N Books

Just when I thought I had read it all, Soutter comes along and turns this literary genre upside-down! In this sample, the author has struck the perfect balance between creating fascinating characters to study while at the same time setting up an intricate & suspenseful plot that already has me guessing! Take it from a former English/Psychology major, Soutter has assembled all the right literary ingredients to cook up a landmark book in the genre -- I can't wait until it is published so I can sample to results!

Who knew the bad guy could be the hero? Delicious. I was especially impressed with the dialogue, which I usually tend to dissect and find unrealistic. Can't wait to give it to my mom who is a nut for suspense and mysteries. Thank goodness for fresh stories... I thought I had seen it all on Law and Order!

Thrillers aren't usually my style, but I'm very glad I read past the first page. Not only does this book have four interesting but "standard" characters in the FBI/cop mode, it introduces a fascinating character named Hawke. He's a genius "without a personality of his own".

If this book were for sell right now I'd buy it just to see how Hawke develops.

The book is well-written, but watch for spelling errors. I think I remember three of them.

I have enjoyed the sample chapter immensely - this is an enticing morsel of highly digestible reading material. I am not a mystery/detective reader by habit but I definitely would have picked that one up to read based on what I can see from the sample.

The daughter of Illinois' governor has been kidnapped and, probably, murdered. Ken, the detective in charge, is driving out to meet with his old FBI partner, James Hawke. Hawke was the best investigator he ever worked with, unquestionably a genius. He was also a wacko who was let go from the Bureau. He's completely asocial with, as Ken says, "the personality of cardboard." His brilliant mind never stops working, deducing, and analyzing, and he also possesses the skill of "mirroring," being so persuasive he can convince anybody of anything.

I liked all the strong personalities of the characters in the excerpt and Hawke is unusual and weird enough to be really interesting. I'd like to keep reading and see how his unique talents and limitations help solve the kidnapping case. This sounds like a gutsy, gritty crime story with a complex central character who is brilliant and robotic, but is also in danger of losing his mind altogether. Good story! (Note: I'm sure you've already found your typos...heading (heeding), kens (Ken's) and to Victorian (too).

This book will give you peace and understanding to help you not just throught difficult times but for every day issues that we all face. Highly recommend this book.

Lucado is a unique writer of the evangelistic angle. In A Gentle Thunder he uses the gospel of John as a touchstone and each of his vignettes describes God's voice and our response in a unique way. He uses the ordinary and the unusual to creatively demonstrate God's faithfulness. Wile E. Coyote, hummingbirds, Cinderella, New Yorkers and a waiter/cat are a few of the unique characters that Lucado portrays in this book. Lucado's vintage Bible character portrayals, some rare moments he experienced as a missionary in Brazil, and the metaphysical side of a wedding reception with no cake makes the ancient come alive and the everyday become exciting. Lucado poignantly portrays how God will do whatever it takes to get our attention, but leaves the choice to us. That's the message of this book: the relentless pursuit of God. Despite the use of scripture and religious overtones, many people have been helped by Lucado's writing.
Trish New, author of The Thrill of Hope, Concepts to Ponder and South State Street Journal, Secrets of The Heart.

In this Book you will find God does whatever it takes to get our attention, alot of times not in the way we would expect Him to, but He does whatever it takes to pull us back to Him over and over again.

We may never understand what it is exactly He is doing with us, but we can trust His Heart and trust Him to do what is right.

If you need a reminder of His Love and an assurance of His strength and an example of His Kindness then this is the Book for you!

You will be blessed with His Gentle Thunder!

Max Lucado has written a devotional masterpiece that can attract the attention of any philosopher who is searching for the meaning of life or give insight to any clergyman who is in search of material that can supplement his or her preparation for a thought-provoking sermon.

I am generally wary of those who attempt to use individual biblical quotes to postulate their personal opinions and then formulate themes that they call daily devotions. In other words, beware of those who attempt to use scripture to "fit" their points-of-view.

Lucado, on the other hand, does the opposite. He presents a variety of stories that range from moral tales to historical accounts of triumphs and disasters, all of which parallel the fables and parables of ancient times, and while reading each chapter, one should conclude that if there is any point that Lucado is trying to get across, it is not for his own personal benefit; instead, it is this: we fail to realize that there are so many modern-day events in our world that make the works of the gospel writers just as relevant today as they were in the past and that many of these happenings brought to life are just as applicable to the so-called ordinary individual as they are to the famous figures who headline our daily news.

This book allows us to see God's word applied to situations we have been in and can relate to. Further proving the awesome power He has!

I neede to buy this book for a class/trip I am taking over spring break. I was very surprised that it was not a dry text book , but a very readable information guide to the entire area. Great book if your interested in the geology of the area.

I read it after I came back from a trip to Owens Valley, so I can't speak on using it for directions, but it is a great book. I began reading to find a few facts to label my trip photos with but found myself reading the entire Owens Valley half, even the places I didn't see. There are some crazy things in Owens Valley! A gravity deficit, piles of rock in neat columns, lava cooling into glass, water issues with Owens Lake... I couldn't stop reading even though I had work to do - bad bad, but so good!

The chapters on each location are longer and geologic feature are more detailed than your average guide book, so you understand the background and science, but there's no technical jargon, so it's very easy to understand. Very clear simple writing by people who obviously have a genuine appreciation for what they're writing about.

Most years we vacation in Mammoth. This book describes a number of convenient and interesting side trips to take with the family. We wander around, sometimes visiting the same features, sometimes visiting a new site. Always appreciating more & more of the world around us. My children have a much better feel for geological processes and their impact on the landscape than do their peers.

The book starts with a five page description of Eastern California's geological history, then jumps into 30 sites of interest, nearly evenly distributed between Death Valley & vicinity and the Eastern Sierra & vicinity. A glossary, "Sources of Supplementary Information," and an index round out the book.

Each site receives its own chapter, replete with photographs, maps, geological diagrams, and even driving directions, as needed. I'm not a serious geologist, but landscape features fascinate me. The explanations that the authors give work well for me: I can understand them well enough to explain them to children.

If you're interested in how the land has been shaped, if you're willing to turn off the tube & make contact with the natural world, then this book is for you. One of the best "field guides" to geology I own. One of my favorites, too. (The companion volume, GEOLOGY UNDERFOOT SOUTHERN CALIFORNIA, is also an excellent book).

Great to take along any drive through the area. Have your passenger read as you go, stop along the way for a closer look. Easy to read, not too "intellectual". This was my favorite guide to the area when I moved here (and still is)!

The southwest United States is a geomorphologist's dream... There's not a lot of green stuff covering up the beautiful geology! This book details the geologic features of Death and Owens Valley, CA. It gives the geologic history of features while succinctly describing the details of the processes that brought about these features. The Tufa Pinnacles in Searles Valley, the alluvial fans in Death Valley, the interesting history and development of Gower Gulch, the mysterious ascent of desert pavement, the glacial morraines and routes of the Tahoe and Tioga Stade glaciers at Convict Lake, the Mono Craters (Domes), Fossil Falls, the Alabama Hills and more. You'll even get the heebee jeebees when you read about the monstrous explosion of Ubehebe Crater! Certainly one of the most interesting and pleasurable books I've read in ages! Highly recommended for ANYONE who plans a trip to California's awe-inspiring Death Valley and environs! A must have!

This is a wonderful companion to Julia Child, Paula Wolfert and Richard Olney. It is contemporary without being trendy. His recipes are fairly practical--not larded with recipes for truffles and caviar--and yet are unabbreviated and uncompromising. It will appeal primarily to advanced amateurs and consistently sells for under ten dollars--an amazing value for such a comprehensive and well-crafted work.

I am a big fan of his books after receiving copies of Sauce and Splendid Soups. He brings a fresh approach to the subject and it is written in a style more suited to my learning. I have always been slighly intimidated with the Classic side of French cooking. I hope by the end of the book I will be better aquainted, better versed and better versed.

Bon Appititte.

French cuisine, despite predictions of its demise by food writers admist inroads of other Western cuisines including Italian and Spanish cuisines, is still going strong. Many people will, have heard classic/haute cuisine, nouvelle cuisine, bourgeois/bistro cuisine, and regional cuisine that form the four important strands of French cuisine, and this book has touched on all four of these cuisines.

One important difference between this book and others is it uses 50 dishes as the starting point and teach 4 to 10 more dishes that share either the principal ingredients or are related by techniques. It is, as Peterson himself mentions in the preface, aiming to teach you to how to cook on your own and understanding cooking is not just a mechanical follow-one-recipe process: it is a little like how you learned mathematics in electrical engineering and apply the central methodology into diverse areas like power load flow analysis, calculating a circuit's small signal behaviours, using signal processing in protection relays.

Bear in mind that this book is geared towards big city or middle-sized suburban-area American homes. Duck a l'orange, for instance, is in the American adaptation version. This makes the book a little tricky to be used if you live in Auckland, Sydney, or in London, where the ingredients available will likely be different from what's available in US. For those armchair chefs who want to buy a book that tells how French food is actually prepared in France itself, another book, such as the Konemann publications, will likely be more useful.

By all means this book is not meant to be an exhaustive coverage of France's cookery. , but most books on French cooking tend to cover very small specialized subject areas (Provence's bistros) or are just a thin compendium of recipes (eg 100 recipe in a 200 page cookbook showcased as "Cuisine of France"). If you are interested to build a library of French cookbooks, I recommend the more exhaustive publications of Jacques Pepin, Alain Ducasse's Grand Livre de Cuisine (currently with 2 titles in English, but there are a few more published in the original French), and the ever reliable Larousse Gastronomique, in addition to this book. Otherwise for a tight bookshelf, this book on its own may be what you want for French cooking.

`Glorious French Food' by leading culinary educator, James Peterson may be a true lost classic, in the cookbook world similar to `The Thirteenth Warrior' in the movies or the novels of Thomas Berger, including `Little Big Man'. I noticed a copy on the bargain stacks a few days ago and immediately felt regret for not having done a review of it to help, in some very small way to raise the reputation of this excellent culinary pedagogical text.

I have a very `love / hate' relationship with James Peterson's books. Peterson has a very well deserved reputation as the author of the classic reference, `Sauces', now in a second edition (rare for cookbooks) and his Jacques Pepin homage, `Essentials of Cooking' (for those of you who need your culinary show and tell in full color). He has also done several excellent texts on special subjects such as Vegetables, Salmon, Duck, and Soups. I have reviewed each and every one of these books favorably, yet my experience when doing specific Peterson recipes (except those in `Sauces') is mixed. I am not entirely surprised at this, as I sometimes find his individual recipe descriptions just a bit mixed up, as if his copy editor was taking a coffee break as they were editing that recipe.

Peterson may in this book offer a great explanation for this paradox. He says that his greatest ambition would be to write a cookbook with no recipes. This is not as easy as it sounds, since I reviewed Pam Anderson's book `How to Cook Without a Book' and I found it wanting in several regards. Peterson also says that his greatest compliment is when a reader says they made one of his recipes, but changed it a bit, and it came out very well. All this means is that Peterson is a relatively unconventional cookbook author who is best approached differently than you may approach `The Joy of Cooking' or `Mastering the Art of French Cooking'.

This book, even for its great size (almost 750 pages) is, like Madeleine Kamman's `The New Making of a Cook', a book meant to be read from front to back in an easy chair with no electronic distractions nearby. The first and most important reason for reading this book like a novel is its novel organization. Instead of chapters on Salads, Soups and Stocks, Meat, Poultry, Starches, Vegetables, and Desserts, there are a very neat 50 chapters on fifty of the most famous dishes from the French culinary canon. As you may guess from the size of the book, there is a lot more here than 50 recipes which, with a typical treatment, may take not much more than 100 pages to dispatch. Rather, most of the chapters are really about a family of dishes.

The very first chapter takes twelve (12) pages to cover `Assorted Vegetable Salads', all falling under the rubric of the French word, `Crudites' which, roughly translated, means raw vegetables. In this chapter are nine (9) dish recipes for Celeriac Remoulade, Grated Carrots, Red Cabbage Salad, Cold Cucumbers, Marinated Mushrooms, Baby Artichokes with Walnuts, Shaved Fennel Salad, Tomato Salad, and Parisian-Style Potato Salad. There are also two `pantry' recipes for Basic Mayonnaise and Crème Fraiche. Like the very liberal Chris Schlesinger (`The Thrill of the Grill', `How to Cook Meat', etc) and unlike the very traditional Madeleine Kamman, Peterson is extremely liberating with his advice. He tells us how to improvise crème fraiche and he tells us all the reasons why some substitutes, such as American sour cream, will just not work as well in some recipes. He does not tell us not to improvise. He also follows the party line on the right potato for the right dish, but he also says that you can probably get away with using any kind of potato for any kind of dish, which fits my experience in using a russet for both mashed potatoes (with a good potato ricer) and potato salad, two recipes for which russets are supposed to be inferior to waxy or `all purpose' varieties.

Part of what makes many great cookbooks such a pleasure to read is the extent to which the author introduces their own informed opinion into the writing. Both `Mastering the Art of French Cooking' and `The New Making of a Cook' would be great cookbooks without the lively opinions of Julia Child and Madeleine Kamman, but they are much better at getting their subject across than a dry presentation of quantities and procedures. If you think this is unimportant, take a quick look at a few recipes in `The Joy of Cooking' and you will see an ample amount of humor in even this encyclopedic collection of recipes.

One thing I especially enjoyed in this book was the affirmation of the doctrine in Ms. Kamman's book that in spite of all the butter, pork fat, goose fat, or olive oil in popular recipes, French cooking is NOT about high fat content. Peterson is especially good on fats in general and butter in particular, as he hits all the right notes about cooking with butter. For one thing, he discounts the common practice so popular with TV culinary personalities of mixing butter and oil to raise the burn point of butter solids. He says it simply does not keep the butter solids from going black. He also clearly differentiates plain clarified butter from the Indian staple, ghee, where the butterfat is taken to a darker brown than is done by simple clarification.

I even found something new on my favorite cookbook subject, omelets. Peterson gives two different techniques and clearly differentiates both the method and the cultural differences in French cooking between the omelet and scrambled eggs.

The bad news is that if this book may be in danger of loosing its market, and it may go out of print. The good news is that you should be able to get a copy from our beloved Amazon.com for cheap.

I absolutely love this cookbook. As a culinary student, I wish they had issued this book out instead of my $150 doller culinary workbook. This book is such a wealth of information. "Glorious French Food" is big, but Peterson's writing is so interesting and entertaining that I've taken it to the beach with me many times. I've always felt dishes are tastier when one learns the history behind the creations. As for the recipes, they are excellent. I test them on my boyfriend, who by chance is French and a culinary graduate. He feels the recipes are very accurate and will sometimes admit that some of them are better then his family's dishes. I highly recommond this book, for both fun and serious cooks out there. It's a great gift to give.

This is an eye-opening, honest, and thoughtful examination of the role the military plays in our society. It is obvious that Lutz has thoroughly and carefully studied Fayetteville, NC, and she has delivered a powerfully written document of the effects an army base has had on the community. What makes this a brilliant work is that it invites the reader to consider the many arenas of our culture which have been influenced, even created, by the military complex we have embraced as our defense. Homefront is an extremely important book.

Catherine Lutz has once again taken us beneath the surface to get a first hand look at the powerful forces shaping America's psyche, forces so interwined in our lives that they have become almost invisble. But with the anthropologist's trained eye, Professor Lutz helps us to see that in this time of calls for military protection for every parade and football game across the country, a call which many are ready to support, we will be paying a bill on many dimensions. Her careful and thoughtful analysis in the works long before the tragic events of 9/11, is more important than ever in helping us understand the larger consequences of our reponse. It is not easy to ask unpopular questions, but I am thankful for the skill and rigor Lutz brought to the task

While President Eisenhower warned about the Military Industrial Complex in the United States, one could argue that what is more troubling is the military cultural complexion of the United States. Catherine Lutz makes this argument forcibly in Homefront: A Military City and the American 2oth Century.
Lutz uses Fayetteville, North Carolina as a microcosm to examine the quotidian and epochal influences arising from America's military in times or war and peace. Homefront is the result of intensive data collection and wide ranging interviews. Lutz masterfully combines the two to tell a story of the city and its people that are always interconnected with the ever-widening influence of the U.S. military in the past century.6.
Using the prisms of race, class, and gender, Lutz deconstructs the image of the military as the defender of the American Way. She inverts the paradigm to show that often the presence of the military reinforces existing divisions. Fayetteville is an army town. Throughout the last century it was also a town that experienced Jim Crow, increased domestic violence, hate crimes, and a widening gap between the haves and the underclass. Lutz also documents that the spit-shine image of the Army often camouflages environmental degradation resulting from base operations. Homefront tells the story of the costs-both quantifiable and hidden-to the United States of becoming and remaining the planet's only superpower.
Lutz sets each of her six chapters within an identifiable era for Fayetteville and the U.S. military. The book begins with the opening of Fort Bragg in 1918. This period is, as David Blight argues in Race and Reunion, formed by the previous half century of American mythmaking that raises both the soldier and the South to places of honor in the national psyche. Homefront details how the perception of heroism often conflicts with the local experience of oppression. As Lutz herself writes, when recounting the history of former slave John Nichols-who refused to leave the land that was to become Fort Bragg, "[T]his story is structured around the time's stereotypes." Indeed, throughout the book the presence of the Army is often described by Fayetteville's residents in archetypal terms.
Lutz calls Fayetteville a company town. Because the army is the base for economic activity, the long-time residents of Fayetteville both love and fear it. Lutz describes how already well-off whites have reaped great wealth from the development that Fort Bragg created. She also describes how the city's inability to broaden its industrial base has left poor whites and most blacks working retail jobs with some of the lowest pay scales in North Carolina. In addition, the presence of thousands of young men has created another economy-where sex is the commodity. Sex workers represent the underside of the military culture that envelops a military town. Homefront is direct in examining that underside.
Lutz's voice is clear throughout the book (even when examining the negative effects of World War II-"the good war"). And her critique resonates strongly in the current climate. As Lutz states several places in her book, a military definition of the situation is essential to the military project. The military and its supporters thrive on an us versus them paradigm. Most of the public embraces this paradigm.
Two letters to the editor in the August 28, 2002 Wall Street Journal excoriated the subject of a story who resisted operations at a nearby military base because he thought the base was a detriment to his neighborhood. One letter-writer accused the subject of being more concerned with his lifestyle than his fellow countrymen's security. A letter published in the September 1, 2002 Raleigh News and Observer went even further. In response to someone who questioned the presence of the Junior ROTC on a local high school campus, the letter writer commented: "What's wrong with our children having the same values as, say, George Washington . . . Ulysses S. Grant . . . or Dwight D. Eisenhower." Lutz warns that such conflating of all things military with heroism and leadership is exactly the problem with the cultural complexion that looks back at most Americans in our national mirror. And though Lutz book was finished before 9-11, her research helps explain much of the reaction and rhetoric that has met anyone who questions our current policy in the war on terror or toward removing Saddam Hussein.
My own critiques of Lutz's book are mainly on two fronts. First, her work seems to intentionally avoid the role of religion in Fayetteville and in the broader national discussion. Early on she quotes a minister who states in 1923: "It is a pleasure to record that the relationship between the church and the government as represented in the authorities at Fort Bragg has been most cordial." But aside from the arrival of a Quaker House during the Vietnam years, Lutz does not detail the ebb and flow of the relationship. It seems a dramatic lacuna. The relationship of religion to the military, especially in the South, was pivotal during much of the 20th Century. In fact, I remember that Fayetteville was a regular venue for evangelical gatherings-often Billy Graham-in the 60s and 70s.
Second, the scope of Lutz's work occasionally confuses issues. Because she is focusing on both individual anecdotal evidence and metalanguage, the arguments do not always match. For instance, her work in Fayetteville convinces her that "civilian is the majority, dominant category," but there is "widespread acceptance of a military definition of the situation." For those of us accustomed to identifying the dominant category by determining who has the power to define the situation, these two explanations seem mutually exclusive.
However, my complaints pale in comparison to my admiration. Catherine Lutz has given me-and I believe this will be true for all readers-a new prism through which to view our national military culture. In Fayetteville and throughout the United States, we have met the enemy and they are us.

Homefront is brilliant, incisive and chilling. Catherine Lutz is among the finest of story-tellers and ethnographers of contemporary America. With an anthropologist's eye for detail in the everyday, to a social theorist's eye for the big picture, Homefront is written with passion and intelligence. This book goes a long way in enhancing the readers' understanding of the culture of militarism that is so integral to the present moment. This is definitely a must-read!

Residents of Fayetteville, North Carolina awoke one morning in April of 1954 to find the front page of their local paper carrying news of a nuclear attack downtown; they were informed that sixty-four thousand soldiers were being deployed to amend the situation, aided by six tons of maps and forty-six chaplains. The attack, of course, was a fiction, but the soldiers and their simulated nuclear reaction mission (Exercise Flash Burn) were very real. Catherine Lutz demonstrates in Homefront: A Military City that the life of Fayetteville cannot disentangle itself from the life of Fort Bragg, the nation's largest military base. This study by the renowned anthropologist from the University of North Carolina at Chapel Hill is both as specific as a city history and as broad as a national story. Though Lutz uses Fayetteville as a zooming-in point, her argument-that the dichotomies of military and civilian, war-time and peace-time, are collapsing-is applicable to the country as a whole.
Fayetteville, a city of one hundred thousand semi-affectionately known as "Fayettenam," was chosen as the centerpiece for this project because of its long and bittersweet relationship with Fort Bragg. Lutz traces this history from 1918 (when the city's founding fathers first lured the lucrative industry to the collective pocketbook of the townsfolk), through the patriotism and turmoil of the World Wars and the bitter clashes of the Vietnam War, to the present-day Hot Peace. Relations between the base and the city are both interdependent and strained so that, upon the close inspection Lutz conducts, it becomes unclear where the line between the two is drawn, if indeed it can be drawn at all. Lutz describes Fayetteville's economy as engineered to serve the needs of soldiers on paydays. While other North Carolina cities chose technology industries as their major source of income, Fayetteville cast its lot with the base and the retail sales it would create. This plan has had the two-fold effect of making the few who own the businesses quite rich and the many who work in them, merely touching the money as it passes from soldier to civilian businessman, rather poor. The question of who is serving whom (soldiers training to protect the lives of civilians while civilians tend to soldiers' needs) becomes blurred, as does the question of whom is actually receiving the government paychecks. Further blurring the dichotomy between military and civilian are the many civilians whose presence in Fayetteville is attributable to the military-for instance, the refugees who have come from all over the world, and the "war brides" who moved to Fayetteville with their soldier husbands and settled down. Lutz posits that the draft further lessened the gap between military and civilian by presenting a difficulty in readily distinguishing between the two; the idea that soldiers were lower-class, uneducated, and crass was prominent prior to the World Wars, but suddenly college boys from good families were moving into the base, and some soldiers were the type of boys by whom local upper-middle-class families might want their daughters courted. Another assumed intrinsic difference between soldiers and civilians-that soldiers always see war as the right course of action whereas civilians are more peace-loving-fell during the Vietnam War, when thousands of soldiers protested the United States' involvement and eventually brought about the military's departure from Vietnam. As the differences between soldiers and civilians have become blurred, so have the differences between formerly binary options of war and peace.
Though hegemonic history usually describes time as a series of wars and their interstices, Lutz finds the concepts of war-time and peace-time becoming ever more complicated. While war was formerly viewed as an interference upon the normal state of peace, the periods between war are now filled with preparedness for war, making war the natural state. War games are one, often bizarre, aspect of this war readiness. Obscuring not only the distinctions between war and peace but also those between Fayetteville and Fort Bragg, homefront and battlefield, are the situations in which Fort Bragg's training missions take them into the city in the acting out of a war situation. Though Fayetteville's civilians are notified when the soldiers will be rehearsing for nuclear holocaust or an invasion of "Pineland" (the imaginary country in which Fayetteville lies during war games), such realm-blending upsets traditional ideas of what war is and where it takes place. The Cold War also called into question the nature of war, since only recently has it been true that one can exist in which no blood is shed. Lutz contrasts this state with the current one of Hot Peace-even when the United States is not technically at war, the military is active on peace-keeping missions internationally, assisting insurgents or established governments in the protection of America's best interests.
Homefront is meticulously researched in all manner of sources. Largely ethnographic, Lutz's research consists largely of interviews conducted with eighty residents of Fayetteville over a six year period. Lutz's interviewees include not only the traditional writers of history, but also those whose stories are often left to fall silent-the result is a less favorable military history than the red, white, and blue ones usually heard. The recounts of these interviews have an informal feel to them, occasionally interjected with questions from Lutz and usually accompanied by the interviewees' actual names and personal, unposed photographs. This very human approach should not be seen as a substitute for heavily researched scholarship-Lutz is adept at providing both. Also cited are records from Fort Bragg itself, as well as reports found in the National Archives, local newspaper accounts from the turn of the century, and history books of North Carolina. Lutz allows her subjectivity to shine through the text-though raised in a military family, her horror at the effects of war on all involved are apparent, and it is clear with whom her sympathies lie. With such a well-researched argument, however, Lutz's agenda is incapable of falling through the cracks of substantiation. In the end, Lutz presents a compelling picture of Fayetteville/Fort Bragg as one town, under a base, indivisible.

A self-described "working class intellectual" with a passion for collecting jazz records and a "flunky gig" as a file clerk in a VA hospital, Harvey Pekar pioneered the literary comic genre. His long-running series American Splendor portrays not caped superheroes with bulging muscles, but the everyday life of an ordinary guy in Cleveland. Pekar's autobiographical vignettes are introspective, honest, and often funny, candidly revealing his flaws and failures as he pushes on heroically in pursuit of love, companionship, and creative fulfillment.

Pekar's realistic dialogue (the characters speak in different dialects, which helps you "hear" them in your head) accompanies a wide range of art styles by a number of comic artists, from the quirkiness of R. Crumb to the stark realism of Greg Budgett and Gary Dumm and the meticulous, photographic detail of Gerry Shamray. One thing about Crumb, though. Granted, he draws everyone in an exaggerated manner, but his African-American characters seem a little reminiscent of (racist) late 19th-early 20th century caricatures with exaggerated features.

For me, this book was a great introduction to an addictive series. Chock full of amusing anecdotes and musings on everything from race relations in Cleveland to the joy of a good pair of shoes, it's a slice of life in comic book form.

I've been a fan of Harvey Pekar's work for over fifteen years. The first time I ever read his self-published comix, American Splendor, I was impressed by its examination of everyday life. His self-effacing humor grows on those who want more than mainstream comics starring spandex-clad teens with superpowers. Compared with Pekar, Spidey has it easy.

I was happy when this movie tie-in release of his early collected work was published. The everyday brilliance of the real life interactions between Pekar and his friends, co-workers and loved ones merit more attention by discerning readers. It would behoove anyone who cares about the comix medium to claim a copy for their personal reading enjoyment. This volume is not for collectors, but for fans of alternative graphic literature who want more meat and potatoes rather than the visual eye candy of more mainstream publishers.

Pekar has been described as a "working class intellectual" (The Comics Journal), and this label is respectfully accurate. He comes from a generation who grew up devouring a culture that had more respect for intelligence than is common today. Instead of just mourning this trend, Pekar rebels from it in true beatnik fashion. His long-time association with R. Crumb (who drew the very first American Splendor story, "The Harvey Pekar Name Story") attracted other artists within Cleveland as well as from other locations as the series has progressed.

The everyday heroism of Pekar working a civil service job in order to create his vision of the potential of graphic literature comes through in every page of this collection. I am glad that there are other collections and issues of American Splendor that are available. It would be grand if future generations of comix fans could gravitate around the work that Pekar has never tired from creating. Even at the worst of his lymphoma and chemo treatments, he has never quit observing and relating the drama of everyday life.

i own i think every american splendor collection book there is, and this one is my favorite. there's a few in particular that really blow me away (the one with pekar wondering around a park, reflecting on his past marriage, his present, and whether there is a God is spectacular). there are a wide variety of artists, from the goofy robert crumb drawings to more serious ones. there are certainly weak points IMO, but not as much as in the other collections. while "the quitter" is his most consistent i've read so far, there's no replacement for finding a really cool comic collection like this and reading through it, finding a bunch of random pekar stories and seeing which ones you enjoy best.

American Splendor: The Life and Times of Harvey Pekar is the largest published collection of the comic series, containing the complete text of American Splendor and More American Splendor. With an introduction by R. Crumb and art by Kevin Brown, Gregory Budgett, Sean Carroll, Sue Cavey, R. Crumb, Gary Drumm, Val Materick, and Gerry Shamray this is 320 pages of a classic American comic.

Pekar's work is a cerebral approach to the comic medium. Many of the panels have no dialog and only illustrate the external while the text reveals the thought stream of Pekar's mind. His ability to portray the inner workings of his thoughts, in a humorous and sympathetic manner, is the key to the success of his writings. The comic is a working class version of Seinfeld with a populist self-made intellectual as the leading character. Yet there is a Existentialist angst to this work that puts it in a class by itself.

This collection of Pekar writings from the 1970s and 80s was issued on the heels of the film "American Splendor," and it collects some of the best of Pekar's earlier work. Although not exclusively chronological, the presentation of the material gives a good idea of Pekar's life from his post-high school days through his meeting and marrying Joyce Brabner. (For a strictly chronological memoir, see Pekar's recent The Quitter.)

In the later Pekar work, the centerpiece of much of it is Pekar's obsessive-compulsive anxiety. But a lot of this work focuses on what might be described as Pekar's existential anxiety: his terrible loneliness, his anger and alienation, his dark reflections on the meaning of life, his desire for recognition, his regret over wasted opportunities and adolescent hubris, and his worries about future contingencies (financial security, illness and death, old age). The Pekar who comes through in these pages isn't the lovable crank of the film. Rather, the person who comes through is the outsider, a self-educated man, extremely knowledgeable in literature and music, who disdains a "normal" lifestyle and seeks freedom through nonconformity. Perhaps the finest single piece Pekar has ever written, "I'll be Forty-three on Friday (How I'm Living Now)" speaks to all this. The collection's lead story, "The Harvey Pekar Name Story," in which Pekar winds up asking "Who IS Harvey Pekar?" is a perfect set-up.

Of course, there are also lighter moments in this collection. Mr. Boats (wonderfully illustrated by R. Crumb) appears here a couple of times, and he's always good for a bit of gently funny homespun wisdom. "Mrs. Roosevelt and the Young Queen of Greece" and "On the Corner: A Sequel, June 1976" are touching pieces about the bittersweetness of memory. And the penultimate story in the collection, "Common Sense," would make even a dyed-in-the-wool misanthrope love humanity.

Highly recommended.

Many years ago, Jacques Cousteau produced a series of 20 volume under the overall heading "The Ocean World of Jacques Cousteau." That series were so popular they were published and re-published in various editions by different publishers around the world. Whilst my own set may be complete, it is, nevertheless, made up from two separate editions published in Canada and the USA in 1975. That series of books is so important to me that I always carry a note in my wallet about which volumes I require to make up a complete set from either edition.

This book, however, brings together all those 20 volumes into a single book with all the information and photographs completely updated. I well remember where I first saw the book and immediately snapped it up. It was in the airport concourse at Reykjavik when I was in between flights from London to Halifax, Nova Scotia. It was the last copy they had and, at the price I paid, I thought I was going to be arrested by the Icelandic Police for theft!

Over a period of time - and in between other books, I have actually read this huge tome. And it is huge. Measuring 34 x 26cm (13¼ x 10 in), it contains 435 pages of information about every aspect of the Ocean World. If you want to know what made Jacques Cousteau an international name, if you want to know what it is your parents keep going on about whenever they say "I remember when Jacques Cousteau first came on the television and we saw.....", If you want to know what made the late, great Jacques Yves Cousteau Tick - then this is the only book you will even need to buy.

Amazing photographs, incredible information and, as I say, 435 pages on just about every aspect of the Ocean World. For most people, a book of this calibre would be their life's work, but of course, Cousteau moved on to other projects.

5 Stars are not enough for this outstanding work.

NM

This was one of the first books my parents ever bought me which I read all by myself. It is still one of my favorite books and one of the few from my childhood that I have not donated to the local library.

This book was written by Jacques Cousteau, the famous French oceanographer, inventor of numerous diving devices and technologies and maybe one of the most famous scientists of the 20th century. This book is actually a condensation of a series of 20+ books, each of which are devoted to different aspects of the oceans. The original series of books were based on various documentary TV shows produced by, starred in, or otherwise assisted by the author. The original books were very popular in libraries around the world, so the author came out with a condensed version which I am now reviewing.

This book is probably the best source to learn about the oceans, whether you are an adult or child. The text is simple enough for children to understand, but complete and mature in its style, and written like an introductory textbook. The figures and illustrations are gorgeous and in color, and still match those of more recent publications.

Each chapter in this book is short enough to complete in one day, and they cover topics like coral reefs, the N and S Poles, ocean geography, marine mammals, history of life in the ocean, etc... Each chapter begins with a beautiful color illustration on a black page, and is labeled with beautiful names. For example, the chapter on coral reefs is labeled "Pharaohs of the Sea" in reference to their incredible age. My favorite chapter is "The Art of Motion" which begins with a figure of a dolphin jumping out of the water. This chapter's emphasis is on how different life forms in the ocean move about.

Overall, this is one of my favorite books, and a must buy for any science collection.

I highly recommend this set of DVD's not only for the people who are intersted u/w but also who like the nature that newly discovered!

I loved this book! It told me many new things about the underwater life (which I know tons about). It also challenged me to do a lot more thinking while I read. And wow! its by the SCUBA man himself, Jacques Cousteau!

WHATEVER I SAY CAN IN NO WAY PREPARE YOU FOR THE WEALTH OF MAGNIFICENT, BEAUTIFUL,AND INFORMATIVE INFORMATION (TEXT, PHOTOGRAPHS, ILLUSTRATIONS) CONTAINED IN THIS INCREDIBLE SERIES OF BOOKS. GET THEM ALL. YOU WON'T BE SORRY. IT DOESN'T MATTER WHETHER YOU ARE NEW TO THE SUBJECT OR AN EXPERIENED PRO.

Boot Means, photojournalist and man about Trenton, New Jersey was not having a very good life. Until now his assignments for the Trenton Record have been limited and said limited assignments are consigned to page 6...somewhere after the cat-up-a-tree-rescues. And now even his crumby job is in jeopardy because the economy is causing a rift between labor and management, as his co-workers fear more layoffs. To top it off, he's about to get evicted from his apartment and finds himself being railroaded into naming the wedding day when his control-freak girlfriend, Stacy decides it's time for them to get married.
But fear not, as we have all heard, Jesus Saves! Into Boot Means' puny life comes news that Jesus has been spotted in Trenton. And despite the negative attitude of expressed by one co-worker who spat, "There ain't no Jesus in Trenton." Mrs. Emily Phibbs has seen Him, clear as day, on a billboard advertising Smythe's Diner and she wants someone from the newspaper to let everyone know about it. When the editor offers the story to his quickly dwindling staff, no one wants it...no one except Boot Means. He sees it as a way to increase his visibility and perhaps even his earn a permanent position as a reporter who gets to write more than captions for his photos.
And sure enough, the billboard Jesus becomes an icon, drawing all sorts of people to Trenton who set up a Jesus Camp and begin promoting their own agendas.
There is the lovely tele van gelista, Melanie Dove with her adoring crew, and the rival OFJ, Open Faith for Jesus freaks in with their tattoos and purple buses. Then there is the mysterious mole, Travis LeBlay who seems to be trying to set everyone up against one another. But Boot Means sticks with the story, and sure enough his star begins to rise because "Quirky religious groups provided amusing copy." And books about people trying to exploit religion can be very amusing as well.
Christopher Klim has given us a slice of life complete with funny characters, amusing situations, yet with an underlying theme of melancholy that makes us want to hug this poor little orphan kid who just can't seem to grow up and get it together. The book can be enjoyed on many levels, metaphors and allegories abound and the irony revealed at the end allows the true believer a little smile and nod.

JESUS LIVES IN TRENTON is well-written and entertaining, a fast moving novel about what happens in the city of Trenton , New -Jersey, when citizens begin seeing Jesus on a billboard advertising biscuits and gravy.. The interesting characters, hilarious plot and believable but humorous dialogue keep the reader turning pages.
The main character, Boot Means, is a struggling photo-journalist working for a tabloid who uses this Jesus sighting to improve his career. He finds himself caught in the middle of two fanatical religious cults For a while it looks like he might even lose his life.
From the opening scene where Boot Means is attacked by two semi- naked women in a hotel lobby, through his discovery of the purple OPEN FAITH FOR JESUS school bus, to the final scene when he presses the doorbell of the man who claims to be his father author Klim has our complete attention. JESUS LIVES IN TRENTON is delightful.

(The Australian Coastal Book Council selects books for libraries, schools, and reading circles.) This quirky title had surfaced in discussion groups and on the Internet a number of times, and therefore we decided to give it a go at the main city branch. JESUS LIVES IN TRENTON was a pleasant surprise. I've never been to New Jersey, but the city of Trenton, although never portrayed as particularly lovely, has taken on mythical proportions in recent literature. No one seems better to deliver the goods than Christopher Klim. His portrayal of orphan-turned-photographer was particularly gratifying, and even though the storyline builds a maddening flow of consequences and happenings, the author manages to hold it all together for the stunning climax. We found the discussions that spun from this book ranged from the topics of religion and integrity to the morally bankrupt and the disposed members of the community. JESUS LIVES IN TRENTON gets our hearty approval.

The novel operates on two levels: first, it's a flat-out funny and enjoyable, and second, it's a dark comedy about self-importance and the fight for a higher state of being. This duality is difficult to grasp for some who become bogged down in the details, but even so, the book is sift-paced lending more than just a little insight into this new author's mind. Having thoroughly enjoyed his latest comic novel, The Winners Circle, it was interesting to see how Klim got his start, and as the American public is driven further and further into formulaic plots and repetitive gruel, it's refreshing to take on this read. Recommended.

I'm glad to see this title reissued. I'd first discovered this book and author in Europe during the summer 2002. I was homesick, and this satire of American culture--religion, politics, ambition, etc.--was just what the doctored order. I was caught laughing out loud on a bus in Paris, but Jesus Lives in Trenton is more than a guilty pleasure. It's the story of not-so-regular guy and photojournalist Boot Means (interesting name) and his drive to be noticed as a journalist. It all gets wrapped up in more plot and whacky but not so unrealistic characters than you can stand. It all boils down to a whole lot humanity that will make you cry as wkk as laugh.

Upon returning from European isolation, I've learned that Klim has become a cult favorite in the states, as his growing army of fans eagerly await his next novel, but if you want to see a 21st century novelist in the making, begin with Jesus Lives in Trenton or check out ChristopherKlim.com for loads of goodies and a terrific short story.

This is one of my favorite Baldwin novels. Only someonle with Baldwin's background could so poignantly express who Arthur was and how he felt about his music. An excellent piece and a must read!

This book is the best book I have ever read in my life. Its emotionally naked grappling with what race and violence has done to our country is painfully acute and brutally honest. Every American should read this.

From the moment I read the first page, I have loved this novel. I have read it several times and each time the characters come to life and I find myself caring about them. Hall has to deal with so many issues--least of all, is Ruth the woman he truly loves or should he be with the evangelist? Arthur-the gay gospel singer who sometimes would just as well have a drink or a man than sing the gospel, but who sang it so well when he chose to. Then there are the complex lives of their friends and parents that seem so real and yet so tragic. Baldwin created a masterpiece!

Probably one of the more underappreciated novels in American literature. It is unfair to charecterize Baldwin as merely a social critic of the civil rights era. He stands alongside Dickens as one of the great writers of any era, with the ability to articualte an understanding of human nature that trancends any era and stands second to none.

This novel is a testament in a way, the testament of a man who has lived long and well, too much even and too hard, in the world. A testimony too. Every single event in this novel about a black man who became a gospel singer and then a blues singer is the crystalisation of the whole history of Afro-Americans in the USA, the whole history of each character that is living the event through, the whole past and future of a present that is both crooked and promising. That is the very dilemma of this book, a dilemma that we feel and sense everywhere, on every page. Each moment in the life of these characters is the condensation of the cosmic, historical and human past of the individual and the sublimation of all possible wishes, desires, potentialities that this individual has developed in his situation and with his heritage. The novel may appear as very pessimistic because one cannot evade their heritage. But it is tremendously optimistic because one can always choose to realize their dreams, even if the situation around limits the possibilities and the chances to succeed. The aim of life is not to succeed, but it is not to fail, hence to move forward a few steps, and that one can always do it, even if it entails a lot of suffering and a lot of pain. Baldwin is also very optimistic about the world, about human beings, about Afro-Americans because he believes and tries to demonstrate that this forward progress of the pilgrims we are is fuelled by the happiness one gets from life, and that happiness comes from one's effort to accept what may provide happiness, no matter what that is, and the first thing to accept is love, no matter what form it may take. Yet there is a limit for Afro-Americans, a limit and a contradiction : they have great difficulties thinking in other terms than racial terms. They have been the victims as a « race » of deportation, slavery, discrimination, in a word a holocaust, and they cannot differenciate between the whites who are responsible for that fate, those who have made a direct profit out of it, even if many others have been able to enjoy some improved conditions thanks to the exploitation of black slaves, and the whites who have no responsibility in this historical process. How can we put on the same level, in the same boat the slave owners, the slave traffickers on one side, and the serfs that could only survive between famines, and the workers who were exploited too in the factories, and still are ? How can we put in the same bag the pharmaceutical firms that let Africans die because they don't want generic drugs to be produced and the workers of these pharmaceutical firms who are exploited just the same, even if in another way : the research and the patents the bosses want the poor to pay at the highest price, and in this very case most of these firms are American in the world, have been produced by workers who should be considered as the owners of their work and are, too often, paid a pittance when compared with the riches their bosses get out of this work. That's James Baldwin's dilemma. He hardly can discriminate between the white corn and the white chaff, and the white chaff is the workers, those who create the riches of the white corn. Some chapters become extremely poignant when this issue is brought up here and there and when Black Arthur cannot accept to love and be loved by white Guy, just because Guy is white and considered by principle as an accomplice of what the lords of the white « race » have done in history. And one of James Baldwin's concluding thoughts is : « To undo the horror, we repeat it ». And not to repeat the horror of the killing of a black man by some whites (like Peanut for instance), Baldwin makes his Arthur die in London, in a pub where he is the only black man, and by falling in a state of amazed drunkness on the stairs leading to the restrooms in the basement, at a moment when love had been slightly roughened by life into a distance that could have been avoided if love had not gone through a storm in what appears like nothing but a glass of water, the glass of water of everyday life.

Dr Jacques COULARDEAU

This was an amazing story that quite literally gave me a lump in my throat from the very beginning to the very end - and I am not even a fan of contemporary novels! It starts with an emotional and intense opening as a woman is rushed into a small coastal emergency room suffering from a gunshot wound to the chest. It was Christmas Eve as Dr. Olivia Chase was waiting to end her shift and go home to her husband. Sizing up the situation quickly, Olivia realized that there was only one possibility of saving the patient and that was to operate and try to stabilize her then rather than airlift her to a trauma center - travel time that the patient would never survive. It would be later that Olivia would realize that her patient was Annie O'Neill, the woman whom her husband, Paul Macelli, was obsessed with.

From the very first pages the author establishes and introduces you to a woman dubbed in her community as Saint Anne - paragon of virtue, kindness, and generosity of spirit. Annie O'Neill's death changed the course of so many lives, that night; Annie's husband Alec; her two children, Clay and Lacey; Dr. Olivia and her husband Paul. As they each become obsessed with the memory of this woman, they join together to save the lighthouse that she loved. As the months pass by, a complex triangle of passion, love, deceptions and lies begin to emerge into an explosive and emotional confrontation finally brought out into the open by the `keeper of the light'.

The descriptive emotional intensity of the writing by this author is totally awesome. I sincerely hope that any who read this review accept my word that this is an author to put on your list as an automatic buy, and rush out to get a copy of this unparalleled read.

In 1992, while browsing at the library I came across the book Keeper of the Light by Diane Chamberlain. At the time Ms. Chamberlain was an author I wasn't familiar with but one I was soon to become acquainted with not only through her books but also through an early online book group. I also had the pleasure of meeting with Ms. Chamberlain in person on several occasions. I can still remember vividly how I felt after I read Keeper of the Light and how I felt when I realized that a certain screen name was for the author who wrote one of my favorite books. Now eleven years later I reread Keeper of the Light, something I seldom do, in anticipation of reading the second book in a trilogy Ms. Chamberlain wrote about the people and area known as Kiss River, located in the Outer Banks. And as I hope my thoughts on a second reading of Keeper of the Light was that this book was just as good as the second time and I would be happy to reread it again and again.

Keeper of the Light begins on the Outer Banks on a winter's night in the shadow of an old and grand lighthouse when a woman is brought into a hospital with a bullet wound. Dr. Olivia Cole, new to the area tends to the woman's wound but her injuries are too extensive and the woman dies. Only later does Olivia find out that this woman was Annie O'Neill a stained glass artist, known to the locals as Saint Annie for her many good deeds. What Olivia is soon to learn is that her husband Paul Macelli has a history with Annie which after her death will impact on not only Paul and Olivia's life but Annie's husband and children. While there are many secrets at Kiss River between these two families, the key to what happened many years before and continuing to Annie's death has been held by the lighthouse keeper Mary Poor who has been like a mother to Annie all of these years.

As I mentioned at the beginning of this review I seldom if ever reread a book for fear that I may not enjoy the book as much the second time. In this case I think I enjoyed this book a bit more than the first time which I never thought possible. And the best part is that now I can look forward to reading the second book in the trilogy, Kiss River, and revisit the Outer Banks and find our more about characters I feel as though are part of my family.

This was an amazing story that quite literally gave me a lump in my throat from the very beginning to the very end - and I am not even a fan of contemporary novels! It starts with an emotional and intense opening as a woman is rushed into a small coastal emergency room suffering from a gunshot wound to the chest. It was Christmas Eve as Dr. Olivia Simon was waiting to end her shift and go home to her husband. Sizing up the situation quickly, Olivia realized that there was only one possibility of saving the patient and that was to operate and try to stabilize her then rather than airlift her to a trauma center - travel time that the patient would never survive. It would be later that Olivia would realize that her patient was Annie O'Neill, the woman whom her husband, Paul Macelli, was obsessed with.

From the very first pages the author establishes and introduces you to a woman dubbed in her community as Saint Anne - paragon of virtue, kindness, and generosity of spirit. Annie O'Neill's death changed the course of so many lives, that night; Annie's husband Alec; her two children, Clay and Lacey; Dr. Olivia and her husband Paul. As they each become obsessed with the memory of this woman, they join together to save the lighthouse that she loved. As the months pass by, a complex triangle of passion, love, deceptions and lies begin to emerge into an explosive and emotional confrontation finally brought out into the open by the `keeper of the light'.

The descriptive emotional intensity of the writing by this author is totally awesome. I sincerely hope that any who read this review accept my word that this is an author to put on your list as an automatic buy, and rush out to get a copy of this unparalleled read.

I bought and read this book when it first came out, and I remember loving it. I must have, because I kept it on my bookshelf. When Kiss River, the sequel, came out I decided to re-read Keeper first, just to be up to date.

The second time was as wonderful as the first. The characters are multi-faceted, sympathetic, but still completely human. You'll be looking for them if you ever visit the Outer Banks, expecting to meet them on the dunes or in a sunset-flooded restaurant.

Now I have Kiss River to look forward to, as well as a second sequel coming out sometime in the near future. I'm so glad Diane Chamberlain decided to revisit these characters and this story. Bravo to her publisher, who made sure a new group of readers would have the chance to savor Keeper. I certainly did.

If you are wanting a quick and easy read, this is not the one for you. From the very beginning, the story starts off intense and is like that all the way through the book. A quick review of the story... Christmas night, Dr. Olivia Cole is about to finish up her shift on-duty when a woman is brought in with a fatal gunshot wound. Annie O'Neill was working in a woman's shelter serving supper along with her daughter when an upset husband came in threatening to shoot his estranged wife, shooting Annie instead. Realizing time is against them, Olivia makes the decision to operate, losing Annie on the operating table.

Annie O'Neill was a local stained-glass artist, married to Alec with 2 children, and well-loved through out her community due to her giving heart. When Olivia arrives home from the hospital and tells her husband, Paul of Annie's death, Paul becomes distraught and tells Olivia he has been living a lie and leaves her. Olivia becomes obsessed with wanting to findout what it was about Annie to draw Paul away from her. Through learning about Annie's life, Olivia discovers Paul and Annie went wayyyyyy back. Through her obsession, Olivia gets to know and become important to Alec and his children. There is definitely a triangle going on between Olivia, Paul, and Alec. Secrets come out that have been kept by the Keeper of the Lighthouse, Mary Poor whom Annie had become like a daughter to. Secrets you will never guess!

It's powerful, intense, and was emotional for me. My heart really went out to Olivia but also to Alec- you get to really know him as well. Through Olivia's search about Annie, she gets to really find herself! It is definitely a book to get and read! I highly recommend it. It was a keeper for me!