Television Books

I have always wondered what it'd be like to work on a TV talk show. From a distance it seems like a glam life. Alex Richards realistically conveys the hard work, tension, & ulcer-producing behind-the-scenes toil of a talk show intern, but balances it with Gemma's fun life with her rich, sophisticated roommates. The characters are well drawn & sassy, but I also found them compassionate. And Gemma is a love. The book was fast-paced, a really enjoyable read.

I had the pleasure of interviewing the author for my school newspaper and I had some very high hopes for the book. Back Talk exceeded my expectations by lightyears! It was glamorous and fun to read but still captured the nitty gritty of teen life. I finished the book the day I bought it in record time and I will probably read it again. I have to say I am envious of her characters. They are all so much fun and by the end you (as the reader) feel like you know them personally. So, all in all it was a pleasure to read. Bring on the champagne and the fake IDs! Oh, New York can be so glamorous.

Reviewed by Tabytha Joy (age 15) for Reader Views (8/07)

"Back Talk" is about a girl named Gemma who finds a job working for a talk show. Gemma is only sixteen, the youngest of all the employees. She and her friends like to get together and talk about cute boys, or their current boyfriends.

There is a pair of twins working for the talk show. All the twins do is try to get Gemma into trouble. Well, one of Gemma's favorite workmates ends up losing his job. The reason is because the twins said that the guy was sexually harassing them. Gemma doesn't believe this is true. She sets out to find the truth and to get her workmate hired back. Now, all Gemma wants to do is prove that the twins are lying.

The talk show owners decide that they want their special guest to be a child prostitute. The only problem is, the thirteen-year-old girl they find is afraid of appearing on the show as she fears that her pimp is going to kill her. Gemma meets up with this girl a few times to try to convince her that they will protect her from her pimp. She even talks to the boss for the talk show about offering more to this girl. So, the talk show boss decides to offer this girl a scholarship to a great college and promises her a good education. But will this young prostitute risk it?

In my opinion, "Back Talk" was an okay book if you like to read about talk shows. I was not too fond of all the dirty language used throughout this book. Some cursing would have been fine. But there was a bit too much. My favorite part of this book was when Gemma kicked Nick between the legs. I like how the author wrote "Ouch. The consequences were gonna need an ice pack." That part was really funny. I also enjoyed how the author chose to end the book. Not one question was left unanswered. I would recommend this book for anyone who likes a fast-paced book with a lot of excitement in it.

First, the blurb above states that this book is for 9-12 year olds. That is a mistake - it is Young Adult fiction (so maybe grades 9-12!!). I don't recommend it for a 12 year old.

This is by far the best YA novel I have read, ever. And I am not just saying that!

It's the story of a naive 16 year old from Idaho who's in New York City for a summer internship working at a TV talk show. She's staying with some rich, glamorous friends who take her under their wing for a taste of night life and what seems to be the beginning of a great friendship too.

The characters grab you instantly -- there's the heroine, Gemma, who's journey into the fast-paced world of New York TV production is made all the more human by the insights we are given into her self doubt. She's never sure if she's quite getting the hang of this life but she follows her heart and so ends up doing the right thing. Her periodic flirtation with a dashing British student(!!!) is described with humor and tenderness.

Gemma's two friends have been born into money and status, so at first their lifestyle seems intimidating to Gemma. As they become closer, Gemma realizes that the glamor, the drinking and the sarcasm are all part of a cover up for the one thing they weren't privileged with: a loving family. The three of them bond over the summer and each comes to understand the other - it's an allegory for how the mid-west and corn-belt is so out of touch with the so-called east-coast sophisticates.

The characters and the behind-the-scenes views of the TV industry are what sets this book apart from the genre. Gemma is thrown into a crazy topsy-turvy world of hardened TV producers who have seen it all. When they find it hard to care for the people they exploit for a story, Gemma shows them all that you can be successful and still have a heart.

All in all a great read! The sarcastic humor that the narrator and the characters sling around is wickedly entertaining. The characters are well rounded and the plot is rich in detail and structure. The pace of the story keeps up right through to the end chapter, and it's hard to believe we have to leave Gemma and company to live the rest of their summer without finding out what happens next!

First time author Alex Richards shows great promise with this novel - we're all dying to see what she comes up with next.

If only my life was this fabulous at 16. As much as you want to hate on and be jealous of the trio of roommates in this book, (Gemma, America, and Dana), you will end up loving all of them. They are interning and living in NYC, two are fabulously rich, but without any of that spoiled super sweet 16 BS (OK maybe a teeny bit). The star of the novel, Gemma, is quite down to earth coming to NYC from the not so chichi countryside. Her take on interning at a trashy talk show is refreshing. Perhaps more interesting is the peek into Gemma's internship and the talk show world in general. I read online that the author once worked for a talk show type TV program, maybe we have some slightly blind itemed situations going on here. self-obsessed talk show host = egomaniac Tyra Banks? Probably not but fun to guess....

I would reccomend this book for all people who love the Backstreet Boys as much as I do.

I love to play hit songs on the piano, and I love the BackStreet Boys. This book is giving me the notes to their hits, and it's very easy to play. You can sing along while you play the piano too. I'm sure you'll love it !

I learned to play piano,(although all my music acreitablity still goes out the window)souly just to play their gr-8 songs,etc...that book showed me how.All my friends just love singing with it!And the layout is very well done. It rocks! KEEP THE BACKSTREET PRIDE ALIVE! YEAH!

And a few days ago, I saw a copy of the BSB music book. I bought it (of course) for $20 or so and my next voice lesson, I had brought it. My teacher likes the music and lyrics so now I bet he's practicing. I had let him borrow it (and it's PAINFUL.) and before that, I would study and practice singing and following the right key and pitches. It sounds great on the piano and lets me know all the lyrics. I love practicing BSB music, and I bet you would too! :)

This is the best. i never liked taking piano lessons but now since i got this book i love it. I LOVE BSB!!

This book reminds me of the beavis and butthead movie and the TV show, not that I miss them because I have all the episodes on DVD, and the movie, thats besides the point. This book really is entertaining to read and doesn't take very long to finish. It has pictures of various artists from their videos and they talk about them, make fun of them, whatever. Since I only paid like $1, it was well worth it for this book.

This book is about as funny as watching the show! The way beavis and butt-head are so stupid sometimes in the book crack me up. They even have a list of funny words like Tungsten, cocky, sextet, and so on. If you are a diehard fan of Beavis and Butt-head such as moo-ah you MUST buy this book!

This book sucks is so great. For any Beavis and Butthead fan it is the must have collectors item. It has many detailed photos of, their town, the house, old B&B and many more pieces of impotant(huh-huh) background. My personal favorite which still makes me laugh is the list of words.

This is one book that does not live up to its name This is a very funny book- If you think Beavis and Butthead are funny-- If you don't like Beavis & Butthead you probably won't like this book

Many die-hard fans from my generation would remember the summer of 1993 when Beavis and Butt-Head first graced MTV. With the premiere episodes FROG BASEBALL and PEACE, LOVE, AND UNDERSTANDING in 1992, followed by the first season episodes, Mike Judge's ongoing series of two braindead cartoon nitwits was born.

Just reading through this, the first of many feature books, brings to mind flashbacks of the first season episodes in particular. Like many other cartoon shows, the animation is cruder and the characters look and sound slightly different, and the music videos added the real class to it. The book is loaded with pages of fun activities from house painting (coloring) to word matches to songs to progress report incidents from Highland High School.

All of it together makes this book a tour through time in the evolution of the show itself. For any of you fans who really loved the early episodes, this book is definitely for you. You will be laughing long and hard. Huh huh huh huh. I said "long and hard". That was cool!

I YEARN TO SEE WHEN EVERY SINGLE EPISODE WILL BE RELEASED - UNCUT AND UNCENSORED - ON DVD!

Even when Ray Bradbury isn't writing, his friends and fans and disciples are writing about him. This book will give you a couple of hours of joy, and make you wish you had read all 500 of Bradbury's published works, seen all his movies and television productions, heard all his radio plays, seen his stage productions, heard all his recorded books and stories, attended all his lectures, seen all his media interviews. Once hooked on Bradbury, no-one goes into recovery. Ray Bradbury's works are written for future generations of optimal behaviorists who want to see the world and its people survive and thrive.

--Jim Reed, author, DAD'S TWEED COAT: SMALL WISDOMS HIDDEN COMFORTS UNEXPECTED JOYS. Learn more about Reed: jimreedbooks.com

This coffee table book is a must have for Bradbury fans. Full of pictures and illustrations of his various stories and books are interweaved with text written by friends and associates of Bradbury's throughout his professional carreer. The book spends a great deal of time on his personal correspondance with William Gaines (comic book publisher and later MAD magazine). The correspondance shows a literary master who was truly fond of comics,then considered a trash medium during the 1950's. The book also spends a good deal of time on notes by Francois Truffaut, the french cinema genious who filmed farhenheit 451. Bradbury is also shown as a man who loved Hollywood from the time he was a small boy. This book is a great addition to have, both for the written word and the beautiful artwork.

There's a point in this book where the author says "You have to be an amazing writer to inspire so many illustrations and paintings." And that's why Bradbury is so great. After reading a book like The Martian Chronicles, you can easily imagine what he was describing. And if you can draw or paint, you'll want to create those images on canvas.

That's why almost every piece of artwork in this book is so beautiful. Just take the Illustrated Man as an example. Each artist who was commissioned to create a cover for the book had the task of showing an almost-naked man covered in tattoos. But the tattoos had to show scenes from dozens of short stories. One artist made the Illustrated Man an obese, shirtless guy in a carnival sideshow. Another gave him technicolor cartoons across his back and shoulders, depicting roaring lions and men in spacesuits. The third image is the most famous --- a nude man with his back to the viewer, sitting, with all of the skin below his neck covered in images.

This approach is repeated throughout the book --- different artists interpret the most vivid images from Bradbury's best books and stories. Over a hundred paperback book covers are reproduced (including a few that I was obsessed with when I was ten years old), along with movie posters, paintings, movie stills, and comic book pages.

The text is just as good. This book serves as a biography of Ray Bradbury, tracing the arc of his career from science fiction author to short story writer for 'the slicks' to comic book writer, novelist, playwright, and screenwriter. Bradbury's relationship with EC comics is recounted through the correspondence between Bradbury and William Gaines. It's very interesting, especially when Bradbury catches Gaines stealing his stories and offers to write more for EC instead of suing.

If you're a Bradbury fan, you'll love this. It's the kind of book you'll pull off the shelf every month and flip through, just to marvel at all of the strange and beautiful images. If you don't know Bradbury's work, you'll still enjoy all of the artwork. Maybe the images will inspire you to read his books..

This treat of a book is unique in that it is not merely a collection of illustrations from Bradbury publications over the years, but seeks to document the whole spectrum of "visualizing" the rich prose of Mr. Bradbury, an almost impossible task! This includes films, stage productions, marginal doodles by Bradbury himself, books and films that inspired Bradbury in his early years, and much more - a rewardingly broad approach to crafting the book.
In addition wholeheartedly agreeing with the wonderful points noted by other reviewers, I would like to point out that the book features much rare material by Joseph Mugnaini, the definitive Bradbury artist, in the form of concept sketches for covers, stage backdrops, and some of the original paintings that inspired the Bradbury-Mugnaini partnership in the first place. The contribution of Mugnaini's works to Bradbury's success, as a visual carnival barker beckoning readers into Bradbury's world is tough to underestimate.
The book is beautifully printed, with one absolutely tragic exception - the reproduction of Charles Addams' original illustration for the story "Homecoming" is horrible! It is terribly blurry and there are some kind of liquid stains on the original work, which hung in the Bradbury home for many years. For comparison, look at the (reversed) reproduction used as the dust jacket for Bradbury's recent "From the Dust Returned" novel/collection. Just unfortunate that the one illustration botched - was the lone collaboration between two magnificent twentieth-century masters of the macabre. Still OVERWHELMINGLY worth owning however.

Now that Sam Weller's "The Bradbury Chronicles:the Life of Ray Bradbury" is selling like water at the bookshops,we'll see the importance of Jerry Weist's "BRADBURY,AN ILLUSTRATED LIFE,A JOURNEY TO METAPHOR".I didn't read yet Weller's book,but I know that Frederik Pohl didn't like it.I own a copy of "Bradbury,an illustrated life...", since it appeared.And I loved it.What a gorgeous "objet d'art"!The ailing Bradbury must be proud to have inspired a book as beautiful-and good-as this one.The text by Jerry Weist is well written,professional,competent.The Foreword,by Bradbury's archivist ,collector and friend,Donn Albright,is very informative about a few of Bradbury's illustrators.The Introduction,penned by Bradbury himself,is enlightening.
As an admirer of Science-Fiction illustration and collector of SF Memorabilia ,this work was a visual feast to my eyes ,taste and, sensibility.
Called my attention:firstly,the reproductions of book and magazine(AMAZING STORIES,WONDER STORIES QUARTERLY)covers,interior illustrations,movie stills and posters(the famous one-sheet poster for the silent "THE PHANTOM OF THE OPERA" and the glorious six-sheet poster designed for William Cameron Menzies's/H.G.Wells's "THINGS TO COME")and the Sunday comic strips(TARZAN,BUCK ROGERS),that influenced Bradbury's visual taste and literary preferences.Secondly,the reproductions of publications(fanzines)like IMAGINATION and FUTURIA FANTASIA(with Bradbury as editor)that enriched his beginnings as a science-fiction fan ,nurturing his creative juices and his friendship with the future great illustrator Hannes Bok,plus the moving photos made when Ray was visiting New York City during the (First)1939 WORLD SCIENCE FICTION CONVENTION financed by his buddy Forrest J. Ackerman, or made in Los Angeles ,like the amazing photo showing a youthful Ray at a meeting of the Los Angeles Science Fiction Society(LASFS) in 1940,when nineteen-year-old Bradbury was just beginning his writing career.This photo is sensational because it shows us other famous(now)members of the LASFS:FORREST J. ACKERMAN,MOROJO,RAY HARRYHAUSEN,ARTHUR K. BARNES,EDWARD E. "DOC" SMITH,CHARLES HORNIG,ROBERT HEINLEIN(seated at the table,only his face showing).Also appearing in the photo :JACK WILLIAMSON and EDMOND HAMILTON(standing near the wall in the background).The other photograph that moved me was taken(circa 1946/47)probably in Los Angeles, too. In this one , Ray appears side by side with the couple EDMOND HAMILTON/LEIGH BRACKETT and with Hamilton's sister.Thirdly,I was enraptured by the exquisite beauty of the interior B&W drawings(Oh,the marvelous B&W drawings by HANNES BOK,LEE BROWN COYE,BORIS DELGOV, VIRGIL FINLAY&LAWRENCE STERN STEVENS) illustrating Bradbury's stories in pulp magazines ;the outstanding colour paintings printed as illustrations for Bradbury's stories in the 'slicks'(ESQUIRE,THE SATURDAY EVENING POST,COLLIER'S,and so on).His stories(for instance,"A Sound of Thunder","The Beast from 20000 Fathoms","The Illustrated Man" and "Mars is Heaven")were,then, interpreted by great artists like STANLEY MELTZOFF,REN WICKS,JAMES R. BINGHAM&JAMES BAMA;the futuristic cover designs for Hardcovers ,like GEORGE BARROWS'S Arkham House(American edition) and MICHAEL AYRTON'S Hamish Hamilton(British edition) cover designs for "DARK CARNIVAL",ARTHUR LIDOV'S cover illustration for "THE MARTIAN CHRONICLES"(1950)and JOSEPH MUGNAINI'S cover painting for the british edition(1963)of "SOMETHING WICKED THIS WAY COMES" ;the catching paperback's covers for the BANTAM edition of "THE MARTIAN CHRONICLES"(1951)and the BALLANTINE editions of "FARENHEIT 451" &"THE OCTOBER COUNTRY"(1953&1956 respectively,both JOSEPH MUGNAINI'S covers).Deserve special mention the series of JOSEPH MUGNAINI'S(1912-1992) litographs,preliminary watercolor sketches,original B&W drawings and paintings inspired by Bradbury's stories and books.The italian-born MUGNAINI was considered the best interpreter of Ray's dreams.
Finally,the chapter dealing with 'EC COMICS and Ray Bradbury:The Untold Story' is precious.Jerry Weist is in his terrain here.As he says in the opening of the chapter:"The story of how Ray Bradbury came to have his writing adapted by a small,energetic company named Entertaining Comics in the 1950's is now a legendary chapter of comics history".How very true this is.I was enchanted by fantastic reproductions of originals by FRANK FRAZETTA,AL WILLIAMSON,AL FELDSTEIN(his recreations are amazing).And it is always rewarding for me to admire the fabulous adaptations&splash-page arwork by the great WALLACE(WALLY)WOOD,a real genius of the comics.'Last,but not least' I was thrilled reading and seeing the archive of photos and Film Memorabilia reproduced.My favorites:the promotional photographs of Ray with the lovely Barbara Rush during the production of "IT CAME FROM OUTER SPACE"(Universal,1953);the Half-sheet &Insert posters & Window lobby card for the same film and the known(signed) One-sheet poster for "THE BEAST FROM 20.000 FATHOMS" .
Many years ago I saw "THE BEAST FROM 20.000 FATHOMS" at an old movie theatre in my home town.It was an unforgettable experience for me.A few years later ,I read the famous Bradbury's terrifying short story "MARS IS HEAVEN",the first yarn by this great writer that I read.I was definitely hooked.From then on I've been reading almost all his SF&Horror stories and a good number of his novels(novels?).
So,I love this book and I warmly recommend it.

Great book detailing the life and times of a foreign correspondent for various news networks. Tells of Fletcher's rise through the ranks from junior subeditor at BBC London to his dream job of leading his own crew as producer for NBC. Martin tells of his victories and defeats while chasing the worlds best news stories, covering some of the worst attrocities in modern history.

This is a very exciting and informative look into the world of foreign correspondents or "combat journalism." I couldn't put this book down until it was finished. I just wish I could fiond more books like this!

GET THIS BOOK!! GREAT READ!!

I want to just add to the 5 star reviews. As a moderate I was pleasantly surprised by how balanced this book was. The author clearly struggled with his feelings and never acted superior. As you get deeper into the book it becomes as riveting as any book I can recall. Very highly recommended.

I couldn't put this book down, and read it in one day. Martin Fletcher takes you where most reporters won't go, or can't go. You'll read of the intense competition between the networks, and what ranks as "go" or "no-go" story; which amounts to the number of people dying or killed as being newsworthy.

Stories of fellow journalists who are killed and wounded (including his own first-person account), in attempts to bring the stories of war and its victims to our television screens. How Fletcher identifies with the suffering of the victims of war in Somalia and the "Ethnic-Cleansing" of the conflicts in Rwanda and Kosovo; with his own family's suffering in The Holocaust.

From the Arab-Israeli Wars to the present Palestinian struggle, to personal interviews with a warlord, suicide bombers and refugees (one very touching story of a young girl). There'll be stories that will make you laugh, cry, and some that will anger you. But they are all presented within a very personal and moving context that almost makes you feel as if you're right there, experiencing Fletcher's witness of history in the making. And that indeed, this is a very dangerous and evil world in which
live.

This is a very different, deeply-impressing account by a very special reporter - and if this book hadn't been thrust under my nose with the recommendation to read it, I would have assumed it was the usual set of star-turn anecdotes from someone who thought they were the star-turn. Not a bit of it. Unlike some, Fletcher is never, ever bigger than the news on which he reports.

If this was only the most brilliant account of exceptional, award-winning TV war-reporting journalism, which, incidentally, it is - then that in itself that would be something. But it's much more than that; it's about the moral and ethical dilemmas that people like Fletcher face daily on our behalf in reporting serious news - and, refreshingly, nothing to do with the soulless ephemerals of providing 'entertaining' so-called, 'news' features between adverts.

Fletcher is one of the last vestiges of conscience and soul in the digital age when it comes to serious news reporting. Breaking News is likely - and rightly - to be considered core-curriculum stuff for anyone considering serious journalism as a career - but it's also likely a must-read for anyone who wants to share Fletcher's personal 'take' - and the chance to share in his very human enlightenment - through his reporting of a truly extraordinary series of world events over 30 years.

An amazing, POWERFUL, insight into the world of Martin Fletcher. I read the book in two sittings, four days ago, and I am still thinking about it. He tells his story in a 'mostly' chronological order, leaving me breathless at the end. It's an incredible journey and I am so thankful he took the time to tell it!

The 4th Edition of the Camera Assistant's Manual by focal press author David Elkins is a must have for the beginner as well as the seasoned pro. From how to set up a darkroom, to threading diagrams on all "in use" cameras, to lifelong useful tables and charts, this edition has it all.

Nothing comes close to David Elkins' book. It's that simple. This is the best, most complete book on the job of the camera assistant. PERIOD. If you are new to the job of the camera assistant, this book is an absolute must have. If you are a seasoned "vet" who has years of experience working on motion picture sets, again, this book is an absolute must have. Elkins' total description of every aspect of the AC's job is so consise, it's like a classroom in a book. Loaded with every conceivable diagram and chart, and covering every motion picture camera currently being used, this book goes well beyond your typical "job description" type tome.

The bonus materials alone make this book invaluable. Along with the companion website, the reader has vast amounts of precious material available for when the job calls for it...label templates, charts, manufacturer links and contacts, the list goes on and on and on. The best part is the writing style is clear and informative, almost like Elkins himself is teaching you as you go.

Look no further than this book. It's all here.

The Camera Assistant's Manual is a must have reference book for both beginners and experienced professionals in the camera department. If you are a beginner, this manual will teach you all of the basics as well as the advanced details of camera assisting. Although not a substitute for actual experience, author David Elkins also coaches you on how to act efficiently and professionally on a set. This can save you countless embarrassing blunders on your "first barbeque." But before learning all of the AC's duties, the reader is introduced to the basics of cinematography and a complete overview of the camera department. This is extremely helpful - allowing the beginner to understand the "big picture" first. If you are an experienced professional, Elkins gives you hundreds of tips and suggestions that will add to your knowledge base and help your job go smoothly. This 4th edition contains the most complete and up to date camera diagrams, tables, and formulas of any single reference source. Imagine your relief when you have to load and thread a new camera for the first time. The Camera Assistant's Manual is worth it's weight in gold.

I bought this book when I was hired to AC for a project on equipment I had never worked with before. For one of those, "Holly crap! I agreed to do a job I only know how to do part of!" moments, this book is great. Every question I could think of was answered thoroughly and I mean THOROUGHLY. If you want to learn exactly what the responsibilities of an Assistant Camera Person are and how best to execute them read this book! If you are a working AC and want an easy to read, text-book style reference this is it.

David Elkins's The Camera Assistant's Manual, Fourth Edition is the best technical book around, and one of the best books on movies, period.

Dave manages to cover every aspect of an assistant's job, no matter how obscure or infrequently encountered. But the completeness is only one aspect which recommends it to any aspiring or working cinematographer.

Written in a clear, conversational manner, Dave manages to demystify both the jargon and the sometimes strange job of an assistant. His accounts of procedure for both first and second assistants clarify what we in the business call "industry standard": the accepted, professional way of conducting yourself and doing a job. Outside of a job on a
Hollywood set, it is nearly impossible to learn these classic, time-saving routines. And unless you've been a pro in the business, you're not going to know about such things as the relative merits of Magliner and Rubbermaid carts for hauling equipment.

The book covers the general characteristics of film, cameras, and lenses in such a way as to give a general technical education. Dave also gives a valuable overview of the camera department and its place in film production overall.

What many readers will find most useful are the sections on troubleshooting, the diagrams and threading patterns of every currently used camera, and the wealth of forms and lists to organize the on-set work.

I've tried to give a good idea of what the book covers, but it contains much, much more. I've been using The Camera Assistant's Manual since the first edition. This is the biggest and the best version. I only wish that, when I started as a camera assistant, I had had access to such a clear, helpful book.

If you're intrigued at all by the work of John Cassavetes, this book is well worth your time. The book itself is a collection of interviews Cassavetes gave through his entire life, edited into chapters that correspond to the movies he talked about. The excerpts themselves are pretty interesting, but it is author Ray Carney's commentary in between quotes that really makes this book worthwhile. Carney gives us the back story, and fills in the missing parts, but he also sets things straight when John rambles into fiction. It's easy to see that Cassavetes liked to talk about his work. There are over 500 pages on roughly a dozen films.

If you are new to Cassavetes and read this book, you'll want to view his films. I have only seen a handful myself, but his total commitment to getting them made is so impressive that I feel ashamed to have not seen more. I saw my first Cassavetes film in college and felt that it was interesting, but a little over the top in places. As I get older, I think that real-life might be more over the top than I first realized.

John Cassavetes passion for making movies shines through in this volume. Ray Carney's insight tells the rest of the story. If you are interested in independent film making, this book is a must.

Absolutely necessary reading for those interested in American alternative cinema and not only. The book gives a brilliant picture of USA's one of the best directors ever.
Highly recommended for everyone. No other book shows Cassavetes in this light. Packed with interesting material, as good as Cassavetas' cinema itself.

Ray Carney's "Cassavetes on Cassavetes" is a wonderful introduction to Cassavetes' work. I found it to be a great read - amazingly free of academic jargon or fancy terminology. It was hard to put down! And with incredible photos of the wild-man at work. A must for every fan of indie film as well as aspiring directors and artists - and also for students of life! If you want to know even more, I'd also recommend Ray Carney's massive web site devoted to Cassavetes and indie film. Any search engine will take you there. It has wonderful behind-the-scenes information about the making of Cassavetes' work. If you want a volume to provide ongoing daily inspiration and encouragement regarding the artistic process, buy this book. It is a book you will go back to again and again and again...

Ray Carney's done a great service to film fans by bringing Cassavetes' scattered talks and interviews together into a coherent statement on art. Carney shows how Cassavetes' whole process of filmmaking was tied to his outlook on life. Combative, spontaneous and deliberately amateur, he aimed for situations where writer, actor and viewer are all left without direction, forced to respond to the story as individuals rather than reach for pre-approved 'social codes'. He savagely edited his films to defy audience expectations, usually rejecting versions that the studios, his collaborators and even his wife liked best. Some of Cassavetes' statements made me wonder if he did this to edit some part of himself--the Greek immigrant son made good, with the blonde wife and kids and Hollywood home. In some ways he was an insider desperate to stay on the outside. Conflict was fun for him, he thought America needed more of it, and the messy collaborative 'families' he built around each film were his alternative to the button-down corporate society he fought against all his life.

As Carney presents him, Cassavetes wasn't out for the money, the glory, the ego or ultimately maybe even the art. He wanted fun, he wanted friends and he wanted people to really live as individuals. Are there folks like this around anymore? We need them more than ever.

My half-hearted browser's interest in Cassavetes needed a kick in the seat of the pants, I now realize, and reading this book shows me how much I failed to appreciate him while we were lucky enough to have him around. The format is eye-opening. Cassavetes speaks, and then the author. The constantly shifting P.O.V., and the frisson between the truth Cassavetes himself presented, and the unvarnished truth as discovered by the author, makes this book constantly stimulating and endlessly arguable.

Cassavetes life and films are worth a serious look-see -- and this book is an EXCELLENT place to begin that-- if only because he is that rare individual who absolutely refused to accept mediocrity in himself and others, both as an artist and a committed liver of life. He went for the burn every time out, and could often be an ornery s.o.b. when he detected that people were simply going through the motions in their life or art. (The book is rife with anecdotes that literally make you wince and leave you wondering "Could I have long tolerated this behavior in a friend or family member?") He seems never to have thought "I'd better not burn my bridges here", or practiced any of the other forms of incremental, over-thought cowardice that most of us do.

Cassavetes was driven like no one else; he never made a lazy, easy commercial film. He let his life and films commingle, letting the cameras roll for hours, shooting thousands of feet more film than he could use, afterward sculpting it into a shape that could be released. (He said film stock was the one part of his film making on which he would never scrimp.) His films were, probably more than any other director's, explorations of life.

Cassavetes lived life so completely that it might be truthful to say he did something the average person would call foolhardy nearly every day of his life, in some way or other. But in spite of this, or because of it, it's impossible to come away from this book without an awakened admiration for him.

I read this book over ten years, ago, while at university. It is impressive how much more detail and and information it contains than the TV series. I liked the BBC show, but it's hard to watch these days because everyone just looks so 1970s. The book however is timeless and, although it's all just a joke, it's truly an amazing source of unique insights into the workings of the British parliamentary system and the pressures and processes which influence it.

This is a book that I have read atleast 20 times since I bought it back in 1995 - I would suggest looking for a hardcover version since the wear and tear has taken its toll on my precious copy - its now held together with gaffers tape ...

anyhoo - this is probably the best political satire ever - and even though it was written back in the 80's it is more than relevant today in the day of the infamous spin cycle and the sparing between the Bush Admin and the press (not taking sides here)

Hey even Margaret Thatcher was a big fan as it truely represented how things worked, albeit in a very smartly funny and incisive way .... she even WROTE a skit along with her press sec that was PERFORMED by MT, Sir Humpy and Jim .... here is a link for more details

http://www.yes-minister.com/thatcherscript.htm

BUY this book and preserve it - I fear the day when copies of this book are no longer available in print form

It is not uncommon for writers of britcoms to supplement a successful television series with a text-based adaptation, and such is indeed what writers Jonathan Lynn and Antony Jay have done with Yes Minister (and its sequel, Yes Prime Minister). It is uncommon, however, to find such a good one.

Every bit as erudite and witty as the series upon which it is based, The Complete Yes Minister (originally published in 1984 and subtitled The Diaries of a Cabinet Minister), is ostensibly by the Right Hon. James Hacker MP (with Lynn and Jay serving merely as humble editors!). The year is 2019--and no this is NOT science fiction! Although Hacker kept a daily diary of his experiences and opinions whilst in office in the 1980s, the subsequent passage of time has resulted in the expiration of the Thirty-Year Rule. What this means is that the editors (who are writing from Hacker College, Oxford, by the way!) now conveniently have access to (and are able to publish) copies of all the memos and minutes written by Sir Humphrey Appleby (amongst others)--copies of which are included in the book, thereby providing us with a perspective other than Hacker's rather narrow (and, at least initially, innocent) one.

The book commences (as one would expect!) with the "Editors' Note." Lynn and Jay elaborate on the problems they encountered in editing the Diaries and how these were dealt with. Nevertheless, they admit it falls to us ultimately to decide for ourselves whether Hacker's account represents: "(a) what happened, (b) what he believed happened, (c) what he would like to have happened, (d) what he wanted others to believe happened, or (e) what he wanted others to believe that he believed happened"! The editors also include a note of thanks to Sir Humphrey (whose last days were spent in St. Dympna's Hospital for the Elderly Deranged!) for information gleaned from conversations which were held with him "before the advancing years, without in any way impairing his verbal fluency, disengaged the operation of his mind from the content of his speech."

The Diaries themselves are divided into twenty-one chapters (one chapter per episode) with 20 to 30 pages each (there are 514 pages in all). Of course there is dialogue (from Hacker's recollection), but the Diaries comprise so much more. The inclusion of copies of memos, letters, interviews, newspaper clippings, entries from Sir Humphrey's own diary, not to mention the recollections of Sir Bernard Woolley (from conversations with the editors) make for a far more dynamic, fun book than if the writers had merely presented us with the series' scripts. The format also allows for so much of Hacker's thoughts to be included--much of which we as viewers were never privy to. Finally, the Diaries are liberally annotated by the editors with helpful, humorously phrased bits of background information often pertaining to government workings or terminology--bits that are additional to the television series.

Of course, it is being a fan of the television series and having watched it with such enjoyment that makes this book (a UK publication) such a gem as we picture Hacker, Sir Humphrey, etc., in our mind's eye. But it is so creatively written, with all the original wit (and more), that it's a superb book in its own right--one which I'd recommend to anyone looking for an intelligent, hilariously witty, pun-filled book--one that also happens to offer a wealth of insight into the inner workings of the parliamentary system of government. For those, however, for whom this richly witty, intelligent series is a favourite, this book (together with it's sequel) really is a must-have, and I recommend it every bit as highly as the superb series upon which it is based!

if you like your humor understated and your wit dry (droll as humphrey would no doubt say), this book will be the best you have ever read. and it will stay that way.

the british civil service had a unique characteristic - it was not directly under the control of the political masters. this gave rise to a very interesting situation where the civil service and her majesty's servants were working towards entirely opposite ends. to the civil servant, imaginative and bold were the worst criticisms. change in any form was looked down upon - as we say here - "if it aint broke, dont fix it". the politicians (especially those new in office like hacker who weren't cynical enough not to care one way or the other) often came to office with lofty ideals of revolutionizing society and being the forefathers of a better tomorrow.

behind the curtain of civility, they (the civil servants and politicians) fought battle after battle. the art of realpolitik meant entirely diffent things to both sides. many of the battles went to the civil servants (Lord Humphrey being among the shrewdest) but at times Hacker (James Hacker - first minister and later Prime Minister) prevailed with his low cunning and fast realization that not everything was what it looked like.

each chapter is a revelation - the next time you read the news, you will see it in an entire different perspective after reading this book. action and motive are so far removed as to make the connection entirely unimaginable and the amount of time spent trying to do nothing seems at times appalling.

if slapstick is your cup of tea, stay away from this book. the humor is often less in what is said than in how it is said. the laughs never end. i have read this book 5 times now. the first time, you enjoy the humor for what it is. the second time, you start enjoying the situations, the broader picture, the political moves,and the sheer genius of humphrey. the third time you see how the characters develop. by the fourth time, it's like you're on crack. you cant explain it - you know what is going to happen next, you know the exact words. you still have to read it again. and again. and again.

Sir Humphrey Appleby, Sir Bernard Wooley, and Rt Honorable James Hacker... this is simply the most outstanding work of humorous fiction that lampoons the British civil service and politicians alike.

Based on the diaries of the minister, the series has been converted to a wonderful teleseries, where the casting has been done by someone who truly loves the book and has imbibed the characters so completely, that on later readings of the book, the television characters appear to the mind.

The book is a series of short stories, which expose the careful interplay between the British civil service and the British politicians, the role played by media, the foriegn office, the various departments etc. It is a wonderful set of stories, where the English is truly masterful!! I remember reading each story with a pencil and dictionary while writing the GRE many years ago,... this and its sequel, yes prime minister, are books which should receive their space in your cabinet.

I dont know why this says - Limited availability, these books are easily procured in India where they are being printed.

paul howes is the ULTIMATE springfield fan. he hasn't spent hours listening to every syllable springfield ever sang. he has spent his life. and then some. because more than a few of the recordings he disseminates were not released to the public or are parts of tv specials springfield made during 40+ year career.

and his love for dusty and her unique, one of a kind voice is captured in page after page of this healthy tome that devotes itself to her recordings.

even when he doesn't like the performance or the arrangement, he still maintains impartiality and great respect for a woman that was loved, idolized, almost forgotten then reclaimed by her new and old fans from all over the world.

and this book is a perfect reading companion for when you are enjoying one of springfield's wonderful interpretations of a song she made her own.

and the beauty of that--there's more than a few.

This is a great reference book for all of Dusty's recordings. It includes the Where and When of each song she ever recorded.

Paul Howe's excellent book (now in 2nd ed.) is now available for preorder through The Dusty Springfield Bulletin and also through amazon UK. US fans are waiting for amazon to offer it here. PLEASE !!
[...]
Let's Talk Dusty!

Here's what we Dusty fans waited many years for. Several more compilation CD's and a couple more DVD's have been released in the U.S., U.K., Australia and the rest of the world since this comprehensive overview of Dusty's career was published in 2001, so the book is only complete up to that point. No matter, because these pages cover all of the known, individual studio recordings she made, including several alternate versions, album session outtakes and single mixes that have turned up over the years on various collections. There are many live television and radio recordings floating around out there, many of which have yet to see CD or DVD release, but this book is as complete a volume as we could have reasonably hoped for. And the pictures! There are many photos here I had never seen before, making this book even more of a special treat. The casual listener who is only familiar with Springfield for the four or five songs that get endlessly recycled on the radio could probably not care less about this book, but for us rabid fans, this is indispensable. Highly recommended, and nothing in here to disrespect the woman whose real legacy is a catalog of great music, NOT a string of sleazy tabloid stories. Avoid DANCING WITH THE DEMONS, a badly written "biography" which I won't even dignify with a negative review.

Dusty Springfield was a legend in the music industry. She was tough and a perfectionist without apologies. This book is about her music legacy and not about her personal problems with addiction or her sexual orientation. There's more to her person than who or what she sleeps with. Dusty was one of a kind. She died too soon at 59 just when she got awarded the O.B.E. (Officer of the Order of the British Empire) on her deathed and died two weeks before her induction into the Rock and Roll Hall of Fame in Cleveland, Ohio. Sadly, there is one honor that I think she should receive and that is the Star on the Hollywood Walk of Fame for recording. If I only had $25,000 dollars to spare, I would do it for Dusty.

Crowded House was one of the best bands I've ever seen, and they made great records, so why didn't they sell millions of records all over the world?

Read this fantastic book--complete with interviews from all the band members--and find out some of the reasons. The book is detailed and raw with emotion because many of the interviews took place right after the band broke up.

It is a sad tale, but not for the reasons you might think.

Overall, it is an excellent read for both hardcore and casual fans alike.

Crowded House was one of the best bands I've ever seen, and they made great records, so why didn't they sell millions of records all over the world?

Read this fantastic book--complete with interviews from all the band members--and find out some of the reasons. The book is detailed and raw with emotion because many of the interviews took place right after the band broke up.

It is a sad tale, but not for the reasons you might think.

Overall, it is an excellent read for both hardcore and casual fans alike.

A great read about a great band that never quite fulfilled its potential. Something So Strong shows that writing and performing wonderful songs is only part of a band's journey. There's also dealing with the music business, and fashion. 'Something So Strong' gets inside the band, tells detailed stories about how the music was created, and also tells the other story: how the music business operates. The band made some mistakes - releasing 'Chocolate Cake' was one of them - but so too did Capitol. It's the best book on how a record is made and marketed since 'Star Making Machinery'.
PS, contrary to what it says here, the book is readily - and cheaply - available through Amazon's UK site amazon.co.uk .

`SOMETHING SO STRONG' by Chris Bourke is arguably the greatest book ever written about a rock band. It is detailed, entertaining and informative. As well, the book is almost impossible to put down. Although the author is clearly a fan, he doesn't dodge around any contentious issues. He seems to have had unfettered access to the individuals involved with Crowded House and that, of course, is always a plus. Any music buff, regardless of whether you're a Crowded house fan or not, will enjoy reading `SOMETHING SO STRONG'. I've read dozens of books about musical groups and this tome is far and away the best. If I have a beef, it's that the Canadian market (where the band was huge) is pretty much ignored. For that you must read `PRIVATE UNIVERSE' by Doole and Twomey.

The ballad of Crowded House, told by Chris Bourke, is entertaining, thanks to the way it was written. What makes this biography so enjoyable is that the author doesn't tiptoe around issues that arose during the band's lifetime. Although Crowded House kept aiming at the US market, the impact that they had in Europe, as well as Australia, is equally important, perhaps even more so, than this. Unlike other reviewers, I don't think it is necessary to label the band as US '2 hit wonders' when clearly they've made an impact elsewhere. Bourke chronicles this struggle well, and top marks go to his research. Great book - must for any Crowdies fan.