Movies Books

As usual, J.M. Dillard does a fine job of remaining true to the source material, while still elaborating on it. The story is an excellent one, with plenty of action and plenty of interesting science-fiction concepts for the more thoughtful to consider. It gives us a bit more insight into the "future history" between the near-collapse of civilization and the beginning of the Federation that has been hinted at but rarely detailed in various episodes of Star Trek, in various generations of series.

The plot and characterization are both excellent and the writing is fluid and professional. The book is a pleasure to read.

This is without doubt the best of all Star Trek stories, both in film and in print. It touches on many grand philosophical, scientific, and technological themes: machine intelligence (both in Commander Data and in the Borg), space-time engineering (the first time humanity has done this, via the efforts of Zefram Cochrane), the first contact from an alien civilization (the arrival of the Vulcans), the confrontation with true history (meeting Cochrane and finding out just who the man really was), and the ethics of highly advanced civilizations (the contrast between the Borg and humanity). This book and the film will without a doubt inspire many a young reader to take up the practice of science, and thus it will do the best job of all. Science fiction has the habit of coming true sometimes, but it also has the fault of underestimating. The future of humanity, as exemplified by the Star Trek crew of the year 2367, is a grand one to contemplate, but the true future will be much better: a world populated by humans and machines striving to be the best they can be; a future that is never static, for stagnation to intelligent life is an abomination. We will do genetic engineering of humans, to be the best we can be; we will do space-time engineering, to travel beyond any immediate confines; we will create intelligent machines, to be our friends and allies. All of these things we will do, and much more. Humans and all other lifeforms, organic or not, will be very different in the time frame set in this novel. But they will be restless, ambitious, and always yearning for more understanding, for more insight, for more knowledge: these traits will characterize the beings of the 24th century...and beyond.

This is, of course, the novelization of the highly successful Star Trek: The Next Generation film of the same name. First Contact refers not to first contact with the Borg, for, six years later, Picard still bears the mental scars of his assimilation in the form of Locutus, but to Earth's first contact with an alien civilization. It is a story that had yet to be told, although Captain Kirk and his crew had met the extraordinarily old Zefram Cochrane, inventor of the warp drive, in an episode of the original series; additionally, there had been hints that this pivotal event in human history took place some time after a terrible Third World War on Earth.

As the story begins, the Borg have attacked the Federation, with one of their massive cube ships making a bee-line for Earth herself. Picard and the new Enterprise-E starship defy Starfleet orders and rush to the battle, after which they follow a small Borg ship through a time portal which takes them back to 21st-century Earth. The Borg plan is to destroy the Phoenix, the spacecraft which Zefram Cochrane launches and, by way of its successful warp drive test, captures the attention of a Federation scout ship. If that pivotal event does not happen, the Federation we all know and love will never come to be. While half of the senior staff is planet-side trying to make sure the Phoenix launch happens on schedule, the rest of the crew find themselves battling a Borg infestation onboard the Enterprise herself. Data is captured, Picard is in danger of letting his hatred of the Borg overrule logic and reason, and we get to meet the Borg Queen. Personally, I've always felt that the introduction of the Borg Queen was a disservice to the greatest Star Trek villains of them all. The Borg Queen is a complete contradiction that introduced a level of individual vulnerability into a collective that was, up until this time, faceless and seemingly invulnerable.

This is an impressive novelization of the film, making it a worthwhile read to those of us who are already familiar with the onscreen story. In particular, it provides a great deal of insight into the erratic nature of Zefram Cochrane himself; in the movie, he came across as basically a drunk, but the novelization does a much better job of explaining his behavior. That alone makes this novel a natural and extremely beneficial corollary to the movie.

"And you people...you're all astronauts on some kind of...star trek?"

That line, uttered by Dr. Zephram Cochrane in both movie and novelization, has to be my all time favorite from the Trek film series. The most interesting difference between movie and book, as far I am concerned, is that despite James Cromwell's fine performance I found the film's Zephram Cochrane incredibly annoying. I never developed a shred of sympathy for him, because the background the film gave me - the Third World War and its chaotic aftermath - wasn't sufficient to make me understand him. I don't know, not having seen the script from which J.M. Dillard worked, whether she added "Zef" Cochrane's tragic battle with bipolar disorder (a disease that before the War had an effective treatment), or if it was among the elements that inevitably got cut as the film took shape. But I do know that for me, it made all the difference in being able to care about this character and root for him.

The book follows the film with little filler added except for background on Lily Sloane and Zephram Cochrane, which gives it a similar pace. They complement each other well.

Star Trek First Contact by J.M. Dillard was an excellent book. it showed emotion, fear, dispair, and anger. IT was a well written book considering it was made after the movie. I encourage all Star Trek fans to read this book and watch the movie.

Being a huge James Herbert fan, relishing in his tales of brutal horror, drawn into his colourful (albeit sometimes over-indulging) absorptions of scenery, this was definitely a "fluke" of a find.

Discovering this hidden gem in an old bookstore while looking for a copy of "Once...", I thought "James Herbert, hmm. A horror/thriller written in a dog's (or possibly a man's?) perspective? I must get this." And so I did.

Within the first 2 pages I was instantly drawn into this beautiful story. Everything is here - death, life, lost love... and the insatiable desire to "right the wrongs" (or wrong the rights).

This is an intensely moving story. If a dog wrote a book, this is it, and many times throughout one would have to wonder WHO wrote it! Sharing my household with animals and dogs my entire life, there have been many times in which I thought "what would you like to say, to express in human terms?" Oh how this book does it...

This is a quick read (just over 200 pages), even though I wish it could have lasted 700+. The instances and situations Fluke gets caught up in are just too engrossing and hilarious for me to quickly sum up on an online review. So, I've decided to re-publish this review by Damien Kane (care of damienkane.com)... he did what I wanted to do.
Monday, 7 April 2008
Book Review: Fluke by James Herbert (1977)
Horror is as varied as it is interesting. James Herbert was one of my favourite writers over a decade ago (Rats, The Dark, Shrine, The Fog) but Fluke isn't one of them. It's written by a master of horror, and that's what I expected when I first picked the book up, but it wasn't what I got.

Instead, what I did get, was an eloquently plotted book about a man who dies and is re-incarnated as a dog. The first three or four chapters contains no verbal interaction which was interesting, because I was so engrossed in the story, I never realised until the second time I read it!

It's difficult to write this review without spoilers. I want to tell you everything. It's one of my favourite reads, and for good reason. It was later turned into a movie in 1995 (see IMDB here). I haven't had the opportunity to watch it but I still trawl the video shops looking for it.

The basic storyline is that the reincarnated dog (Fluke by name, fluke by nature) gradually starts to remember his previous life as a man, fragmentary memories trying to push themselves to the surface from being repressed. There's an instinct deep inside that he can't get; a diamond of knowledge that Fluke, no matter how hard he tries, can't reach. His instincts tells him that it is important to know what it is.

It sounds like a simple storyline, but the feelings that Fluke has of his milieu is insightful. There are scenes where Fluke, instead of trying to dig up antiquated feelings of his past, stop and thinks about what's happening a that moment: about the things he sees and smells, and feels, and the relationships he has encountered, both animal and people. I felt these to be breakthroughs in the novel as the man-turned-dog starts to come to terms with who he is, and the end of the novel indeed gives us that impression.

Some of the characters are very memorable, my favourite being Rumbo, the junkyard dog who takes Fluke under his paw, so to speak, showing him the ropes of the doggy-dog world. I found a number of underlying themes and feelings in this novel, from friendship to self-acceptance to name just two. The maturity of storytelling makes Fluke one of my favourite novels. It is rich in content and character, has a unique resonance, and of course, the bold perspective of being a dog.

Overall, Fluke was a surprising read by a horror writer, read by a horror reader. It injects a scope and gravity that despite not being in control, we should strive for what we want to achieve, regardless of what God did or did not give us. You'll be hard pressed to find similar novels with as much character development, and if like me you enjoy good prose and solid reads, this is a book you'll be keeping for a very long time.
RATING: 5 OUT OF 5

However, I HAVE seen the movie - but only after reading the book. I urge one not to watch it first and only if you really, REALLY want to see an adaptation - I wasn't impressed.

Why'd I mention "Once..."? Because Rumbo makes a comeback.

Finally, this book is such a classic that I buy every copy I can find and give it to friends. If you're considering buying it for yourself, by all means buy the hardcover!

Totally, forever enduring. SIX stars!

Fluke tells the tale of an abandoned dog named Fluke that has past life memories of being a man, a man that was evidently murdered. Fluke then goes on an odyssey to find his home, his family, and his killer. Getting there alternates between funny and frightening. Herbert shows genuine skill as a fantasist here and I wish it was a talent that he tried explore more often, as this is his best novel.

This book is a delightful and wondrous tale told by a writer who is best known by his forays into the Horror Genre.Author James Hebert abandons his usual ghosts and scares and takes the reader on a marvellous journey through the eyes of a dog , Fluke who was once a man in a previous life. In this book we see Fluke trying desperately to regain his life as a man as he goes on a journey to find his Human Family.Read this book and then give it to your children to read as it is a enchanting story for young and old.

This book is as beautiful, moving, riveting, and profound as its film version, and explains further the concept of reincarnation. A man returns to life on Earth as a dog...trying desperately to adjust to his new life, he is constantly beset by confusing flashbacks to his former life as a man. Why is he one of the few who remember? And should he go back home to find his human family? These questions and more are answered in "Fluke."

I've read this book many times and still find it fascinating; it's written simply but beautifully, in language anyone can appreciate fully. The author obviously has a vivid mind and understands how the world looks through a dog's eyes; or perhaps he has been a dog in past lives. I know that I have. I highly recommend this lovely, exciting adventure.

It was a dog's life for Fluke the puppy until the images that had been haunting his canine mind came into sharp focus - he wasn't supposed to be a dog, he was actually a MAN! How had he ended up in this furry body? What of his wife, his child? What of HIM? Soon, though, the truth came - he the man had died, and had been reincartnated as a dog. And the visions hinted that he had been murdered! This begins a quest as Fluke sets out to his old town, determined to deliver out justice to whoever murdered him...An excellent book and a personal favorite of mine. But the best part of all was Fluke. He remained at all times a dog, even though he had human intelligence and memories, rather than some bizarre mix of human and animal that all too many books have. Fluke's friend Rumbo is also an enjoyable character, even if he did have a passion for crime. One of the best, well-written and beautiful stories I have ever read.

Being a fan of JAG I was surprised and excited when I found out there was a TV Tie-In book for the series. I promptly ordered the book and wasn't quite sure what to expect, having read a fair amount of Tie-Ins that were nothing like the series they portrayed. Happily, I was well pleased with my choice!

I feel that Robert Tine really captured the feel of an episode of JAG. The characters were well-drawn and right on par with the ones I've grown to love through the show. The dialogue and thought processes of the characters were spot-on except for Harm's penchant to revert to heavy cursing -- something I felt was completely out of character for someone who is so good at expressing himself.

The action was fast paced and exciting, I was kept guessing and completely immersed until the very end. This story line would certainly make a wonderful episode of JAG -- one I'd love to see. There was just enough humor thrown in -- namely Harm being shifted from one place to another -- to lighten the mood while still advancing the plot.

Mr. Tine also captured the chemistry of Harm and Mac perfectly -- right down to the way they play so well off one another. And as a bonus -- Harm even gets to fly! That, in my opinion, is always a plus!

There were a few disappointments such as one quite confusing place where some sentences seemed to have been left out of a pretty important scene and there were a few typos spattered throughout that could have been caught through tighter proofreading.

I was sad to note the absence of a picture section toward the middle as I've seen in other TV Tie-Ins -- it would have made a nice addition to the book.

All that aside, I still rate this book 5 stars because it kept my attention as well as the actual program does and the fact that I will read this book again. Mr. Tine certainly did his research, I could actually see the actors who play these parts in my head as I read.

Despite the few errors and the brief slip-up on Harm's character it was a good, solid read that I thoroughly enjoyed. I'm completely looking forward to the next JAG novel by Robert Tine -- Clean Steel -- and hope that there are plans for other Tie-In novels for this spectacular television program.

Great stroy and a suprise twist at the end

I found this book to be very fun to read. I am a JAG lover and felt that Mr. Tine, expressed the characters true to how they are shown on TV. I recommend this book to anyone looking for a good read or lover of JAG.

The story is exciting and would be a wonderful base for an episode of JAG ( next season perhaps *hinthint*'Cleverness and fairness of the JAG lawyers are shown with much perfection. Some well hidden, but deep friendship showing moments, are given, too. *shipperheartbeatinghere*
A big must for all the JAG Fans out there :)

The book is very good. It stays true to the series. This story would make a good episode.

I have read many books on Mary Pickford but this one was by far the best. I was able to learn about tid bits that I have not seen published in other books. I also felt that while I was reading this book, that I was actually reading about her, herself, not just somone telling a story in order to sell a book. I would reccommend this to anyone who is a fan of hers or silent movies.

This book deserves 5 stars for the pictures alone. They are so big and clear of this beautiful motion picture actress from the silent screen. The text is what I was somewhat disappointed with. There was a lot of technology that was mentioned that I don't really care about. However, the author did bring in little anecdotal details about what was happening to Mary at the time she was making every picture. Picture details also were described-like the arm band her brother, Jack, was wearing indicated that his wife, Olive Thomas, had died. This was very interesting. This book is not a real biography; it is more a filmography and all of Mary's films are written about. My favorite part was the pictures and the picture details, however!!! Great book!

This book is not only a great coffeetable book, full of gorgeous photographs (proving yet again that b&w photography can sometimes be even more stunning than color photography), but also a valuable addition to one's personal library. In addition to all of the great photographs, there's a wealth of information on Mary Pickford--synopses of her films, information on the making of all of her features, information on how Mr. Brownlow came to meet Mary in the mid-Sixties, how these wonderful photographs came to the Academy Library, her career at Biograph Studios in the Aughts and early Teens, and information about her life off-camera. Although since this book only covers her film-making career and not her entire life (it's not meant to be a comprehensive biography), it ends in 1933, with her final film, 'Secrets.' There's so much fascinating information in here, facts that the average fan might not be aware of, like the fact that, even though she was famous for playing little girls and teenagers, she didn't play a little girl until 7 years into her career, and only played a little girl throughout a film in relatively few of her films, or the fact that the reason she wasn't able to have biological children was because of a scene in 'Caprice' (1913) where she had to drag a woman who was much larger than she out of a burning building, which caused serious internal injuries and a bad illness. That wasn't the only time she risked life and limb in pursuit of her art, in these early days when many actors literally put their lives on the line to do stunts or play certain scenes.

Although Mr. Brownlow does have an evenhanded approach to the films, praising them when he feels it's merited and criticising them when that is felt merited, while throughout demonstrating great respect for his subject, the reader shouldn't be made to feel as though these are authoritative opinions. I disagreed with his opinions on some of her films or some of the scenes in them, although generally his comments and personal opinions are kept very professional, not like an overly gushing fanboy or an extremely hard to please critic. One should also be warned that some of these film synopses do contain spoilers; it's one thing to detail the plots of her lost films, since we're never going to be able to see them anyway (though hope springs eternal), but it seems kind of unfair to give away crucial plot details or to basically describe the entire plot instead of just giving a synopsis. One might want to watch all of her major films before reading this if one doesn't like to have the endings or crucial plot details given away. That's a good idea anyway, since this book serves as a valuable companion to the films, providing more insight and background on films one is already familiar with or wants a deeper understanding of.

Like all of Mr. Brownlow's other books, this one too is wonderfully-written and is a great addition to one's library.

If you know nothing else of Mary Pickford just remember that she was an actress who's like we have never seen before nor since-someone without peer.
Born Gladys Smith in Toronto,Ontario,Canada she had a very tough childhood and in her very younger years found herself having to help support her family.These times were to steel her temperment and as she entered into show busines(on stage) her confidence grew as did her determination to succeed for her family and for herself.
In a few years time she had become very successful plying the "boards" of many major and minor vaudeville and playhouses in North America.When she stepped into the Biograph studios in New York City looking for "temporary" work between stage jobs and was introduced to legendary director DW Griffith,fate stepped in and Mary was to pretty much play out the rest of her acting career in front of the camera.
She was to go on to turn Hollywood on its collective ear obtaining more money,power and success no other woman before or since has ever achieved there.She could do it all and DID it; everything from tragedy to comedy and everything in between.
I recommend the reader purchase any of the DVDs now becoming available of her works.
In the meantime purchase THIS wonderful volume of her life in pictures annotated by film historian Kevin Brownlow.Handsomely bound and chock full of pictures dedicated to the first and best "America's Sweetheart".

England's Kevin Brownlow brings to life America's Sweetheart, Mary Pickford, in this richly textured and insightful book featuring a myriad of lush and rare photographs chosen by Pickford expert Robert Cushman. Mary Pickford's contribution to cinema is seen in a new light here. Brownlow subtly makes the case that she not only was the most influential woman in the history of cinema, but a visionary force for the film industry itself.

It is difficult in today's climate of instant access to information to understand just how popular Mary Pickford was in her day. She was embraced by the entire world, and reportedly, every twenty four hours 12 1/2 million people saw her on screen. She perfected her craft in an era of film when very few people actually saw her natural acting style for the hard work and genius it was. George Cukor called her the first method actor.

Mary Pickford's career as an actress spanned decades. She did much for women with her strong business savvy and the roles she not only portrayed, but created. A very practical woman by all accounts, her films themselves reflected our better side as human beings and were often sentimental in tone. She didn't play weak characters as many of her contemporaries did. When people walked out of a theatre after seeing a Pickford film, they were often uplifted, feeling generous towards their fellowman.

Brownlow has done a wonderful job of bringing Mary Pickford to life as a three dimensional human being. With all the rare and beautiful photographs here to distract you it would have been easy to have an uninspiring text. But the introduction by Cushman and the lengthy and insightful comments by Brownlow, which includes commentary on each Pickford film, makes this a mesmerizing journey into a life, both on film and off.

There were many things about Mary the public knew, such as the famous Pickfair and her celebrated marriage to Douglas Fairbanks, as well as their friendship with Charlie Chaplin. They knew little, however, of a young girl who virtually had no childhood. Before her career finally took off she was poor in the extreme, sleeping in a chair so long it would take quite some time after owning a bed before she could sleep in any other position.

Some knew of her first marriage to actor Owen Moore, but few knew he was an abusive alcoholic who would drive Mary to seek comfort with actor and director James Kirkwood. They certainly did not know that in 1917, at the height of her fame, Mary almost committed suicide. Though these aspects of Mary's life are only touched upon and not dealt with in depth, it is admirable they are here at all, separating this from other coffee table books.

The photographs are so stunningly beautiful (some never before seen) you may have trouble concentrating on the text. Of particular note are photographs on pages 110, 65, 17, 12, 27, 154, 121, and 66. They are not to be missed.

This lush and informative book, filled with affection for its subject and augmented by rare and breathtaking photographs, is a must own for anyone who loves film. Its overall perspective of America's Sweetheart, and ultimately the world's sweetheart, Mary Pickford, is unmatched. Pick this one up today!

My father served on board this ship but he only told me a few stories as I was growing up about his time in the Navy. He was on board both in the Atlantic and the Pacific.
Now it has been told of what these average everyday citizens did for our county sixty years ago. GOD Bless them all!
If you are looking for a book that describes the daily life on board a "Picket Ship" and one that hepled develop and deploy the UDT teams which were the fore-runners of todays SEALS in the Pacific, then you need to read this book.
Very well written.

I was very happy to see the amount of research that went into writing this book. Dr. Grenga has provided only verifiable details of the men and their life on the USS Barr. By doing so she has created a permanent memory for our soldiers who defended us during WWII. His brother was one of soldiers who served our nation. Her account of Sailor's diary is not only true but makes an interesting reading. This book uncovers another facet of the life on the ship for our brave soldiers.

My name is Leslie Irene Hubenthal Tietje.I am a daughter of John William Hubenthal. My father served on the USS Barr. He participated in the creation of this book, Movies On The Fantail. Ms Grenga was so kind as to send a copy of this book me, as well as others in my family. This is one beautiful book. I want more copies, as each and every friend I have shown it too have had a large interest in having a copy.

Certainly, the love of my father is intertwined with the love of this book. One of my favorite photographs of my father, taken on the USS Barr, appears in the first few pages of this book. This picture of my father in his youth sat me down squarely to reconsider his efforts, experiences, remembrances, as well as the lives of others that have shared his life.

Thank you, Ms Grenga, for an extremely fine and appreciated documentation of history. Your gift will not be forgotten.
John's Daughter: Leslie Irene Hubenthal Tietje

An excellent piece of history with captivating stories from those who can tell them best....the heroes of that time.

Helen Grenga has hit a homerun by taking what could be forgotten words and forgotten men and putting their heroic exploits to print. With so many WWII veterans passing everyday I wish everyone would preserve the words and lives of these brave young men who sailed in harms way for our GREAT Country. Outstanding!

Wow! I didn't realize how much I didn't know about the business until I got this book. It's organized in an easy to understand format and offers tips for avoiding costly pitfalls. It truly is like having a lawyer in your pocket without the hefty fees. Totally recommended.

This book helps anyone who wants to do or is doing anything in entertainment be on top of their game. I carry this book with me, along with my bible (that says a lot about the book right there!) I read it every chance I get and learn so much more as a Writer/Producer, about the legalities and expectations of each member of a production team. This book is necessary for a business minded person. Crowell educates the readers in the basics of entertainment law, however he does not use language that only an attorney or judge can comprehend. He breaks concepts down in bite size pieces. I have gained a better understanding of what needs to happen in pre, pro. and post production of a film and will make sure that the many areas in film making get the attention and documentation that it needs because of this book.

This book is so useful, I don't know where to begin. It's well-structured, well-researched, and I don't know where I'd be without it. The author has so much useful information, and puts it in a way a filmmaker, who doesn't speak legalese, can understand. This book gets a very high recommendation from me for sure.

Having the hindsight of producing several movies, I wish I had read this book much earlier. ANY filmmaker would benefit from reading this book as early in their career as possible and then keeping it on their shelf as an invaluable reference tool to return to again and again.

This review is specifically directed to aspiring professional screenwriters: GET THIS BOOK.

(Note I did not say "buy" this book, since, if you truly are an aspiring professional screenwriter, you're probably sucking your own body lint for food and live under a bush overlooking the Santa Monica pier.)

Yes, do whatever you have to do. Beg, borrow, steal...pawn...get this book. You've already read your Sun Tzu:

"If you know the enemy and know yourself, your victory will not stand in doubt."

Hollywood was built on exploiting talent, and specifically exploiting writers. It's time we (YOU!) writers start preparing for the business side of things because gosh knows the other guys are plenty prepared already. Reading this book will make you realize three things.

1. Actually getting your great little/big screenplay made will be incredibly complicated, even if you're just selling it to someone who already knows what they're doing.

2. There are ways to make your script more attractive for producers/distributers and more lucrative for you.

3. Thom Crowell is an informative and entertaining scribe.

I had a friend of mine in negotiations with a major studio executive. True story. Wrote a little script called "Balls, No Balls II." Guy tried to get my buddy to sign a contract without an NDA. My buddy stood up, whipped out his Pocket Lawyer and KA-BLAW! Smacked that suit right in the mouth! "You want my high concept? I WILL be signing that NDA!"

Hmmm, actually this never happened. But at least I know what an NDA is now. Do you? Oh, you don't? GET THIS BOOK!

And yes, AMAZON, you do offer a very reasonable price. I suppose buying it isn't out of the question.

Not soemthing I would read cover to cover, but the individual "Hacks" that I have read are pretty good. I have lots of books along this line and this is one of the bet. I put it up there with Stu's "DV Rebels Guide" which is also incredible. If you like the Rebel guide, you will probably like this as well. Lots of good stuff. Enjoy!

Great book with great content I recommend it to anyone who want to take there film making a step forward and is to busy or lazy to download the information from the internet becaue it is all there. Spread around of course but you will find every piece of information even most of the pictures used in this book so. If you have time and dedication you can save yourself the money by looking it up on the internet.

This book covers many aspects of video. Labeling tapes, making excel spreadsheets for saving information, time code on tapes, how to achieve certain effects, lighting, and green screen effects just name a few. The book is general to most all video software and is a very usefull tool I'm glad I purchased. Don't let the term "HACKS' fool you it 's only refering to tips or tricks.

I found the book to be very practical and have the
kind of "nuts-and-bolts" pointers that I like. You
don't have to read it cover to cover (I didn't) but
can pick it up and go to the points that interest you
or where you are currently in need of help. It refers
to various "commerical products" that the author has
used to get the job done. I found this helpful. With so
many competing products to chose from it's nice to
hear, "If you get product X you'll be able to do Z,"
rather than buying and hoping (or not buying and
wondering). Kuddos to the author.

I learned so much from this book. In fact, I've already implemented several of the ideas and have had great results. If you're semi-professional (video has been added to your responsibilities but you have no experience with this medium) BUY THIS BOOK.

Who would have thought of parchment paper and clothes pins to diffuse light and create a softer, more natural light over the subject? That's just one of the great tips I've already started using.

I've bought several digital video books while trying to learn this medium, and this has been by far the most useful.

I just like Brink's stories! It is mostly difficult to have a break once you have started to read his book.

Ben Du Toit teaches history and geography in Johannesburg, South Africa. It is the period of the height of the youth riots in the township of Soweto. At Ben's school, Gordon Ngubene, a native, is a cleaner and he occasionally does little chores for Ben. When Ben sees that Jonathan, Gordon's son, is showing signs of intelligence and diligence, he decides to partly finance his education. One day however, Jonathan takes part in a demonstration which ends up in a violent riot and is arrested by the police. A few weeks later, after a harrowing quest through countless offices, Ben and Gordon are informed that Jonathan died "of natural causes" while in detention.
Due to the mystery surrounding his son's death, Gordon gives up his job in order to devote himself entirely to the enquiries which have become an obsession with him. Both the Special Branch and the Security Police are annoyed about Gordon's insistence and soon enough Gordon is arrested. After numerous attempts to try to trace Gordon and speak to him, Ben and Gordon's wife Emily are told by the spokesman of the Security Police that Gordon apparently committed suicide by hanging himself with strips torn from his blanket.
But Ben Du Toit senses that the official explanations for both Jonathan's and Gordon's deaths are just a pretext for poorly disguised murders and so he decides to take matters in his own hands and starts investigating.
Mr Brink's novel is a harrowing account of a solitary man's fight against all the atrocities of the Apartheid. During this dark period in the history of South Africa, a white man had to be a real hero to fight for the right of the Afrikaners. The author beautifully captures the fact that Ben has to fight not only the resentment of the people of the other race, but also that of the people belonging to his own race - his family for a start. The descriptions of the townships of Johannesburg, particularly that of Soweto, are breathtaking in their accuracy and poignancy.

Brinks sketches the life of a idealistic man - Ben du Toit that lives his life in Apartheid South Africa on the brink of normalcy until the mysterious death of a black American friend and his son points to government involvement. As du Toit becomes obsessed with discovering the truth he becomes the symbol of Afrikaner conscience struggling to cope with the conflict and alienation that this crusade against Apartheid causes. With Apartheid being woven into the Afrikaner concept of nationhood and religion Ben finds himself not only in conflict with his family or the government but with his own history and ultimately with his own identity and even his soul. du Toit becomes a classical Afrikaner in his stubborn steadfast refusal to sway from his course , irrespective of the consequences, that he believes to be the only just and morally acceptable one.

He painfully exposes the moral vacuum of Apartheid and how it alienates not just du Toit from himself and his family but ultimately the Afrikaner from their fellow South Africans, as well as their own ideas of justice and morality.

The original Afrikaans language edition packs a powerful punch and is beautiful to read. English translation loses a bit of impact and fails to capture the finesse of the master writer in his mother tongue but is never the less worth burning the midnight oil for. It should however be noted that the story is dated and not a balanced portrayal of South Africa, Afrikaners or Apartheid.

Good fiction but not a historical treatise of Apartheid as some reviewers seem to think.

During the 1970's in South Africa, several protests were happening against the apartheid acts and the education of African natives to speak Afrikaans, instead of their chosen language. In Andre Brink's brilliant novel, A Dry White Season, he presents the brutality of the African struggle for freedom from the white leaders by telling the story of one man's effort to clear his black friend's name. When Gordon Ngubene, a janitor at the local school in Johannesburg, finds his son dead without a clue of what happened, he asks his colleague Ben Dutoit for financial help and support. After certain inquiries were developed on Gordon's behalf for his son, Jonathan, he is arrested by the police and is marked by his own "suicide". However once Ben begins to unfold the evidence that leads to what truly happened, he is caught in a jungle of lies, danger, and an atrocious form of racism.

Ben Dutoit was a simple man content with his mediocre life based on his wife, two daughters, and his teaching. Although the Special Branch had become more involved in the town where he lived, he purely continued throughout his basic routine day in and day out. Once Gordon is told by the Security Police that his son has died of "natural causes" while in a severe detention for publicly protesting, it seems that he will stop at nothing to figure out what had occurred the night of Jonathan's death. "If it was me, all right. But he is my child and I must know. God is my witness today: I cannot stop before I know what happened to him and where they buried him. His body belongs to me. It is my son's body."(Pg.49 A Dry White Season). Throughout this time period, whites naturally assumed themselves superior to that of the African race, and ruthless acts were brought upon the blacks daily. Brink vividly described the numerous cruelties aimed at the "inferior race" due to such instinctive racism. The author conjures the understanding of the reader to see how simple it would be for Ben to turn a blind eye on Gordon's tragedy. Yet after Gordon is accused of strangling himself by tying bits of torn blanket together, Ben is convinced that it was torture that killed the prisoner, and Ben just cannot let the case go with injustice. One can sense just how stubborn Ben truly is regarding the truth of his friend's alleged murder, mainly because of the emotions depicted by Brink that the reader can pick up on. Assembling as much evidence against the Special Branch's summary of Gordon's arrest, with the help of taxi driver and informational guide Stanley, Ben attempts to prove that the police are sadistic liars that have crossed the line of racism and have entered a territory of the highest form of hatred. Publicity of his "Negro loving" efforts have provoked such racists to seek ways to harm Ben and his family, such as sending bombs in the mail and shooting through his windows at night. I simply cannot comprehend the motive of someone to physically or mentally abuse another for their own views. However nothing could frighten him from completing what he had started in the first place, not even the terrifying Captain Stolz who had threatened him many times during the case. The thorough detail Brink constructed to picture the startling police officer was amazing, admitting a very clear idea of just how alarming this character must have been. Aware of his immense caution in his own case, he presented one of his old college friends with pieces of information in order to write a biography of Ben Dutoit. Two weeks later, Ben was killed in a hit and run car accident, but fortunately for him, his story would not be left untold. I personally found myself having to read certain paragraphs repeatedly in order to really grasp what was happening in all of the excitement, which I appreciated from the author. The plot was persistently heart pumping, giving off the effect that South Africa's horrifying and unfair history was not given the deliberate attention it deserved.

Before this misfortune had happened, Ben had been conceived as having a rather introverted personality, spending most of his time alone playing chess in his den. However the demand for real facts about what had definitely taken place seemed to have changed his behavior. Suddenly Ben was actually offering his true opinions back to those that he would not dare before, such as Captain Stolz, no matter how harsh or unsettling. After this unexpected alteration, Ben began to become more aware of his surroundings, more observant of his daily routines that he had developed into over the years. The author made sure to explain Ben's strange emotions in noticing things in his life that seemed unfit to him. "All at once this is what seemed foreign to him: not what he had seen in the course of the long bewildering afternoon, but this. His garden, with the sprinkler on the lawn. His house, with white walls, and orange tiled roof, and windows and rounded stoop. His wife appearing in the front door. As if he'd never seen it before in his life."(Pg.99 A Dry White Season). If you take a considerable amount of time to glance at your own life, as I have done from the direction of this book, you perceive things that might belong to you, though they might seem impossible to be yours. The process is difficult to explain, until you try to complete it yourself. Brink wrote the character as if his own qualities were shifting along to the varied events of Gordon's death case. The author seemed to have used Ben's life as symbolism of how one moment could alter anyone's life as they know it. A calamity such as this could happen to anyone, even I, and this thought makes me wonder. How would the way I act now be changed?

The Soweto protests of the 1970's in South Africa led to many empty lots filled with tear-gas, public shootings, and violent massacres of black citizens. In the novel A Dry White Season, Andre Brink tells the tale of one honorable man that knew too much information for his own good at a time era like his generation, which guided him into a vast land of moral corruption. Ben Dutoit's story has captivated my imagination, gripped my heart, crossed my frustrations, and stirred my tears. This book has taught me, as well as numerous other readers as well, to follow your instincts and never let justice go unserved. "Perhaps all one can really hope for, all I am entitled to, is no more than this: to write it down. To report what I know. So that it will not be possible for any man ever to say again: I knew nothing about it. (Pg.316 A Dry White Season).

i read this while i was a high school student and i can honestly say it has been one of the few books that have made an impact on the way i view society. read it! you'll love it!

Another outstanding book for X-File collectors, great behind the sceen stuff as well as pictures and interviews.

The End and The Beginning is just another great book in a great collection. It is one of the most descriptive guides yet, with great color photos and a play by play look at each episode from season 6. If you are a true X-phile, this book is a necessity. This is a great look at the series while Scully and Mulder were still on the same planet, so to speak.

I love these Official Guides for the X-Files. They tell the entire episode in just enough detail if you may have missed something or have not paid enough attention. They also have the "Backstory" so you could find out information you ay never have even heard of. They have quotes from the fabulous stars. I just wish they would have had more from and about the stars. Bt other than that they are fabulous. I have my rating as 5 stars but because of this I would pick four and a half if I could. They tell everything you need to know and more about the greatest show to ever air!

I admit to being a X-Files addict, and so this was necessary to try to understand the show. It, and its previous 1 through 4, have made my interest in the X-files grow as I finally got clues and tremendous answers in reviews and stories from many missed episodes. A lot of work obviously went into these books, and I wait eagerly for volume 6.

This is definitely a must-have for any X-Phile, especially if you missed an important episode of Season 6. It contains a detailed summary of every episode in a mini novel-like form, with commentary about that episode. It's also great to have if you desperately want to view a Season 6 episode, but you didn't tape it. In this book, you can READ the episode. I know it's not the same as watching it, but it's something. And for all you 'Shippers like me out there, you can re-live all the greatest 'Shipper moments, like in the episode "Triangle."--the famous kiss, and Mulder's famous "I love you" line to Scully. And let's not forget the part in "The Unnatural" where Mulder teaches her how to play baseball, or in "Dreamland" where Mulder dances in front of the mirror while in the body of Morris Fletcher.

The book also contains colorful photos commemorating every unforgetful moment of the season. Now I can't wait for the next volume. I'm one of the unfortunate people who missed the Season 7 finale, where Mulder gets abducted and Scully announces to Skinner that she's pregnant . . .

This is one of those books.
Unfortunately shorter than War and Peace or Brothers Kam... , something Cyrillic. We need more from this author. She is someone who has the wit to spit in the eye of the inevitable. You wouldn't mind striking up a conversation with her in the line at the DMV or waiting for that express elevator. If you guys have any pull, use it for our advantage. Please. This is a funny, insightful, useful book.

Funny as hell, no funnier than that; funny as underwater basket weaving.

This book has more of a comical approach to the apocalpse.It was an alright read but don't be looking for good info on survival.This is a fun read not a serious one.

Ahhh, Meghann Marco, it must be crazy being around you. So the end of the world is coming (and it will come) so what are you going to do? Well, Meghann has given us some options based on knowledge-stealing from friends like 'Smart Neighbor', her own research, and piles of Apocalyptic movie scenarios. While this book isn't dead serious, it still provides some actual information yet in a highly humorous way. What do we have to look forward to - here ya go:
1. The False Utopia where culture, emotions, and reproduction are controlled by the 'higher ups'. How to break free of those mind controlling drugs they have you on and how to hide your freewill so as not to be captured and 'recycled'. You learn how to tell if you're in a dreamworld and how to avoid the simulacrum robot replacement initiatives.

Some at the movie references: The Island, Matrix, Clockwork Orange, Total Recall, Equilibrium, Stepdford Wives.

2. Neo-Medieval World and how it's brought about through natural disasters (super volcanos, greenhouse effect, ice age, meteor strike), pandemic disease, robot revolution, and the massive co-ordinated animal uprising. You learn how to survive in the apocalyptic wasteland (remember Wardrobe, Firepower, and proper choosing of your Vehicle & Pet). How to become the Warlord. Converting your car to use alternate fuels. Some notes on zombies and how to make antiserums (along with who to save - hotness is a factor). And dealing with massive severe climate change.

Look to movies like Mad Max, Army of Darkness, 12 Monkeys, Planet of the Apes, Terminator, Back to the Future, 28 Days Later.

3. Advanced Technological Dystopia where computers and robots infest our world. What to do to become the heroic detective and how to talk in 'cityspeak'. Being the Hacker and how to dress for it. How to tell if someone is a replicant and clone (and using it to your advantage). Dealing with extra-terrestrials and robot uprisings.

Movies: Terminator, A.I., Blade Runner, Fifth Element, Mars Attacks, They Live, and Alien.

4. Lastly, Tips for saving the world such as how to stop the alien invasion, assembling the proper ecclectic group of people to save the world, beating the massive co-ordinated animal uprising, and dealing with giant insects and other mutants of radiation.

Meghann gives us a great book to show how we can outwit and survive those less knowledgeable people that live down the street. Big influences on Mad Max movies, Matrix, & Blade Runner. Also, Meghann wants to make sure that anyone should be saving Jude Law for her (or George Clooney as a back up). She appreciates the undefined wisdom of Biff Tannen and most importantly... do whatever you need to to get a 1974 Ford Falcon 'V8 Interceptor' and you will be sure to survive.

- Do houseguests constantly complain that you've got nothing interesting to read in the bathroom?
- Do friends complain that waiting impatiently for you (as you try on your 33rd successive outfit while getting ready to go to the club) is boring because your coffee table contains only archaic episodes of the Onion and a few unpaid cable bills* to read?
- Are you constantly searching for 'light' or 'light-hearted' reading material that won't suck you in to a plot-line and refuse to let you get to sleep until 5 minutes before your alarm goes off?

Then go get yourself a copy of Field Guide to the Apocalypse : Movie Survival Skills for the End of the World by Meghann Marco

Most of the people I choose to spend my Saturday nights gaming, watching movies or even just socializing with, probably could have written this book. I probably could have written this book. You probably could've written this book** -- if we weren't so busy whiling our time away reading and writing things like Amazon.com Reviews instead, that is.

But thank heavens that Meghann Marco did - because it needed to be written!! And she definitely did it justice. Don't believe me without thumbing through it yourself? Go read a few excerpts.

It's a delightful little book - and if you keep it on the coffeetable, or in the W.C., it will amuse the crap out of you*** - presuming you have at least a passing knowledge of post-apocalyptic movies. It's good to be familiar with just about any Charlton Heston after-the-end-of-civilization movie (Planet of the Apes, Soylent Green, Omega Man...) It's good to know any Kubrick 'futurism' movies (2001, Dr. Strangelove...) It's good to know some of the more popular Philip K. Dick stories-adapted-to-movies (Blade Runner, Total Recall, Minority Report...) It doesn't hurt to have a healthy knowledge of the Classic-Sci-Fi-novel-turned-movies (1984, Farenheit 451, Brave New World...) in order to get a lot of the 'Cognoscenti' references. But even if your only familiarity is a brush with Logan's Run or the Matrix movies, you'll still enjoy the humor.

Honestly, this isn't deep, meaningful literature. It's not groundbreaking - there are a slew of similar books on the same subjects, including those limited to just one genre of PA society (zombies, comets, asteroids, wastelands...)
But it IS damn funny... and it's definitely worth the cover price.

Even if nobody else ever stays in your post-apocalypticesque bathroom long enough to find out why you kept laughing so hard while you were in there!


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* Which at least explains why they aren't watching pay-per-view adult movies on your TV instead
** An assumption, given that you're literate enough to have gotten this far and clearly have at least a passing interest in the subject matter - or you wouldn't have kept reading
*** The pun was unintentional when I wrote it, but then it amused me, so I left it in due to vanity (did you catch that one?) and because I can (can! hah... another bad restroom pun! I crack me up - not as much as the book does, but you get what you pay for)