Tony Robinson Books

Wally Hatford is a 10 year old boy who started a war between the Hatfords and the Malloys. He has three brothers, Peter, Josh, and Jake. The Malloys just moved in from Ohio to the Bensons' (The Hatfords' best friends) old house, and the boys want to want to oust the Malloy girls, Caroline, Beth, and Eddie (Edith) out of Buckman.

Wally is in Mrs. Applebaum's class, right in front of Caroline, the wanna be actress. He is the mastermind for the boys in the war between the Hatfords and the Malloys. Wally wants peace between the boys and girls to see how long it takes for a waffle box to travel down the river, to jump off a tree, and to climb a church steeple.

I could relate to Wally. He is like a kid in my class named Jake. Jake, like Wally, can think up of ideas to win a war against anybody, boy, girl, or parent. Jake also is curious of just things in normal life.

The Boys Start the War is a book just for children seeing that adults aren't interested in wars between boys and girls. It is easy to understand all of the humor and vocabulary in the book. I loved the book and went on to read the whole series.

The Hatford boys were looking out the window with their binoculars waiting to see three boys moving in their friends house across the river.When they see their girls moving in and not boys.They makea plan to sent the Malloy girls back to Ohio.Throwing dead animals to dead bodies.Playing bad tricks on the girls.Will the girls get back on them?Is the war barly begining?Are the girls going to get even with the boys. This is a really funny book to read.

This book is a hilarious book. The Hatford brother's best friends, the Bensons, moved away from Buckman to Georgia. The boys were expecting 3 boys to move into the Benson's house, but they were surprised when they found out that it was actually 3 girls. The Hatford brothers decided that they would try to make that the Malloy sisters so miserable that they would want to move back to Ohio and the Bensons would move back because no one would rent their house. The boys are in for a surprise when they have to go against the Malloy sister's cleverness. The pranks go on from dead fish to dead bodies and from floating heads to washing windows. The boys and the girls keep going at each other. They both can't tell their parents because then they would have to tell about all their other pranks. The war goes on and on to other sequels.

I like book because of all the pranks. The pranks are all thought up cleverly but something always goes wrong. A quote that shows something going wrong is, "`You got the flashlight?' Jake asked Wally breathlessly. `Heck, no. You were carrying it.' `I thought you grabbed it,' Josh said. `Someone did!' But that someone was already inside the house." This shows how the Hatfords lost their flashlight while pretending to be a floating head outside Beth Malloy's window.

Another reason I liked this book is because it's a humor book. I don't read many humor books but this book made me laugh. This book is filled with many hilarious events. Caroline Malloy draws a funny picture of her teacher but Wally manages to steal it and blackmails her. The things that go wrong are also funny. Just when one side thinks they've won, the other side finds a way to get even. There are many other books in the series and this is only the first.

My favorite part of the book is at the end of the book when the final prank is played. When the girls go to get Caroline from the Hatford's tool shed, they think they won because they made Jake say to them, "Your faithful, obedient servant." As they were leaving Wally comes out with Mrs. Hatford saying that the girls were coming over to help peel the bushels of apples the Hatfords had picked. I thought this was hilarious and was a great way to end the book to keep you hooked.

Just when the Hatford boys were expecting three boys to move into the house across the river the Malloy girls arrived instead. Wally and his brothers decide to make Caroline and her sisters so miserable that they'll want to go back to Ohio, but they haven't counted on the ingenuity of the girls.

Cast of Characters:
Malloy's:
George Malloy-father-football coach
Jean Malloy-mother
(Edith Anne) Eddie-11-6th grade
Beth-10-5th grade
Caroline-8-4th grade
Hatford's:
Tom Hatford-father-mail man
Ellen Hatford-mother-hardware store worker
Jake and Josh-11-6th grade
Wally-9-4th grade
Peter-7-2nd grade

This is really cool.It can be for 3-??yrs old.Pluse it takes places in my hometown Buckhannon,WV.The school they go to has beem turn into a building for 5-18 year olds,called Stockert Youth Center.The Mallory girls are really cool!!The Boys are trying to get the girls out of their old best friends house by playing tricks and being mean,and the girls try to show the boys the can't tear them away from Buckman wich really is Buckhannon.Read it!!Its cool!!

This is the wrap-up volume of the author's "Bromeliad" trilogy (the title of which has to do with tiny Amazonian frogs living in tree-top flowers, who know nothing about the world at large, or even that it exists) -- though it runs parallel, actually, to the second volume, which followed the exploits of Grimma and the nomes who stayed behind at the quarry while Masklin and a couple of others went to investigate the nearby airport. Now it turns out that, in their quest for the Ship waiting for thousands of years somewhere out in space, the three bickering adventurers have managed to stowaway aboard the Concorde and have gotten to Miami and then to Cape Canaveral. There, they meet other nomes, much more widely traveled than themselves (thanks to migrating geese), get close to a rocket launch, and make use of the Thing to contact the Ship. As always, Pratchett tells a delightful, very humane story with lots of humor (the nomes tend to be VERY literal), while at the same time commenting on subjects like interspecies relations, religious dogma, and the whole point of society. Written for adolescents but enjoyable for any thinking reader.

DON'T READ THIS BOOK INTILL YOU READ THE FIRST TWO BOOKS IN THE BROEIMLEAD TRILOGY. This book is about when Masklin (a nome) trys to find this one ship that while supposedly send the nomes to a different planet. This ship is faster than light. The one thing that leads them their is a thing. This thing is like a box with lots of electric inside, and only if this thing is by something that is powered by electric it works. Now in this book Masklin, Gurder, Angalo, and the thing go out to find the ship. At the beginning they fly on a airplane to Florida. When they get their they find more nomes (which they never knew that there was any other nomes). Now they have get the ship to them somehow. Read this wing of a book to find if they find the ship.

My Dad has been reading Terry Pratchett books and he thought I'd like this one. He was right! You should read this book , because it is very funny and exciting. The book is about three nomes that got stuck on Earth and need to take a space shuttle home. The nomes get a lot of useful help from Thing, a machine. But too bad when Thing runs out of "pow" (power)!
I don't have the first two books from this trilogy but I am getting them next!

In Diggers, the nomes living in a quarry found themselves besieged by humans. In the end, Masklin rescued them with nothing short of a miracle. This book is the story of that miracle.

This book is so funny that I often found myself laughing out loud while reading it. Not only that, the action is gripping, and the ending is touching. This book is a wonderful buy.

The Bromeliad trilogy soars to a grand finale with "Wings," the companion volume to "Truckers" and "Diggers." This tale runs parallel to the second book of the series, and brimming over with Terry Pratchett's usual wit and satire... and a mild dose of insanity.

Now that humans are returning to the quarry where the tiny nomes live, the nomes must somehow find a new place to live -- and fast. So Masklin is following the instructions of the Thing (a computer who is smarter than all the other characters put together) and going on a secret mission with Angalo and the Abbot to Florida.

After they sneak aboard the Concorde, freak out the stewardess and hijack the plane, the nomes learn that none other than Richard Arnold (grandson of Arnold Bros, founder of The Store) is on board. Now they must somehow send the Thing into space, so it can contact the spaceship and whisk the nomes away. Easy? No way.

Technically, anybody who has read the end of "Diggers" will know exactly what will happen in "Wings." But like flying on the Concorde, it's the ride that's half the thrill. "Wings" is a little tighter and funnier than its predecessors, partly because it has a much smaller cast -- the small bickering trio, plus the Thing. It doesn't get much better than that.

The nomes are fun protagonists, partly because they're so likably naive about the world in general. If they were left alone, they would probably produce a cute little civilization, and their naivete produces plenty of entertaining humor (Concerning the sound barrier: "All right, own up. Who broke it?"). Pratchett manages to make us laugh with the nomes, not at that.

The long-suffering Masklin has a new slew of problems the moment he leaves, ranging from the Thing refusing to talk to him to Angalo razzing the stewardesses. Atheistic Angalo and the abbot just avoid biting out each other's throat. But it's the Thing's dry, superior guidance that really steals the show.

Pratchett brings his Bromeliad trilogy to a close full of action, suspense, and frogs. A witty and wild ride on the Concorde, and not one to be missed.

When someone tries to blow up Jack Knight, and in the process gets some of his family, he will slowly come to the realisation that he has some growing up to do.

He kicks against this for some time, but his father, a couple of local cops, Opal City herself, and the need to do something about The Shade and The Mist start to move him in the right direction.

Starman, written by James Robinson,with art by Tony Harris, Peter Snejbjerg and others, details the exploits of Jack Knight, the son of the aging 1940's Starman, as he struggles with the family business, his personal business and Knight's Past, his, um, business business. It's got science, mystery, romance, cowboys, pirates, and some of the most pure heroism that was presented in the grim and shallow world of 1990's comics. This is one of those great series, Sandman-style, which is loved by comic and non-comic readers alike. This is where I first saw the pencils of Ex Machina artist Tony Harris. I had such a man crush on this creative team, when I met them at a convention in 1996 I giggled Japanese schoolgirl style and averted my eyes. I palpitate at the thought! James Robinson complimented me on my shirt, which I had cleaned especially for the occasion. This is the comic that made me love DC comics, made me embrace my inner collector, and kept me returning to the comic store.

I have to admit I like the new Starman alot. But I donthtink everyone would.

Great stories, great art, coloring...I have all the 7-8 volumes in the tpb format. The character is written very well. The Sandman stories are especially good, as well as JSA related and even the filler stories with Starman's brother, and Opal City's historical characters. Bank robbers, pirates, aliens, poets, fantasy, sci fi, tattoos, etc...what more could one want?! Also the substitute/guest artists are as good as the regular artist.

However I am a little dissappointed that DC never mentions any ratings for their books similar to Marvel. The new Starman Series by James Robinson is NOT FOR KIDS. Although not overly gratuitous visually, there are bedroom scenes, with semi-nudity(no full frontal), drug use(only one issue), as well as homosexual characters(which is not overly emphasized or distracting to the comic. only noticed this rare&few times. no sex, just words of "love forever")but it may offend some people, and confuse or harm children's moral upbringing. As an adult, they dont get in the way of the main characters virtuous and heroic qualities but they may cause some people who are offended by that kind of thing to miss the overall well-crafted story plots. For others it may cause them to imitate those scenes. I dont like them in a comic book. Personally the parts of the story that show those scenes really dont add that to the plots very much. But I dont believe the writer was trying to shock anyone, just make society more comfortable with this type of relatonship. I would have rather those ideas/characters remained out of the books, or "faded to black" (as one homosexual scene was). I still give the books the highest marks for overall artisitic presentation.

Starman has since departed from the superheroe scene(i think?) but this run of stories has many many great moments in the modern super hero context. Just be careful if you are scensitive to the "adult" situations. They show this Starman superhero and related friends, associates, as very human persons, equiped with fallen human nature, and have to go through their own personal, yet in some cases, universal, spiritual and vocational superhero trials and tribulations. These trials are moral & emotional, that many people can relate to on a down-to-earth level. I tend to think of these stories as kind of modern greek mythological hero/fable stuff anyway. But just because greek stories have all the sex and stuff doesnt mean I like to read, or see, in contemporary novels. I pretty much find it insteresting how Robison included the adult situations, but ignore it overall. However, there is more to emotional maturity then sexual relationships, or positions. At least Robinson provides enough character depth & developement to overshadow these unnecessary plot developments. That is where his writing talent really impresses in dealing not with physical strength, but virtuous strength, in terms of acquiring courage, and in some cases, emotional & spiritual growth. Interpersonal relationships between family and friends also play a strong part in the stories as well.

But if you are senstitive to the adult themes maybe the original Starman Archives is your style. There are moments where Harris's & Robinson's modern Starman stories really are the best I have ever read. All though there is alot of art deco, art nouveau, and film noir symbolism throughout their work that allows their style to be respectful of the past. Some of Harris's visual treats could make terrific posters. The inker is especially sensitive to his style. The modern Starman handles the adult themes well in many instances, but they couldve been done even better. If you look at film noir, alot happened that you didnt need to see to help create drama. I am afraid Robinson couldve been more graphic, but he also couldve been less so. For instance issues about adultery(not shown in this particular issue) had wonderful, morally and spiritually uplifting conclusions, with effects that run throughout the Starman series, but he didnot have to show the adulterous act to make us know it happened. For me the resolution was marvelously handled, that it overshadowed what was "shown", however many people might have missed the great ending because of being "shown" too much. "One does not have to see the sin, to learn from it." However, I must restate, Robinson didnt necessarily cross the line of decency, but got right up close to it...even dance over it...to close for me, but still accomplished a great piece of story telling.

No offense meant by my comments, just some thoughtfulness that I think DC should include in its packaging, or on its website. Right now one would think Starman is just like any other comic for kids, when SOME issues, NOT ALL, are more like R rated, G, or even PG.

I hope DC puts out the remaing issues. I believe about 20 more need to be released in tpb.

Yankstar

James Robinson shows his brilliance in crafting vivdly fleshed out characters in his highly entertaining revision of the superhero genre in the 'Starman,' series. This first volume opens up in typical anti-hero fashion with a mortal character reluctantly thrust into the role of superhero and his subsequent struggle to assume such a larger then life identity. While the story and plotting in vol. 1 is decent and perfectly serviceable, the strength of this series is ultimately found in the wonderful character development that takes shape through dozens of chapters. Jack Knight, the hero of this tale, comes across as an everyman with a fascination for kitsch collectibles and pop culture while constantly struggling to find comfort from his transformation to super-being. Good heady stuff without taking itself too seriously.

Almost everyone in comics got the wrong message from "Watchmen" and "The Dark Knight Returns." Rather than learning that superhero comics could be about more than adolescent fantasies they simply embraced the violence of those books and created comics that catered to a darker set of adolescent fantasies than the old Superman or Spiderman comics did. Comics didn't grow up; they just went from being geeks to juvenile delinquents.
I say almost everyone because there are a few notable exceptions where people have written superhero comics for grown ups, or to use Neil Gaiman's words comics that are "about something" (about something other than muscles, spandex, and maiming and killing "evil doers" that is). Kurt Busiek of course, and strangely enough Alan Moore himself are the examples everyone knows about. Unfortunately, James Robinson's work often falls between the cracks, and that is a shame, because "Starman" is a comic that is truly about something.

Aptly enough a good bit of what the comic is about is growing up. Early in the series Knight mocks things like family, duty, and honor, but Jack coming to embrace those things as well as responsibility is the heart of the whole series. Spiderman and Superman are great metaphors for adolescence, "Starman" is a story about coming out of a prolonged adolescence. Jack Knight isn't an obsessed Rorschach or Batman driven by internal demons in a near psychotic quest for vengeance. Rather, he's a self-centered hipster who gets in the superhero racket out of duty, family oligations, and loyalty to his beloved home town.
But really I make it sound all stodgy and positively 19th century Prussian, and it isn't. As well as being about something the series is a lot of fun. Robinson clearly loves all those old guys in tights and all the baggage that goes with them, but in his hands it really isn't baggage. You get explosions, evil plots, crime waves, superhero team ups, and everything you expect in comics, but you get meaning too. On top of that Robinson has a knack for creating characters and enough attention to detail to bring them to life. The O'Dares could have degenerated to Irish-cop stereotypes, the Shade a mere metropolitan killer, or Knight a hipster with superpowers, but none of them did. They all seem like living breathing people, and that's not something you can say for characters on a good many acclaimed television shows.
"Starman" was one of the best comics of the 90's and the best place to start is at the beginning.

This is the first book in Terry Pratchett's Bromeliad Trilogy, and it gets the series started well. It is about a group of nomes who live in a department store--but they have lived there so long that they have forgotten there is a world outside. The only problem is that the store will be demolished in 21 days. It's up to a group of just 8 outside nomes to convince thousands of stubborn people to leave a place they think is the entire universe, then hijack a truck and leave. This book has a perfect blend of humor, mystery, and plot, but the in my opinion the greatest element is the characters. The seemingly emotionless yet somehow smug spaceship computer known only as the Thing provides a touch of science in a world whose inhabitants don't even know what the word "thousand" means. Dorcas del Icatessen, the mad scientist of the nomes, who has complete control over the store elevator system. Angalo de Haberdasheri, who is fanatic about the possibility of life outside the store and has a pet rat named Bobo, and finally Grannie Morkie, the annoyingly apocalyptic nome elder. The final scene, in which hundreds of nomes wielding levers, pullies, and wires manages to hijack a truck and drive it on a chaotic romp through the city, might be one of the cleverest and funniest scenes in the history of fiction. One of the greatest quotes: "Give me a big enough lever, and a firm enough place to stand, and I could move the Store." The next two books in the trilogy are even greater, and do a good job of developing the already marvelous characters.

Pratchett is best known for his off-the-world Discworld yarns, but he also has produced a number of highly engaging, wryly funny, and thoroughly humane novels for younger readers. This one, the first of the "Bromeliad" trilogy, introduces the "nomes," four-inch-high people (well, humanoids) who live on highway medians and under the floors of buildings. They live fast (ten years is a very advanced age for a nome) and humans strike them as slow and stupid. Masklin, in escaping danger in the back of a truck with the last remnants of his tribe, finds himself in the Store -- "Arnold Bros. (est. 1905)" -- where there are thousands of nomes. These are divided into contending tribes by store departments, live a good life in the Food Hall, and worship Arnold Bros. And then he becomes aware that the store is about to be demolished. The strength of the story is Masklin's struggle to convince everyone else of the danger when most of them don't even believe in the existence of Outside, and then to organize an exodus by stealing a truck and learning to operate it. (Think lots of long levers, pulleys, and bits of string.) But the nomes turn out not to be "little people" at all. The nomes' interpretation of the signs they see will give you thoughtful pause, as will their unthinking belief in a nome-centered God in the sky. Or on the top floor. Pratchett fans will enjoy this, regardless of their age.

These books (Truckers, Diggers, and Wings) are a fun romp! Well thought out, well told, with a liberal dose of humor. If you have read any of Terry Pratchett's "Disc World" books, you'll love this light hearted series....

Truckers is the first book of the Bromeliad trilogy (followed by Diggers and Wings).

Masklin and his family are the last ten nomes of their warren, devastated by cold, predators and hunger. Desperately, they set out on a last chance journey and climb up on one of the lorries of the humans.

What they'll soon discover is that this lorry has lead them to the Store of Arnold Bros (est. 1905), the home of thousands of other little nomes who, having never left the Store, think of the Outside as of nothing more than just another fairy tale. The coming of Masklin will be a great upheaval in their quiet lives. And as they learn that the Store is to be demolished, they make plans for their escape.

Although Truckers was originally written for a young audience, it's an enthralling adventure but also a story about understanding other people's ways and helping each other, and no doubt grown-ups will love it too. Because Terry Pratchett's unique sense of humour is lurking round every corner, especially when nomes try to interpret our human world... and what's more to make sense of it!

Terry Pratchett's Bromeliad trilogy is a mix of childlike fantasy and offbeat SF. While the opening book, "Truckers" lags in places and takes quite some time to really get moving, it's imaginative and very funny. Certainly it's a good place to start off with Pratchett's fiction.

Masklin and the other nomes are tiny people who scavenge on the streets, and now there are only a handful of them left. In an act of desperation, they climb into a lorry and ride to... The Store. Also known as Arnold Bros (est. 1905), where a complex civilization of nomes (about two thousand) live in semi-peace and prosperity. They either are dazzled by the idea of "Outside," or insist that the whole world is in Arnold Bros (est. 1905).

Seemingly, everything is fine for Masklin and his friends, especially when the mysterious Thing (a black box that is a spaceship's flight computer) comes to life and tells them more about their history. But suddenly their world is disrupted by the news of "All Things Must Go -- Final Sales." Now the nomes must escape the Store and find yet another place to live.

Tiny people living in a department store? Who are from another planet? That is something that could have bombed easily and hideously. But it doesn't, at least not in "Truckers." Clever plot elements like the sign-based religion (they take "everything under one roof" seriously!) and the department-based clans (Stationari, Corsetri) keep this unlikely plot afloat.

While "Truckers" is a self-contained story in itself, it has plenty of loose threads (mostly involving the Thing and the origins of the nomes) at the end, for the second and third books of the trilogy. The writing has Pratchett's usual sparseness and wit; the only problem is that it takes forever for the nomes to do anything. At least it's a fun slow ride. The wacky truck drive near the end is one of the best parts of the book.

Masklin and his nome band (especially the indefatigable, vaguely frightening Granny) serve as a good window into the nome civilization, since they're learning about it too. The better-off nomes are a bit snottier but eager to explore the Outside. But the Thing steals the show; despite being just a computer, it has a better idea than the nomes what is going on.

"Truckers" will delight fans of Pratchett, but you don't need to be a fan already to enjoy this story. While the plot takes awhile to go anywhere, the quirky characters and wonderful worldbuilding make it worthwhile.

These books (Truckers, Diggers, and Wings) are a fun romp! Well thought out, well told, with a liberal dose of humor. If you have read any of Terry Pratchett's "Disc World" books, you'll love this light hearted series. ... You can purchase them from Amazon.co.uk for ... plus shipping. You might find a few words spelled differently than standard US English but so what?

this is a wonderful book and Terry Pratchett is a wonderful autho

In Truckers, Masklin rescued the other nomes from the store before its demoliton. Then, he led them to a quarry, a place that they could call home. But now, Masklin realizes that the nomes can never really be at home in the human's world, so he sets off to find the airport, and the spaceship that brought the nomes to Earth some 15,000 years ago. But for the nomes left at the quarry, now led by Grimma, things go from bad to worse, and worse still. Where is Masklin, and who will save the nomes?

This book is as funny as the last one. The nomes are so very human, and yet so very different. Plus, the story kept you at the edge of your seat, right up to the surprise finale. What a wonderful book!

This the second book of the Bromeliad trilogy (following Truckers and followed by Wings).

After escaping from the doomed Store of Arnold Bros (est. 1905), the nomes find refuge in a disused quarry. And although life's harder Outside than it was in the Store, after a while everything goes well... until they find out that the quarry is going to be reopened.

At the same time, they also learn that Grandson Richard, 39, an heir to the Arnold Bros (est. 1905) fortune, is going to Florida to watch the launch of his first telecom satellite. To Masklin it's an oportunity to send the Thing back into space where it could contact the Ship which will bring them back HOME. And so he sets out, with Gurder and Angalo, on a trip to the airport.

And as the rest of the nomes are waiting for them to come back, their food reserves are inexorably running out and the humans' presence is starting to be a real nuisance. Are they going to flee and hide or are they going to stand up to them?

As expected, Diggers is brilliant and extremely funny. And again, the confrontation between the nomes' and our view of the world is the source of many of the typically "Pratchettian" puns we've all come to love!

At the end of "TRUCKERS" by Terry Pratchett. Maskerlin and the gnomes of the doomed supermarket floor boards, escaped into the outside world, with Maskerlin driving a lorry carrying the gnomes. After the famous epic, A new adventure has dawned, The Gnomes from the lost supermarket lead by the heroic Maskerlin, make a new home inside the devastated buildings of a old quarry. The Gnomes begin to face a nightmare reality, as things suddenly happen, as their home has rain fall from the Earth's sky, in ice drops and the humans start causing chaos. But the Gnomes as a band of colonists, are brought toghere to protect their new home from humans in the horizon who have the help of a beast named Jekub. This is the best follow-up to Terry Pratchett's Gnome classic "TRUCKERS".

The stories by Anthony Berkeley (Cox) are hard to get. You really have to be patient in order to get your hands on new copies of these books. I received my copy of "The Avenging Chance" from Amazon several days ago and I simply devoured it. This book is probably a great way to become acquainted with this author if you have never read any of his works. I had read one of his short stories in a mystery anthology and it piqued my interest to find more of his work.

The Avenging Chance is one of eight short stories featuring either Roger Sheringham (amateur detective) or Chief Inspector Moresby (professional detective) from Scotland Yard. All of the stories were very interesting reads and gave me a chance to see how the detective uses his particular strengths to solve a case. I especially liked the cases where Sheringham and Moresby collaborated. They are very different characters and form the perfect foil for each other. As Berkeley promised when he founded London's Detection Club, all the clues you need to solve these cases are available to you and it is up to the reader to pick them up and decide whether this is a true or false trail. I found all the stories to be very relaxing and comfortable to read and enjoy. Nothing is too deep, nor is the atmosphere too intense.

This book is also crammed with information. There is a section titled "Concerning Roger Sheringham". It tells the reader all about the lead character, from his birth, childhood, schooling, work history, on into how and why he became interested in amateur sleuthing. I have never seen this feature in a detective book before and I just loved it. It really fleshed out this character and made him seem to be a real person. In the back of the book there is a checklist of all the Sheringham and Moresby mysteries by A.B.C. including their original publication dates. This is where I learned that The Avenging Chance story was eventually fleshed out by Berkeley and titled "The Poisoned Chocloates Case" and the short story "Perfect Alibi" was expanded to become the full length "The Second Shot". All good information for me when I start to search for more books by Anthony Berkeley.

I would definitely recommend this collection of short stories. They are well written and interesting and definitely make you feel like a superior being when you can solve it right along with the detective. Happy reading!

This is a wonderful reminder of detective fiction's golden age. Each of the eight stories is a real treat...don't miss this one!

Readers will appreciate Aitchison's thorough historical and archeological review of the "real" Macbeth. In the second section of the book, he traces the growth of the "myth" (or story) about Macbeth. I found the entire work fascinating.

This is one of the best examples of historical research I've read in a long time. The author thoroughly discusses the pertinent sources, their provinence, accuracy, contemporanety, and biases. Using a variety of these sources he paints a very clear and interesting portrait of both MacBeth and to some extent his queen, for whom there is even scanter evidence. Thereafter Aitchison follows the development of the myths of MacBeth, two of which began in the king's lifetime or shortly thereafter. Because Shakespeare's MacBeth is one of the threads of this mythologizing tradition, he also discusses the manner in which Shakespeare changed the story and for what purposes. Probably the most important aspect of this book is the fact that the author is able to give a balance account of MacBeth. He neither indulges in the condemnation of some authors or the almost unrealistic praise of the appologists, both of whose efforts he evaluates as part of his study of the effects of the myth on modern times. Of considerable interest is the discussion of modern cinimatic recreations of MacBeth, including my favorite, the Japanese version Throne of Blood.

My son has listened to hundreds of books on tape, and this is one of his all-time favorites. A great introduction to Greek literature, very exciting and very, very funny.

I got this tape because I am now homeschooling my son who just turned ten and I like to use a variety of approaches to getting material across. The tape covers the involvement of Odysseus in the Trojan War, from the time that Menelaus marries Helen to the end of the conflict. It is hysterically funny, but at the same time educational. All of the characters have British accents, and there is plenty of "fictionalizing" to make the story more amusing, but the basic historical facts are still intact. The audio (2 tapes) is also long enough that you get a good picture of many of the major players (Achilles, Hector, Paris, etc.), so I think kids will remember more about them. My younger son (age 8) also loved the tape. We listened to it in the car and the boys couldn't wait to hear more. I highly recommend this tape as an adjunct to other studies of Odysseus and the Trojan War, especially for kids around ages 7-12. For younger kids you may need to point out which details are "made up" as a way to make the story more entertaining.

Captain Pampille sucessfuly utilises a narrative in a narrative to use the anthromophosising of animals as objects of love against the inhuman treatment of oppressed people. Based losely on an historical scam, drawing on American adventure stories and French society and art, the named protagonist tale is of Voltairian survival, Queeq sea management, and Ponzi sales. The animals are amusing and attractive. The portrait of abuse, authority, and cruelty devestating. Yet it is written smoothly, with great with an even charm. Hesperus Press should be praised for bringing this unknown gem to print.

This juvenile biography of Jackie Robinson, the man who broke the "color barrier" in baseball, is part of the excellent Journey to Freedom series produced by the African American Library. The story told by Tony De Marco begins with the story of Branch Rickey, who coached the 1904 Ohio Wesleyan University baseball team and watched the team's only black player face discrimination. Rickey vowed to fight racism, setting the stage for the singing of Robinson to a professional contract with the Brooklyn Dodgers half a century later. Students will find out about how, ironically, baseball was probably Robinson's worst sport. In high school and college he lettered in not only baseball but football, basketball and track as well. They will also learn of a famous episode when Robinson was in the army and was court-martialed for refusing to move to the back of a bus. But mostly they will learn about Robinson's distinguished baseball career and his involvement in the civil rights movement after his retirement. However, when students read more adult biographies of Robinson they will discover that this particular volume understates the overt racism that confronted Robinson. I hope that in reading this book, students get an idea of why Jackie Robinson was picked by Branch Rickey to be the first black player in the Major Leagues, because it was as much a question of character and temperament as it was ability on the diamond. For me the two most important sports figures of the 20th-century have always been Babe Ruth and Jackie Robinson; everybody else is on a lower plateau than that pair of iconic figures.