Musicals Books

Excelente Libro
Aunque es el segundo album de Dream Theater muchos lo consideramos como el primero
El que tiene muchas notas dificiles en Guitarra
Metal Progresivo
Y esta transcrito por John Petrucci directamente
Es decir CERO Errores
Se los recomiendo
Pronto pudiera estar fuera de venta ya que es viejo album

MaRtYn
MTY-MEX

I absolutely love Dream Theater, in any shape or form, and their books are one of the forms that I especially appreciate. Any Dream Theater book is a good buy, since they help to teach John Petrucci's technique and style to any budding young guitarists out there. I am very disappointed though, that there are many errors in the Images And Words: Guitar Tab book that other people may not have noticed. For example, the lyrics to the majority of the songs are shockingly incorrect, and there are a number (at least 3 or 4 that I can think of) places where the fret numbers have been put on the wrong string (which is easily seen by checking the standard notation), and some of the tab just doesn't quite sound right. Overall, however, I was pleased with this book since despite its downfalls, it helps to teach students a better way of playing, performing, and even writing/composing music. I give this book 4 stars, the errors counting for 2 stars lost, and the excellence of the band giving 1 star back. Buy this book, along with Awake and Falling Into Infinity!! By the way, if anyone has any queries about certain areas of this book they are stuck on, or needs assistance with some of JP's techniques, I can play the entire IAW, Awake, and FII books, and will gladly help.

The greatness of the best band to play this album is undeniable. I notice that the arppegiation in measure 25-30 in metropolis part one is a little off. Can you listen to the licks and riffs that Petrucci hammers out without wetting your pants? I know i can't. This book is a must have, a guide to prog metal on the guitar. And the cover is surrealistic and schweet.

This tab book is a MUST have for any talented guitar player out there. Petrucci has a style that will humble the most learned of players, and you will learn some of the greatest licks and phrasings that I, personaly, have ever seen.

An excellent tab book; easy to read and understand. Besides a few errors in the tab itself (fret numbers on the wrong string etc.) and some mistakes with the lyrics (its really quite funny how wrong they are in some places) I can't see anything wrong with this book. A must for anyone who just can't seem to get Metropolis, or any other song off this album to sound right on their own.

This is one incredible art book. Very professionnaly done, very high quality reprints of stunning poster artwork done over the years for the excellent rock band Electric Frankenstein. If you love horror (especially vintage stuff like Universal monster movies and Famous monsters magazine) and if you love rock n' roll, you need this book. 160 full-color pages of some of the best undergound artist's renditions of the electric frankenstein theme. As a graphic designer by profession and fan of all things monsters, zombies and creatures, I really do appreciate the work done on these wonderful pieces of art, and I more than understand how big a job it is to scan the images and put together a book like this one. Very well done, beautiful art and lots of Boris Karloff! I'm very happy to own this, a great item that I will cherish for years to come.

In a word, this is about PASSION. The band is
passionate about performing rock & roll. The
poster artists are passionate about creating
artwork reflecting the band's punk rock & roll
ethos and its highly amused worldview.

The poster artwork, some actual advertisements,
some commemoratives, is superb. Many pieces are
frankly mesmerizing. Dark Horse has done an
excellent job of producing the works in accurate
color. Sal Canzonieri, one of the founding
bandmembers, has pulled together all the key
posters and CD artwork that's defined the band's
image since inception.

Electric Frankenstein developed its following
from posting "anonymous" flyers in the streets of
Manhattan,long before their first gig. People
wondered what Electric Frankenstein was supposed
to be. It was an inspired artistic prank, but
thankfully the band turned out to be quite real
indeed.

You can read more about Electric Frankenstein
in ART OF MODERN ROCK, which will be published
this Fall by Chronicle Books.

Not only has Electric Frankenstein been making action packed, kick ass rock and roll for the last 13 years... they have an amazing collection of artwork to go along with it. You don't have to be an EF fan to appreciate this book. (but why the hell wouldn't you be?!) It's crammed page to page with with full color poster art, flash, and album art by some of todays top rock and roll artists, and tons of up and comming artists as well. It's one of the largest printed collections of it's kind, and a must for anyone who collects rock and roll memorabilia. It's beautifully printed and absolutely stuffed with eye candy. You MUST own this book.

Everyone interested in great rock and roll should purchase this book at once. It is filled with Posters from many of the best Rock and Roll Poster creators from across the world. My mind is still reeling from the Posters.
This book is also a great look at the modern Hi Energy Rock and ROll Revolution that EF(Electric Frankenstein) is leading. Some of the Bills EF has played on are mind boggling. This book also has a nice history of EF that I enjoyed reading and so will you!
Sal Canzonieri has done a great job, leading EF and also creating this book and deserves all the support in the world.If you like your action High High, help EF conquer the World.

Eric
Mr. Rock-n-Roll

I love this book. It's full of tons of Electric Frankenstien concert posters by some of the best artists around (Lisa Petucci, Coop, Kozik...). In fact, I can't think of an artist who isn't represented in this collection!

And this is one quality printing - the colors are vivid, clear and do the art justice.

You'll look through this book again and again, but don't forget to put an EF record on the stereo!

I think this is a good book for those already able to find their way around a bass fingerboard. This book has lots to offer for those interested in improving their jazz technique. However, I needed to take lessons in order to learn correct fingerings/positions before getting into this book.

I first bought this book in 1979 and have been using a version of it since then with my bass students. This new edition is very good and the DVD isa great asset. Rufus is an understanding teacher and if you get a chance to attend one of his master classes, don't pass them up.

I came to bass playing in my late 30s after a lifetime of playing mainly guitar, banjo and mandolin, and I went through a lot of books looking for a clear and solid foundation for upright jazz playing.

Of all the methods out there, Reid's is the one that has really stood the test of time, and for good reason. He starts the reader off with basic scales and simple patterns for playing over changes. From there it's on through more complex scales and patterns and finally, soloing, illustrated with a number of transcribed classics.

Combine this book with the Simandl book for basic technique (and a good library of jazz albums), and you have just about everything needed to guide the beginning bass player through the intermediate stage. For a player who already had a basic classical technique, this book alone is just about all that's needed to learn to play jazz.

Rufus Reid's revised edition of the classic "Evolving Bassist" is a literal tour de force and a must have for all bass players regardless of what level of proficiency they play at. The companion DVD (available separately and highly recommended) is a gem in which Rufus jams with two of the finest contemporary musicians illustrating various aspects of the text. The DVD is worth the price just as a performance video.

While loosely defined as a method, the "Evolving Bassist" is really more of a well thought out approach to playing the instrument. The skills taught follow several threads of theory and practice, but it's not a beginner tutorial even though very early players will benefit from the material...and continue to benefit throughout their playing career. If one is desirous of a more basic text in the jazz genre then you must get "The Michael Moore Bass Method", probably the best tutorial currently available; the classical "Simandl" material notwithstanding. The two books and the "Evolving..." DVD really are complimentary and easily stand at the forefront of a limited field. Highly recommended.

This book plus the dvd is a must to the beginning double bassist. I havent found much on the subjet and when I came across this book and dvd I was totally mesmerized. Excersizes r great the way its set up is really cool. A very inspiring methode. Rufus Reid is very clear in what he says and teaches.
If you think its expensive well its worth the investment.

The book is rather thin,but if you're a real lotr music fan,then you won't mind.
All of The Prophecy is included which makes for an interesting experience.
Many Meetings gives you Elrond's theme and a little bit of the Shire.
The beautiful songs Aniron and May It Be are little more than chords which is still better than nothing.
In Dreams is satisfying due to its accuracy and is hard enough to make it pretty.
Lament For Gandalf is really useless.It's just the same two unapealing music phrases for about 5 minutes.
I was rather disappointed with the lack of music from the movie such as Concerning Hobbits,The Bridge of Kazad Dum,and The Breaking of the Fellowship which they should have included.But I have to give it 4 stars just because I love the soundtrack and anything from it is worth getting.

It's books like this that made me wish I had the natural talent for music, or had at least studied and practiced hard enough to develop talent. The motion picture score that Howard Shore composed for The Lord of the Rings trilogy is absolutely brilliant, and while nothing can match his magnificent orchestra, there is something unique and incredible about hearing the same music played on a simple piano -- coming from your very own fingers.

The music on the pages can be described as intermediate level. Beginners will have trouble, but intermediates can slowly pick their way through, depending on their experience, and get better with practice.

The front cover is the same design as the DVD poster, and the original movie promotional art. Inside, 26 pages, including four front-and-back pages containing pictures from the movie.

The tracks you can play are:

- In Dreams, the end-credits song featured in the CD track "The Breaking of the Fellowship".

- The Prophecy, the never-used track that was, I believe, intended for the movie's prologue. The sheet music includes the Elvish lyrics, with the translation following at the end of the song.

- Aníron, the theme for Aragorn and Arwen, as sung by Enya. Again, the Elvish is provided in the music, and the translation at the end.

- Lament for Gandalf, featured in the Lothlorien track. It has the haunting sound that is used for the Elves at that part in the movie, but, as the title suggests, is almost a funeral dirge for Gandalf after the Elves learn of his death. Again, Elvish in the music, translation at the end.

- Many Meetings, the cerebral and heavenly theme for the Elven haven of Rivendell. Probably one of my favorite in the book, and one that, once you learn to play it through, will be something you'll want to play over and over.

- May It Be, the other end-credits song (actually, May It Be is the end credits song, and In Dreams is the *other* one) performed once again by Enya. The lyrics don't make a whole lot of sense, but it's still another quiet one to play. Since Enya only uses a smattering of Elvish in her song, the translation is provided within the music.

I think most fans will agree there were better selections that could have been made for the Fellowship of the Ring sheet music...the Hobbit theme, Moria, and the Bridge of Khazad-Dûm to name a few. But for the Lord of the Rings fans, lovers of gorgeous music, and people who are both, this book makes an excellent gift, or a just-for-you purchase!

This collection of songs from the soundtrack of the movie 'The Fellowship of the Ring' is a definite gem. The songs, in order, are 'In Dreams' [words and music by Fran Walsh and Howard Shore], 'The Prophecy' [text by J.R.R. Tolkien], 'Aniron' [words by Roma Ryan, music by Enya and Nicky Ryan] 'A lament for Gandalf' [text by Philippa Boyens], 'Many Meetings' [music by Howard Shore], and 'May it Be' [words by Roma Ryan, Music by Enya and Nicky Ryan]. Inside, there are also lots of beautiful pictures from the movie. This is a beautiful accompaniment for the soundtrack. The music is for 'piano, vocal, or chords', but other instruments could play along. I would DEFINETELY rate this 10 stars, only the limit is 5. I recommend this music for anyone who loves music, Enya, or The Lord of the Rings.

This has to be one of the most amazing books of sheet music I've ever seen. It's thrilling to play the beautiful songs featured in the Fellowship of the Ring. With favorite songs like "May It Be" and "In Dreams", it can be used for piano, guitar, or vocals. I was really pleased that the melody is worked into the piano music, so it sounds great with or without accompaniment. I would recommed it to everyone, even those who don't like Lord of the Rings!

This is an absolutely wonderful book of music. I am very into the piano, having taken lessons since I was five, and love it. In short, if you play the piano, love LOTR, and the music from the movie - buy this book! I am also a huge fan of both the books and movie trilogy, and Peter Jackson has my highest respect for staying more true to the books than any Hollywood movie does. Or any movie, for that matter.

I picked up this book at the recommendation of another friend who's also been in bands and is an excellent musician. After playing in a number of bands I can honestly say that everything this guy writes is true. I'd swear Will played in one of my bands in the past. I really liked the musicians he traveled around to hang out with. I walked with Will and knew all the other musicians he's hung with. Great book - how being a musician really is!

This is the story of a man in his 30s that decides to learn how to play guitar and sets the goal of playing a gig within six months. The author's quest leads him to a number of characters, most of them eccentric if not downright weird. He even takes a junket to the Mississippi Delta to learn about the roots of the blues, a visit to Nashville and Memphis and a trip to see Les Paul perform in NYC.

While the story has its merits I think that the author spent too much time describing drug use and other behaviors that many guitarists (myself included) feel are negative stereotypes which leave the false impression that all guitarists use illegal drugs or drink to excess. A lot of musicians use drugs and drink like fish but there are just as many of us out there that do not. This book would have been every bit as interesting to me without the drug stories.

In any event, the book ends shortly after the gig; which went well, all things considered. At the end of it all Mr. Hodgkinson realizes that his dream of performing in a band was only one tentative step forward in his development as a musician and songwriter and he proceeds to work towards correcting bad habits that he picked up in his rush to learn the guitar on the fast track.

Overall it was a satisfying read and very accurately conveyed the hopes, misconceptions and dreams of guitar students everywhere. The sensation was not unlike talking to a student guitarist that was enthusiastic, idealistic and a trifle over-optimistic; like many guitar students I've met.

As a 40+ wannabe guitarist I finally picked up an acoustic guitar and tried to learn after 20 years of 'thinking about it'. A few months in I literally stumbled across this book in a shop whilst looking for some music so that I could finally answer the question being asked of me, "When are you going to learn to play a real song on that thing?". This book had me glued from start to finish and I am now all fired up again! I am shamed to admit that I had never even heard of the great Davey Graham and many of the other characters that so shaped the guitar.

As earlier reviewers have said, the premise of the book sounds a little cheesey, and perhaps suggestive of an unlikely film script, 'untalented latecomer goes on quest and finds hidden guitar skills on the way', but this book is much more than that. It provides a superb potted history of the guitar from a UK/US blues-folk-rock perspective whilst the main protagonist is honing his new found skills. I found it inspiring. Sure, Will Hodgkinson isn't your average Mr Joe Public, he seems to have indirect connections to several key players, which may be helped by his journalist background, and maybe some of his 'memories' are a little odd - he could only have been 5 or 6 years old when Marc Bolan died so can he really recall his TV appearances? And the coincidence with watching "The Servant" just after a night out with Davey Graham, artistic license perhaps? But, these very minor points aside, to all you ageing wannabe guitarists out there - read it, dust off the old guitar and get strumming!

Now 'all' I need to do now is find out how to play 'Anji'!

P.S Whilst researching on the Web it is interesting to note that Davey Graham is on his uppers again - if this is partly through this book and/or Will's article in the Guardian then this is great for all guitar fans!

GUITAR MAN: A SIX-STRING ODYSSEY, OR, YOU LOVE THAT GUITAR MORE THAN YOU LOVE ME comes from a 34-year-old who decides to play guitar even though he's tone deaf and has no rhythm. His quest to become a musician at a later age involves instruction from friends and guitar 'greats' alike, in the process revealing much about the music world's finest figures from PJ Harvey to the eccentric old bluesman T. Model Ford. His odyssey is more than autobiography: it charts the evolution of guitar, methods of playing, and more and takes readers along on a rollicking journey through the music world in the process. General-interest collections will love it; music libraries will find it a fine leisure reader's choice.

Though the premise sounds pat -- a bit like a book proposal: journalist with no musical training picks up guitar with the goal of playing a gig in six months, and then writing about it -- Guitar Man in fact blossoms into an enormously entertaining, and by the end, exciting story. Will Hodgkinson is a funny, charming, smart, ballsy, sympathetic guide to the world of guitar and guitar obsession. Plus he's got taste, too, and common sense, and his own peculiarly interesting (and peculiarly British, I suspect) ideas of what the guitar should be and how to go about learning to play it. For anyone who loves to play but isn't "professional," it's a fantastic lesson on why mistakes don't matter if your heart's in your fingers. And for American readers in particular, the book gives us the pleasure of encountering, in person or legend, Davey Graham, Bert Jansch, our own Jackson C. Frank, as well as understanding that maybe Eric Clapton isn't god after all. Now I need to learn to play "Anji" -- and only regret that I can't hop on over to Bert Jansch's flat for an impromptu lesson.

Great book. Would highly recommend. Loads of interesting facts for serious Hairspray fans.

This book is indeed one that all "Hairspray" fans must own. There are behind-the-scenes secrets, bios and details on the main cast, and never-before-seen photos,(as well as a few little "surprises" that I won't give away!)
All in all, it is well worth the investment for those, like myself, who were enchanted by the film.

I was given this as a gift and I absolutely love it. It's full of fun facts to know and tell, and is the perfect addition to any Hairspray Fan(atic)'s collection! :)

The just released movie on DVD "Hairspray" is a phenomenon and a force to be reckoned with. Possibly one of the best movies of the year, Hairspray is about acceptance in a time when it wasn't expected. The Adam Shankman movie is fun, energetic, and full of life. And so is this marvelous companion book.

Filled with pictures, behind the scenes stories, and narratives by all of the principal movers and shakers in the movie, "Hairspray: The Movie Musical" serves as a wonderful guide. The information contained in the book offers a peek inside the creative process. It's amazing the amount of talent and work that goes into an hour and a half movie.

Just as fun as the movie is, this book covers it all, and doesn't leave you hanging. If you have a Hairspray Fan in your family, this is the PERFECT Christmas present: affordable and really, really fun!

Awesome. I like the fact that it has inserts of little things that happened during that time in history and I especially like the cards that show the danceres that were on the Corney Collins Show. Grat product

Good sound and good value. Easy to follow, great beginner and intermediate tool. I was pleasently suprised to find a harmonica in a case included taped to the book. I keep that extra one in the car to practice with the CD. David Harp makes it easy to learn.

This was a Christmas present for two of my grandchildren. The boys were absolutely thrilled with the information, in fact, one of them wrote a piece of music within 24 hrs!!!

For anyone who thinks you can't learn to make music in an hour or less, you gotta try this book and CD! Appying a series of very simple breathing patterns--with names like Chicago and Boogie Woogie--you can make MUSIC on the harmonica in only a few minutes. In the first few lessons, David Harp takes baby steps through a series short lessons (none is more than three minutes long) which cover beginning blues, folk and "classical" ideas. In the second half, he covers application of the earlier blues lessons, gives a little explanation of the blues scale, presents you with a simplified blues scale and few tricks. The last few tracks are "jam" tracks so you can test out your new chops. Of course he doesn't get into bending in this introductory course, but for less than $15 it's a GREAT way to start! I use the CD in my car and play along on my commute. It's perfect!

I have been playing with learning harmonica for a while now, but received this book as a present from my in-laws (who were probably tired of hearing "Camptown Races" and "Red River Valley" endlessly). What a treat. David Harp's instruction is super easy, and starts off with foregoing single notes. He gets you started on music, and then when you're having fun (and more interested in practicing), he hits you with more advanced techniques.

I don't mind the Bending Notes book being plugged - there's only so much you pack into a beginners book.

If you're thinking about trying the harmonica, I can't recommend this one highly enough.. :)

This is truly the most comprehensible, hassle-free self-teaching guide for raw beginners. Go with this book and you cant go wrong. Just play along with CD and you will have so much fun! After you finish with this one you may want to purchase Jon Dick's Rock and Blues Harmonica for slightly more advanced techniques you may also want to check out Tom Ball's Source Book series which is a very convenient reference of famous Blues harp licks/riffs.

What a wonderful and insightful book this is! The tempi recommended are what blows me away-every one suddenly makes the song fit like a glove. The comments and background info for the composers and individual pieces are very thorough-I only wish there was every French melodie in there, I feel so much more secure with the songs that are included!

In the Foreword Bernac modestly says that the book "does not claim to be anything more than a guide for English-speaking singers who wish to study a repertoire which may not be very familiar to them". It is in fact far more than that, and French-speaking singers will find his suggestions for interpretation, tempo, expression and dynamics to be invaluable. He has an unerring instinct for when a song merits a few general comments for its interpretation and when it calls for a detailed phrase-by-phrase analysis. His choice of repertoire for inclusion in this relatively compact book is surprisingly comprehensive. Particularly useful are his suggestions for when to use the liaison (final consonants being sounded before a word that begins with a vowel, which happens more frequently in poetic language than in normal speech) and when not to. Liaisons are not always intuitive or obvious, even to those who were born and brought up in French.

This book is an essential resource for singers or teachers of singing by someone who knows.

I bought an interpretation of French Art Song book, it came perfect condition. Very happy with the transaction! C'est magnifique!

Pierre Bernac's book is an invaluable resource for all classical singers, voice teachers and vocal coaches. His writing is eloquent and graceful and the facts he offers on French diction and song interpretation are easy to comprehend. The poems of major French poets, set to music by many foremost French composers, are analyzed with guidance on elision and liaison, breath points and interpretation.He also includes a poetic English translation of each poem. Having been fortunate enough to have worked with Pierre Bernac earlier in my singing career, I have complete confidence in his artistic thoughts on all aspects of diction and performance of the French mélodie. My book is falling apart after all these years and I will most certainly buy another! You voice students out there who are interested in performance-GET THIS BOOK!

Eileen Davis, Author of: Sing French, Diction for Singers

Wirtten in a very easy to read but scholarly fashion, this book is a great resource for musicians who want to hone their craft a bit more and get those smooth-sounding progressions for intros and turn-arounds.

This book teaches many things at once.

Learn intros and endings suitable for use in gigs.
Learn different chord changes besides the typical II-V-I.
Learn some phrases and voicings that help you jump right in,
rather than just seeing the chord changes written out.
(The last chapter is the exception)
Learn how to improvise - If you haven't been able to cross that
bridge, just let yourself wander while playing these samples.
You can't help but hear different melodies in them.

Each sample is presented in a random key, but it is still up the
student to practice them in all keys.
Well worth the price - a fraction of the cost of a piano lesson
for a huge springboard!

The book has well written, very musical phrases. The author suggests usage with several standards that should be in everyone's play book and it's fun to work them in with tunes you already know - in the proper keys. Take them apart, and there is something to learn in most of them. Great for browsing.

The printing is good and the binding isn't troublesome on the rack. Nice experience. I would have rated it a five, but some of the pages have a tendency to work loose.

I try to spend a half hour with it every night. This book will appeal to a wide range of interests. Whether you are a composer interested in theory, or a keyboardist enhancing your chops, there is something here for you. Most examples are four-measures long, but rich in musicality (kind of like what the Bach chorales are for those studying classical music.) The examples progress from simple chord progressions to more complex, and each is one is clearly explained. Nice melodies too! It is apparent that the author has spent a lot of time with each of the sub-genres (swing, ballads, blues, Latin, etc.) and has distilled his knowledge into a neat recipe book that will serve as a launching point for those wishing to further their expertise.

If you sometimes have problems knowing how to start and/or finish songs or phrases, this book is a must have! It guides you through the process and helps to expand your imagination.

I studied with Ted Greene in the early 70's at the age of eighteen. At the time I was also taking lessons with George Van Eps and shared my lesson materials with Ted while he worked on Chord Chemistry, the first of his books which was originally published in the 70's and revised later. Any electric guitarist should have all of his books period! These are not fancy riffs or solos but the most creative and best organized series of works on jazz guitar ever written. Most think of Ted as a finger style jazz player. However, when I jammed with him there was no one faster or smoother with a single note flat pick. He simply didn't go in for flash. Also, he could outplay anyone in any style, rock, folk, country, and yes classical music. In fact, when I knew him he always carried a copy of the Bach Chorales around which he studied to perfect his chord voicing system. If you are serious about the guitar and play at the intermediate or better level you have to learn this material.

This is one of four published guitar books by Ted Greene. Ted was one of the Great guitarists and a superior teacher. This volume is extremely good. Anything by Ted Greene is required reading.

There are several scales patterns per chord pattern or chord strummed. Actually, you only need to learn one scale pattern. Ted Greene provides you with at least one scale per chord to solo over. What's interesting is learning how to combine four or five scale patterns so you can play up and down the neck (over one chord). This book will provide you with all the elements needed to solo over most chords. I already had an idea of what to play, but I didn't have information on the many arpeggios you could play over each chord. Ted gives you sample arpeggios to play over each chord through several scale patterns. What I like about this book is knowing you can link four patterns together (over one chord) and play up and down the neck. If you're having problems with your solos, buy this book.

Ted Greene's marvelous books have become staples in guitar instruction, starting with the famous "Chord Chemistry" (Ted frequently referred to the book as "Chord Catastrophe").

"Single Note Soloing, Volume 1" is the perfect book for those that are interested in jazz and have experience playing the guitar, but want to learn the ins and outs of jazz phrasing. The musical examples in this book (all in notation, no TAB here) are great and Ted's comments include a wealth of information about left and right hand tips, phrasing ideas, and how to use the examples. A pleasant "side effect" of going through this book is your sight-reading will noticably improve, especially in the higher positions (such as the 7th, 8th, and 9th). And for those who might already know the theory involved, it makes a for a great warmup and provides a refresher course in important fundamentals. Even though I knew most of the theory in the book when I first went through it, it was a great learning experience because it filled up the holes in my knowledge, some that I didn't even know were there. That is part of the greatness of Ted Greene. Never does the book have a pretentious or snobby air to it, and his thoughts are always encouraging and inspiring when you read them. Many guitar books create more holes than fill them, because the authors themselves do not have the needed grasp of the fundamentals. There's no need to worry about that here, as Ted was a master at learning (and therefore, teaching) things the right way.

Overall this has to be one of the best books on the subject that I've gone through, especially for a book that is guitar-specific. If you could only choose one book on jazz scales for guitar, choose this one.

If you don't have a foundation in the basics of music theory and some playing experience go find a good teacher and work your up to and through these books. These books are jazz based but everything in them can be applied to any other style. Totally worth the effort.