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Beautifully writtenReview Date: 2008-08-12
biology and psychology fit together!Review Date: 2008-08-06
InsightfulReview Date: 2008-02-24
A good read for the inquisitive mindReview Date: 2008-04-06
Far and Away the Best Book on Neuroscience I've ReadReview Date: 2008-03-10
If you wish to understand human relationships on a hard scientific level, then this is a must have.

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Best Companion Book for the Best Series ever....Review Date: 2002-10-21
It is funny; I have always loved the Night Stalker series and did not know this book existed. I flew to Seattle, Washington to tour the underground city I saw on the 2nd Movie, "The Night Strangler" and at the end of the tour in the gift shop was this book, hidden in the corner. They told me they use to make reference to the show during the tour, but for the last decade or so, no one knew what they were talking about. This came up because when they asked why we were on the tour, my friend told them I made him come on the tour because of the Series. (It is true) :-)
Almost everything you want to know about KolchakReview Date: 2000-10-12
This book gives you great background to the series (and why there is so little of it) and the actors. It also includes a fully detailed episode guide and a critical evaluation of each episode.
For people who enjoy the night stalker or who want to know more about the show or actors/producers you can't go wrong with this excellent guide.
Carl Kolchak is back in style!Review Date: 2000-10-19
The dark side of a brilliant show.Review Date: 2006-05-08
Details are in Dawidziak's Night Stalker Companion, a heavily revised and updated version of Night Stalking, and a well-structured chronicle of the rise and fall and afterlife of Carl Kolchak, a hard-boiled reporter who investigates supernatural and extraterrestrial crimes. Dawidziak interviewed all key players, and while he accentuates the positive, he does not eliminate unpleasantries. Kolchak would expect no less from his biographer.
Kolchak first appeared in The Kolchak Papers, an unpublished 1970 horror novel written by newspaper reporter (and actor) Jeff Rice. Rice submitted it to Richard Matheson's agent, who sold TV movie rights to ABC without first signing Rice. Rice had hoped to adapt it himself, but the agent had already secured the teleplay assignment for Matheson. Dawidziak adds, "It's important to note that Rice does not in any way blame Matheson for what he views as shady Hollywood dealings."
Dawidziak's Dan Curtis comes off as a bit of a bully, or at least possessed with a Hollywood ego. When ABC bought the rights to Rice's book, Curtis was executive producing the last season of that network's Dark Shadows. "'I wanted to say good-bye to it so bad I couldn't see straight,' Curtis reflects. 'We got around to the last year and I was completely tapped out ideawise. And we ended up with some dreadful stories during that last year. It was like being in jail.' " Dark Shadows did afford Curtis the opportunity to direct a feature. Dawidziak cites House of Dark Shadows (1970) as Curtis's directorial debut, followed by Night of Dark Shadows (1971).
When Barry Diller asked Curtis to produce The Kolchak Tapes as the TV movie, The Night Stalker, Curtis requested the director's chair. It had already been given to John Llewellyn Moxey (Horror Hotel 1960, aka The City Of The Dead). Curtis didn't interfere with Moxey's authority on set (and it was a happy set), but he'd grumble to McGavin, "Will you look at the setup Moxey has here. What's he doing?" [Curtis contradicts this version of events in his interview on Night Stalker/Night Strangler DVD, claiming that he was offered the director's chair but turned it down, and that he himself sought out Moxey.]
Despite Moxey's setups, The Night Stalker was a ratings success when it premiered in January 1972. So too The Night Strangler, its 1973 sequel. Curtis got to direct. Rice was less fortunate. ABC press kits and trade ads hadn't credited Rice for the first film. Rice lobbied to script the sequel, but was given the runaround by network and studio execs. Instead, he wrote the novelization for Matheson's teleplay. Dawidziak says of Rice's original deal, "No sequels or series could be made without Rice's permission." Apparently, Rice didn't press his advantage.
The Night Strangler ended with bad blood between Curtis and lead actor Darren McGavin. Near the end of the shoot Curtis "was berating the crew something awful." McGavin defended them, then quit. Curtis insisted he stay for closeups, but McGavin replied, "You've got enough film. Make your movie. Goodbye."
If Curtis comes off a bully, Rice sounds paranoid. Rice tried vainly for years to launch a series of Kolchak novels and comic books. He sees two factors blocking him. Publishers "keep trying to acquire the rights for pennies and balk at paying Rice nearly anything at all, doing their best to keep Rice from doing any writing if possible." And Rice fears "that deals are fashioned with the intention of keeping Kolchak locked up and off the market."
Rice has reason to be paranoid. He first learned of ABC and Universal's plans to produce a Kolchak series from the April 24, 1974 issue of Daily Variety. No one informed Rice about a series in the works, even though his contract forbade a series without his permission. Rice tried to coax Universal into buying the rights it was exercising, while simultaneously working on script ideas for the show and a contract for future novelizations. When in August Rice's attorney requested that Universal "settle the rights question," Rice was barred from the lot. His calls were no longer returned. His novelization deal collapsed. Rice finally filed suit in March 1975, shortly before Kolchak was canceled. The suit was settled nine months later. Rice never "made it" in Hollywood, either as scriptwriter or actor (his promised role in the first film had also fallen through). Perhaps he was branded a troublemaker. Today he's a certified paralegal.
While McGavin loved The Night Stalker film, he had no desire to do a series (he had a thriving career in TV movies). McGavin only relented because Universal agreed to let him produce. Once he was on board, Universal turned producing chores over to Paul Playdon (Dan Curtis was uninterested). Determined to keep Universal to its word, McGavin acted as de facto producer. The tug of war between "producers" created turmoil and tension. Playdon quit after two episodes. Replacement producer Cy Chermak failed to ease tensions. Long hours and all night shoots only increased pressures. By February McGavin was begging network and studio to cancel the show. Dismal ratings granted his wish.
Yet Kolchak survived. An inspiration for Dawidziak while he was still an undergrad journalism major, the author is amazed by the many reporters he's met over the years who've expressed similar sentiments. Kolchak also inspired The X-Files, which McGavin dismisses as a humorless ripoff.
Dawidziak confronts other rumors that have plagued fans for decades (such as Curtis's plans for a feature film), making this a juicy and enlightening book. Yes, there's an episode guide. And some errors. Dawidziak says of The Night Stalker's initial 33.2 household rating: "about one out of every three people in the United States was watching Carl Kolchak track Janos Skorzeny." No, because a household rating does not indicate how many individuals per household are viewing. Nor even "about" how many.
The index is inadequate. While many of the names and titles in the text are only mentioned in passing, often as past credits, I'd want them included. The index even excludes some key textual references to Rice.
Pomegranate Press is a fine publisher for The Night Stalker Companion. Founded in 1986 by Dark Shadows actress Kathryn Leigh Scott to self-publish My Scrapbook Memories of Dark Shadows, its success induced her to release additional Dark Shadows books (all beautiful, lavishly illustrated, and informative). Pomegranate's Dark Shadows contacts likely aided Dawidziak. Dan Curtis, composer Bob Cobert, and actress Lara Parker all worked on both Dark Shadows and the Kolchak mythos.
Pomegranate has a curious custom of listing deceased actors in its Dark Shadows books, with date of death. The Night Stalker Companion follows tradition with its own R.I.P. page.
Long live Kolchak!Review Date: 2002-03-12
Mark Dawidziak has done us all an immeasurable favor by keeping the legacy alive, introducing Carl Kolchak to new generations of viewers who might otherwise never hear his name. His wonderful book contains interviews with the principals responsible for bringing Kolchak to T.V., both before and behind the cameras, and the best available pictures from the series.
For those who are already Kolchak fans, an invaluable resource and a welcome walk down memory lane. For those who are not (yet), a proper introduction to the original supernatural super-sleuth.

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This book is outstanding!Review Date: 1998-11-06
It's okay, kind of.Review Date: 1998-08-05
Cons: The episode guide was good, but it was something I could care less about. I wanted to see more behind the scenes facts and this book gave me what I already knew. Also the quiz at the end was impossible. I've been watching the show since it started, and the questions are based on details that are impossible for even me to remember and the only way you'd remember them is if you taped each episode and/or took notes from each episode. I read what the other people said about the book and thought it would be great, instead it was a dissappointment.
Over all: Don't get this book unless you are a NEW fan and don't know anything. Also don't even try the quiz!
Fabulous Book, I really enjoy it!Review Date: 1998-11-08
A great source of knowledge for all P05 fans.Review Date: 1998-08-31
A PO5 fan "must read!"Review Date: 2000-02-26

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Great fun bookReview Date: 2006-12-28
This will make a great Christmas gift for any Pirate Review Date: 2007-11-16
Excellent BookReview Date: 2006-08-19
Enjoy the photos of the attractive castReview Date: 2006-11-07
Great POTC GuideReview Date: 2006-11-10

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Absolute Segal-quality literatureReview Date: 2006-06-27
Review of Erich Segal's "Prizes"Review Date: 1999-10-27
Magnifico!Review Date: 2000-03-09
One of Erich Segal's best!Review Date: 1999-06-12
A PRIZE WINNERReview Date: 2004-03-19
Child prodigy Isabel da Costa has made a significant discovery, creating a formula that Einstein was unable to piece together. Sandy Raven, his personal life bordering on destruction, has capped his dedication to research by reversing the aging process in cells, and Adam Coopersmith, a physician, has developed an almost miraculous drug to help women who have been unable to become pregnant. His already full life is further complicated by his marriage to a career-minded lawyer and his introduction to Anya, an irresistible Russian emigre. Beckoning all of them is the ultimate accolade, a Nobel Prize.
A compulsively readable tale.
- Gail Cooke

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Thoughtful and open-mindedReview Date: 2005-12-22
Berardinelli exudes both open-mindedness and conviction in his reviews. He sees through audience manipulation and recognizes artistic vision. He's not syndicated, and has only his fans to please. I get the distinct feeling that he writes reviews to create a more demanding movie viewing audience. If my feeling is right, I hope he succeeds.
You'll have to visit Berardinelli's website (www.reelviews.net) to experience the other half of his vocabulary: the colorful invective he uses to trash truly bad films. A great example: "I have written this review as a public service to those who stop by my video column. I sacrificed my time so others don't have to. Feel free to ignore this warning..".
James Berardinelli = Mr. Movie.Review Date: 2005-12-11
Best of all, you can always trust James to tell the truth. If the movie is schlock, he lets you know; if the movie is decent, he'll tell you who might be most attracted to seeing the film in theaters (often times by providing a list of similar films like a "if you liked these, try this" recommendation); and if the movie is great, James sounds the horn. And I must admit, while I look forward to seeing four and five star films, I look forward to reading the one and zero star reviews (there's just something deeply gratifying and entertaining about a reviewer ripping some piece of schlock to the tiny bits it deserves...call it my guilty pleasure).
So if you want a "Reel" honest review, James is your man. Pick up the book, check out the website (I recommend spending some time running through "ReelThoughts" for a few great ideas about what is going on in the entertainment industry, what could/should be going on, and so forth), have yourself a ball. I only hope Mr. Berardinelli can find the time to put together a DVD guide as well for those of us - and he knows were out there, growing in number - who prefer the comfort of home to the current theater experience.
You da man, James. Keep it up!
THIS BOOK IS LONG ON PLOT SUMMARIES AND SHORT ON ANALYSISReview Date: 2005-12-11
This book provides heavily edited versions of James Berardinelli's website movie reviews. Unfortunately, instead of skimping on plot descriptions, he skimps on analysis, which is his strong suit.
My first exposure to Berardinelli was the first version of this movie guide. And I didn't think much of it. Some time later, I was discussing Berardinelli with a friend, who advised me to check out his complete reviews posted on his website. After reading the complete reviews, with all of the analysis intact, I finally became a believer. But despite all of this, I now own both versions of his movie guide, which I find useful for quick-reference purposes. (Note: If this movie guide contained Berardinelli's complete, unedited movie reviews, I would bump my rating up to four stars.)
Note to ALL film critics: In the future, try to restrict your movie plot summaries to just one or two paragraphs, and then get on to what you were truly put on this planet for, i.e., providing analysis and criticism.
*The* seminal critic of our timesReview Date: 2005-12-26
Growing up in a Dallas suburb, there was nothing much to do but to get a ride over to the local multiplex and catch the latest flicks. Early on in my preteen years, of course, almost anything would catch my interest (save for something like Jane Eyre), but after awhile it became apparent that my time would be better spent going to movies that were actually decent. So, this led me to peel open and dog-ear the "Guide" section of the Dallas Morning News, always skimming the review snippets before deciding to which movie I would beg my mother to take me. However, while this system proved adequate early on, it became apparent that I was still spending time watching alot of terrible movies, movies that had been given such wonderful critical catch phrases as "Two Thumbs (Way) Up!" (which I'm sure must be trademarked or something similar by now) or "Four Stars! One of the best movies of our time!" Which, of course, led me to a gradual disillusionment and the growing belief that all critics were cash-mongerers being paid off to write catchphrases to be used in advertisements.
I still think that about many critics. But eventually, I discovered rottentomatoes.com and it proved to be a good, brute force way of finding quality movies to spend a hard-earned 8 bucks. I came to notice, however, that one reviewer in particular kept standing out for well thought out, well-read (and well-seen) reviews, many of which corresponded to my tastes and interests. It was in this way I came to find James Berardinelli. His name was a bit of a pain to remember at first, but it soon became synonymous to me with pure, intellectual and quality reviews.
Very few critics, I feel, are able to properly enunciate precisely why they feel a movie is good or bad. I've read many a four star review of Pulp Fiction, for example, that was filled with vague assessments and ephemereal praise; namely, that the critic had realized they had just seen something wonderful, but couldn't quite express why. And sometimes this enunciation can be done in overkill; however intelligent a review from the New York Times or the Chicago Tribune may be, sometimes they seem a bit *too* intelligent, a critic trying too hard to maintain an image or trying to be Faulkner when Hemingway would suffice.
It is, however, this precise skill of putting down in words that certain "je ne sais quoi" many of us may feel when watching the latest masterpiece that makes Berardinelli brilliant. It is his irreverant attitude to the worst of movies, and his superbly insightful and analytical approach to even the most untouchably brilliant of movies and his refusal to reduce his thoughts to a catchphrase that makes every read an enjoyable one. I never read reviews in my free time for fun before, but now I pour over Berardinelli pages as if looking over a great literary tome. And in fact, his reviews may be; each review opens a dialogue with the reader, explaining everything what one wants to and needs to know. One has a question, and Berardinelli has anticipated it and answered it. If anything, I wish his reviews were longer.
However, it's simply more than just Berardinelli agreeing with my tastes. In fact, I found I disagree with him on quite a bit of movies, but unlike many other critics, a point of divergence is not an irreconcilable-"oh-he's-just-one-of-the-crazies-who-liked-star-wars-episode-one" moment but rather a way to see an alternative opinion presented intelligently and analytically. If anything, if you're used to just reading reviews from your local newspaper, Berardinelli will elevate your level of discourse with movies and will broaden the way you think about the art of filmmaking.
That being said, why do you need to buy the book when all his reviews are archived for free on his website? If you've a soft-spot for reviews and movies, this is a good addition to your library, beating out the more mainstream works such as "Videohound's Golden Movie Retriever year XXXX" (which I never read for fun). Even then, a collection such as this belongs in the category of art criticism, not movie reviews, and for that reason a hard copy will always be welcomed as a permanent reference for the thoughts and analyses of one of the most important critics of our time. If that's not your thing, having a hard copy of the reviews means that you can always quickly look up a review without having to worry about booting up a computer or remembering how to spell "Berardinelli." If anything else, this makes sure that you vote with your dollar and support a critic who deserves greater exposure.
(I realize the overly-glowing tone of this review, but if you've read Berardinelli, you'd understand.)
:)Review Date: 2005-12-11

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Great read with the inside scoop on the Road Rules castsReview Date: 1999-07-25
I LOVED IT!!!!!!!!!!Review Date: 1999-05-21
I thought this book was so funny with tons of pictures!!!!Review Date: 1999-03-15
Information that even the most avid of fans never knewReview Date: 1999-11-01
I hate to read, but I finished this in just 2 Days! Great!Review Date: 1999-02-09

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Scarabian NightsReview Date: 2002-10-06
GOODReview Date: 2002-04-04
Is Salem destined to become a mummy?Review Date: 2000-01-27
Salem is thrilled. After all, the Egyptians really knew how to treat their feline friends-they worshipped them as gods. But when the cat Goddess Bast falls hard for the fast-talking black cat, she puts him under a love spell & locks his traveling companions in the maze of the Great Pyramid. As Sabrina & Valerie wind their way through the life-sized puzzle, they enlist the help of some magical figures-and a handsome young pharoah on hiatus from his sarcophagus. But can they bring Salem to his senses before Bast morphs him into a mummy?
My review of Scarabian NightsReview Date: 2001-10-01
This book sort of drags on in the middle of the book, but except for that, this book is so interesting I couldn't put it down!
Is Salem destined to become a mummy?Review Date: 1999-10-11
Salem is thrilled. After all, the Egyptians really knew how to treat their feline friends-they worshipped them as gods. But when the cat Goddess Bast falls hard for the fast-talking black cat, she puts him under a love spell & locks his traveling companions in the maze of the Great Pyramid. As Sabrina & Valerie wind their way through the life-sized puzzle, they enlist the help of some magical figures-and a handsome young pharoah on hiatus from his sarcophagus. But can they bring Salem to his senses before Bast morphs him into a mummy?

An Awesome Book!!!Review Date: 2003-08-17
Secrets (7th Heaven)Review Date: 2005-03-27
ashley from michiganReview Date: 2005-07-03
An awesome bookReview Date: 2003-08-23
7th heaven secretsReview Date: 2003-11-25
In this book Lucy one of the sisters. Is on her high school student court team.
Her sister Mary is in her signor year of high school and on the varsity basketball team. The girl's grades dropped so they can't play anymore. So they go out to eat and think about trashing the school gym. Then they sneak in and start to T.P everything and then they graffiti every thing and than they get caught by the police and the school principal and they get in a lot of trouble.
I do recommend this book if they like the T.V show 7th heaven an like to read. I would recommend this book because it is interesting and funny. It was a page turner because at the end of a page it did not tell enough information so it was a cliff hanger . So I kept on reading the book. I did enjoy this genre because I love this T.V show and this was about a show I had never seen. There were surprises in the story like when Mary and her friends got caught and when they decided to trash the school gym and when Simon got suspended for a whole week.

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This book is a masterpiece for Shirley fans!Review Date: 2008-02-14
The pages are chock full of photos I've never seen before, and I've been a devoted fan since the 50's! If you adore Shirley, this book is something you must have. I absolutely love it.
A GREAT BOOK Review Date: 2007-08-25
The BEST Shirley Temple book!!!Review Date: 2007-02-11
A beautiful book!Review Date: 2007-01-16
It's a fascinating glimpse into the world of yesteryear, when a sweet little girl was the most popular star in Hollywood.
A Little Slice of HeavenReview Date: 2007-01-09
She was not just a face on the screen but our friend, our secret playmate. Besides that Shirley grew into a beautiful woman, skipping anything wild or rebellious, always full of grace. She opened her heart to the welfare and humanity of all peoples. Her whole entire life has been about enriching this wonderful world we live in. The ideal child became the ideal role model. However rare that is, her light still shines through, warming every heart, young or old, benefiting every new generation.
This book honors Shirley like no other. Adorable photo after photo, exquisitely designed and written. Rita Dubas treats us with her vast knowledge and love of this tiny star. Rita shares rare collections of past memorabilia, not usually seen in the typical collector books. She displays them, so that your eyes dance over them and you feel lost in a wonderland, not unsimular to the way Shirley makes you feel when watching her movies. All your troubles dissapear for the moments paging though this book . . . . . this tribute. Bravo Rita! Bravo Shirley!
Connie Marshall, Artist
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I enjoyed the research that he explained on trauma and stress and how it can shrink your hippocampus and create memory problems. This seems to be inline with the research that has been coming out on autobiographical memory specificity. This is an excellent book for anyone wanting to explore the biology of attachment and psychopathology.
I also enjoyed in the hope that he provides in being able to change the brain and change neurons and how they connect.