N Books

New York City Food is a cool combination of a food history of the greatest city in the world combined with recipes for those of us who hate the fact that we can't get to NYC often enough! It's NOT a restaurant guide, so careful not to try to use it as such. But it's a great read and can help you navigate the Apple's neighborhoods on your next trip. Thanks to this book, I found the "holy grail" of half-done pickles on the lower east side on my last trip!

You needn't have ever boiled water to love this book. What a gift! Thank you, Arthur Schwartz. Not only is this a fabulous, true-voice book for anyone who draws breath and has any interests past the tip of his or her own nose, it is a rarity to find such a soulful history. Schwartz somehow manages to make you feel you were there when it all happened -- where it continues to happen. (And I was not fortunate to live in the City). And the recipes are quintessential.

This book should be considered collectible as one of the finest examples of this unique genre. It is 'Pruniers' a thousand times over. You won't read it once and shelve this book; you will reread passages and quotes, so wonderfully complemented by Chris Callis' photographs and all the archival images, and take a little trip into New York City and the world.

Everybody knows about Junior's cheesecake, Mama Leone's, Ebbinger's Bakery, Lundy's (not Lindy's) the Stork Club, 21, etc., But this books brings it all together in a wonderful compendium of insights into the history of great dining in the restaurant capital of the world. No place on earth offers the variety and quality in both Haute Cuisine and everday fare as does NYC. Mr. Schwartz, unlike some actually recognizes that there is more than one borough in NYC and finds the best of the best in all of them. There are beautiful recipes, amusing stories, wonderful pictures in a book that really captures the spirit of the many places it describes.

If U LUV NY and U LUV NY DINING, then you have to have this book.

Great book. I keep in on my coffee table. Everyone that picks it up thinks it is great.

This is a great book, written by someone with impeccable credentials ... former chief food columnist for the New York Times, and a NYC born and bred native.

The author delves deeply into the history of NYC, and then works his way forwards to the present era - but he spends most of his time and energy covering the topic from the gilded age of the 1890's through the late 1980's. Between those dates he overviews all the most well known and influential restaurants of the day, along with information on who the movers and shakers were, what was served, and how they influenced the trends of the day. The author also includes about 100 classic recipes, from a wide variety of sources, directly relating to the names that he covers.

The author does the job credit - the historical information is meticulous, the recipes authentic (and he even included a recipe index in the back), and the book is well organized and well packed with classic photos and anecdotes, and plenty of New Vork verve and originality.

Want to know the origins of Steak Diane" ? Porterhouse Steak ? Lobster Newberg ? NYC Pizza ? It's all in there.

Just a few minor nits, in no particular (there are really just my own notes, to serve as a memory jog for eventually writing a letter of feedback to the author).

* Seafood (chapt 2): This chapter was already obsolete at the time it was first published. There are no photos of the Fulton Fish Market (gasp), nor is there any significant coverage of it's recent relocation to uptown. That section DEFINITELY needs update and expansion, both text, photos, and recipes.

* Porterhouse: very interesting and nicely done, but it could be expanded a tad to better clarify the distinction (in modern usage) between the Porterhouse, T-Bone, and Sirloin steaks. Many people are confused by those terms, and usage varies from region to region & country to country, so it's important to clarify the New York usage of those terms. The first two (as I'm sure you already know) are cut from opposite ends of the same "short loin" primal, and the third is from the sirloin primal just behind (rumpward) of that.

* Pictures: the pic of a bagel with lox & cream cheese in the front matter should have been repeated on p.119.

* Italian: the Italian section, at 24 pgs, is only given half the page count as the section on Jewish, at 44 pgs. Understandable I suppose, given that the author is Jewish, but it could use some expansion in a future edition ... the section on pizza, for instance, lacks a recipe, and sausage & peppers is given short shrift. Both can be made easily at home, from scratch, either with or without fancy tools & casings.

* Other nations: the sections on more recent contributions by immigrants from other nations could all be expanded by at least a page each, and include a recipe or two ... Japanese (ex: Nobu), Korean (the name of a top restaurant I went to in Queens escapes me ATM), etc.

* Restaurants: Loved all the historial info, but a few of the blurbs end a bit abruptly, without mention of whether or not they were still open at the time of this book's publication.

* Recipe Index: I wish that more authors remembered to include them. Minor editorial nit - it should have started on a new page, and been clearly differentiated from the main index with a header of some sort.

No one is better equipped to deal with the breakdown of society than the poet and playwright Carl Hancock Rux, who incidentally is also an awesome interpreter of his own work. Who knew that among his many skills was the ability to write a novel too? ASPHALT stands by itself as one of the year's most interesting novels. Have you ever seen the Altman movie, QUINTET, with Paul Newman? If so you will be viscerally reminded of that movie when you begin creezing through the opening chapters of ASPHALT, the ones that establish Racine as an underground DJ par excellence and the rundown brownstone he camps out in becomes a sort of United Nations of lost souls, each tenant lonely and frustrated, and frightened for the future, each one coming from a different post-colonial background.

In the Altman film, which treats a similar post-apocalyptic future, the survivors were largely white, even blue-eyed (including Newman, and co-stars Bibi Andersson and Nina Van Pallandt). There were a few "Latin types" including Fernando Rey and Vittorio Gassman, but outside of that it was all about racial blankness amid the Alaska tundra. Here the Brooklyn setting and the rapid back-and-forth flashbacks jarred by the frequent musical interludes give the reader the sensory excperience someone like David Mitchell is aiming for in books like CLOUD ATLAS.

Just finished this book. OUTSTANDING! Complicated in the most divine way. Rux is on to something that has nothing to do with the average easy read bookstores are pumping right now. This book is so relevant to right now and I haven't seen any other new black writers dealing with the political climate in America from the standpoint of people of color. Correction; Rux doesn't even paint a picture of the current political climate, he's on to the next canvas and it's stunning and heartbreaking.

An urban tale written in a refreshing challenging intellectual style. Set in post apocalyptic Brooklyn, the main character struggles to build a life in a war zone. His physical surroundings play as an apt metaphor for his internal quest to make sense of who he is, where he came from and where he ultimately belongs.

LA Times
"Asphalt," (is) a hallucinatory journey...set in a sooty, just-a-day-after-tomorrow future. The book blends speculative fiction and myth with real-life post-9/11 unease embroidered throughout...enamored with densely arranged assemblages -quirky juxtapositions, blurry borders-spinning dross into gold...a grand-scale collage."

Jill Nelson, author of Sexual Healing
"Daring, intense, and provocative, in ASPHALT Hancock Rux fast forwards the novel form into a future that is unexpected, seductive and healing."

New York Press
"Asphalt, (is) a book taken with future apocalypses and the funky, oddly swaddled cast of characters littering that not-too-distant time in Brooklyn. In Asphalt , you get hetero guys in sequins and sarongs, back-from-Paris DJs and couch dancers named Couchette all vying for attention in a newly gentrifying netherworld that Rux ably and surrealistically, sweetly, ties together before the next set."

The Daily Pennsylvanian
"(Asphalt is) both arresting and disorienting. The cryptic opening scenes illustrate Rux's masterful use of language-remarkable....Asphalt is a triumph in several senses...a piece of true urban literature that appeals to the jaded sensibilities of young modern readers."

Greg Tate author of "Everything But the Burden"
"Asphalt gets at how the urban myth of 'keeping it real' must continually run up against the abstracting roadblocks and revelations of one's fractured inner truth and the even sexier surrealism of a Cosmopolis determined to remix your imagination at every turn. Like Celine's Journey, Baraka's System and Delany's Dahlgren this is a novel where the mythopoeic modern city is the real protagonist and the ostensible hero, like all of us, is just a squirrel trying not to nut out."

LA Weekly
"Asphalt...is thick with images of and meditations on terror and terrorism...underscoring emotion and politics, allowing Rux to excavate the damaged inner lives of his characters while ruminating on how the world around them feeds their despair and dares them to rise above self and surroundings. "

Booklist
"Rux's lyrical writing blurs the lines between dreamscape and reality. A dazzling portrait of urban life."

Publishers Weekly
"Lyrically drawn...an elegantly gloomy addition to Rux's artistic achievements."

Brooklyn Rail
"Asphalt is a beautifully written book...as horrifying to read as it is full of hope."

Black Issues Book Review
"The first lines of this first fiction effort promises a mélange of literary forms and edgy melancholy characters...part postmodern parable, part contemporary urban portrait...parts aside, it is fully formed, like an existential poem."

Blether Book Reviews
"Carl Hancock Rux provides a deep look at disturbed individuals in environs in which no one can dodge a world on the abyss."

In the lush heady atmosphere of a house party in a decaying Brooklyn mansion Racine mixes A Tribe Called Quest, Arvo Part, Rakim and Mary J. Blige. The DJ moves the crowd through a throbbing bass line. Loc's, Betty Paige bangs and sheared heads abound in the rich aesthetic of the underground in a post-war New York. The nuances of the urban moment and the self-discovery of colorful characters provide the backdrop for an artful piece of literature for the hip hop and neo-soul generation.

Racine is the quiet DJ who deftly blends genres and sounds and expresses himself through his wheels of steel. He finds himself in the deteriorating yet vibrant post-war Brooklyn after the death of his older brother and dearth of love under the care of foster parents in the south and New York City. While finding lodging in a neighborhood devastated by poverty and despair, he meets a band of intriguing souls. Manny, the ambiguously gay free spirit with a penchant for architectural history, Mawepi the stout bouncer and translator for the clairvoyant Holy Mother and Couchette, the scarred dancer mired in denial comprise his new family.

Immediately Racine finds himself creating the sonic backdrop for intense parties, orgies and conversations while Manny and the other residents chase their dreams in a transitional New York. Couchette is the troubled spirit with whom Racine shares physically intimate and emotionally frustrating moments. The story weaves in depictions of Racine's childhood, including his experiences in fostercare and ultimately forces a young man to reconcile his past and move on.

Rux infuses a tale set in a modern urban environment with ancient Greek mythology that informs several themes in the book. Racine the character is influenced by Hippolytus' Phaedra which was re-written by J.P. Racine. The story of a young man who is physically dismembered by a monstrous force on his journey is a recurring thread throughout Asphalt . The characters have to lose parts of themselves that they may not be aware are hindering their growth, in order to move on. And the personalities in Asphalt all employ different strategies for abandoning experiences that have consumed and distorted their views of reality and themselves.

As an Obie-winning playwright, spoken word artist and now novelist, Carl Hancock Rux has a masterful use of language which is evidenced throughout Asphalt . His description of a taciturn woman lying on the road and an intimidating lanky street orator selling socks are examples of the imaginative supporting characters. Similarly, Rux 's portrayal of the glorious yet depressed New York and the intensity of Racine's past, deeply orient the reader. At times the language is a bit too cerebral which obscures the clarity of events. Yet the descriptive quality of Rux 's work differentiates him from other contemporary young authors. Asphalt is compelling due to its complex and beautiful handling of topics such as child abuse, sexuality and the urban environment. Ultimately, the empirical emotion Rux integrates into his work coupled with his gift for prose makes Asphalt a challenging yet intriguing read.

I thoroughly enjoyed and appreciated this cookbook. It's a great cookbook for weekend chef's like myself who enjoy good food and entertaining good friends. I appreciated the way the author gave background on the locale and seasons the dishes were inspired from. I now know how to make paella :)

Reading Bay Wolf Restaurant Cookbook is almost like taking a trip to this exceptional restaurant. The photographs and commemorative menus are stunning and the recipes are terrific, but it is the warm, generous personality of the staff, particularly Michael Wild that are expressed in the text that impresses me most of all. You'll want to share this treasure.

I am not an advanced cook, and found most, if not all, of the recipes to be manageable. And the best part is that there are numerous pictures which will help you visualize the dish (important for plating). I compared this with my chez panisse book and found that I consulted the Bay Wolf recipe book again and again. I love Alice Waters and Chez Panisse but her book is just too hard to use (not enough photographs, recipes run over onto the next page, directions not clear or allow for multiple interpretations - very scary for a novice cook). I got the Bay Wolf recipe book from my Mother in Law and I love it! It is a great find and I highly recommend it. All the ingredients can be found at your local supermarket, so even though the end product may look exotic, the recipes are not too difficult. This book is very meat-driven (pork, fish, poultry), so I wouldn't get this for the vegetarian. Over all, though, well done! One of my favorite cookbooks to date.

The book is informative as well as easy reading and, even at age 82, I am interested in trying the recipes because they look and sound so good and emphasize fresh ingredients such as the fruits and vegetables (tomatoes, quince, figs, beets and fava beans) that we grow in our own Bay Area backyard.

I have several criteria when looking for a book on food - and guess what? This one has it all and then some! First, it is an excellent, user friendly cookbook. No sticky-fingered turning of pages - all recipes are complete on facing pages. And it lies flat to preserve the spine. The photos are beautiful and mouth watering. Then ... the fun part. The writer, Adele Novelli Crady, has created great sidebars and editorials about the food, eating, and enjoyment of life in general. These alone make the book worth reading! A great book - make sure to also buy one for a best friend - like the great food, it is best shared.

THIS BOOK HAD YOU HOOK FROM BEGINNING TO END. YOU HAVE LISA WHO IS A GOOD CHICK HE WANTS NOTHING BUT FOR HER MAN TO STAY OUT F JAIL AND DO AWAY WITH THE STREET LIFE. BUT THEIR IS ONE SECRET THAT SHE IS KEEPING FROM HER MAN THAT SOONS SURFACE AND HER WORLD IS TURN UP SIDE DOWN BY CHINO AND DONNELL.I AM LOOKING FOWARD TO PART 2 OF THIS BOOK

I can't wait for the sequel. This book kept me interested in the story the whole time. I couldn't wait to get to the end because I knew it would surprise me...and it did.

Betrayal of a Hustler was an excellent written book. This book had excitement, a whole lot of drama, suspense, greed, love, anger, peace and betrayal. This book kept you on edge of your seats that you didn't want to put the book down. You were very eager to find out what happened next and to whom. The author really put her heart and soul into this book. The characters were so well portrayed that you can relate to this book through real life experiences. I give praise to the way the author portrayed the mother's in the book praying for their children's saftey. Discussing this with others, you are amazed at how you get different opinions of what is going to happen next in the second book. I can't wait until the second part comes out, I know it will be on fire also.

BLUNT, God has truly blessed you with such an amazing gift for writing. Keep the books coming and keep working towards your dream! I know that every book you write will be a best seller also. Keep your light shinning and keep reaching for your goals, dreams and most of all the stars.
God Bless, Janice T. Brewer

It has been a long time since I picked up a book that I COULD NOT put down until I finished! It had me on the edge the entire way through! Great storyline with interesting and very real characters; B.L.U.N.T. understands the world she writes about and makes the reader feel like a part of it. I must admit, the ending threw me completely off...I'm excited to see what happens in part II. Highly recommended.

B.L.U.N.T. has certainly marked her spot on the urban literary scene. The first in a trilogy, "Betrayal Of A Hustler" is an exceptionally good tale. Reminding us that no matter how rich and powerful a hustler becomes there is always a sad price to pay.
Written with style, this tale tells of friendship, betrayal, love and power. The characters that are behind the excellent cover of this book have their own magnetism that will draw you deep into the pages.

B.L.U.N.T. girl don't keep us waiting too long for the next installment.

I can't believe I've reached my 50th review.And it is happily on a topic near and dear to my heart.....Buster Keaton.
Buster was not as appreciated as he might have been in his 1920s heydays.And when his downfall at the hands of MGM came in the early 30s,as far as the public was concerned he was just considered just another fatality
like so many of his peers that occured in the late 20s and early 30s with the conversion to sound.He was soon forgotten.
But it didn't keep Buster down the least bit.He eventually battled back from depression and acute alcoholism.He was rarely out of work for very long and whether behind or in front of the camera he continued on like a trouper for the rest of his days.
The man lived and breathed comedy and never lost his ability in the development and creation of gags.And of course his masterful directing abilities and knowledge of the camera were unquestionable.
Buster fortunately lived long enough to see a steady resurgence in his popularity and homages from many in the film industry.And his public persona also reached new heights as new generations rediscovered his older films and/or relished his appearances in newer films and on TV.
This book then is a fitting tribute to a legend and one of the GREAT(and I don't use this word lightly) purveyors of screen comedy in the 20th century.
It is first and foremost a pictorial tribute.It is absollutely filled with wonderful photographs,some I have seen but others I have not.
It even has a photo montage of a Buster how-to on creating his trademark pork pie hat.
All this is nicely rounded out with text from the author and most especially his late widow Eleanor.
All in all I recommend this book highly to those who are just discovering this great screen comedy genius.There's no better way to acclimate yourself to his life and career.And to those like myself who have known and adored this mans' work for years,this book should be an essential piece in the Buster Keaton section of your library.

I've always been a little disappointed that Buster Keaton gets overshadowed by stars like Chaplin, mainly because he was more than just a silent comedian. In many ways, he was a daredevil of his time, always doing his own stunts and risking his life on several occasions. In today's Hollywood, what star would've dared let a whole house fall on him and miss by mere inches as Buster does in Steamboat Bill Jr.?? Not even Jackie Chan would've tried that one!

With that in mind, Buster Keaton Remembered is superb at illustrating a lot of the stunts and tricks he used in making his best movies, not to mention the man himself, with some glorious candid and studio photography.

The only real disappointment I found with this book is the text's general lack of depth. Sure, the classic shorts and features are all here. But his later work (post-1940) is generally glossed over. Many intriguing elements are also introduced like the death of one of his gag writers, his unreleased film "Ten Girls Ago", his family becoming part of Buster's films, etc. But in most cases, these are only mentioned in passing and get little analysis or explanation.

But then, Buster Keaton Remembered isn't really meant to be a biography - this is more of a coffee table book. So if you're looking for a stunning pictorial of his life, this is the one to pick up. If you're looking for more detailed insights into the man and his movies, it's time to head for the library.

I recently attended the Ninth annual Buster Keaton Festival in Iola .KS. It was my seventh visit. I met Margaret his Granddaughter and she autographed this book. The book is beautifally done in the vailed quality of the golden movie age. The pictures and story line are truly of love for this man from his wife and "grandaughter". James Karen also was present and received the "Buster". Stone face will be remembered as a common man with photos of him smiling. This is special because he was also a proud grandfather to his granddaughter. For a final tribute visit, Find a grave.com GOD BLESS BUSTER

the photos are worth the price of admission, many i had not seen before as a long time fan of keaton. the text is clear, and not horribly sentimental, which i was afraid to find as the book was co-written by his last wife.

gorgeous. really well done.

I thoroughly enjoyed this book. Being a fan of Buster, I've read numerous bios, ranging from mediocre to all out hatchet jobs. Students of the "Great Stone Face" will learn a lot, I certainly did. The photographs alone are worth the price of the book, epsecially the "stills" from THE GENERAL, STEAMBOAT BILL JR. and ONE WEEK. Keaton always seems to take the proverbial "back-seat" to Chaplin, but Buster was the better comic, by FAR!!! And, as an added bonus, you can see how Buster and Eleanor made the "pork-pie hats" worn in so many of Keaton's films.

You won't want to put this book down once you start. This is a great read!! It's very stimulating, there are parts in this book that you'll want to read over and over agin.

CAJUN HOT is a tremendously entertaining comedy of a romance. I was enthralled from page one right on through to the end. The story is hot and sexy as well and I was either fanning myself from the heat or chuckling over the antics of the characters. The general plot is pretty straightforward, but the route to get to the happy ending has some outrageous moments. The story keeps your interest and I was very disgruntled anytime I had to put the book away and do something else. Ms. Black's characters are rich and well-rounded. Sahara has some serious career goals and is not in the mood to take a detour for love; she is fun, likeable and amusing. Jacque presents himself as a laid-back, sexy Cajun, which he certainly is, but there is a lot more to him as well. The secondary characters really add to this story, both in humor and outrageousness. The sex scenes are explicit, extremely hot and contain elements of ménage, bondage and exhibitionism. I truly enjoyed CAJUN HOT and highly recommend it if you are looking for a fun, amusing and extremely sexy read!

This Cajun fantasy was so hot I was almost burnt as I turned the Pages. I was done the book in just a few hours and wanted more of it to read. Sahara and Jacque were so spicy and I loved all the intimate love bondage.

This book left me breathing hot and feeling an insatiable wetness. I WOULD NOT recommend reading this in public... and make sure you have easy access to your lover!!! Cajun is HOT HOT HOT

WOW! That's all you can say about this book without spending page after page describing this book. Sizzling sex, a twisted plot and an exciting recipe for romance/erotica.

This book is an excellent one worthy of a collection specially to those who are involved in the ministry of preaching, bible study, or even in sharing the gospel. It might not be as elaborate as those individual commentaries, but needless to say, the book is complete and touches almost all of the critical, difficult, and controversial issues.

References to the historical findings such as the MT, LXX and a lot more gives sufficient credence to their studies that these are based on historical facts, and not just on personal opinions. A great number of authors with their credentials who participated in writing this commentary proves that this book is a collective effort of great minds in order for us to benefit the cream of the crop. It is because of this that I find this book worthy as a treasure.

Really, this is just a start. Any commentary is. But this is one of the best because it proceeds from a radical premise: the whole Bible is from God, giving His point of view and superceding that of the human author.

Not that this is promoted self-consciously or consistently from each contributor. But the structure of the enterprise is such that they are sucked back into presenting how it is that the old testament is so thoroughly imbued in NT writings, including in ways which both OT and NT writers could not have intended.

Treading down this path forces us to question all those teachings we've had where we were told: "Matthew (or Paul or John ...) here had in mind xyz." When Matthew wrote his gospel, we might now surmise that we can't be sure what he himself had in mind, because what we wrote was superintended to the degree that Matthew's sinful thoughts were NOT what ended up on parchment. God's thoughts are there, pure and untainted by Matthew's natural limitations and sin.

Attempts to work from Matthew's sinful thoughts and culture to God's meaning miss the point that whatever Matthew was in his head was NOT the end product that flowed out his quill. Remember when Caiaphas spoke what he thought naturally about how it is better for one man to die rather than the whole nation take a hit? He meant it for evil, but God superintended it to be ultimate truth, regardless of that speaker's intent. Same with all holy writings.

Yes, holy men of old spake as they were moved, but their holiness does not naturally come out in uncontaminated speech -- that takes a special work of God. This commentary allows for that premise. There's something way more than human going on that ties this whole Bible together in one theme from one Writer.

Don't get me wrong, not all these contributors seem to subscribe to my radical conclusions above, although I think the editors do. And their prescribed structure for this commentary nudge the contributors into a path that I think leads to a more theocentric authorship. So this is a good start, but nothing beats trying to read the Bible itself from God's point of view, rather than the hallowed and misguided grammatial-historical human focused approach.

At a recent gathering of pastors from across the USA and Canada I was surprised that one VERY well-known speaker from So. California spoke to the pastors about his preaching style, his study habits, and his commentaries. When asked about his lack of preaching from Old Testament books, this pastor noted that he is a New Testament pastor and in his 25+ years has never preached through an Old Testament book, that the era of the Old Testament has no place in New Testament kingdom work. There was a hush like I had never heard (and these are all pastors who love to talk!). This new volume is a fantastic addition to any pastor's library and helps to link the entire counsel of God. Beale and Carson have given us a tremendous gift in the unique style of this reference book and how they build all the New Testament upon the shoulders of those prophets, priests, and sages who had gone before.

As we have seen, the New Testament is replete with uses of the Old Testament. Jesus, himself, was often quoting the Old Testament and the authors show us how the knowledge, culture, and genre of Old Testament books and passages that were useful in the establishment of the church after the resurrection. The authors are quick to remind us that the authors of the New Testament Canon were using Old Testament text to establish the church and then included God's counsel from the ancient eras in their writings back to the churches at Rome, Ephesus, and more.

This book serves a very powerful niche in our sermon preparation, it gives us tools to excite our congregation about the Old Testament which seems so ancient and almost out of place to the 21st Century thinker. Beale and Carson give us the tools to energize a new generation of disciples. I cannot imagine our pastoral libraries without this new work. It serves us as pastors and it serves our congregation as it illuminates the whole counsel of God.

I just got this book and I'm already impressed. The book is over 1200 pages of solid, scholarly output.

From Matthew through Revelation are treatments of quotations, echoes and allusions from the OT.

At the end of each NT book is a bibliography of the sources cited along the way. A great help!

The scholars are not afraid to give their own translation of the Greek text, while consulting other reliable versions of the Bible. I find this extremely helpful, as one who is adept at NT Greek.

DA Carson puts his scholarly touch on most of the Catholic Letters. He is so good.

Overall, this volume represents the best of NT scholarship. If you don't have this book in your collection and not making the most of it, you're depriving yourself of the best treatment to date on this subject, the use of the OT in the NT.

I give 10 stars.

Compiled by a large number of scholars from the evangelical tradition, this work is a much needed resource in your library. The difficulity and debate over how the new testament qoutes and uses the new testament as fulfillment is not glossed over as this 1000 plus page book examines passages from Matthew to Revelation. The sources cited and research used in this compilation is wide and scholarly in its use. A book needed by all serious students of the bible.

This is definitely one of my all time favorite cookbooks. The butternut bisque is to die for, and all of the other recipes I have tried are also fabulous. Beware though - these recipes cook for a firehouse so it makes food for several people and the food is rich and hearty. I just freeze the leftovers and they last for a little while - they get eaten before too long...

My son is the cook at the firehouse on his shift. We purchased the book for him, and he is so pleased with the book and it's great recipes.

Eshel Travis

I recieved this Cookbook as sort of a joke for x-mas because "I LOVE FIREMEN" and it has been the greater present I have ever gotten. There quick and very easy recipes to follow and use. My cookbooks looks like it has gone to hell and back I use it constantly. I wish Keith would come out with another book soon. Watch out Rachel Ray move over for a FIREMAN.G

For beginners and veteran cooks, this book is packed with wonderful recipes sure to become family favorites. I'm giving this copy to my son who is just beginning to learn the joys of cooking for himself.

The cookbook is great. My husband and I have cooked many things from this cookbook but are favorite is still the meatballs. We cook them for every party. They are the best.

This nook is an excellent review of the current surgical therapy. It provides quick and current references for both practising surgeons and trainees

This really is the best reference for surgical residents. The new version has had some fairly significant changes. Modern laparoscopic techniques have been added, the trauma section revamped, new chapters added, and certain chapters fleshed out compared to the last edition. In addition, a few colour chapter have been added, but if you purchase the online version, you get access to the colour images posted on the website. Nonetheless, a lot of the figures in the book have been reworked into a more user-friendly format.

This is THE book for a senior surgical resident to purchase. It is updated every 3 years, and reflects advances in techniques, preoperative and postoperative evaluation, and clinical management decision making for all of the commonly encountered problems in general surgery. The authors do not merely rehash the previous edition, but present the information in a clear, concise, and enjoyable text with good tables and images. It has been very helpful to me in my Chief year, and I expect it to help me pass my boards. A MUST HAVE!!!

A must for every surgical resident and surgeon. Great for studying for the oral boards these are safe and accepted answers.

Those who are goinig to sit the general surgery examinations would find this book a great assistance. The book is well written and easy to read and understand. After thoroughly reading this book and a major surgical textbook e.g. Sabiston's Surgery would the chances of passing any surgical examination very high. It's an up to date reference in general surgical diagnosis & therapy. The busy general surgeon would find it a very useful soucce. This book will help other surgical specialists to keep themselves current with the most recent issues in general surgery. This book is highly recommended.

This book is a great book for children and adults who want a basic introduction to art mediums. DK always does a good job of describing and it is an enjoyable read.

I had to get this for school. It's not a bad book and certainly is useful. I flipped thorough it to get some ideas.

I've seen books like these on clearance at book stores, so I think paying full price for this was silly.

DK books are always a "best buy" when it comes to bringing clear, concise information on how to do almost anything.

The book is in wonderful shape! My daughter needed it for a college class so the price helped her out a lot. I am an art teacher and was very impressed with it. I told her when she is finished with it she needn't pay me back...just give ME the book.

We bought this for our 14-year-old nephew, who is just starting to exhibit an interest in art. It is truly a great introduction to drawing and perspective, painting (oil, watercolor, acrylics), and even mixed media. Don't expect great depth in any one area, but its easy to read and use, heavily illustrated to keep kids' attentions, has a nice glossary. All in all, a really really great value and a book that is exactly what its title says it is.