P Books

What a fabulous book! This book is for anyone who grew up in Mexico during the 50's, 60's and 70's or anyone who loves a great true story of adventure, humor and the life of a fascinating man who lived life on his terms. It is very easy reading with a storyline that makes you never want to put the book down.

Having grown up as an American in Mexico City during the 60's and 70's, I remember listening to Larry Johnson on the radio with his Top 40 Hits and dedications in english and loving the show. What I did not know was how interesting and special Larry really is!

A heart-warming, inspiring, sometimes humerous and delightful book about a blind man's experiences in early life. A book that is difficult to put down--and one that is enjoyable a second and third time. After meeting Larry, it even has more impact. For anyone who enjoys autobiographies and being enlightened. AMR

Larry Johnson's book shows the reader what we are all capable of doing when armed with a large dose of determination and optimism. He doesn't quit regardless of the adversity and he inspires the reader to do the same. He encourages us all to stop using excuses to be nonproductive and start living productive and fullfilling lives.
For example, if you don't have eyes, use your ears, if you don't have ears use your sense of smell. It encourages you to go around obstacles and proceed with life full speed ahead. It is quite a positive life affiming book.

What an inspiring book this will be for anyone with or without a handicap. The author shows us that through hard work and ambition you can not only overcome obstacles but you can excel in life by maintaining a positive attitude. The account of his years in Mexico city coupled by the many humorous anecdotes he shares with us offer a fantastic read.

Now THIS is a great book. I loved it!

It is funny, exciting, thoughtful and most of all, it is the most inspiring book that I have ever read.

Mr. Johnson's credo must be "no challenge too large."

Imagine a very young man traveling by rail from Chicago to Mexico City in the 1950s without human companionship. Now imagine that very same young person doing it totally blind! And, if that is not inspiring enough, he then goes on to become the #1 DJ, on the #1 program, on the #1 radio show in Mexico City. You gotta' love this guy.

As I read about his adventures, failures and successes, the people he met including the love of his life, and the fun he had along the way, I found myself rooting for him so much that I couldn't put it down. I also enjoyed the way he writes because it didn't even feel like I was reading, it was more like being entertained by someone re-telling me some really great stories.

It was a very pleasureable read and I'd recommend this book to anyone who has ever faced a large or small challenge in their life.

Well, I guess that includes just about everyone!

As an American child of about 10, I acquired a battered copy of this book along with a bunch of children's books from a family friend whose children had outgrown them. As other reviewers suggest, I was mystified by much of the book (the poet Pope?) but I still found it a great adventure story and loved the illustrations. It didn't hurt that I resembled Maria myself (a bookish tomboy with glasses--thank God for LASIK). I have re-read the book with pleasure on a number of occasions and now understand the references, but I wouldn't hesitate to give this book to an intelligent American child today. Perhaps it would prompt him or her to learn more about British history and literature. I'm glad to see it has been reprinted.

As kids, both my brother and I considered this one of our favorite books - and we did a LOT of reading. I can't tell you how many times I read it. Our copy was lost at some point, so I am thrilled that it is back in print so I can now read it to my own children. My kids are 3 and 6, so still a bit young for this book, but I'll probably buy a copy now for my own pleasure, and another for my brother.
I have always loved books that lead you to another book, and I just had to read "Gulliver's Travels" after reading this one. As a kid, much of it went over my head, but I still enjoyed it. Now that I think about it, I should re-read that one too...

Although one of White's lesser-known works, to my mind it's easily one of his best (Anne Fine regards it as her favourite children's book). The concept of Lilliputians living in an English landscape garden is superb, and White develops his theme in wonderfully enticing ways - and always with his typical 'feel' for character and setting. There's so much to enjoy in this tale - still a classic after 60 years.

I read Mistress Masham's Repose when I was 11 years old, and re-read it now as a Grandparent. It is magical, yet plausible that a little girl could enter such a fantasy world. Both my Granddaughter and my Greatniece will receive a copy for their birthdays with a note telling them why this book has not lost its charm through the years.

After finishing university T. H. White worked as a teacher in the Stowe School which occupies a gigantic former Baroque stately home: here he conceived of the idea of Malplaquet, modeled after the greatest of all British country homes, Blenheim Palace, where the Dukes of Marlborough have lived and where Winston Churchill was born and raised. Malplaquet, an imaginary dilapidated repository of all its nation's history (we find out the Princes in the Tower were executed in its medieval dungeon, which also contains the ax which beheaded Charles I), would make a wonderful setting for any book, but rather than use it for a Gothic (the obvious choice), here White had the inspiration to make it the setting for a children's fantasy. White's mansion is not only the home of the little girl Maria who has inherited the estate (and not much else) and her warders--some cruel, some kind--but also a group of Lilliputians brought over from their island home during the time of Swift, whom Maria encounters one day. Maria's encounter with the Lilliputians becomes for her a means for learning about the nature of tyranny--both that exercised over herself by her guardian the Vicar Mr. Hater and her governess Miss Brown, but also that she herself can hardly keep herself from exercising over the Lilliputian community hidden on her estate.

This is a children's book that, to be honest, will best be appreciated by adults. White imagined his readers not only familiar with GULLIVER'S TRAVELS but also with some of the history of seventeenth and eighteenth-century England: American children particularly today would be confused as to who Mistresses Masham and Morley were, or what Malplaquet is named after, or even who Gulliver was. And their patience might well be tried by White's love of Wodehousean "types": the bluff Lord Lieutenant with an obsession with horses and hounds, and Maria's mentor the absent-minded and esoteric antiquarian the Professor . But adults (and even older children) should love this book, and its well-structured narrative is a real pleasure.

Recently, I have been fascinated by Alaska and the people that inhabit(ed) its interior. The life of Jim Huntington is to be admired by everyone. This book was a fast read and a real page turner. It is more adventurous than many fictional tails I have read. Excellent and should be read by everyone.

I think I bought the last eight copies, so please order more, Amazon. I teach high school in the Alaskan bush, and it is extremely difficult to find books that my non-readers enjoy reading that also have academic value. This book, and "Shadows on the Koyukuk" by Sidney Huntington, Jimmy's brother, have given my students insight into the transition between traditional Native culture and current native culture with its White influence and inclusion. My copies are going into the Alaska History tub of materials from our district resource center, to be shared by the other schools in our district. We will need more copies.

Jimmy Huntington wrote the best read I have seen in awhile--not too flowery, just basic truth. I loved it!!! Bonnie

Extremely captivating book. Well written and impossible to put down. I am constantly amazed at the willpower some of these people have to go through what they do.

First I kind of feel like apologizing for only giving this four stars. I really did like this book, and I really did find it well written, but five stars is kind of where I put Brothers Kharmazov. Having said that, this is a great story of life growing up in the wilds of northern Alaska. It begins with the 1,000 mile overland survival walk of the author's Indian mother across the tundra to return home after testifying in the trial of the murderer of her first husband. From there the hard fought life of her trapper son gets chronicled as he and his brother virtually raise themselves in the wilds of the frozen country. The beauty and wildness come through, but more than that the spirit of the author and his family in not only pulling themselves up with the own bootstraps, but doing it time and time again after losing everything to floods, fire, disease, and even peculiar laws.

There was so much territory to cover, fitting in a way for a book about Alaska, that some stories such as his dogsled races (Iditarod precursors) that the author won could've filled a whole book but get only enough ink here to leave the reader wanting more. In any case, it's a great book, and well worth your time. The story of a miner, trapper, dogsled racer, merchant and eventually politician. To use a cliche, among the last of a fading breed.

The book had good case studies for and advice for both entrepreneurs and business people in general. His Principles and Ground Rules are good advice from the real world. I found a couple of typos here and there, but it was a good quick read.

The book has a lot of motivation on how to utilize people that come in play with your life in a positive way. It shows you how to be creative in making real estate deals to your advantage.

Great book for those who want to become real estate investors.

The book is awesome. I first skimmed it at the bookstore but after getting home without it I decided to go back and purchase it because there were so many lessons in there that needed to be mulled over and studied again.

So many other books of a similar ilk don't go into the details that Mr Peebles does and his lessons could apply to many businesses, not just real estate.

This is a great book. The main lesson I learned from this book is that there are different degrees of thinking, and if you're going to think anyway, you mind as well think BIG. Thinking big feeds upon itself, creating more and more success. Thinking BIG also helps facilitate creativity. If one thinks small, set-backs will inevitably cause them to quite before the BIG rewards come. I agree with other's comments who say that the power in this book comes from "going along" with the author, and in essence being a part of his successes and failures.

The author's writing style gives credence to the lists of principles he produces at the end of each chapter. It's written well; not too long, not too short. One of the risks of the author's writing style is that the reader might get sidetracked into viewing the book as entertaining, and not take out the numerous gems to apply to their own entrepreneurial endeavors. I've read it once for enjoyment and now will read it again to extract the numerous gems.

I appreciated and enjoyed the author's "tell it like it is" candor. I believe that is one of the traits that has made him successful. However, I got a bit uncomfortable when he would name people he claimed as being dishonest or lacking in judgment. He did this as a matter of fact, which I feel is a bit unfair to the accused. Chances are high they were dishonest and lacked judgment, but to state it as a fact in a book, I thought was a bit unfair. But that is being picky (unless you're one of the accused); all-in-all this is a great book for aspiring entrepreneurs!

I WAS UPLIFTED AND INSPIRED BY THIS BOOK. I AM IN MEDICINE NOT BUSINESS BUT THE PEEBLES PRINCIPLES ARE UNIVERSAL. THANK YOU MR. PEEBLES.

The story is this: A young woman, Prudence Sarn, is born with a harelip, which makes her subject to superstition and ridicule from the small-minded country folk who surround her in early 20th-centry Shropshire, England. Because of her deformity, Prue is told again and again that she will never marry; her brother, Gideon, more or less conscripts Prue into serving him on the family farm, telling her that if she follows his plan that she will at least have money and respectability someday. Prue follows along with this plan, envisioning the day that she will have enough money to make herself "beautiful as a fairy" - a dream that takes on concentrated exigency in Prue's mind when she falls in love with the handsome weaver Kester Woodseaves. Prue thinks that no man could ever love her as she is, "cursed and hare-shotten," and when one tragedy after another strikes the Sarns, she wonders if true happiness will ever touch her life.

It's rare that a book moves me to tears, but in the course of reading this novel I grew so attached to Prue that I felt as if she were speaking to me as a sister. The delicate, simple distinctions of this story ring true in every word; it was as though the secrets, disappointments, and beauties of the English country were visible in the spaces between words on the page. At first the language, written in vernacular of the time, was hard to read, but once I grew accustomed to it I was transported to a remote and seemingly miraculous place where Prue discovered and treasured profound beauty in unlikely places. The same can be said of discovering Prue herself, whose compassion, wit, love, and faithfulness shine in everything she does. I would recommend this book to anyone and everyone - it is undoubtedly a story about love, but not in the conventional rom-com or Harlequin-paperback way that's so prevalent nowadays. This is a story about strength of spirit, about unconditional goodness in the face of cruelty, mockery, and calamity. If that's not a real "love story," I don't know what is.

This is one of those rare stories that seeps into your soul and leaves a lasting impression. The language itself, while a bit difficult at first becomes a song you want to sing and long to hear it spoken. The story, sometimes achingly sad and violent is ultimately triumphantly romantic - with a sequence of events that leaves the reader breathless and yearning for more. Shortly after reading Precious Bane, I was lucky enough to discover a small theatre group in Chicago performing the stage version. My husband and I were in a packed theatre of about 30 people, where I sat front and center with the actors not more than two feet in front of me. Knowing the story line as I did, I made a spectacle of myself sobbing through the second half of the play. I'm sure the actors were gratified that they had such a strong effect on their audience. Suffice it to say, no one who picks up this book will be disappointed, nor will they ever forget it.

This is an amazing book which should be read by all those who enjoy British literature. It is a touching, romantic story. The writing is sensual in that there are sounds, smells, sights, tastes and textures to be experienced in its textual descriptions. The natural setting almost becomes a "character" in and of itself because you could not take the story out of the beautiful, natural, country setting Webb creates.
Look at other reviews to understand the plot. However, it truly doesn't make sense to try to recount it. Be patient when waiting for the "hook", when you won't be able to put the book down, it will come. Also, allow yourself a bit of time to learn to read and hear in your mind the syntax and sound of the words. Mary Webb takes you to a different place and time and you come to understand what it would be like for a young woman with intelligence, family devotion, character and longings who happened to be born with an external defect.
May this book become one of your favorites as it has become one of mine. (If anyone knows how I might obtain a video/DVD of the Masterpiece Theatre version with Janet McTeer and Clive Owen, please let me know.)

Once in awhile, you run across a book that's like coming home, that places you in a persona and setting that is hazily familiar. Mary Webb's Precious Bane does that for me. Set in rural England in the early 19th century, it tells the story of Prudence Sarn, a young woman whose mother encountered a hare while she was pregnant with Prue. The baby was born with a harelip.
For those who knew her, it meant that Prue would never marry--what man, after all, would want to kiss her? For those who did not know her, it was an excuse to make up tales that she "roamed the country at night in the body of a hare" and that she could curse with a look. For Prue, it was reason to hide from the man she loved, the weaver Kester Woodseaves.
Prue worked like a slave for her brother Gideon's dream of wealth and power in exchange for his promise of money to have her affliction cured when they were rich. But Prue took moments to appreciate the lilies on the lake's edge, the molting of the dragonflies, and the heady scent of apples in the attic where she retreated to write in her diary.
Mary Webb (1881-1927) lived most of her life in Shropshire County, England, where she and her father wandered the hills and lanes, a pastime she continued after he died. Later, Webb--who was also a poet--enhanced her stories with the naturalism and mysticism she learned from her father and the land.
Shropshire English is heavily influenced by the Welsh language, creating a lively and colorful dialect that Webb has distilled in her novels. It takes some getting used to, but once you catch the rhythm, it's hard to let go. Webb's prose will sing in your mind days after the book is closed.
She also used local traditions such as telling the bees when someone has died, and the employment of a Sin Eater, who, for a fee, consumes the sins of the dead person in a glass of wine and a crust of bread. When Gideon's and Prue's father died, Gideon agreed to eat the sins of his father if his mother, who was upset because her husband "had died in his wrath, with all his sins upon him," turned the farm over to him.
But it was the people she met on her wanderings and trips to the market where she sold flowers and produce from her garden that proved Mary Webb's greatest resource. Her novels are enriched by minor characters like Isaiah in Seven for a Secret, who said little but "Ha!" That one syllable was enough to make him a wealthy farmer because people felt they had been found out and out of guilt gave him their best prices. Sarah, the housekeeper in The House in Dormer Forest, broke the favorite china and vases belonging to whomever she was angry with.
Mary Webb's protagonists make her novels shine. Hazel Woodus in Gone to Earth seems more animal than human; she is as wild as her beloved Foxy. Deborah Arden, in The Golden Arrow, loves deeply and totally with all her soul. Robert Rideout, in Seven for a Secret, composes music and poetry while he herds sheep. Prudence Sarn is Webb's greatest achievement as she brings the reader to care passionately about Prue .
The novelist was able to draw from within herself to create Prue Sarn because she suffered most of her life from the facial disfigurement brought on by Grave's Disease.
Precious Bane is a masterpiece. Mary Webb's other novels do not reach that pinnacle--they are too didactic and sometimes simplistic, but they are well worth reading as they poetically explore love, passion, and social norms.

I first learned of Precious Bane when I saw the movie adaptation on Masterpiece Theater in 1989. It immediately became my all-time favorite story. After reading the book, which is even more satisfying than the wonderful movie, Mary Webb became my favorite author as well.
Mary Webb was more than the consumate wordsmith, her character development makes one feel that Prue Sarn is a cherished friend. This story works on so many different levels that it is hard to catagorize. Yes, it is a romance, but it also is a fairytale. It contains beautifully detailed imagery of nature that is nearly scientific in its observation - yet is transcendingly lovely, poetical, prose. It is both tragedy and comedy. Webb employs allegory, theology, philosophy...her work is multifaceted, literary artistry.
I give this book my highest recommendation for it is of inestimable value to the lover of literature!

Standish is not "stand-out-ish," but it's a pretty good story, though often black and dark beyond redemption. The characters, especially Rafe, Ambrose and Fleury, are well-drawn, unique and interesting. The settings are diverse (England, Paris, Venice and a horrible British prison), and probably are accurate and mostly believable. Erastes' take on history seems passable. Isn't it interesting that our basic view of these overwhelmingly important eras in history are almost always exclusively brought to us from the perspective of the rich and privileged? Really, it's only during the prison scenes in this sotry where we gain a truer picture of real life in the 1820 in Europe.

This is a gay story with lots of gay male sex, gay male talk, gay male musings, and gay male dilemmas. For the most part, the author gets the sexual episodes nearly right, if a bit overdone. This soft male porn isn't always a realistic rendition of what sex really looks/sounds/smells/feels like. But the love, the intimacy, the closeness and the need for physical attention and affection are indeed well-portrayed. The sex really does spice up the story.

The story itself is less believable, frankly, than the sex, but it is an engaging tale. Too bad so may people are so badly damaged and so badly damage each other throughout. Sometimes, in reading stories like this, I yearn for the normal people who actually populate my life. They are every bit as interesting as these fictional ones and never quite so tragic. This story follows one disastrous episode after another in the lives of these sometimes pitiful but interesting characters.

Make no mistake. This is not literature. It is a soft porn romantic tale, a snapshot into the lives of some seriously flawed homosexual men trying to live "normally" in a hateful, repressive time in Europe.

My one complaint is this: For the life of me, I could not, and cannot figure out the ending. As a voracious reader of all kinds of novels, I detest the cute "style" employed here by Erastes of demanding that you conclude for yourself what happened at the end -- not a satisfying conclusion at all!! I thought I deserved better after wading through the whole book.

If you don't want to read graphic, detailed, several-pages-long episodes of erotic sexual encounters between men (some midly brutal, I might add), then don't read this story. If that's all you want, don't read it either. But if you want a mix of an 1820's man-to-man romance with gay sex and a good view of the life of the privileged class at the time, then by all means read it.

I really enjoyed this take for its unusual subject matter. A gay Regency romance! I say more, more, more! Both the leads were extremely well-drawn and three-dimensional, and the prison scenes were fascinating. Very well-written in the style of the period, too--no anachronisms like you so often see. A minor quibble with the confusing POV shifts didn't detract from the enjoyment of this unusual romance. The research Erastes did shines through.

I just wanted to say that I loved Standish. Two friends have also ordered Standish from Amazon and loved it. Your writing style is really special. We can't wait to read more from you!

Standish
By Erastes
P.D. Publishing
Reviewer: Ruth Sims, author of The Phoenix

One of the characters in Standish does nothing--doesn't move, doesn't speak, doesn't think. And yet this character controls emotions and actions and passions just by existing. It is a house called Standish. Like the Rochester mansion in "Jane Eyre" or the cliffs in "Wuthering Heights" Standish is a place so important to the story that it almost takes on life.

Standish is the vanished patrimony of Ambrose Standish, impoverished grandson of the man who lost the place to Gordian Goshawk in a gambling game and lost his life in a duel soon after. Ambrose is studious, intelligent, and bitter at a fate which has him toiling as a tutor to support himself and his two spinster sisters. The house, Standish, is his obsession, his dream, his torment.

When Rafe Goshawk, who inherited Standish from his father, returns from many years abroad to take up residence there his life is set on a collision course with Ambrose. The Goshawk family's reputation is that of "venal, predatory raptors" and Rafe himself is a cold-eyed man, as bitter as Ambrose but for a different reason. He was born in Paris, raised as an aristocrat, and was a young boy when the Terror sent his mother to the guillotine, destroyed his world, and sent him and his father fleeing to England.

Ambrose hates the Goshawks without ever having seen one of the infamous breed who ruined his family. And then through circumstances or fate, he finds himself hired as tutor for Rafe's son; for the first time he sees the house he has obsessed about, up close. It is everything he dreamed it would be. It's a given that Rafe and Ambrose will end up in each other's arms but if you expect roses and violins and a predictable ending...surprise!

I won't go further with the story because it has so many twists and turns and I don't want to write a spoiler. The writing--descriptions, dialogue, everything about it--feels real and authentic. Erastes is an author who must research and research and research. And yet the research never overwhelms the story. It never intrudes. The author handles violence and sex with equal ease and knows the fine line at which to stop.

It's superb, well-crafted storytelling at its best.

Poised to hate the man whose father made off with the title to his ancestral home, the young Ambrose Standish gets in over his head when his loathing gives way to first love and naive passion. Rafe Goshawk, a rake of a man, comes to claim more than the prized estate. He wagers a secret bid to win and eventually possess Ambrose. Without a prayer of hope in resisting, Ambrose is overtaken by the wealthy and sophisticated Rafe, and by tragic circumstances that spin them wildly out of control. Set in Georgian England, Standish brilliantly delivers in the quite eloquent language of the era a story of love between two men, their tale built upon the innate peril of opposites joined and the grave threat of social prejudice against homosexuals.

Ambrose is set to be a delicious sacrificial lamb from the beginning, his innocence and humility glittering jewels in the eyes of a cad like Rafe. Ambrose's fall is inevitable. That foreshadowing drives the plot well, though the pace moves slowly in some places. Author Erastes still manages to sustain the expected sympathy for Ambrose, also revealing hidden heart-soreness in Rafe along the way. Unraveling the complex tangle of Rafe's feelings and Ambrose's insecurities Erastes shows how Rafe's wounds fuel his utter lack of self control, which precludes his ability to confide in Ambrose about his tormented past or to root honestly into their bond. Feeling sympathy for Rafe is unexpected though it is a significant facet of his character and nuance of their journey together. Factor in an unlikely foil to both Ambrose and Rafe, and Erastes creates tangible tension through the novel's end.

Despite it's familiar arrangement of romantic archetypes this story is no boy bodice ripper. No one begins defiantly pinned on his back only to end up clawing at buttocks and begging for more. There is no mixed intent in the hearts of these men. No, these characters are genuinely madly in love from beginning to end. Theirs is the lesson that abiding love does not conquer all, particularly in such a sexually stifling culture, where they are left to repeatedly assess how to move on.

besides the Bible. Page by Page, Young Cajun Priest Fr Romaro has Answered All Key attacks/questions about the Catholic Church. He Cites Early Church Fathers, after Citing each Question/Attack. Cites Definitive Bible Verses, And Reasoning, And Sometimes Recent Church Leaders. An Ideal Methodology. Fr Romero Adds a Basic Chart of the Many Different Protestant Denominations That Began 1500 Years after Jesus. Major Surprises Page by Page. Cannot put down. And This Book by Fr Romero is the First Such Book. Other Authors are Following. Very Highest Recommendation.

Fr. Romero has written an excellent resource that should be on every apologist's bookshelf. Each topic begins with a statement of Catholic teaching, then each major objection is handled individually, and finally the writings of the early Fathers of the Church end the chapter. The footnotes alone are worth the price of the book!

Using the Bible, the Catechism of the Catholic Church, writings of the early Church Fathers, and a number of other references, new and old, Father Mario Romero has compiled a wonderful defense of the Catholic faith in "Unabridged Christianity." Having read a number of apologetics (including many of the newer references used in this book), I've found that Protestants will accept few sources outside of the Bible. It appears that Father Romero had this idea in mind when writing his book. He takes a number of the primary complaints, disagreements, or falsifications of the faith from Protestants, divides them into chapters, and then answers each one with solid Biblical references. He also educates the reader on the proper translation of certain words that seem to be problematic for those outside of the Catholic faith. At the end of each chapter, he lists writings of the early Church fathers to show how the Catholic Church has been doing things the same way for two thousand years. Also at the end of each chapter are endnotes (some of which take up almost as much space as their respective chapters).

The topics covered range from Mary to Purgatory to "statue worship." He also defends transubstantiation, which always gets my friends of other faiths riled up. He covers marriage annulments, which do not always get a lot of attention from apologists.

All of this is done in a very straight-forward, plain talking manner that is neither offensive to Protestants nor is it egotistical sounding. I've come across a few apologists who are very headstrong with their defense of the faith which, while not necessarily wrong, might turn off Protestants from studying further. Father Romero's writing style is more like a "sit down over a cup of coffee" than an out-and-out religious debate.

I highly recommend this book. It's an enjoyable read that won't weigh you down with a lot of philosophical jargon or lose you with lots of "big words." I also recommend a number of the books that Father Romero uses as references, particularly the Karl Keating and Scott Hahn books. Another excellent apologetic is "Why Do Catholics Do That?" by Kevin Orlin Johnson. His writing style is very much like Father Romero's, with a little more humor spread throughout his book. Check these titles out if you are a budding apologist like myself.

If you're a Catholic you MUST own this book and read it so that you can defend your faith. If you're a non-Catholic Christian, you must read it to learn about your heritage. When I was a protestant, I one day wondered, "Just what am I protesting against? Why should I assume that the Catholic Church is wrong without looking into the matter myself?" It's been my experience that most people don't really know what they believe or why they believe it, much less what or why anyone else believes. If you are an "Anti-Catholic" protestant who thinks that the Roman Catholic Church is the [..] of Babylon' then, with all due respect, PARK YOUR PRIDE, remove the chip from your shoulder, get comfy and open your mind and heart and read this book. Of course, before you do, offer a prayer to the Holy Spirit for guidance. God Bless all of you on your journey.

This book is a very practical guide to what Catholics believe. It is written is practical style, setting forth in each chapter a basic tenant of Catholic faith, followed by a series of Protestant objections and Catholic Responses to each objection. This format makes the book easy to follow and a great source for quick research or for group study discussions. As a protestant, I am trying to educate myself on what Catholics genuinely believe, and I've concluded that the best source for that information is not from Protestant critics but from those who are themselves Catholic. The author, a Catholic priest whose ministry emphasizes teaching about what it means to be Catholic, quotes from much Scripture in this book and provides citations and footnotes to numerous Church documents to support the points made.

For purposes of gaining a better understanding of what the Catholic Church teaches, I highly recommend this book. It is also beneficial for developing a mutual sharing of faith between Protestants and Catholics so that each can better understand what they have in common as well as their actual differences. From that point, a more meaningful, productive and spiritual conversation may follow.

I grew up in Sandstone, MN and happened to find this book on the "Noteable Reads" table at BN. Picked it up and couldn't put it down. I had, of course, been taught the history of the Hinckley Fire, but never realized the total horror those people went through or what a monster of a fire it actually was. This book had chills running up and down my back as I read it. I'm sure I have one up on most people reading this as I have actually seen the places in the book (though altered now) for example the Sandstone Quarry (Robinson Park now) is one of my favorite places. I have a personal thanks for Mr. Brown for writing such an amazing book that really touched home for me(no pun intended.)

This book is an easy, informative read about a horrific disaster. It follows several people before, during and after the fire. It was much like reading an enjoyable fiction book. I plan to use portions of this to teach my junior high students about the causes and effects of forest fires.

I was glued to this book. Wonderfully written, interesting facts combined with a heart breaking story...I couldn't recommend it highly enough!

The Hinkley fire has been a passion of mine since I was 12 years old. I even dragged my grandma to Hinkley to see the mass graves and memorials. I devoured every bit of scrap of information I could on the subject. For years. We went to the Hinkley Fire Mesuem on my honeymoon!! This guy took all this things I have read, and then some, and put them in a story I can read and make total sense of! He did his research to the tee, inserting local histories and stories of the times, attitiudes, medical practices, and family histories, often taken directly from recorded histories given by the people who were there. And expanding on them with science, philsosphy, psychology.
I read this book in less then 24 hours, neglecting my family and house completly. It is wonderful, the most comprehensive book regarding the Hinkley Fire I have ever read. This book will be in my collection forever. I highly reccommend to anyone who has an interest in this history or the way of life in the late 1800's or human nature and compassion

I couldn't put it down and re-read it twice more to try and make sense of this great American tragedy which I'd never heard of before. The author used other written accounts as well as science to explain the firestorm that swept through and destroyed several small towns in Minnesota in 1894 and made it come alive for me. I was awestruck as he described great bubbles of glowing gas that formed, traveling ahead of the fire only to burst over the heads of terrified victims. The accounts of the passengers on the trains trying to escape the fires only to have the train itself catch on fire was suspensful and awful! This is a book that you won't be able to put down and I hope to see more books from Mr. Brown in the near future.

All Aunt Hagar's Children is a collection of short stories by Washington D.C. native Edward P. Jones, it is his third book and the first since winning the Pulitzer Prize for The Known World (2003). The stories are about black Americans in Washington D.C. during the 20th century. Each story revolves around family, society and self, detailing experiences emblematic of southern blacks who migrated to northern cities from rural roots: some found salvation and others a living hell. In all the stories there are transformative turning points in peoples lives. As Jones shows, they are often not conscious of what happened - life-altering events can happen in the course of the banal every-day, setting in motion life patterns that can be hard to break when it's forgotten or not noticed how it started. In some cases the patterns are passed down unconsciously generation to generation - like the devil, cycles of violence, poverty, addiction, sickness and ignorance stalk many of the characters for seemingly mysterious reasons, bordering on the mystic in some stories.

The stories are beautifully original, Jones employs authentic southern expressions creating a time capsule reverberating with fading folkways. Like the characters he writes about, Jones grew up poor in Washington. He had a strong mother - whom he dedicates the book too - and it contains many of her colloquial sayings. This is not a book to be read quickly, like the pace of southern culture, each sentence demands respect for plot structure, character development and the unique southern way of putting words together. I read this hoping to learn more about the black culture of Washington (and Baltimore up the road) and was not disappointed, but what an extra treat to have a world-class writer with a deep sense of humanity, empathy (and sometimes sly humor) show the way.

This author has done it again with brilliant illustrations of a city and families that touch the core of our compassion. No wonder he won the Pulitzer-he is amazing, and this is an amazing piece of work with suspenseful endings quite similar to Toni Morrison.

In his highly-acclaimed volume of 14 stories, "All Aunt Hagar's Children", Edward P. Jones draws portraits of African Americans who have migrated from the South to Washington D.C. The stories are set from around the beginning of the 20th Century to the present day. The stories describe many types of people from young children to old men and women and from the poor and illiterate to the highly educated. They speak of loneliness and change, of the frustration, sexual and otherwise, that results from moving to a new urban place, of criminality and drugs, and of education. The stories are short but deeply textured, as in tapestries(the title of the final story). Characters, histories and sub-themes are realized in brief spaces.

The writing style in these stories is a major factor in their success. All but two of the stories are told in the third person by an all-knowing narrator. (The exceptions are "Spanish in the Morning" told in the voice of a precocious young girl and the title story "All Aunt Hagar's Children told in the voice of a young Korean War veteran who hopes to move to Alaska in search of fortune and women.) The writing is full of Biblical allusions. Hagar, of course, was the concubine of the patriarch Abraham who was sent into the desert after she mocked the childlesness of Sarah who then became jealous of her. God spared Hagar and her childen. The figure of Hagar is used her for the outsider and the outcast -- symbolizing the lives of the African American characters of the stories. The language of the stories in its richness, difficulty, and frequent elliptical character, particularly in its repetition and in its use of names, also owes a great deal to the Old Testament. There is also much in the stories that reminds me of the African American preacher of Jame's Weldon Johnson's poem "God's Trombones". The rich, narrative voice of the stories is complemented by the contrasting voice of many of the characters with its slang, dialect, and frequent use of obscenity.

The stories develop character and place. Jones shows the reader a Washington D.C separate from the world of national politics familiar to most Americans. I have lived in Washington D.C. for many years. Jones's depictions of neighborhoods, streets, landmarks, stores, and people had a deep sense of familiarity. They also helped me see the familiar aspects of my city in a new way. The characters are true and believable in their many responses to living in Washington.

The stories I especially enjoyed included the first story "In the Blink of God's Eye" and the final story "Tapestries". Both these stories are set both in the rural South and in Washington, D.C., the former at the turn of the 20th Century and the latter in the 1930s. They both show the difficulties young married couples encounter with the change of place.

The story "Old Boys Old Girls" describes the life of a young man who spends years in Lorton prison and his attempt to make a life for himself when he is released. Jones contrasts the life of his down-and-out protagonist with the lives of his wealthy and successful family. "A Poor Guatamalean Dreams of a Downtown in Peru" tells of a young poor girl who achieves great academic success but whose life has otherwise been filled with catastrophe and loss. "All Aunt Hagar's Children" is a complex story filled with themes of womanizing, murder, family, and wanderlust. It is a compelling portrait of African American life in the Washington D.C. of the early 1950s and it touches briefly as well upon African American -- Jewish relations.

My two favorite stories were "Root Worker" and "Bad Neighbors" both of which explore themes of the search for love and finding it in unexpected places. The main character in "Root Worker" is a young successful woman doctor who gives up a planned vacation to travel South to consult a root doctor for what ails her mother. In the process, she learns a great deal about herself. "Bad Neighbors" tells the story of a large, poor family that rents a home in a middle-class black neighborhood where they are shunned and feared by their more successful neighbors. There are many turns as the story progresses, as the main character, a young woman who has become a nurse, gains a deeper understanding of people, status, and love.

Jones' stories depict African American life in a loving, involved manner but without polemicizing or blatant social criticism. They are rooted in African American life but, in their treatment of love, sexuality, change, and character speak universally as well. The stories are dense and thoughtful and will reward careful reading. I am pleased that many of my fellow Amazon reviewers have enjoyed this outstanding book and written insightfully about it.

Robin Friedman

In his second book of short stories, Edward P. Jones does a wonderful job of chronicling the African-American experience in All Aunt Hagar' Children. Just as Lost in the City did, Jones brings to life a city that is hardly ever written about, Washington, D.C., and uses fourteen tales to describe circumstances that include life inside of homes full of love, and those without and those that are wealthy and those that are struggling.

Jones' depictions are as real as it gets, thoroughly describing life for Blacks fleeing an angry South to a new beginning in their first experience of living an "urban" American life from the early 1900's all the way to the mid-twentieth century and the loneliness it may sometimes bring. For example, "In the Blink of God's Eye" is about a newlywed couple that moves from Virginia to Washington, D.C. From the way Jones writes, the reader would assume that the couple traveled all the way to Washington State, because that is just how much home was missed for the young bride and how far away it seemed to her. In the title story, "All Aunt Hagar's Children", a hopeless young man aspires to go to Alaska to hunt for gold but in the meantime, spends his days helping a neighbor solve the mystery of how her son was murdered while also dodging an ex-girlfriend that he perceives to be angry.

Overall, this reader really enjoyed Jones' ability to tell a story but at times, wanted it to be longer and did not feel that the short story version could give these stories justice. At other times, the story was just long enough to get to know the characters and get a meaning out of the story that could resonate. Avid readers of Edward P. Jones will definitely want to add this collection to their libraries and will pick their favorites within All Aunt Hagar's Children.

Reviewed by Lena Willis
APOOO BookClub

In All Aunt Hagar's Children, Edward Jones once again showers us with prose that is both concise and metaphoric. He is truly one of the great writers of our new century. His stories capture the intricacies of living in our complex and strife-torn world with true humanity and humility. For me, his strongest metaphor comes from the last story - the metaphor of a tapestry. It takes many years to create and is full of innumerable details, yet it produces a work that last for many years and enlightens many other lives. What a wonderful image and a challenge for us to live into. In All Aunt Hagar's Children, Jones has surely presented us with a tapestry that will live for years and enlighten lives.

IT IS AN INTERESTING BOOK, AN IT IS VERY CHEAP.
I COULD READ ALL THE BIOGRAPHY ABOUT MY FAVORITE GROUP AND I THINK THAT I FALL IN LOVE WITH THEM.
THE BEST PHOTOGRAPH IS WHERE THEY ARE TOGETHER IN A CONCERT.
THEY ARE VERY GOOD-LOOKING

i love the pic's in this book, when i read this book it told me some thing i didn't know, but some parts iretate me cause i know they are wrong,but i think i was well written it made me laugh many times,i love most the pic's on nick, as i have all the books on bsb i find this one of the best i have!!!!!!!!! it's a must!!!!!!!!!!

Horrible book, because it deals with a horrible "band" which is fooling millions of people around the globe...

I LIKE THIS BOOK CAUSE THE PICTURES INSIDE IT LOOK SO GOOD ESPECIALLY AJ MCLEAN AND HOWIE D AND THOSE ARE MY FAVORITES IN THE GROUP AND I ALSO LIKE BRIANL.BECAUSE HE IS SO FINE AND THE BOYS GOT IT GOING ON ALL THE TIME.

It was great! I love the Backstreet Boys (especially Brian) and I loved this book. It had great info on each of the guys, good stuff about how they got together, and really hot pictures. If you love the Backstreet Boys, get this book!