Musicals Books

This book gives you all the lyrics to his songs and there are pictures and paragraphs about them.

"The Doors: The Illustrated History" is the best photographic, visual book record of the band. Compiled by Doors manager Danny Sugerman, it is a fascinating, visually rich and enjoyable display of a band that changed rock music and the amount of praise (and criticsm) they inspired. The pictures are great, they are clear, close and informative and clearly show how Jim Morrison created the theatrical aspects we so see so often in today's rock music. We also get different shots of the man, as the wild, leather-clad Lizard King and as a lonely, quiet poet. The articles and reviews are fascinating because they take us back to a time and place, but they are also surprising to read when compared to what is written today about certain rock artists. In one article dealing with the New Haven arrest where Morrison became the first rock performer to be arrested at a concert, the writer calls the music of The Doors "satanic, sensual and demented." A sign of what was to come with artists like Iggy Pop, Marilyn Manson, Alice Cooper and many others. Some of the reviews are especially well-written, like one where the writer says the Doors music evokes images like the eye-ball slashing in Luis Bunuel's "Un Chien Andalou." Like the music, the images are timeless, and evoke a poetic, deep persona who's presence is ever so strong in rock. Like The Beatles, The Doors are an unforgettable force, you hear them once and never forget. The foreward by Jerry Hopkins, who wrote "No One Here Gets Out Alive," is also informative and has interesting things to say about the resurgence of Doors music. This is a must for any Doors fanatic and anyone who has ever been touched by the music and words.

I'm somewhat of a new Doors fan, particularly of Jim Morrison. The hair and the pout drew me in first, then the music followed. When I found this book, I knew I had to own it. I was not at all disappointed. Sugerman has done a fantastic job of compiling the hundereds of pictures and newspaper/magazine articles from over the years into this informative collection. The progression over the years of Morrison's rise to fame and eventual downfall into drugs and self-desctruction is adeptly demonstrated. A must-have for any Doors fan.

Danny Sugerman is someone in the Doors "family" that alot of people don't think very highly of. He has made a pretty good living out of Jim Morrison's death and continues to this day to fuel the many myths he helped create with his contribution to "No One Here Gets Out Alive". But if it weren't for Danny.....The Doors would not be selling so many records or books or anything on Morrison. Danny has helped keep "The Myth" alive. This is why The Doors are so popular today. Having said that, no single person worked harder to keep the Doors name alive in the 80's than he did- for that I respect Danny.

This amazing compilation of cuttings, reviews, photographs and articles was collected by a young Danny during the height of The Doors success whilst working as Jim's assistant-answering Jim's fan mail.

Beginning with the bands first forays onto the LA gig circuit the fledgling Doors took the rock press by storm with their doom laden sound and extremely smart lyrical imagery. From the Whisky to Miami via the Singer Bowl and New Haven we travel along on the dark journey to oblivion that was the Doors turbulent and sadly short career as seen through the eyes of the press and a young teenage kid. As it happened live and uncut.

I absolutely love this book. The introduction and the photographs are worth the price alone. This book has the lyrics to all your favorite Doors songs plus poetry (lyrics) from Jim Morrisons' spoken word album "An American Prayer." It has also got interviews and a behind the scenes look at what went on during some of the recording sessions as well as definitions as to just what Jim meant in some of their songs. The discussion about the meaning of The End is great. This book is a must for Doors fans from the most ardent to the just curious. The book is not one that will be looked at once or twice and put on a shelf. It is a facinating read no matter how many times you read it. The Doors: The Complete Lyrics increased my respect and admiration for the band, and Jim in particular, 1000 fold.

I found the book in a $1 pr. book pile outside a strand in Manhattan. The theme of the book caught my attention so I bought it. Very good story, very well written and quite a good insight in the business of fabricating publicity. I think that everyone studying communication of some sort will have interest in reading it.

I picked this book up at an airport with a few hours to kill, 2 days later I was ready to throw in my business degree and switch to PR.

Daniel Price writes a captivating piece of fiction about a master of 'perception management', a guy so damn good at what he does, you'll never watch the news or read the papers the same way again.

Scott, the main character is both a master manipulator, and a down right nice, normal guy, when he is recruited to run damage control for a rising hip hop star, he hatches a plan so damn neferious it wouldn't suprise me to see it on CNN. from here the story just gets more and more exciting and twisted.

Price also presents a really strong FAQs section on his website answering a number of small questions and possible inconsistencies that arise during the book, as well as an excellent reading list.

if you interested in PR, media manipulation, hip hop, or even just want a great exciting, and none too heavy read I strongly reccomend you pick this up.

Daniel Price has written a very original, fun book about Public Relations work. The plot has many twists and characters strong enough to carry your interest. This book is a definite change from run-of-the-mill storylines. Readers will also learn quite a bit about how the public is misled by the media about almost every subject conceivable. This one is definitely worth your time!

Though a long time, avid reader, this is my first ever book review. I felt compelled to write it, as in my opinion none of the critiques I've read so far on Slick, while generally quite positive, seemed adequate in overall literary perspective.

In terms personal impact, I could only compare "Slick" with Joseph Heller's "Catch 22." I read this at 18, and it remains in my top ten. Not that the style or stories are similar; just that both authors grabbed me immediately, presenting hilariously perceptive parodies of life's irony. Probably the greatest commonality is the way both bring profound cultural hypocrisies into clear focus through humor. Vonnegut also comes to mind.

Price's chosen theme is the way our thinking is affected by master media manipulators, working mostly at the indirect behest of six or seven International uber-corporations. But instead of presenting a protagonist involved in the fight against such machinations-as Price is in real life-he gives us Scott Springer, one of the more talented and morally ambiguous mercenaries from the dark side. To Scott, his occupation is simply "perception management." "I've conspired with the gun people, schemed with the liquor people, toiled for tobacco, and moiled for Monsanto. I've pushed polluters and promoted porn. I've shilled for Shell and lied for Tide. I've helped a major pharmaceutical company sell a drug that does nothing by promoting a disease that does not exist. And that's just the old stuff on my resume. That was before I went freelance and really got creative."

Yet even with these insights into his profession, Scott felt that "..despite all my nefarious acknowledgements, I was actually a man who meant well." You won't believe how marvelously well this approach works in revealing the mindset of those who help shape ours, until you read "Slick."

Along the way on this great literary ride, you'll meet more memorable characters than can generally be fit into much longer works. He has a true gift for quickly fleshing out his cast. One great example is a black lawyer who looks dignified yet slightly comic. "Malcolm X by way of Urkel," is how Price relates his overall affect. Add to this ability the always engaging plot twists and recursive loops, funny yet insightful dialogue, and a strong message relayed through seeing events through the first-person vision of the villain/protagonist, and you have one of the best first novels in decades. The only two I can remember that came even close were "Big Trouble" by Dave Barry, and more on the mark message wise, "Radiance" by Carter Scholz. "Slick" is as funny as the former and as poignant as latter. I can't wait for Price's next book, or for the movie version of this one! The lead role is so dynamic, complex, and three-dimensional, I'm betting Hollywood's best will fight over it. If you happen to know Brad Pitt or John Malkovich, get them to read this book!

I have mixed emotions about this book. As the author notes at the end, it was not a thin piece of reading and to get to the end you had to stick to it. Perhaps the going was hard after an absolutely hilarious beginning because of the subject nature of the story. In any event, it is a book that will give you pause for thought the next time some "big story" is brewing on CNN, Fox or MSNBC. It will make you wonder about what is real and what is contrived. It will make you more sceptical about what passes for entertainment these days and less likely to accept anything you see at face value. The main character in the book spends most of his time manipulating people and events, yet in the end he becomes a better person, not because of any concious effort on his behalf to do that, but because he he is open and receptive to the events that swirl around him.

This is THE best scrapbook in the wooooooooorld!!! What can I say??!! I'm obsessed!!! Along with the two albums this is wicked...JUST BUY IT AND DROOL OVER NOAH aka CHAD!!!... R.I.P Michael Cuccione xXx

This is the ultimate book for the ultimate 2GE+HER fan! Although I got a book that only had 92 pages - and I think I'm missing the last 4 pages of the book because it suddenly ends. But anyways, this book is hilarious and is filled with various trivia about the guys! QT can't write, Jerry was born without a jaw, Mickey wasn't always a gangster, Chad's blue eyes hypnotize, and Doug wears a balding toupee! A book that's definitley worth your money.

I love this book but the person that I bought it from ripped me off. I am totally pissed about this. Someone took out 4 pages so now I have 92 pages. I was supposed to have 96! Damn con artist. I still love 2gether though but I need to know what I'm missing in those 4 pages.

2Gether is the best musical grop and will always be the best, there cd's are funny, and good, whenever I have a bad day I put in one of there albums and it makes me feel better. The guys of 2Gether are talented, cute, sweet, and adorable. Noah is my favorite member and he sings beautifully and I love him with all my heart. I would like to say R.I.P. to Michael Cuccione, he was a brave kid until the end, he's a great singer, actor, and he is defintly a role model to all people. I will always love you.

This is one of my favorite books! I do enjoy "real" literature, novels, and that sort of thing -- don't get me wrong. I just think that this is written very well and it's extremely hilarious. You find out stuff about these guys that you've never known before. For example, did you know QT really couldn't write? He signs his name with an X! Never before seen pictures of all the guys (ever wonder what Doug's high school yearbook pic looked like?) are included, too. A little bit of old skool Whoa! is in here as well. If you ever watched 2Gether, this is a great book to have! Besides, it's cheap enough. Give it a shot. Or else Chad will cry.

I have not had lessons but have been "fooling around" on the piano for years. I wanted to get a better dose of theory under my belt and have the ability to play things differently, and perhaps become good enough to play with other people! This book started out basic enough for me and it goes well beyond my current capabilities. This is exactly what I was looking for: a stepwise and slow progression through major scales, pentatonic, blues and mixolydian scales. I had heard of these things, but NOW I understand them. The CD also helps as you play along. I can recommend this book to anyone who is starting out in blues style piano. With this book the only thing standing between me and great blues is a lot of practice! But now I have a good pace and direction, and with that the practicing will be a lot more efficient than it has been.

This is an excellent book for learning how to play the blues. It includes music theory and clear explanations of various styles. The accompanying CD is very helpful and ends with 7 full songs in differing styles.

This is a great step by step introduction to blues riffs, chords and solos. I only have two complaints: firstly, it is somewhat inconsistent in the ability level that it targets. It assumes that you can sight read well, transpose into other keys, work out complicated fingering yourself etc, yet it also spends a lot of time on very simple scales and chords. A beginner will be confused a lot of the time, a good pianist trained in other styles will find much of it boring, and someone in between (like me) will alternate between the two states. Secondly, the CD is annoying in that there are so many tracks - 88 if I remember rightly. Every short exercise, even only a few seconds, has its own track, and many have both slow and fast versions.

If you are a beginner, you will need a more comprehensive book (not necessarily blues specific) to help you along. If you are a bit better than that, I would suggest using the book in reverse order. Listen to the full length songs at the end and learn the ones you like. Then work backwards to figure out the building blocks and how to use them yourself.

I'm a blues guitarist and I'm in the early stages of learning to play piano, so I can't give the most credible of reviews of this book yet, but I can tell you that it's chock-full of really, really, REALLY excellent comps and vamps and licks. So far I'm only able to work on the simplest of the stuff early in the book, but I've listened to the CD the whole way through, and it's just one example after another after another of killer riffs, the kind of stuff that makes me think, "YES...that is what I want to be able to play." In all kinds of blues styles.

This is definitely *not* a beginner book. As I said, most of it is still way beyond me. It's not a "here's what the half-rest looks like" kind of book, nor will you find guides for fingering. One of the first signs that told me that this book is still over my head is that it shows chords like, say, a 9th chord, with all five notes shown, in a key where it appears to me that there's no possible way one hand can hit all of those notes. Does the experienced player just hit a broken chord? Is it supposed to be a two-handed chord, even though it's shown in the bass clef, and there are also notes in the treble clef? I don't know.

So this is a book for people who already have some piano playing ability. But the material is terrific, and there's a ton of it. If I can ever learn to play all, or even half, of the stuff in this book, I'll be a happy man.

If you are on a budget and don't have a lot of free time, but still want to sit down at a party or open mike and wail the blues, this is the book for you. In chapter 2 you get 20 or so authentic left hand patterns. In chapter 3 you learn a variety of chords from basic triads to sharped fifths and ninths with various timing tricks for comping. And you play those over the left hand patterns you learned in chapter 2. In chapter 4 Harrison introduces the grace note technique and takes it thru Dr. John's "famous lick". That's 90% of what you need to play convincing blues. The key is that Harrison keeps everything in two measure units that you can easily combine. You aren't confronted with a 4 bar melody as in some other books, wondering, "Why am I playing this?" This book dosen't cover everything, but if you learn to play the exercises in this book you will sound good. If you have a few extra bucks, buy Tim Richard's book for a complementary approach.

Previous reviewers have said it all - "savour every word"... "hats off to Kim Field" etc - but my enthusiam makes me want to throw my hat into the ring. I've been writing about music for newspapers and magazines for 25 years, as a sidelight to my job as a journalist, and I'm in awe of the job Field has done with this book. It's exquisitely written and packed with entertaining information. The 20th century harmonica world was populated by all manner of rascals, hobos, eccentrics and maestros (often all wrapped up in the same person), and Field tells their stories in a clean, organised fashion that captures the magic while never resorting to sentiment or hyperbole. While it's very much a book for harmonica nuts, I've been reading plenty of laugh-out-loud sections to my partner, whose passion is more in the classical piano mold. Over the years I've collected a number of compilations of obscure harp players, but they're not obscure anymore. Having them expertly set in the context of their colourful lives has made the listening immensely more rewarding. Bless you, Kim, for putting in the research in the nick of time, before many of these people were dead and unable to speak for themselves. And bless you for your highly professional yet heartfelt approach.

I found this to be a very enjoyable read and was disappointed when it was over. This should be recommended reading for anyone who plays or is a fan of the harmonica.

If you want to know something of the history of the instrument you are playing, you should have a copy of this book. Well written, entertaining, and loads of material. I especially like the interviews.

Hats off to Kim Field! This is a great book and a much needed one. His excellent research is augmented with great writing. Every harp player in the land should own one.

Very inspirational to me and others who keep trying to swipe my copy. This is so well written and organized that I keep reading much of it over and over again. It is one of those books that you savior every word. It is very inexpensive for such a valuable, meaty, entertaining resource. Mr. Field, thank you for this tremendous read. This material would make a great PBS Ken Burns type documentary.

This product is exactly what I was looking for. Thank you so much.

My friend wanted it for Christmas, so I got it for her as a surprise, and while I'm not a big fan of Josh Groban, she loves him. I've never had a Christmas gift make someone so happy, she absolutely loves everything about this book.

This sheet music is great. My husband loves to sing and to play the piano. This sheet music is fabulous.

I am not nearly as gifted in the vocal department as Josh is, however, I do play the flute, and after getting hooked on his cd, I got this book. The wonderful things about this book is that since the melody is there, I can play the melody. The songs are in an easy enough key, and the notes are never out of reach. Josh Groban is young still, and I simply can not wait to see what his voice will be like in 10 years. If you like to play excellent music, this book is wonderful. You may find, however, that it will be necessary to raise the songsb y an octave (mainly due to the limitations of your instrument) but the result is the same, and still powerful.

Uh, I'm not sure what the last person was talking about...Josh handles the high notes very well. His voice is so beautiful. Clearly, he's gotten as far as he has for a good reason. If he was the same as the rest of the young vocalists in this country, then tell me why exactly he's famous and selling MILLIONS of albums. Yeah, that's what I thought.

Excellent collection of non-rock pop music from 1900 to 1975, after which the authors say the kind of music they have collected has pretty well disappeared. They feature a short bio of each writer or team of writers,interesting, but nothing you couldn't find with a quick internet search.

They do not include country, rock, folk or "world" lyrics--strictly pop Americana, heavy on musicals, show tunes, cabaret and torch songs, songs that went with the big-band swing era, etc.

It can be a little hard to find songs in the book--they are arranged in roughly chronological order by author--and the index contains first lines, but no "trademark" phrases that might help you track down a song whenyou have a fragment of a lyric caroming about in your head.

It gives the lyric that we usually remember, but also includes the short preludes that these songs usually featured. "Stardust," for example, starts out with "And now the purple dusk of twilight time. . .etc." that precedes "Sometimes I wonder. . . etc."

fun to read,just to get a fix on the various eras of American musical pop culture. Occasionally it makes you wish that more of our current lyricists had the skills that the Cole Porters and Yip Harburgs posessed.

I bought this as a gift for a friend who enjoys knowing all the lyrics of songs. In this book, he discovered some intros and verses he hadn't known.
He has enjoyed the book so much that I am going to buy one for myself.

It is usual that books cover the music side of those classic songs. This one, instead, focus on the lyricists, that's the way it is organized. Chronologically, but in the writers order. A thousand songs! It covers almost the whole 20th century but,of course, mainly the 30s and 40s, the classical years for American Popular Songs. It is beautiful to follow those wonderful verses - keeping in mind always the melodies that come behind. What a powerful combination.
One more thing: if you, like me, loves books as much as music, this one has a particularity: it smells divine! try it!

Highbrow collection of the best lyrics. Creme de la creme! My 3rd copy.

This is an excellent compilation, as every other reviewer has said (and with more eloquence than I can muster). Yet, I came to the book, apparently, with an entirely different set of expectations--reading this book, you'd think the 50s and 60s and even early 70s didn't happen. Bob Dylan, not included. The Doors, not included. Joni Mitchell, not included. Marvin Gaye, Paul Simon, Bob Marley ... The Beatles?? Not included. And I'm only scratching the surface. The list of omissions begins here and goes on and on--if, that is, you think these musicians are great lyricists/songwriters (and I do). Admittedly: this should come as little surprise. The introduction states that in the process of editing, "A more painful decision was to limit the field to the song as we know it from shows, movies, and pre-rock pop. Partly this was a matter of logistics: No single volume could stretch to include folk, country, blues, and rock. And though a collection of lyrics that excludes, say, Bob Dylan or Hank Williams is obviously one that is far from complete, their stories are not the stories we can tell here (or are equipped to tell)." Fair enough. But, given the room these editors give to some more obscure songs and songwriters, it's clear that a single volume could successfully stretch to include other genres. That single volume would be outsized, but it would be invaluable.

This book should be called "How to turn chords into chord progressions" because that's pretty much all there is. As a reference book it's pretty decent, but working through the whole book is a tedious process. Also there is no index in the back which makes it har do look up specific subjects.
As a whole, this book promises more than it delivers.

I've been playing guitar forever, and writing songs for years, but like most other writers I get stuck in ruts from time to time. Now, whenever I need some new ideas, whether an entire song, a verse, a chorus, a bridge, or a lift, I just look through this book. Even a basic I-IV-V can be made more interesting by advancing or delaying a change. I also like that he relates the CD examples to particular musical styles, which provides a good template for writing to that style.

As with Rooksby's other books, the material is presented with great clarity and is well edited. A songwriter could do a lot worse than build a library of his books.

man, this book has really really come in handy for me, expeically early chapter, good thing i have this. some of the think in here i have never seen or heard on the internet before, this book seems rare with its information.

I have over last two years developed into a real fan of Rikky's books. This one really surprised me for progressive depth in the structure of each chapter. Each chapter builds on the next. And sandwiched between the 'tips' are these gems of compositions that helps broaden and deepen the constructive elements of songwriting. The book is focused more on chord progression in songs and then the composition of the song's components, verse, chorus, bridge, etc. The great surprise, and I think, and real beauty of the book is the way he uses the CD with the last chapter. He records 12 or so songs, and then in that chapter, he breaks them down in to their component structure, and tells you why he made the choices he did. A really GREAT book. Worth the price!

This book taught me so much about songwriting, it's scary. I'm not a novice, either! It teaches you about chord theory better than any other book I've read.

This book is great.I have every single spice girl book,poster,cd,magezine that has come out since the spice girls started.I even have all the spice girl merchandise.I am a spice girl die-hard fan.This book I would rate one of the better spice girl books.I even have the spice girl book that is out of stock.It was really good also (because the spice girls wrote it themselves).

just realy good

I THOUGHT THE BOOK WAS PRETTY GOOD IT GAVE ALOT OF INFO. BUT IT ALSO TELLS ALOT OF HISTORY ABOUT ENGLAND.BUT I GUESS I WOULD RECOMEND THIS BOOK!

It had tons of detail and cool pictures!If you liked those other phony Spice books you'll love this REAL book about the coolest band today,THE SPICE GIRLS!!!

this book was not that good, it was just the same old stuff I allready know (nothing new) why can't someone make a book that doesn't borr you to death! I can write a better book! You know what I think i will, thanks for the idea!

With all the violence on TV these day,it is nice to get a book for our grandchildren that is sweet and fun to read. I have all John Denver's music and books,this is one of the cutiest.It is a must for grandma,hope you like it as much as I did. Carol

This is the softcover version of the book, but it is a nice addition to my elementary classroom library.

Sunshine on My Shoulders book/CD is so very touching with the warm memories of the heart felt song by John Denver and Christopher Canyon's beautiful illustrations that accompany the music. I am an early childhood teacher and I use the book to demonstrate how thoughts become words, become verse, becomes song. . . . The Music Is You opening song on the CD explains this concept even further! The children, ages two to seven years, are mesmerized again and again through out the story/song. Other teachers and parents even stop to listen. This is a wonderful opportunity to teach about who John Denver was, what he believed to be so important for our lives, in addition to Christopher Canyon's ability to carry on the message in a way that can reach children of all ages!

This is a gorgeous book, with John Denver's lyrics, and beautiful summery illustrations. My daughter has the paperback version and we love it so much that we have been buying the hardcover version as a new baby gift. The book features a brown-skinned little girl - hard to find - and a brown-skinned daddy - even harder to find - swinging, floating on a boat, and playing a guitar! This is a terrific publisher who deserves our support for their commitment to quality children's literature.

This John Denver song, turned into a book illustrated by Christopher Canyon is wonderful. Absolutely beautiful illustrations. One you can sing/read over and over. Very well done. Can't wait for "Grandma's Feather Bed". Dolphin Lullaby and Take Me Home Country Roads are both worth purchasing also. My kindergarten class loves it as well as my children at home.