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Fellow play readers say that this is one of the best plays they ever read. It made them weep, it changed their lives, it is the only the play they've ever loved. You can't argue with that. I have read this play several times myself, but for me it is a play that works but it does not work wonders. I am a great admirer of the Mel Brooks, Wood Allen, Neil Simon school of comedy. There should be a plaque on the Cross Bronx Highway alerting people that they are approaching the stomping grounds of America's greatest comedic generation. Of course, we know that it was the depression that incubated this batch of comedic geniuses. Simon, more so than the others, has mined this era, tapping his memories of love without any trace of irony or insight. His is one big sloppy family kiss on the forehead. Still his memories clearly are those of millions, and what seems corny and undramatic to one reader clearly has the power to bring others to tears. All the power to you, Mr. Simon.

I remember watching the movie version of Neil Simon's "Brighton Beach Memoirs" years back and thought it was fantastic. Now, years later, I decided to pick up the play and read it.

As usual with the written version, there is quite a bit more detail in the play. Eugene is the story's main character, and while his family struggles with all sorts of family issues. His brother Stanley comes to him with his dilemma about possibly being fired from his job. His cousin Nora, her sister and her aunt Blanche all live with the Jerome family in their Brooklyn home. Eugene's main concern is dealing with the rigors of growing up--and winning the World Series for the Yankees. His character really comes out in the play; there is the sense of witty spirit that he has in dealing with his family and his own problems. Another great aspect of the play is the sense of family spirit it evokes, especially in troubled times, and you see that in the final act when Eugene's dad is able to talk some sense into his wife and her sister, but Stanley as well.

Neil Simon's ability to create funny and memorable characters and a story that is both insightful and humorous makes this a fantastic read. It is easy to see how this play got adapted into a full length film. This play is the first in a series of three plays covering the life of Eugene Jerome.

If you enjoyed this book, another great movie or book to check out is Biloxi Blues, which is the second installment of this series. If you watch the film, it stars Matthew Broderick as Eugene, and narrates his exploits as he goes into the military.

Easy reading, but also very meaningful for the family.

"Brighton Beach Memoirs" by Neil Simon is just superb! I saw the movie before reading this play, and I love it, so I knew I would at least like the play. I *love* the play; it's become one of my favorites. I fell in love with all of the characters and just adore the feeling of family that comes through while reading it. With witty dialogue (that can truly be appreciated my by people of the Jewish faith), I couldn't stop laughing, smiling, and just enjoying myself. I recommend.

The first of his three semi-autobiographical plays about the "Jerome" family, Neil Simon's BRIGHTON BEACH MEMOIRS takes place in Brooklyn, New York toward the end of the Great Depression. Fourteen-year-old Eugene Morris Jerome (Simon's alter ego) is the protagonist and narrator of the play. Struggling to find his niche among his large, extended family, Eugene writes his own witty observations about them in his journal, sharing them with us as he does so. Yet the focus of the conflict is on the older family members (including Eugene's parents, Kate and Jack; his brother, Stanley; his cousin Nora; and his widowed Aunt Blanche), all of whom struggle daily to make ends meet. Though a comedy, BRIGHTON BEACH MEMOIRS asks a serious question, one posed in earlier eras by playwrights like Clifford Odets and Arthur Miller: that is, how can one preserve one's morals and integrity in difficult economic times, when it is all one can do just to put food on the table? BRIGHTON BEACH MEMOIRS is an affectionate though often painful family comedy; in it, Simon establishes characters for his two later "Jerome" plays, BILOXI BLUES and BROADWAY BOUND, while anticipating the impending WWII era, the setting for the former title.

Brighton Beach Memoirs is a play about a fourteen-year-old boy growing up in 1937. The boy's name is Eugene Jerome. The play is divided into two acts. The first act is one night in Eugene's house. The second act is a week later in his house. Eugene is growing up in a hectic and eventful household of seven family members. He writes memoirs in his journal about his family and different events occurring in his life. During the play, Eugene share's his own personal thoughts with the audience. This really gives the audience an inside look on Eugene's life. I reall liked having this inside view. It really kept me into the book. Brighton Beach Memoirs was a real page turner. I highly recommend it!

This is a perfect training book. The way it is writen keeps my two year old interested. She even knows the song now. It doesn't recommend rewards or any odd words that you may not want to have your child use for pee and poo. It talks about wanting to be older and do what the big kids do...use the potty. Buy it, you will enjoy this book. Recommended for girls because of Miss Piggy...it's too bad that they didn't do one with Kermit.

this book is the best potty training book available to kids. i used this book 11 years ago when i was getting potty trained. and now the child next door that i help babysit is using the book. i loved this book. and so does Lauren (the child next door). every child should get the expierence of reading this book for potty training.

My child loves this book. I must read it to her six or seven times a day. She sings along to the song with a row row row your boat melody. When my girlfriend or myself are not reading this book to her she attempts to sing the song anyways. My daughter can relate to the troubles of not being able to have her diaper changed exactly when needed and the inconvenience of having it changed so frequently. We have a toilet for her and when the book says hello potty she goes over to it and waves. It is the cutest thing ever! Without this book I think we would be miles away from potty training my beautiful baby girl.

When my youngest sister turned 3, she wanted to learn how to use the potty. I got this book at our local library and it really helped her learn to use the potty and wear underpants. This is a great book to teach your child to go potty. Get this book at your local library or bookstore and teach your child what it feels like to use the potty.

my child is now proud of wearing diapers. the first line in the book is --Do you wear diapers?-- my kid laughs and says yes and pats his diaper. He doesn't relate to her dislike of diaper rash or having to sit in it when mommy doesn't have time to change it. Also this book talks about diaper pins and tape which is outdated even for cloth diaper users. So this book has had the opposite effect by no error of the writers; I didn't expect that reaction when i bought it! Really is probably a decent book for every other child in the world

This book is filled with pictures and information about each main actor as well as notes about the film. Very entertaining and fun to read.

This soundtrack is so amazing! Harry Greggson-Williams has the remarkable ability to write music that reminds you of just what was happening at each part of the film: Caspian's escape from the castle, the children discovering their old treasure room, the incredible castle raid, and so much more. This soundtrack has it all: the music is adventurous, dreamy, wistful, powerful, awesome, inspiring! I always considered the first soundtrack to be spectacular and this one is no different. I would recommend this soundtrack to all Narnia lovers out there. Even if you weren't all that wild about the film, the music still has the ability to transport you to another place. Allow yourself to be swept away into the world of Narnia! You won't regret it :).

The Chronicles of Narnia: Prince Caspian: The Official Illustrated Movie Companion helped in preparing me for the movie. I enjoyed the first movie and couldn't wait to see how the Pevensie children had grown (I mean the young actors and actresses who played them, of coure). I'm fascinated in the behind the scene information on movies like this one and to learn more about what went on before seeing the movie made it more enjoyable after finally seeing it. Knowing that more of the same will be added to the DVD, I can't wait to buy it.

How many times have you watched a movie and then asked yourself, "How did they do it?" Filmmaking can seem like a mystical task to the average movie viewer. What flies by in two hours on the screen could have taken two years to produce. While we were raving about The Lion, the Witch, and the Wardrobe in 2005, Director Andrew Adamson, Producer Mark Johnson and their vast team were already hard at work on its sequel, Prince Caspian. And author Ernie Malike had probably already started writing this book, a look at the making of Prince Caspian.

If you read the official movie companion for the The Lion, the Witch and the Wardrobe you have an idea of the visual and textual delight awaiting you in the companion book for the latest Narnia movie. Think of it as a 4 disc DVD collector's edition, only on paper. Which is better in many ways. You can take your time reading and feasting your eyes on the behind-the-scenes and on-the-set photos. Between the leaves are the nuts and bolts of making installment #2 of perhaps the largest movie franchise ever.

Kicking things off is a Foreword written by Andrew Adamson, Douglas Gresham (step-son of C.S. Lewis), and Mark Johnson that whets your appetite for the meat to come. And then we're off! Chapter One, titled "The Journey", sets the scene and explains Adamson's approach. "This time out," Adamson says, "I wanted to do it better."

For those unfamiliar with C.S. Lewis' book Prince Caspian (first published in 1951), Malik summarizes the story and includes numerous movie stills. The "Chronicles of the Chronicles" sidebar takes on the question, "Is Prince Caspian Book Two or Book Four?" of the series, a sticky wicket for some. So far the movies have followed the "by publication" route thus far to take advantage of the natural aging of the actors playing the Pevensie children.

Next we're shown what exactly goes into a screenplay, storyboarding, and previsualization. We also tackle the schedule, editing, and much more. Then we embark on an exhaustive trip through the beautiful locations of the film. From New Zealand to Poland to the Czech Republic, we learn of the difficulties filming outdoors and of the nasty critters who haunted the crew (snakes, ticks, sand flies, etc.).

All of the sections are fascinating, but I'll bet most of us will find "The Cast" chapter the most entertaining. How have the actors who played the Pevensies grown up? What have they been doing between films? Here many of our questions are answered. William Mosley (Peter) talks about his chance to do some of his own stunts and how he particularly relates to his character in Prince Caspian. Anna Popplewell (Susan) is now a freshman at Oxford's Magdalen College, the same college at which C.S. Lewis spent much of his career. "When I picked that college, I didn't know that," Anna says.

Skandar Keynes (Edmund), now 16, has grown probably the most notably of the cast physically, though he apparently hasn't lost his youthful, daredevil ways. And twelve-year-old Georgie Henley (Lucy) comes across as inquisitive as ever, but she hasn't let fame taint her sweet spirit.

We're given an inside look into the selection of Ben Barnes as Prince Caspian, as well as the film's two dwarf stars Trumpkin (Peter Dinklage) and Nikabrik (Warwick Davis). Ironically, Davis already had ties to Narnia. He played Reepicheep and Glimfeather the Owl in the BBC productions of Prince Caspian and The Silver Chair.

Really, I could go on and on here about the cast, but it's important to note that much time is given to the building of the sets, the armor, and how the musical score was created. Not to mention the vast special effects which exceed those of the first movie. Narnia afficionados will probably wonder the most about the gallant mouse, Reepicheep. Apparently much care was taken with his character. Because he's over a foot tall, they didn't want him to look like a rat. They also had serious difficulties finding the proper person to "voice" the creature. The final product is something all seem happy with. We'll see when opening day comes around May 16th.

Profusely illustrated, this movie companion can be read either before or after watching the movie. If you read it before, you'll find yourself on the edge of your seat in anticipation. If you read it after, you'll know exactly what they're referring to when they reference scenes. I read this one before, but I read its predecessor after. Both ways have their merits.

As Ben Barnes says in the Afterword, "Every day on set uncovered fresh challenges working with our one-thousand-strong crew guided by Andrew Adamson. The talent, focus, enthusiasm, and kindness of everyone I met was truly overwhelming." After reading this companion you'll feel the same way. Further up and further in, Narnia fans! This book is a keeper.

--Reviewed by C.J. Darlington for TitleTrakk

My family loves these Illustrated Movie Companion guides. We have this, the Lion, Witch & the Wardrobe, and the guides for the entire Lord of the Rings series.

We're huge fans of the Narnia books and movie franchise, so this book is a must have in our household. It has so much to offer - pages and pages of behind the scenes information relating to the characters, actors, crew, locations, costumes, armor, creatures, and so much more!! There are also loads of beautiful, glossy pictures.

I highly recommend this book to everyone who enjoys the Narnia books/movies, fantasy films or a simply movie buffs. It is a fun and insightful read, and is appropriate for readers of all ages.

This was a lot of fun for getting down into the intricacies of some of the sketches. You catch things that make you laugh at the memory of watching them.

I've seen "Monty Python's Flying Circus" so many times that I can recite long stretches of it. But those guys are always using weird accents and manic deliveries ("My neeples explode with delight!"), and sometimes they're hard to understad.

Fortunately for those times, Python fans have "The Complete Monty Python's Flying Circus: All the Words," a series from the second half of the classic comedy skit show. These are only trascripts (a bit lacking in details), but still enormous fun and full of delightfully quotable lines ("And now my lords, my ladies... your LUPINS!").

It opes with the weird "Conquistador Coffee" sketch, in which a boss berates his employee for changing the brand's name to Conquistador Instant Leprosy. ("The tingling fresh coffee that brings you exciting new cholera, mange, dropsy, the clap, hard pad, and athlete's foot." "It was a soft sell, sir.")

And then it contains plenty of others: the cheese shop with no cheese, films with giant teeth, spam spam spam, cannibal undertakers, Njorl's it's-not-that-terrible saga, the BBC's financial troubles, the Money Programme, the pantomime horse, hairdressers climbing Everest, the war against pornography, Gumbys, Dennis Moore, kamikaze highlanders, and the golden age of ballooning ("I am so excited I can hardly wash!").

The dialogue to each one is carefully outlined, with each character identified as being played by one of the guys (like "Interviewer (JOHN)"), although we usually don't get to hear much about Terry Gilliam's mad animations. Most of these episodes are one long continuing sketch that spills from one scenario to the next, but occasionally we'll have different ones patched together.

These guys had a rare, crazy talent -- these sketches are crammed with glorious dialogue ("Drop your panties, Sir William. I cannot wait till lunchtime") and bizarre insults ("you cloth-eared heap of anteater's catarrh"). Not much description of the action in places, although in a few we get plenty of detail when it's called for (such as the weirdness convention).

The problem is that this should only be read after you've seen the series. If you don't, it all seems like a befuddling string of of stream-of-consciousness comedy numbers, full of in-jokes and surreal twists. You have a better chance of finding Ilchester in a cheese shop than understanding this without seeing the skits first.

In case you couldn't understand what Eric Idle was bibbling in one episode, or John Cleese was screaming in another, "The Complete Monty Python's Flying Circus: All the Words Volume 2" will tell you what is going on. No time to lose!

This item was purchased for my daughter and she absolutely loved it. It was received in good order and in a timely manner

The Complete Monty Python's Flying Circus: All the Words, Volume 2 is the second half of a set containing the scripts of the entire series (45 episodes). This book, volume 2, contains scripts for episode 24: "How not to be seen" through episode 45: "Party Political Broadcast". This book is more fun than an endless supply of "lupins". Both volumes make great companions to the MPFC video/dvd collection ("There you go, can't be bad.") and also unlike the DVDs, there are no edits, these are the original words. So that horrible "m" word that Graham said in episode 31: "The All England Summarize Proust Competition" is in this book. Enjoy!

Yours etc., Brigadier Mainwaring Smith Smith Smith etc., Deceased etc.

FYI-This is the same as the review of Volume 1. There was no real sense in distinguishing the two.

As a fan of MPFC since it first aired on PBS in 1973, these two volumes sort of put a cap on a 30 year fascination with the team. Maybe like me, you've watched every Python-Marathon or taped every show, but having these scripts really is the icing on the cake.

What's striking to me is the simplicity of the scripts. When you watch the episodes, the gags seem so complicated. Then to see The Dead Parrot sketch reduced to just a few pages, you realize how brilliant those guys were in terms of compression, and in terms of acting. An added plus, for me at least, was to finally see the words and phrases that I never quite "got" because they were unique to British English. From there, I logged on to a few websites on British slang and, boy, I realized what MPFC got away with...some of it was pretty raunchy. Anyway, this is two-volume set is priceless for any fan.

Anyone born between 1955 and 1970 HAS GOT TO SEE Dazed and Confused.

And this book adds to the fun. Plenty of real live Mad Magazine stuff, real live ads from the time period, with a bunch of side splittingly funny made up stuff based on the characters from DAC. Enjoyed the heck out of this book. Just wish it was longer so my trip through memory lane could go on another hour or so.

Great stuff! Where's Wooderson today, by the way?

It was in a fit of Dazed And Confused mania that I purchased Richard Linklater's tie-in book to his cult classic 70s adolescence movie several years ago. At the time I basically flipped through the book and then put it aside. Until earlier today when I was going through a stack of old college texts I was planning on getting rid of and wonder of wonders came across this one mixed in among them for some reason. So I decided to take a refresher course in 70s stoner adolescence and then offer up my take on it.

What I especially liked about Dazed And Confused the movie was the way Linklater managed to sneak in some profound truths about life amidst the nostalgia. In the book, the most profound and honest part is Linklater's introduction where he writes: "Let's face it, no matter where you live no matter at what time high school is a light prison sentence to be served. Once paroled, you don't look back".

From that point on, any social observation basically goes out the window as we are treated to a crash course in all things 70s as well as stuff related to the movie itself. All of the major characters are profiled and there are excerpts of a yearbook page from the high school they attend. Although it might seem redundant to most people, die hard fans of the film should enjoy it. Pick up a copy! Also recommended -------> The Losers Club by Richard Perez, an offbeat small press novel that you will truly dig. Like far out!

ATENTION ALL D&C FANS: IF YOU DO NOT GO OUT AND GET THIS BOOK RIGHT NOW, YOU WILL NEVER KNOW THE WHOLE STORY! This book has everything, from Clint's favorite colored muscle T-shirt to Benny's beer limit. It is definantly a must for not only Dazed fans, but to any fans of the seventies!

Dazed & Confused is a classic movie about the day in the life of high schoolers in a small Texas town on last day of school in 1976. This book that is a companion to the movie is just like the movie itself: funny. Designed as part high school yearbook, part 70's era teen magazine, it is a nostalgia filled, quick and enjoyable read. There are tons of pictures (the yearbook pictures of the cast are great) and everyone of the major cast member contributes an "article" to the book. If you are a fan of the movie, then this book is a must for your collection.

Let me just start by saying that I just bought this book no more than an hour ago. As soon as I got home I picked it up and didn't put it down forr the next hour. As a huge "Dazed and Confused" fan, I was extremely happy when I saw that there was a book to go along with the movie. But the book is not just about the movie. It starts out with a great introduction by the director and writer Richard Linklater. In this intro he explains the time period, the pros and cons of the 70's, and where the idea for the movie came from. Also in the book are synopsis's of all the basic charactar (the best is Clints, the guy who beats up the nerd). This book doesn't just follow along with the movie, it is an explanation of the 1970's, I enjoyed it considering I wasn't alive yet. So if you are a hardcore fan of "Dazed and Confused" or a collector of 70's memorobilia, than you need this book.

Our 3 y.o. daughter is obsessed with the movie 'Cars'. One night on a shopping trip I brought this book home on a whim. Not a single bedtime has gone by since without reading this book. She loves it so much that she wants desperately to learn to read it for herself. She even recognized the word 'McQueen' repeated throughout the book and reads that word on her own now. The book is already well loved and dog eared but standing up to it all.

The pictures in the book are hand-drawn and give a high-level overview of the story. It skips many of the details in the movie but my daughter doesn't seem to care very much about accuracy, detail or that it looks different than what's in the movie.

We've read hundred of books to her but none have sparked her interest quite like this. I don't know if it's timing because she's getting older or the tie-in with the movie. I don't care even if it seems over-commercialized. Whatever keeps her interested in reading is what counts. I'll surely be buying more books in the series.

Arrived ahead of time for Christmas. Purchased as a Christmas present for my grandson. He carried this book around all night. He loved it. thank you Amazon.

the step into reading books are excellent for young ones....the cars book is cute..good for new readers!!

both my children and found this book to be a delight and very
fun to read. also the pictures were very colorful.
thanks,

debbie pollitt

My four year old really enjoys this book. I wouldn't recommend it older kids though.

I purchased this as a gift for my husband, but he has remarked at what a good collection of stories have been put together about John Wayne. This is coming from someone who has a pretty substantial collection of his movies.

Almost like a brief history of the era and new insights into how those movies were made. Enjoyed the ancedotes of fellow artists.

One of the reasons Wayne was so popular was that he symbolized everything America wanted to be; strong ,brave,loyal,savvy and honest.His character was a fighter who never backed down when he knew he was right. He was a role model to millions, his screen actions were a roadmap to manhood. That was John Wayne,Icon.
But there was another side to Wayne. He was a real man,flesh and blood, and he had real thoughts and feelings,strengths and weaknesses. He was as brave as his larger-than-life screen persona in his real life,such as in the way he faced up to cancer, and very very human.This is John Wayne,the Man.
This book does an excellent job of showing both sides of the John Wayne coin,Man and Icon. It does it with stories told by people who really knew him. After reading this book you actually feel like you've had a bull session with Duke's friends and co-workers. It's got a very amiable feel to it.
The book also reminds me of Studs Terkel's books. Studs would just turn on a tape recorder and let his subjects pour their hearts out. The author here uses a similar approach. Each story is like a piece of a jigsaw puzzle and at the end of the book you can put all the pieces together to get a clear picture of the Duke.
After I finished reading, I wished I had known him too.

With John Wayne's 100th birth date coming up I started looking for books on him that I have not read. This book is very enjoyable reading. You learn alot about the man from his fellow co-workers and friends. I would recommend this one to any one.

I am a huge fan and relative of Herb's writings. He has a true gift for the written word and I have enjoyed all of his books. Herb, my prayers and thoughts are with you during these very trying times. I am thinking of you incessantly and the entire family prays for you daily. Godspeed.

If you like giant monster movies, and want to know more about how they were made, this book is for you. Not many photos of the monsters (there are other books out there for that) but there are behind the scenes photos. Learn the biographies of the men who made films you still love after all these years. Not much has been published in the West about them, but here it is! Well written and laid out. 2 page essays about certain film makers by noted Western Kaiju lovers. Worth the price, and thankful that it was printed.

This is a wonderful coffee-table size book that contains beautiful photos and interesting commentary. If you are a fan of Godzilla and/or Eiji Tsuburaya this is the book to get!

This book is a meticulous, thoughtful, well-written, and beautifully laid-out tribute to a true master of special effects. It is a fascinating look, not only into Tsuburaya's life and career, but also the way the film industry works in Japan. An interesting read for non-fans; a must-have for fans of the genre.

Phenomenal book. Great quality, design, and content. If you have any remote appreciation for this kind of film making and monster design, this book is an absolute love letter... A must have!

Tsuburaya Eiji was the Japanese special effects director who was behind so many monster movies that came out from Japan during the 1950s and 1960s. This is a pictorial biography of Tsuburaya Eiji that proves to be very well written and informative. I found the book to be rather insightful as the author included inserts written by men who worked with or worked under Tsuburaya Eiji during his career. The book also comes well illustrated with photographs and movie posters on almost every page as it traces the life and time of Tsuburaya Eiji's career. It was interesting to note that during World War II, he made a movie made from miniatures that showed the attack on Pearl Harbor. It was so realistic that during the initial post war period, Americans thought it was the real thing. Tsuburaya Eiji was also the man who made Godzilla what he was and creator of the Ultraman series that is still going on to this day.

Overall, this book is definitely worth your time and money to read over and treasure. Tsuburaya Eiji is one of the great pioneers of motion picture industry regarding special effects and his influence help shape this industry to this day. His influence in the science fiction genre will remains pretty strong as monster movies like Cloverfield still hit our theaters and on DVD to this day. The book strongly reflects the heydays of Japanese monster movie era history and it will remind many of us, the fun and wonder these movies brought us during our younger days. And it will inform otherwise misinformed that there is more to these movies then just a "guy in the monster suit" concept.

(And yes, I am writing the subject's name in Japanese style...sur name first always...Tsuburaya Eiji is the way you would address him if he was still alive today...as you would with any Japanese national.)

THIS IS ONE OF THE MOST BEAUTIFULLY COLLECTED PHOTOGRAPHS TAKEN OF MISS MONROE AT HER VERY EARLY CAREER. A TIME WHERE IT WAS PRIOR TO HER "HOW TO MARRY A MILLIONAIRE" AND "GENTLEMEN PREFER BLONDES" SUCCESS, WHICH LAUNCHED HER TO ETERNAL STARDOM. THIS IS A "MUST" FOR ALL MARILYN MONROE AFFICIONADOS. IT IS TRULY A BEAUTIFUL BOOK THAT I ENJOY READING AND REVIEWING MANY TIMES OVER.

'Niagra' is known for the movie that made Marilyn Monroe a star, and this book shows every moment of her life during the filming. As a true Monroe fan, I'm more interested in the casual candid photos of her more so than the made-up studio photography. My favorite photos of her in the book are the pictures taken of her while she was learning how to smoke a cigarette for the film. She had never smoked before and had to look like a natural within a few hours. These are photos you wouldn't see on a billboard or in a magazine. They show her true nature. They show her being a real person, vulnerable and timid.

Wonderful, oversized hardcover book with lots of black and white images of Marilyn while at Niagara Falls, shooting her first mayor movie "Niagara" in '52. I enjoy all the photographs, my favorites are where Marilyn practices smoking. There are also pictures of her with Joe Dimaggio before they were married, pictures of Marilyn without her make-up on and her face covered with vaseline as she liked to do. Reading her script while relaxing in bed. These are priceless photographs, showing Marilyn at the very brink of superstardom.

At 26, Marilyn Monroe was on the brink of stardom as she filmed her first leading role in Niagara. Canadian photojournalist Jock Carroll spent weeks with her at Niagara Falls during the on location shooting, and took almost 400 photographs. He also interviewed her throughout these weeks, and captured a lot of her activities on and off the set. He was preparing for an article called "Marilyn's Not So Menacing" that appeared in an August 1952 issue of Weekend Magazine, Canada's largest periodical at the time. You will see more candid photographs in this book than in any other source. Mr. Carroll died in 1995, and these photographs were located then. The photographs are well reproduced in this book, and bring her to life in both her glamorous and nonglamorous roles.

I was attracted to this book when I realized that it contained extensive interviews of Marilyn Monroe when she was 26, just before she reportedly drafted My Story. That autobiographical book has come in for many challenges concerning its authenticity and the strong stories contained in it. Reading the interviews in Falling for Marilyn provides a useful contrast in terms of what she says about herself and how she says it.

I was surprised to see that the stories she tells are almost identical in both books. That similarity argues for either for her being the author of My Story, or Mr. Carroll being the author. Interestingly, she tells a story here of having been recognized in school for her fiction as a child, and wanting to become an author. The most significant difference between the books was that here she claims to have needed the $50 she got for shooting the famous nude photographs to pay rent while in My Story, the money is used to retrieve her repossessed car. A minor discrepency comes in her asking Mr. Carroll a lot about Korea because she was thinking about doing a USO tour there. In My Story, she claims that this came up for the first time after she and Joe DiMaggio were in Japan on their honeymoon. There could be truth in both versions of these two stories.

There is a Zsa Zsa Gabor story here that is almost word-for-word the same as in My Story. This is true, as well, for one about being molested as a little girl by a boarder who paid her a nickel to keep quiet.

To me, the most telling comparison was in what Mr. Carroll observed about her. Even though she was making a fine salary at this point, she was always short of clothes while he was with her. This is something that she talks about a lot as being a function of her poverty in My Story. She also was always studying scripts or reading intellectual books, which is consistent with My Story also. She also made self-destructive comments about sleeping pills to Mr. Carroll as she does in My Story.

What was a pleasant surprise for me was Mr. Carroll's descriptions of his reactions to her. Those are missing from most books about Ms. Monroe. He had just come back from his own honeymoon a month before. He found himself strongly attracted to her, despite this. "The effect on me was cataclysmic." " . . . [W]hen she looked directly at you, it made you feel as though . . . you were sharing some naughty secret."

The photographs themselves are certainly sexy, but not revealing in the sense that we think of revealing today. They were daring, however, for 1952 in showing a little cleavage, a loose blouse, and sometimes erect nipples through her clothes.

She consciously worked on achieving this effect for these photographs. During a tour of a silverware factory, "Marilyn brightened [these] . . . photos by loosening the straps of her blouse, leaning over . . . to give . . . a good view of her breasts . . . ."

On the other hand, she was very protective of her relationship with Joe DiMaggio who did not want any publicity. She refused an interview where the interviewer was trying to worm in questions about the Yankee slugger.

My favorite photographs in the book include:

Reading script in bed (two page spread), located in the book's very beginning

Posing in front of the falls, p. 19

Visiting the silverware factory, p. 33

Combing her hair, p. 48

Arranging her hair, pp. 52-53

Laughing, pp. 84-85

Looking at Jean Peters' suit, p. 87

Smiling, p. 102

Seeing the vibrancy of this woman makes the sadness of her life all the more poignant. Be sure to read My Story to pick up on that contrast. Regardless of who wrote it, that is how Ms. Monroe saw herself and her life.

Consider how you can lift someone's spirits every day. Look for the hurting heart behind the naughty or haughty eyes . . . or any other strongly affecting mannerisms you notice. They are just part of the cover up.

THIS IS ONE OF THE MOST BEAUTIFULLY COLLECTED PHOTOGRAPHS TAKEN OF MISS MONROE AT HER VERY EARLY CAREER. A TIME WHERE IT WAS PRIOR TO HER "HOW TO MARRY A MILLIONAIRE" AND "GENTLEMEN PREFER BLONDES" SUCCESS, WHICH LAUNCHED HER TO ETERNAL STARDOM. THIS IS A "MUST" FOR ALL MARILYN MONROE AFFICIONADOS. IT IS TRULY A BEAUTIFUL BOOK THAT I ENJOY READING AND REVIEWING MANY TIMES OVER.

An outstanding companion piece to the great(if not THE greatest) dramatic series ever made. Ed Robertson really did his homework in researching for this book. Jam packed with info and anecdotes from the crew and many fine stars who guested on the show. Dozens of photos both stills from the episodes and candid shots taken on the set. Detailed synopsises of each episode(without spoilers) Even a special list of every name used by Richard Kimble, jobs he held, and places where each story took place. Highly recommended.

Ed Robertson's book is definitely the best. I also own "The Fugitive - A complete Episode Guide" by John Cooper and "My Fugitive" by David Janssen's former wife Ellie Janssen which is worth a read!
Another amazon.com reader mentioned the Twilight Zone Companion. But where is the Peyton Place Companion? I'm missing a book on the TV series "Peyton Place" for several decades and wonder why there is still no book out there.

"The Fugitive Recaptured" was published in 1993, thirty years after the TV series, "The Fugitive", premiered on network television in 1963.

This volume, by Ed Robertson, is just about all a "Fuge" fan could want in order to find out everything you'd need (or want) to know about this excellent TV drama, which was on the air for 4 complete seasons (120 episodes from 1963 to 1967).

The book features an "Introduction" by horror author Stephen King, plus a "Foreword" by Fugitive co-star Barry Morse, who portrayed police Lieutenant "Philip Gerard", star David Janssen's chief rival and nemesis during the course of the series. A chapter detailing the origins and conception of the series is also, of course, included here. Interesting stuff too.

Within these 208 pages, each and every episode of "The Fugitive" is dissected and examined in detail -- including cast lists, writing and directing credits, episode numbers, original air dates, episode descriptions, and verbatim "Prologue" and "Epilogue" text (the exact words spoken by series' narrator William Conrad at the beginning and end of each episode).

Many fun "Fuge Facts" are also revealed for many of the 120 episodes. These "Facts" are bits of little-known trivia that make this volume an even more enjoyable read.

In addition -- This book includes extended chapters on the series' Pilot episode ("Fear In A Desert City") and the two-part final episode ("The Judgment"), which remains to this day one of the highest-rated TV programs in the history of the medium.

There is also an "Appendix" area of the publication, with "Appendix 2" consisting of some very interesting trivial facts and data concerning every Fugitive episode -- including every single "alias" that was used by "Dr. Richard Kimble" during the whole run of the series. This appendix is useful to mega-fans of the series, as it also contains information about the "Location" (City/State) of each episode, as well as Kimble's "Occupation" on each show. Example --- Episode 31 had Kimble pretending to be "Frank Borden"; Occupation: "Dishwasher"; Location: "Harrisburg, Pennsylvania".

Many top-notch black-and-white photos are also scattered throughout this paperback publication, mainly publicity stills.

"The Fugitive" (1963-1967) is one of the best TV dramas ever put on the boob-tube. The long-running cat-and-mouse game between Dr. Richard Kimble (David Janssen) and the police officer who let him get away, Philip Gerard (Barry Morse), provided some of the finest tension-filled moments ever aired on television.

"The Fugitive Recaptured" does, indeed, "recapture" the magic that surrounded this first-class piece of television entertainment.

Very Highly Recommended.

Certain television shows were so enormously popular during their original runs that they have been reincarnated more than once. THE FUGITIVE is one such drama. When Dr. Kimble began to run in 1963 in a three partnered minuet with Lt. Gerard and Fred Johnson, the American viewing public was so enamored of the chase that they refused to accept the judgment of THE JUDGMENT (the series finale) that the running had indeed stopped. Ed Robertson in his THE FUGITIVE RECAPTURED analyzes just what it was that made millions of Americans tune in every Tuesday night to watch Kimble run from one man only to pursue another. Robertson captures the essense of the spirit not just of the show but also of the social subtext of the show. In his Fuge Facts and plot synopses, Robertson well delineates the motivation of a doctor who, in his forced travels, became a collective Keroukian ON THE ROAD, with every watching viewer able to tap into the flip side of the American Dream, that out there in every dusty small town and bustling big city lay adventures that we could not aspire to but Kimble could. Roberston reviews every episode, judges its intrinsic worth, provides the needed Kimble trivia of both character and actor, and adds a handy list of names that Kimble used over a four year run. This list resembles a phone directory of a small town that Kimble must have passed through more than once. Reading THE FUGITIVE RECAPTURED made me think of the follow up success of the filmed version with Harrison Ford and the less succeessful small screen run of Tim Daly. It is not likely that the latter two will ever be considered worthy contenders for a pantheon of running heroes, but Robertson's literary paean to David Janssen serves as a perpetual reminder that for a spirit of a character or of an age to be recaptured, then that spirit must have been worthwhile in the first place. Robertson's book will not let Kimble ever run far enough or fast enough to escape our notice.

I can certainly add my kudos to Ed Robertson for his labor of love in this book commemorating the 30th Anniversary of the famous television program. This work brings to life the entire four years that the series ran on network television, and gives the reader the feeling that he was actually "on location" with the cast and crew as they produced this first-rate series. Each episode is fully documented with full credits for the director and all principal actors in the series. The episode synopsis give the reader a feeling of being on the run with the Fugitive. The opening and closing narration for each episode certainly sets the tone for each nights program.

If you are a fan of this great television series, then this book is certainly for you. I highly recommend it.