Television Books

i thought this book was great and also pretty sad at the end but i enjoyed it.from the first time i started reading it i could'nt put it down.

Vada is eleven years old and her mother died when she was born, and Vada thinks that it is her fault her mohter died. Her dad owns a funeral home and thats where Vada loves. Her best friend Thomas J. is allergic to everything. Thomas J. and Vada are always doing something together, like riding bikes, or playing at the lake. One day this lady named Shelly shows up at Vadas house in a camper wanting a job at the funeral home and be the person that when someone dies she puts on the make-up and does their hair. She gets the job. Vada likes her and everything is going great. SO one day Vada and Thomas J. ran into their teacher, Mr. Bixler Vada wants to marry him, and he had told them that he was going to be having a writting class in the summer, and Vada wants to go. So she has to try to find money and her dad won't give it to her so she takes it from Shelly. Then Shelly and her dad start dating. Then one day her dad said they were going to get married. So now Vada hates them both. So she tells Thomas J. and they go to the lake and they find a bee hive and they try to hit it with rocks, THomas J. collects them, they finally hit it and bees go everywhere.

Vada Sultenfuss is a typical 11 year old girl who has to learn to face her fears and get on with lfe even when bad things happen. She lives in a funeral parlor and has a boy (Thomas J.) for a best friend. Her mother is dead and she only has a father. Living in a funeral parlor for all her life, Vada keeps thinking she has cancer and is going to die, and her father could care less about this issue. One day Shelly comes in and ends up working for Vada's dad. Their marriage takes Vada by surprise, and when her best friend gets stung by bees she learns to cope with Shelly even though she doesn't have her best friend to always ride bikes and play with her anymore.

Vada is 11 years old and she has never met her mother and her dad is a caretaker and her bestfriend Thomas J never wants to come into the house because it is a funeral parlor. Thomas J and Vada are always riding around town on their bikes and Vada thinks that she has cancer in her throat. Though everytime she goes to see the doctor about it he says she is just fine. All the time Thomas J and Vada go sit up in a tree and one day they were going to the tree and saw a bee hive. Thomas J wanted it because he had a wasps hive and he wanted a bee hive to go with it. They were throwing rocks at it and knocked it down and bees started swarming and they ran and jumped in the lake, but before they did Vada realized she lost her mood ring and the next day Thomas J went back to where Vada had lost her ring and he got it, but when he went back the bees attacked him and of course Thomas J is allergic to everything he got stung and died from it. After Thomas J's funeral Thomas's mother went to Vada's house and gave her the ring. And though Vada was sad about Thomas J she just pretended that he was at summer camp or on vacation. Vada new that Thomas J would be taken care of because her mother would take care of him. She new that she would see him again.

I really enjoyed reading this book about my favourtie movie of all time. If you loved the movie My Girl I would deffenently recomend this book because it follows the movie so well. Pick it up today you'll be glad you did because it is such a marvelous book.

I originally bought this book at the Star Trek Experience in Las vegas, and I gave them as gifts to a lot of my friends and neighbors whose kids have never known a world where "Star Trek" did not exist and for those of us who have been around for all the Trek experiences this is a treasure of a book, Humor, wisdom and even gidance is written in these pages...open any page and somewhere on it will be something "that will make you think"...a grand experience on all levels

I love this book! It takes all of the best Trek lines, and cross-references them by speaker, episode and theme.
The only other thing I would like to see would be an updated volume, with the rest of the DS9 and Voyager episodes, the Enterprise series and the last two movies. Then this wonderful book would be complete.

This is the best possible book they could use with star trek quotes. It includes tons of different catagories of quotes, from all of the series and movies. It also has the For the Fans which has some of the first quotes that were used in Star Trek and other momentous occasions for us obsessive star trek fans :)
A must buy if you are even remotley addicted to star trek.....a great book for the trekkies :)

As many of the previous reviewers said this book has many quotes from the original series, to The Next Generation, to Deep Space Nine, to Voyager, and all the movies. It is a light book that you can pick up and put down or as another reviewer said read it lazily under a tree.
Also as other reviewers stated it has great cross-referencing in the back by speaker or theme. The quotes are all placed into different chapters by general subject but several of the quotes are repeated in several places since they may cover more than one area.
The book also lets you see how the overall Star trek series has evolved over time by the types of quotes that were used and in what specific series. It is interesting to see how some quotes are re-used with slightly different wording from series to series to hammer home a point about the essence of star trek.
(Note: This book does not include anything from the animated series or Star trek Phase II. That is fine since the bulk of Star Trek is included)

This book is a treasure. Something to be sampled in small doses, to stretch out the experience. Another reviewer was right -- the quotes live up to the blurb on the back. Jill Sherwin did a great job. This is an absolute must-have, or at least must-read. P.S. The pictures are pretty good, too.

I just recently drove on Route 66, through New Mexico and Arizona. When I got home I reread ROUTE 66: THE TELEVISION SERIES 1960-1964. I enjoyed the book even more the second time! It is a fun look back for me and the other "baby boomer" fans at the television series ROUTE 66. The show featured excellent writing, acting and it was filmed against the backdrop of America. It was a show about the varied people of our country and that is what made the series so unique. Buz Murdock (George Maharis) and Tod Stiles (Martin Milner) were handsome, appealing characters who were concerned and caring men. The Corvette represented a "sense of independence and a spirit of adventure."

Jim Rosin's book contains many interviews with the two stars - Maharis and Milner, guest stars Anne Francis, Nehemiah Pursoff and Nancy Malone, Media Historian Mark Alvey, Production Executive Sam Manners, and Directors Arthus Hiller, James Sheldon and Alvin Ganzer. Their comments are smoothly mixed with text information. I especially enjoyed the photographs and behind-the-scene snapshots.

Rosin certainly did his homework by including a Biography section of all the actors, writers, directors, and production staff highlighted in the text. Some of the other books I have seen on vintage television series may have been a bit more in-depth, but I like the simplicity of this book. Enjoy the ride with Tod and Buz!

Thoroughly enjoyed this trip down Memory Lane. For Route 66 fans or anyone who enjoys those breakthrough TV series of the 60's, this book is a Must-Have. Comprehensive with summaries for every episode, commentary from stars and many (surprising) guest stars, and many others behind the scenes. Lots of pics! Enjoy the memories!

Wow...talk about your trip down memory lane.
Even if you don't own a Corvette you can reminisce about your favorite TV Series, Route 66 with Jimmy Rosin's new book. Tod and Buz didn't need cash to have a great experience and neither do you when you read this well organized, artfully crafted book. A treasure trove of information for Route 66 fans all over the world. TV at its best and reading at its bestest!

I enjoyed reading Route 66: The Television Series 1960-64 by James Rosin and found it to be a nice companion book to the recent DVD release.

It is full of interesting commentary from series stars Milner and Maharis plus others, which include directors, producers and several guest stars. It also contains lots of promotion and still photos that reproduce nicely, and a good bio section at the back that includes all the people associated with the show that contributed to the book. The plot summaries for all 116 episodes are one page, and fairly concise and to the point. It looks like some were written by Rosin and some were drawn from studio press releases when he might not have been unable to see the individual show. I noticed that in some of those, there were minor plot details that differed from the completed show I watched. Maybe they were revised during filming or left on the cutting room floor, but in no way did they detract from his overall summation and my understanding of the storyline (and again they seemed minor). While there may be some who would prefer more analysis and review of each episode, I actually prefer to read the story outlines and decide which ones I would like to watch and get into. This book allows the reader to do that. It's an easy read and a nice little book for your coffee table.

It is indeed high past time that "Route 66", possibly the finest drama ever produced for the medium of television, had a book devoted to it just as many other classic television series have had. However, while author James Rosin has finally filled that long-empty niche, his effort somewhat falls short of what one might have hoped for.
While Rosin does give us an excellent introductury essay, full of useful background information and utilizing a plethora of quotes from a variety of sources, this term-paper length chapter (along with a very nice photo section) pretty much consists of the sum and parcel of the entire book. There is an epsiode guide with detailed plot summaries for all 116 episodes, but Rosin appears to have copied this verbatim from Columbia/Screen Gems promitional material. Since those original materials were based on shooting scripts and story outlines and not on the actual on-screen results, many contain inaccurate plot details and plot elements unpresent in the actual episode. Rosin acknowledges this when he gives notice ""A conscientious effort was made to ensure that each episode summary was as accurate as possible. However, in some instances, minor plot details and descriptions may have been revised that I was unaware of." Huh? Has Rosin seen all the episodes or not? One would expect an author writing an in-depth study of a television series to do the following: (1) Attentively watch each individual episode of that series, (2) Write their own episode summaries for the book and not just copy them from pre-extant sources, and (3) provide their own observations and critical commentaries on each individual episode. This is what good televsion scholars such as Marc Scott Zicree, Ed Robertson and John Kenneth Muir do with their respective highly-polished and thorough books on various television series. Rosin's book comes out looking very deficient when compared with one of those three authors.
I don't wish to be to terribly negative as I am excited that there is ANY book out there devoted exclusively to this marvelous and unjustly-neglected program. However, I felt it incumbent upon me to point out the relative lack of substance it contains. I've read an as yet unpublished manuscript of a book on the series by another author, and that one does a much better job of analyzing each individual epsiode and the cultural impact of the series as a whole. This particular Route 66 fan can't help but wish that that one had been the manuscript issued between the professionally printed covers instead.

Most for-sale screenplays are just that -- screenplays. Emma Thompson, who wrote the screenplay for the delightful Jane Austen film "Sense and Sensibility," chose to include journal entries throughout the filming of the movie as well, in addition to the winning entry of a contest to see who could write the best letter from Fanny to Elinor.

There is wit in the descriptions and the photos, all well-captured. The journal entries are entertaining and a good look into the making of a movie. Although be forewarned -- because they dress like the characters of S&S, they do not talk like them. There is definitely some verbal crudeness in the book, men and women alike, but if you can overlook that (or are used to it) then this book will be a delightful read for any Jane Austen fan.

There are three separate parts to this fine volume; introduction, script and diaries. The producer of the film, Lindsay Doran, opens the door for us with her wonderful introduction. At age 13, she was determined that not only was "Jane Austen a very stupid writer," but also she would "never, never read one of her stupid books again."

Fortunately for the rest of the world, Ms. Doran changed her mind, and some twenty-five years after that first erroneous conclusion, has brought us this wonderfully witty, and extremely faithful film version of this first novel by Austen. As producer of the Kenneth Branagh/Emma Thompson film, DEAD AGAIN, she became acquainted with the woman who was not only a phenomenal actress, but also a gifted writer-one with a sense of humor and a strong romantic bent. These two qualities had proven to be the stumbling block over nearly ten years of searching for the right scriptwriter for Sense and Sensibility.

It took nearly seven years to come up with something close to a shooting script, sandwiched as it had to be between Thompson's many award-winning acting chores. Serendipity was obviously at work, however, and eventually, a budget was established, and casting accomplished.

Many of the actors Emma had envisioned in various roles had participated in a read-through the year prior to the filming; they were all in the film, in those same roles.

While the Dashwood ladies are all suitable beautiful, it is the men who are truly gorgeous. ("Repellently so," writes Ms. Thompson in the diary portion, referring to Hugh Grant. "He's much prettier than I am.") With his look-alike Richard Lumsden, they are the brothers Ferrar, Edward and Richard, with Greg Wise as the fickle Willoughby. Alan Rickman (be still my heart!) brings maturity and virility to the role of Colonel Brandon. The sets and costumes are sumptuous.

Interspersed with the actual shooting script and the diaries are some 50 photographs, 36 of them in luscious color. One script looks pretty much like another, but this one allows Ms. Thompson's wry wit to shine, especially in some of the non-spoken words. Of course, not every scene from the book could be included; the movie would have been more than six hours had they been. But the essentials are here, along with all the major characters. Providing testimony to just how perspicacious was the choice of writer is the number of awards garnered by Thompson for this, her first film script.

The diaries portion begin with a production meeting on January 15, 1995 and continue through July 9 of that year. A very small mention is made of Hugh Grant's visit to California, where he'd gone for his next film project after the completion of filming his scenes in England. A final two pages describes the 'location' houses chosen to represent those lived in by the families in the novel.

It may come as somewhat of a surprise to some readers to discover rather explicit language in the diaries. In addition to an apparent fascination with the alimentary process, our Emma has a bit of a potty-mouth, as do some of the gentleman involved, and their words are recorded, one presumes unhappily, all too accurately. They seem curiously jarring and out of place in a book otherwise devoted to the pristine words of Jane Austen.

Nevertheless, this is a lovely, hefty book; one which will bring the reader back to it time and again. There is always a new and enjoyable nugget to be mined from its various depths.

If you read Jane Austen's "Sense and Sensibility" before or after seeing the 1996 film version then I think it is pretty easy to conclude that Emma Thompson's Oscar for Best Screenplay adaptation was richly deserved. After writing and performing a series of short skits for British television, Thompson was approached by producer Lindsay Doran to write the screenplay. Thompson began by dramatizing every scene in the novel, which resulted in 300 hand written pages to be followed by 14 drafts as the 1811 novel was crafted into the final script. The result was a script that manages to be not only romantic and funny, but also romantic and funny in the best Austen sense of both words.

Be aware that this is the Original Script, not to be confused with the Shooting Script. This should be clear as soon as you beginning reading, because originally Thompson had the scene shifting back and forth between Mrs. Dashwood and Elinor/John and Fanny Dashwood (credit for this revision must go, I believe, to Film Editor Tim Squyres, who recut the scene so that we get all of one side and then the other instead of alternating back and forth as in the original script). Overall the strengths of Thompson's script are in two main directions. First, she manages to convey the scope of the novel in a two-hour screenplay, no mean task. Second, the little details she adds to Austen's story are simply marvelous. For example, her use of Shakespeare's Sonnet 116 ("Let me not the marriage of true minds"), which Marianne and Willoughby share to their great mutual delight and which Marianne repeats standing in the rain looking at Willoughby's new estate. In fact, Thompson revised the first scene to make it even better, having Willoughby misquote a key word in an elegant bit of foreshadowing. Thompson also makes one nice little change at the end. While Austen has Elinor bolt from the room to cry outside during the happy ending. Thompson creates a wonderful moment by having her stay in the room and having the rest of her family flee. There are not too many scenes where you are crying and laughing at the same time, but Thompson certainly created one (and has the added virtue of relying on herself as an actress to nail the performance as well). All of these are marvelous examples of playing to the strength of the cinema to bring Austen's novel to the screen.

But we get much more than just the screenplay in this volume, because Thompson includes excerpts from her diaries kept during both the writing of the screenplay and the actual production of the film. It would be nice if there was more insight into what she was thinking when writing the screenplay as I am always interested in how decisions were made and where inspiration comes from, but Thompson makes up for that with her little tales of working with director Ang Lee and the rest of the cast in making the film. Finally, in the Appendices, there is a very choice little treat, namely Imogen Stubbs' Prize-Winning Letter, written to Elinor from Lucy. Do not worry; by the time you read it you will understand why it is so hysterical. There is also a list of the fine homes and estates where "Sense and Sensibility" was filmed if you happen to be roaming around England and are interested in looking for such things.

I truly enjoyed this work by Emma Thompson. Not only is the screenplay included, with pictures, but also there are diary entries by Thompson that give insights into the making of the movie. If you loved this movie, you should read this book. I really enjoyed it.

The screenplay itself is a must-read for anyone wanting an education in bringing a well-loved story to life. Emma Thompson does an ingenius job of crafting scenes that are faithful to Austen's original while inventing more that add character development and plot intrigue. I especially like her diary, though. For those who wonder what to include in a memoir of an experience, this journal is a rich model of self-disclosure and humor. I heartily recommend it!

A very nice throughly researched book on the early days of live televised science fiction. Throughout the book the author compares Space Patrol with Star Trek although the series has much more in comon with Irwin Allen's Lost In Space tv series of the mid 1960s since Star Trek served little more than a political platform for Gene Roddenberry's extreme radical liberal views.

Some might think it's a waste of time to read a book about a television show that one never saw. But, although I never saw an episode of "Space Patrol" (it had gone off the air before I was five years old), this is one of the best books I've read in years. A 20-year labor-of-love, it clearly reflects the author's interest and dedication to the subject. She managed to interview virtually all of the surviving cast and production crew members, and their anecdotes bring the story of this live-action television series from the early 1950s to life. It's packed with details about the characters, the performers, the production challenges, the sets, the special effects and the marketing of spin-off toys. Even better, it examines the positive effects that "Space Patrol" had on children of the time, some of whom, inspired by the show, grew up to be NASA engineers, "rocket scientists" and astronauts. Back in the days of clear-cut moral values and before political correctness reared its ugly head, the "Space Patrol" crew served as excellent role models for the first of the baby-boomers. Reading this book will transport anyone who grew up in that era back to a simpler time when the world was a more pleasant place to live and when there were well-defined good guys and bad guys. It's a great read about a fascinating subject--highly recommended.

This is a very nice book for those of us who grew up watching Space Patrol. Well written - information on the show, its production, the cast as well as the products that you could get by sending in 'box tops', etc.

Wonderful photos of the cast, as well as models of the sets/rockets and props. A chronological listing of the TV shows as well as the Radio ones. Very nice addition to a collection of information on Science Fiction on the airwaves.

Bassior's book is an intimate slice of history. On the surface, it may seem trivial to examine the story of a hit TV show from half a century ago, but in her two decades of unrelenting research, the result of Jean-Noel Bassior's dilligence (while maintaining her career as a top-level journalist) is a book that set out to document an ephemeral pop culture phenomenon, and became a supremely positive inspiration to a generation who went on to live lives by a sincere code of ethics, and some of whom made Neil Armstrong's "small step" possible. Inside the story, the star of the show, Commander Corry turns out to be actor Ed Kemmer, a bona fide World War Two hero.

In short, this book is a unique, intimate look at a pop culture phenomenon, and the remarkable people who made it happen.

At first I thought that the price of the book was excessive, however, upon deciding to spend the money I feel it was well spent. If you, like me, grew up with early television this book will take you back to a time when the world was simplier and TV was a miracle.

The author of "Space Patrol: Missions of Daring in the Name of Early Television" has taken a long and loving look at one of the best Sci Fi programs of the 1950's. The information gathered is informative, refresing, and above all (to my knowledge) never before put in print. The interviews with former cast members is a delight, and the behind the scenes look gives you and idea of how the then infact television industry operated.

I recommend spending the $49.00 and take a trip back in time and re-live your youth with Buzz Corey, Cadet Happy, Carol Carlyle, Major Robinson, and Tonga... its worth it.

If you are serious about becoming a screenwriter, this book will be a valuable addition to your professional library. Lucy goes into depth on subjects other authors ignore or treat lightly. Usually if you can learn one or two things from a screenwriting book, it's worth reading. This book clarifies subjects other authors fail to explain. Lucy not only explains all the loose ends, but ties them together. There are a lot of good books on screenwriting, and this is one of them. Cynthia Whitcomb has a couple of books on screenwriting that you might also want to read.

This book should be a mandatory read for writers of all types and all levels. Story Sense offers the tools to develop an entertaining, clever plot with emotionally and psychologically dimensional characters. It takes you step by step through idea, plot, and character formulation, as well as explains how to develop structure, dramatization, and everything else you need to write the perfect screenplay or fictional story. You will find yourself highlighting passages and constantly refering back to this "bible" throughout your writing journey. Keep this book close by, it has all the answers you need as a writer.

This should be required reading for any type of writer--novelist, screenwriter, playwright. The sections on plot and character development are worth double what this book costs.

Too many "how-to" books on writing perpetrate the image of a writer as a conduit for mysterious creative forces. While I'm not entirely discounting that image, there needs to be a balance between writing as an art and writing as a craft. This book falls firmly in the craft column. It demands you cast aside any artistic pretensions and get down to the plumbing of creating a story. And it doesn't stop with the obligatory pep talk--Lucey shows you how it's done. And he shows it better than any other writing how-to out there.

If I could give this ten stars I would. Highly recommended.

When ordering several books on screenwriting this book caught my eye because of the high ratings afforded it by others. After reading it I fully concur with what others had to say. I went out and purchased DVDs of the four main example films (The Verdict, Terminator, Sleepless in Seattle, and Witness) that Mr. Lucey focuses on and they allowed me to pick up the fine points described in the text. His vast experience in script writing shows through in each of the topics discussed. I cannot recommend this book highly enough. For a detail-oriented individual such as myself, this book met all my expectations. If you are interested in this topic, this book is a "must have" by all means.

I have read many screenwriting books and this is the most complete. It takes you by the hand through each step of the process. I would recommend it to anyone interested in screenwriting. The book even states that if you follow the steps in the 12 chapters it should take you 120 hours and would be equivelent to a college course. No need for any other training. This book is it!

Alex McNeill's "Total Television" is one of those reference works which is useful both for settling trivia arguments at parties and for helping those engaged in serious scholarly study of television programs and their impact upon popular culture. As of this review, "Total Television" is in its fourth edition.

The book is basically an alphabetical encyclopedia of thousands of television programs in every possible genre: dramas, sitcoms, game shows, cartoons, and more. Each entry lists the series' air dates, principal performers, and other relevant data.

In addition to the main body of encyclopedic entries, the book includes a wealth of supplemental features: lists of Emmy winners, a chronological gathering of one-shot specials, and more. Particularly interesting are the programming grids, which show the nightly lineups on each network for each night of the week. You can turn to a season (say, 1951-52) and see what choices the American TV viewer had each night! This feature is great for historians.

Although most of the entries on each series are brief, McNeill spends more time and space on certain series of outstanding impact. These extended articles on "All in the Family," "CBS Evening News," "Dallas," "The Ed Sullivan Show," and more are truly fascinating.

TV has been derided by many with such epithets as "the Boob Tube" and "The Idiot Box." On the other hand, it was praised in an episode of "The Simpsons" as "teacher, mother. . . secret lover." McNeill captures TV in all of its facets: from the depths of inanity to the heights of cultural significance. This book is a great achievement whose reputation, I believe, will increase with future editions.

This reference is superb in it's completeness. Anything you want to know about any program broadcast from 1948-1996 is in this 1251 page book. The 88 page index of names of performers appearing during those years is unbelievable. It includes specials, miniseries and the top 20 rated shows for each of those years. I use this reference at least 2 to 3 times a week.

Where this book is not as easy to use as Brooks and Marsh's "Complete Directory to Prime Time Network and Cable TV Shows"(see my review for this one), it offers more-as far as the addition of daytime shows and more explanation of the entries. I like the other guide mainly because it's a good quick reference for prime time. However, if I'm really interested in detail or, again, a daytime program-like some Saturday morning cartoon of my childhood-then this is the one to get. I have both books, actually-for reasons specified here.

First, we might note that "... To the Present," in the book's title, means through late 1995. So nothing in the last ten years is included. For years, I have enjoyed "The Complete Directory to Prime Time Network and Cable TV Shows, 1946-Present" by Brooks and Marsh. I prefer the format of the Brooks and Marsh book to that of the NcNeil book--e.g., the cast is in list form, which makes for easier and quicker reading; the showing time is also included. The chief advantage of the McNeil book is that it includes daytime TV, which the Brooks and Marsh book does not.

Alex McNeil's "Total Television" is the Mother of all TV reference volumes. If you can't find it here, it ain't worth knowin' about. How he was able to compile all this information covering 50+ years of TV is beyond me. Crack open this book at any page and you will be reading for hours, probably days.

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This book is incredible. The book is full of life with photos, documents, blueprints, and much more. Readers will be pleased with all of the detachable documents and things that somehow make you feel closer to Pac. My mom and I were in tears when we read on of the detachable court documents that a father wrote to a judge regarding Tupac's true character. He stated that his son was deathly ill and had one final wish that Tupac granted. What a tear jerker!! Read and enjoy. You will come away inspired and more in love with a man that helped change the way we perceived thugs and how we felt about hop-hop.

Excellent book. The copies of tupacs writings etc are unbelievably realistic. The CD is fantastic. If you are a Tupac (2Pac) fan this is a must have book

I bought this book for my son-in-law who is much interested in Tupac. When I opened it, I was amazed at how beautifully put together the book is. It has an innovative, creative format which combines story, photo, and the primary source materials of his life. I know this is probably a pretty academic review--but really, this is a creative, gorgeous, well- designed auto/biography. Excellent.

I feel like I am in a Master Class and teacher's pet! Ellen Sandler provides a friendly and in-the-know work guide in how to write TV scripts. She offers exercises that had me laughing hysterically at my OWN details/specifics that will be used for my characters. The 7 deadly sins became that evening's "dinner topic" with a group of journalists that not only livened up the night but provided MORE embarrassing, sensitive and humiliating inspiration. I have more to read and to study but I knew I was in wise and experienced hands from the first few pages. HIGHLY RECOMMENDED!

This book was in excellent condition and arrived quickly. What more is there to say.

I rarely make a recommendation, but this book is the most helpful I have ever read on TV writing. It offers a very practical process that is like a key opening a door to your own creativity.

This is by far the BEST TV writing book I've ever read and I have nearly all of them. Sandler doesn't just tell you the steps necessary to write a fantastic spec script, like all these kinds of books do, she guides you through the creative process of mining story material for it. And she tells you how to fashion subject matter that has the most emotional meaning for you, the author--which is the benchmark of great writing. It was a concept that until now, that no matter how many books I read, or how many harsh notes from execs I received on all my previous specs (or so I thought, now I FULLY understand their notes!) that I didn't grasp until now. TV Writer's Workbook, has provided the creative lightbulb I needed to get me out of my sucky spec script darkness. Highly recommended!

I've been using Ellen Sandler's book as a guide for the last few weeks, and I feel I've done much better work in that short time than I did all last year. The book is mainly geared towards sitcom writers, and for those interested in writing a comedy spec, this book is the one to get!

Wow!!!! Excellent book!!!! I am an avid reader and I picked this up never having heard of Carole Bellacera and am I ever glad I did!!!! This story of the lives of Robin Mulcahey and Amy Shiley, unlikely best friends and how a tragedy changed Amy's life forever, is so intense I really had one heck of a time putting the book down. Now that I have read this I want to snatch up everything Carole Bellacera has ever written!!!! Very Highly Recommended!!!!

It was so good. The plot and the "hot." On my list I gave it a 5 all the way. Happy reading.

After reading EAST OF THE SUN, WEST OF THE MOON by Bellacera, I found every other book she'd written and read them all. And now she's actually topped herself with UNDERSTUDY! This is a great writer who pens can't-put-down books! You'll be hooked from the Prologue to the last page. There's one word for this book - WOW!

I feel this time around Carol Bellacera has dug deep to find something that every person who has felt they have lived an unhappy life can relate to. All through the entire book, you feel that the character Amy lives in a living hell. But we see that it's her best friend Robin who is living a dark secret. You will cheer for both characters and you are almost to the brink of tears once you read the epiloge.

Robin Mulcahey had the perfect life. She had won awards for her roles in plays and as a soap-opera star. She was married to Declan Blair, an Irish film actor. She had it all.

But everything about Robin became a lie back in 1996. Robin and her best friend, Amy Shiley, were in a horrible car accident. Robin died and Amy was mistaken for her. From then on, Amy pretended to be Robin and stepped neatly into her new life. Amy suddenly had more than she'd ever dreamed possible.

Amy, of course, feels guilty for assuming Robin's life, but who could it ever hurt? Then there is Paul, Robin's older brother ... the man she still loves.

***** An awesome novel that will capture your attention quickly and easily! I could not help but wonder how many of us would have grabbed the chance for a better life when it was offered to us on a silver platter, as it was for Amy. But the lives of the famous are not all that grand. In fact, author Carole Bellacera did a pretty good job showing how fake it could all be. (Personally, I would find fame to be a prison and not something to strive for.) The author also did an incredible job at showing the conflicts of emotion Amy goes through. Very well done! Highly recommended! *****

Reviewed by Detra Fitch of Huntress Reviews.