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Caillou is SickReview Date: 2008-05-05
And stickers too!Review Date: 2008-04-24
Caillou gets the chicken poxReview Date: 2008-03-08
My little girl loves this bookReview Date: 2007-02-06
Good BookReview Date: 2008-01-07

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perfect book for my 30-month old nephewReview Date: 2008-03-23
Elmo's Wonderful Trip Back to Sesame StreetReview Date: 2001-03-09
The book opens with Elmo surrounded by books.
"Elmo likes books."
"Fat books. Funny books. Bat books. Bunny books. Bear-in-the-chair books. Kite-in-the-air books."
With this beginning, the story quickly takes Elmo on a wonderful kite adventure. I liked this approach very much because it shows how books can be the launching pad for many interesting thoughts and experiences. Further, you can use your imagination to build on what's in the books. The bulk of the story then involves what happens when Elmo's kite pulls him off the ground and into the air. How will he get back to Sesame Street?
By suggesting that this could be a pretend adventure, it also takes the potential fright out of the story for many children. If your child is easily upset by danger, you may want to wait until she or he can be more objective before introducing this story.
In the course of the adventure, many strange and unexpected things occur. But Elmo is always flexible and imaginative. As a result, the results of challenges turn out well. You can use this story as a metaphor for how life tends to be in talking with your child. We all have to realize that the unexpected is usually just around the corner.
After you have read the book several times, encourage your child to read the repeated words like "books" aloud when they appear. This will help with decoding words and letters. Like many excellent beginning readers, this book features lots of that valuable repetition. There are a number of situations where only one letter is different (as in "there" and "where"). When your child is ready, help him or her to differentiate between them and to then read the two aloud to you when they appear in the story.
Build reading skill through repetition within the context of an interesting and entertaining story like this one!
Great BookReview Date: 2002-04-12
Fun for all agesReview Date: 2000-06-02
Elmo and the Kite!Review Date: 2004-12-16
This adorable learning book opens with Elmo surrounded by many books and we read one statement on the first page.
"Elmo likes books."
He then goes on to tell us what kind of books he likes,
"Fat books. Funny books. Bat books. Bunny books. Bear-in-the-chair books. Kite-in-the-air books."
This is great, as it shows children books are wonderful and since Elmo likes books, just maybe they should like them as well. Good beginning.
Elmo decides to go fly a kite, but when the kite takes him up in the air, the adventure begins. How will he get back to Sesame Street? Elmo looks up and down and what does he see? Finally Elmo lands in the back of the truck and meets many wonderful characters, and shows his imagination in the events that follow on his journey back to Sesame Street.
Great illustrations and an adventerous read.One your children will enjoy over and over again.

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We're Hunting for Gold!Review Date: 2002-06-12
We're Hunting for Gold!Review Date: 2002-06-12
We're Hunting for Gold!Review Date: 2002-06-13
An adorable and funny book for Rugrats fans.Review Date: 2001-06-26
Very adventurous and funny!Review Date: 2001-06-26

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A loving, detailed treatment of a fascinating themeReview Date: 2002-02-20
Brilliant and fascinating!Review Date: 2002-07-27
Among its most fascinating parts are information on the techniques used to create believable NYC settings by the studios (e.g., the most detail I've ever seen on Hitchcock's enormous Rear Window set), examples of the vast amount of architectural and local-color detail contained in the studio's art department photographic files (more than in some of NYC's museums!), and its general architectural analysis of NYC's major iconic structures: skyscrapers, rowhouses, tenements, train stations, nightclubs, etc.
But of even greater interest are the detailed treatments of how NYC was SHOWN in films (both well-known classics and obscure titles) of different genres and eras, and how the IDEA of NYC affected the world audience, and eventually changed the city itself as new generations flocked to their city of dreams... A flip through the photographs alone is a total pleasure.
This is a great book for film buffs, fans of NYC, architecture students, and those interested in 20th century social history. (I'm all of those things, and I LOVED it!)
A Gem for your Personal LibraryReview Date: 2003-10-18
James Sanders said that he spent 15 years writing and researching this book and it shows. His points are well written and quite informative.
I would strongly suggest the hardcover edition for its slightly larger size and the quality of the Knopf binding.
First editions can be purchased used at a very attractive price. Like I said, no-brainer.
complexly considered and captivatingly cosmopolitanReview Date: 2002-02-14
Seeing NYC through the camera's lensReview Date: 2004-06-10
Each section offers specific insights into the cinematic image of New York: its icons, its myths, its realities. What is also intriguing is how Hollywood's directors manipulated actual city locations to make it look "more like New York". One of my favorite essays has to do with the "domestic" look of New York: its mansions, row houses, and tenements. Also fascinating is the section called "Nighttown"--Hollywood loves the dangerous flavor of New York's streetlife.
This is a marvelous book with a marvelous look. Take one of the other reviewers' advice, however, and get the hardcover. The size makes a big difference.

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The Chain of DestinyReview Date: 2001-05-02
The Chain of Destiny is a Really Good Book!Review Date: 2003-04-01
A girl and her catReview Date: 2002-10-26
Nice, pleasant Betty Neels story. The heroine and hero are typical, and likable. The story moves along, and all is well at the end. You can always count on Ms. Neels for a heart-warming story.
The Chain of Destiny - One Link At a TimeReview Date: 2007-03-07
A sweet, heart-warming tale any Neels fan will love with the usual handsome Doctor and plain non-nurse in this case. Included are the usual misconceptions, false impressions, pretty but evil other female.
Except for her cat, Suzannah Lightfoot is alone in the world and determined to make it on her own. Guy Bowers-Bentinck was always there, assisting when she needed help. As soon as Suzannah cleared one hurdle, another appeared; and whatever fate threw at her, Guy cushioned the blow, at times unknown to her. He realized that each occurrence was a link in the chain of destiny. Guy was patient, even more determined to have her share his life, and by taking one link at a time they would be each other's destiny.
Guy and Suzannah appear in "The Mistletoe Kiss"
You Don't Want to Miss this Book !!!Review Date: 2002-03-04
This story will thrill loyal Neels fans and will enchant new readers. I promise. :)


my reviewReview Date: 2008-02-16
awesomeReview Date: 2008-07-25
I loved the detail of the book, made me feel like i was there.
for sure I'm ordering more books from charmed. love this!!!!!!
I collect Charmed booksReview Date: 2007-08-20
LEO RISINGReview Date: 2007-12-19
surprising delight for Charmed fansReview Date: 2008-03-17

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Oh, How I wish Sven was Syndicated in St. Louis!Review Date: 2008-03-24
So, I had to get this book. It is a quick read (nearly half is just a list of b-grade movies) and tells the tale of how Svengoolie came to be and where the whole thing started. If you are a fan of Svengoolie you owe it to yourself to take this fun trip down memory lane, or elm street...whichever.
A gift for my Svengoolie lovin boyfriendReview Date: 2008-01-25
Well researched and fun to readReview Date: 2008-04-24
Some folks might question why there's an entire appendix devoted to a "100 Monster Movies" rating guide, but to me it's one of the most enjoyable sections of the book because it goes hand-in-hand with the overall history of this subject. How can you discuss monster movie programming without discussing the monster movies themselves? If anything, I wish they'd gone a step further and covered even MORE titles. A few of my favorite films were overlooked. Am I the only one who has fond memories of CREATION OF THE HUMANOIDS? (Maybe I am.)
The book is well researched, fun to read, and has lots of wonderful photos and graphics. It makes me sorry that I missed out on all the fun. But then again, I didn't. No matter where you grew up, watching monster movies on television was a universal experience. This book captures that experience beautifully.
A necessary volume for Chicago TV history, horror and Svengoolie buffsReview Date: 2007-12-22
As a child and into my teens watching Creature Features on Channel Nine (the opening as a six year old terrified me), and then the Son of Svengoolie on WFLD, I loved local tv. Why do I say this? Simply put - I had high expectations for this book. The good news is that Ted Okuda and Mark Yurkiw exceeded them.
Looking for Elvira - you won't find her - but "Dear" clearly was a feast for the eyes. Now I finally know what my dad was talking about.
"From Shock Theatre to Svengoolie" is a needed part of the history of Chicago TV and Lake Claremont Press respectfully published a book others might take a pass on and remains a respected leader in local publishing of Chicago history. Well edited, designed and expanded in part by a solid and varied reference section which includes a solid list of films shown (and reviews), a heartfelt "Collector's Corner" with additional reviews, and a resource guide on where to find your horror needs - that alone would stand to qualify the book as a great resource; but yes - there's more.
The book is factual and warm about the subjects themselves - with wonderful chapters on characters such as Marvin and the curvacious and faceless "Dear" of Shock Theatre to Jerry Bishops "Svengoolie" concluding with the story of how Rich Koz's "Son of Svengoolie" became "Svengoolie" in his own right.
The book doesnt mince words. The Ghoul from Cleveland gets a chapter - and in that chapters lies the great story of the loyality of Chicago to it's city and to its broadcasters. That chapter alone made me smile - unfortuantely at an outsiders expense.
The book covers some obscure local attempts to compete against established programs as well - which goes to the detail the authors provided.
And then there was Sven.
While you can watch Jerry Bishop and Rich Koz on YouTube as Sven as a resource; the chapters on Svengoolie are detailed and worth the read.
I grew up and continue to watch Rich Koz as Svengoolie now in Chicago - and through this book you realize Sven's program not only entertains through horror but is also the last of the real local efforts to fight to keep local television creative, relevant and accessible. Koz is an important throwback to Garaway and other early Chicago broadcasters and deserves the praise and critical rsearch the book compiled.
In this book you can see why Koz is important as a local celebrity - and is up there with dare I say Studs Terkel and Oprah as important local personalities - even though Koz would likely deny this endorsement. WCIU should be credited for keeping a great program such as Sven on the air when others might just put an episode of "Night Court" on instead...yeech.
I particularly enjoyed the attention to detail; with photos of the old newspaper and TV Guide advertisements of the programs. If you loved those programs as a child - before there were so many options on cable; those ads were critical in promoting the programs and the movies we grew to love.
The book is lavishly illustrated and well written and referenced, footnoted and resourced. Time, effort and true affection for the material went into this tome.
In a book like this - there is room to be melancholy - and the authors avoid that trap. Lamenting on the fact local television is in most cases just the news; and all of TV's creativity is left to the networks would be an easy place to go - but the book is upbeat and most importantly a joy to read.
You want Creature Features? The book has it. Marvin and Dear - yep; its here too. Screaming Yellow Theatre and all of Sven? Yep - that too.
Clearly highly recommended.
I would write more - but my family is ready, the popcorn is popped and Svengoolie awaits .....
A must for any REAL horror fanReview Date: 2007-12-20

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GREAT BOOK!Review Date: 2003-08-18
I've seen the movie 5 times, and I can't wait until August 19th when it comes out! I'll be sure to be it.
It took 10 days for it to arrive, but it was worth the wait! I ordered used. But it was in perfect condition.
I LOVE IT!Review Date: 2003-07-01
All That JazzReview Date: 2003-06-30
My Favorite Movie All Captured in A Great BookReview Date: 2003-04-19
If you love Chicago, buy this book! It rocks!
A LAVISH, RAZZLE-DAZZLE BOOKReview Date: 2003-05-11
In his intriguing introduction Director Rob Marshall relates his fascination with Chicago: "I was fifteen when I first saw Chicago on the New York stage. After seeing the performance, I listened to the album over and over and loved this musical more than words can convey. For me, Chicago was Broadway. So it's a dream come true for me that I've come full circle, going from that little kid, the 15-year-old at the stage door, to directing this movie. Please forgive me for believing it's destiny."
Marshall goes on to explain both the difficulties and joys of adapting Chicago from stage to film.
An especially absorbing section of this volume is devoted to the genesis of Chicago which was originally based on a real murder which took place in the city of Chicago in the 1920s. A man was found shot to death in a car owned by Mrs. Belva Gaertner, a cabaret singer with two ex-husbands. At first the woman denied any knowledge of the crime but later admitted that the gun found in the auto was hers. To every question asked of her she replied, "I don't know. I was drunk."
It comes as no surprise that she was acquitted. Following this announcement she laughed, hugged her attorneys, and thanked the jury. You know what they say about truth being stranger than fiction!
Remember Ginger Rogers? She came on screen as Roxie Hart in 1942.
The book Chicago is filled with little known facts, such as for the film's closing number when Roxie and Velma shoot out lights to spell their names over 10,000 light bulbs were used to create the 20 by 30 foot wall of bulbs. And, find out how and where Rob Marshall auditioned Renee Zellweger.
There's no place like Chicago that toddlin' town, and there's no book like Chicago!
- Gail Cooke

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The best is here!Review Date: 2000-07-20
A Wonderfully Whimsical BookReview Date: 2000-06-20
A lighthearted introduction written by Mel Gibson (who is the voice for Rocky in the movie) sets the overall tone for the book. In this overview there is a brief history of the animation process with some really slick photos of the British Aardman Studios that both Nick Parks and Peter Lord, the directors of "Chicken Run," help to put on the map with several Academy Award nominations for their past films.
Animation and story development is not just fun and games as one might think but envelops serious thinking and work. The book is sprinkled throughout with wonderful idea sketches, watercolor paintings, storyboards and outlines showing how script and plot ideas for "Chicken Run" were developed.
A wonderful chapter on the actual making of the physical characters gives an inside look into the art studio itself where molds, paint, and artists bring these figures made of a clay-like substance called plasticine into existence. In a chapter called "Making the Right Moves" Sibley details the various problems that animators had during production. Trying to give the human characteristics of anger, hate, love, fear, and happiness in front of the camera is a major feat in itself. The difficult task of lighting a scene along with making the miniscule movement of each figure to create the animated move almost sounds like torture. And when one realizes that the largest film shoot in one work way was a mere 26 seconds you wonder if it is. The animators say their work normally floats along on inspiration but at other times when they are tired, getting the job done becomes a matter of will. They are so involved with their work that it is only when the camera isn't running that they realize that they are only working with a lump of plasticine.
This book is definitely written for the connoisseur of animated films and filmmaking but children could also enjoy the "fun" illustrations from the movie, which are a large part of this publication.
The seriousness of this studio's filmmaking makes for some very interesting reading. A quote by one of the directors, Peter Lord, not only sums up the animation process but could be the kernel theme of this book. "We make films and by the way, they happen to be animated."
Ron Harmon rohar@msn.com
Another great resource for the hatching animatorReview Date: 2000-06-15
How did they do that?
"Chicken Run: Hatching the Movie" provides an engaging, behind the scenes examination of the workings at Aardman Studios, offering insight into the personalities and technologies that brought us Wallace and Grommit, as they work towards the completion of their first feature-length animated film.
There are plenty of photos from the final movie, but more importantly, the book is stuffed with the artifacts of the animation process- the sketches and drawings, storyboards and photographs that record the way the film was developed from idea to story to finished storyboard and characters.
The book stops short of offering specific timelines, technical details or recipes for plasticine, but the aspiring animator is given ample opportunity to read between the lines. There is a wealth of information and inspiration to be had; something to learn on every page.
Sibley's narrative follows Nick Park, Peter Lord and others as they discuss, revise, and rethink their ideas, meet with Hollywood moguls for the first time, hire and then change writers, and work their way through the transition from commercials and short films to producing a two-hour, animated movie.
The writing is open and lively, describing the time involved and the twists and turns in production as the storyline is developed and revised, characters and ideas introduced and then axed. This frank discussion of the creative process at work is perhaps the book's most valuable asset.
"Chicken Run - Hatching the Movie" is an ideal companion to Aardman's earlier book "Creating 3-D Animation".
One book gives a superb, do-it-yourself introduction the techniques and process of model animation, while the other provides an in depth study of the creative process in action during the production of a single feature.
Together, these books provide the most useful resources on claymation and model animation to date.
Chickens on the loose for freedomReview Date: 2000-07-11
Get inside the mind of Ardman!Review Date: 2000-08-29
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inspired me to be a teaacherReview Date: 2007-02-01
A Must Read for TeachersReview Date: 2004-10-02
Outstanding, book! A must for anyoneReview Date: 1998-01-27
Highly recommended book!Review Date: 2004-12-14
I really enjoyed this book from the beginning up towards the very end of the book. When all the Junior Leaguers went to the school to visit, they ended up leaving quickly because they were disgusted in the school. Mary could have left too but she said she really wanted to stay. Her friend Ellen thought she was nuts but Mary didn't care what anyone thought. This is what I really admire about Mary. Another thing I admire about Mary is how she got Helga to become friends with her. Mary, who was hated by Helga because she was a volunteer, was able to gain respect from Helga when she quit her job at this school. I was amazed how she could teach these kids lessons that no other teacher seemed to do. Mary had many great ideas that contributed to her success. One great idea was the deciding each week where to take the kids. These emotionally disturbed kids don't get out much and this was the only way to do so. Also team teaching was another great idea because it enabled Mary and Dan to give two different points of view in learning. There were only two things I didn't enjoy about the book. The first thing was when Mary spent a few chapters discussing about her husband Larry. The book didn't get into details about why they needed a divorce or why Mary went on several vacations to be away from him. When reading these chapters I felt lost because they never said the cause of all this, just simply that it was happening. Lastly I think the book fell apart at the end, when Dan didn't return. I expected the book to end just like a school year would end. Or it would have ended with Dan and Mary still working miracles through their team teaching. Instead, Dan is missing, Mary is upset and she gets a substitute that is new to the whole school system. The book leaves you guessing as to, will Dan Return? And if he does, when will that be? Can the new substitute allow Mary to teach the way she usually did? How will the kids react when they find out Dan isn't around? Overall I was really addicted to this book.
This book has changed my opinions on how tough it is to be a teacher. It teaches you that goals can happen if you work hard enough and don't give up. Even some of the meanest teachers can be the ones that help you learn the most. I recommend this book to anyone who is considering teaching whether they are majoring in special education or not. If you love kids you would really enjoy this book. Even if you are a kid, you would enjoy this book because often you don't get to experience what it is like to be with the emotionally disturbed.
A Book You'll Never ForgetReview Date: 1999-05-26
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