Titles Books
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Other BooksReview Date: 2007-09-03
Carroll's Short and Sweet Chaucer ImitationReview Date: 2007-02-12
The Baker actually attempts to tell a story, but the Bellman (who leads the group) says there's no time for storytelling. They have to catch the Snark before nightfall.
Along with the Bellman and Baker, a Banker, a Bonnet-maker, a Butcher, a Boots, a Billiard-maker, a Barrister, a Broker, and a Beaver tag along to hunt for the Snark. The Beaver is afraid of getting cut by the Butcher, so he puts on a dagger-proof coat and talks to the Banker about buying an insurance policy.
The Beaver is involved in a hilarious scene with the Butcher later, when the two attempt to compute sums. But perhaps the funniest scene of the entire book is in the Barrister's dream when the Snark declares sentence on a pig, only to find out the pig has been dead long before the trial even began.
I'd highly recommend this short poem for Carroll fans, even though it's not big enough to contain but a small portion of what's to be found in the Alice books.
The best nonsense I've ever readReview Date: 2006-05-04
Overall grade: A+
Agony? Hardly!Review Date: 2005-07-29
Yet, this masterpiece has that spark.
"How do you kill a _____?", you ask
To find the answer was the hunters' task.
"What was their fate?", you wonder
Did they ever catch their elusive plunder?
A paragon of haunting Carollian lore
Be in no doubt that you'll finish wanting more.
This poem is just great!
Brilliant twiceReview Date: 2005-02-15
Second, Martin Gardner's commentary adds depth and background to the reading. Gardner explains terms that are now obsolete, but also adds his own analysis and a rich history of the Snark phenomenon. It should be no surprise that Gardner is still best known as the long-time editor of Scientific American's column on Mathematical Games, a mathematician himself.
I can't add much to the scholarship or praise that already surrounds this incredible poem. I would like to point out, however, that most non-native English speakers are unfamiliar with this poem. Many of them have only ever seen the serious side of the English language, and have never seen English at play. I consider this short work to be the ideal introduction to the very best of English-language nonsense.
//wiredweird

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trust and honorReview Date: 2008-07-26
Old Tales Must Be PC Now Also?Review Date: 2008-01-10
Amazing Tale!Review Date: 2006-08-05
The illustrations are AMAZING.
The hero and heroine are strong and their love is even stronger, it was just a wonderful story to read and experience through the lovely artwork on the pages.
Sumptuous beauty, so so storyReview Date: 2004-02-07
Initially, I was going to begin this review with a small rant. Despite the fact that the characters in this book wear clothing, and live in palaces, of Indian or Eastern design, the people themselves are white white white. Why? Couldn't we have Grimm-like tale containing something other than the standard Caucasian skin tone? So there we go. That's my only complaint.
Onwards to my point. The illustrations in this book are a step above breathtaking. The pictures drawn by Laurel Long are so beautiful that every tiny centimeter is filled with the most delicate linework and livid colors imaginable. From the folds of the young lady's dresses to the iridescent clouds surrounding the moon at night this book is fabulously beautiful. The story itself isn't anything you haven't heard before. But even a mediocre story can be made vastly more interesting when the pictures are spectacular.
Magical artworkReview Date: 2005-10-17

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Great BookReview Date: 2008-01-21
Magnificent!!Review Date: 2002-09-18
Magnificent!!Review Date: 2002-09-18
Impersonations of saneReview Date: 2003-01-02
Pleasant to read, yes, but sophisticated and compelling, tooReview Date: 2006-01-29

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Fun with a Bite!Review Date: 2008-07-21
Just Not for MeReview Date: 2008-04-14
Unfortunately, I didn't like this book a bit.
I don't know if it was the first-person narrative, the paranormal elements that were more irritating than funny, or the fact that Ms. Child introduced TWO fairly likable heroes for the heroine to decide over, but MORE THAN FRIENDS just wasn't for me.
Hopefully, other readers will enjoy it a whole lot more than I did!
Yes!!!!Review Date: 2008-04-14
Fun light readReview Date: 2008-03-24
This book reminded me a lot of Julie Kenner's Carp Demon series- if you haven't read them- do so.
You will not be disappointed in this book.
Laugh out loud funny!Review Date: 2007-10-02

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pleasing bookReview Date: 2008-07-01
Exquisite!Review Date: 2008-07-01
Mother Earth and Her Children: A Quilted Fairy TaleReview Date: 2008-02-29
Everytime I look at the fotos of the actual
quilt - I see something new and am thrilled.
My only regret is that there is not more of
the wonderful fotos and story....
What a treat!
Mother Earth and her childrenReview Date: 2008-02-08
Mother Earth and Her Children: A Quilted Fairy TaleReview Date: 2008-05-05

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Children Love It!!!!!!!!!Review Date: 2002-01-30
A little book with a BIG messageReview Date: 2000-12-06
I was really suprised how much a kiddies book could have an effect on me. Grouch almost made me cry and made me realize how much I love my friends.
A great book, a great buy and a great bunch of messages.
A has it all children's bookReview Date: 2000-12-04
Such a surpriseReview Date: 2000-11-19
Herman the Pebble is now a star in his own right with my children.
A teacher's dreamReview Date: 2000-11-08

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From J. Kaye's Book BlogReview Date: 2008-08-24
This book was sooooo good (I warn you, I may spoil the book)Review Date: 2008-02-01
Between Choices and DestinyReview Date: 2006-12-29
It is so AWESOME. I thought it would be like other fantasy story but nope, got to remember that this is Wooding's. The author has delivered more than I expected. Not too far from his style (which can create movie scenes in my head) but it also has surprises. Very recommended, specially those of you who like to think about destiny. Food for thought.
"You Haven't Met Half the Cast Yet..."Review Date: 2006-12-17
Which is ironic considering I was rather concerned on reading the first chapter. A young girl named Poison lives in the gloomy swamplands of the Black Marshes, together with a woebegone father and a nasty stepmother. An outcast in her own village (she chose her own name, which should give you some idea of her attitude) she dreams of adventures outside her dismal existence. Despite Wooding's snappy prose and deft hand at forming such a grim atmosphere, I couldn't believe the predictability of the opening. Yet perhaps the typical fairytale beginning has a purpose...
It so happens that Poison's baby sister Azalea is kidnapped by the Phaeries, and Poison commits herself to the quest of tracking her down again, seeking out the Phaerie Lord himself to demand her sister be returned to her. Collecting a motley crew along the way, Poison finds her way into the Realm of Phaerie - there are some snags along the way of course, predominantly the horrifying Bone Witch, whose home serves as the gateway between the human and Phaerie worlds. But things get even stranger when she reaches the Realm of Phaerie, filled with rules and quirks (and breathtaking beauty) that baffles even the headstrong Poison. Attempting to negotiate this new world of political intrigue and secret plots, she also has to deal with minor characters who say some rather inexplicable things, like: "you haven't meet half the cast yet," and "at least you're not the typical muscle-bound warrior, beautiful sorceress and amusing thief sidekick."
Poison doesn't have a clue what's going on, but it all seems to have something to do with the mysterious figure known as the Hierophant. It would be wrong of me to discuss anymore of this surprising book, save to say that it gradually gets quite existential and rather reminiscent of "The Neverending Story" in its use of stories-within-stories and the blurring of the lines between author, reader and character, raising some interesting questions about our relationship with books in the process.
It is a book that demands to be read more than once, much like "The Six Sense", one needs to experience it initially, and then retread the story in order to better appreciate the 'rules and clues' that were strewn amongst the story. Ultimately, "Poison" is a book about books themselves - where can a book-lover go wrong with such a premise?
PoisonReview Date: 2006-11-28
This book sometimes gets boring because their would be three chapters talking about the same thing over and over again. So I'd say that I would give this book about three stars.
My book is about a girl named Poison that lives in a small town over the ocean called Gull. The Gull has been having issues with children that live there. Kids will catch a disease that has no name. Which is when their kids do absolutely nothing. Then Poison saw a fairy next to her and it said that the Gull is in huge trouble. Poison had found out that kids were being kid napped and dummies replaced their spots. The fairy had also told her that a evil lord had her sister and he was using children to come up with something to destroy every living human. A couple months later Poison had made a plan to travel and save her sister her self. So Poison met this strange man that would take her to a small village. On their way to the town the sky had turned black so they decided to camp out. But Poison couldn't sleep because evil poisonous creatures cover the ground at night. Then it started raining and the man and Poison had to create a tent out of a tarp.
I recommend this book to anybody that likes fantasy.

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Wonderful teaching storyReview Date: 2007-08-09
The Quiltmaker's JourneyReview Date: 2008-06-06
The Quiltmaker's JourneyReview Date: 2007-12-12
How she came aboutReview Date: 2007-08-14
Heather mama of 5
The true meaning of wealth makes an inspiring storyReview Date: 2007-10-04
However, she reached the point where her curiosity got the best of her and she managed to find a way out of the town. She was shocked to discover that everyone outside her former town was poor and forced to do without. Yet, even with their lack of things, they were all willing to help her when she needed something. This was a lesson she took to heart and eventually here wanderings took her back to her point of origin.
Once back in the town she tried to convince the elders to help the poor but they refused. Furthermore, when she left the town again she was not allowed to take any of her wealth and under no circumstances would she be allowed back in. This did not prove to be a burden as her pure heart caused even the animals to bring her what she needed. Her first act was to make a quilt for a mother and son who were huddled and freezing. Once that was done, her heart was warmed so from that point on she made quilts and gave them away. The joy of those acts made her realize that up until that point her wealth had all been a façade and now she truly understood what it meant to be rich.
This is a story told with such simple passion and elegance that it moves you. Charity is something that you do for yourself, because the act of giving away can give you more joy than the objects themselves could ever have generated in your life.

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Super cute bookReview Date: 2008-07-02
DelightfulReview Date: 2008-06-01
A little book, but a lot of impactReview Date: 2008-05-25
Great for Adults TooReview Date: 2005-03-04
Sweet and FunnyReview Date: 2005-01-23

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The Dragon is as an Old Friend!Review Date: 2008-07-15
The author creates a believable character of a harmless dragon. What usually is portrayed as evil and dangerous, the persona of the dragon generates into a believable story. The twist of the dragon being afraid of St. George adds to the imaginable meaning the writer wants to evolve. Carefully setting the story, the author helps establish the voice of the characters. It evolves into a theme that proves that "things aren't always as they appear."
funReview Date: 2006-07-06
A Separate PeaceReview Date: 2005-04-28
Like others before him, Kenneth Grahame modified this bloody tale for the consumption of the very young, and turned it completely on its head. This dragon would rather sleep than slay, purr than prey, and his true nature is discovered by a tow-headed young boy who gradually becomes friends with the pacifist, poetry-loving beast ("why I wouldn't hurt a fly."). Lay low, he advises him. Naturally, though, St. George arrives, and everyone acts as expected--except for the dragon. He simply refuses to attend his own demise:
"Well, tell him [St. George] to go away," said the dragon. "I'm sure he's not nice. Say he can write if he likes. But I won't see him." The boy, however, understands the underlying social pressures (which echo those of the British class system during Grahame's time) and replies: "But you've got to," said the boy. "You've got to fight him, you know, because he's St. George and you're the dragon."
The dragon, the knight, and the young boy, a person with neither power nor social distinction, make a plan. The plan is simple: Fake it. And so, like one of Vince McMahon's TV "wrestling" matches, St. George and the Dragon have it out, with flames and fury, and, as St. George just barely pierces the dragon in a pre-arranged safe spot. The townspeople, who have brought picnics for the presumed slaughter, were satisfied with the spectacle: "And all the others were happy because there had been a fight, and-well, they didn't need any other reason."
The original story, one of several short studies published in Grahame's "Dream Days" (1898, ten years before Grahame's most famous and beloved work, "The Wind in the Willows") may be found at http://etext.lib.virginia.edu/etcbin/toccer-new2?id=GraDrea.sgm&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=7&division=div1. Grahame wrote "The Reluctant Dragon" long at times, and one sees his concerns with religion and nature so evident in the river adventure scene of Wind in the Willows. Inga Moore takes out most of the slower, descriptive narrative (which might be enjoyed by older readers), and focuses instead on the dragon/boy/St. George relationships and the exciting battle. Compare the following excerpts (the first is Grahame's); this is great abridgement except for the inexplicable deletion of the last sentence, a very funny, modernist touch by Graham:
1. Then a cloud of smoke obscured the mouth of the cave, and out of the midst of it the dragon himself, shining, sea-blue, magnificent, pranced splendidly forth; and everybody said, "Oo-oo-oo!" as if he had been a mighty rocket! His scales were glittering, his long spiky tail lashed his sides, his claws tore up the turf and sent it flying high over his back, and smoke and fire incessantly jetted from his angry nostrils. "Oh, well done, dragon!" cried the Boy, excitedly. "Didn't think he had it in him!" he added to himself.
2. Then a cloud of smoke billowed from the mouth of the cave, and out of the midst of it the dragon himself, shining, sea-blue, magnificent, pranced splendidly forth; and everybody said, "Oo-oo-oo!" His scales were glittering, his long spiky tail lashed his sides, his claws tore up the turf and sent it flying high over his back, and smoke and fire jetted from his nostrils. "Oh, well done, dragon!" cried the Boy, excitedly. "Didn't think he had it in him!" he added to himself.
Moore also displays great taste and talent in her beautiful colored pencil and ink drawings. She draws landscapes and houses in a traditional style with meticulous shading and detail, trees show the undertones of illustration from a 1912 publication. The friendly, easygoing dragon is drawn showing an easy confidence and an engaging smile, but he's actor enough to look ferocious when required. He's drawn in one of the most striking shades of blue since the ceramic in the movie "Diva." Overall, Inga Moore honors the original Grahame story while making the story and pictures maximally entertaining for young children. Publisher Candlewick has done it again; this is an extraordinary book.
Wonderful book.Review Date: 2007-02-11
Cute kids book... Prefer no abridgingReview Date: 2005-09-07
My only problem with the book is that it has been "sensitively abridged". I'm not sure what that means for "The Reluctant Dragon", but my "sensitively abridged" copy of "The Wind in the Willows" (also by Kenneth Graham) edits out silly things like "splashes of whitewash all over his black fur". If the book has to be so politically correct that it can't even refer to the color of an animal's fur, I'm not sure that I really want to associate with the edition. I'd be curious to compare this edition of "The Reluctant Dragon" with the original text now.
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