Television Books

This book tells it all, breaking everything down about the show, you name it, this book tells it.
A wonderful way to celebrate an anniversary!

This book is something special in that it combines the usual prose of a "Making of..." with a wealth of large-size images and illustrations as well as a detailed guide to the seven seasons of TNG. Included are sections on "Generations", "First Contact" and, in the newest edition, "Insurrection". Although some of the images are already known from The Art of Star Trek, this is another great look behind the scenes. More than the rather loosely arranged images in the The Art of Star Trek, this book really tells the story of a series that is developed through seven seasons.

The Continuing Mission is probably the best book about TNG with all of its aspects. It was obviously written to be entertaining in the first place, so it never gets too profound. Nevertheless, we learn a great deal, for instance, where Guinan's name comes from, how many writers mingled together the script for "Yesterday's Enterprise", or how a shuttle may become a big starship. The only slight criticism I have about it is that the text is mostly separate from the images. Although there are captions, I would have liked to know more about several of the images.

The sub-title of the book is "A Tenth Anniversary Tribute", and it is a worthy tribute in any respect.

This book is essential reading for any Star Trek fan. Even if you may not be a big fan of TNG (I myself prefer DS9), this beautiful tribute will surely improve your understanding of the days before, during, and after the creation of TNG series.

The text is written in a very amiable, intimate and lively manner, obviously showing the authors' love and dedication to the TNG world. Content-wise, the book is utterly fascinating: there is everything from the stories behind the casting ("But he's bald!"), to the creation and incarnations of the spacecraft of the show, to interesting anecdotes both clever and funny, highlighting special episodes, audience reaction, notes on production; even clear and non-technical explanations of various financial aspects of producing TNG and the movies. Absolutely nothing comes across as overly technical.

The book is divided into chapters tracing each season and movie involving TNG cast; each "season" also includes episode-by-episode synopses by the side - very helpful not just as an episode guide, but as a way of guiding the reader throughout the TNG journey. In fact, one of the best things about this book is its strong sense of chronological unity - reading the book from front to back, you are surely and rapturously guided through the entire TNG history - it feels like getting to know an old friend anew.

The book is made even better by the tons of colour photos throughout - ranging from pictures of props to sets, to ships, production designs, cast, scenes, costumes, production... it's just fantastic.

A lot of intelligence and dedication has gone into producing this book. I really can't praise it enough except to say: now I admire Star Trek: The Next Generation even more.

A pure celebration of Star Trek The Next Generation! A tenth anniversary tribute that does justice to the show and to all three movies through it's date of publication. It give some very good details on all the shows, some insights from a lot of the people that made The Next Generation. The pictures and drawings are stunning to say the least. If you're a fan of Star Trek, this is definitely essential to your collection.

First of all, this book is huge. Really. It is tall and wide as well as being hefty. It does the amazing task of covering 7+ years of television history regarding the show responsible for renewed interest in science-fiction.

The history is indeed an interesting one. Many tidbits are revealed, and if you are a trivia junkie, it will fill the endless void nicely.

The pictures are great, as well as commentary and brief interviews of folks. The only thing I felt that could have been done better were episode summaries. They fell by the wayside a bit; but the sheer volume of information contained in the book makes up for it.

It is well-constructed, and has lasted repeated flipping and reading. That and its size make it an excellent coffee table book. People who have no interest in Trek pick it up and are fascinated by the information. It makes a great gift, for yourself or the TNG fan in your life. Or even, the television trivia buff as well.

Very accesible book & good introduction not only to Duke Ellington but the world of Jazz. I suppose an author is limited by the number of pages how in depth one can get but still I expected a more critical examination of the contradiction of Ellington's public persona w/ his spirituality and how he reconciled these contradictions. That said, I still found Steed's argument convincing, especially his leading up to his sacred music. This is especially a good book for the new initiate to Duke Ellington.

The author's knowledge of Duke Ellington, and descriptions of his compositions is impressive. After studying Ellington's life and compositions through this book more closely, in his music, even when it is not overtly religious, one can quickly see that Ellington did indeed work out his spirituality through his music, as this author so convincingly argues. Of especial interest is the author's conception of spirituality and her deep artistry of both genuinely recognizing Ellington's and making that connection with his music, and how both shaped and influenced his life. This is not a scholarly tome, but rather a wonderfully quick, short read. As one of many old Ellington fans, my guess is that Duke Ellington would have smiled brightly and given his big stamp of approval to this book.

I just got finished listening to the new CDs of Duke Ellington's Sacred Music, picked up at Borders. Wow! While I was listening to this great stuff I was reading this book. And Wow! again. If you want the nitty, gritty, the lowdown, or dope so to speak, on the Duke you'll have to go somewhere else. Miss Steed does give you the whole story but her emphasis is on his work, his artistry, and his legend--what the Good Man left us with--and his Sacred Music, which he said, was not his best work, but his most important work. And it was real, man, this is what I was looking for, someone who really had something new to say about The Man, and knew what they were talking about! Buy this book and get to know the Duke and the man behind the legend.

I just recently joined a book discussion group and last night, during my first meeting we were discussing Janna Tull Steed's new book "Duke Ellington: A Spiritual Biography." In just 192 pages Steed traces Ellington's development from a piano player to bandleader to composer and his truly thrilling and sublime sacred concerts in the last decade of his life. Steed also discusses in depth Ellington's ability to write for the individual voice, or band member, which seems to be, at least partly, what made and marks him as such an extraordinary and perhaps greatest American composer--that and his overwelming dedication to his music and a relentless ability to constantly break new ground.

Steed's grasp of Ellington and his music, particularly Ellington as a composer is tops. She draws on the enormous archives at the Smithsonian Institution but also on extensive firsthand interviews with scores of people who were intimately familiar with Duke Ellington and his music, and especially his development of his sacred music and concerts. It is in the area of the sacred concerts that Steed breaks new ground but also her focus of Ellinton as composer, as well as his oft forgotten important work in Hollywood. Her outstanding achievment is that she accomplished this in 192 pages. Steed covers the entire scope of Ellington's remarkable life and career and her insights are very welcome and as engaging as they are informative.

I picked this book up after reading Joan of Arc in this Lives and Legacies Series. This new book delivers everything it promises. I'm a real biography nut with an interest in a very broad range of subjects (and that's just what this series delivers) but have little time to immerse myself in a 500 or 700 page reading. So it's great to be able to pick up these short biographies, get a great read, and then decide if I want to explore a subject in further depth. But I can tell you with both these books, short as they are (192 pages), they are still very in-depth, scholarly and but still accessible to the popular audience. Duke Ellington was a particular pleasure as I knew nothing about his Sacred music and Concerts, nor have I run across anything that examines so fully the films that him and his orchestra were featured in, and which by the way Ellington had a significant role in developing. Author Janna Steed offers up a terrific little gem with this new book on Duke Ellington.

For me this was an amazing discovery. I read a review of it in a literary magazine in the waiting room of my optician and when I got home I immediately ordered it from Amazon.
What caught my eye in the review were the names of the inhabitants of the February House - Auden, Britten,McCullers... in that amazing year. I knew of their work individually but to read of them living under the same roof was a revelation.What a cauldron of creativity! All against the background of the war in Europe and the period leading up to Pearl Harbour.As I read the book I felt as though I were there. I hope that someone will make a documentary about it or better still a dramatised reconstruction. The two Truman Capote films have blazed the trail.

A friend just recommended this book to me and it's fabulous!!! I live in an artist bldg and it's nothing compared to the energy of Middagh Street. The book is a great read and the research is most impressive. I cannot wait to read the one she's writing about the Chelsea Hotel!

Thomas Wolf once famously said "only the dead know Brooklyn." There might be some truth in that, but some of us know Brooklyn, N.Y.,U.S.A., pretty well,and are still very much alive. Quite a few people are aware of Brooklyn's brownstone belt, that swath of historic houses stretching from the East River to Prospect Park and beyond. Many of these people would declare Brooklyn Heights the ultimate Brooklyn brownstone neighborhood. It's beautiful, and gets scenic views of Manhattan. It's got history galore--an important Revolutionary War battle was fought here;and it's been, and still is,home to a lot of well-known important people.

One little-known fact is that a number of celebrated people shared a house on Middagh Street, in 1940-41, right in the middle of the Second World War. That house, which came to be known as February House-- a number of its residents had February birthdays-- has long since been torn down to make room for the Promenade that provides storied views of Manhattan. But among occupants of February House were poet W.H.Auden, writer Carson McCullers, writers Jane and Paul Bowles,composer Benjamin Britten, and stripper Gypsy Rose Lee.

Writer Sherill Tippens has produced an interesting, pleasantly gossipy book about the house's residents and their accomplishments. Jane Bowles began "Two Serious Ladies," her only completed novel here. The young lesbian Carson McCullers had just tasted, at the age of 23, great success with her novel "The Heart is a Lonely Hunter." She began two other great successes, "The Member of the Wedding," and "The Ballad of the Sad Cafe," between drinking bouts, right here on Middagh Street.

Auden and Britten, both homosexual, but not involved with each other, were being raked over the coals at the time by the British press for choosing to sit out World War II in the U.S. But they were working: they collaborated on the opera "Paul Bunyan,"not critically well-received. Auden who continued to live in the Heights, on his own, to pursue his lifelong, unrequited love for the young American Chester Kallman, was working hard in the interstices of his personal soap opera: He produced "The Double Man" in February House. Britten produced "Peter Grimes;"considered one of the great masterpieces of 20th century opera. Meanwhile, he pursued his own personal soap opera: many critics believe this opera echoes developments with his partner, tenor Peter Pears, at the time.

The most unexpected resident of February House would have to be Gypsy Rose Lee, burlesque artiste. She was talked into joining the fun by George Davis, homosexual himself, fiction editor of "Harpers Bazaar" magazine, whose idea February House was, and who worked hard to keep it alive. Davis had published some of his own writing, but he was best known for the talented writers he kept on discovering.

In Gypsy Lee's case, she brought some money, a lot of common sense,and a cook to Middagh Street. The house's residents needed all the above. Her reward for her support: George Davis, great editor, midwifed her book, "The G-String Murders," a publishing sensation for many years.

George Davis continued to live at 7 Middaagh Street after its time as an artistic commune had passed. After Kurt Weill's death, Davis married his widow, Lotte Lenya, and devoted his life to introducing America to Weill's great works,such as "Three Penny Opera,"from which we get "Mack the Knife."

There are some informative photographs, extensive notes and acknowledgements in February House. Tippins evidently did a lot of primary research, but she managed to organize the voluminous results in a very readable style. February House well rewards the reader.

Sherill Tippins has done an amazing job of finding the significant narrative threads in the chaotic convergence of creative lives that occurred in the months before Pearl Harbor when Harper's Bazaar editor George Davis and British expatriate poet W.H. Auden rented a brownstone on 7 Middagh Street in Brooklyn Heights and actively recruited other creative artists to live with them. Among the co-renters were Carson McCullers who had recently published her highly acclaimed first novel, "The Heart Is A Lonely Hunter," soon-to-be famous British composer Benjamin Britten and his parnter, singer Peter Pears, unpublished novelists Paul and Jane Bowles, Broadway set designer Oliver Smith, writer Richard Wright and his wife, and burlesque sensation Gypsy Rose Lee, who it turns out was the most reliable in the rent-paying department and joined the little "creative commune" on the condition that she could bring her own cook and maid. Her fiscal reliability and drive along with Auden's willingness to take on the unpleasant role of house disciplinarian (collecting rent and other "dues" and establishing and enforcing many house rules) are probably sufficient explanation for why this menage managed to last the two or three years it did.

Tippins wisely focuses her attention on the leading figures (without neglecting to name the many others who partied but did not reside at 7 Middagh--Salvador and Gala Dali, Lincoln Kirstein, George Balanchine, Erika Mann and her brothers Klaus and Golo, to name a few). One passer-through, Anais Nin, christened the dwelling "February House" because so many of the residents had February birthdays. Tippins has a good knowledge of the works of these creative people and is able to see how one of the artists intentionally or inadvertantly influenced a subsequent work of one of his or her co-residents. For example, McCullers was struggling with the novel that would later become "The Member of the Wedding" when she was able to appropriate an experience from Chester Kallman's childhood to explain her heroine's profound sense of alienation and abandonment (Kallman was Auden's lover).

Tippins other great achievement here was her ability to slice through history and palpably recreate the political atmosphere in pre-war New York and to do so in a way that reflects on both British and US perspectives. She takes a good hard look at the criticism expatriates like Auden, Christopher Isherwood, Britten, and Pears faced from the British press and fellow artists who chose to remain in Great Britian during the war. She is similarly insightful in her analysis of the role the Mann family had in trying to get an apathetic America to respond to the European crisis. A lesser writer might not have bothered with these issues and chosen to report only the salacious and saleable anecdotes about the goings-on of the February House residents.

I highly recommend this book to anyone even passingly interested in one of the artists who lived at 7 Middagh Street (you're sure to learn something new), to anyone who ever wondered how great works of art come about, or to anyone interested in knowing how history and art intersect. I'm sure I'm going to use Tippins's Selecte Bibliography as a basis for future Amazon.com purchases.

Sherill Tippins' volume fills a tantalizing gap that fans of Auden, McCullers, Britten, and Gypsy Rose Lee have long wished could be filled. Most overdue is Tippins' portrait of George Davis: failed literary wunderkind; editor extraordinaire (who "discovered" McCullers and got much-needed writing jobs for her and W. H. Auden in the lean months before Pearl Harbor); husband to Lotte Lenya and the catalyst that re-invented her for American audiences in Marc Blitzstein's staging of Weill's "Threepenny Opera"--the list goes on and on. Davis and Auden are central to Tippins' account and to the amazing colony of artists who called 7 Middagh Street in Brooklyn Heights their home in 1940-41. But Tippins gives everyone in that circle his/her due. Her depictions of Auden's rocky romance with Chester Kallman, of Benjamin Britten's coming to terms with his artistic destiny in England, not America, and Gypsy Rose Lee's ability to charm and disarm everyone she met are more than engaging--they are extremely moving.

Tippins' research is exhaustive and impeccable, and she lets her characters speak naturally and eloquently. I could not put this book down and practically read it at one sitting. I was hungry for the kind of information Tippins delivered, and I finished the book with the deepest satisfaction. Gracefully written, carefully organized and researched, and extremely relevant: this book wins on all counts.

Great resource for the true Firefly fan. The show scripts are fun to read, especially with the chinese words translated, so you know what the gorram they were really saying. I loved the section: Jayne's Weapons, with a detailed look at Vera, one of the most notorious guns ever to grace the small or big screen. They discuss how they designed Vera, where the original gun came form, and how they added the special touches to make it unique to the Firefly 'verse.
A plethora of inset comments from the actors, and production crew, throughout the book, add insights into the action behind the scenes of making the show. Floor Plans of Serenity, and displays of various prop models of the ship, and many other props used make a nice addtion to the wealth of information.

This is the follow-up and completion of companion books to the cancelled-but-still-growing-its-fanbase Firefly television series. It provides the shooting scripts ans photo stills from the remaining episodes, as well as numerous sidebars featuring backstories and insights into the actors, crew, props, and the inner thoughts of series' creator, Joss Whedon. This glossy volume is heavily laden with color photographs, costume concept designs for the various characters, and pre-production sketches. If you have a love for the series and the Big Damn Movie ("Serenity"), you will feel compelled to buy this book.

If you're reading this review, then you must not own volume one of Firefly: The Official Companion. If you did, then you wouldn't need a review to sell you on this one. So I have a piece of advice for you: buy both books. If you have a place in your heart for Firefly, then make a place on your coffee table for these books. Each one is overflowing with behind-the-scenes information about every episode of Firefly. There's sure to be something to interest every fan. I particularly enjoy all the prop info. You get detailed views of props and weapons, along with insight from the prop team as to how they made or modified each item. Fascinating stuff, and indispensable if you're a gamer.
Treat yourself to these books. You won't regret it.

I missed Firefly, the first time around, and didn't discover the series until after I'd rented Serenity. I can't call myself a confirmed browncoat, though I really *really* liked everything about the show.

But when I saw this book on the library's New Books stack, I grabbed it. I think you should grab a copy, too, even if you're no die-hard fan. Because this book is _fun_.

Most of the book is episode scripts (half of them; the other half are in Volume One). That's worth the price alone, because the scripts are immensely readable. Like other intelligent shows, the dialogue is both fast and thoughtful, and you might not have caught everything when you heard it the first or second time around. In particular, the scripts include the translations from the Chinese expletives, and most of them are _very_ funny.

And the "stage direction" is not the dispassionate descriptive sort ("Man enters, wearing a hat"). It reflects the entire mood of the show:
INARA walks towards them, heading for the stairs up to the shuttle catwalk. She's dressed with stunning elegance.
KAYLEE: Hey there, 'Nara. Heading off for some glamorous romance?
Simon turns, momentarily stunned by her elegance.

If you're a screenwriter, this is absolutely a must-have.

The book is also peppered with cast interviews, stories about the creation of Firefly's theme song, production explanations on how, for example, they created Niska's Skyplex. In this book, you can spend an enjoyable few hours investigating how a show can be done *right*...even if the network screwed it up.

Just to let future buyers be aware....this book (and Vol. 1) are basically just the scripts to the (REALLY FUN) shows. As my husband put it, "It's just the lines, without the wonderful delivery the actors achieved in the shows." I thought it would be more like the various other "about" books that exist about popular movies/TV shows - full of pictures and other fun "about" stuff. In my opinion, these two books were not that.

Wonderful is too weak a superlative to describe this book. Written in a factual style and incorporating historical events such as Peary's trek to the North Pole, it is one of the most delightful stories about Christmas ever written. There is also a detailed account of the land expedition by Will Steger, the only man to actually see Santa's village at the North Pole.
The chapters are:

*) The reindeer by the river: It was a wondrous thing. In which the author tells of his search for the true Santa Claus.
*) The echo of hooves: Searching for yesteryear's reindeer. In which Santa's history is detailed, past adventures are recounted.
*) The North Pole today: On the roof of the world. In which the kingdom is visited, the elfin life is described.
*) The miracle of reindeer flight: Mysteries explained, science revealed. In which the way he does things he does is discussed.
*) Eight tiny reindeer (Plus one): Santa's starting team and his helpers. In which a host of heroic animals and people are met.
*) Like down on a thistle, evermore: Work that never ends. In which the future of Santa Claus and his mission is pondered.

The spirit of Santa Claus within the concept of Christmas is a powerful one, in this book you can capture some of that spirit and appreciate the strength of the man and his mission.

I have this book, with some handwritten annotations. The author got a couple facts wrong, but then I used to be in the Air Force, worked in many. many different command posts and operational centers, and well somethings are still classified. Some good guessing and all!

Cute book, I love it, my husband, a "Santa Helper" loves it, our teens liked it (really!) and the few copies I have given as gifts were very well received.

If you have older kids this is a great book.

I have the movie with Bridges and Thomas and I love it. It is called "The Christmas Secret" it is suppose to be taken from part of the book "Flight of the Reindeer" I don't know if that is true or not. Because I did not buy the book yet.

There is a Santa Claus! This is an amazing book, written in documentary style about the existence of Santa and his reindeer. It is a delightful addition to anybody's coffee table at Christmas time or any time. I really love his description of how he found Rudolph, and how he guided the team that one year, a small reindeer with a big heart. The description of the reindeer's year is fascinating!

This book will warm the hearts of Virginias everywhere. Yes, there is a Santa Claus!

I found this a long time ago in a bargain bin for $2. I *love* this book--it's one of my all-time favorite books. Although I haven't put up a tree in years, it's now a tradition to read this book every year. It puts me in the Christmas spirit--and adds realism, proof and perspective to the Christmas mission.

Buy it and make your own family tradition.

"Letters from Backstage" is one of those witty little books you can hardly wait to recommend to friends. Written with wry humor and a delightful perspective, Kostroff's fingers literally tap dance across the keys as he brings you along on his touring company adventures.

Kostroff is dazzled by things. He has stars in his eyes, and he can't help it. In spite of his crazy life backstage, the encounters with theater ghosts and machines that fail just when you need them, he remains awed by the fact that somehow life has given him a chance to be an actor

If you dream of achieving a career in the theater, there are valuable lessons to be learned in this book. Intimate details only a professional can know will prepare you for the grand roller coaster ride.

In the beginning, Kostroff is nervous when he gets called back for a second audition for The Producers. "There was tension in the room," he writes. "I've learned, over time, that it falls to me to break that tension. As I walked to the little X in the center of the floor and prepared to sing, two of Ms. Stroman's associates got up from the table and headed for the door. "I don't know what it is, I quipped. "Whenever it's announced I'm going to sing, people put on their coats and leave." Everyone laughed gratefully. I can now die happy."

In Portland, he is confronted by a convention of cheerful, chirping ladies dressed in cutesy sweaters sporting pom-poms, kittens with big eyes, or panda bears. These ladies think they are the funniest ladies on earth, but they drive Kostroff crazy. Rushing to get to the show on time, he finds every elevator packed with these gleeful broads. Each time the door opens one of them screams," Oops! Must have caught the local!" then they burst out into hysterical laughter. "Ladies," Kostroff imagines himself saying. I am in comedy, and please trust me; none of you is the least bit funny."

"It's like this:" he says in his epilogue, "amazing, horrifying, magical, thrilling, boring, tiring, energizing, satisfying, hilarious, sad, lonely, fraternal, endlessly long, and far too brief, an adventure. Really, there's nothing like it."

By the end of the book, you'll get to feel what it's like to have Mel Brooks kiss you on the cheeks and compliment your performance, but you'll also get a sense of annoying frustration when an over-eager dresser keeps tugging and fussing at you all the way to the edge of the wings.

Ups and downs, highs and lows, laugher and tears, that is show business as Michael Kostroff knows it. But one thing is for sure---you'll wish the tour would never end, and the next time you see Michael Kostroff's name on a book, you'll rush right out to buy it.

Reviewed by Kelley Anderson for Reader Views (11/06)

"Letters from Backstage" is a collection of e-mails to friends and family while Michael Kostroff toured with "The Producers" and "Les Miserables." They give you brief glimpses of his journey, from auditioning for "The Producers" to his last curtain call of "Les Miserables." He gives his impressions and descriptions of the cities, sites, hotels and cast-mates that he meets along the way. It is the story of a hardworking theater actor who doesn't seem to take anything for granted and doesn't let the fame go to his head. I feel that the book is especially written for anyone who has ever wanted to be a theatrical actor. He is brutally honest about the amount of work it takes in rehearsal and performing and also what gifts and shortcomings life on the road brings. He tells his story from his perspective and tells it well.

An actor is not something I ever wanted to be growing up. I was horribly shy and terrified of making what I thought was a fool out of myself. While Michael was describing being up onstage, the audience in their seats and all of the singing, dancing and acting going on onstage, I could honestly feel my hands grow clammy and my chest tighten. His descriptions were clear, accurate and (for me) terrifying. Any aspiring actor is sure to enjoy the suspense and drama of the stage. The practical jokes carried out among cast members did make me laugh out loud. Rehearsals, practices and more behind the scenes work seems to be just another day at work for any of these professionals, and yet Michael has a way of making it seem magical, because it obviously is to him. I have to admit, the book may have been even more interesting to me if I had ever seen either one of the shows.

My favorite parts of the book were the descriptions of the local activity in the cities he visited. Farmer's markets, local restaurants, and lively locals made me yearn to visit some of these cities. Other times, the descriptions were too sparse and generalized and I couldn't see in my mind what he was trying to describe, which is not surprising for text originally intended as e-mails to friends. A great addition to this book would be a final chapter, after the tours were finished, of highlights of what really stood out for Michael in all of those trips.

Michael says he has a "passion for the correct use of the English language" and it shows through in his writing. I read through the chapters swiftly, never getting tangled up in obvious grammatical mistakes. It is an easy to read book that I am sure will delight a younger audience looking to become actors as well as fellow actors in or retired from the business who would like to reminisce. He naturally finds a great transition from story to story, filling in background details necessary to the telling without bogging the entire story down. I believe that Michael could take many parts of this book and expand them into stories that would stand alone brilliantly, and they all still fit together neatly in "Letters from Backstage."

Aspiring, current and former actors along with theater lovers of all kinds will enjoy reading "Letters from Backstage." Michael is a natural storyteller, keeping true to the theme of the book, the backstage of two touring performances, while sharing his life and travels. The e-mails and letters included could be written directly to the reader. He tells the story as he sees it, not apologizing for some of the less than professional antics that go on. He continues to fall in love with the theater life over and over and brings you along for the ride.

This book is very entertaining and enlightening. He loves every minute of his showbiz career and is happy to let you go "on tour" with him.

This would be enjoyable for actors and just people who enjoy theatre watching.

LOVED IT!

I don't work in the entertainment business, and don't know much of anything about theatre, so I was a little afraid this wouldn't really hit me. I couldn't have been more wrong! This book is full of well told, highly entertaining stories. Kostroff has a great way of making you feel like you were on the road with him and the rest of the cast and crew. I laughed out loud a number of times, and feel like I got a real insider's view of things. It's practically your own backstage pass! Easy to read, and a lot of fun.

What is it like to be a touring stage actor? Author Michael Kostroff's childhood dream came true when he was cast in national tours of two plays: his story of life on the road comes to life in LETTERS FROM BACKSTAGE: THE ADVENTURES OF A TOURING STAGE ACTOR, which began as a series of emails to friends at home and evolved into a handbook of adventure. From hotels and old theatres to onstage mishaps and lovely old theaters, all the way down to the nuts and bolts of how touring stage actors handle typical challenges, LETTERS FROM BACKSTAGE brings it all to life.

This was purchased for my daughter who happens to be a huge Lucy fan. She thoroughly enjoyed it as it is chock full of reproduced letters, articles and other memorabilia. It makes a wonderful gift.

What a wonderful gift Lucie Arnaz and Desi Arnaz Jr. have given to the fans of their parents. This book will warm your heart, make you smile, and bring tears to your eyes. It will make you feel like you snuck into Lucy's closet and found her scrapbook sitting on the shelf. I got goosebumps when I saw the enevelope written by Desi that said 'To my darling'. I almost felt like an intruder when I pulled out the Valentine for Lucy that was inside. There are photos, letters, clippings, and side notes, all beautifully assembled. This is a must have have for anyone who has ever loved Lucy, Desi, Vivian, and William.

When I received this book in the post I did not put it down for a least an hour. It was so thoughtfully put together and showed all of Desi and Lucy's fans just how much they loved and cared for each other thoughtout their lives.
My most memorable areas are the little pieces written by the couple describing their thoughts and how they felt about each other. Lucy's words about Desi's death really struck me as although she had been married for 25 years she still felt his death hard.
My daughter who is only aged 15 years also could not put it down and was especially interested in the reproductions of the important letters and documents.
We both love it and it is certainly a must for the bookshelf of any Lucy and Desi fan.

If you are a Lucy Fan then you simply must buy this book! I just received mine and sat mesmorized by it, it is now my favorite Lucy item I have. I have an enormous collection of everything to do with Lucy or I LOVE LUCY you can imagine and this Scrapbook is so incredible.....it's honestly as if you are looking at the original scrapbook and you are even able to pull out inserts on several pages.....passport, letters, etc. I am not joking, if you are a collector of Lucy things and you do not have this Scrapbook then you are missing an incredible addition to your collection. The price is really great considering all you get. Words truly are not enough....I'll never ever get tired of looking at this!!!! Don't just think about buying it, buy it this minute!!!

The scrapebook was execellent. I enjoyed every little thing about it. It was great of all the document that were in there. This is a great book.

Great book, worth the price a hundred times. Great to read more exploits of Bean! Just like the TV show! Recomended! Some parts will laugh you to death such as:

Smashed bugs in the book

Police reports

Much much more!

Funny, but I expected it to be like a book, and there were just some andom notes for every day.

This book is hilarious and makes for simple, entertaining reading. It consists of a diary in which Mr. Bean records his various escapades (in his untidy scrawl) and keeps his letters and newspaper clippings. It contains quite a few references to the episodes themselves, and it's necessary to read it more than once to appreciate the full humour value. I recommend this book to all fans of Mr. Bean.

Even Mr. Bean's most enthusiastic fans will have to agree that he can be really gross sometimes. For those of us who wish we'd never seen him try to stop his ears with someone else's used chewing gum, he's a lot easier to take in print than on video, just as weird but much less nauseating. I think he's funnier, too. It's kind of like a radio play: What you fill in with your imagination can be funnier than what they show you.

Mr Bean aka Rowan Atkinson is one of my favorite comedian. He manages to crack you up without resorting to low down slapstick humor. The book is a must-read for Mr Bean fans, and for those of you who have yet to see his TV shows (way better than the movie), I highly recommend this book. It is guaranteed to give me tummyaches from laughing too hard.

THIS BOOK IS GREAT, REALLY GOOD AND FUN TO READ IF YOU ARE AN X-FILES OR GILLIAN ANDERSON FAN. I HIGHLY RECOMAND THIS BOOK

Straight from the cutesy title that X-Philes know and love as one of Scully's trademark phrases, Mulder, it's Me really hits the spot. Gil Adamson and Dawn Connolly's biography about the amazing Gillian Anderson is extremely informative without being invasive of Ms. Anderson's privacy. The well-written fourteen-chapter biography is only the beginning of this stunning masterpiece - the book also includes candid interviews, a comprehensive episode guide of the first four seasons of The X-Files, a section on the 1996 Burbank convention by the renowned Autumn Tysko, a listing of internet resources, and 16 pages of color photos. Whether you are a newbie or a veteran fan, Mulder, it's Me: The Gillian Anderson Files is the must-have biography.

This is the best Gillian Anderson biography on shelves today. But this isn't just a biography, this book also includes television and radio interviews with answers to some of the most frequently asked questions. You get to find out what people did when Gillian Anderson appeared at the X-Files convention and what questions her fans asked. It also includes the speech she made in Washington D.C. for public awareness about Neurofibromatosis, the disease her younger brother has been diagnosed with. This book also includes great Gillian Anderson Internet sources and an X-File episode guide with all the shows from season one to the end of season four. But best of all, this book includes a great section of full page color photographs of Gillian. If you are a Gillian Anderson fan, you have to get this book!

This book is great for people who want t get all the facts and want awesome color Photos .I think Gillian is agreat person and Actress and this book helps you realize that.AS well as info there is a great X-files episode guide section.Many thanks to the athur and gillian for being the great actress she is.

This book has, well, everything you wanted to know about Gillian Anderson (Agent Dana Scully on the X-Files) and more! The colour photo's are excellent, as well as the black and white ones. Each chapter has a unique title, and very good detail into herself, her daughter, and her work. A must have for any Gillian Anderson fan.

Sad, but not hopeless, biographical account of a young musician stricken with a horrifying illness. Heartfelt & honest without being overly sentimental. Written in a captivating & sometimes humorous tone, not witholding any details. I have been reading this as a physician, and will recommend the book to any young patients I have with grave illnesses.

I purchase this book many years ago simply because I was a big ebtg fan. I casually knew what he had been thorugh and felt terrible for him, but was going through the process of losing and then grieving for a loved one.
When I read the book, it offered me a perspective on what life may have been like for my loved one as he suffered illness. What a wonderful gift Ben Watt has given. He writes without self-pity, in his lyrical style without being flowery or glossing over the ugliness of illness. I am so glad that he survived for selfish reasons-the music he (&Tracey) has(have) produced (before and after the illness) has been a diverse gift to the world.
And I am so greatful that he wrote this book. Experiencing the death of a loved one through being a spectator to horrible illness, was, in a strange way one of life's best gifts to me. No I didn't learn to be greatful for my health and all that crap-I learned that true joy comes from giving to another and expecting nothing in return. Ben Watt's Patient, gave me an extra perspective on that experience, and sometimes helps me to remember the life-lesson from it all.
In summation, read Patient for more of Watt's lyrical writing, read it to find a surprisingly good story with plot twists and turns, read it to learn what severe illness truly is. Fascinating. A gift-thank you.

I'd been a fan of EBTG for quite awhile before this book came out. Their soothing music has always been a favorite so I was really interested to see what this book was all about.

It turned out to be a very disturbing account of Ben Watt's freak-show illness, blow by blow. His commentary is riveting and one gets the feeling that he does not feel sorry for himself in the least, but instead follows his own story as if he is an observer who also happens to be its main character.

I was heartened to read toward the end of the book Watt's own musings on what may have brought all his health problems about. Though he left it vague, his illness seems to be among those new "diseases of civilization" caused by many factors in our surroundings that lead to hard-to-define ailments where environmental toxicity and the overuse of pharmaceutical medicines are certainly not to be discounted.

In any case it seems that his passion for music transcended all, and was at least in part a contributor to his recovery. Most of all he deserves a thanks for telling his story, unadulterated. For sure it has made this reader not feel so isolated.

The fact that Watt's story lacks a significant plot (outside of the onset, diagnosis, and treatment of his rare condition) is largely forgivable. For those of us who know Watt primarily as a musician/songwriter, the somewhat static storyline here is acceptable. All that's missing from "Patient" is Everything But The Girl's enlightening bed of music to be heard under Ben's delicately articulated prose. Typical of many great songs, Watt occasionally blurs the line between the first- and third-person narration, and "Patient" is better off for it. Perhaps even better than the great writing, though, is the genuine and intimate portal into the lives of Ben and Tracey rarely afforded to EBTG fans. It's a relatively short read, but each page gives plenty to be absorbed as the result of Ben's crafty alliteration and his uncensored, yet careful, approach to the fog of medical lexicon. Not for the weak of heart--or stomach--Watt's book exacts distinct feelings of sobriety and contemplation...with an ending portrait that expertly convey's his trademark understated hope.

I'll admit I picked this up mostly out of curiosity as a longtime fan of Everything But the Girl. What kept me reading, however, was Ben Watt's skill as a writer. His story is gripping and harrowing, but told with a dry wit and wonderful observations. This book is not just about one man coming to terms with serious illness, but how that experience affected his relationships with his loved ones and his view of himself. This would be a great book for anyone in the health care field to read; it gives you a sense of the patient as a full human being, not just a "problem" to be fixed. Ben Watt's writing skills are as strong as his ample skills as a musician/songwriter. This book has my highest recommendation.