Movies Books

"I Want to be in the Show!" is a rare "Blue's Clues" book based directly one of the stories from the show. This is a version of "Blue's Big Musical Movie" and featuring Sidetable (Drawer)'s story. Everyone's holding a big music show. Sidetable wants to sing in the show, but she keeps getting stuck with boring jobs. She just needs a little help to speak up for herself.

This book has a bit different feel from some of the others. For one thing, the font being used a bit larger and more stylized than the normal font used in the books. Something about the overall look of the coloring feels a bit different and the story starts on the same page as the Note to Parents. None of this detracts from the story, though, which is quite enjoyable.

In the Note to Parents, it says that the book stresses empowerment and they hope it will teach kids "they can be anything they want to be." Certainly a nice lesson, and very Blue's Clues.

Any BluesClues book is wonderful..you can't go wrong. Deciding which one to buy is difficult. I bought so many for my 36 mo old daughter and like them all.

My two boys (5&2) enjoy Blues Clues books. This book teaches them not to be shy and to speak up when it is needed. It is very illustrated and colorful for all ages.

This is such a sweet story, a real lesson in how shy children can make good friends, and fulfill their dreams. The best thing about Blue's Clues is the spirit of friendship and respect among all of the characters. My daughter absolutely loves this book.

... at a great price. My boys love the books and I love that they love them.

These are a great set of books. Each item the specific animal wants always leads to another item, sounds a lot like a child doesn't it? I love how the author has recreated the mind of a child acting out the story in the form of a moose, pig, or mouse. Any of the titles would be an exception gift.

If You Take A ... books are some of the best children's stories written. The whole series is great and this set is a great value! I highly recommend it for children age 3-6.

I bought this series for my nephew, who is 18 mos. old. He loves to be read to. There is enough detail in the pictures that there is plenty to point out. I can ask him "Where's the mouse" and he can look for it in the picture and point it out. And the artwork is cute. The stories are also cute and the sentences are simple enough that once my nephew does begin to read he'll be able to read these easily enough. A bit of subtle humor though, on one page the mouse writes words on the chalk board and one of them is versimilitude...just wait until my nephew want's to know what that word means!

"After too many years looking for an answer, a man marries the most beutiful woman in the world, with her, he's got most of the things he's ever wanted in life. Except money"... Josh and Joan, a happily married couple, decided to take a week of and fly to Las Vegas. There, they met Ibraham, an Arab billionaire, which proposed Joan to spend a night with him, in exchange of a million dollars. Joan and Josh felt desperate and empty, they did not know what to do. Finally they both decided to accept the proposal. After that night, Josh and Joan werent the same, everything seemed to go wrong. They decided to separate, and Joan left with Ibraham.Later on, she realizes that the only man she belonged to was Josh,she discoverd how deeply in love she was with him, and returned to Josh. This novel shows how ambition can destroy your life. It taught me that everyone should be happy with what they have, and try to make the best out of it. Who cares if you have all the money in the world, all the cars you've ever wanted if you dont have love.Love is life, and it's free.

I am a fan of Robert Redford so I enjoyed the movie, but it was NOTHING compared to this book.

Jack Engelhard while telling an interesting story is super adept at weaving in moral dilemmas which make his readers THINK!!!

Bottom line...the book is better than the movie by far.

BTW...I have read ESCAPE FROM MOUNT MORIAH...I just wonder if it weren't for Adolf Hitler, Jack could well have become a rabbi...a very distinguished rabbi.

REALLY GREAT BOOK, Jack!! You and Cassell write about different Atlantic Citys. Yours is the Atlantic City of today:slick and tinseled...as opposed to Cassell's shabby but colorful.

Love lost and regained... maybe... at what price.

I quest for novels like this (The Bathsheba Deadline: An Original Novel was one, too), which are inspired and masterfully presented, but which do not leave the reader in the hopeless state of wanting to jump off a cliff, or off a skyscraper or high bridge, whichever arrives first.

Not only that, the story surged contemplations on various vital issues of life games... politics, religion, culture, all of what Engelhard ascribed to King David (the protagonist, Josh's man) as "lover, poet, warrior, sinner, king"... (I flipped instantly to page 61 when looking to verify that list, ha!)

Each character in this novel is precisely, profoundly, psychologically on target, with Joan, Josh, and Ibrahim being the prime trilogy in that observation:

--- Joan must have written her part, as the author accused of her in his introductory remarks, because her psychology of the feminine, as it is breaking down and rebuilding itself, are true to that psyche and hormonal balance which limits, defines, and elevates that gender, a gender which each human has within.

--- Ibrahim must also have written his part, because, as it appears to me, he is an embodiment of the pure strength and raw beauty of princely power, and of the potently rich addiction of profanity, both within his Amalekite blood.

--- Of course, Joshua, as bred by the author, constantly works the phenomenal growth potential inherent in his Jewish ancestral blood, as he relentlessly responds to the dynamic demand of consciousness shifting through the kaleidoscopic, mesmerizing, eternal process of thesis, antithesis, synthesis.

As I was reading somewhere in chapter 27 of INDECENT PROPOSAL, a thought came to mind:

"THIS IS A NOVEL."

I've never said that before, in that way, and in the most precise sense of the term "novel." For me, INDECENT PROPOSAL has delineated the term. Regarding that novel, I mean that term in the full, brightest sense of an inspired, artistic, structural accomplishment enhanced by the ability to entertain and enthrall a reader within the circular cohesion of a story format.

The complicated twists leading to the denouement of this story were awesome.

They had me fluctuating between seeing the book as a novel in the sense of bright-side brilliance...

... (especially during the reader's joy in experiencing the growing anticipation between Josh and Joan that the New York scene they had planned as a renewal of their love might work a healing magic for this pair of desert-crossed lovers)...

... then seeing the book as a novel of dark-side brilliance (on par with the literary classics, many of which I honestly can't condone as contributing to the mental health of the human race)...

... then flipping maybe a couple more times between the bright and dark... finally ending with the conclusion that INDECENT PROPOSAL has honored the grace of art and redemption of soul.

All of which brings me to noting how much I was impressed and edified by seeing parts from Escape from Mount Moriah: Memoirs of a Refugee Child's Triumph, Engelhard's childhood memoirs, bleeding, literally, into PROPOSAL. Now, of course, I see why ESCAPE stepped up to me to be read just prior to PROPOSAL, and why I was compelled to buy both in the same order on Amazon.

A question which remains after having read INDECENT PROPOSAL is:

Why did the movie move away from the intriguing, if discomforting, thematic landmine within the original novel.

Of course, the introductory essays to this original version of the novel made the opening reading of the first chapter all the more riveting, especially knowing ahead of time that this book contrasts so obviously with the movie.

As Englehard detailed generously in his intro remarks, the attempt to translate a novel into a movie is always limited by the forms of text Vs film. Also involved, as I know from my own perspective, is the fact that reading a novel aloud takes around 7 hours; whereas a movie's average run is under 2 hours. In any case, a balsamic touch for condensation is required for an honorable translation.

In this case, the movie script did not go balsamic with the essence of the original novel. It did ingeniously exploit one of the surface concepts of the book, while ignoring the deeper issues in the novel, eclipsing them with a concept of "every woman's fantasy." That fantasy may have been true for the screenwriter, but is not true for me, and not true for 90% of the female population, in my opinion.

Truly, the translation from novel to screenplay was confusing.

There was a reason that the female lead in the original novel was a high-spirited, gorgeous, blond Gentile. There were reasons that it was an Arab prince, an enormously wealthy Sheik, who tempted a Jewish man and his wife. There were reasons for the setting of the story being in Atlantic City's gambling cassinos, with the Jewish man being unlucky in his gambling addiction due to the intensity of his need, with the Arab prince owning the dark luck his wealth and ancient blood empowered. Where did all those reasons go.

As others have said, Engelhard has accomplished something timeless, eternal, and primal in this book. To acknowledge the publisher, Huberman's understatement, it holds universal messages.

Possibly, when this book was written on Engelhard's kitchen table, and later when it was made into a blockbuster movie, the human race was not ready to be entertained by the primitive sides of politics and truth. At that time, we were buying the romantic ideal, paying for redemption through rose-tints.

In the long run, truth designs a much bolder, richer story. Jack Engelhard has presented that story with literary finesse, with gritty depth and enthralling prose.

I love movies as well as books, yet I wonder if a movie could ever capture what this author can bring to life in an original novel.

Long may he write.

In some ways movie producers today have been getting away with politically and culturally adventurous plots. Maybe they're closer now to portraying the type of bold and rich which resides in the true novelist's soul.

Every minute of every day is a choice and a second chance (I said that).

Linda Shelnutt

Check out also Engelhard's Kindle novel, The Girls of Cincinnati
And see the works of John W. Cassell for novels of the same caliber which also embody the qualities praised in this review.

Oh, boy! This book is really something else. Although the movie gets the general idea of the plot, the characters are totally different from the book. Woody Harleson is a dark, moody and sacrastic European Jew obsessed with his blonde trophy wife. He lives in Philadelphia that he so deliciously hates. When the twosome go to Atlantic City (Vegas would be too happy a place), they meet, Robert Redford? Nooo! An evil oil prince from some desert kingdom. And this time it's not about money...

Toward the end of his 1971 conversation with Richard Meryman, easily the best interview in this collection, Bergman says that "to make a film is to try to open up the roof--so we can breathe" (p. 112). This is as good a one-line characterization of Bergman's project as I know. Bergman's films defy easy analysis, sometimes because they're poorly conceived, as Bergman himself admits (he thinks, for example, that "Through a Glass Darkly" is a prime example), sometimes because even Bergman in retrospect isn't quite sure what he was trying to do, but sometimes because there's simply a great deal of depth to them. How, for example, to collapse the message of loneliness, despair, human nature, and hope conveyed in "The Silence" into a couple of sentences? But what Bergman at his best does succeed in doing is expanding us, opening up the roofs of our worldviews, inviting us--sometimes forcing us--to breathe in an atmosphere that's crisp and thin and heady.

Readers who pick up Raphael Shargel's collection of Bergman interviews in the hope that the master will explain what his films are about will be disappointed. Bergman tells us that he wants to elicit emotional experiences first and cerebral ones second in his films; that dreams have influenced his scripts and his director's eye; that he works best when his days are rigorously scheduled; that he thinks a film is "selected reality" (p. 106), which reminds me of Tarkovksy's beautiful characterization of film-making as "sculpting time"; that he thinks a certain "childishness"--a naivete, an openness to experience--is essential for good art. But what Bergman doesn't do, appropriately enough, is tell us how to interpret his films. So in many ways, his intervews are as mysterious as his artworks.

The interviews collected by Shargel vary in quality. As I've mentioned, Richard Meryman's is the best of the lot, closely followed by A. Alvarez's. The "Playboy" interview conducted by Cynthia Grenier is worse than worthless, and seems intent on focusing on little else than sex in "The Silence" (the interview was conducted shortly after the film's American debut). There are numerous typos in the text. "Feeling" is consistently spelled "felling," for example, and at one point Bergman is referred to as the "15 year old creator of 'The Silence'"! The only other book I've read by the University of Mississippi Press was also poorly proofed. Strange that an academic press is so careless in its copyediting.

Shargel's collection is a decent starting point for readers new to Bergman, but better ones include Bergman's memoirs, The Magic Lantern (2007) and Images (1995). Jesse Kalin's The Films of Ingmar Bergman (2003) is highly recommended for serious students.

This collection of interviews with Ingmar Bergman gives the reader almost a definitive view of not only the great director's vision, but of his constantly evolving artistry. As a teacher, I found the discussions of individual films invaluable.

No film critic could have approached Bergman with such passionate understanding and insight as Raphael Shargel. Following his film reviews in The New Leader for years, I am not surprised by his far reaching ability to grasp a life's work as he does his movies, always interested in their impact on society and us as individuals as well as the history that produced them in our time. When you get to it, your understanding of Bergman and appreciation for the value of interviews across a lifetime will be as rich as this book's index.

I'm a big fan of Bergman, and I was thrilled to see these interviews come back into print. They tell you so much about Bergman's life, films, and his personal opinions. Organized chronologically, this book reveals a development of Bergman both as an artist and as a person. I highly recommend this book to anyone who is interested in learning about Bergman's genius or film in general. The introduction offers terrific insight into the mind of an artist.

the book was good it was kinda like the movie all about the
benjamins you know what im sayin mooney money bling bling

I rated this book five stars.
Why?
I enjoyed reading about how
they all felt about each other.
What I really liked was they finally
got record deal.
The character I liked the most was Chanel
because she was the nice and pretty type.
So that's why I rated this book five stars.

Of all the books I've read I have to say this is the best. The series alone is great! In this book Galleria tries to be the leader of the group and bosses them around. So Chanel tells her it's not happening. (But I like the old Aqua and Angie better, They are featured in the series 1-4)

Well I am a big fan of all types of books and when I first sawthe Cheetah Girls book I had to get it (the first edition). I am inlove with them! They are so adorable. Although, it took me awhile for me to understand what they were saying. This book is recomended for kids age 8 & up. Anyone can enjoy this book. If you want to be a star or don't think you can make it just read this (and other books) to let you know you can.

This volume of articles and tidbits about the great Jackie Chan is definitely worth a read if not great. There are many fine insights into the man and the legend Jackie Chan, and indeed a lot of interesting photographs, which makes it so much the more enjoyable.

The format of the book, however, does not really agree with me. I don't like the article form, it seems cheap and mean. In my opinion it would have been better to write a uniform, coherent text based on the interviews and articles instead. The information is still there, it just seems a bit disorganized (which it really is not, it just seems that way).

It is still highly recommendable for all the information in there. Sure to please any fan.

This book is awesome! John Little's interview with Jackie Chan is worth the price alone. The photographs are the best, particularly the one of Jackie climbing a flag pole that looks like it has to be 50 feet off the ground! I learned so much about Jackie Chan, his martial arts training, his fitness methods and his personal philosophy. Having read all the other books on Jackie, I can easily say that this is - by far - the best! A must for everyone who loves his stunts or have been awed by his physical talent in martial art.

I loved this book. Anyone into the arts will love this book to. Its great and i personally like Jackie Chan.

This book is a fabulous read. I couldn't put it down until I finished it. It is not a narrative, but rather a compiled series of interviews between the author(s) and Jackie Chan that have taken place over the past ten years or so. The chapters are split up into sections on his childhood, martial arts training, philosophy, health and fitness, career and film making, stunt coordinating etc. Each chapter has an introduction and then goes straight into an indepth interview with Jackie Chan himself! There is a small overview at the beginning of the book on his life (a mini "My Life in Action"!) and at the end a filmography and a chapter containing what the author considers are Jackie's ten best stunts in a short paragraph format. There is a treasure trove of pictures from Jackie's films (all black and white unfortunately), many not before seen. I consider this book belongs on the shelf with Jackie's autobiography as it is contains personal insights and comments from "The Man" himself. My respect for Jackie Chan, already high after reading "My Life in Action", has risen even higher. The man is phenomenal and makes the so-called "Hollywood Stars" shine rather pale in comparison. If the many who dismiss Jackie as "just an action actor" could only read this book, how their eyes would be opened! Highly recommended - a must read!

Or maybe a Sharon Stone (she is not spared in these pages). Quite simply, this book is impossible to put down. James Ulmer's clever rating system is interesting enough in itself -- but the best part of the book is his personal stamp. He makes no bones about being star-struck, yet his mission is the demystification of the gods, and he does it with gimlet-eyed clarity and intelligence. A dirt-filled riff will turn on a phrase into a sharp insight into the celebrity cult and our fascination with it. Some of his observations of actors are priceless. My image of Marlon Brando struggling up the Brooklyn waterfront ramp will now forever be juxtaposed with him struggling up the aisle of an L.A. supermarket, dressed in a muumuu and eating from an as-yet-unbought gallon of Breyers ice cream. This is a great summer (or winter) read, but don't take it to anyplace where you're self-conscious about laughing out loud. Because you will.

For anyone who enjoys following the cult of celebrity -- go backstage with James Ulmer and find all of the behind-the-scenes gossip (ok really thruths) about today's biggest stars. Ulmer has been compiling this list for industry insiders for years and this is the first time he's published his info for the general public -- can't wait for the next installment!

It's fun and funny to see how the industry perceives itself, this book is a hoot. The information they based the ratings on is already outdated, (Russell Crowe's career trajectory arrow is going sideways? Hello?) but it's still worth the $$ for the essays, especially the one on star perks, (you will not believe the story about a certain actress and a baby opposum) and the "inside dirt" remarks.

The title only tells half the story. The lists are fun to browse (the 200 top stars), especially the inside dirt on each star. But the essays are really hilarious: weird twisted perks, gossip and insecurity, naughty inside references - a pretty amazing picture of business and culture in Hollywood, where Ulmer says nothing binds people together like money, tribal membership "and the desire to see your best friend fail." Yikes. This book definitely goes on my holiday gift list.

If Ernest Hemingway had made movies, they would have looked something like John Huston's. The passion, intelligence, and joie de vivre of Huston's films are reflected in this set of articulate interviews. Pour yourself a good drink, and listen as one of Hollywood's best raconteurs spins yarn after yarn in this splendid volume of a valuable series.

Ably edited by independent scholar and freelance writer Robert Long, John Huston: Interviews is an informative and insightful compilation of interviews with the late John Huston (which took place from 1952 to 1985) in which he personally comments on his life and projects as an acclaimed filmmaker. Among the movies that are surveyed within this context are The Maltese Falcon, Key Largo, The Treasure of the Sierra Madre, The African Queen, The Night of the Iguana, Prizzi's Honor, and The Dead. The observations range from his approach to directing; the influence of painting upon his camera work, and his association with stellar actors, to his beginnings in Hollywood as a screenwriter, and the influences of James Joyce and Ernest Hemingway upon his movies. Replete with numerous anecdotes about writers, directors, and actors with whom he collaborated, we are presented with a body of work and a filmmaker's life that will be immensely appreciated by students of his work and a man whose personal life was as prodigious as his professional career.

This is a terrific book. It consists of interviews with John Huston from 1952-85. Not only does the reader find out about Huston's ideas on filmmaking and get some inside info on the making of classic films, but he will find out about the breadth of Huston's interests, which extended beyond filmmaking to art and philosophy. Here, truly, was an intelligent man.

The most interesting thing to me about Huston was that he started in the classic studio age and survived its downfall to make films that were fresh, interesting and important even in the Eighties. These interviews show Huston's mental flexibility. He admires "McCabe and Mrs. Miller," "Rocky," and "Taxi Driver." Huston is also quite frank about his own films. I will never be tempted to see "Roots of Heaven" or "Barbarian and the Geisha." I have to see "Moby Dick," which he considered one of his films that never got its due.

I was sorry when this book ended.

Ably edited by independent scholar and freelance writer Robert Long, John Huston: Interviews is an informative and insightful compilation of interviews with the late John Huston (which took place from 1952 to 1985) in which he personally comments on his life and projects as an acclaimed filmmaker. Among the movies that are surveyed within this context are The Maltese Falcon, Key Largo, The Treasure of the Sierra Madre, The African Queen, The Night of the Iguana, Prizzi's Honor, and The Dead. The observations range from his approach to directing; the influence of painting upon his camera work, and his association with stellar actors, to his beginnings in Hollywood as a screenwriter, and the influences of James Joyce and Ernest Hemingway upon his movies. Replete with numerous anecdotes about writers, directors, and actors with whom he collaborated, we are presented with a body of work and a filmmaker's life that will be immensely appreciated by students of his work and a man whose personal life was as prodigious as his professional career. John Huston: Interviews is also available in paperback ..., [price]

The Journey of August King is a novel rich in description of the Appalachian Mountains of North Carolina. This book very well illustrates slavery and how it was dealt with as well as the kindness of the mountain people of that time.

Being from North Carolina myself, I am fully aware of how accurate the description is. The scenery makes you feel as if you are actually there with August King.

Also, I particularly enjoyed the portrayl of August King. He is showed as a very kind man, not unlike his neighbors, just having a bit more sympathy. He is not unhuman, either. He is portrayed as a man who has known hurt, loss, and love, though he does not recognize it.

As noted, his journey is a spiritual one to finally come to terms with the death of his wife. I like the way this is done, using tears even, to help us understand how he is accomplishing this.

Ehle's descriptions are both surreal and earthy. The characters are complex entities, they are not perfect. August is a hero almost by accident, and an ambigious one at that. The struggles August experiences with his attitudes vis-a-vis race forms a major catalyst in the story.

For individuals interested in historical fiction about Appalachia this is a must read.

On a historical sidenote, I've always liked Ehle's inclusion of Germans in his stories. It is a refreshing multiethnic approach from the general Scotch-Irish dominated stereotype of Appalachia history.

John Ehle makes you remember the NC mountains like no one else can. The roads and trails seem familiar because some of them still exist and perhaps you have been there. The people haven't changed all that much even though Ehle covers the time near the civil war. Yes, the story is good and keeps you interested. Yes, his writing flows well. But Ehle has always been somewhat of a regional writer because he understands the locals. I would love to go back to the black mountains, walk the trails and talk to the people there. Reading John Ehle is a close second.

I loved this book. I've read it many times. Each time I appreciate the beauty of the prose, the skillful character development, and the suspense of the plot. I like the contrast between the main characters' thought patterns and conversation: August's thoughts and words free-flow; Annalees' are more grounded and practical. I like the subtle differences in their speech patterns: it's like listening to a conversation. I also like the way Mr. Ehle has peppered his character's words with idioms and phrases from the time in which the book takes place. The scenes unfold with drama and picture-perfect description

I wasn't disappointed in the movie and the novel didn't either! It has all the action and science- fiction bits combined in one! You might be even surprised that this was actually one of the first drafts of the script for the top-notch movie.

Judge Dredd was a great book! It's highly recommended to those who have not read it. Buy it today

The Judge Dredd book was as exciting as the movie.Although the format might be different,it is still a great book you don't want to miss!

Judge Dredd the book had everything the movie had and even a little more. Don't plan on just picking this book up and reading it for a minute, once you start reading it, you're hooked and you can't put it down.