The ending was a little dissapointing though. anyway the style of writing was great . Diana.G.Gallagher is by far one of my favourite Sabrina authors.Keep up the good work!

Beveryly Gray is truly a wonderful biographer. She captures the tone and warmth of Ron Howard throughout the book. Beverly also puts you "in the know" for the locales, such as Greenwich, Connecticut, where Ron Howard moved to partially shield his children from the "glamorous temptations of the film industry." This is a book for people who want to take a walk with Howard and really get to know what drives him. It's warm, friendly, and low-key, just like its subject. And a great read! Well done, Beverly! Oh, by the way, did I mention Beverly also teaches film at UCLA Extension. A wonderful, warm person in her own right.

One of the advantages of an "unauthorized" biography is that it should offer a more creative and exciting challenges to the biographer and a much greater illumination to the reader.
There is always the danger when a biography is authorized that a conflict of interest may arise and the truth may be compromised.

Beverly Gray's unauthorized biography Ron Howard From Mayberry to the Moon..and Beyond is a "putting the record straight" kind of a book, wherein some of the myths that have been prevalent in the press for so many years are explored and set aside.

Many of us have grown up with Ron Howard the child actor Opie Taylor on The Andy Griffith Show, and then as Richie Cunningham of Happy Days.
Today, Ron Howard is a well known Hollywood film director and producer, who directed such films as: Through the Magic Pyramid, Night Shift, Cocoon, Willow, Parenthood, Backdraft, Far and Away, The Paper, Apollo 13, Ransom, How the Grinch Stole Christmas, and Academy award winner, A Beautiful Mind.

Gray practically begins her story from the cradle. Howard was born of parents, who themselves were actors, and at eighteen months he captured his first acting role as a crying baby, thanks to the efforts of his father.
Throughout his life, his parents, Rance and Jean Howard, played a tremendous role in shaping his life, and at the tender age of five years his father had imparted in him professionalism and basic acting techniques that have remained with him throughout his career.

As we read Howard's "unauthorized" biography, we are amazed at the extensive research that must have gone into the writing of this book, most of which was gleaned from Howard's interviews with the media over the years, as well as the author's interviews with many of his associates.
One advantage of writing Howard's biography in the prime of his life is that almost everyone is still around from his youth and his filmmaking career.

Practically no stone is left unturned, as we trudge along with the author from Howard's early childhood until his present day directing achievements.
We learn of his successes as well as his failures, and very often we are privy to some little known facts about him.
As an example, Howard was in awe by director George Lucas's talents and counter culture approach to filmmaking, as was in evidence in the film American Graffiti, where Howard had been asked to improvise scenes with other actors.

Movie buffs will surely appreciate the four appendices included at the end of the book that provide a timeline for the actor, filmography as an actor, filmography as a director and producer, and his major awards and honors.

One deficiency I found with the book, and one that is very prevalent in many biographies, is the creation of a narrative pattern that relies on the chronological tick of events; the day- by -day or year- by- year pattern should have been re-imagined. If the author had made Howard's story more innovative, it would have been more attractive to its readers.

Norm Goldman-Travel Writer and Editor Bookpleasures

I found Ms. Gray's study of Ron Howard to be a highly creative and attention-grabbing presentation of a man with a constantly developing and fascinating career and personality, ranging from his child-actor beginnings through his current reputation as a successful director in many genres. The book brought to life his early years in the Andy Griffith television series and "The Music Man." The author's treatment of his recent film, "A Beautiful Mind," is especially moving and insightful and tied together Howard's consistency and creative exploration in all of his work. His ever-present optimism, human decency, energetic habit of taking on new challenges, and loyal respect for others in his life and his work is presented in a very appreciative and in-depth way.

Did you ever want to be Opie when you were a kid? I did. The thing about Opie was that even when he got into trouble, and he did get into trouble, everybody still liked him. Beverly Gray, in Ron Howard From Mayberry to the Moon, presents a good case that the same is true of Mr. Howard. Everybody in the motion picture business likes him, that is if you exclude a few pretentious critics (and even they probably like him, just not always his happy endings). Nice guys do NOT always finish last.

Howard did not cooperate with this biography because "he felt himself to be in midcareer and not ready to participate in a long range assessment of his accomplishment." OK, fair enough. Keep that in mind while you are reading, but do read it.

From Opie to Richie to director, this is a detailed portrait of a man whom everyone agrees is a real mensch and who is wildly successful. It is also fascinating, and adds to Howard's charm, to realize who loyal he is to his family and friends, yet how honestly he treats them when casting projects. Simply put, if he feels they are right for a part, they get it; if not, they don't. That takes quite a bit of respect and love - from the actor and the director.

Gray's extensive interviews bring out some interesting bits of trivia about Howard. Her prose flows nicely and her organization is excellent. Maybe in another forty years or so, she can write an update - next time with Ron Howard's input.

I read Beverly Gray's book on "Ron Howard: From Mayberry to the Moon... and Beyond". I found it to be very easy to read, very entertaining and full of interesting stories about Ron. Ms. Gray was objective, diplomatic and kind, never to offend any party involved. I thoroughly enjoyed the book so much so that I finished reading it in one and a half day while sun bathing in Del Mar, California recently.

This 1992 book tells about the 1942 film "Casablanca". No one expected this romantic suspense film to become so great. Aljean Harmetz spent years of research and interviewed those who worked on the film, and read the Warner Bros. archives. Harmetz described the studio system and tells about the personalities and politics. The Hollywood studio was like a factory assembly line, not a glamorous fantasy. The actors who played refugees were often in fact refugees from Nazi Europe. Hollywood's production code played down the scandalous affair between Rick and Ilsa. [The film would be little remembered if that final shootout left Strasser, Laszlo, and Renault dead so Rick could run off with Ilsa.] The morally right ending meant a stronger ending (p.229).

The 'Acknowledgments' thanks the people who helped in the writing of this book. There seemed to be more people than the actors on the screen. Harmetz grew up near M-G-M, her mother worked for them (p.xii). The film had a "blend of romance and sacrifice", as if it was a lesson for WW II America. It was a dirty dangerous job but we had to do it. The script was developed along with the film. Hundreds of other films were built the same way, but "Casablanca" remains a classic. I think the idea of self-sacrifice is overstated, Rick had too much experience to become sentimental Its basic unity of time, place, and action makes it a better film than "Citizen Kane" (which is more cynical). The author explains the interplay of production that formed this film (p.xiv).

Harmetz says the popularity of the film is the way its mythology echoes America's self-image (p.6): tough on the outside but moral within. [An echo of the Cowboy Hero?] This film was a combination of accidents and luck, a haphazard picture that turned into a favorite movie (p.7). Warner movies were topical, based on the news (p.8); their films had a rawness or edge lacking at other studios. Their style was distrust of authority, suspicion of human nature (p.25). Chapter 3 has the story of Murray Burnett, the vocational high school English teacher who wrote "Everybody Comes to Rick's". Every character in the film is in his play (p.36), the dialogue too (p.38). The writers made many changes (p.39) and took the credit (collective work). Rewriting sharpened the script, scenes were rearranged for more dramatic effect (p.56). The collaboration was interactive.

Chapter 4 tells of the director Michael Curtiz and the producer Hal Wallis. They and their wives were close friends (p.64). More people went to the movies during wartime (p.66). Warners made the first anti-Nazi film in 1939. They encouraged their employees to join the Rifle and Pistol Club (p.68). Southern Californians favored imprisoning the Japanese, there was fear of an attack (p.69). Bergman "projected an innocence and purity" that made her popular (p.118). The real life of Bogart and Bergman was the near opposite from the screen. They thought the dialogue was ridiculous and the situations unbelievable (p.119). Were movies better then because of the layers of character actors (p.145)? Why did those Germans sing "Watch on the Rhine" (p.169)? Casey Robinson rewrote the romantic relationships (p.175). Chapter 11 tells what the actors did off the set. Later written accounts contradicted each other (p.203). The music in the film is covered in Chapter 15. Government control of Hollywood is described in Chapter 17; preaching propaganda wasn't popular. The history of the stars of "Casablanca" is in Chapter 19. Chapter 20 has the hodgepodge of various comments on the film. They seem to treat this work of fiction as realistic fact. Harmetz summarizes the film on the last paragraph (p.354).

Could this film be compared to a classic western film? Strasser is the foreman for the Big Rancher who wants to take over the smaller ranches. Renault is the sheriff in cahoots with him. Preacher Victor spoke out against the takeover, and is in trouble. Schoolmarm Ilsa loves Victor for his politics. Rick acts like a Cowboy Hero who defeats the evil Big Rancher to assure the escape of Victor and Ilsa; Rick knows his relationship with Ilsa would not survive out on the lone prairie.

"Casablanca" is, unarguably, one of the greatest films ever to emerge from the Hollywood dream factory. So, it's entirely fitting that the prolific and hugely talented Aljean Harmetz should give us the ultimate bible, road-map and encyclopedia of this Bogart-Bergman classic.
It's a fascinating read from cover to cover, including scores of back stories relating to every stage of the film's development. What's more, it will help settle hundreds of bar-room bets, thus paying for itself many times over! To author Harmetz, I can only say, "Here's looking at you kid!"

As a Casablanca lover (words don't do it justice), I ate this book up. Harmetz writes with warmth about nearly everyone involved in the film except Jack Warner, about whom she writes with a deserved respect. The stories of the bit players, most refugees, expanded the Casablanca context tremendously for me. The suspense, and the tale of how this gem could have been different in so many ways (or not produced at all), made me appreciate this cultural icon even more. I haven't seen the film since reading this book, but you bet when I do I'm going to turn off the phone.

Aljean Harmetz's "Round Up the Usual Suspects" is one of the best books on the making of what is probably the best film of the 1940s (and possibly of all time). Harmetz explains almost every aspect of the story--often sounding more like fiction than fact--of the making of this all-time winner. These aspects include who was behind the camera, the actors, and the writers. She provides many details about life behind the WB shield--which collaborates the view of Jack Warner as a jerk seen in a fine book,"Hollywood Be Thy Name"--the fights on who wrote the screenplay, and how they all meshed together to create an enduring classic. She also explains how the film escaped the propanganda machine of later 1940 films. If you love this film, you should read this book! Let us hope that it returns to print witht he release of the special DVD edition of "Casablanca".

This book is a great read. Although heavily documented, the "characters" come alive throughout--the characters being actual actors, the Warner brothers of Warner Bros., the director, writers, even the lighting director and sound men on the set.

It wonderfully describes the studio system, the differences between the studios and how "properties" were loaned out, and how WW II affected everybody in the movie business.

Two quotes had me laughing until I was in tears. It is a great book. Additionally, the hardcover with translucent dustjacket is most gorgeous. This is a winner and a keeper for movie history buffs.

Now that Hollywood has finally given Scorsese his due with what amounted to a career-Oscar, the time is ripe to read the revised edition of this superb book. The questions asked of the director are intelligent, not fawning, and his answer's are lengthy and fascinating. The generous space devoted to his childhood and early years help one better understand why Scorsese has been so attracted to a particular genre and how he executes it so well. This director is, of course, immensely knowledgeable about the history of film, and his comments on other directors' work are fascinating. A readable mine of information about one of the most important popular artists of our time.

I bought this book out of respect and deep admiration for Martin Scorsese. What I got was keen insight into a creative genius. The numerous interviews reveal a side to Scorsese that not many people see outside the camera. It's a lot more personal than that. When he talks about his movies, he ultimately parallels them to what his life was like at that time. So it's a fine blend of his personal life mixed with his professional life. There's also the obvious vibe that this man always was and always will be a student of film; his passion is infinite. Perhaps that's what makes him as influential and well-respected as he is.
You're the best there is, Marty!!

There are few filmmakers more brilliant than Martin Scorsese, and this book provides wonderful insight into the sources of his obsessions. Almost any book on Scorsese is worth reading, but this volume gives equal time to his less-appreciated, (but no less wonderful), films like The King of Comedy and After Hours. By far, the most informative book on Scorsese yet.

This reader felt almost privileged to read these interviews, lectures, and conversations with Martin Scorsese. He simply shares everything, and indeed he is, if nothing else, a true fan of movies!

The insightful words of Scorsese, arranged to parallel his filmography up through New York Stories, are annotated by the redoubtable editors Thompson and Christie. Scorsese is arguably the greatest postmodern artist, (and I would have to say the only postmodernist I unhesitatingly adore -with possible exception of Matt Groening), and the reader really gets to see how Scorsese constructs a film. His inspirations are as predictable as directors Pasolini and Powell, yet as diverse as Mahatma Ghandi and Little Richard. He loves all with equanimity and enthusiasm.

That's the joy of this book... the guy loves movies, loves making them, and all that energy just shines through.

Extremely valuable resource for the student of film, but good fun for the humble film buff, too. Bonus: interesting black and white photos you won't find elsewhere. Excellent (though naturally out-of-date) filmography appendix.

I absolutely devoured this book, essentially reading in two sittings a day apart. A rare and privledged look into the mind of Scorsese in his own words, followers of his work will be thrilled with the insights and anecdotes. Anyone half-aware of the man's work can recognize the thought that goes into it, but these interviews reveal the incredible depth and passion for film and its history that underlies his craft.

An essential read for anyone that considers her- or himself a film buff.

Sadly, Robert Klepper died in 2000, at the age of 32. A very nice fellow and an important film historian. Do pick up this worthwhile book, and mourn the fact that there will be no more from him.

I bought this book last year and love it and use it all the time. I get films from libraries all over the country and look up the movies that come in. I bring it with me if I am going somewhere that I will be awhile and read each review. It has a permanent place on my coffee table. If you love silent films, this book is a must.

This is the best index of silent film that I've ever seen. The reviews are bold independent and informative, if not always completely objective, Mr. Klepper is not afraid to have an opinion. This is a reference that I keep going back to.

I have owned "Silent Films, 1877-1996" for two years, and use it as a constant reference. (If you are a fan of TCM "Silent Sunday" or are a fan of silent movies and would like a guide to watching or purchasing silent film, this is the first reference to which I turn.) This does not cover absolutely every silent film, but there have been very few which I did not find information upon here. "Silent Films" also covers actors, directors, and other cinematographical information. The price tag is high, but for the silent movie buff it is indeed worth the price. I journal my silent movie viewings on its pages to keep a record. "Silent Films, 1877-1996" has gone from investment to treasure.

Robert Klepper has a remarkable love and knowledge of silent film. His understanding of the historical place of any movie he reviews is impressive and thoughtful. The book is a standing resource for any film enthusiast. In watching these films some of our favorite practices are to look for scenes that more modern films either steal (or pay omage to - depending on your thinking) and to pay attention to stunts that no actor or actress will ever have to duplicate in a more advanced film age. These are things that Robert Klepper also makes notice of and shares with his readers. I find his rating system to be reliable to my own standards and his humor to be very welcome - though I think some readers might miss some of it.

I do cherish this particular book and guard it heavily - no one is permited to borrow it. (I am usually pretty generous with my shelves.)

I assure you that the book is well worth the price -it is an excellent resource to the novice or the expert.

J

The Pokemon Sinnoh Handbook was released to give information about the Pokemon that are part of Pokemon: Diamond and Pearl. The first page of the book explains why the book was written. The second page explains what the reader will find on the page for each Pokemon (the Pokemon's name, what species it is, a pronunciation guide for the Pokemon's name, its possible moves, what Pokemon type it is, its height and weight, its evolution chain, and interesting facts about the Pokemon. Five Pokemon (Abra, Blissey, Cleffa, Golduck, and Seaking) also have a special "Remember When..." box included in their entries for trivia from the TV series. There is also an introduction to the Sinnoh region, which explains how a trainer starts out in the region.

After all of the pages about the Pokemon, there is an appendix titled, "Ash & Friends," which gives brief biographies for Ash, Brock, and Dawn; included on each trainer's page are pictures of which Pokemon they have. At the very back of the book is a fold-out poster with all the Pokemon featured in the book.

I did find a couple of errors in the book. Blissey's height is included, but the weight was left off. Also, Cherubi's Solarbeam attack is listed twice under its possible moves.

From the design of the book, as well as the way the book is written, it's obvious that children are the target audience. However, there is valuable information included, so adults shouldn't shy away from purchasing the Pokemon Sinnoh Handbook.

My 8 year old loves this book. It has all his favorite characters, the pictures are big and detailed so he enjoys drawing them on paper as well. A+

My 7 y.o. daughter caught the Pokemon craze from her 15 y.o. brother who has loved those pocket monsters since he was very little. This book was read cover to cover within the first day and it is taken along on doctor visits & car trips to pass the time - great selection!

Meant as a Christmas gift, this book was intercepted by my two boys, who absolutely loved the artwork and creature descriptions.

Well worthwhile for any Pokemon fan.

I ordered this book for my 6-year-old son who is really into Pokemon at the moment. He absolutely loves this book.

The book features many of the most popular Pokemon, gives a brief summary of their abilities and even states their height, weight and possible moves.

What's best about this book for me as a mother is that my son, a first-grader, practices his reading without me asking him too, because he is so fascinated by all the informative stats about all his favorite Pokemon. And the book does actually use some big words that he would not encounter in the typical first-grader reading books.

I can recommend this book to any Pokemon fan or parent thereof!

Until this book appeared, there wasn't much information available on Charley except in Leonard Maltin's book on sound shorts. This great book will illustrates the life of both Charley (Parrott) Chase and his brother James Parrott. Their lives were intertwined, and when one of them had problems it certainly affected the other. While Chase always had a jolly face on, this book illustrates both his triumphs and his failures. Chase worked with many great comics like Charlie Chaplin, Roscoe Arbuckle, Laurel & Hardy, Thelma Todd and the Three Stooges. Chase also directed and/or supervised many good comedies where he did not appear on-screen. There is a very detailed filmography (and musicography) in the back that includes the lyrics to many of the songs that Charley wrote, his many directing credits, and other film appearances. Sure this book is expensive, but if you love silent comedy or early sound shorts you will not be able to stop reading it.

"Smile When the Raindrops Fall" is a fascinating and affectionate look at the career of the vastly underrated motion picture comic Charley Chase (1893 - 1940). It's hard to imagine that Chase, whom time has mostly obscured, could be so vividly portrayed. However, through interviews with Chase's family, friends, and associates, the authors ressurect the comic in a biography that lovingly alternates between hilarity and heartbreak. Calling Chase one of the comic greats is no exageration: this brilliantly inventive and prolific figure contributed to over 300 films as writer, director, or actor (sometimes all three) before his untimely death at the age of 46. Chase worked with almost every major name in early film comedy, including Charlie Chaplin, Fatty Arbuckle, Harold Lloyd, Laurel & Hardy, and the Three Stooges. The reader is taken on a nostalgic tour of silent and early sound comedy, its evolution paralleling the career of one of its pioneers. Excellent photo's and a detailed biography are included. An important piece of Hollywood history has finally been documented, and done justice, in this fine biography.

Well, it took me awhile to track this one down through my local library but it was worth it!! Charley Chase practically invented the situation comedy!

This wonderfully concise and well-written bio traces the life of Charles Parrott/Chase from his early days as a entertainer on the East Coast to his move to California and his two-reel comedy career. The book also focuses on many aspects of Charley's personal life, from his protective/co-dependent relationship with his brother, comedy director James Parrott to his own bouts with alcohol. The book is also full of wonderful photos and stills from his films. My favorite parts of the book are the chapters that pertain to his career at his final comedy home, Columbia Studios, where he not only churned out some excellent comedies (THE HECKLER, THE BIG SQUIRT, THE WRONG MISS WRIGHT), but directed other two-reel comedy players of the day, most notably The Three Stooges.

Charley left us all too soon at the age of 47 in 1940, but his legacy of great comedy is out there for all to enjoy!

I was introduced to the comedy of Charley Chase by a film collector friend of mine back in college and have always appreciated his unique style. Brian Anthony's and Andy Edmond's book does justice to this far underrated and nearly forgotten talent in a way that is readable and as entertaining as Charley himself. In fact, the wealth of material here is so great, one wonders why no one has mined it for a film. In any event, if you're into early film history, or even if you are just curious about a man who was a powerhouse both in front of and behind the camera, you owe it to yourself to check this book out.

I just finished re-reading "Smile When the Raindrops Fall" (third time, I think) and I second the opinions of the other reviewers. Very few authors have ever discussed the films of Charley Chase in print, and nobody has ever delved into the prolific comedian's personal life in so much detail. Brian Anthony and Andy Edmonds have done Mr. Chase proud, amply demonstrating how he created many clever and amusing movies, and how his private life sometimes colored his work. There are many rare and charming photos, including a memorable candid shot from his final days: his camera crew has just presented the new grandfather with "Gramp's Chair." If you've only been casually acquainted with Charley Chase, here's your chance to get to know him. Great reading for movie buffs, and well worth the publisher's price tag.

Excellent book but leaves out info on ships like Imperial Frigate and Corvettes that the Imperials used also along with the ships in the book. They also could have put in a better rank insignias system in the book showing the ranks but otherwise Really Good.

It is very detailed but lacks several key points such as stats for TIE's and imperial walkers. Weapon ammo would be nice. Good starship section

Very detailed, but lacks: Walker info & stats; TIE info & stats; Sandtrooper info & stats; Timeline; Details of smaller Imperial ships; Costs for Imperial ships & equipment (sometimes useful).

This book is best used in conjunction with the Rebel Handbook and the Star Wars Sourcebook. Between the three of them most information is covered. (maybe this one DOESN'T cover TIE stats, but there's a nice chart in the Sourcebook that has all the different starcraft lined up.) Good flavor. Excellent illustrations, in words and in pictures. I recommend this book the the serious Star Wars fan.

This book is great. It was definetly mad efor the star wars fan. The problem is its out of print :( I got my copy ,after finding it listed here,in a large book store under roleplaying.It not just for roleplaying though.So go get it if you the avid fan or just the average day fan.If you like the Empire youll love this book.Statsd on TIES or not.