Alan Rickman Books

It was something else to watch and it was another thing to see how the masterpiece was made. The book goes over the characters, how the actors made the role, the music, sets, costumes and has part of the original script. Plus, it gives great insight on Tim Burton and other artists' decisions into developing the scenes, climax, music, and characters.

The thing that makes this book is the pictures. It's hysterical to see a laughing Sweeney sharing a joke with Tim Burton. Plus, you get to see interesting behind the scene shots and the original set and costume designs. I'm very glad I bought this book and I still look at it even though it has been almost half a year since the movie came out. Five stars!

This is the greatest book ever. That is if you liked the movie of SWEENEY TODD! This is a great book for any movie buff. Especially if you like to know how movies are made. Definately worth buying

I have had no problem with the CD it self, and the music is wonderful. It's like reliving the movie every time you listen to it. Every time you listen to the music you find more reason to love the movie.

This soundtrack was amazing! I don't think it is possible for any producer to have done a better job. It has all the songs that are in the movie, and each one is played exactly how it was in the movie as well. My favorite part is how there is some dialogue between the verses and lyrics of the songs. It really is like a quick summary of the movie.
I absolutely love it!

What a great conversation piece to have set out on your coffee table. Very well put together and very interesting. Again, if you are a Johnny Depp or Tim Burton fan it is a must have.

Had the audio tapes from the library and listened so many times I wore it out. Thought the reader was wondeful and will buy it on CD to add to my collection.

I am so glad this has been re-issued on CD. 15 hours of Alan Rickman's voice. Excellent value for money. An ideal gift for any fan of this actor.

As a lover of descriptive, old English this book is a delight. Hardy writes such beautiful prose in describing the wilds of Egdon Heath and its occupants. I have loved Hardy's writing since first reading, 'Far From the Madding Crowd', as he rung my heart for Shepard Oak. How much more would I have enjoyed it if it was read, I can not tell but 'Return of the Native' is so much the richer for being read and heard. It's the difference between enjoying the story and being in the story; walking with the characters across the heath, willing them to take a different path or hoping they tread their way to a beloved or to avoid another. I laughed out loud at poor Christian and cried and the fates of some. Alan Rickman, (I am very biased on anything to do with him and his voice) does a fantastic job in developing these characters into distinct personalities with their own sound and feeling, a truly skilled actor.

Return Of The NativeThe Return of the Native Now the book is on cd and it's a must have. Now that the book is on cd there is no more issues with chewed tape. Mr. Rickman gives the book life and makes any long trip on the road go by fast and eases the mind. Great stuff wish he read more.

Loved this audio book, Mr. Rickman kept my attention from begining to the end of the book. I couldn't stop listening to it even if I wanted to. *Grins*

Most for-sale screenplays are just that -- screenplays. Emma Thompson, who wrote the screenplay for the delightful Jane Austen film "Sense and Sensibility," chose to include journal entries throughout the filming of the movie as well, in addition to the winning entry of a contest to see who could write the best letter from Fanny to Elinor.

There is wit in the descriptions and the photos, all well-captured. The journal entries are entertaining and a good look into the making of a movie. Although be forewarned -- because they dress like the characters of S&S, they do not talk like them. There is definitely some verbal crudeness in the book, men and women alike, but if you can overlook that (or are used to it) then this book will be a delightful read for any Jane Austen fan.

There are three separate parts to this fine volume; introduction, script and diaries. The producer of the film, Lindsay Doran, opens the door for us with her wonderful introduction. At age 13, she was determined that not only was "Jane Austen a very stupid writer," but also she would "never, never read one of her stupid books again."

Fortunately for the rest of the world, Ms. Doran changed her mind, and some twenty-five years after that first erroneous conclusion, has brought us this wonderfully witty, and extremely faithful film version of this first novel by Austen. As producer of the Kenneth Branagh/Emma Thompson film, DEAD AGAIN, she became acquainted with the woman who was not only a phenomenal actress, but also a gifted writer-one with a sense of humor and a strong romantic bent. These two qualities had proven to be the stumbling block over nearly ten years of searching for the right scriptwriter for Sense and Sensibility.

It took nearly seven years to come up with something close to a shooting script, sandwiched as it had to be between Thompson's many award-winning acting chores. Serendipity was obviously at work, however, and eventually, a budget was established, and casting accomplished.

Many of the actors Emma had envisioned in various roles had participated in a read-through the year prior to the filming; they were all in the film, in those same roles.

While the Dashwood ladies are all suitable beautiful, it is the men who are truly gorgeous. ("Repellently so," writes Ms. Thompson in the diary portion, referring to Hugh Grant. "He's much prettier than I am.") With his look-alike Richard Lumsden, they are the brothers Ferrar, Edward and Richard, with Greg Wise as the fickle Willoughby. Alan Rickman (be still my heart!) brings maturity and virility to the role of Colonel Brandon. The sets and costumes are sumptuous.

Interspersed with the actual shooting script and the diaries are some 50 photographs, 36 of them in luscious color. One script looks pretty much like another, but this one allows Ms. Thompson's wry wit to shine, especially in some of the non-spoken words. Of course, not every scene from the book could be included; the movie would have been more than six hours had they been. But the essentials are here, along with all the major characters. Providing testimony to just how perspicacious was the choice of writer is the number of awards garnered by Thompson for this, her first film script.

The diaries portion begin with a production meeting on January 15, 1995 and continue through July 9 of that year. A very small mention is made of Hugh Grant's visit to California, where he'd gone for his next film project after the completion of filming his scenes in England. A final two pages describes the 'location' houses chosen to represent those lived in by the families in the novel.

It may come as somewhat of a surprise to some readers to discover rather explicit language in the diaries. In addition to an apparent fascination with the alimentary process, our Emma has a bit of a potty-mouth, as do some of the gentleman involved, and their words are recorded, one presumes unhappily, all too accurately. They seem curiously jarring and out of place in a book otherwise devoted to the pristine words of Jane Austen.

Nevertheless, this is a lovely, hefty book; one which will bring the reader back to it time and again. There is always a new and enjoyable nugget to be mined from its various depths.

If you read Jane Austen's "Sense and Sensibility" before or after seeing the 1996 film version then I think it is pretty easy to conclude that Emma Thompson's Oscar for Best Screenplay adaptation was richly deserved. After writing and performing a series of short skits for British television, Thompson was approached by producer Lindsay Doran to write the screenplay. Thompson began by dramatizing every scene in the novel, which resulted in 300 hand written pages to be followed by 14 drafts as the 1811 novel was crafted into the final script. The result was a script that manages to be not only romantic and funny, but also romantic and funny in the best Austen sense of both words.

Be aware that this is the Original Script, not to be confused with the Shooting Script. This should be clear as soon as you beginning reading, because originally Thompson had the scene shifting back and forth between Mrs. Dashwood and Elinor/John and Fanny Dashwood (credit for this revision must go, I believe, to Film Editor Tim Squyres, who recut the scene so that we get all of one side and then the other instead of alternating back and forth as in the original script). Overall the strengths of Thompson's script are in two main directions. First, she manages to convey the scope of the novel in a two-hour screenplay, no mean task. Second, the little details she adds to Austen's story are simply marvelous. For example, her use of Shakespeare's Sonnet 116 ("Let me not the marriage of true minds"), which Marianne and Willoughby share to their great mutual delight and which Marianne repeats standing in the rain looking at Willoughby's new estate. In fact, Thompson revised the first scene to make it even better, having Willoughby misquote a key word in an elegant bit of foreshadowing. Thompson also makes one nice little change at the end. While Austen has Elinor bolt from the room to cry outside during the happy ending. Thompson creates a wonderful moment by having her stay in the room and having the rest of her family flee. There are not too many scenes where you are crying and laughing at the same time, but Thompson certainly created one (and has the added virtue of relying on herself as an actress to nail the performance as well). All of these are marvelous examples of playing to the strength of the cinema to bring Austen's novel to the screen.

But we get much more than just the screenplay in this volume, because Thompson includes excerpts from her diaries kept during both the writing of the screenplay and the actual production of the film. It would be nice if there was more insight into what she was thinking when writing the screenplay as I am always interested in how decisions were made and where inspiration comes from, but Thompson makes up for that with her little tales of working with director Ang Lee and the rest of the cast in making the film. Finally, in the Appendices, there is a very choice little treat, namely Imogen Stubbs' Prize-Winning Letter, written to Elinor from Lucy. Do not worry; by the time you read it you will understand why it is so hysterical. There is also a list of the fine homes and estates where "Sense and Sensibility" was filmed if you happen to be roaming around England and are interested in looking for such things.

I truly enjoyed this work by Emma Thompson. Not only is the screenplay included, with pictures, but also there are diary entries by Thompson that give insights into the making of the movie. If you loved this movie, you should read this book. I really enjoyed it.

The screenplay itself is a must-read for anyone wanting an education in bringing a well-loved story to life. Emma Thompson does an ingenius job of crafting scenes that are faithful to Austen's original while inventing more that add character development and plot intrigue. I especially like her diary, though. For those who wonder what to include in a memoir of an experience, this journal is a rich model of self-disclosure and humor. I heartily recommend it!

A nice book with the screenplay of the movie, some photos from the backstage and a very small interview to most of the main characters. For all the people (like me) who have loved this movie and its marvellous all-star cast.

WHAT IT IS
This is one of the best presentations of a script I've purchased in recent months. There's loads of extras in this paperback including some queries with the principle actors, bascstories on characters, cut scenes and storylines, great photos (behind the scenes as well as infront of the camera) and of course, the full screenplay.

WHY I PURCHASED IT
In general this is one of my favorite movies, but I am also an aspiring screenwriter and am currently using this screenplay to assist me with formatting my own intersecting lives in my screen play. It's a relief to see a screenplay with such depth be easily read and translated by enve a novie like me. Love Actually is proof positive that the best screenplays are rewritten, not written. Thank you Richard Curtis!

amazing movie, soundtrack AND book. i love love love it. when i got it i basically flipped out and sat down and read the whole thing through. this is a must have for anyone who loved the movie!

This is a film for people, like myself, who like movies that make them think, but occassionly need a feel-good flick with just enough complication to keep it interesting. I laughed, I cried, I got up on my feet and danced, I clapped my hands and I'm telling everyone I know that Love Actually is, actually, a must see movie!!!! And, so the screenplay is, also, a must read!

Richard Curtis is a genius! Although I haven't seen the movie version yet, Love Actually the screenplay heightened my excitement for the movie. The screenplay will leave readers giddy with excitement, eagerly anticipating the turnout of every character's story.

All characters are very human and everyone is looking for love in different forms, which anyone can easily relate to. Readers will find themselves rooting for all characters. The book is also complemented with photos of the movie and budding scriptwriters can pick up points on how to make a screenplay.

The book is masterfully written and it is a great read for those who are looking for love because, as Hugh Grant's character says in the opening scene, "I've got a sneaking suspicion you'll find that love actually is all around."

Sense and Sensibility is my favorite film of all time and this book is a wonderful companion piece for any fan of the film as well. Emma Thompson's diary of the production is wonderfully witty and interesting. There are also very high quality portraits of the cast and beautiful production shots included in the book. Highly recommended.

Fantastic reading of the book. The first chapter is slow due to detailed writing of scenic attributes but once the plot unfolds it is riveting. It is easy to feel for the characters due to the unbelievable job that Alan Rickman does narrating the story, He has the proper voice inflections for each character to really project the appropriate emotions meant by the author. I have listened to book narrations before that have failed miserably at that important aspect and subsequently ruined the experience. Rickman is a master at it. Although it is fairly long, it did not detract at all as I listened to it on the way to work each day. I actually found myself wishing it were longer! I would highly recommend "reading" this via the audio book.

Get the CD version just out .
When I had to read this book in High School I found it excruciatingly BORING. But Alan Rickman did such a good job, now I think this story is BETTER than Wuthering Heights.

From AudioFile
" The suffering that follows is mitigated somewhat by the ending, but more by the mastery of Alan Rickman's reading. At the start, Rickman senses the voice for each character in Hardy's fictional world, and he maintains each character's personality throughout. He even manages to project Hardy's subtle shadings of tone with the rhythm and tempo of his narration, throwing in a song here and there because, in spite of his gloom, there is a festive strain to Hardy, as well. If you have a hard time reading this classic English writer, this is how to do it. "P.E.F. (c) AudioFile, Portland, Maine.
Yes and he can even do the womens voices without doing falsetto ! Rickman won the Best Talking Book or Talkie thing for this and deservedly so.
I enjoy talking books and often use them as I drive long distances and this is the best one I have heard so far. I hope Alan Rickman , or another English actor, reads some more Thomas Hardy books for us in future.

Hardy is very good at descriptions. The language he uses makes the people and scenery come alive. While this is true I personally feel that I would have preferred to read other books over this one. A good book but nothing special.

This book has been taught in lit classes for years excellent but sad book.
Michael B Vye

First, let me confess that I bought this because I am a fan of Alan Rickman's wonderfully rich, mellifluous baritone and the idea of spending hours listening to him read one of the classics of English literature is was absolute heaven to me. And, I can honestly say, I was not disappointed; the recording is absolutely brilliant.

Using ever nuance and range of his distinctive Rickmans each character that poulates Egdon Heath his or her own distinctive voice and cosistantly applies it throughout from the beginning to the end of the story. When he reads the description of the wild and desolate heath, Rickman's voice turns Hardy' prose into sublime poetry.

I think that this book has the ability to capture a person's attention on an emotional level as well as a political one. Rachel Corrie was a very profound writer, even as a teenager. In this book you get to experience her life the way that she did. She was a very special person and you can see that as you read this book. It was a tragedy the way she died, and I think that this book kind of does her memory some justice.

This is a tough review to write.

As to the book, it deserves five stars.

But as to Rachel Corrie, who was an American member of the International Solidarity Movement (ISM) who traveled to the Gaza Strip during the Al-Aqsa Intifada, she brought about her own death when she was defending the wrong side.

The Al-Aqsa Intifada was started by Yasir Arafat when he refused to take the 99% of the West Bank that Ehud Barak offered him.

Arafat had to start the Al-Aqsa Intifada because if he did not, people would comes to terms with his own incompetence, arrogance, and greed. Which has all been documented since.

First off, Fatah, Hama and others, who Rachel defended, besides being anti-Israel, are anti-American.

Second off, these two organizations have killed innocent people, including many Americans.

For Rachel Corrie to defend these people is criminal at best, immoral at worst. Rather than defending terrorists, Rachel should have been defending the innocent Israelis.

She was killed when she tried to obstruct an Israel Defense Forces (IDF) Caterpillar D9 armoured bulldozer operating in Hai as-Salam, a Palestinian area of Rafah, close to the border with Egypt, an area the IDF had designated a security zone.

Why was the bulldozer there? For security operations designed to uncover the network of smuggling tunnels connecting Egypt to the Palestinian side of Rafah - tunnels used by Hamas and other groups for smuggling weapons from Egypt in Gaza strip.

Let's see, illegal weapons are imported to kill innocents and Corrie wants to defend such people?

She brought about her own death.

Rachel Corrie was a beautiful person with a good heart. She was also misguided. That mistake took her life.

This is a sad tale about a good heart, who defended evil people.

She stood with a bullhorn and a bright orange vest in front of a doctor's home protecting the children who lived there, unarmed.

The invader's armoured tank kept on coming, hitting her, and backing up over her to make certain she was dead.

But she wasn't. Her spine snapped, she died painfully hours later as she was stopped at the invader's "security" checkpoint.

As any decent human being she stood unarmed and defenseless to protect children's ancient homes from destruction and land grab, even to the ultimate consequences. Such morality and courage is very rare today and shines in such great fellow American heroes as Jean Donovan, Sister Ita Ford, Sister Maura Clark and Sister Dorothy Kazel.

But they were in the last millenium, raped and murdered by other US allies and organs. Rachel is now, a hero for our new millenium. Our only American hero.

Please read her words and weep, not for her, but for all the children who loses homes and lives to faceless, relentless immoral military aggression.

I read a lot of political websites and was very familiar with the story behind this book when I decided to catch the play at the Minetta Lane Theater.

What surprised me about this book was the quality of Corrie's writing itself. A lot of Corrie's detractors hate her passionately because of their support for Israel's policy against the Palestinians in Gaza but they should give this book a closer look.

"My Name is Rachel Corrie" is not strictly a piece of anti-Israel agit prop, although it is certainly that. It's also a very personal story of an American confronting the effect of her government's foreign policy in a part of the world most of us will never see, an emotional travelogue to the heart of the darkness of the American Empire.

Nobody, of course, would compare Rachel Corrie to Joseph Conrad (who hadn't even learned English by the age of 23). But the process of exploring the self by traveling to the margins of the empire is the same. Corrie feels a sense of dread and purposelessness in Olympia (a first world city, one of those "whited sepulchers" Conrad mentions) that becomes more and more urgent after 9/11 so she decides to travel to the Gaza Strip and become a partisan for one group of people the American and Israeli governments would simply like to see disappear.

To argue that she should have become an objective witness instead of an openly partisan activist is to miss the point. An objective witness stands above the people stuck in a war zone (think of Eddie Adam's famous photo of the VC guerilla being executed) and this wouldn't have allowed her to confront the power relationship that exists between Americans and people like the Palestinians. By getting involved, she was able to free that part of herself that all Americans feel closed off to by our hostile relation to the rest of the world.

And the remarkable thing is that she was quite aware of this. Compare the surrealistic little vignette about her time as a volunteer at a mental health center where she's accused by her clients of putting herself above them to the way the older Palestinian woman argues against taking money from rich Americans. "We're not a hotel." Rachel Corrie struggles to let these people speak for themselves, even while she's using them to explore herself.

In other words, even if you're opposed to Corrie's politics, this book is still worth reading. Maybe the writing itself should get 3.5 stars. But I gave it 5 simply because I was touched by the fact that this book allowed so villified a woman to speak for herself from beyond the grave.

This young lady brutally murdered by an Israeli soldier, was very aware of what was truly going on in "The Palestinian Holocaust" that still is ongoing today. This book is a book of a true "American Hero." Her heroic death must not be in vain, but give courage to all to stand up to the racist atrocities being perpetrated in the world today. The brutal savagery and humiliation against the women, children and men of Palestine is one such, present day "Holocaust." Rachel Corrie had incredible foresight for someone so young. Her cause is now proven and backed by some of the greatest human beings and scholars on this earth: Former President Jimmy Carter has gotten the same message Rachel was getting out to the world in his present best-seller: "Palestine: Peace Not Apartheid." In another new best-seller "THE ISRAEL LOBBY, AND U.S. FOREIGN POLICY," by John J. Mearsheimer (of U. of Chicago) and Stephan M. Walt (Harvard), clearly shared young Rachel's view that the savage and horrific treatment of the Palestinian People and "their" lands, was not good for Palestinians, Israeli's, and Especially for America's Safety and Reputation to the World. The list seems endless, especially today, proving and backing Rachel's heroic mission. May she rest in peace. Her parents must be so proud that Rachel tried to help the oppressed and brutally occupied people of Palestine. Rachel Corrie, be proud as your message of justice is being carried on by the great authors mentioned and many more.

Just something to think about readers: Be careful or take great caution with amateur reviews that try to distort Rachel's pure and humane message. Whose words do you give more weight to, a reckless, insensitive, amateur reviewer, or some of the notable icons and scholars mentioned. Yes, everyone is entitled to an opinion,(that's what makes AMAZON the best) but some spend years researching specialty topics and are more up to speed - weigh everything. Do Former President, and probably todays greatest humanitarian, Jimmy Carter's words have weight and substance? What about other great and acclaimed scholars such as Professor John J. Mearsheimer, who is the Wendell Harrison Distinguished Service Professor of Political Science and the co-director of the Program on International Security Policy at the Univ. of Chicago. Add, Professor Stephen M. Walt, who is the Robert and Renee Belfer Professor of International Affairs at the John F. Kennedy School of Government at Harvard. Who do you believe? I leave that rhetorical question to you.

Rachel Corrie and her beautiful messages in her writings, this book, and her heroic and tragic death keep her lagacy and message of justice alive. Now, more than ever, notable people and scholarly authors are writing an array of necessary books supporting Rachels cause and, important message. A message that, finally, is getting to Americans,i.e., The horrific plight of the Palestinian peoples. Rachel, the world will not forget that you died for the justice of the Palestinians. Rachel's life should be a academic course in and of itself. Rachel was a true martyr. Read Rachel and be inspired and moved forever....

I bought my copy on Ebay despite having read the terrible reviews - and it really is awful. There is too much of the author and her opinions and not nearly enough about the subject. I was left wondering if she had watched the films she covers - which don't include any of the Harry Potter films (back up Snape fans), Love actually or Snowcake, as the book was written before then.

I wish I had just bought another DVD or a back copy of a magazine with a genuine AR interview.

If you are truly a fan of Alan Rickman's -- or just interested in him as a wonderful actor -- run, don't walk, AWAY from this offensive drivel!

I am not even going to dignify this tripe with a lengthy review...even a NEGATIVE one (and, if you haven't guessed by now, this IS a negative review). If, indeed, the man is to have an unauthorized biography, let it be worthy of him, and not this nonsense.

The reason there is no input from the man himself is because he hates this book. For the Harry Potter fans, I think this book levels with the writings of Rita Skeeter. Wikipedia has a better bio than this book.

Mr. Rickman himself said that he didn't support the book. For people who adore this actor as I do don't buy it!

Alright Rickmaniacs, I found this book in the seat compartment of a BA flight from LAX to London and let me tell you, now I know why someone left this book behind.
Paton's idea's about Rickman are highly questioned and considering who she used as resources, that does not surprise me.
The style of Paton's writing is Chaotic at best, and was difficult to follow.
If you want to read this book, find a copy to borrow and buy an AR Dvd or CD instead.